#might make a post with predictions for 3-2 at some point

[ct-multifandom]

Forever lamenting that YTTD chapter 1 dropped during the Trump presidency because this meme wasn’t invented yet

Spent the entire Sara minisode going “it’s joever” over and over again in my head

[thedivinetarot]

2025 predictions

Predictions post

☆ Here's how to chose your pile 🤍🤍🤍

☆ Note:

This is a general reading, those predictions are made with tarot cards and Lenormand. Please take what resonates and leave what doesn't. To ensure those predictions as accurate as possible I did an energy check and I will make it as detailed as possible.

Enjoy the reading dears🤍

Lot's of love and care

Arya

☆So, what is this reading about?

This reading is a predictions about 2025. Also, since it is a general reading take it with a grain of salt! Nothing set in stone. For more specific readings I have an offer and here's the link🤍. Enjoy this month's offer, I kept tarot super affordable and easy. Now let's get to your reading Angels 🦢💕.

Pile 1 - Tarot

1. Work:

Well, for people who are currently employed I see a rapid progress in your field. I see that you might get more enthusiastic and happy about your work life. I see that at some point you'll have a lot of workload but you'll manage it like a pro🤍. Also, I see that a man might help you at work. I'm not seeing any promotions at all, I'm seeing that you might feel nostalgic to someone you worked with or an old job that helped you before. Now, if you are unemployed; I see that you'll get a job after active searching. I see also that a friend will help you find the job and it'll be something online, maybe teaching a language online? Or yk something else like crypto and if you are not interested in that thing it is a job online or you'll find the advertisement online and contact the people. I'm seeking that at first you'll feel very burdened by this job but it'll progress quickly and you'll get used to it.

2. Romance:

Okay, weather you are single, taken, in a situationship I see that the main focus will be on you. Something here is lacking, maybe this year you won't be dating anyone if you are single and if you are indeed in a relationship I see that you'll leave that toxic partner. If you are in a relationship and your partner is NOT toxic then I see that both of you will go through challenges that will test your relationship. If you are single I see that you'll feel very anxious about social gatherings which in turn make you feel more isolated and in turn it'll make it harder for you to get in a relationship. I see that some of you may be working towards healing and transforming, you'll get that baby but you'll face many lessons to love yourself more (I feel like this line is quite vague to let me rephrase it), if you indeed ended up dating someone it'll be a lesson for your growth and not something long lasting. That's what I'm seeing, others as I mentioned will chose to be alone and work on themselves.

3. Finance:

I see that some of you here are already students (college/school) some of you might not worry much about money, if you are a college student or someone who rely on themselves to pay the bill be careful of scam. Some people here might get scammed by something a project perhaps. This person might come to you to share your money with them to open a project or a hustle. But their intentions are not clear or nice. They want that money for themselves. Also, I see that if you are married or in a relationship there will be problems related to finances between you and your partner. I see tension, also gambling? Be careful of giving them your money to gamble it. I see that you can create abundance in your life by being grateful and managing your resources wisely.

4. Soul/ spirituality:

I see that some of you here a new to spirituality and others are in a very developed state. I see that there will be an ending to a phase and beginning of another phase. Also, try to be more receptive to signs and synchronicity because they hold a meaning to guide you further. Some people here are disconnected from their spiritual guides or the universe, they are trying to talk to you by sending signs and you are completely brushing it off which hinder the information to reach to you. Also, I see that you'll be in a more lighter state when it comes to your own rituals, you'll feel more lucky and happy about your progress which in turn will make you very proud. I see messages and communication, again if your guides are sending you signs do not ignore it.

5. Overall:

I see that it'll be a very peaceful year for this group. I see that some people here will find their passions. Other will indulge in creative projects and others will heal emotionally. I see peace and transformation, stability too. I see that some people here especially people working on themselves it'll be a very rewarding year which will make you very proud in turn and build a good foundation for future developments.

Pile 2 - Bunny on mosaic

1. Work:

Hey guys how are you🤍? I hope you are doing well. Anyways, I see that in 2025 you might get a rushing decision to quite you job and start a business on your own. I see that this decision will be taken hastily which is not so good but in the long run it'll being you benefits. I see that you'll commit to a work on your own and in return you'll feel very happy about it. I see that after quitting your job and cutting off ties with people their you'll be on a path of growth but it will be full of danger and beneficial, rewarding at times and full of challenges. Someone old might push you to take this decision, perhaps an old man or a masculine? Ig they will force you to take that decision. And if you are unemployed, I see that you'll start actively applying for jobs that even are not related to your field just to be employed. Now this action will guarantee you with a job that'll at first be so full of burdens but rewarding at the same time. Wish you luck pile 2🤍.

2. Romance:

I see many scenarios here but let's start with my dear single people, anyways I see that your current energy towards love and relationships is quite detached and distant. I see that you no longer care if someone came and go. You are as you are, I see that people here are mostly focusing on their own happiness and healing which is so great. I see that in the beginning of this year nothing really will happen to you at all, no one will come and you'll be alone. As the year progress between June and July I see someone coming in to commit to you. This person is quite fiery and optimistic and I see that you are too comfortable in your own solitude to bother chasing after them. But I see that their intentions are quite honest. This person is very traditional, they'll offer you love and commitment, peace too. Now if you are already in a relationship I see things will be very peaceful and drama free with your SO, they might propose to you too but since this is a general reading you can DM for more tailored one for you and here's the link. Anyways, I see things might progress with you SO and they'll eventually ask for your hand in marriage or long term commitment. If you are dating someone and you are unsure about them I see a break up here but it'll be for your own benefits. I see that after this break up you'll meet the person I said you'll meet above.

3. Finance:

I see you spending money wisely this year also, I don't see a huge shift in your finances. It may get a little tough and be careful of mindless spending. I see that you'll be resilient and overcome any financial challenges this year. Someone here is married or at least there's a masculine in your life who is helping you with finances. I see that some of you will stop taking money from that person and will eventually turn to start working. I see that the bottom energy is quite tough, some people here have been struggling financially and even used for money. I see that you'll be very discerning about who you give your money to which in turn will be very positive as an outcome.

4. Soul/ spirituality:

Okay, I see that there's an important message here for someone which is do NOT IGNORE YOUR INTUITION. I see that your intuition is giving you direction like a gentle tap on the shoulder and guiding you towards chaotic things which will make you feel very uncomfortable. But trust it, whatever comes to you is for your OWN benefit. I see that you'll try to rationalize things which will prevent your own transition and growth. Do not hold onto stuff that no longer serve you. If you are still hanging around in a toxic environment and hesitant to leave I assure you that you have outgrown them baby. I see also some people here are getting spontaneous downloads from the universe but keeps ignoring them. I see healing this year, I see that you'll be very healed after this year.

5. Overall:

I see that what you are planning for in this year will not happen exactly like you wish but it will happen in a way that will make you very fulfilled (how can I say?) Oh yes! You'll get what you want but not in the way that you wish for. I see that some of you by the end of this year will be married or in a long term relationship, there'san emphasis on stability so ig if you are working to buy a house and be independent you'll have that dear. Others here will be more assertive and independent. And for people who do seek emotional healing; you'll be healed as long as you work on it. I see a warning here, the warning is be careful of getting attached in an unhealthy way especially romantic attachment. Take care, lots of love pile 2💕.

Pile 3 - Love jar

1. Work:

Some people here are stuck in a very toxic 9-5 job and you have been in this position for ages, I'm talking about years in this job and all of sudden you'll either quit OR get fired from your current job. I see that people in this group are very smart and strategic, I see that you'll literally use you resources and social life to get in a better position or find another good job. I see that (if you quit on your own) you'll meet someone and fall in love with them and it'll end up in marriage or long term relationship. Now if you are unemployed; I see that the period of unemployment will end very soon, I see that you'll get a job offer, it'll pay you a very good amount and you'll be independent and abundant on your own. This offer will come from a man or someone you know, a neighbor? Perhaps someone in your neighborhood will help you get that offer. I see that people here will cut contact with toxic friends or co-workers. I see that if you are from the first energy (employed, want want quit) you'll be very healed and happy for that decision.

2. Romance:

I see that you'll get a stable love offer but you'll be very hesitant about accepting it. I see that people here are still stuck on a situationship or an Ex. I see that emotionally you are still attached to that one Ex and if you are not so then you might be subconsciously still processing that attachment to them. I see also that some of you here (singles) are quite pessimistic about finding someone that is going to love you. I see that you have this mindset that "I'm not enough" and "no one likes me" and you keep repeating this toxic narrative which get you stuck. What you have to do (from my perspective) is to heal your self worth and self esteem. I see that you are very defensive when it comes to letting your guard down which drive potential suitors away. Now, as I mentioned above there's someone coming for you but are you ready to accept them? Are you emotionally in the right space to love them? Pile 3 when you ask for love the universe doesn't say no it says "are you ready for that?" So use this for your advantage. Anyways, for my beautiful in a partnership people I see that your relationship with your SO will deepen a bit this year and I see that you'll both spend unhealthy amount of time clinging to each other, I see that there's nothing wrong with that but a little space can make wonders. Others here might actually end a toxic relationship with a spouse or long term partner.

3. Finance:

Some people here are manifesting abundance and fueling this beautiful manifestations with beautiful abundant feelings but the problem here is be careful of falling into wishful thinking instead of manifesting (yeah that might happen) I see that you might be someone who is either being provided for or your job doesn't really require that much of a labor. But still if you are manifesting you need to actually believe that you'll get that amount AND NOT wish for it. Like for example: I'm manifesting an SO into my life so instead of wishing for an SO like "ooh this couple is so cute I (wish) I could date someone" here is a state of wishing not believing. Actual believe is seeing a couple and instead of wishing you say "I (believe) that the universe will send me a partner that is aligned with my highest good". You see the difference? Let's get into your finances again. I see that if you are searching for a job, you'll find one and by the end of this year as I mentioned in the first section you'll be very stable and abundant. Also, it'll require you to have courage and strength to achieve it (both finances and the job). I'm sure you can do it babe💋💋.

4. Soul/ spirituality:

Okay, I see that if you are already spiritual, I see that your root chakra will be very stable and strong this year. If you came from the first 3 sections I see that getting that job will make you feel more secure and even your solar plexus chakra will rock it this year. Your self esteem will be off the charts and you'll feel victorious!. Anyways now if you are not spiritual which is obvious in this spread be careful of ego-centric thoughts and greed. Some people here are very disconnected from the source/God/universe or whatever you believe in. I see that you need to be careful this group's energy is quite karmic, so be careful of running away from karmic lessons and instead embraced them pile 3. I wish you a good year.

5. Overall:

As I mentioned above for some of you, this year will be very karmic so be careful guys of refusing to take the lesson. It is for your highest good. Also, there's a masculine in your house that is hiding something from you, I'm not quite sure what it is and this might not be for everyone, now because this is a general reading you can DM me if you are interested in a tailored reading for you and here's this month's offer. I see that in this year you'll reach material stability, and be more balanced spiritually and above all some people here will get in meditation as a way to soothe anxiety and stress. Other's will be very overwhelmed and stressed out that's why you'll get into meditation. Take care pile 3 and let's of love💕.

Pile 4 - Aphrodite statue

1. Work:

I doubt if this group work or not but anyways. If you are unemployed I see that money and abundance will come to you effortlessly this year. And if you are already employed I see that you'll be very popular in your work field and all eyes will be on you. Some people here are wondering if they can start content creating but afraid of the instability of this field, what I'm seeing is you'll be very liked by people and you'll get popular very fast, if you have cancer in your 10th house or MC in cancer I see that this year will bring you a lot of attention and love from people in your work field or the internet. Other's here want to sign up in a modeling agency but are afraid to fail, now no you won't fail or get rejected and if you get rejected consider rejection as I redirection for a better place. Some people here are already artist, you draw, write, paint, or do other artistic stuff I see that this thing will open you a very good business. The growth of this business will be steady and very rewarding. I see also some interaction between you and your fans and it'll be a very loving, supportive relationship. I see abundance too, if you are scared to start your hand-made business or use your talent for money tale this reading as a sign of success.

And since this is a general reading made with love and patience, you can DM me for a tailored reading for you; I have done an offer this month here you can check it our of you are interested 💕.

2. Romance:

Guys, I see that you'll either be in a two romantic relationships this year or you'll chose between two people. I see that if it is the first option (two people in this year) one of them is young, fiery, charismatic and optimistic. This person will change you and make you more aware of the hidden aspects in you. This person will open your eyes and force you to trust your intuition which in turn will lead you to the second person. The second person is older than you, grounded, protective and resourceful, they want a family and to build a stable foundation with you. This person does not play around at all, when they put their mind to something they make it happen. This person will bring love, stability and connections to your life. For others; you'll date or meet them both but at the end you'll have to only chose one. There's an advice here about being very discerning and clear about what you want. Because the second person will be chosen by your intuition. I see that your intuition will guide you towards this person. In this pile I'm not picking up on people in long term relationship if you are curious you can chose another pile and ask "how my romantic life will be in 2025?" And see what you'll get. Anyways, I see that your decision will bring you a very happy, stable and emotionally fulfilling relationship with that one person. And if you are not really looking for anything serious, I see that your dating life will be very rich with suitors in 2025.

3. Finance:

I see that if you already have read the first section from this pile then what I'm going to say next will make you very hopeful. If you are pursuing a talent and want to make it a business I see that you'll be very successful. Your finances this year will improve, I see at first you'll go through many hardships and as you progress it'll be easier and and easier. I see that for some of you; you may sign a contract with an agency, company or any organization which in turn will open a door of independence and solid ground for you. I see that you'll get very overwhelmed at first but as you think it through everything will move as it should. There's a message here about divine timing and discernment. If you are waiting for something it'll happen but in the divine timing and if you are currently searching for a job you need to use your discernment and cut through confusion. Also, there's an end to a very hard period of financial instability. This year will be marked by independence and self sufficiency.

4. Soul/ spirituality:

This pile’s energy is quite toxic but anyways. Guys, do you have daddy issues? I see that in this year specifically you'll feel extra sensitive from that. I see that this person will try to manipulate or control your life by using their resources and your wound will be torn open again. But this time it won't hurt as much like the 1st time but it'll be the universe's way to make sure that you learned the lesson. I see that you'll have to end this relationship with him because of how much pressure and manipulation they place on you. This person is your enemy and their relationship with you is karmic and abusive. Some people here have a narcissistic father whom their whole life tried to manipulate and hurt you. I see that your energy towards that will be very balanced and calm. You won't shout, you won't cry, like everything inside you for them has already ended. I see a history of abuse here, some of you have a CPTD from their father. This man literally was playing you by threatening you with money or not paying for you. Maybe because you'll be independent? They'll try to assert their grip on you again? Yeah ig so. Be careful of quitting for peace sake, you don't want peace you want to be able to stand on your own feet. I don't know why I turned this portion to something about psychology instead of spirituality, so maybe this is your lesson this year? To be able to see through this man's bullshit (sorry guys I felt mad🥺). Yeah also, there's shedding here, this year many of you will shed their own beliefs and old self, other's will have a spiritual awakening.

5. Overall:

I see that this year will be marked by a very deep transformation here but mostly about love. I see that love will be a huge chapter in this year. The person I told you about will give you strength and happiness to continue moving forward with grace. I see that this person will show you unlimited possibilities and will be very supportive of you🤍.

This pile was the longest pile but anyways, love you guys and take care💕.

Post date: 9th of Jan/2025 - Thur

*Feedback back is more than appreciated baby💕

[nightisawkward]

"Another challenger… it has been ages. Perhaps you have forgotten how this game is played. Allow me to remind you."

Happy halloween fellas!!! Hermitcraft/Life SMP inscryption AU ft. Boatem gang I cooked up awhile ago but never got around to posting B-) Wild life smp has reminded me how mentally ill I am about putting these Guys in Situations so here I am

Mild to major inscryption spoilers under the cut!

For those familiar with the game, the general roles are:

Luke Carter - "Challenger"/Grian

In this AU Grian is still a trading card-based youtuber who's recording all this nonsense going down real time as in canon, but has closer ties to the GameFuna company equivalent, named "WatcherCorp". His old college roommate/best mate Jimmy went to work for them, but mysteriously passed away in a fire at their headquarters. He found the Inscryption cards in Jimmy's leftover personal belongings a few years after his death, and decided that the best way to honor him would be to make a video featuring the project he put his heart and soul into... in more ways than one.

Key difference from canon Inscryption: Grian's mind is sucked into the game of Inscryption whenever he is playing. He is able to enter and leave the game at will, but he doesn't realize this until he first dies to Leshy/Pearl and ejects himself unconsciously out of fear of dying. The only reason he realizes he isn't hallucinating is because his camcorder footage proves he actually enters the game. He obtains the "Watcher's Eye" during Act 1, which he keeps for all future acts and allows him to see things he shouldn't see as a Challenger.

P03 - "Scarred Stoat"/Scar

Despite being the one who convinces Grian and the other Scrybes to stand up against Pearl, no one seems eager to spend any more time with the conniving conman than absolutely necessary. This may have something to do with Scar's history of backstabbing and cheating both Scybes and Challengers whenever it benefits him most. Which makes it rather unfortunate that Grian is must spend time with Scar in order to gather as much information as possible.

In the beginning, Scar and Grian do not get along in the slightest. Grian finds Scar's attitude too "fake", while Scar finds Grian's "cowardice" to be irritating. At some point, the two go from passive-aggressive fighting, to a grudging truce, to more friendly, lighthearted banter. Neither person seems to trust the other, but it doesn't seem to stop the two from being ✨saddled with unnecessary feelings✨. Scar's Act 3 world is much like Leshy's Act 1 world, with much more emphasis put on environmental storytelling and general Vibes than actual gameplay. Even if his game is a smokescreen for his true goal of Ascension, he feels strangely obligated to give Grian his best shot.

Scar in his proper Scrybe form appears more steampunk than canon P03. Think of a Grumbot with Scar's boatem base aesthetic and tons of missing nuts and bolts. P03's bastardous tendencies+ Scar's steampunk base made this role perfect for him.

Magnificus - "Horned Wolf"/Impulse

Impulse is a talented artist and an even more talented programmer. His future sight stems from his literal sight: His eyes are able to see read the code veil behind Inscryption, allowing him to predict likely futures based on what code is running. He often laments his status as an NPC, claiming that if he were given administrative privileges and the actual ability to modify source code he would have been able to escape Inscryption long ago.

He is rather absent in Act 2, focusing on finishing his "artwork" as soon as possible. He uses his brush to create a menagerie magical creatures with strange abilities in hopes that using one in battle might trigger a unfixable bug, allowing him to rip a hole through the source code. It is unclear whether he was able to accomplish his goal before Act 3 roles around, but it seems like Scar's method of Ascension seems awfully similar to Impulse's... perhaps a sneaky spy was able to steal Impulse's information?

As a proper Scrybe, he resembles a walking mop or a yak with overgrown fur. Most of his features are indistinguishable, save for his small horns and his glowing goat eyes.

Lemora - "Distinguished Stinkbug"/Mumbo

Mumbo is by far the most easygoing Scrybe in the cast. While he would greatly prefer an eternal slumber over yet another temporary ceasefire amongst the Scrybes, he is willing to work with the others in Act 1 simply because he finds his stinkbug form too uncomfortable to sleep in. Mumbo's goal is simple: to delete the game of Inscryption, and therefore himself, and finally rest. However, finds the constant power struggles in the world of Inscryption rather tiring and simply can't be bothered to make a grab for power himself to achieve this goal. This hasn't stopped him from asking Grian to destroy floppy disk of Inscryption. Unfortunately for him, the temptation of the o̷l̵d̷ ̶d̸a̶t̷ [REDACTED] mysteries within Inscryption are simply too powerful for Grian to resist.

As a proper Scrybe, he looks almost exactly like Mumbo's minecraft skin: A pale, mustached man with blood red eyes who resembles a vampire. Mumbo denies all vampire allegations. While he is the most "normal" looking Scrybe, Grian would still hesitate to call him "human" ...there's just something slightly off about his appearance that sets him on edge.

Leshy - "Game Master"/Pearl

Pearl is an unforgiving gamemaster that puts more emphasis on providing the player a challenge than her canon counterpart. After her self-proclaimed "tutorial", there is no more handholding and she gives Grian an absolute hellish time. Grian is only able to get a slight edge when he discovers all of the Scrybes, who provide him with stategy help to even the playing field. It is unclear whether Pearl actually enjoys running her Act 1 game or not: she seems to derive an animalistic pleasure from defeating Grian, but there are times where she seems tired and fed up with the endless gameplay loop and intentionally throws during key fights. She switches between manic and depressed at the drop of a hat.

During Act 2, she barely even tries to give Grian a challenge, allowing him to progress straight to her boss fight without any side quests to "get it over with quicker". She seems to hold a deep grudge against Scar for some reason, which is the only thing that motivates her to take action to stop him during Act 3.

Mysteriously, Grian finds a burned and unusable Unicorn card within her Act 1 cabin. Upon discovery, Scar immediately suggests that Grian leave it where he found it. Some things are best left forgotten, after all...

[annymation]

Sonic Movie 4 Theory 💙

Hey guys! Since Sonic Movie 3 has been consuming my brain, specially that post credits scene, I’ve decided to write down my predictions to what will happen in the next movie.

I’ll probably be wrong, but that’s ok, theories are not meant to be 100% accurate, they’re just fun to make, and I’ve came up with some ideas that I really wanna share, feel free to share your own theories in the comments or add whatever you think might make my theory even better.

Alright, let’s begin

What can we learn from Amy’s first appearance?

So from the little time we get from her we can catch a few things:

1. She already has plenty of fighting experience against these Metal Sonics

2. Her hammer is futuristic looking

3. She has a hooded cape, like, she’s not meant to be seen by anyone else

4. This last one is important: Her smile implies she already knows Sonic

With all of that in mind, I believe this Amy is from the future, but as I’ll explain, she’s not from far away in the future, rather… She’s from the time Sonic Movie 4 ends.

That’ll make sense in a sec, probably, I hope so, we'll see.

To make this theory make sense, first, imma talk about where I got my inspiration for it… Soooo

Have you guys watched Howl’s Moving Castle?

The Howl’s Moving Castle paradox theory✨

That’s how I’m calling my theory by the way, since it was what inspired the whole idea of it.

So, to explain my theory, I’ll have to give yall a mild spoiler of this Studio Ghibli movie, in case you haven’t watched it, it’s surprisingly not a big deal in the narrative but in any case, you’ve been warned.

Still here? Good, so here's the spoiler

At the end of Howl’s Moving Castle, we get a scene Sophie goes back in time, she sees past Howl, and screams to him, asking him to come find her in the future, as she’s being sucked in back to present day

This scene gives new meaning to the scene at the start of the movie when Howl “first met” Sophie, and he said:

Soooo why am I bringing this up? Well, I believe Amy is having the same role Sophie had in that movie, and of course, Sonic is getting Howl’s role, but, while in Howl’s Moving Castle we followed Sophie’s point of view, in Sonic 4, it's like we're following Howl's POV, or in this case, Sonic's.

You might already have an idea where I’m going with this.

Where Is Present Amy?

As I've mentioned, I believe that Amy we saw at the post credits scene is from the future, well, that begs the question, where is the Amy from the NOW?

That's up to Sonic to find out.

Just like how Sophie was forcefully brought back to her time after meeting past Howl, I believe this Amy will disappear too, because she can’t stay in that point in time for too long, but before disappearing, she’ll ask Sonic to look for her in their home planet, which we'll be referring to as Mobius.

However, before she can tell him specifically where he can find her, her time will run out. Future Amy will be gone, leaving behind a very confused blue hedgehog, and one sack of rings.

Before she left, all she had time to tell Sonic was “find me on planet mobius, on the island-“ and then she was gone in a poof of green sparkles reminiscent of the green stars we see when time traveling in Sonic CD.

With that as their only clue, Sonic, Tails and Knuckles will have a very hard time finding her, considering that the whole planet is full of islands.

South Island, Christmas Island, Cocoa Island, Starfall Islands, West Side Island and MANY many more.

But despite the odds not being in their favor, they go anyway, with backpacks full of snacks for the trip of course, and the rings Future Amy left behind.

We’d get, let’s say, a 3 minutes montage accompanied with music of the boys going through various Game locations, from both old and new Sonic games, and probably some much needed lore exposition from Knuckles and Tails, with Sonic being amazed by the planet he never got to know more about.

That’d satisfy fans that want to see more game lore stuff while also not costing the animators that much to design all the anthropomorphic animal characters in the background and so on.

Of course, it’s not easy finding a pink hedgehog among millions of other animal people in a whole planet, but Sonic doesn’t care, he gotta know who she was, and how she can help them deal with those knock-off robot versions of him, they may strike again at any moment... Also she was really pretty but that surely is unrelated to why he wants to find her so much *cough cough*

So, to make matters worse, the wind blows away a sketch Sonic had made of Amy to help them identify her, it falls on a lake, but, much to the boys luck, it’s pulled out of the water by a fishing hook… And they encounter a certain big friendly purple cat.

Yeah, I know this is getting into fanfic territory, but hey, with the little info I have currently I kinda have to make stuff up, plus, the writers have shown interest in inserting Big the Cat in these movies for a WHILE now, but never got a good excuse to do it. This is my take on how they could implement him into the narrative in a natural way, that wouldn't just make the 3D modelers make a whole BIG character to be a blink and you'll miss it reference in the background.

Back to the plot, Big gives them the sketch back, but with it being all wet, they don’t have much hope left that they’ll ever find the girl they’re looking for. Big laments that their drawing got ruined, and as they’re leaving he casually adds “It was a really good drawing of Amy, I’m sure she’d like it”

Their ears perk up as they quickly turn to the cat, and Big confirms he does know her, they’re neighbors, and she was currently on an adventure of her own, apparently looking for some kind of “destined encounter” as she had put it. Big gives them the location where they can find her.

Which would be riiiiiiiight here

I believe this location is called Never Lake, but Idk if it's canon or just an Archie Comics thing, either way, I'm calling it Never Lake.

Anyway this segment is already getting pretty long so I’ll make this brief, Sonic finds Amy, on his own, Knuckles and Tails went to different sides of the island to look for her, it’s important their first meeting is just the two of them.

I have three ideas to how this first meeting could go:

When he finds her, she could either be on her own, distracted as she checks her tarot cards and Sonic awkwardly interrupts it, startling her, making the cards flow away in the wind, to which Sonic catches them quickly, which both impresses Amy and proves to her the cards were right, she got her destined encounter.

2. Alternatively, she could not be alone, she was being attacked by a group of hooligans *cough cough* Fang, Bean and Bark *cough cough* and Sonic proceeds to save her while being a lil a snarky trickster and making her laugh during the whole rescue.

Either one of these first encounter ideas works for me because both set up Amy being certain Sonic is the one her cards told her about, however, even though seeing more mobian characters and get a cute scene of Sonic fighting bad guys is cool, I do prefer option number one, for reasons that will become more clear in a sec.

. . .

Ok the sec is over, the reason is because I think another Metal Sonic would show up and try to kidnap Amy and having her being rescued twice is redundant, his motivation? Some version of her from a different point in time just wrecked a whole army of them of course, so he's trying to get her before she can become that future self (time travel sure is messy to write but work with me here)

Sonic, now accompanied with Tails and Knuckles defeat him, preferably also with Amy's help so we can get some main 4 action we've been waiting for, and now, they got a deactivated Metal Sonic laying on the floor, ready for Tails to take to his workshop (aka the garage) and figure out where, or rather, when this thing came from, get some memory files, and most importantly, find out how it time travels.

Gathering all that data, Tails is able to unlock the secrets of time travel, and also he figures out that changing the past will not change the future this Metal Sonic comes from, how is that? Welp, let me explain

How Will Time Travel Work?

In science fiction there are 3 types of time travel theories:

The Fixed Timeline

The Dynamic Timeline

The Multiverse

For this theory, we are going with the idea Sonic 4 will follow the rules of the Multiverse Theory

Don't let that name fool you, I'm not saying we gonna get Sonics from other universes crossing over like game Sonic, boom Sonic, Sanic or whatever, no, here's how it works:

According to this theory, when a time traveler journeys to the past, or future, they do not travel within their own timeline but rather to a parallel timeline. This means that any actions taken in the past do not affect their original timeline, thereby avoiding paradoxes.

Think of it this way, let's say you have two choices, you can choose between going to the mall or staying home, in one timeline you chose to stay home, in the other you went to the mall, in this theory, those two timelines still exist as different universes, like a river dividing in two different directions, the choices we make create different branching timelines.

I think a fun way Tails could explain this to the group would be using the logic of video games, like, imagine he explaining while geeking out and we get visuals referencing classic Sonic games.

In a video game, there's two ways a level can go, you either pass, or you get a game over, now, what happens when you get a game over? As in, what happens in the game's story, well, the bad guy wins, but that doesn't really matter since you can just restart and try again, right? Right, at the end of the game we always end with the "timeline" where the hero didn't die at all, but, what about those alternative timelines we DID get a game over?

Tails explains that he believes these robot versions of Sonic come from an alternative timeline where Sonic DID get a "game over", thus creating a "Bad Future".

By saying "game over" Tails would't be implying Sonic died btw, he believes Sonic just got captured in this alternative future and needs some help heheh how naive what, who said that?

Anyway, now that we got the logistics of time travel, I guess it's about time we address the metallic hedgehog in the room.

What's The Deal With Metal Sonic(s)

So, from the little we've seen from Metal in that post credit scene, one thing is certain, he wanted Sonic dead.

That to me at least kinda confirms the movie will work with the Multiverse logic in mind, because otherwise, if Metal were to kill past Sonic then the events in the timeline would change drastically, that is, if we were going with a Dynamic timeline where past events affect the future. In the Multiverse theory, killing Sonic in that moment would simply create a new timeline where Sonic just went for a race with Tails and Knuckles, disappeared and never came back home, a new bad future.

And that, my friends, is what I think those Metal Sonic's were trying to do, going back in time to different moments where Sonic was alone, distracted and helpless, just to eliminate him over and over and over again, creating a bunch of branching timelines where Sonic get's his game over, by an enemy he doesn't even know.

Think of it as Metal taking the "There can only be one Sonic" thing to the next level, there can only be one timeline where a Sonic wins, and that Sonic is ME.

It makes sense right? At least I think it does, you tell me.

I'm working with what we've seen so far, all we got was Sonic distracted and all alone, then Metal showing up like the Exterminator, indicating he's from the future, put those two informations together and my brain says "Metal is going back in time to kill Sonic in all the moments in his life he was alone and distracted"....... My brain is kinda crazy tho ngl.

And with the little information we got I'm about to go even crazier as I explain what lead to Metal's creation.

I'm still pondering how Eggman would work in this theory, I'm torn between just saying he died and Shadow survived and crash landed because he's just THAT durable, or, both him and Shadow time traveled to the future through Chaos Control. Either way, sounds good, I'm undecided, but let's say Agent Stone started to work on Metal Sonic first, then a few years later Robotnik just popped up again in the narrative because Shadow just made a Chaos Control that took them to the future actually, so they're fiiiiiine, this is the part of the theory I'm least sure of.

Events That Lead To The Bad Future

In this segment I'll describe what I believe happens in the alternative timeline Metal Sonic comes from, all the following events would be narrated through exposition and flashbacks, not actually play out in the movie for too long, just thought it was important to make that clear.

After the events of Sonic 3, Stone spiraled down into deep resentment towards Team Sonic, believing it's Sonic's fault for the doctor slowly going insane and ultimately resulting in his supposed death.

So, he decides to finish what the doctor started, by creating a robot that could not only match, but also surpass Sonic.

We know from Sonic 2 that Stone has at the very least SOME knowledge of technology, he changed a whole coffee shop into a secret base. However, even though he is skilled, I don't think Stone could ever make Metal Sonic on his first try (Nor Eggman honestly)

So he started with prototypes, sending them to cause havoc so Sonic and friends would fight them, and he could collect more data about how Sonic fights

And each time, model after model, Sonic would always beat these "knockoff" Sonics, and each time, they'd come back improved, but never good enough to defeat them.

Perfect opportunity for us to get a flashback or exposition with these guys being these prototypes

Years go by, let's say, 5 years, with Sonic now being 20 years old, Knuckles is 21 and Tails is 13, and in between that time Eggman and Shadow also came back through Shadow's Chaos Control (Again, this is the part of the theory I'm most iffy about, could use some ideas from ya'll).

So far the future is bright for the boys, they went through many adventures together, are way more skilled and fought so many pesky robots it's practically a game for them at this point.

It's not a game for prototype Metal though, who has retained the memories of all his defeats, every single time Sonic has mocked him with a cheeky grin, every failure, reminding him he's not good enough.

From that, something sparks inside of Metal's programing...

Hatred.

He's tired of this vicious cycle, tired of following orders from both Eggman and Stone. However, he's still confined by his programming, an un-willing servant who wants to break free but simply can't.

Until one day, Metal get's a whole new look, as usual, he's sent to fight Sonic and friends, once again as he always does... But something different happens.

He manages to disobey.

When Eggman orders Metal to attack Sonic, Metal decides a diferent strategy, and attacks Tails instead, knowing that Sonic would throw himself in front of his little brother to protect him, and indeed that's what happens... Metal did't miss his shot.

For the first time in one of these battles Sonic got injured, not seriously injured but enough to impress Eggman, shock Stone and give Metal a huge boost in his confidence, and mainly his ego.

The villains get away, with Stone now worried with how Metal seems to be deviating from his programing and wanting to do things his own way, while Eggman is just over the moon knowing Metal's artificial intelligence has advanced so much, he decides to go a step further, giving Metal more freedom to do as he pleases without the need of commands, and also uses Sonic's quill to power him even more, announcing their little project is out of beta, and Metal Sonic is their final design.

Little did they know, Metal had other plans.

Neo Metal Takeover

Yeah you've read the title, you knew it was coming, I need this boy in the movies very badly.

Basically, Metal Sonic upgraded himself, gave himself a voice, an identity, seeing himself as Sonic perfected, a Sonic that wasn't held back by fear of losing his loved ones nor bound by any morals. He was Neo Metal Sonic.

Just like in Sonic heroes, Neo rebels against Eggman and Agent Stone, and goes to defeat Sonic his own way, in a permanent way that would finally put an end to the endless cycle.

They put up a good fight, but ultimately, Sonic in a trapped, Neo Metal wins, he has Sonic right where he wants him and Tails and Knuckles can only watch, he's ready to give the killing blow... But... Sonic doesn't look defeated.

He smiles... That same determined smile Metal has seen over and over again, and in fact, Sonic doesn't even look at Neo at all, he just turns to Tails, eyes full of hope as he says "It's up to you now, I'm counting on you"

He probably would say something to Knuckles too but in true middle child mocking older sibling fashion he'd just go "You better beat this piece of scrap metal or I'm SOOOO gonna come back as a ghost to haunt you"

So yeah anyway, alternative future Sonic dies, rip, Tails, Knuckles and Shadow (bet you forgot he was alive) all fail to defeat Neo because dude can just copy abilities and also he made a bunch of Metal Sonic clones.

He proceeds to take over the world under the disguise of Eggman (because just like in Heroes he can shapeshift) following exactly how the doctor envisioned the world, dominated by machines and pollution, sooooooo yeah, we get our Bad Future! Uhuuuuul!

You'd think after all that Neo would be satisfied, right? He'd just lay back and enjoy his world domination... But nope! He couldn't accept that in Sonic's final moments the hedgehog still had that gleam of hope in his eyes. Neo didn't win, not really, because he never got to break Sonic's spirit.

Neo decides to fix that.

Now, I don't know how they gonna deal with the means Time Travel is activated, it could be with the Time Stones like in Sonic CD, but I don't know where Neo could find those, or, it could be with the Chaos Emeralds like it is in Sonic 06. Either way, the point is that Neo figured out how to time travel, and he chose to use that power to be the ultimate hater.

So, we circle back to where we've started, when I said Metal Sonic is going back in time to different moments where Sonic was alone, just to kill him, over and over and over again.

Needles to say, Neo Metal Sonic got issues.

Of course it's not exactly HIM who is doing it, Neo is still in his empire in the bad future, while his clones are doing the job of killing a bunch of past Sonics, but still, they're all connected in the same network, like they're all the same character.

Sooo anyway, you might be wondering, where the heck is Amy?

So, Back To Amy

You may have noticed I didn't mention Amy at all during this whole explanation about how the bad future came to be, welp, that's because she's not from that timeline.

Now this is the part it's kinda confusing and I remind ya'll about the whole "Howl's Moving Castle" paradox I've mentioned in the beginning, logically it doesn't make much sense, but I'm looking at this in a POETIC way, like they were destined to meet and the stars aligned yadda yadda yadda that kind of stuff.

Logically, it doesn't make sense Howl met Sophie because her future self from a few days in the future told him to come find her in the future, since she only time traveled BECAUSE she met him in the first place, and yet, we don't question it, we just think it's cute.

The same way, in this theory, it doesn't make sense Sonic met Amy because her future self from a few days in the future told him to come find her in the present, since she only time traveled BECAUSE she met him in the first place, and yet, I'm asking you guys to not question it, we just think it's cute, and writing time travel sucks.

Anyway, so what do I think will be Amy's role in this story?

Well firstly, she falls for Sonic, that much I feel certain about, but her role won't be just fangirl and be all sticky, after being rescued from that Metal Sonic attack, she's HYPED to join Sonic and the others in this adventure, she wants to help them the best she can, even if her hammer is just a toy hammer (yeah she only get's the futuristic one later) and she's not as fast as Sonic, she still promises to not leave them until they defeat those robots, and thus, she fits right in with the team.

She's girly, enthusiastic, has a heart of gold, and most of all, she's optimistic.

Once Tails finishes building the time travel gizmo, which as I've mentioned before, could be on Sonic's shoes or a wrist watch, they're all set to go to this bad future, believing they can help their future selves deal with these robots.

However, Sonic can only time travel if he runs very fast for a long time, and he can't really do that carrying Amy, Tails & Knuckles on his arms, right?

So, Knuckles decides to stay behind, trusting on Amy to be the muscle of the team in his absence. Sonic carries Amy on his arms, while Tails holds tightly to his back. As Sonic runs, the speed builds and builds to the point sparkles start to glow around him, but, Sonic runs so fast, Tails can't hold on and... Tails let go and falls before they time traveled, being left behind in the present.

Sonic and Amy are on their own in the bad future, and Neo Metal Sonic couldn't be happier to get his second chance.

With that said... I'm gonna stop here.

Final Notes

I could go on detailing how I think the events would play out from here, but I'll just summarize with a few bullet points:

As soon as Sonic and Amy get to the bad future they're already chased down and captured, and Sonic loses the gizmo that allows him to time travel, thus they're trapped there for a good chunck of the movie.

Tom and Maddie are still in this story, in the first act they support the boys going to their homeworld to find Amy, giving them snacks for the trip and just asking them to be careful. They help out Tails when he's making his time travel gizmo, and in the second act, we see them in the bad future, along with other humans who are trying to hide from Neo Metal, like a kind of resistance group.

Throughout the narrative, Amy with her positivity would be the source of hope Sonic needs in order to overcome all the pain he'll endure seeing this horrible future. No matter how bad things get, Amy believes in him, and in turn Sonic believes in himself, even if his future self lost, that Sonic didn't have an Amy, so there's still a chance.

Sonic also helps Amy in her own character journey, she doesn't see herself as a heroine, and is deeply insecure about her future, hence why she's so interested in tarot cards, so she can be sure of what's gonna happen next, however, Sonic teaches her to see her own value, and how amazing she already is in the present. They both highlight the best parts of one another.

You may be wondering where Tails, Knuckles and Shadow are in this bad future. Well ya'll might hate me for this, but I do like a good cliche, and it sure is a cliche that in dystopian alternate future you see your loved ones turned into mind controlled robot versions of themselves... Yeah

What can I say? I love some angst. Also, it would be a neat callback to the roboticization thing from the Archie Comics.

Shadow wouldn't be roboticized, he'd be locked up by Neo. Sonic and Amy find him and free him, we get a heartwarming moment where Sonic is relieved he's alive, and they get at least one ally that can help them figure out how to fix all this mess.

6. Eggman and Stone could be locked up along with Shadow, and I can only imagine how pissed off Sonic would be seeing the doctor again, I need Shadow and Amy holding him while Eggman comedically runs away scared.

7. Climax of the movie would be Neo and Sonic having a race for the Master Emerald, and just to prove he doesn't need any upgrades to beat Sonic he reverts back to his original smaller form we all know as Metal Sonic. The race is actually a distraction so Amy, Shadow, Eggman and other human characters can free Tails and Knuckles from their roboticized state. Of course, Sonic wins, Neo get's mad and almost emotional about the fact he can't even beat a younger version of his "loathsome copy" in a race. Sonic tries to reach out to him and reassure him he doesn't have to be perfect (or some other kind of lesson like that), and extends a hand just like he has done to his two other rivals in the past... Neo Metals says "naaaaah f*** that" and grabs the Master Emerald, turning himself into Metal Overlord, and THEN we get our final climax.

Obviously Sonic wins, all the metal sonics were controlled by Neo so they deactivate when he's destroyed. But before Sonic goes back to his time, Tails, now conscious, points out that the shenanigans Neo Metal pulled with time travel has created a bunch of divergent timelines where Metal Sonics have killed Sonic in the past, which is pretty bad for the time stream as a whole.

Amy offers herself to time travel to the same points in time these Metal Sonics went, saying she can defeat them before they hurt Sonic in any timeline. It's too risky for Sonic to do that himself, since if he's seen or touched by any of his past selves it could be a bit troublesome.

Soooo yeah, that's what Amy was doing in the post credit scene, just doing a clean sweep of all the Metals who tried to hurt her darling Sonic. Using a hammer that future Tails designed that allows her to time jump directly to all those Metals, but she can't stay in those points in time for too long.

And with that, I think we're done.

Final Thoughts

Although I'm happy with this theory I do recognize the chances of it being right are VERY low.

The tone of these movies is quite different from all of this, the implications of Sonic dying, even if not shown of screen, might be a bit too much for Paramount to accept, and even SEGA honestly.

But hey, it happened in 06 so there's a small chance I suppose.

The point of this theory really is that I hope we get to SEE Amy develop into that Amy we saw in the post credits, and the idea of her going back in time to save Sonic over and over again just sounds very cute to me, for once she's the one saving him and not the other way around.

All in all, I hope you enjoyed this theory/almost fanfic. Please leave your opinion, constructive criticism and questions in the comments! Hope we can improve these ideas together!

Thank You For Reading!

[agatharkn3ss]

Episodes and story predictions (spoilers!)

My restless brain has been on another quest.

Full theory explanation and lots of plot side-notes included below, but the short of it - I think the episodes order is going to be something like this (including previous ones for completion):

Ep. 1 - Westview: Agnes of Westview Ep. 2 - Westview: Setting up the journey Ep. 3 - The Road: Water trial - Jen (blue road) Ep. 4 - The Road: Fire trial - Alice (orange road) Ep. 5 - The Road: Spirit trial - Agatha (purple road) Ep. 6 - Westview: Teen backstory Ep. 7 - The Road: Air trial - Lilia (yellow road) Ep. 8 - The Road: Earth trial - Rio (green road) Ep. 9 - The Grand Finale (Agatha all Alone?)

BACKGROUND ON THE SYMBOLISM First of all, thank you to the production team for their incredible attention to detail. It is clear they have done a lot of research and put a lot of thought into symbolism and telling the story from the visual point of view. This is what makes theorising so much fun!

The whole show seems to revolve around the Wicca religion (also known as "The Craft" - I see you Teen!) that uses the pentacle (5-pointed star inside a circle) and typically worships Triple Moon aka Triple Goddess aka Hekate (Maiden, Mother, Crone) and Horned God (could be Marvel Mephisto). The magic circle uses 5 elements - Fire, Water, Earth, Air and Spirit. Together they are believed to be the root of all matter. Each element has a set of values associated with them, often also colours. While the colours are not always coded in the same way, I found that this (totally Agatha-unrelated) graphic below fits so well with the show's imagery.

The moon phases also play a big role in here. There are 8 lunar stages, but only 5 elements, so it will be interesting to see how the show continues to link these two strands (so far we've had Full moon for Water trial and Waxing for Fire). Moon phases are also linked with the stages of life - I won't go into full analysis but check out @shutupineedtothink post who beautifully explained possible connections with our witches.

I only wonder whether the full moon in the first trial was maybe mistaken and it was New moon instead? So that we are just moving through the first 5 phases of the moon? After all, it was Teen who identified it - although he was correct about it being the Water phase.

Episode 3: Water Trial - Jen - Blue - Full Moon Colour: we already saw that as the events unfolded, the light took on the blue tint, because of the water outside. Jen's own nightmare was all in blue. And the road (leaves, roots, mushrooms) leading to the trial was all blue. Story: Jen being associated with Water elements makes sense. Healing, Expression, Peace and Compassion fit really well with her role as a midwife and influencer (did you all realise that it was the midwife work that Agatha referred to when she explained why she spared Jen and her powers because it was "good work that matters" - a nod to Agatha appreciating maternal values). I don't think we will see much more of Jen's backstory - at least not as a dedicated episode, but only through bits of conversations like by the campfire. It feels like Jen's struggles were to do with a mental block and I think Agatha's pep talk was the one that made Jen realise her real power and, though she might not realise it yet, she might be regaining her magic as she starts believing in herself again. Plus I like the idea of not giving an evil man too much of a screen time because it's not his story. Trial exit: oven... so into the fire (as next trial)

Episode 4: Fire Trial - Alice - Orange- Waxing Moon Colour: red/orange tints were so much more obvious in this trial and the road to trial was orange. Even Alice's hair have some red/orange streaks. And her nightmare in ep.3 had some orange tint to it. Story: Alice also fits so well with the fire element values. Passion, Inspiration, Intuition, Creation, Protection - all of these align with her role as an ex-cop, but also her emotional journey as she thinks herself responsible for everything. Then there is the nod to creation when she overcomes the curse with the aid of a song. She is also (except for Teen) the youngest of them all (Maiden). When she was playing, there were flickers of orange magic between her fingers. So I think she's had magical powers all along but just didn't know about it, because she didn't believe in it. Her Road wish was to break the curse, not to get powers. Trial exit: piano... so into the soul (as next trial)?

Episode 5: Spirit Trial - Agatha - Purple - Half Moon? Colour: post-fire trial the road is purple - the leaves as well as fluorescent mushrooms etc. The scenes look dark and it's hard to see if they have purple tint. Agatha's nightmare in ep.3 was very dark too though. Story: This is the 80s sleep over episode (judging from the episode 5 font). Spirit values are the Soul, the Devine, the Mystery. While it's true these kind of also remind me of Rio, I think it's fair to say that Agatha is a total mystery, with all those many layers and masks that she wears. She is also the soul of the coven and the guide of the trials so far. She might have lied and not have walked the Road before (although I begin to change my mind on that), but she definitely leads the coven. It was her pep talk who guided Jen to the solution. And it was her who figured out Lorna's protection spell and guided Alice to play the song. As the ballad says "(...) we carry on, Spirit as our guide" (for a long time I thought it would be the spirit of the dead guiding them). So in this episode we see Agatha's spirit becoming possessed. So the Road is not just testing Agatha, but the whole coven - see how they manage when their Spirit is not available to guide them - and I don't think it ends well. I believe this is the episode where Alice realises she has magical powers. But because she doesn't know how to use them yet, we might lose her. Peppered across the promos, we see images of Alice wielding her orange power - once inside the sleepover room and once when she's on a broomstick. We also get to see Agatha absorbing someone's power while wearing her 80s jersey. We also see at some point Agatha has a whisper of red/orange magic in her palm. My theory is that although the trial is Agatha's, Rio will play a significant role. After all, they are going to have ouija board that will spell "Death" was in the room with them. And one of the posters for the episode was Rio. Agatha will become possessed and everyone acts scared, and it will be Rio who talks Agatha down. I hope we will get some soft moments between them and that we see some flashbacks of their story to give it more meaning. But then maybe Agatha needs magic to return her soul. Rio can't give it to her (I wonder if they explain to the witches why), so Alice blasts possessed Agatha instead. She absorbs the magic and returns to normal. They exit the trial on broomsticks. However, I think as they are flying away, they get attacked by Salem Seven. This is where Alice tries to use her magic again, but she might be exhausted or just inexperienced and she falls off the broomstick and we don't get to see what happens with her? This is why I think Lilia from the future tries to send her the message "Alice, don't try to save Agatha!" (but it gets split in two visions). I also think we finally get to see Teen using his blue power - maybe to help defend from the Salem Seven? Then leave us all on a cliff-hanger when the other witches realise this. (This would explain why he's poster is for that episode as well - and he's dressed as Billy Maximoff Halloween costume - the Wiccan). The red moon silhouette shows only 4 witches in clear view - I think they are, from right to left: Agatha, Rio, Jen and Alice. In the far left, in the dark, it looks like Lilia is there as well. So maybe Salem Seven kidnapped Teen because he protected Agatha with his magic, and now the witches are chasing them? I think Lilia somehow ends up left behind (I'll explain in later episode).

Exit: On broomsticks - into the Air (next trial)?

Episode 6: Westview - Teen story The episode list has this one circled in red, so I wonder if it's the "odd one out". Maybe we don't get to follow the Witches on the Road, but see flashback to Teen's backstory, following his blue magic cliff-hanger from the last episode? Maybe we see his family car crash mentioned in episode 1. We see that his parents (the two "perps") maybe don't die, thanks to the air bags, but are in a coma? That's why Teen says he's 100% certain his parents are asleep (or he talks about Wanda and Vision who tucked the boys in their beds right before the end of the Hex). I wonder if the body that Agnes investigates in the woods isn't Wanda or Darkhold, as everyone thinks, but Rebecca Kaplan - Billy's mom. Anyway, Billy Kaplan is at the back of the car and dies. But then two things happen - Death appears (Rio) to collect him, but Billy Maximoff reincarnates into the body and he lives. Hence the "Near death in Westview" hint for Joe Locke's end episode credits. Rio is intrigued and sticks around, maybe finally finds Agatha who is no longer able to hide from her because she has no Darkhold. I think Billy will try to summon the Witches Road by himself - maybe he wants to find his brother Tommy, maybe he wants to bring back Wanda and Vision, or maybe he wants to get back his Kaplan parents? I hope we get introduced to the final character that's missing from the end credits!

Episode 7 - Air trial - Lilia - Yellow - Waning Moon? Colour: Lilia's nightmare in ep.3 had distinct yellow tint. We also see lots of promo material of scenes with very heavy yellow filters. Even the road is yellow-ish at some point. Story: Air values are Intuition, Knowledge, Renewal, Change - this fits well with Lilia's divination abilities, as well with her age. We know she is the oldest witch in the coven and has lived for some 450 years, through many tragedies and the many ways the women were persecuted. Lilia is also always so vocal about the negative stereotypes that surround witches - she mentions green skin, broomsticks, talking to goats. Episode 5 might already give us the broomsticks and in this trial we will actually see Agatha as the green-skinned Wicked Witch of the West, so maybe we will also have a nod to the goat talking bit? That would be funny! Anyway, in this episode we see that Lilia will be Glinda (the Good witch), Agatha will be Elphaba (the Wicked witch) and Jen looks like the Evil Queen from the Snow White, but in her old hag form. And even the "yellow" road would be a callback to the Wizard of Oz. So I think the trial will be about those negative stereotypes and how witches have been perceived. We know Lilia doesn't like having to predict all those tragedies and feels deeply for all the victims. So what if her tarot trial will be about her trying to predict something good because it's something she was never able to do? Or maybe about her trying to use her powers to manipulate the cards to change the prediction into a good outcome? Or - trying to reverse a tragedy that happened in the past. It's interesting that the card she holds in the promo poster is The Tower. The card stands for "sudden, disruptive revelation" - kind of like Lilia's 'blips', and the trial seems in a tower-like room. There will be swords sticking out of the ceiling, threatening to fall down. We also know Salem Seven make their appearance again. So I think Lilia tarot reading will be about sending all those messages to the coven in the past (check my other post to explain the detail) and to send herself the list of the witches name so she writes them down for Agatha. When she succeeds, the timer (sand glass) gets turn upside down, and everyone in the room gets inverted as well - so they are flying in the air? That could mean that the Salem Seven gets impaled on the swords... but eek, I hope Lilia doesn't share the same fate... I didn't see any other characters in the air though. There is also a rumour that we will get another version of the Witches Road ballad - this time focusing on Lilia, so we will hopefully see them using Patti's full potential.

Back to the rest of the coven... I think after the broomstick flight they get separated. Lilia gets to the tower/castle first as she was left behind. That's why we see scenes with only Agatha, Teen and Jen on the Road (yellow filter) and they somehow circle back to the start, where Agatha falls over a pair of shoes they left at the beginning. Alice and Rio are not there - maybe because Alice died and Rio is taking her to the underworld. Or maybe they just separated, fingers crossed. We also see Agatha and Teen looking at a castle in the distance - that could be the castle that Lilia is in, so that's how they rejoin her.

Trial exit: the ground - so that next trial is earth?

Episode 8: Earth trial - Rio - Green - New Moon? Colour: green? There are a few scenes with dark green filter but not much else has been revealed Story: Earth values are Fertility, Wealth, Abundance, Strength and Wisdom. I hope we get to see how Rio is connected to that. The trial itself is the one where we see Agatha and Teen inside a morgue. This ties in well with both Earth and Death - lots of buried bodies! So sometimes I think maybe Rio isn't Lady Death after all, but her powers make her connected to the dead bodies, maybe to bring life? Agatha has her hands on Teen's head, so I wonder if she's trying to finally get rid of his sigil. They somehow pass the trial - which they believe to be the last one. Maybe the trial room gets flooded with soil at the end, and they climb their way through it - back up to the surface in Westview - maybe we will find out that everyone else who "died" on the Road has actually just climbed back to Westview. But maybe Agatha doesn't get out that way and still has to find the exit. At some point she gets angry because she still doesn't have her powers back even though she passed her Spirit trial (she screams "I want my prize!"). Maybe she realises it's the hair locket (or the symbol behind it) that stops her from regaining her powers and she needs to sacrifice it? Can't really deduce huge amount about this episode yet, other than we see Rio in her full chaotic self. She blows a kiss to someone as well (Agatha?). I think this is going to be a big episode, where Rio's true intentions are finally shown.

Episode 9 - The Grand Finale I draw blank on that one. I don't want to guess how they tie it all those strands together and how they show the impact of the Road on the witches lives. But there is that thought that keeps eating at me - in ep.1 Agnes says "If there is one thing we can agree on is that these cases are always about the place. The specific small town, the history of it, the secrets buried beneath it. That's where the answers lie." I think this is important and there is some big foreshadowing going on in there. Because yes exactly - why did Vision choose Westview of all places for their forever home? (Was it even Vision who chose it or was Wanda just made to believe that? The reason she knew about the plot was that someone dropped a file in her car) And after the events, the traumatised people still choose to live there. And Mrs Hart mentioned she would've expected to see "remnants of a failed public transit system" under Westview. I mean, would such a small town need it? I think there is something going on with Westview itself, maybe there will be a big reveal about this Mephisto at the end?

But that essay will be for another time. For now, I think I need to give my brain some rest. What does everyone think? Have I missed anything or are the elements that don't quite line up with the above theories? I would love to know! Thanks to getting this far!

[kit-screams-into-the-future]

another post for @bttfjanaury! this one's @itsthemorph's mermarty au and very predictably i got carried away with it LMAO.

yap session and bonus stuff below the cut:

once again i came up with an entire backstory for this au, and if i were a fanfiction writer i would genuinely consider writing it since it's a lot less visually comedic than the weredoc au (and comedic in general, it's played a little straighter than "man turns into dog and is thoroughly inconvenienced by it") (unfortunate [in reference to visuals] bc i enjoy drawing mermarty a great deal more than weredoc GBJKGJ) bc i really like the premise but i'm pretty bad at fleshing out a narrative in enough detail to last the whole story so bullet points it is:

doc has decided to take a break from his time-travel-related research and go on vacation! the fresh coastal air might jostle a couple ideas into place, and while he is a nuclear physicist and not a marine biologist he wouldn't mind checking out some of the local aquatic life

and by local aquatic life he meant like normal fish and stuff. a nice mollusk or two even. so when he ends up fishing an entire boy out of the water instead he's understandably very shocked

before doc can move past the "where did he come from??" thought to register his more fish-like qualities, the boy makes a run (a swim?) for it. fortunately or unfortunately for doc, he ends up being able to register the fish-like qualities after all since he gets dragged into the water along with him. the moment doesn't last too long, though, and the fish-boy is gone as soon as doc realizes the guy has a fish tail instead of legs

doc gets back on the dock (haha), thinks about the whole ordeal for a bit, and decides that the best course of action is just to assume he hallucinated the whole thing in a fit of heatstroke or something like that. he's here to relax and get his thoughts in order so he can continue working on his time machine! there's no time to investigate fairy-tale creatures or whatever supposedly living off the coast of california!

it's not shown in the comic but i imagine doc has a little portable radio next to him as he was fishing, so some time passes before he catches a glimpse of something shining in the water underneath the dock

he looks through the cracks in the dock and lo and behold, it's the same boy from earlier! doc greets him, and the boy immediately disappears under the water. doc thinks he's scared him off until a few minutes later where he pokes his head out and says hi back

they get to chatting and doc learns a couple things:

1. his name is marty!

2. he was trying to get doc to realize that he forgot to put bait on his hook but got his hand caught on it, and was trying to get his hand unstuck from the hook without ripping it open before doc ever had the chance to see him, which he obviously failed at

3. both the being seen and ripping his hand open, because in his haste to get away after being seen by doc he ended up doing that anyways. so there's like a lot of blood coming out of his hand now? but like don't worry about it. it'll be fine. he thinks.

4. he really likes whatever it is that's playing on the radio

doc insists on patching up his hand and initially marty refuses but lets him do it eventually, and marty tells doc that for a land dweller he's actually surprisingly nice. doc says nah anyone would want to help out someone hurt, especially if they're the one's who caused it. and marty's kind of confused by that because his family's always warned him of how dangerous humans are, which he kind of never thought too hard about until now where his time off this particular coast has really proven them correct, because he's encountered a bunch of humans over the past couple weeks and they've all tried to kill him or catch him. doc's the only one who's actually bothered to say hi!

after learning that particular not-at-all-concerning tidbit, doc asks him to elaborate because there's a lot to unpack over there, but someone else walks onto the dock before marty can get a word in and he takes off

marty does not return, even once the other guy leaves, and when doc packs it up to return to the place he rented out for the vacation he overhears a conversation among a group of men about spotting something weird in the water earlier and that it kind of looked like a mermaid? and that if any of them manage to catch it they'll all be rich as thieves. and another guy in the convo goes no you're thinking of rich as kings, you're mixing it up with a different analogy. and the first guy goes no i'm not i said what i said

so now this vacation is doing anything but clearing doc's mind. he's really worried about that little fish guy

there's a couple more ideas i had but halfway through writing out this bullet list i've realized that if i were to actually write this as a fanfiction, i'd probably want to keep those a surprise. so what i just wrote out is kind of the equivalent of one chapter

edit after thinking about it a bit more: since most humans have been trying to kill him, marty really has no incentive to let a guy know that he's wasting his time fishing with a baitless hook. so a. he's still pretty optimistic that most humans aren't out to get him, even if his experience off this particular coast says otherwise, so he was trying to be nice anyway or b. (which i think is a lot funnier) he has started to pull on people's lines as a way to fuck with them. i think if i wrote this i'd change it to this one

i based mermarty off of a guppy fish! specifically this kind of guppy fish:

i was searching up kinds of fish and he just had the vibe of this thing. although now i think i should've made him a flying fish instead. for the pun

alternate ending to the mini comic:

the other one makes a little more sense since just approaching a guy whose species doesn't know about your existence unprompted is pretty stupid even for marty (and also i thought it was funny that the hook didn't have anything but doc ends up catching something anyways) but i still think this one's funny too

[foone]

The way it works is it's a surgery to make you immune to a bullet.

Note, that's not the same as being immune to bullets. You're only immune to a single shot: if someone shoots you twice, you're dead.

You can take the surgery again, though. The only real limitation is that you gotta wait 2-3 weeks between each time. But if you've got the money and the time, you can be as bulletproof as you want.

It doesn't "refill", by the way. Often when the surgery is explained people think it's like "a bullet a day" or "you can get shot once a year" or whatever. Nope! Once you've been shot it's just like you never had that surgery to begin with. If you want to "refill" that immunity? You have the surgery again.

No, there's no upper limit to how many times you can go, that we know of at least. There's one guy in Florida who has made it "his thing" to get the surgery as often as he can. He's currently up to about 50. Obviously there's some people online who've said they're gonna shoot this guy and lower his "record", just to be countrary.

Anyway I'm sure there'd be people who have even higher numbers (anyone who has "getting shot" as a major occupational risk, ie, politicians, soldiers, cops, and anyone doing any kind of residental survey in rural areas), but they only invented the surgery like three years ago, it's just simple math: you can't do much better than that guy.

The invention of the surgery hasn't done much to decrease gun sales, though. I mean, there's been a slight increase in people buying guns with larger capacity, for what I'd consider obvious reasons.

I did see an article suggesting that in the long run it might end up increasing the sale of guns. See their analysis is that two factors are going to drive up gun ownership:

1. People will be more willing to shoot at trespassers and thieves and such, because it'll be more like a warning shot: if they have some immunity, it won't be murder. So far that hasn't really happened as not that many people have the surgery yet. Although it's spreading fast, only major cities have surgeons trained in it, and often waits for surgery can be months long.

2. Conversely, people are going to be more likely to break in and rob and trespass if they know they can't be shot dead for it, because they got the surgery. There'll be a minor uptick in home invasions and such and this'll cause a big predictable panic among middle class homeowners who are now terrified some hooligan is gonna break into their house to steal their iPads. Thus they go throw money at security systems and cameras and guns.

So who knows at this point. If the cost (in both time and money) comes down, maybe it becomes super common for people to be so effectively invulnerable to guns that there's really no point in owning one?

I do agree with the common consensus that this is going to drive a big increase in crimes committed with knives and such. Why take a risk that your target might be immune?

Which reminds me of another thing to clarify because sometimes people online get this very wrong: it's only for bullets! You are not immune to getting hit by a car or poisoned or set on fire. Don't walk into traffic or anything, jesus.

Oh one last thing: there is a blood test that can tell if you have immunity, but it can't tell how many times you've had the surgery. You gotta figure that out yourself: so ask your doctor, search your emails, something. Every day I'm hearing from healthcare workers saying someone came in to get the blood test and it had to be explained to them that we can't tell how much protection you have: only if it's there or not. And I feel like a fool for having to say this, but REMEMBER to subtract any times you've got shot! (if you have been) Obviously!

EDIT: In light of recent events, people are sharing this post and arguing about it a lot, but let me be clear: grazes and small cuts do not count! The exact dividing line is too complicated to explain here (look up "circulatory shock" on Wikipedia), but basically if you don't end up with a big hole in you, the shot doesn't trigger the immunity.

That's how it works: you could have an ear blown clean off, and you'd still not trigger an immunity. So please stop spreading that idiotic conspiracy theory that a former president didn't have any immunity. You can barely run a high-school without being required to have immunity to hold the position, because what if someone shoots you? Come on! Of course he has immunity.

For all we know he's got some prototype experimental shit they use on president's that got him up to 200 in a couple days. There's endless rumors of the DoD funding billions in black budget items to that sort of thing, because of course. Who wouldn't want a way to make bulletproof soldiers? You don't think the soviets are pouring even more into it?

[celestial-prime]

Sonic 4 movie. Theories and predictions

Hello everyone! I finally watched Sonic 3, and I can confidently say it was one of the best experiences I’ve ever had in a movie theater! It had been such a long time since I felt so much emotion and joy watching a film. The last time I experienced these feelings was with Michael Bay’s Transformers movies, especially the fourth and fifth installments. Just like back then, when I was super excited for the next movie, I now have the same anticipation for the fourth Sonic movie.

In the post-credits scene, we saw the first appearances of Metal Sonic and Amy, which already gives us a taste of the continuation of the Sonic live-action franchise. That’s why I’d like to share my theory about what might happen in the next movie and which game from the Sonic saga it might adapt.

AND... Just as Sonic 1 was an adaptation of the first classic game, Sonic 2 represented the second game, and Sonic 3 was based on Sonic Adventure 2, I believe the fourth movie will also follow this adaptation formula.

My idea is that the fourth movie will be inspired by two games: Sonic CD, where Metal Sonic makes his first appearance, and Sonic Heroes, where Metal Sonic becomes the main antagonist. In Heroes, he evolves into Neo Metal Sonic and later into Metal Overlord, the final boss. I believe the concept of time travel, central to Sonic CD, could be key to the plot of the next movie.

Now, let’s dive into the possible plot of the fourth movie and how the story might unfold.

Probably, Metal Sonic came from the future and returned to the past with the goal of defeating Sonic, driven by frustration at never being able to defeat him definitively. In turn, future Amy, upon discovering Metal Sonic’s plan, decides to also travel to the past to protect him. This could explain the post-credits scene where we see Amy hooded.

This raises some important questions: How did Amy know where Sonic would be, and how did she know who he was? The most logical answer would be that, in the future, Sonic and Amy eventually meet, and she decides to go back in time to save him. Another key point of the potential plot would be the origin of Metal Sonic. After all, who created him, considering that Dr. Eggman died in the ARK explosion in the third movie? While Shadow survived because he’s practically immortal, Eggman is just a regular human, making it extremely unlikely that he escaped.

With that in mind, here are some possibilities regarding Metal Sonic’s creation:

Agent Stone as the Creator:

Stone, loyal to Dr. Eggman, could create Metal Sonic as a way to avenge his mentor’s death. This would continue Stone’s arc, showing how he seeks to keep Eggman’s legacy alive.

G.U.N. and Director Rockwell:

Another possibility is that Director Rockwell, who showed distrust toward Sonic and his team, decides to create Metal Sonic. After the events of the third movie, where the planet was nearly destroyed, she might use Metal Sonic as a weapon to eliminate Sonic, believing that he and his team are too uncontrolled.

Eggman as the Original Creator:

There’s also the possibility that Dr. Eggman created Metal Sonic a long time ago, perhaps after returning to Earth at the beginning of the second movie. However, due to the humiliation he suffered when defeated by Super Sonic, he might have abandoned the use of Metal Sonic and kept the project stored along with other copies. These copies could have been activated later, continuing the storyline.

Any of these options could fit well into the fourth movie’s plot, depending on how the writers choose to proceed with the narrative.

Even though the three movies so far have adapted elements from the game franchise—two from the classics and one from the modern games—they contain many original elements. For example, Sonic’s origin was adapted for the movie, and the story takes place on Earth, not on his home island or planet of origin. Additionally, the Master Emerald wasn’t found on Angel Island but on Earth, and Shadow didn’t live on the ARK in space but also on Earth. So, it’s likely that the fourth movie will also introduce original elements while incorporating important aspects inspired by Sonic CD and Sonic Heroes.

Now, here’s my idea of how the fourth movie’s plot could unfold:

Just like in the second and third movies, Amy could appear after the movie starts, similar to how Tails was introduced in the second movie and Shadow in the third. The movie would likely begin with an introduction to Sonic and his team.

After the boys (Sonic, Tails, and Knuckles) decide to organize another friendly race, Sonic gets too far ahead and ends up in New York City. This becomes even more confusing due to the time difference since he, Knuckles, and Tails live on the other side of the United States with Tom and Maddie. It’s at this point that Metal Sonic and Amy enter, as hinted at in the post-credits scenes.

After Sonic is attacked by Metal Sonic and saved by Amy, he’s full of questions. He wants to know who she is, how she knows his name, and how she knew where to find him. His questions are similar to those he asked Knuckles and Tails when he met them. Amy then explains that she came from the future to help him defeat Metal Sonic once and for all.

With no other choice, Sonic decides to take Amy home. There, he introduces her to the rest of the team, and they begin discussing what’s happening. Amy explains that she came from the future to warn him about Metal Sonic and save him. She details Metal Sonic’s origin, explaining that he’s after Sonic to defeat him once and for all since he couldn’t win in the future. That’s why she followed him to the past, both to warn Sonic and help him in his mission.

With this information, Sonic, Tails, Knuckles, and Amy decide to form a team to face Metal Sonic. However, upon realizing that their enemy is extremely powerful, Sonic concludes that the only way to defeat him is by using the Master Emerald again to transform into his Super form and destroy him once and for all.

However, there’s a problem: at the end of the last movie, Sonic 3, Sonic lost his Super form while preventing a global catastrophe. During that moment, Shadow was also in his Super form but stayed behind after the final explosion. This caused the Chaos Emeralds to scatter across Earth due to the impact. Now, Team Sonic must gather the Emeralds again to have any chance against Metal Sonic.

Meanwhile, G.U.N. also steps in. After the events of the third movie, the organization begins questioning how Sonic and Shadow were able to prevent such a large-scale catastrophe. They eventually discover the existence of the Chaos Emeralds and, upon understanding their immense power, decide to locate them to keep them "safe." After all, the Master Emerald is seen as an extremely dangerous weapon, capable of turning a person into something close to a god.

This is where Rouge enters the story. As a G.U.N. spy, she’s sent to locate the Chaos Emeralds before Team Sonic. This sets up a race between both sides: Team Sonic needs the Emeralds to save the world and defeat Metal Sonic, while G.U.N. wants to capture them to prevent them from falling into the wrong hands (even though, for Sonic, that includes themselves).

This intense competition between Sonic and his team against G.U.N. adds a layer of tension and urgency to the film, especially since both sides have legitimate motivations for wanting the Emeralds. However, G.U.N.’s belief that Team Sonic isn’t trustworthy might spark conflicts and tense moments between them.

During this race to recover the Chaos Emeralds, Metal Sonic comes into play. He ends up encountering both sides—Team Sonic and G.U.N.—leading to a major battle among everyone, adding more tension to the plot. At this point, Shadow, who still holds a grudge against G.U.N. for what they did to Maria, temporarily joins Team Sonic. His main motivation is to prevent G.U.N. from keeping the Chaos Emeralds, as he believes the organization doesn’t deserve that power.

Since Shadow has a direct connection to Chaos energy, similar to what we saw in Sonic Heroes, Metal Sonic manages to obtain one of Shadow’s quills. He uses the power contained in it to amplify his abilities and eventually evolves into Neo Metal Sonic. By combining Shadow’s power with the Chaos Emeralds, Metal Sonic reaches his final form: Metal Overlord, the final boss in Sonic Heroes.

However, before this happens, G.U.N. manages to capture the Chaos Emeralds, putting them temporarily ahead in the race. At this moment, Rouge, true to her nature as a jewel thief, betrays G.U.N. She steals the Emeralds, but her escape doesn’t go as planned. She soon realizes the situation becomes critical when Metal Sonic, now more powerful, begins transforming into his primitive forms, leaving a trail of destruction in his wake.

Seeing no other choice and recognizing that Team Sonic is the only hope to defeat Metal Sonic, Rouge hands over the Chaos Emeralds to them. With the Emeralds in hand, Team Sonic activates the Master Emerald’s power, allowing Sonic to once again transform into his Super form. With this power, Sonic faces Metal Overlord in an epic final battle.

Shadow’s role at this moment remains uncertain. He might join Sonic in his Super form, as he did at the end of Sonic Adventure 2 and Sonic Heroes, or he might choose not to intervene directly. Regardless, this battle serves as a major climax for the film, bringing both classic and original elements to the story.

Although the previous films have adapted elements from the games, they’ve also added their own unique ideas, and it’s likely the fourth film will follow the same trend. The movie universe, after all, is separate from the games’ universe, giving the writers creative freedom to develop new stories and explore different dynamics between the characters.

Regarding Shadow’s presence in the fourth film, I believe he’ll play a key role, as his connection to Chaos energy is crucial for Metal Sonic’s transformation into Metal Overlord. Shadow’s involvement would also be an opportunity to further explore his relationship with his past and G.U.N., as well as strengthen the dynamics within the movie universe.

Introducing Rouge, hired by G.U.N. to steal the Chaos Emeralds, would be an excellent way to bring the character into the cinematic universe. This initial role, where she infiltrates as a spy and later betrays G.U.N., demonstrates her cunning and independence while establishing her motivations. By the end of the movie, Rouge could team up with Shadow and Agent Stone to form the famous Team Dark, opening doors for future storylines.

As for Omega, his introduction would be a bit more complicated. However, one possibility could be Agent Stone reactivating one of Dr. Eggman’s old robots, as Omega was originally created by Eggman to serve as a guardian and companion. This idea would fit well with the theme of reclaiming Eggman’s legacy in the movie, but his presence would need to be carefully balanced to avoid overwhelming the story.

Introducing too many characters in the fourth movie could be a challenge. While it’s exciting to expand the cast, it’s essential to keep the story’s main focus: the showdown between Metal Sonic and Sonic. In the first three movies, new characters were introduced in a balanced way, always keeping Sonic at the center. This balance ensured that Sonic’s protagonism remained intact, even with the addition of significant figures like Tails, Knuckles, and Shadow.

Therefore, while Rouge and Shadow’s presence seems essential, adding more characters like Omega could be challenging without diverting attention from the main plot. It’s important that the movie continues to highlight Sonic as the main hero, ensuring that new additions complement the story rather than overwhelm it.

The dynamic between Sonic and Amy in the fourth movie could indeed follow a friendship and camaraderie approach, similar to what we saw in the Super Mario Bros. animated movie. Just as they portrayed Princess Peach as a strong and independent warrior alongside Mario, Amy could be presented as a powerful and strategically important ally, without forcing a romantic relationship between her and Sonic.

Although Amy is traditionally Sonic’s romantic partner in the games and series, SEGA has already clarified that their relationship isn’t canon. This decision reinforces the creative freedom to adapt the character in the cinematic universe while maintaining the individuality of both characters. Sonic, with his adventurous and carefree personality, would hardly fit into a romantic role in the movies, as it could shift focus from his journey as the protagonist.

In the movie, Amy could be presented as someone who shares the same goals as Sonic, fighting alongside him and his team against threats like Metal Sonic. The post-credits scene of the third movie already gave us a glimpse of her combat skills and confidence, highlighting her iconic hammer as her weapon. This suggests her presence in the fourth movie will be more as a warrior and strategic ally rather than a character dependent on Sonic or hopelessly in love with him.

This approach also creates a more modern and inclusive dynamic for the audience, showing that a female character can be equally strong and independent without being defined by a romantic relationship. A deep friendship and mutual respect between Sonic and Amy could strengthen the development of both characters while maintaining the adventurous and lighthearted tone that characterizes the franchise.

Finally, let’s talk about the possible post-credits scenes of the fourth movie, which always leave clues for the next chapter in the franchise. Since it’s been confirmed that the fourth movie won’t be the last—the idea is to create a quintology (five movies) and not a sextology—it’s very likely that the post-credits scenes of the fourth movie will introduce a new character or hint at the plot of the next movie.

One of the strongest speculations among fans is the possible appearance of Silver the Hedgehog in the post-credits scenes. This would make perfect sense since Silver is a central character in the Sonic the Hedgehog 2006 game, whose storyline revolves around time travel. Just as Amy and Metal Sonic are essential to the plot of the fourth movie, introducing Silver in the post-credits scenes would be the perfect bridge to address the plot of Sonic 2006 in the fifth movie.

Silver could appear from the future, on a mission to alter past events to save the chaotic future he came from. His arrival would bring new dynamics to the story and expand the Sonic cinematic universe, exploring themes like fighting to change destiny and the challenges of time travel.

However, I prefer not to delve into theories for the fifth movie just yet, as the fourth movie hasn’t even been released. I think it’s better to wait for the official release of the fourth movie to understand the clues they’ll leave behind and then develop more solid theories about what to expect in the fifth film.

And that’s it, everyone! This is my theory for the fourth Sonic movie. I know some ideas might seem a bit out of the box, but as we’ve seen in the first three movies, they don’t exactly follow the stories from the games. There are many original additions and changes to fit the Sonic universe into the cinematic narrative, and I believe the same will happen in the next film.

If you’ve read this far, thank you for reading my theory! Now I’d like to know your opinion: what do you think might happen in the fourth movie? Share your ideas, and let’s keep this conversation going! :)

[realitythroughthelensoffiction]

Good Omens: on fate and reality

In season 1 of Good Omens, The Nice and Accurate Prophecies of Agnes Nutter, Witch play a vital role in helping to avert the Apocalypse. Anathema dedicated her life to understanding Agnes's prophecies and thereby helping to fulfill them. But in the final episode of season 1, when the package with the follow-up collection of prophecies arrives, she decides to burn them, because she does no longer want to live her life according to the writings of her ancestor.

This is interpreted by many as Anathema taking her fate in her own hands instead of subjugating herself to something that was foretold. But the fact that she burns the prophecies instead of studying them does not necessarily mean that she changed her fate. It is entirely possible that her life will still take the road that Agnes foresaw for her. Agnes probably even predicted the burning of the new prophecies.

The only difference is that now, Anathema knows that all the decisions she makes are of her own free will, while otherwise she would have always wondered what she did because she wanted it and what she did only because Agnes had prophesied it.

A further indication that people acting according to their free will does not contradict the idea of fate is God's Ineffable Plan itself. At the end of season 1, when the Apocalypse has just been averted, Crowley asks Aziraphale: "What if the Allmighty planned it like this all along? From the very beginning?" Aziraphale agrees that this might very well be possible.

So even though all the people involved made their own free choices, they could still have been acting according to a plan God laid out very long ago.

Conclusion No. 1: Free will and fate are not mutually exclusive.

However, it seems that some things can be altered. Adam as the Antichrist has the power to bend reality. He uses it to change the fact that Satan is his father and to bring back people from the dead, for example Lesley. When Aziraphale expresses doubt about Mr. Young really being Adam's father, Crowley says: "It is. It is now. And it always was. He did it."

So Adam did not only change reality for the present and the future, but also for the past. He was able to make things that had already happened undone.

Conclusion No. 2: In the Good Omens universe, reality can be altered, even retroactively.

And the ability to change reality does not seem to be limited to Adam. Another example, as Goldfarb Styrt (cf. p. 127; cited below) points out, is Crowley being able to get himself and his Bentley through the burning M25, while Hastur gets discorporated. Crowley simply imagines that everything is fine, and by imagining it, it becomes real. Goldfarb Styrt (cf. p. 123, pp. 126-127; cited below) also suggests that it might be the individual's interpretation of reality that matters.

That sounds really fitting to me. Because the Bentley is burning, no matter how Crowley imagines otherwise, and it explodes as soon as Crowley isn't concentrating on keeping it together anymore. And, as @indigovigilance mentions in this post, the people who witnessed the incidents during the attempted Armageddon, like Atlantis rising from the sea, still remember them, even after Adam undid everything again.

But Crowley and the humans interpret the aforementioned events in a different way than you would expect, and their interpretations have an impact.

In any case, reality and the ways in which it can be altered are important themes in season 1 of Good Omens. And season 2 contains hints that they might play a big role in the finale as well. The most prominent example of these hints is the recurring mention of the Book of Life.

I will go into more detail about the Book of Life in my next post, but the important bit for now is that by erasing someone's name from it, you create a version of reality in which "they will never have existed". So the Book of Life is another tool to effectively alter reality.

Conclusion No. 3: Reality and the possibilities to alter it are important themes in Good Omens and will be relevant to plot of the finale.

That's it for now. What are your thoughts on fate and reality in Good Omens?

Work cited: Goldfarb Styrt, Philip: Sola Fide. Ineffability, Good Omens, and the Reformation. In: Giannini, Erin and Taylor, Amanda (Eds.): Deciphering Good Omens. Nice and Accurate Essays on the Novel and Television Series, pp. 120-132.

@kimberleyjean

[thehigherseekerastro]

→ Venus Through the Houses 🪷 (the fourth house)

The manifestations of having the planet Venus through the houses in the natal chart, in a wider perspective, without being predictable about it.

DISCLAIMER 1: I am NOT a professional astrologer, traditional or modern. I study astrology for a few years, and this is a collection of what I've learned, and what I've seen manifested in real life.

DISCLAIMER 2: Use caution and discernment when reading, and understand that this post is about one isolated planet in one isolated house in a chart. There are 12 houses, 6 major planets, 3 outer planets, and at least 5 possible major aspects between planets in your chart. Those detail can and WILL affect how the energy shows up in your life personally, so it might not apply to you. Everybody is unique.

💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓💓

Venus in the 4th house 🏡🏩

What a lovely, deep and rich placement, this one. I try not to overhype nor demonize any placement, because each one has its own moments, good and bad. But this one is very cute. I'll be honest with you and say that it does NOT guarantee a fairytale, but if it's well-aspected, if other parts of the chart agree with, it could be inducing to very beautiful things.

Imagine the planet of love making her literal home in your house of feelings, the deepest most private part of your chart. Here, feelings gush out like a waterfall. Venus in the 4H lives on cloud 9. It lives in a state of buzzing romance 24/7. Venus here also breaks her natural character of wanting to be pampered and waited on, and she wants to do the nurturing herself. Of course, she wants to feel cared for back too. Very generous Venus.

The good 😊:

Very nurturing people. Warm and welcoming.

Great listeners and very empathetic.

Beautiful way with words. Not in a poetic sense, but in an emotionally sensitive way. They know what to say, when to say it and how to say to make someone feel loved and protected.

Protective of loved ones, but not in an aggressive way.

Tend to be tender, sweet and gentle.

Very angelic demeanor. Might have cherub face too.

Knows how to make any place a home.

Is somewhat of a leader (since it is a cardinal house), but in a Cancer-like way. It leads not because it commands people, but because people just trust them to lead and feel safe with them, fully believing they will do the best to provide love and care and protection.

Put their heart and soul into whatever they do.

Knows how to build a genuine connection.

Great mothers. (And fathers).

Can be good cooks or bakers (but I myself consider baking part of cooking, so I don't separate them).

Romantics at heart. About all things.

Might like children a lot and want a big family of their own.

Could possibly get along with their family very well.

Can instantly make others feel safe and trust them.

Knows how to translate their feelings.

Good emotional intelligence.

The bad 😠:

Might be prone to melodrama, and could be overdramatic.

Could be too cautious with their feelings, to a point they become guarded.

Might be stingy and hold on to things too tightly.

Could "eat their feelings" when stressed, which could lead to unwanted weight gain, an eating disorder, shame around food, or not learning healthy ways to self-regulate.

Family could be ALL up in their business all the time. Serious boundaries issues.

Could be nitpicky, just as much as Virgos. Could be a snob about cleanliness.

Slight tendency to take their feelings out on other people.

This one is gonna be hard to say, and hard to read, so, please READ WITH CAUTION – it's not about everyone. Just SOME people: Could be the type who threatens to kill themselves if a lover tries to end the relationship. Depending on how problematic the person is, might actually go ahead and actually do harm themselves, not bc they actually want to end themselves, but to guilt their ex into not leaving.

Inability to let go of toxic relationships because they feel bad for the person, or don't wanna lose what's familiar, and might wear rose-colored glasses around people from their childhood. 4H Venus is like a combination of Scorpio and Pisces Venus.

Prone to immaturity fits, wanting to be babied by others.

Could struggle with a nasty little victim complex.

Could have a "me, me, me!" attitude, but in a different way than 1H. It's more "But, what about ME and MY FEELINGS?!" kind of way.

Could struggle to spend their hard-earned money on themselves because they keep giving it away to their family/friends/buying things for the house.

Might overlook themselves physically and emotionally because they keep waiting that others are gonna take care of them instead.

Forms bonds too quickly, get too eager, might scare people away.

In love 💕:

Wants to formalize quickly.

Prefers committed relationships.

Wants to have a family.

Will devote themselves to their partner.

Could get hurt easily in love.

Emotional manipulation.

Or could just be the utmost sweetheart.

Acts of service and quality time as love language.

A little jealous from time to time.

Will try to harmonize and find a common ground when in disputes or disagreements.

Could do some shady shit behind their partner's back to fulfill personal dreams (e.g.: stopping taking contraceptives without telling them to get pregnant without the partner's consent, because they want kids.)

Could struggle with boundaries themselves and overstep a lot. Might also force themselves into private parts of their lover's life that the person hadn't felt comfortable giving access to yet.

Could confuse drama and emotional turmoil with passion and might even romanticize it and think that if they just conquer it, love will be like a movie.

Could have a food compulsion.

Could struggle with laziness, even more so than 2H Venus.

The type to cook, clean, sew, nurse and therapize their partner.

Wants to feel safe and loved above all else.

Will share all the parts to them with their partner.

Will put the children before the marriage/union after having them together.

Will step into some form of a traditional role one way or another, regardless if they are male, female or otherwise.

Lasting love. Love that leaves a mark on their psyche.

Big hearts, even bigger hearts in love.

Makes a lot of plans and dreams they wanna achieve with their loved one.

Drama queen when feeling slighted.

Not a stranger to the occasional "psycho girlfriend" behavior, regardless if they are a male. That's usually a sign they are emotionally exhausted at that point, though.

Easy to love, even easier to give love.

Might preserve the relationship a lot, shielding it from the world.

"You and me against the world" type of relationships.

Usually successful in marriage.

MASTER LIST

[ct-multifandom]

Big day for annoying people (me)

The two new eps of ML were good? Like wow it’s been great so far except ep 3 was comparatively a flop imo. Werepapas was so, idk, enticing lore-wise but I don’t have much to say that other people haven’t except that they’re clearly NOT neglecting past plot points, making the tone too silly goofy all the time, nor retconning important stuff like some people worried they would. We have been FED. I’m sure Felix is involved in that ring bs somehow, but idk if his intentions are pure or not.

Warning for the only salty thing I’m gonna say on this post: I’m so tired of going into the fandom tag and seeing people whining about “bad writing” problems that literally never happened based entirely on their own incorrect predictions they made up to make themselves mad. Ugh anyway. This post is gonna be about small details I latched onto in Daddycop!

We got to see glimpses of Sabrina and Max’s rooms this ep! Max’s room looks like a Star Trek spaceship but the books on his bookshelf are kinda giving those reference books at the library of like, archived government documents or research papers iykwim whereas the books in Alya’s room look like manga. An interesting thing I noticed in Sabrina’s room is that she has a line of framed certificates on the wall, maybe academic awards or something similar

Did they ever say if Markov can see Kaalki or not? I’m sure they will eventually but idk which option I like better. It’d be cute if they were friends but it’d be pretty funny if he had to watch Max talk to the secret floating ghost who lives with them now and not question it

List of things Sabrina dumps in the trash: yellow nail polish, the brooch Chloe gifted to her/bribed her with in season 1, the cat ear headband from her Chat Noir cosplay when she and Chloe were roleplaying as him and Ladybug in season 3, a beret, maybe the one Chloe tried to bribe her with in s1, Chloe-style sunglasses, a Queen Bee doll, a photo of them together in the old animation, and a mug/tumbler? Maybe a gift from her as well idk maybe they’re selling Queen Bee-themed Stanley cups over there.

:((((( Aw Sabrina nooo I hate seeing her so sad and the way she lied to her dad so he would think she’s happy and has friends

I think this might be the first time the show referred to Fire Captain Hessenpy by name?

Marinette’s scooter has the T+S logo on it and a sticker that says Boulangerie Paris

Between eps 2 and 4 I’m getting the sense that Sabrina uses Miss Hound as an escape kinda like CN where she feels like she can become instantly likeable, trustworthy, helpful, and useful through the inherent credibility of being a superhero. She has anonymity, can sort of start over on a blank slate, and is automatically implied to be a good person since Ladybug entrusted her. I’m guessing we’re gonna see more of that blank slate idea with other characters and what they’ll do with it, but it’s telling that Sabrina decides to transform to resolve people’s minor inconveniences, especially when she’s feeling bad about herself. It’s like she’s proving a point to herself but also giving herself something productive to do.

The GIRLS Ahhhhh let’s go lesbians

Noticing a clear absence of Alix. Ik the special implied she has to keep hiding in the burrow from Lila but she’s all normal-looking in the intro and they can’t shelve her forever. I feel like something is gonna change to make her be able to return.

^^^ ALSO she’s the only hero with zero design updates and my theory is that the purpose of that is so she can do contrived time nonsense like going back to earlier seasons and going forward without contradicting anything or revealing which time period she’s actually from

I gotta say the side character writing has progressively been better and better throughout the show. Atp they really feel like actual people with their own opinions and motivations. In the early days they felt more like lovable NPCs who talked occasionally but now they’re real characters? With free will? I feel like I just watched Pinocchio get turned into a real boy

The pro-healthy eating censorship/propaganda/whatever in this show is so funny omg. Juleka: I brought fruit tea Mylene: wow that’s so much better than the sugary soda we had last time LMAO. To balance out Rose holding a bag of popcorn they gave Zoe two burlap sacks full of oranges which tbf I’d rather snack on those during a movie than popcorn but still. I saw a vid recently about gravity falls adding random bowls of fruit next to characters eating junk food because they were getting flagged as promoting unhealthy habits. I keep thinking about that moment in Ikari Gozen when Mari asks Kagami out for “juice” when any normal teen would’ve said “coffee” like nope no caffeine in my good Christian miraculous

Love Kagami being a pretentious film nerd go hang out with Nino

RED ALERT YOU GUYS Mylene has an inclusive pride flag pin on her overall strap. Like the rainbow flag with the trans triangle and the black stripe. It’s not subtle or anything it’s just right there wow. Damn

The pin above it reminds me of Timebreaker’s logo. I wonder what some of these pins mean

Ok last season they seem to have established that Sabrina became friends with Marc and Nathaniel who were both explicit Sabrina Supporters since their akuma episodes, so it feels sort of convenient that they were written out of the narrative for this ep. I do see the whole Girl Squad thing and how she feels excluded when all the girls in the group hang out together without her, doing traditional girl things like movie night sleepovers, so I do think it’s totally valid. Her having absolutely zero friends is hyperbolized though.

On that note I have to wonder if the school might have several lunch periods because none of the male characters expect Adrien and Nino were there. Or maybe they just stage the scene with whoever is convenient. They might have flexible lunch schedules and all the other characters are off somewhere else.

Rose mentioned a girl whose name I didn’t recognize and after rewinding i can’t tell what she said. Aglie? New character? Maybe she’s that black girl with pink hair who was sitting with Adrien, Nino, and Sublime at lunch

KAGAMI AND ONDINE ARE CANONICALLY FRIENDS this is like the Superbowl for me. I’m so excited for Sleeping/Princess Syren I need to see her.

God the girls were so messy in that scene where they didn’t want to invite Sabrina lol I kinda love it I can’t even be mad

Zoe, your lab safety is atrocious. Not only are you taking your goggles off while still in the lab, but then you *leave the room* and *touch someone* with your gloves still on?! Diabolical. What are they even doing, soldering computer chips?

Marinette when I catch you Marinette

Roger’s relationship with Sabrina is actually so cute even though he’s kinda misguided as a person GOD when he’s on his way to console his crying daughter and Lila enters his mind space and he’s cradling his arms like he’s clearly seeing her as his baby 🥺 nobody talk to me

Alexa play I bet on losing dogs by mitski. Myyyy baby my baby…

We got a glimpse of the baddest bitch in Paris Xavier Ramier I’m so happy

Sabrina shapeshifted her necklace into a brooch. Huh. I guess you can just do that

The power of believing in herself allowed her to yassify her own character design into a cuter and more fashionable superhero! This is basically just like real life if you think about it

Her ball has a doggy nose on it awww

Lila telling Roger to turn around so she could back him up and fire the anti akuma was badass okay

I’m not sold on the loud ass makeup they have a lot of the characters wearing so I’m glad we got to see the girls with clean faces at the end there. Wow they look so normal! I’m also loving the pajama designs. I had to pause and look at all of them.

Zoe had to stop and hit Sabrina with that rizz stare to make sure Sabrina wouldn’t be coming up with any platonic explanations for her behavior

I never thought I’d say these words, but I think a love triangle between Sabrina, Zoe, and Max would be fun. Imagine Zoe is into Sabrina, Sabrina isn’t exactly catching the hint and sees Zoe as a really nice friend, Sabrina kinda likes Max, and Max is like damn these bitches gay. Good for them.

The end card is so baby omg

I TOLD YOU GUYS Sabrina was gonna get a makeover and people were like uH No iTs JUsT An aNimATioN eRroR oF a ScRApPEd DeSiGn girl why the hell would they leave a scrapped design in the intro, and there’s no way they would accidentally not notice that much less repeat it

Mark my words white haired Caprikid is not an error either he’s real and he’s gonna collect all the chaos emeralds to get that way

A new diabolical twink has hit the scene. Ray’s pompous ass immediately reminded me of Preminger from Barbie. He looks like he rides horses. Like he tells people he’s into sports but then you find out the sport is just horse riding. Immediately invested. Who is this diva. I want him to get hit by a bus.

Ooooo Zoe was up to some Delinquent Shit in America this is so juicy. I looove when suspiciously perfect characters get revealed to be secretly fucked up that’s the best. I’ve always loved those types of headcanons, that she was expelled from her last school and moved to a different country all of a sudden for her mom’s PR. If you think about it, that’s exactly what happened to Chloe damn. Daughter commits PR disaster, do zero parenting about it, relocate daughter far away to start over with little consequence! I wanna see some parallels. I feel like she made it sound like she moved because she was getting bullied at her old school, but what if that was a lie, or at least a partial lie? You know shit’s serious when the exposition is in the post-post-endcard scene

The pacing of these episodes has been satisfying compared to previous seasons, especially 5. They aren’t trying to shove too much in, but there’s still a lot happening and fiiiinally a nice mix of plot and fighting. I was getting irritated by how rushed a lot of the fights were last season like might as well just not have them at all

Late edit: back to the pajamas because I forgot to analyze them, I have noticed that Juleka’s pants have bats on them :) frickin bats. They also have like… a crescent moon with something sitting on it? idk what that is. It’s like a pattern of cute spooky Halloween imagery. But the pants and her black lace tank top versus Rose’s sparkly pink unicorn onesie is adorb.

Zoe has a yellow tank and seems to be wearing her usual leggings under running shorts um? Outside clothes in bed? And her pink slides give the whole thing a sans undertale vibe. Oh what the fuck why do the feet of her tights have individual toes lmao. The horror. I hate it.

I can’t tell what Mylene is wearing except a black t-shirt that might have something white on it. OMG EDIT 2 ITS IVAN’S T-SHIRT FROM HIS OLD DESIGN YOU GUYS SHES WEARING HER BF’S OLD BAND TEE AS PAJAMAS. This is headline news myvan nation. She has maybe pink shorts and her slippers look like Uggs.

Kagami’s silk pjs look luxurious. I love how her clothes this season went from just preppy to being very obviously EXPENSIVE like she’s blending in with the gang but she’s still clearly rich af.

Sabrina’s pjs are a classic set with her usual argyle pattern on them. 10/10 would give her a warm glass of milk and read her a bedtime story. I wonder what she needs eye drops for because she told Roger she needs to pack them.

Excited to see more yay! I love the little details. It’s kinda a bummer that Sabrina spent most of her hero focus ep sobbing but we ball (see what I did there) and the end was so cutesy. So excited to probably watch episode 11 before episode 6

[leroiestmortvivelareine]

Predictions / wishlists for tsc2 & 3

1 - We heard Edgar Allan might bring back some graduates to coach for them, so one or more of the napkin-worthy backliners could make an appearance. Our new villain?

2 - Jeremy and Jean’s first kiss is on the back of a motorcycle. Maybe Jean learns to ride so he can show Jeremy PCH at sunset, and is sufficiently exhilarated to get out of his own way…

3 - Jean gets his bear magnet with the red beret replaced by someone… and you can’t prove it won’t be Zane. Gasp in horror if you want but there was a time when all we knew of Jean was that he helped Riko torture Neil. If anyone told me after that scene that he'd end up being our boy I’d have wanted to hit them.

4 - One of the female characters gets to have an issue. KUST KIDDING! The girls are all fine, only the boys get to have issues.

5 - Jeremy and Jean each fuck someone else to try to prove something to themselves. At least one of those is probably (not) Kevin.

6 - We know someone’s getting themselves punched and my money’s on Andrew punching Jean. I think they’d talk things out afterwards, but that would need to happen first.

7 - I can also see Jean punching Jeremy - see earlier point. (Wow this post is getting bloodthirsty.) His mental state is fragile you guys. There will be drama.

8 - Jean gives his first ceramic creation to Renee. It has rainbows on it.

9 - At least one of Jeremy's secrets involves him being a lot less pure than he looks. (Does/did he pay for sex? Why did my mind go there? I just feel there’s such a strong virgin/whore theme to Jean’s story.)

10 - Jean hugs Wymack, resulting in my untimely death.

11 - We find out exactly which aspect of history holds Kevin so enthralled. Yes I want to see how close my hc was, but I also desperately need this insight into his character.

12 - Nora continues to unapologetically portray Thea in a way that doesn’t beg for our sympathy or affection, because she is the goddess we need but don’t deserve.

13 - Jean has way too much fun remorselessly prickteasing Jeremy.

14 - We learn what the fuck dealers do. I mean I’ve seen the description but how does this play out from a tactical perspective? We’re only here for the sport, ma’am.

15 - Jean recites a French quote in a tv interview that translates to ‘The King is dead long live the Queen’. (Yes punks that’s my username)

16 - Someone gets to end Tetsuji. And by someone I mean Wymack.

17 - Jean and Jeremy live happily ever.

Yeah I know... whatever’s coming will be both better and worse than anything we can dream up…

[nothoughts-onlywomen]

proof that lumax is NOT bones

ok look, i know we’re all freaking out a bit right now (see here for context), but i feel i have tangible proof that lumax will have a satisfying ending come s5.

1. she was listening to his game

i don’t know if we fully acknowledge how meaningful this is. max doesn’t go to lucas’ game because there’s a big crowd and she’s very depressed. BUT she knew the game meant a lot to him. even earlier in the episode she was the one who explained the tournament to the boys. she doesn’t care for sports (except skateboarding obviously), but she cared for lucas enough to know what was going on. and she cared enough to listen to the game on the radio even after the fact.

2. her letters

tell me she didn’t write some sentimental shit to him in that letter. we have yet to see what was in it, but my guess is that whatever’s in it, max will get a chance to say some of those things aloud. like if she wrote “i love you” or something to that effect, it’ll show growth for her character to say it aloud to lucas. which brings me to…

3. the cemetery scene

the entire point of this scene was to show that lucas doesn’t only want the good parts of max. he wants ALL of her. even the sides of herself she views as ugly. and even as max is struggling to just TELL lucas how she feels, lucas is letting her know it’s okay. he just wants her to talk to him. all this is the crux of what i believe will be one aspect of max’s arc next season. learning to SAY how she feels. especially to lucas.

4. THIS moment

another reminder that LUCAS IS THE ONLY PERSON WHO MADE MAX SMILE OR LAUGH LAST SEASON. this is another aspect of the lumax arc that i think is important. lucas makes max FEEL things, which is why the whole thing terrifies her. one of max’s reckonings in s5 will be with her own feelings. and if she ends up permanently blind or disabled, those feelings might explode out.

5. “i see you now. i see you.”

apart from the cruel irony we’ll get if max ends up permanently blind, this again echoes the idea that lucas sees max for exactly who she is and loves her completely. even in her darkest moments.

6. rv scene

lucas is the impetus of max’s HAPPIEST MEMORY. i mean writers don’t do that shit on accident. her happiest memory is KISSING HIM. that won’t change overnight.

7. cute as shit notepads

they have mutually agreed to go on a date again. you think the duffers would leave us hanging on that? have they ever let us down before? mike told el in s1 they would go to the snowball, and they held onto that shit until the end of s2.

8. fuck vecna

here’s my prediction for the “going left” that caleb mentions. while i don’t think they’ll break up or not be together in the end, i do think that vecna will possess her and use it to physically attack lucas. like i get the feeling they’re going to pull a mockingjay on us. this scene foreshadows that. she’ll be clawing at him and he’ll just be holding her off looking devastated. cue waterworks

9. i don’t even want to talk about this scene

why would they have max die in lucas’ arms if we WEREN’T getting s5 lumax in some capacity? lucas’ trauma from that will have ripples in s5, leaving him vulnerable to vecna’s attacks. because he now has that something haunting him.

10. and finally…

ok COME ON. the duffers even posted a bts picture with this in it. combine that with the other bts we’ve gotten so far? i'm not worried.

max's arc in s5 will be about connection with her loved ones. namely, her finally being able to break through her own walls to tell them how she feels. and both her and lucas' arc in s4 will lead up to that eventual conclusion. which is why we're getting our damn endgame.

[accirax]

Danganronpa: Despair Time Mastermind Ranking (Least to Most)

Yeah, I should’ve known that I needed to get around to this someday.

You see, the reason why I hadn’t made a theory about the identity of the Despair Time mastermind is that… I'm not totally convinced on any one person being the mastermind. Like, look at these clowns! They’re all so weird! I love them all for it, obviously, but none of their personality quirks or roles in the story stand out to me as particularly mastermind-y. There are a lot of characters that I believe could be the mastermind, but it’s also pretty easy to convince me out of it for one reason or another.

However, it’s not like I had any idea about who the P:EG mastermind would be, either! At least with two chapters under its belt, I can feel more comfortable that I’m not just fully mischaracterizing the Despair Time cast. And I definitely have things to say about various DRDT masterminds, just… in a way that’s kinda hard to rank.

But, that’s no reason for me to be cowardly! I’m sure that seriously scrutinizing all of the characters’ mastermind potentials and ultimately coming up with who I think the most likely candidate is will be super fun. It’s just… going to be really long, so, buckle in. And maybe prepare to take breaks in the middle.

(Spoilers for all three main canon games and DRDT.)

Why is it going to be so long? Well, it’s because, when it comes to DRDT, I think that my predictions will be at least partially based on how long I think each character will make it into the story. If I have a particularly strong inclination that a character is going to die in Chapter 3.456, no matter how unfounded, it might make me feel worse about their prospects of being the mastermind. That’s not to say that a mastermind can’t appear to die (or actually die) before Chapter 6 rolls around, of course. However, it is an uncommon additional hurdle to the story that would require some justification and a little suspension of disbelief if I’m trying to call it years before it transpires.

So, if we’re going to talk about the mastermind, I need to share my current feelings about where each character might place in the death order. Should I update the title…?

Danganronpa: Despair Time Mastermind Ranking (Least to Most) AND ALSO Death Order Predictions

These are my mastermind rankings, so my opinions on where the characters might be headed will obviously be used as the baseline. Naturally, you don’t need to believe in anything I'm about to throw out here. I’m just trying to explain my thought process so that nothing I say later on will come as a total surprise.

Also, since it’s kind of long, here’s the top of the death order section. I think it’ll provide some important context, but if you want to skip it, look for the other green, bold text.

Some of my thoughts were inspired by anderscim’s death predictions theory, as I read that pretty soon after I joined the fandom. I encourage you to go read their work as well!

The tiers are mostly pretty self explanatory– 3-4 means I think they’re at risk of dying sooner and 4-5 means I think they’re at risk of dying later. But, I’ll give everyone what I hope to be a quick rundown on each character just to explain my thinking. 

Xander: Xander canonically died as the Chapter 1 victim.

Min: Min canonically died as the Chapter 1 blackened.

Arei: While I respect the concept, I personally don’t believe in the “J and Arei swapped places and Arei is actually still alive” theory, and I will be writing the rest of this post accordingly. So, to me, Arei canonically died as the Chapter 2 victim.

Eden: Pretty much anyone who’s seen my DRDT theories at this point shouldn't be surprised that I’m listing Eden as the Chapter 2 killer. The logic behind this belief has been explained by my lovely mutuals here and here.

Levi: Alright, on to the ones I don’t have any concrete evidence to support! (There is concrete evidence behind the ch2 murder, even if you believe it points elsewhere.) Levi has had a decent amount of focus already in his trainwreck of a relationship with Ace and discussions of morality with Eden and Teruko. If he does serve as an accomplice to the Chapter 2 killer (see the first link in Eden’s section), then I feel like his clock will really be ticking. He’d be trapped with the branding of a bad person, his greatest fear, and left without any relationships to lean on. I wouldn’t be surprised if someone targeted him as a victim they “believed deserved to die after what happened,” or even if Levi decided that he was doomed to be a villain from the start and decided to kill. Alternatively, he could try to redeem himself as a classic Chapter 4 buff curse sacrifice in some way. In either case (or even in the case of him just being the Chapter 2 killer), I have my doubts that he’ll be making it too much later into the game.

Arturo: To me, Arturo doesn’t feel like a character set up for incredible longevity. That doesn’t mean I’m pigeonholing him as a one-dimensional villain or pure comedic relief, just that Arturo seems like a character who might be set up to have his ideology lead to his downfall. I don’t think he’s dying in Chapter 2, as I believe the narrative would want to see how he reacts to J burning the bridges between them, but I could definitely see the story only needing one more round of daily life (or possibly a trial as well) to resolve wherever his character is going.

Charles: Look, it’s not only because he’s already been pronounced dead at 3. As I elaborated upon in Charles’ section of this post (The Jerk), Charles feels like he’s speeding towards the end of his character arc far ahead of schedule. It could just be that he needed to learn to make friends quickly before Whit makes an early exit, sending him on a secondary arc where he learns to process his current grief and fears as a parallel to regaining memories about Elliot. However, I find it much more likely that the Inevitable CharWhit Doom Scenario plays out in the opposite direction. He makes a lot of sense as a Chapter 3 victim to me.

Nico: Similar to Arei and J, I am writing all of my theories with the assumption that it really was Nico who attempted to murder Ace in Chapter 2, because I think it makes the most narrative sense. (I could keep typing out a “well, unless” every time, but I don’t really want to eat up my time writing or your time reading all of that.) Through that lens, the fact that Nico has already murdered someone and “gotten away with it,” more or less, puts them in a really weird situation. I don’t really see them killing again, as it feels like we’ve already explored the emotional and narrative implications of that happening through Chapter 2. Although, I can’t deny that it would be interesting to see the fallout of Ace being proven totally right and Hu 100% wrong. Still, if they were to be a survivor after doing something so severe so early into the game, it seems like they would have to undergo some sort of redemption for the audience to accept them as a face of hope in the end. I don’t currently see any great paths to that happening, although there’s obviously still plenty of story time for something to open up. For now, though, I feel more confident in placing them as a early/mid-game victim, likely as a consequence of choosing to harm someone else.

Hu: Given her overall lack of focus in the story thus far, I find it likely that Hu will be one of the focal characters of the Chapter 3 daily life. That could be bad news, considering how Xander and Arei fared after being focused upon in their respective daily lives, but… I dunno, I just feel like Hu would survive it, somehow? Wouldn’t be too surprised if she didn’t, but my gut instinct is that she would. I kind of see her character exiting the story in Chapter 4, no preference on killer vs victim.

Veronika: Veronika is a very weird character (an “oddball,” I’ll call it), and thus, my predictions for her are strongly based on the patterns that oddball characters normally follow. I’ll be using canon characters only, because I believe that those are the only killing games that I have the right to assume every DRDT fan has seen. But, you can apply these same kinds of patterns to many fangan characters. Don’t get me wrong, I’m all for fangans breaking from typical Danganronpa norms and following their own paths. But, in the case of how oddballs are treated, I think these characters generally tend to follow these patterns because they’re sensible writing practices. I’ll try to explain why each of these conventions makes sense in the following bullet points.

Oddballs tend not to die in Chapters 1 or 2. This is because oddball characters are generally created to supply a very niche kind of comedic relief– examples from DRDT could include Arturo’s commentary on ugly people or Ace’s bizarre remarks of cowardice. Any character deemed worthy of being included in a fangan occupies one of 16 highly contested slots. So, if you include a character for the purpose of making jokes with them, you'll want to get your bang for your buck! It’s hard to fit every joke you have in mind into only a chapter or two. The best example I could come up with for a (canon) oddball who dies early is Teruteru. In his case, the writers likely anticipated that his hyper-flirtatious nature would get tiring if it continued on for too long, and thus, exhausted all of the jokes they wanted to make in Chapter 1 before his exit. An oddball who dies this early has a limited shelf life, and is likely accompanied by other oddballs who can pick up the comedic slack.

Many have pointed out that silly oddballs often die in Chapter 3 (Hifumi, Ibuki, Tenko) as a way to signify the death of fun and innocence. You also have a chance to get rid of some of the more sinister oddballs (Celeste, Kiyo) at a point where it seems unfeasible for them to have stuck around this long without… well, killing someone. In either case, it’s because Chapter 3 is a great balance of letting a character stay in a story for long enough that they achieve whatever strange effects you wanted from them, while also clearing them off the stage before you get into the really serious business. Silly oddballs especially may not be equipped to handle the often turbulent natures of Chapter 4 without breaking the serious tone too much, so it’s best to axe them at the midpoint.

Endearing oddballs (Gundham, Gonta) have a hard time making it past Chapter 4. If Chapter 4 is serious, Chapters 5 and 6 are even more so, and the Chapter 4 killer slot in particular is a viable dumping ground for characters who don’t really have a place in the finale. Their deaths are meant to pull at your heartstrings and prove how a killing game can make literally anyone– yes, even that guy– a killer. (Miu is an outlier; more like an extended Chapter 3. Unlike THH, which has its tonal shift at the end-of-Ch3-Sakura Traitor Reveal, and SDR2, which has its tonal shift at Mikan’s insanity and death, v3’s tonal shift comes at Kokichi's accusation and Kaito and Shuichi's argument, or possibly even Miu's death itself. The Chapter 4 Daily Life isn’t all that serious in and of itself. Thus, Miu dying as a Ch4 victim functions more like killing off a silly oddball before she has to deal with all the betrayal and scheming that occurs later on.)

Oddballs really only die in Chapter 5 to the extent that you can count major antagonists like Nagito and Kokichi as Weird Dudes. As the precursor to the big, showstopping, mind-bending Chapter 5 Trial, the mood is typically pretty… straightforward. Depending on the overall plot’s arc, Chapter 5 is either the point where most of the surviving students are concluding their character arcs and learning how potent a weapon teamwork is (THH, SDR2), or a “dark night of the soul” type moment where all of the slowly growing inter-character conflicts are finally coming to a head (v3). It can also be Version A for some characters and Version B for others, but, either way, hijinks are not ensuing, basically. Plot relevant things happen here, and as such, plot relevant characters are the ones who are dying. It can be hard for an oddball to find a place in the narrative relevant enough to serve as one of its final, poignant deaths without also being a major antagonist.

Despite everything I’ve said about oddballs dying, it is definitely possible for oddballs to survive. Danganronpa is, at its core, a dark comedy, and as such killing off all of your funny joke characters before the ending is probably a bad move. Hiro, Toko, Kazuichi, and Himiko are all characters I’d call oddballs that survive until the very end. The difference in their case is that part of their oddball nature is being… kind of pathetic? I think it helps them fade into the background more. It's also probably easier to give them a character arc than some others... like Veronika.

I’m sure that you can find exceptions to these “rules” I’ve laid out, especially amongst casts that have a high percentage of oddballs (which you could certainly argue fits DRDT). However, pattern recognition brain go brrrr. I don’t think that Veronika fits the description of a Chapter 1-2, Chapter 4, or survivor oddball particularly well. That leaves Chapter 3 (sinister) and Chapter 5 (bewildering antagonist). I don’t know if it’s that Veronika doesn't seem to have much of a reason to kill at this point in time or all of Veronika’s weird mastermind coding that makes me think DRDTdev might have greater plans for her. Either way, I’m leaning Chapter 5, probably victim. Jeez, that was a long section for one character. Favoritism, I guess?

J: J gets her own category because, honestly, I have no idea what to do with her. Could J make it to the end? Sure! Could J die in a Chapter 3 scheme? Sure! Could J be the Chapter 2 killer? Well, I personally believe the evidence points elsewhere, but in terms of narrative? Sure! The only real inclination I have is that I think it’s more likely that she would be a killer than a victim, mostly because Ultimate Effects Artist is a talent that could lend itself to some really creative and fun murder setups. Given that I have more characters pegged as early game deaths right now, I lean towards J late game, but… man, I don’t know!

Teruko: Teruko is the protagonist, and also is a Lucky Student who allegedly “can’t die.” Especially after she made that claim, it would be silly if she died before the ending– it’d just kinda make her look like a fool. I’m not averse to theories where Teruko is no longer the protagonist by the end, whether by her death or someone else taking up the role for whatever reason, but in the sense that “Survivor” = “Chapter 6,” I think Teruko will survive. I’m not here to predict crazy last-minute Kiibo-blowing-himself-up twists.

Rose: I think that Rose has a really nice arc of overcoming her fears and becoming less passive set up in front of her. We spent enough time establishing her relationship with Teruko that I could see her being a good potential friend/support character to Teruko in the endgame if relationships with people like Eden or Charles fall through. (And, at this point, you know what I think about Eden and Charles…) She’s also good at delivering low-key jokes that can provide some levity without totally ruining the tone. We already saw some of that in this scene. The main things that I think could be standing in her way are her photographic memory and history of debt. The photographic memory could be too annoying of an obstacle to write around for the entire game, and instead be an ongoing effect set to expire in in Chapter 3. Additionally, a money motive paralleling THH’s in Chapter 3 could be too tempting for Rose to pass up. Really, what I’m saying is, if Rose can make it through Chapter 3, I think she’s golden. We’ll just have to see how that Chapter pans out in the future.

David: Oh, David. Currently serving as Teruko’s largest antagonist, I can see why people would think that he would die in Chapter 5. However, I’m not going to beat around the bush and pretend that I’m the only person who thinks David might survive, either. As an inspirational speaker, David is established early on as a character who should be a beacon of hope, before revealing that he’s more of a hope-sucking black hole. It would make sense if, alongside Teruko, he learns to find more of a balance between blithe optimism and cynical depression and heal as a person. He has a lot of very obvious depth that I think a lot of people want to see explored, and whose exploration would be very on-brand for the themes of a typical killing game story. Plus, if Teruko ever does stop being the protagonist, David probably needs to be alive at that point to pick up the slack.

Ace: Similar to Nico, it seems like we’ve already gotten a taste of what Ace being a victim would be like, in a way where I don’t think we’re going to see it again. He could still be a killer, but would the cowardly Ace even want to attempt killing someone and throwing himself into the scrutiny of a Class Trial? Well, it is true that Ace believes that “[neither] dying young or living a long, shitty life of suffering… are as bad as this” (the killing game?). So, he could simply grow fed up with the killing game and decide that risking a Class Trial is worth it, even if he does wind up dying young. However, if that were to occur, Chapter 2 seems like the narratively best time to do it, as it’s when his emotions are most potent and probably when others would least expect him to do it due to his weakened state. Like Rose, I feel the period Ace has most to worry about is this upcoming Chapter 2 killer slot, but if he makes it through, his arc of learning to escape his fear by bravely rising above it instead of lashing out to try to knock everyone down feels very viable.

Whit: The pro of the Inevitable CharWhit Doom Scenario is that, hopefully, one of the two would manage to make it as a survivor after the other one dies. And, I’m Team Whit Surviving! Not just based on which of the two I like better (they’re my first and second favorite characters, so I’m taking a massive L either way), but because I think it makes more sense for it to be Whit that lives further on. Unlike Charles, who feels like he’s already in the final lap of the character arc race, Whit has barely left the starting line. The laundry scene in Chapter 1 and Whit’s secret in Chapter 2 have both been used to establish that Whit focuses on his and others’ bliss in hopes of remaining ignorant of everything that stresses him. The main offender, of course, being that Whit lies about his mom being alive to presumably stave off his grief. The easiest way to give him a character arc that resolves that issue is to give him something to grieve– namely, Charles– and soon. If Whit’s main character struggle is pretending that people dying doesn’t bother him, he might need an entire Chapter or more to stubbornly show off his central flaw. Now, it is possible that, if Whit can’t overcome this flaw, he could die soon after Charles and meet a tragic fate. But, those just… aren’t the vibes, to me? A post-character arc Whit who knows how to grieve fiercely but healthily might come in handy if Teruko finds herself handling her own emotions about Xander, Min, and/or anyone else at the end of the game.

And here’s the bottom of the death order section!

Finally finished writing something that nobody asked of me at all. Well, I still think it was important, and I hope you feel the same.

Now that we’ve laid all that out, I think it’s finally time to actually see who I think the Danganronpa: Despair Time mastermind might be! Although, please keep in mind that, despite the large preamble full of story predictions, I’m still pretty uncertain on who I think the mastermind is. So, my points might not be the best supported, and I might change my mind again pretty soon after I post this theory. I expect to be far better at disproving why everyone is the mastermind rather than proving why anyone would be, because that’s generally how I feel… but, onwards we go!

#17: Arei Nageishi

(Forgive me for reusing art here, I’ve drawn these bastards ENOUGH /j)

If I were writing this after Despair Time’s prologue, like I did with P:EG, there’s a pretty good chance that Arei, at the very least, wouldn’t have placed dead last. But, well, now Arei is dead. And also last.

Obviously, there are other dead characters too. But still, Arei is the one who I most struggle to see as the mastermind. Given that Arei died as a victim whose body was thoroughly investigated by several parties, it’s pretty hard for me to believe that anyone could have missed any signs of life. I don’t get the sense that DRDT is in some kind of simulation where everyone can magically be alive again at the end either, so I think Arei is, sadly, well and truly dead.

On top of all that, we know a lot about her backstory from her Chapter 2 breakdown, and none of it seems to point her towards masterminding a killing game specifically. She doesn’t have any particular ties to any big organizations that would have helped her accomplish it, either. While she is NOT just a temporary weather spell whose absence will be celebrated and then forgotten, David… I have a hard time believing that the audience would find her character relevant enough(?) to be a good twist mastermind come Chapter 6 several years down the line.

I don’t think I really need to keep elaborating on this. Arei isn’t the mastermind.

#16: Charles Cuevas

I know it’s a bit of a bold move to put a character who’s currently alive below characters who have already died, but… man, I really just don’t see how Charles could pull this off.

And it’s not (just) because I think he’s going to die in Chapter 3 as part of Whit’s character arc, or that I want to believe that he’s a good person. Really, it’s mostly because of his phobias. How is a guy who started gagging at the sight of blood splattered on the floor supposed to be the one who orchestrated an entire death game? Could he get through the process of creating a brutal execution like Min’s without freezing up and freaking out? Even if he could do it, why would he? Sure, he didn’t seem to remember the fact that he had necrophobia until Xander died, but that might be even more of a problem. Wouldn’t the mastermind, who’s certainly had to consider the others’ deaths before, remember that they were afraid of death? He would almost certainly have to be lying about at least the scale of his reaction, although that’s probably a given if he is the mastermind.

Of course, there are mastermind subcategories that could better benefit Charles. If DRDT is actually a simulation, especially one in which the participants don’t actually die, that would definitely make it easier for him to be the one behind it. We’re also meant to believe that Charles has childhood amnesia, so he could have amnesia in other areas as well and be a mastermind who forgot they were one.

However, as I said before, I don’t particularly believe that DRDT is going to be a computer simulation or that Charles is an amnesiac mastermind. I just… don’t see this one in general.

#15: Xander Matthews

Let me preface this by saying that I’m not trying to argue that Xander is actually still alive. The concept that he would be able to fool not only Min, making her believe that she dealt him a fatal blow, but also everyone else as they identified his body, seems outlandish to me. However, just because Xander is dead doesn’t mean that he couldn’t have entered this game as the mastermind.

We know for a fact that Xander wanted to kill Teruko due to his dialogue regarding the note he received, which lines up well with the popular theory that Xander is the individual speaking in the first scene with the papers and the blood. If we assume he is that guy, then it may seem a little counterintuitive to think that the person who says “I have to end the killing game” would be the one behind the killing game. However, he also says, “Even if I can’t do that… I have to kill Teruko Tawaki,” implying that killing Teruko is of a higher priority than ending “the killing game.” Thus, if, for some reason, Xander thought that orchestrating the killing game was the only way to kill Teruko, it’s possible that he would be willing to let the death game roll for as long as it takes to eliminate his bigger target.

However, I can’t deny that the Xander mastermind theory has some massive flaws to it. For one, Xander is dead. I don’t think we’ve technically seen any evidence that the mastermind has to still be alive as of Chapter 2, but a mastermind-less Chapter 6 would be… an interesting challenge to write, to say the least. Also, while Xander betraying Teruko and the others was a great surprising hook the first time, if it happened again, it would be kind of… underwhelming, in my opinion. It’s the same kind of concept I brought up in my Eden’s Garden ranking:

Then, in Chapter 6, we’d be faced with the revelation that, wow, the mildly antagonistic character was actually a really antagonistic character all along! It just doesn’t seem like enough of a dramatic hook to me, I guess?

“Wow, the guy who betrayed Teruko and became a killer actually betrayed Teruko and was the mastermind all along! And now, he’s not even around to reap the social or karmic consequences of it!” You see.

And then, there is the literal interpretation of the text that Xander (if he is bloody hands man) obviously stands against the killing games. He’s also the Ultimate Rebel, someone who stands against corrupt institutions in general.

If Xander is revealed to be evil later down the line, it would make much more sense if it was as a traitor type. As for being the one and only mastermind, I think the odds are pretty low.

#14: Ace Markey

Hey, it’s another character that’s alive! And, this one doesn’t even have a crippling fear of death. However, he is a massive coward, and that’s the main thing that’s dragging him down for me.

Similar to Charles, what would Ace stand to gain from hosting a killing game such as this? Ace doesn’t seem to have any interest in notoriety, money, the destruction of society, despair, or any other things that I can think of that would motivate a typical mastermind. We’ve seen time and time again that Ace cares most about having control over both his life and how other people see him, even though he often fails on both fronts. I guess both of those things could be solved by hosting a killing game, but… Come on, there have gotta be easier ways to do that which don’t threaten your precious life.

Furthermore, what exactly would Ace being the mastermind have to say about the story as a whole? Jockey has to be in the running for “talents that are least relevant to a potential killing game host.” How about the idea that the mastermind nearly died in Chapter 2, only to go off the rails threatening and blaming his assailant? I… always knew that Nico was… fully in the right for doing that, because it would have killed the big bad early??? Ace Mastermind is the preferred ending for those who believe that Nico can do absolutely no wrong, lol.

I can’t remember where I saw it, but I once saw a theory of writing that said that there are two major kinds of character arcs. One is the typical character arc, where the narrative pushes a character's traits to change over the course of the story for better of for worse. The other, this theory posited, was an arc on the part of the viewer, where they learn that a character that they thought was flawed was actually not as flawed as they thought all along. You could potentially apply this kind of thing to Eden: in the first chapter, some people may have seen her as a dim-witted positive girl, but in Chapter 2, we firmly establish that her kindness is not stupidity and learn how her optimism is a strength.

So, you could say that the character arc DRDTdev is going for with Ace is something more like that, where we spend the entire game learning to treat him more seriously just in time for him to be a real threat as the mastermind? It still feels like a bit of a stretch, though– I don’t know exactly what Ace would do to make us take him more seriously that wouldn’t either send him on a growth arc not super befitting of a mastermind or wind up with him being a blackened. Ace as the mastermind certainly isn’t impossible, but I obviously found it unlikely enough that I placed him below one character who is currently (presumed) dead.

#13: Arturo Giles

Arturo’s role in the story so far is not very mastermind-ish, in my mind. In the prologue, we establish him as a cold and judgmental person who puts his own opinions of how the world works over everything else, especially how other people feel. This already feels like how a mastermind would act, so if he turned out to be the mastermind, it would be more of the same.

Then, in Chapter 2, we establish that he’s a massive simp for celebrities, to the point of transforming into something adjacent to comedic relief. We’re meant to think that his over-the-top sprites and refusal to actually listen to anything J is saying is hilariously pathetic. Other characters are constantly dunking on him, such as Teruko calling him a “bigoted” “crazy person,” and even the narrative gets in on the action when highlighting how he cares less about the fact that J’s life was at risk than that she didn’t come out of it with drip. Narratively, we’ve already seen these characters get the better of Arturo. If we the audience interpret that as confirmation that the surviving cast could easily beat Arturo should he ever come to stand in their way, it could diminish the stakes upon his mastermind reveal.

However, for all of his negatives, there are some definite positives to Arturo being the mastermind, too. Despite his comedic effects, we have seen through his threats to Eden that Arturo is very capable of being very scary in a way that I don’t think we have with Ace. The horror factor of a plastic surgeon as the mastermind could be a really fun and creepy design theme to explore. And, Arturo is obviously super obsessed with celebrities. If hosting a deadly TV show is what he thought it would take to get him in with the Hollywood celebrity scene, he might be willing to go for it.

I don’t really know why he would have made his secret what it is if he was going to get that upset about it, though. I guess if there just weren’t any better options that wouldn’t tip his hand…? Also, Arturo would blend in terribly as a survivor. If you’re heading into Chapter 6 and you have to pick the evil character out of (let me spin a wheel real quick...) Teruko, Eden, Rose, Charles, and Arturo, Arturo is definitely the evil one. (Okay, that was actually a terrible randomized draw for Arturo on the innocence front, but I hope you can imagine how he would oddly stick out of most groups.) Like I said in his death predictions, I find it hard to imagine a character arc for Arturo, which is why I find it hard to believe that he would make it as far as Chapter 6.

#12: Min Jeung

Honestly, if Min weren’t (most likely) dead, she might be pretty high on my list of mastermind choices. While not as suspicious as the Spurlings, XF-Ture Tech is pretty suspicious, even more so with the introduction of that one altDRDT character. Min is related to XF-Ture Tech, so if that company has anything to do with the operation of the killing game, she could have been the one behind it. Min is also very smart, and her talent has obvious applications for how it could have been used to set up/influence the killing game. The fact that her talent is so similar to Teruko’s, Ultimate Student versus Ultimate Lucky Student, could have also set them up for some great parallels and duality down the line.

However… Min’s role as the Chapter 1 killer throws a pretty big wrench in her chances. Beyond the dying part, Min’s role as the blackened was incredibly evitable. It’s not like she was thrown into a situation where she had to kill or be killed, or even one where a motive was particularly difficult for her. If she wanted to be the mastermind and survive until the end, all she had to do was walk away from Xander stabbing Teruko and pretend she never saw it. However, if Min’s goal was the inverse of ol’ Bloody Hands (keep the killing game running, but most importantly, keep Teruko alive), her actions could line up. And then, perhaps Min could have falsified her own execution early to draw suspicion off of her, much like Junko did by killing Mukuro.

Beyond her death, though, it’s really Min’s reaction to being the blackened that makes me think she can’t be the mastermind. The stellar voice acting in Min’s breakdown scenes makes me really believe both that this was the first time she had ever hurt anyone as gravely as she did to Xander, and that she fully believed that she was about to die. Those are two things that a mastermind, especially one headed into a fake execution, would not be feeling. Maybe Min memorized how to be a great actress too amongst all those textbooks, but I doubt it. I can still see several reasons why Min would have been a good mastermind, but her actual death and her reaction to being told she was dying knock her down several pegs in my mind.

#11: Hu Jing

Hu is a bit more suspicious to me than some others just because I think she has something to hide. Between her refusal to share whose secret she received or had herself, mysterious “I want to pay for what I’ve done” hidden quote, and intense desire to be relied upon, there’s definitely something about Hu as a person that the narrative has yet to uncover. Could that something be “Hu is the mastermind”? I dunno, maybe.

Hu also has a tendency to react to things with her temper. That could be a sort of foreshadowing to how she would act as the mastermind, much like how David’s brief spell of apathy during the prologue hinted at the way he would act further down the line. Hu’s defense of Nico could act much the same way. Our overall impression of Hu at this point is that, while she is a flawed person, she’s one of the nicest and morally best people in the game, who’s always looking out for others. Defending Nico to the point of babying them might cross the line a little, but she’s only trying to help everyone…! Hu could make it to the end as a believably heroic survivor and then reveal that all of her presumed poor decisions were actually active malice, and I think she could pull that off.

All that being said… I don’t, like, actually think that’s going to happen. In fact, I’m probably overexaggerating the extent to which people think that Hu is nice and morally good. I’ve seen several people discuss the unjust amounts of hate Hu gets in this fandom, which implies that a lot of people hate her, even if I haven’t particularly seen much of it myself. At the very least, I definitely over exaggerated the extent to which people believe Hu could survive! As implied in the death order predictions, I do personally think Hu is going to die, possibly as a consequence of getting too invested in everyone else’s business when they don’t want her to be and/or wearing herself too thin. There are paths which I believe could lead to Hu being the mastermind, but they seem to be the roads less likely traveled.

#10: David Chiem

While I have no doubts that David has the fame, charisma, and worldview to pull off a killing game… I’d have to wonder about how he would see himself playing into all of it. As we saw in Chapter 2, David knows that his career has a lot of value, possibly to himself but definitely to other people, and therefore, he doesn’t want to jeopardize it. In fact, the reveal of his manipulative secret was the inciting incident behind his massive change in characterization. So, if he were the mastermind of a televised killing game… How would he think that would play out to his viewers?

Now, to be fair, there’s a lot we don’t know about the worldbuilding of DRDT. MonoTV claims that the TV show will be broadcast to a widespread audience. Perhaps that indicates that, in the world of DRDT, publicly broadcasting talented young peoples’ violent deaths is normal, or even sought after. Maybe the cast of DRDT forgot about it.

However, David seems to think that people learning that he sees everyone as manipulable would do damage to his reputation, so it’s a bit of a contradiction either way. If the world has been wracked with despair and craves intense violence on TV, then David’s reaction to his secret is either an elaborate lie or the result of the mastermind erasing his own memories regarding the situation. (Or, I guess the public could see death as fine and dandy but manipulation as a cancellable offense, which is… one of the interpretations ever.) Otherwise, in the scenario that the DRDT world is a normal one, David wouldn’t care about being revealed as a manipulator if he’d already committed to the mastermind bit. If his career was already preemptively ruined by agreeing to commit literal murder, why get so worked up about the thought that people might abandon ship over you not being 100% honest?

And then, there’s also the whole “surprise factor” thing that I keep bringing up. Admittedly, it’s been a longer hiatus between the start of Chapter 2 and the end of Chapter 2 than DRDTdev might have been hoping for, but that doesn’t change the fact that this part of David’s characterization happened in Chapter 2. DRDT fans far and wide have written thousands of words gushing over “the David reveal” or “evil David.” If David were unveiled as the mastermind, we’d have to start writing stuff about “the first David reveal” or “when David showed his true colors again.” You see how it kind of takes the hype away from such major plot points? That’s the sort of concept I’ve been trying to get across with some of my other choices too, but a bit more clear cut.

I don’t know why I sound so much like a hater in this section (in my opinion) when I’m literally putting David at #10, above seven other characters. I guess it’s because I can see why his theatricality and traits foiling Teruko could make him a good mastermind, but also have some major issues with the logistics of him getting there. A lot of good points versus a lot of bad points settle out to him winding up someone in the middle.

#9: Levi Fontana

With our first single digit number, we’ve also reached our midway point of mastermind candidates: Levi!

Levi would be a really interesting mastermind choice because of how his character centers around grappling with his morality. I think it would be really intriguing to have a mastermind outwardly struggling with their attempts and failures to be a good person throughout the entire game, only for the player and the characters to receive the full context of the debacle at the very end. I guess in this situation, it would be pretty likely that Levi would be redeemed at the end? That’s not necessarily a problem. (Honestly, I don’t know if I think the DRDT mastermind could be redeemed or not based on the fangan’s themes… that’s a post for another day, perhaps.)

Anyways, I think that what we know of Levi’s backstory could work well with him being the mastermind. If he does have the “murderer without remorse” secret, that would be in line with orchestrating a killing game. We also know that he’s “been disowned” and that he and his family were “all bad influences on each other.” We’re meant to assume that Levi was fortunate enough to escape a bad/abusive situation (and in all likelihood this IS what actually happened!!!!), but we are hearing about the situation from his point of view alone. There is a small possibility that, if Levi is actually a despair enjoyer, his family cut him out because they thought he was a danger to their lives.

I will reiterate again, though, that I don’t think this is the case. Levi seems like he’s a chill guy, or at least that he’s trying very hard to be one despite how he’s been told to react all his life. The whole “mastermind wanting to become a good person” lens also makes less sense given how channeled Levi’s development is through Ace. Like, I would imagine that, if this were the angle DRDTdev was going for, Levi would be making an effort to get along with everyone as part of his atonement. The mastermind randomly choosing to focus on just one person out of the crowd seems kind of strange, especially when that person is someone as disagreeable as Ace. That kind of plot would have big “the mafia CEO vampire prince fell head over heels in love with me, the random average girl” vibes. Repenting mastermind Levi is the preferred ending for pining lovers to enemies to lovers AceVi shippers, lol.

And then there’s the part where I think he’s going to die. I don’t think Levi is the worst mastermind choice, but I think there are better out there.

#8: Nico Hakobyan

Yay, we finally got to one of the characters that Anon thought was suspicious! It only took… 7k+ words. Oh boy.

I definitely think that the cat coding is the strongest thing that Nico has going for them. It would be pretty funny if the extent to which “Ultimate Pet Therapist” is relevant to the plot is the climactic reveal that “yeah Nico has been talking to a (robotic) animal the whole time.” That’s a joke, as Ultimate Pet Therapist is already quite relevant to Nico’s characterization as someone who prefers communicating with animals over people, but it would be funny as hell from a character designing perspective.

There are less silly reasons to believe that Nico is the mastermind too, though. While it seems like, similar to David, pulling the trigger on Nico’s change in behavior in Chapter 2 would be a bit early, I don’t think it’s as destructive to mastermind Nico as it is to mastermind David. There’s a lot more doubt in people’s minds that Nico even did anything to Ace, to the extent that a decent number of people (in the story and out of it) think that it was someone else trying to kill Ace entirely. Nico also has a stalwart defender in Hu, which adds an extra level of intrigue to the situation. Instead of confirming that everyone was right to be suspicious of David, at least some amount of focus could be placed onto Hu being wrong for trusting Nico and failing to see someone’s true colors again, which could be interesting for her characterization if she was alive at that point.

On the other hand, the biggest reason that I think Nico isn’t the mastermind is also because of the attempted Ace murder. Why would Nico, as the mastermind, try to kill Ace at this time? If Nico wins the Class Trial, then the killing game is over, which is probably counter to the mastermind’s goals. If Nico loses the Class Trial, well, we’ll say that the possibility of Nico dying isn’t an issue, as they could just fake their own death or deny entering the execution. But still, why?

It could be that Nico was trying to remove themselves from the killing game on purpose, but I don’t see why it would be necessary. No one was particularly suspicious of Nico being the mastermind, and if they were worried about their gender identity getting out, they could have simply made their secret something else. A mastermind could kill to avoid the killing game falling into a standstill, but tensions were really high at the time that Ace almost died! With a full day left to go before the motive secrets were revealed, such drastic action wasn’t yet forced. I guess the best option would be that Nico was just really angered by what Ace said, and wanted to retaliate as part of their vicious mastermind nature. Is that worth taking yourself out of the killing game and risking the show’s termination, though…?

There is also the possibility that Nico is the mastermind, but didn’t try to kill Ace. In that case, suspicion of Nico would be such a huge in-universe coincidence that I’m doubtful DRDTdev would have included it as a major plot point.

Speaking of “show’s termination,” I also don’t know why Nico would have any involvement in creating a TV show, both from a backstory/talent perspective and a personality one. Nico doesn’t like interacting with people. Therefore, I don’t know what would possess them to want to create and join a TV show for which the major draw is a big stressful discussion between a bunch of people.

I guess I had fewer reasons why I thought Nico would be the mastermind than I thought. I would love to hear more details about why you suspect Nico though, Anon! I’m definitely willing to believe that they could be the mastermind.

#7: Eden Tobisa

Make no mistake, I still think that Eden is the Chapter 2 killer. However, in the case that she isn’t… mastermind isn’t a terrible choice for her.

The biggest draw of Eden being the mastermind would definitely be the shock value. The seemingly nicest character suddenly being revealed as the mastermind would create a huge hurdle for the surviving characters to overcome. Teruko especially, given that she probably would have grown at least a tad closer to Eden if they survived five chapters together. It would be a little mean to give Teruko a trustworthy friend just to rip it away from her again, but I could see the opportunity being used to highlight Teruko’s growth. When Xander and Min betrayed Teruko, she panicked and shut everyone out, but when Eden betrays Teruko at the very end, she’s able to remain strong and rely on the other friends who she continues to trust. Or DRDT could have an unconventional feel-bad ending, I suppose.

If some kind of time loop is at play within DRDT, then Eden’s talent would obviously be thematically and perhaps practically relevant as well. I could see a lot of comparisons being made regarding a killing game being run “like clockwork.” Her secret quote “you can’t go back, no matter how hard you try” is... actually kind of anti-time loop, but at least the concept of going back in time is somewhat related…? Speaking of secret quotes, her Mai quote, “she kept calling the number, even though no one picked it up” is also really weird. That suspicious hidden evidence could point to her being the mastermind.

However, Eden’s personality is a pretty major issue when it comes to her being the mastermind. Shock value is great in the moment, but it can ring hollow in retrospect if people find that the twist doesn’t make any sense. Masterminds aren’t typically known for their kindness or optimism. So, if Eden is the mastermind, it seems like her whole “even if this world is cruel, I’ll still make the choice to be kind” speech is a complete lie. And, that would be a shame! I don’t think that having an unexpected mastermind at the end of the game is worth the cost of completely demolishing a character that we’ve come to know and love over the course of six chapters and several years. (I’m not saying that complete demolition has to be the case if Eden is the mastermind, but I think it’s a reasonable worry that many people have.)

And, I know that all this talk about how wonderful Eden is might sound rich coming from someone who strongly believes that she just killed someone who wanted to be her best friend. But, that’s kind of the point, isn’t it? As someone who thinks that Eden is the killer, I know very well how a lot of people have a really hard time believing that Eden could do something as terrible as killing Arei. I can only imagine how hard it would be to accept that Eden was the one who put Arei, Min, Teruko, and everyone else in danger, and the one pulling the strings behind every execution.

Eden as the mastermind, to me, is more tempting in concept than it would be viable in execution. And also, I don’t even think she’s going to live to see the light of Chapter 3 day. However, there’s also some definite emotional power behind the accusation that makes me see how shooting for this ambitious choice could be worth it in the long run.

#6: Whit Young

Alright, it’s finally time to talk about Whit. I know that he’s a really popular mastermind choice, but… I just don’t see it, personally. Even though I put him at 6th place. (I do not enjoy putting him in 6th place.) Is that just because he’s my favorite and I’m attached to my interpretation of the character? Perhaps. But, I’d still like to explore some points that I find faulty.

Perhaps the biggest reason behind suspicion of Whit that I’ve seen is the way that he breaks the fourth wall. People connect his asking people to pause for the evidence list to MonoTV invoking similar mechanics, and lines such as “do you really think she’d be hanging out in the playground” to him knowing more than he’s letting on. However, there are a couple of ways that this accusation can be depowered, in my opinion.

Firstly, Whit isn’t the only person who says stuff like this. Veronika alludes to the killing game before it begins, Teruko also breaks the fourth wall to tell the viewer to pause (albeit only in her thoughts, not out loud), and Arei makes the same kind of “hanging” wordplay in Eden’s flashback that Whit did. I won’t say that characters addressing the fourth wall can’t be important at all, because I believe there are some moments where the other characters commentate on how weird it is that MonoTV is talking to no one. However, I also think that breaking the fourth wall may simply be part of DRDTdev’s humor, as exemplified by that “make sure to like and subscribe so that Teruko has enough mental strength to carry on” joke. Whit is a funny guy, so it just makes sense that if DRDTdev’s brain generates funny meta jokes, Whit would get some of them. Everything that Whit says reminds me more of Mia AceAttorney saying “hit tab to open the Court Record” than some sort of groundbreaking DDLC-Undertale direct communication with the viewer. However, I can see why others would think otherwise.

The second is that I think some of Whit’s comments (more so the “dead at 3” and “hanging in the playground” than the pause) are just meant to showcase his intuition. And, yeah, it could be that DRDTdev has been leaving crumbs of Whit’s intuition behind so that in Chapter 6, he can use it to exploit everyone’s insecurities and greatest despair. To me, though, Whit’s intuition has always reminded me of the myth of Cassandra.

For those who don’t know, Cassandra is a figure in Greek mythology who was blessed/cursed to receive prophecies, but for no one to ever believe them. By my interpretation, Whit is a really smart and perceptive guy who has strikingly accurate gut feelings about how things will play out down the road, even when he doesn’t realize it himself. However, the curse of his own coping mechanism– choosing to act like an eternally cheerful goofball– leads the majority of the other students, and perhaps some of the viewers, to never take his point of view seriously. He can only realize the accuracy behind what he said after the bad things have already happened, leading him to blame himself more and more for not being able to speak up and help when times were tough.

This kind of behavior would line up with two different themes we’ve seen from Whit before. The first, that when he jokes around without thinking, he can accidentally say hurtful things that he later reprimands himself for. We saw that when Charles blew up at him at the end of their shared FTE. The second is Whit’s major theme of good things hiding a darker undercurrent. Being the Ultimate Matchmaker is great until you’ve never had a successful relationship yourself. Having an awesome mom is great until the truth comes out that she’s actually dead, and you’ve been covering it up. Growing super close to someone is great until he dies. Having an amazing intuition and understanding of everyone is great until you can never actually use it to help those you care about. Joking around is great until it's all you can do. Pretending everything is fine is great until it’s not.

Like I said, very specific interpretation. I promise I was not citing classical literature to make my argument sound smarter than it actually is. I am aware that my interpretation of Whit is no less or more valid than everyone else’s. However, it’s one that I hold very close to my heart, and thus, I personally have a hard time seeing around it.

However, I’ve also seen a lot of people argue some valid points for Whit, so I can at least acknowledge that he deserves to be in the upper echelon of choices. There’s a lot of weird stuff regarding him in Literature Girl Insane, and he’s certainly an option of someone who felt so much grief that they became totally empty inside as shown in that one hidden quote. I would be appropriately surprised and heartbroken if Whit revealed himself as the mastermind in Chapter 6, so he checks the box in that regard. There isn’t anything from his backstory that opposes the notion that he set up the killing game, and, to quote what I said about our other Ultimate Matchmaker, Toshiko…

While Ultimate Matchmaker might seem like a silly talent to give the mastermind, it could also be a ruse to distract us from the fact that [Whit] has a talent that allows [him] to read people well and make choices that will impact their lives dramatically.

I don’t like it, but I can see the argument… kind of. To me, most mastermind Whit interpretations feel like mischaracterization, but as a theorist, I always try to keep in mind that I’m the one who could be twisting the text to my whims as well. In this my-opinions-based list, though, he’s not getting any higher than 6th.

#5: Veronika Grebenshchikova

Ooh, what spooky art for a spooky mastermind. Let’s be real, though, Veronika is way too obvious of a mastermind candidate to actually be the mastermind. Unless… she’s so obvious that she loops back around to not being obvious, and thus, is the perfect mastermind candidate?!

Veronika is in a really weird place. I obviously have no doubts that she would have any moral qualms about hosting a killing game, because she’s told us herself that she doesn’t. She knows what Monokuma is in immense detail, but claims to have no idea what a killing game is. She’s dressed really similarly to Junko, though. Is that just a coincidence? Are giant pigtails also a symbol of fear in the DRDTverse? I need ANSWERS, LADY!!!

The biggest problem I see with Veronika is the potential for obviousness. Similar to Arturo, if she actually made it to Chapter 6, I feel like it would be pretty obvious what’s going on. An oddball like Veronika is not the typical survivor type (although she could break the mold). Because Teruko’s character arc is all about trusting people, it would make sense if the reveal of the mastermind was someone who challenged her trust to some degree. With Veronika being obviously unhinged the whole time, I don’t think that Teruko would have any particular difficulties with kicking her to the curb.

However, Veronika clearly has the motive to start a killing game, and potentially to spread despair. DRDT has taken inspiration from Trigger Happy Havoc in the past, so it could make sense if DRDT’s mastermind was also inspired by THH’s. Having a so-obvious-it’s-not-obvious mastermind could also be another way to mess with theorists like me, as DRDTdev did with the comments section portion of Literature Girl Insane. “bro Veronika being the mastermind would be WAY too obvious” sounds EXACTLY like “I just hope XXXXXX doesn’t go crazy and kill in chapter 3. That would be way too predictable” or “XXXXX will obviously die in ch5”. If part of the point of DRDT is to make know-it-all analysts rethink the rules they believe to be set in stone, I could see Veronika as a subversive choice.

Veronika definitely seems to be building up to something, but I don’t know if being the mastermind is exactly it. I think that Veronika could make it pretty late into the game, but I still struggle to see her making it all the way to Chapter 6. I would absolutely love to see what DRDTdev does with her writing if that is the case, though. 

#4: Mai Akasaki

(Well, now I feel bad that I’ve never made a colored portrait of Mai.)

As you may have noticed back at our first entry, Arei, I started the countdown off at seventeen, not sixteen. (If you didn’t remember that, I don’t blame you– it was a WHILE ago.) That’s because I thought it was only fair to include DRDT’s best kept(?) secret, the lovely Unnamed Student herself, Mai Akasaki, as an option! Because, man, is she mysterious in some suspicious ways.

“But, didn’t MonoTV tell the students that the mastermind was one of them? Mai isn’t one of the students in the killing game (unless prosopagnosia is REALLY going crazy), so she can’t be the mastermind, right?” Well, yes and no. The scene where MonoTV confirms the existence of the mastermind is SUPER weird. Let’s take a look at it.

On one hand, MonoTV is still in the Movie Screening Room, where it was JUST talking to the student body, so it would only stand to reason that it’s a continuation of the scene we just saw. However, the setting also seems to be doing everything in its power to tell us that this is NOT the same scene we just saw. The lights have been turned off, even though they were on in the scene just before this. They return to being on in the first scene of Chapter 1, which the students treat as being directly after the scene during which the lights were on before. The widget denoting the time, chapter, and episode has completely disappeared, placing this at an even more unknown time than “Time Unknown.” The text indicating that the speaker is MonoTV has even disappeared! I mean, I assume that MonoTV is still the one saying it, considering that it’s on screen and the speech bubble is pointing right at it, but we don’t even know that for sure!

Additionally, MonoTV refers to the viewers directly (“dear viewers”) two speech bubbles after this one, which makes it seem more like MonoTV is talking to us the audience rather than the students in the room. But then, if the mastermind is “one of you,” and MonoTV is talking to us, wouldn’t that mean the mastermind is someone in the audience? That could lead in to some really meta interpretations of the text (i.e. “DRDTdev is the mastermind of DRDT because he’s the one who created the killing game”) or it could indicate that I’ve gone fully off the rails. 

A midpoint between those two ideas is that the mastermind is part of the in-universe audience watching the killing game, as in, a fictional character who is watching the real-to-them TV show that is Danganronpa: Despair Time. That could include Mai, a very notable character who is not one of the sixteen participants in the killing game.

Side note, I’ve seen some people fight back against the concept that Mai could be the mastermind with the idea that making the mysterious character the mastermind would be too obvious. While I sort of agree, I feel like we’re somewhat overestimating the extent to which Mai is obvious. It’s not like no casual viewers would know who she is, because her image was shown pretty obviously in Chapter 1. However, the name “Mai Akasaki” is only accessible by finding the hidden quotes on the optional associated website’s character profiles. To learn anything about her beyond that, you have to have the thought to type the name into the website URL, and then solve another puzzle just to see the bare bones of what’s there.

I’m not trying to assert any sort of dominance or superiority over DRDT fans on YouTube, Twitter, TikTok, or anything else, but from what I’ve gathered, Tumblr is the place you want to go for deep analysis and theories on DRDT (possibly because of Tumblr’s longer word count). Therefore, anything about DRDT that may seem like common knowledge on Tumblr may only be common knowledge to the fans who specifically bothered to come to the deep lore and crack theories website to find deep lore and crack theories. Essentially, this:

Sort of similar to what Gravity Falls did with the reveal of Bill Cipher back in 2012 (at least I think, I wasn’t actually in the Gravity Falls fandom at that time), I think it would be reasonable to plant clues about an overarching villain that people who want to analyze can analyze ahead of time, such that the villain’s arrival can come as a victory to the puzzle solvers and an exciting new development to the more casual viewers.

However, while I believe that Mai has an awesome setup that she could use to become the mastermind, whether she would actually fit the role is another question entirely. As I alluded to back in the first Mai paragraph, I’m rolling with the widely held (among theorizers) belief that the Unnamed Student in Xander and Min’s bonus episodes is supposed to be Mai. In those episodes, Mai seems to be incredibly caring, peppy, and sweet. She knows a ton of little heartwarming details about Min and Xander, and I wouldn’t be surprised if the same is shown to be true with Arei and whoever else’s bonus episodes in the future. Those hidden quotes on Mai’s profile also give off the impression that everyone in the cast really loves Mai– one could call them a “portrait of a person dearly loved,” perhaps.

While it’s possible that these scenes are supposed to highlight Mai’s social prowess and how much she can get people to fall in love with her, they… don’t really seem to be giving off those vibes. We see her thoughts in those bonus videos, and she really does seem to be dedicated to helping Min and Xander out. Mai’s change from someone who wanted nothing more than to help out her friends to someone who was willing to throw all of them into the killing game is something that would have to be explained, and it could be difficult to communicate that shift within the confines of bonus material, if Mai’s content is mostly kept there. There is the concept that Mai could have put her friends into a killing game to protect them somehow, which could be a way to avoid Mai’s character seemingly doing a total 180, but that rationale would need a lot of explanation too.

Otherwise, there’s also the problem that Mai is almost certainly dead. I won’t get super into it myself, because the amazing @1moreff-creator has already done a great job explaining why here (starts in the XI. God is Dead section). I don’t think I need to elaborate on why Mai being dead potentially before the killing game even began would be detrimental to the idea of her being the mastermind.

To be honest, I don’t know how much this idea actually makes sense. I think I’m personally more inclined to believe that Mai could be the mastermind just because I really don’t get mastermind vibes from pretty much anybody in the cast. If the mastermind simply wasn’t one of the members of the main cast, that could solve that issue, right…? Mai is very likely involved in the inception of the killing game somehow, so extending that role to one of being the mastermind isn’t the biggest stretch. However, her personality and living status do throw in some pretty big question marks, so I don’t think she should go any higher.

#3: Teruko Tawaki

Teruko was definitely the first character who I believed could be the mastermind after I watched the series for the first time. However, over time, I’ve sort of fallen off of the idea that she would be. Is that because I’m forgetting key details of the plot, or because I’m drifting closer to the truth…? Honestly, I have no idea.

Let’s start with the strongest “evidence” we have against Teruko, her motive secret: “How could I even select which secret to make your motive? Just about everything you’ve done in your life is worth killing for. The killing game is all your fault.” Although “the killing game [being] all [Teruko’s] fault” sounds pretty damning, there’s the obvious counterargument to be made that this isn’t even Teruko’s motive. In fact, the board currently shows it assigned to Xander. However, the majority of people (including myself) seem to believe that David was lying, and this secret is Teruko’s. So, let’s analyze under that assumption.

Teruko did admit to Veronika that she doesn’t know what secret could be used as her motive because there were so many. Even if that motive secret isn’t hers, that still means that Teruko has done a lot of shady stuff. Teruko’s decision to live on set forever could line up with the mastermind's goal of wanting to keep the cameras rolling as well. The very first scene of DRDT shows that someone who wants the killing game to end also wants Teruko dead, which implies that Teruko and the killing games are on the same side.

Teruko also has a prior history of concealing things about herself from us, the viewing audience. We knew basically nothing about her past or trust issues before Xander stabbed her, causing her sudden change in attitude to come as a blindside. Teruko apparently has a “risky” killing game-ending plan in mind for the end of the second Class Trial that she’s told us absolutely nothing about. And, most notably, Teruko clearly knows things about Mai that she’s decided not to share with viewers at home. (I do believe that Teruko genuinely can’t remember Mai’s name, but she does remember that Mai is similar to Xander and wanted to help, which is more than anything we would have known from the main text on our own).

Point is, DRDT is written in a way where we don’t hear a ton of Teruko’s thoughts. That would make it much easier for her to scheme something behind the scenes, as opposed to someone who we get a lot of emotional reactions or logical theorizing from. It’s actually kind of similar to the difference between Kaede and Shuichi’s styles of narration, as pointed out by ShortOneGaming in their impeccable v3 playthrough! I recommend watching their entire letsplay if you're in the mood for v3, but I found one time where they talked about this concept here. I’ll transcribe it for anyone who doesn’t want to open YouTube right now:

Gina: I do want to call– as my final sort of note– what’s interesting is that you called out immediately that Kaede’s narration was weird. That, it was always, like– dictation? Allison: Yes! Gina: It’s always, like, speaking directly to a person– Allison: Yes! Yes, I did say– It never really felt like actual internal monologue. Like, she never was expressing her thoughts or anything to us. I mean, yes, she was, but then there were those weird moments where she was, like… y’know, hiding it from the player, and… probably from herself, too, to some extent. Like, she was just like, “and then I had to go do this thing.” Um, and like, “we won’t really address how I’m feeling about this.” Gina: Yep. Allison: And at the same time, it hides it from the– the player. And that was very clever. Really good. I mean, her– yeah, her narration was always kind of weird. But, she did have moments where she had internal reflection.

Hopefully, you can see the comparison. By putting a greater emphasis on actions as opposed to what Teruko is feeling (“I kneeled down and touched his neck” after finding Ace’s presumed-dead body; “Everyone else started filtering in” when people walk into the Playground and find Arei’s corpse), it becomes much easier to have Teruko hide exactly what she knows or exactly how she feels about certain events. It’s actually the opposite of the kind of narration that Damon had (“I’m trapped in a killing game… with people who despise me. How… how did this happen? I just wanted to help… I wanted to make sure we didn’t trust each other too easily… and now I’m being treated like the bad guy” after the 0th Class Trial) that made me believe he wasn’t the mastermind!

So, do I think that Teruko would be a mastermind who remembers, or a mastermind who forgot? Well, I could kind of see it either way. Personally, I think that Teruko being a mastermind whose memories are intact is the more interesting version, and I do believe it’s possible. I also don’t understand why someone with as many trust issues as Teruko has would want to remove her own memories if it weren’t necessary. Then again, Teruko being an amnesiac mastermind could make up for some of the… issues that arise with her as a mastermind candidate.

What? She’s in third place, not first. Despite how long I’ve already talked about Teruko, there’s still more to say!

First, the problems if Teruko did retain her memories: why would she ask MonoTV about the mastermind’s identity when the two were alone? Why would she be creating a plan to end the killing game? Why would she pretend to not know who Mariabella Rosales was even though everyone else clearly knew?

And then, the problems that persist even if Teruko did lose her memories: where would Teruko have gotten the resources to plan a killing game of this caliber? Even if she had them, why would she use it on this? Assuming that secret is hers, why would she write that about herself in a plausibly public place (beyond the swapping, Arei looked over Whit’s shoulder)?

Oh yeah, back to that secret. Just because “the killing game is all [Teruko’s] fault” doesn’t mean that she’s the one who planned it. In fact, the wording sounds very accusatory and hostile for something that Teruko would have theoretically written to herself. From the first scene, we already know that there is a person or group of people somewhere who are out to get Teruko. It could make more sense if that entity is the mastermind, and wrote the secret to blame Teruko for whatever she did that got her on their bad side.

There’s probably more to be said, but hopefully you can see why I have so many mixed feelings about Teruko. I definitely think she’s one of the more likely mastermind candidates out there, but I still don’t know exactly how likely that is, y’know?

#2: Rose Lacroix

Once upon a time, a wise and powerful theory alchemist known only by the epithet @1moreff-creator postulated that Rose could be the mastermind of Despair Time, and then never elaborated on the idea at all. For centuries (a couple of weeks) the townsfolk (me) were baffled by these dark and mysterious ramblings. However, as seasons passed by, as travelers came and went, as the tide advanced to kiss the land before slinking back to its home once more– the idea… started making more and more sense?

Rose is a really smart character who has already shown her proficiency in Class Trials. In the first, she utilized her ability to perfectly capture the scene and her knowledge of chromatography. Although her talents haven’t been as useful so far in the second, she’s still managed to keep up with the conversation despite never looking at the scene of the crime. Thus, I can see why, from a writing perspective, DRDTdev would choose to make his mastermind the Ultimate Art Forger.

There’s also the angle that Rose is a criminal, and therefore could be willing to do illegal or immoral things. However, she does seem to be pretty remorseful about it, and she’s already been caught for her criminal behavior before. Unfortunately for her, her relationship with her saviors the Spurlings only makes her all the more suspicious. Even if Rose didn’t want to be the mastermind of a killing game, if the Spurlings forced her to do it, she might have not had a choice. (Xander is very against the Spurlings… Xander is bloody hands guy → stop the killing game → stop the Spurlings?)

I also like the angle of “the Spurlings forced her to do it” because of what I talked about back in Mai’s section– the concept of the mastermind not being among the students. In Rose’s case, you can get the best of both worlds. The entity behind the killing game, the Spurling Foundation, would be a group outside of the killing game for MonoTV to contact, but there would still be a student among the cast’s ranks to suspect and accuse come Chapter 6.

What’s the argument against Rose? Well, I would ask why Rose would want to put herself in this kind of situation, but if it was the Spurlings’ choice, then that explains that. You could say Rose has been too helpful to be a bad guy, but everything she’s done so far has been to help the students win a Class Trial. That keeps the killing game running, which keeps the show on. The biggest problem I’m thinking of at the moment is the notion that the Spurling Foundation would have chosen to make Rose’s secret about how her backstory led her into their clutches. However, the secret doesn’t actually acknowledge the Spurlings by name, and it also frames Rose’s crimes in a way that makes her look like a good person– the opposite of what someone would think of as a mastermind. The secret was also only intended for Rose’s eyes, so it could have functioned as more of a low-key threat to remind her why she needs to stay in line.

Shouldn’t all of this talk of Rose lacking agency make her a bad mastermind candidate, though? If a villain doesn’t even believe in their villainous motivations, the story could end on a really flat note, with the good guys steamrolling an evildoer who doesn’t really care. How are we supposed to reach a satisfying conclusion if the mastermind hardly has anything to be held accountable for?

Those are normally things I would argue, but as many have pointed out, Teruko isn’t a normal protagonist. Actually, I think that this kind of mastermind setup for Rose could be a great way to end Teruko’s arc about learning to trust other people. Rose is the mastermind, somebody who shouldn’t be trusted…! It would be so easy for Teruko to just crush this person who betrayed her into dust– Rose isn’t even putting up much of a fight. But in the end, Teruko will choose to be patient, and see that Rose never wanted to betray Teruko. Even if her actions wound up hurting Teruko and many others, she still deserves a second chance, or at least a second evaluation.

As you saw in the death predictions, I obviously believe that Rose has the potential to make a late game run, whether as a survivor or something else. Writing all of this out, I can see even more clearly why Rose just might be the DRDT mastermind. However, despite all that I wrote, the idea still feels kinda more like a fun AU than the actual truth to me…? So, I still think there’s one person whose chances I like slightly better.

#1: J Rosales

Whaddya know, J’s personal ??? tier catapulted her into the lead. It is probably true that my uncertainty about where she might land is contributing to me deeming her the mastermind– it’s a really weird space in the kill order, as someone who survives long enough to theoretically have a positive character arc while sometimes not being counted among the survivors at the end.

Part of why I put J this high is that I really like the theory of J being the mastermind along with her brother, Ryan. Sadly, I cannot find any of the original theories that postulated this idea to link to, so I’ll try my best to explain what I remember myself. Basically, some people found the scene in c1e4 where Rose doesn’t remember who J is suspicious. They combined this scene with J’s younger brother, Ryan, and J’s talent, the Ultimate Effects Artist, to suggest that J could be using her FX talents to disguise Ryan as herself and have them occasionally trade places. From this Q&A, one of the few things we know about Ryan is that he enjoys crossdressing, which furthers the idea that he could enjoy pretending to be J. Ryan is also (to my memory) the only DRDT character’s sibling whose name we have seen in the main text, which could indicate that he’s more important than Arei’s sisters, Levi’s brothers, or other potential siblings.

I think it’s a really fun idea that I would at the very least want to see come to fruition, regardless of how likely it is. If J was working with Ryan, you can once again repeat the argument that there’s both a mastermind for MonoTV to talk to outside the game and one to be accused within the game. The biggest issue with it is that I don’t know how Arturo wouldn’t see the differences between the two, even if Rose may have. Maybe if J and Ryan haven’t swapped since the Rosales secret got out, and won’t swap again until Arturo dies…? I don’t know, I’m getting ahead of myself.

The thing is, other than just being a unique and interesting concept, I’m not really sure what the point of having J and Ryan swap would be, in universe or out of it. (This is why I wish I could’ve found a link to the original theorist... :,( ) My best argument for in universe would be that there are some things that only J has the skill to do, her being the Ultimate Effects Artist while Ryan is not. However, they couldn’t just have Ryan be the one in the killing game full-time, because he’s too young and therefore wouldn’t have been part of the original Hope’s Peak class. Thus, there are some points in time where J needs to be working behind the scenes (like on the executions or something), and during those intervals, Ryan subs in. Metatextually, I guess it could show how every person in the entertainment industry can be cutthroat, or that every child of a celebrity is bound to get messed up about it somehow…?

Regardless, even if Ryan isn’t involved at all, there are plenty of reasons to suspect J on her own. Ultimate Effects Artist is a highly suspicious talent when it comes to the deception of a killing game (just check out how many people think J already used it to kill Arei), and in connecting her to Hollywood. J may claim to specialize in theater as opposed to television, but 1) she could have been lying, or 2) that could be true, but she’s making an exception this time. Even if she normally works in live theater, if you were a TV executive approached by the daughter of Mariabella Rosales who is also a Hope’s Peak Ultimate student in her own right, would you really turn her away…?

J’s custom weapon is also pretty suspicious. Even if it doesn’t seem to be able to trigger traps like the one used on Levi (though that could be another lie), I could still see it being pretty helpful for subtly operating MonoTV, turning on a monitor, starting an execution, or stuff like that. Charles essentially confirms that the custom weapons were in the students’ rooms since they all woke up, which means that J could have had this remote on her the entire time.

J’s relationships also seem potentially mastermind-y. Thus far, the two characters with which she’s been associated most are Arei and Arturo. Those two (at least, prior to Arei’s change of heart) have been so clearly villainous and hateful that J would obviously look like a nice person in comparison. Why is this helpful? It means that J can get away with doing more objectionable things without raising any huge red flags. If J is the mastermind, we can look back on her demolition of Arturo in the Chapter 2 Trial as a brief early glimpse into how cruel she can really be. But, for the moment, although it’s definitely memorable, many people (including myself) can react to it with a, “yeah, but based on what Arturo was doing to her, it’s kinda justified…” (Not saying it isn’t somewhat justified either way, just that it could also be something more.)

J could also have a range of motivations related to her hatred for her mom. Maybe she’s trying to turn people against the Rosales name to ruin Mariabella’s reputation. Maybe this killing game is a plan to finally have a big artistic success all on her own (or with Ryan) to prove her mom wrong. Maybe she thinks that a world so enamored with fame and glamor deserves to rot in a pit of despair. I don’t know which of these options would be the most likely, but I could see how any of them could be possible explanations for how J got to this point.

I think my biggest argument against J once again comes back to the “why”. I think that J has a lot of potential to be a good mastermind, but I don’t know if that carries over to being a good mastermind for Teruko. Unlike with Rose, I don’t have a good sense of how J being the mastermind would tie into a satisfying ending to Teruko’s trust arc.

@venus-is-thinking and I sometimes like to run randomized killing games as a fun writing exercise (randomize the cast, motives, and mastermind; see where it takes you), and we’ve generally found that the most compelling protagonist-mastermind duos either have the protagonist sharing the same worldview with the mastermind, or being the only person who believes the opposite.

If the protagonist starts with the same beliefs as the mastermind, then defeating the mastermind is a showcase of the protagonist’s development. Hajime and Izuru work as protagonist and mastermind because Izuru is the manifestation of Hajime’s belief that only talented people are important and can make an impact on the world. By renouncing Izuru, Hajime proves that he’s learned that anyone has the chance to change their future if they put in the effort. 

If the protagonist has the opposite opinions from the mastermind, then it proves how crucial the protagonist is to the narrative because they are the only one who could deliver the critical message. A great example of this is Shuichi and Tsumugi. When Tsumugi tries to set up the conflict of “hope good, despair bad” that will keep the killing games going, all of the other surviving students fall for it. Shuichi being the only character who has spent the entire game learning the importance of balancing two extremes makes his callout of Tsumugi incredibly satisfying, and justifies the protagonist swap by proving that Shuichi is the only hero who could have saved this day.

That’s why I think that J would be a great mastermind for a protagonist who has issues with family or stardom, but might not be the best choice for a story with Teruko at the helm. Those are only my observations, though, so I’d understand if DRDTdev planned things differently.

And that is finally the end! Here’s the final tierlist I wound up working off of, which I fiddled with a TON while writing:

(It’s based off of Ocean Unknown’s tierlist!)

Since this has already gone on so long, I’ll try to keep the conclusion brief. Please take all of this with a grain of salt, as I wound up making a lot of claims about writing that don’t necessarily have the strongest foundation. I didn’t write anything that I think is blatantly false, obviously, but whether it’s good advice or not doesn’t necessarily mean that DRDTdev considered it. We may have different priorities in telling a compelling story. And, we’re less than two chapters in! Even the end of the Chapter 2 trial could throw a positive or negative wrench in any of these profiles.

Thank you so much for reading through this whole thing, and if you got through it and still have anything you want me to elaborate on further (a specific character, a specific theory, a specific aspect of fangan writing, etc), I would be happy to do so. I, uh, really hope that this answered the question that Anon asked, haha. Until next time… stay wary. There could be masterminds lurking about...!

[frenchkanna1808]

Why chapter 3 was a enormous let down and the possible negative impact it might have on the rest of the game

I remember after finishing chapter three one how exicted I was, how deeply impressed I was with the banquet and the qtaro development. And I mean I wasn't the only one, again and again I had seen so much praise about chapter three and how awesome it was. How great midori was as a villain (my like idk how many words analysis about him is very much explicit of that), How amazing qtaro development was, and mainly how great the banquet was, and I had seen the claim around that 3-1 was as great or even better than 2-2. And so I had decided after the hype fell down a little to play yttd again with friends, and that when I realized, god , wait, chapter three is like, extremely mid. I played the entire chapter 1a and it only got to the heights of 1b. I at first couldn’t tell what was wrong with the game, why did it feel so disappointing? And after a while I have finally looked back at the chapter, and yes this chapter is not only extremely lackluster but also a very bad prediction for the future of yttd if 3-2 is written the same. So here in this long french analysis I will discuss the main problem of chapter three the absolute shit characterization of almost all the characters. But also the destruction of emotion route and the crazy pacing

Hi like always, I’m frenchgremlim, I’m the french kanna fan I write stupid essays on yttd from time to time, this one will be compared to some of my others quite negative. But I will try as hard as possible to be an objective critic. This isnt meant to attack any fan of any character no any fan of yttd 3-2, I just want to discuss a possible problem in yttd writing that personally scares me for the future, this topic was one I brought up a lot in many post, if you have seen any of them then well you will already know some of my grievances with chapter 3. So with all my love thank you for reading this, lets start!

THE GOOD STUFF

Chapter Three 1 definitely has many great points. First off, the plot progression is pretty great, we get ton of infos on asunaro, on ways to escape and clues about the hades incident. Midori was a blast and bullying him became my favorite pastime. The dummies were an amazing concept (remember the word concept it will be important for the rest). Despite me disliking ranmaru deepy his development was interresting. THE QTARO DEVELOPMENT WAS CRAZY GOOD, for the first time I got to be justified for being a qtaro fan since chapter 2. Keiji had ton of development in this chapter??? that is very rare considering how much of a stable character he is troughout the game, his relationship with sara is really highlighted and I think thats great. Gin stays the most consistent character in yttd and despite normally being something I dislike in a game I think it makes sense considering gin is pretty much sara anchor in reality in both routes. The obstructors were an amazing idea and I think, adding new mechanics like that truly freshen up the game. Also shin ai is litteraly one of the best idea ever and maple too. And of course the banquet was a thrilling nerve wrecking experience with so many twist and turns that truly got your blood pumping……. Thats my praise for chapter three, the thing that doesn’t make it outright bad but correct. See how I mentioned a few characters by name, but not all, you can pretty much count any of the other either barely present or useless to the narrative. Which will lead me to my first point, the absolute character waste that genuinely every single yttd character going from the least worst to the worst (if you know me you know who will be last).

AN ENSEMBLE CAST IS AN ENSEMBLE NOT SARA AND HER MINIONS NANKIDAI

MAI AND KURUMADA

okay so I will start with them because funny enough new characters have better characterization, than actual character we knew since chapter 1. If I had a word to describe both ami and kurumada it would be good but lacking. Let’s start with mai, I think mai concept of her starting has a sort of traitor and then becoming a true ally is very good, same for kurumada startinga s a heartless asshole only caring about himself to him literally on the ground crying that keiji doesn’t cause the doom of the other dummies. Overall Mai and Kurumada have the strongest character out of all the dumies and are truly multi layered characters. Mai is depicted as a fake idol like girl who hides herself behing the pop like smilling persona (inverse of shin) to hide the fact that she is terrified but can also be a cunning manipulative person too. She truly wants the best for others but is terrified that she might die and would do anything to survive. Kurumada is a brute, he acts like a bully toward the others, act heartless and values himself over others, he has a sort of superiority complex and rejects affection. But trough the power of the bucket, kurumada starts to warm up, and he starts truly caring about the others. He starts devaluing his life after getting destroyed by maple. But in the end he was the only one of the surviving dummies wishing not to be brought back but avenged. Both have interesting dynamic with their pairs and overall importance on the narrative, something that can’t be said about all dummies. Why lacking then. I think kurumada and mai still suffer from what I will call the dummies problem, they feel like there is so much like missed potential its crazy. Seriously we had like one scene where kurumada learns to warm up to kanna, thats it, it feels like we had the basics but it was very rushed. Which is a shame considering THIS IS THE THING THAT MAKES KURUMADA CHANGE AS A PERSON. Mai has less of this problem I think, but still she has no relationship with like anyone in the group except qtaro ( I still think in logic route we should have had the obvious parralele between her actions and like keiji/shin actions it feels like wasted potential) But again this is a flaw that is ommitable since reminder the characters are well written despite being rushed. What isnt forgivable is that kurumada has no relationship at all with shin in logic route, its clear that nankidai envisioned emotion route kurumada before logic route kurumada. Overall I think the pairing system was terribly done for some characters, which is apart of the overrall dummies syndrome.

But lets take a look at the other dummies where my praise will quickly end.

ANZU AND HAYASAKA:

I am deeply sorry for anyone who is a fan of those characters, but I need to be objective, anzu and hayasaka are the most nonexistent characters in yttd. I complain about the lack of kanna content, but the absolute uselessness of those two is crazy disappointing. Remember how I described mai and kurumada, full rich descriptions, what is anzu character. She is a dumb clown girl, thats it there is nothing more. And the problem isnt that she is a simple character on paper, because for example mishima is quite a simple character, its how nankidai decided to utilize them. Lets start with anzu because I think she shows off well the problem, what does anzu do during the narrative, when is she useful, not even like talking about like puzzles or stuff like that kanna also doesn’t help that much, I mean overrall, what is the goal of this character. A character can be a bit flater personaility wise but he has to HAVE A REASON TO EXIST EXCEPT FILLING IN THE BLANKS.

Why was she paired with the yabusames, because reminder all the dummies were paired with a human for a reason, sara with ranmaru because of joe, keiji and hinako because they are edgy emo dyed hair dodgy person, kurumada with greenbling because he has one of the highest percentages while they have some of the lowest, hayasaka because he is similar to mishima with gin. Anzu was paired up with the yabusame, because she had to be paired up with someone, she has NO relationship with them, isnt a contrast isnt anything. My problem with anzu is that she is a a boring character because they did NOTHING WITH HER, she feels like an C rated anime girl in the fucking cast of death note. And no I’m not saying a nice person is boring not at all kanna is my favourite character of fiction, what I’m saying Is that creating just a nice girl is a problem. If we go to hayasaka its the same, which is even worse because hayasaka IS TIED TO THE NARRATIVE. I would say haysaka is more plot interresting but his personality is so boring that it doesn’t help at all. He is just clone non chad mishima. They can die and it will genuinely almost affect nothing at all(which is also a problem the death problem). You get surprised when they actually talk because you had forgotten they existed. Thats how I will define the dummies problem, it feels like the characters were added but had very limited impact in the end, because while it makes sense for asunaro it doesn’t make sense for the cast, why add characters if they have no meaning, thats just bad writing.And why does that piss me off, because you could have done so much more. Remember the mishima comparaison? Mishima is the most good guy ever made but how does he shine, by his interractions, he is a light of joy and good and shines from how kind he is towards others. He’s a bit silly but his unwaring kindness and undertsanding is what makes him a compelling character. Especially I contrast with brooding characters in the cast. ANZU COULD HAVE BEEN THAT. I think especially in logic route, anzu isnt the brightest light bulb, but she can shine in her unwaring compassion, her passion is making others laugh as a clown. While she isnt the best and can sound awkard she tries her best for others, because thats whats right to do, despite how much she is scared. After keiji gets coffined, anzu goes to see keiji in the coffin and tries to cheer him up with the worst joke ever and it makes him truly laughs from how bad it is. Reko see nao painting and gets depressed about it,feeling like she was able to save nobody whether her brother or lover, anzu decides to show her some epic clown skills and absolutely fails, reko laughs finding the kiddo endearing. After alice discovers that midori had hanged out with reko, he wants to destroy him and get filled with rage but anzu tells him to do the breathing exercises she used to do before any performance. Anzu could be used as this idea of childlike kindness a little light in the dark of the group especially in logic route. She can still be a fail girl clown make her bicker with kurumada more, make her be so impressed by how calm mai is, make her despize ranmaru in logic route, make her a dumb kid with tehir cool aunt/uncle with the yabusames. MAKE HER EXIST. SAME FOR HAYASAKA, hayasaka is supposed to be a straight man type character make him even more of a loser, make him silently judge the crazy ass people he is with, do his development litteraly not Five minutes before his death. A character being simple isnt a problem, what is a problem is not using them to their fullest, and for me in the state that they are in currently anzu and hayasaka are bad characters in term of the narrative.

SHIN

Okay so shin isnt a character in chapter three, he’s just there, I’m putting that low because he is a main character. The problem with shin being a bot, is that we just left one of the craziest chapters for him to do nothing, I understand him being stunned by midori and stuff. But I still think this is quite a letdown, especially for the obvious parralels between him and maple almost never being utilized. You can tell nankidai didn’t have the time or want to do much with the guy, which is bonkers considering THIS IS THE CHAPTER WE MEET HIS ABUSER. Then why isnt shin lower? Because shin is the type of character to have development throughout the story, who has a continuous storyline etc, which means that even though he didn’t get anything special this chapter next chapter he will get it. Its not a case of actual waste of character ,its more so, putting the character in the drawer for now. I am not scared for shin writing because he will always get something and always had something. Which makes is non importance in chapter 3-1 not that bad

KANNA

OKAY SO I WILL TRY TO NOT BE BIASED. Kanna characterization disappointing me In 3-1. As the biggest kanna fan, I think nankidai doesn’t care that much about her character as an actual protagonist. This one will be a bit longer but to explain why it was bad I need to do some sidenotes.

Sara is the protagonist of yttd, and keiji and gin are deutarogonist (idk how its written forgive me I’m french, please tell me if its badly written). Sara throughout the story goes trough many changes and developments, while characters like gin and keiji stay pretty much the same the whole story before 3-1. Sara main development is her living with the grief of losing joe and her importance in the group. While keiji is this morally grey, in the end bad person because of his actions guy, that still deeply cares and wants the best for sara, but what he does for her like putting so much responsibility isnt good for her in the end, it creates this codependent dynamic where keiji wishes to protect sara but in the teaches her how to be like him despite him wishing the inverse. Is keiji a good influence? A bad one ? I would say a bad one, but does he care for her? He sures do, and would do anything to protect her. Why am I going a tangent you might say, because shin and kanna are the mirror to keiji and sara. They are in the end the same. Kanna is a direct parralel to sara story wise, which is why I think if the story was twisted the point of view would be either shin or kanna. Kanna is the emotional core of the game, the soul I would say even, her development has a character is the deepest and most complex. Going trough hell, wishing to die to then deciding to live not herself yet but for the people that loved her, Kanna went trough some of the worst events out of the cast, litteraly everyone she even remotely liked or was friends with dies. And yet she decided to stand, for them, for their wishes, that makes kanna the most emotionally strong character in all of yttd. Because compared to sara she had almost no help and was left to her suicidal tendencies. Kanna represents hope and bravery in its purest sense. Thats why kanna is the soul of yttd, she litteraly made shin realised that he could care about others again. But despite all of that kanna was always in the shadow of someone, lacking self worth and self confidence feeling the need to be protected by others, hiding behind shin schemes despite how dodgy they were. Shin was her shield, and now he is gone, and kanna has never been more alone than now. Two people died for her, she hates herself and wishes to go seem them deeply, but she has to stand up for them. And what do we get for chapter three!!!! One scene. Thats fucking it. Okay maybe a little bit more but like god its bad. Kanna is implied in one scene that she doesn’t understand why shin would sacrifice himself for her, which implies that she doesn’t understand that people could love her, which could imply that in general she doesn’t get why either kugie or shin did this for her. COOL ONE IMPLICATION. And like if you read the scene where she says that she will like be epic for them, its implied that kanna doesn’t feel better and is still very much suicidal she still hates herself, kanna doesn’t think she can live, but she has to survive for them. Kanna is implied to be in survival mode more than having hope to be outside. OKAY COOL.

Now I have a question, why does for kanna we have to acively search for her to have any actual development and like relevance, while for other character its more laid out. Why does sara get a scene where we see her change mentality after seeing the joe ai, while kanna GETS OFF SCREEN DEVELOPMENT. IF THERE IS ANYTHING I HATE ITS OFF SCREEN DEVELOPMENT. WE SHOULDN'T HAVE TO GUESS A REASON A CHARACTER CHANGED. Plus kanna is a victim of this almost all the time, which is why people call her flat or not as interesting as shin (I heavily disagree I could write so many pages about her). Kanna is a character which is made in subtlety, which isnt a problem, what is a problem is that she is perhaps the only one. Kanna like I said is a very important character for both routes and yet she is barely treaten has a main protagonist, she is a sidekick, and thats a problem. Because of that her individuality and complexities are not explored. For example I think kanna has many many actual flaws that are barely treated in the narrative, she is far from a perfect kind person, but never tackled on. Kanna is a character that not only never gets a W but also get no breathing room. THIS IS THE FIRST CHAPTER KANNA IS MORE PROACTIVE AND YET WE DONT SEE HOW HER. Yes there is some things that show that, but again its not protagonist level of development, it feels like non important side character development for a character that shouldn’t be that. Kanna SHOULD be a protagonist of yttd, and should get finally her chance to shine instead of always being in someone shadow. I not making pessimistic claims right now since the last chapter isnt out, but I’m very much not hopeful about how nankidai will handle her #challengewriteafemalecharacterwiththesamerespecthasamaleone.

ALICE AND REKO

I Have already written many post about this, but post chapter 2-1, Nankidai had no idea what to do with yabusames, they havent had any actual interresting impact except from lore in any chapter. They become background character especially after nao death. Despite being actual game changing choice, alice and reko are useless to the narrative. WHY? Because nankidai had decided to get them killed by sheep boy, and since nankidai clearly wrote emotion route before logic route, in emotion route he had no idea what to do with them so the became npc’s. Alice relaionship with cast has not evolved from chapter 1, and reko became just one of sara goons. I think this ties into another problem, the emotion route problem, what should make emotion route compelling the character which is supposed to represent it, kanna and the emotion route based choices, but since kanna and the other yabusame gets zero content, emotion route seems like the least interesting route. Because nankidai was more lazy doing it which is a clear problem. That affects the yabusame heavily, sicne he had no plans with them past death. Thats why they are static. Its also linked to another problem which I will mention later. But yes nankidai simply doesn’t know what to do with them, which is especially worst for alice a character that is LINKED TO THE ENTIRE CHAPTER. I think its not only a waste of alice and reko, but also a sign of favoritism. I think nankidai simply cares less about complex ideas for emotion route, I will perhaps write in another post all he could have written interesting for emotion route. Now lets get into THE REAL STINKER OF THE CHAPTER.

NAO EGOKORO: HOW TO MESS UP THE MESSAGE OF CHARACTER

What. The. Actual.shit. I have no words except from that. This out of every charcater bothers me probably the most and actively pisses me off. Imagine writing a character, a female character who was shown as capable and strong despite being an emotional person, imagine creating a character which showed the defiance of asunaro, the fact that yes despite their overwhelming sense of control and power, that there was in fact a way to beat them at their games, imagine writing a character that fought against adversity and had the only canonical route where despite all their wishes that character won, imagine creating a character with a doomed fate which is in direct parallel to another character and shows why he somewhat has the right to be scarred, imagine writing a tragic story about a girl who was only brought here to suffer and be a tool for the progression of A MAN in the canonical narrative, imagine writing a character who entire existence was a tool for asunaro and died because of them, imagine writing that the floormasters consider her useless and non important because she isnt some holy participants, imagine writing that. Okay so imagine that after this poignant ending you decide to do another chapter where you mention her 1 time in a non essential dialogue. THIS IS INSULTING. Because what this honestly says is that, yes nao life truly was unimportant, we get references to greenbling death in the chapter, NAO DIED LIKE THREE HOURS AGO. THIS MESSES UP THE ENTIRE MESSAGE.

This feels like nao was some kind of rug, that when not needed could be trhown out, was her death just shock value, was that the goal of her character. I wanna remind that yes nao was only brought to boost mishima percentages, which mean she was only a tool for another man progression. THERE IS SO MUCH META POSSIBLE COMMENTARY ON THIS. Asunaro who uses children and women as toys for their own goals, that they will throw out when not needed. But instead the fact that nao was completely forgotten just deepens this idea that yes in fact they were right, she was unimportant, and thst deeply isulting I think. Why does every chapter mishima comes back while we get no mention of nao. Why is there a clear focus in this game about more stereo typically strong stoic figures, isn't this entire game about the conflict between emotion and logic. Why does characters like kanna and nao representations of the conflict get zero content. Characters like kanna and nao MATTER, they are perhaps some of the only representation of empowerment that people like me can relate. Because I will be truthful, logic route is in fact not the good choice, not in narrative standpoint (logic route is awesome for the narrative for sure), in a moral standpoint, its an extremely good idea of course. But the message of the game is that in the end its wrong, it’s a wrong choice to act or pretend to be an emotionless logic based robot, keiji is in the wrong, shin is in the wrong, midori is in the wrong. Whats the point of a moral dilemma if you don’t talk about it from one side. THEN WHY DOES THE CHARACTERS THAT REPRESENT THE INVERSE GET ZERO CONTENT. I think nao disappearance is not only one of the most disappointing things in all of yttd but genuinely gets me scared for the future of yttd themes.

Now that we finished every character, you may wonder, why, why is this chapter characterization so bad? What even happened? Ill tell you what happened, there is two reason everything went to shit and let me list it here:

THE SARA PROBLEM OR WHY THIS CHAPTER PLOT FOCUS IS ASS .

YTTD chapter three was way more plot focused than any of the chapters I would say, and honestly thats great for the narrative, if only it was done well. Remember my speeches about the characters about how like 60% of the cast is useless to the narrative, characters we know since a while, why do characters have no development, why does the dummies gets jack shit to do etc. Thats because of one thing, this chapter prioritized PLOT over CHARACTERS. And how can I claim this, because most scenes are sara and her doing everything. This chapter wasn't really about her, at all even, yet we have focused more on her reactions to the events that literally any characters. Chapter three at least half of it shouldn't have been sara focused. You might say what are you on about french? I’m gonna explain. I wanna state some example to show my point clearer, the reveal of why non candidates were brought here, why, in the flipping heck is sara the charcter in particular they choose to only know that, to have the big emotional scene, why especially in logic route, why?????? Yes she knew nao, sure thing, yeah she knew kai, but she wasn't the only person that knew them, sara didn’t even like mention nao almost the whole chapter, you want me to buy some emotional ass scene, for a charcter you barely even cared about showing in the narrative. I could think of a million characters who knwing this would flip out and have ACTUAL CHARACTER MOMENTS (kanna, reko, shin when he would learn that they brought kugie only to die which in the end CAUSED KANNA TO BECOME SUICIDAL AND DECIDE TO KILL HERSELF, GIN).

Another example the final scene where sara presses the button to get rid of midori that scene feels so empty, it doesn’t feel like a revenge or anything, midori has no emotional connection or link to sara, it doesn’t feel deserved, why out of everyone of the cast, why is midori getting killed by the person who he hurted the least. It feels like yeah sara the protag so she has to do it, it doesn’t feel cathartic because the characters that deserved the most to get this final bow didn’t get to get it. IM PRETTY SURE ANYONE IN THE ROOM COULD HAVE PRESSED THE BUTTON AND IT WOULD HAVE BEEN MORE EMOTIONALLY DRIVEN. I wanna discuss emotion route sara in particular, sara isnt as interresting as before in emotion route, since now she is healing and is closing her arc, which means that compared to logic route you don’t really have this want to see her arc which make scenes that should have been about other characters feel even more flat. I am not saying we should stop having sara as a protag no no of course, my problem is that we have seen that sara can work as the protag while focusing on other characters drama.

Example chapter 2-1, in 2-1 the focus is on reko and alice, and yet sara still has conflicts for herself, but they don’t seem to overpower the narrative. This intense sara focus destroyed the other characters screen time, and caused a lot of scenes that should hav been more impact to be less impact. Sara story in emotion route should have been the keiji stuff an ranmaru stuff mainly(and the whole logic route sara becoming crazy stuff too), the whole conflict with midori just felt like it was created only for the narrative. NOW I CAN FINNALY COME TO MY POINT. The sara focus was because yttd decided to focus more on the plot progression that character driven story, thats why sara does everything, thats why the characters have overall less to do. And imma be honest I did not come for yttd for the plot, people love yttd because of THE CHARACTERS, why do people play logic route, because they want to see shin evolve and sara too, why do people save kanna to fullfill shin wishes and save a kid they care for, what most people play yttd for is not the plot. YTTD IS A CHARACTERS DRIVEN STORY, characters not character. I genuinely don’t give a flying fuck about the plot if the characters are non existant, a bad plot can be carried by good characters, but a good plot will never carry bad characters. I know we are getting closer to the end, but yttd always had that balance between action and character moments. But I don’t think its only the direction of the story that is faulty. ITS the:

PACING

YTTD CHAPTER THREE PACING, wow we met this new guy midori, WTF REKO DEAD, anyway who cares lets move on. Thats it thats the pacing. THE CHAPTER IS WA TOO FAST. We go trough plot points so quiclky, we randmoly see reko/alice die then nothing, they don’t exist anymore, characters the cast know since the beginning, again for the dummies its logical, in a way, they don’t really know them, plus they are robots. RANDOM AHH REVEAL KANNA AND SHIN ARE ACTUAL SIBLINGS THEN NOTHING, NO MENTION, NO ACTUAL IMPORTANCE TO THE ROUTE, this only felt like this was added in for plot for logic route so that we know in advance that shin and kanna are siblings. The dummies just die at the end of the chapter in five minutes, qtaro dies in five minutes then the chapter ends. How do you want us to feel emotional weight for a character dying if you give us no time, joe death is one of the most viceral death because its slow and painful to watch, while if he died in chpater three he would have just exploed for shock value. Shock value thats how reko and alice death felt like, just that. Sara figuring out the whole participant thing, shock value thats it. The pacing is just horrible in this chapter so much so that I had actually forgotten kanna and shin were revealed to be siblings at the end of my first playtrough

CONCLUSION

I don’t think chapter three was bad per say, half of it was amazing truly, but the other half was incredibly disappointing, the whack characterization, the horrible plot focus and the pacing are terrible. Emotion route suffered the most because of this and I think on an objective standpoint is the worst written route (i’m the biggest emotion route glazer but like I can’t lie on how bad nankidai fumbled). I still love yttd and am full of hope that chapter three two will be the most amazing thing ever made, but I am scared of dissapointement now, I hope nankidai comes back to his roots wirting like chapter 2. If you like loved chapter 3-1 then honestly I wish I was you, I don’t like being dissapointed, I don’t like being let down, I am not critiquing from a place of hatred but from a very passionate fan, I know my opinion is pehaps not one of the most shared but as a fan of yttd for so many years I think we need to open our eyes to flaws. Perhap chapter 3-2 will fix everything I say and I hope so, I hope this post becomes outdated, but if it doesn’t then it would in my eyes truly ruin yttd. It won’t change chapter 2-2 changed my life and that kanna kizuchi saved me from a lot of dark times.I love yttd and i belive in nankidai and that why as a fan we shoudl critic his work

[brucebocchi]

Ranking 2024 anime, Pt. 3: #30-21

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here and part 2 here. thanks!

We're chugging along. I'd say we're finally getting to the good stuff, and there is plenty of good at this point in the countdown, but I also just really like complaining.

Let's get it.

30. KonoSuba: God’s Blessing on This Wonderful World!, season 3

I have a tendency to refer to the more brainless and/or trashy anime I watch as “junk food.” You know the kind; the ones that don’t really add anything to your life and don’t stand up to the more fulfilling series, but still get the job done when you go into autopilot. I’ve found that, as a habitual (non-metaphorical) snacker, I tend to just reach for something when I’m bored so I have something to do. And looking at it objectively, I don’t tend to enjoy myself while doing it and I usually don’t feel good afterwards.

I feel much the same way about watching KonoSuba.

Not that I think it’s ontologically evil or anything, but KonoSuba often has just as much going against it as it does working in its favor. For every joke that hits, and some of them absolutely do hit, there’s another that makes me question why I’m even watching it. I’m not against dark or even occasionally offensive humor; I adore It’s Always Sunny in Philadelphia, a show to which KonoSuba often draws comparisons. The issue is that, at its worst, KonoSuba defaults to either “this person is a pervert,” “this person is a pedophile,” or “this man got sexually assaulted.” My issue isn’t with the subject matter so much as the fact that they rarely rise above the level of base shock value and that they keep happening like that. It almost feels perfunctory, like the writers had quotas to meet.

It’s not all bad, though. Even having only gotten into KonoSuba in early 2023, I still found myself lamenting its hiatus, and An Explosion on This Magical World somehow only made the heart grow fonder for the party members that weren’t Megumin. I appreciate that Darkness plays a pivotal role in the third season, because Darkness is hilarious and terrific. This season had a couple of the best jokes and goofy facials in the series. 

Overall, it’s a bit of a wash, but I can’t be too upset. It’s more KonoSuba, and it’s reached the point where that’s practically a value-neutral statement.

29. Wistoria: Wand and Sword

I don’t really have much new to say about Wistoria. It’s not the best magic school anime I watched this year and certainly not the best fantasy, but it looks terrific and it’s a fun enough time if you turn your brain off.

And turning your brain off is a necessity here because Wistoria’s story is as basic as it gets. It’s more or less Mashle if it wasn’t a comedy, and it’s such a transparent, dirt-simple power fantasy that it might as well be an isekai. Guy’s trying to keep a promise to his childhood friend, he sucks at the one thing everyone else does to the point of getting bullied left and right, but he’s super crazy strong in a his own special way. Actually, shit, I just described Kaiju No. 8.

Rule of cool wins out here, and this show does look phenomenal, but it might be better enjoyed via YouTube clips. I’m curious to see where the story goes from here, but I’m not completely sold yet.

28. Chained Soldier

Chained Soldier is horny isekai trash. Chained Soldier fucking rocks. We got big monsters, wild action sequences, unique and memorable character designs, casual femdom, solid comic relief, interesting (if predictable) twists, uncensored boobs, it’s got it all! 

It’s not the best-looking show in some parts, but that’s forgivable. The production values were fine, all things considered, and the action sequences in particular were terrific throughout, but I’m really glad this series is changing studios for the second season. I’ve read ahead in the manga (don’t judge) and Passione is gonna do a bang-up job as the action and shameless fanservice both ramp up.

It’s early in the story and a teensy bit shaky, but Chained Soldier is already a fun time. I have reason to believe it’ll only get better as it goes. And not just because of the boobs.

27. Suicide Squad Isekai

You wanted an isekai starring the Suicide Squad, and by God did you get one. This is a perfectly serviceable series by Suicide Squad standards and a pretty middling isekai otherwise. Nothing about the world in which this series is set is all that interesting or groundbreaking, but you’re here for anime Harley Quinn (and a few other DC villains I guess), and this show delivers.

Fluid, expressive character animation (when the studio wants it), a terrific Japanese voice cast, and entertaining hijinks among Batman’s infamous rogues’ gallery combine for a plenty fun time that ultimately doesn’t have much staying power. If you liked the James Gunn movie, you’ll have a decent time here. No more, no less.

Between Uzumaki’s disastrous production, Lord of the Rings: War of the Rohirrim’s apparent mediocrity, and last year’s unwanted, execrable FLCL Grunge, I’m just glad that at least one recent anime production with Jason DeMarco’s fingerprints on it came out unscathed.

26. ‘Tis Time for “Torture,” Princess

I ended up watching so many discrete series during the winter season that it’s probably not a coincidence that my bottom four series on this ranking (and six of the bottom ten) all aired during that season. When you filter feed, you’re gonna take in a lot of garbage. Sometimes you need some stuff that’s “just fine” to clean the palate.

‘Tis Time for “Torture,” Princess is probably a bit better than even “just fine,” but it’s not gonna be a ready recommendation. The premise is pretty one-note on paper: Warrior princess got captured by demons, they try to coax intel out of her via temptation, she folds, the intel is worthless, and the cycle begins anew. But if a run of over 250 manga chapters and climbing is any indication, the series manages to keep it fresh. Time for “Torture” works because it isn’t beholden to its premise and instead decides to play hopscotch with its own framework. Gradually but noticeably, the unnamed princess and her inquisitors and “torturers” become friends, they all enjoy the spoils of her snitching together, and they really just keep it up because that’s how this stuff is supposed to go. 

Nine months later, I still don’t know why I liked this show so much. It’s just the right amount of silly to me, and it’s cute as hell where it counts. Not the best thing I watched this year but far from the worst. If you want something dumb and weirdly wholesome that’ll make you chuckle here and there, it’s a good pick.

25. Jellyfish Can’t Swim in the Night

This is one I’m still agonizing over a bit. Jellyfish Can’t Swim in the Night is a terrific show on so many levels, but I still felt let down by the end of its run. It wasn’t even in the same ballpark of disappointment as Uzumaki or Metallic Rouge, thankfully. Like Uzumaki, it couldn’t live up to the promise of its all-timer debut episode, but on the flip side, Jellyfish largely maintained its high production value. Like Metallic Rouge, it felt like the narrative largely spun its wheels until the writers realized they only had two episodes left, but Jellyfish didn’t leave me feeling like I’d just wasted four hours of my life.

This series already had massive shoes to fill if it was going to be the best showbiz anime produced by Doga Kobo airing this year (“I’d have two nickels” and so on and so forth), but Jellyfish Can’t Swim in the Night unfortunately ended up getting outclassed on several fronts by shows that just did almost every element better. It looks terrific, it has a memorable cast, the music’s great, and it’s a welcome entry in the “Girls Doing Things” anime canon, but it was outclassed in its own broadcast season by Train to the End of the World, Girls Band Cry, and Yuru Camp. The real shame is that it seemed to have designs on being a tremendous LGBT show if it played its cards right, and instead opted to throw those cards in the air and walk away by the end.

I’d still recommend this show if you temper your expectations of any real narrative punch. There were some tremendous original series that aired this year, but Jellyfish Can’t Swim in the Night just didn’t reach those higher levels. There’s a whole bunch of good in there, but they couldn’t quite piece it all together.

24. Mushoku Tensei: Jobless Reincarnation, season 2, part 2

I’m gonna be real here: I’m sick of writing about this show. It’s exceptionally well-made and, on balance, easily one of the best anime of the decade so far, but the subject matter can touch such controversial and uncomfortable territory at parts that I can’t recommend it to anyone. 

The back half of Mushoku Tensei’s second season actually did a lot of work towards making up for a lot of the less-tolerable moments in the preceding ¾ of the show, even delivering a couple of the spring season’s best episodes, and then it gets weird again near the end. Not nearly as bad as it gets in the first season, nor in the worst moments of this season’s first half from 2023, but still off-putting, even for people who stuck with it for this long. I expect this to continue.

Mushoku Tensei is a great show. Don’t watch Mushoku Tensei.

23. Undead Unluck, second cour

David Production’s adaptation of one of Weekly Shonen Jump’s most inventive and ambitious action series continued into the start of 2024 as the story just continued ramping up and getting wilder.

Undead Unluck had an interesting, if occasionally uncomfortable start, with a fascinating power system and tons of secrets left to be revealed, and as it continued you could start to see the camera slowly pulling back. Midway through its second cour, shit completely hits the fan and any expectations you may have had fly out the window. Undead Unluck’s debut season was an amusing curiosity for most of its run, but the status quo is upended so effectively midway through the second cour that I was completely hooked. There were some infuriating pacing issues at those exact moments that were enough for me to dock it several spots on this list, but it’s still absolutely worth watching.

I decided to read the Undead Unluck manga a couple months ago and for as wildly as I thought the anime ramped up its scope by the end of this run, it turns out that the series as a whole goes to even crazier lengths than that. I’m completely sold now and cannot wait for more.

22. Kaiju No. 8

Counter to the series I just talked about, Kaiju No. 8 is one of Shueisha’s least​​​​ innovative battle shonen series. And that’s okay! Nothing wrong with wanting to see people fight giant monsters and one who can turn into a giant monster himself, and maybe you don’t want to have to deal with Attack on Titan’s incoherent politics to get there.

There is fundamentally nothing special about Kaiju No. 8, but I do appreciate that the protagonist is an out-of-shape thirtysomething desperately clinging to his hopes and dreams. No particular reason. There’s some interesting worldbuilding early in the story, and although it does lend itself to protag Kafka’s strengths in battle (non-”turning into a monster” category), it all falls to the wayside when it’s time for monsters, guns, and explosions. And I’m fine with that stuff, but I was hoping for a bit more of a hook.

All in all, this is a very well-made show, if a little muddy-looking at times. I wouldn’t have chosen YUNGBLUD and OneRepublic for the opening and closing themes, but it didn’t hamper my enjoyment of the show. I just like complaining about that stuff. Looks good, sounds good most of the time, and endearingly dumb. Can’t go wrong with that.

21. Mashle: Magic and Muscles, season 2

I ranked this show’s first season pretty low on my 2023 list, but I was willing to stick it out for another season, and I’m glad I did. Mashle really finds its footing during the Divine Visionary exam arc and irons out a lot of the issues I’d had with the first season, primarily how little the comedy initially landed for me.

A series that initially had my eyes either rolling or glazing over quickly recovered my attention early in the second season. Creepy Nuts OPs are a cheat code, I swear. Even putting the killer music aside, Mashle looks a lot better as well and has a much more engaging story in its second season. You can really feel it gaining its footing and finding a bit of swagger as the season goes on. The fight sequences are much more engaging this time out, and sometimes you get all the satisfaction you need out of seeing an emotionless weirdo punch the shit out of a mean nerd. A bunch of the jokes even land this time around!

I’m glad I stuck this out. Mashle is, at the end of the day, a hilariously blatant Harry Potter send-up, and frankly has no good reason to hit like it does, but I’m finally sold. At the rate it’s been going, Mashle seems to be set to adapt the entire manga, and I’m looking forward to seeing all of it.