#might get it if they're still there by the time I'll be in that part of town for my derm appointment next month

[rootspiral]

Agatha All Along deep dive: episode 4 part 7

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7])

THIS IS THE LAST EPISODE 4 ENTRY I SWEAR

agatha: why yes I'm listening politely because I'm being sociable, not because this story concerns me in any way shape or form

she did NOT want TO DO IT AGATHA. HE WAS HER SON TOO AGATHA. did you ever give her a chance to SAY any of THAT. damn rio is (metaphorically) fighting for her life here. waiting centuries to catch her wife with her guard down next to a random fire, and then reworking her LONG PLANNED SPEECH into bite sized easily digestible bits so that her emotionally stunted soulmate doesn't run away screaming

I was doing MY DAMN FUCKING JOB agatha

agatha looks away like whooops! wasn't listening! wasn't looking at you! no sir, not me!

that's right. acknowledge her feelings. show her that you understand but that you're hurting too. be mature. you're doing great. god the way she swallows and stares right ahead, so determined. this is such a crucial moment for her.

agatha: i'm stone cold. I'm a wall. this is not affecting me in the slightest. I'm bored, really.

lilia not missing a word of what rio's saying

lmao the neutral pronoun lasted two seconds. she's not even trying to pretend like she isn't talking about agatha. and the way she nods to herself like yes, I did the best I could with this. so, there.

"she is my scar" is going to the sapphic annals, isn't it?

LMAOOOO the unblinking cat stare. rio is like I WAS TALKING TO YOU DUM-DUM. I KNOW IT, YOU KNOW IT, EVERYONE AROUND THIS GODDAMN FIRE KNOWS IT. CAN YOU PLEASE PLEASE FUCKING TALK TO ME PLEASE DEAR GOD

and agatha doing a teeny tiny side glance and going whoooooooops not looking! I'm NOT looking! I'm not even here! and scrunching her face more and more trying to keep it blank

AND she's gone. she's so predictable lmaooo. every dang time.

awkwaaaaaard

rio with her soft smile again! with the little amused eye roll! never getting mad at agatha's antics. she's like FINE I'll come after you, you BIG BABY. the patience this woman has

lilia is so scared of rio because somehow, through her exceptional Seer abilities, she knew instinctively that this is her mortal foe. but something funny has just happened: here in front of her there's just a regular little guy, a bit odd maybe, doing her little thing, trying to talk to her ex. might it be... might it be that death isn't a monster, that it's just a thing, a strange but natural thing that happens to everybody? lilia cannot accept that quite yet. so she grabs rio and says no, no. I've seen what you are. you're scary, you're evil, you're dangerous. this is lilia's survival instincts kicking in. we are simply wired to fear death, that's just how humans are. it takes an exceptional mind and soul to see past that.

oh god, here we go, here we go. deep breaths (I'm telling this to myself tbh. i need the pep talk)

stroking her hair so gently. soft, tentative.

hey, subtitle people??? what the fuck??

rio just stands and stares. lets agatha decide what comes next, goes at her pace always

the haiR CARESSING

the HUG. the BIG SIGH. this bitch was running away screaming from rio just yesterday. and here she is. her love. her partner. she finally acknowledges rio's pain and all that they lost and all that they were (and still are tbh) to each other. THIS is what rio was looking for. she's not flirting to manipulate and deflect now, she's not being somebody else. this is agatha cracked open and bleeding love and sorrow

and they melt into each other, and they're rocking each other back and forth, with all their pain and tenderness and longing

agatha with her face buried in rio's shoulder. I'm unwell

and then agatha gently pushes rio back and strokes her hair and cradles her face like she did so many times before and leans in and here I am giving you a play-by-play and running a commentary like a totally normal and sane person would

you know what makes for a perfect onscreen kiss imo? no it's not tongue, although these two will give us plenty of that too. it's the TREMBLING. THE HESITATION. THE YEARNING.

rio and her superhuman willpower. couldn't be me.

and and and and and agatha looks at her puzzled for a second and doesn't register what's happening and dives for a kiss again she's so far gone. the feral animal noises I'm making you have no idea

THE ICY SHOWER

THE STEP BACK. THE MOST PAINED SMILE

THE REGRET

I think one big reason why agatha is always so calculated is because she's afraid her instincts will take over. she does something big and spectacular and stupid and then calls it a 'calculated risk' when it was actually a rush of fear, desire, sorrow, anger that she couldn't control. tonight rio has managed to poke a little hole into a carefully constructed dam, and now all the water is rushing out and tearing down the walls. agatha has rio in her arms and her shape, her scent, her skin are so nostalgic and familiar. her brain goes on autopilot, she's been lonely for so long, she is FAMISHED for love and connection and sex and acceptance. rio wanted her to open up, but agatha doesn't do half-measures. rio wanted her to give for a change, but agatha can only ever take.

rio HAS to put a stop to it. she puts logic before heart, one of them has to and you know agatha isn't gonna. more than anything rio wants to take this one perfect moment and run away with it, but instead she tears herself away and asks, what happens next? what happens if I have to take billy away from you? that reanimated corpse, that freak of nature who walked into your life only yesterday and took over?

billy is now part of the equation and rio cannot ignore it. she has been so gentle and careful with agatha, easing her into a reconciliation that is now in jeopardy because here comes billy maximoff like a sword of damocles! what happens if agatha takes her back only for rio to break her heart all over again? there would be no coming back from that. rio cannot help being the grim reaper just as much as agatha cannot help being a succubus, and she is almost at her breaking point here. because she is hurting too! she is sick of having to be the mature one! she's sick of always coming in second after all of agatha's issues! turns out there's a limit even to the heartbreak an impossibly old and wise being can take.

(and now I need a smoke and a future episode that is just 30 minutes of hot but soft cuddles and kisses and sweet nothings. please.)

once again a big shoutout and thank you to all the people reaching out and leaving comments, it's incredible to hear from you all @crybabyheathen @onceuponalegendbg @idkbroletssee @psychicsolanum @73chn1c0l0rr3v3l @a-tad-bit-obsessed @a-rusty-bucket-of-woes @miacheezytoon @isagrimorie @april-december @aquaaquila and I'm probably forgetting someone but I see you all and I appreciate you so much!

and now for something extra

[lemon-berri]

A Side That Only You Get to See

Most people know Satoru Gojo as the strongest sorcerer. A formidable force, renowned for his power. Respected by sorcerers and feared by curses and curse users alike. To those who do not know him, he's paramount to a legend. Untouchable. Unreachable.

While the people who work closely with him know another side. The irreverent, goofy sorcerer who fools around on the job and plays pranks on his colleagues. They're all too familiar with his boisterous laugh and unconventional ways. And while his students still respect him, they're comfortable around him like they might be with a friend, or a family member.

That's who he is. A warm personality that lights up a room. Someone who cares deeply for those around him, even if his ways of showing it are unusual. Someone who wants to improve the world around him.

But nobody knows the Gojo you do.

The one who comes home in the early hours of the morning, just to rest in his partners arms. Who's sometimes late to work because he cannot bring himself to let you go. He's enraptured by your touch, lulled into peace by your scent. He's quiet at home, a stark contrast to his usual personality. But he prefers to bask in your presence, to listen to your voice as you tell him about your day, or whatever new interest you've picked up.

The sorcerer who comes home from missions a day early without telling anyone so he can steal some more time with the one he loves. Who plans elaborate surprises, cooks for you and buys you a fresh bouquet every week. He prefers a quiet night at home rather than going out. That way he gets more of your attention.

The Gojo who's easily bored, because he's naturally good at everything, but still takes part in your hobbies and interests. He lets you teach him things he already knows, and sometimes pretends to mess up just so he can see the passion in your eyes as you explain where he went wrong. His cerulean eyes light up whenever you  show him something you've created, and he'll buy you all the supplies you need, if only to see that smile.

Your Satoru, who's love language is physical touch. Who, before meeting you, had kept a barrier between himself and the rest of the world for so long that he'd become afraid to let it down. Who now clings onto you whenever you're home. He gets pouty if you're in sight but not touching him - so make sure to pay extra attention to his facial expressions.

Truly, if anyone else saw him like this he wouldn't care. He's not ashamed to show the world how much he loves you. But a part of him likes the way things are. Its like a secret, between just the two of you. As if your home exists in a world of its own, away from all the curses and higher ups and daily stress. So for now, he'll save his soft side, just for you. A side that only you get to see.

Soooooo I sorta went MIA for a few weeks.. but as we already established I do not have a post schedule so it's okay (right?).

Thank you guys for reading this! As usual it's not proofread and if you point out my spelling mistakes I'll leave and never come back.

Ily all 🩵

[brbsoulnomming]

Heart On Your Sleeve Part 2

Part 1

written for steddiebigbang2024 and belatedly posting here!

---

"Hey, look, if this is some kind of Halloween prank-"

"It's not a prank!" Dustin insists. "Look-"

He fumbles at his chest, and Steve realizes what he's doing just before he pulls his heart out.

"Woah, hey, hey, don't go bringing that out with cat eating lizards around!" Steve tells him.

"It's not a lizard!" Dustin says.

It's dark, and Steve can't see the details of his heart all that well, but he can see the way it beats - racing a little, from the danger, but still steady. No hint of deception.

"See? Not a lizard, not a prank. It's one of those things again, Steve, only a baby one. A demodog."

Great.

"All right, I believe you, now just - put that away before it gets eaten."

Somewhat to Steve's surprise, Dustin obeys, tucking his heart back inside his chest.

"Now you," Dustin says.

"What? No way."

"Come on!" Dustin whines. "I showed you mine."

"Yeah, cause you're the one with something to prove," Steve reminds him. "I'm the one you suckered into this, and there's no way I'm taking my heart out with a demodog lurking around. Just stay up here, okay? I'll go take care of this."

—

Max Mayfield has her heart securely inside her chest even before she believes any of them about the Upside Down.

There's not that many reasons kids that young wouldn't wear their hearts pinned to their shirts, or poking out of one pocket or another, but Steve can think of a few.

He hadn't expected to get saddled with another kid when he let Dustin into his car, but she slides right in like she was one of them the whole time.

And if he makes sure he doesn't ask what she's doing here, if he just starts working on shoring up the bus and treats her like she belongs there right from the start, that's between him and her.

When she asks him if he's really fought one of these things before, for a moment he thinks about pulling his own heart out so she can see for herself.

But there's a monster prowling around outside, and getting caught with his heart out isn't going to help him protect these kids.

Besides, when he makes sure the demodogs target him, when he throws himself in front of the kids - he hopes that's more of an indication of who he is, who he wants to be, than his slightly battered heart could ever show.

—

If Steve's honest, he's not entirely sure how they get back to the Byers’ from the tunnels. He knows he drives, knows Max complains in his ear the whole time about how he drives like a grandma, knows every time he glances over at her there's a sullen, almost fearful expression on her face, like she's afraid he's going to yell at her or keel over and pass out in the middle of the road.

He's not ruling out the second one.

But they make it, and they beat everyone else back. Billy's still unconscious in the living room, and the house is eerily silent for about a minute before Steve catches himself.

“Hands washed, everyone,” he calls out. “Hands and arms and any exposed skin. And make sure you gargle with mouthwash.”

Mike rolls his eyes. “Mouthwash?”

Steve points at him. “Mouthwash has alcohol in it, you little shit, it might kill any gross Upside Down bacteria you breathed in. But hey, you want to be tasting that place for a week, be my guest.”

There's a moment of silence, then everyone scurries to fight over one of the sinks.

Steve waits until they're all done before following his own advice, then finally sinks down onto the couch with a groan.

Dustin hands him a bag of mostly still frozen vegetables, probably picked up from the kitchen where they'd dumped everything to put the demodog in the freezer. Steve grimaces at the thought of Mrs. Byers coming home to that, but slaps the bag on his head anyway.

It helps, a little.

There's an argument about what to do with Billy that Steve only half listens to. Max apparently threatened him with Steve's bat after she snuck up and stabbed him with the syringe, which - shit, good for her. Steve's guessing that'll make Billy think twice before he messes with her.

He stays out of the argument, though. He already knows the only answer is going to be let Hopper deal with it.

Admittedly, when Hopper and everyone else does come back, Steve's a little out of it. He's on his feet at the sound of cars approaching, baseball bat in his hand and urgently gesturing for the gremlins to stay the fuck behind him.

If his reflexes were any less dulled by the aching pain at the back of his head, he might have taken a swing when the door opened before he realized who it was.

But fortunately, he just sags with relief, and returns to his spot on the couch with the bat resting against his knee.

It's only when he hears the kids all trying to talk over each other that he realizes someone must have asked them what happened.

Steve pries his eyes open - unsure when he even closed them, shit - to find Mrs. Byers staring at him, clearly concerned. He jolts with the surprise of seeing her so close, and doesn't quite manage to hide his wince of pain, judging by her expression.

“Steve, honey?” she asks.

It sounds like a prompt to answer the question he didn't hear, and he grimaces.

“I'm the babysitter,” is what manages to make its way out of his mouth. “Nothing is getting at those little gremlins without going through me.”

Mrs. Byers looks at him in a way he doesn't really recognize, something between soft and sad and - proud, maybe? Like maybe he did something right, even though it makes her sad.

She holds out her hands, and helps pull him to his feet when he takes them.

“Let's get you patched up,” she says, leading him back to the master bedroom.

He sits on the bed while she gets a first aid kit from the bathroom, watching her through a faint, blurry haze as she takes a closer look at him.

“I didn't win,” he says, feeling a little bit ashamed.

Her eyes go a little bit wet, and she makes a soft tsk noise. “Oh, honey. Winning doesn't matter.”

That throws him so badly that he just stares up at her.

“It doesn't?” he asks, once he's accepted that he's probably not going to get his thoughts in any kind of order.

“That sounds like your father talking,” she says, but her voice is gentle as she starts cleaning up the blood on his face.

“You don't think he's right? That I should be more like him?” The question is out before Steve really realizes - out before he really thinks about it, out before he can admit that he doesn't want to know the answer.

Mrs. Byers pulls back a little, looking at him. “Can I see your heart?”

His hands are at his chest so quick that he fumbles with it, and by the time he pulls it out - it's the same dark red as always, despite the deep, jagged crack running through it, and it pulses unsteadily with his uncertainty.

“No one's asked to see it in a long time,” he says, awkwardly trying to explain away the wobbly beat of his heart in his hands.

She looks sad again, for a moment, then she pulls her own out. It's a slightly paler red, lined with thin silver scars, and it's beating a little fast - adrenaline, he thinks - but it's steady, and it's redder than any adult he's ever seen.

“What happened tonight, Steve?” she asks softly.

“They were in danger,” he replies, because it's the simplest, truest explanation.

“And you protected them.” It's half a statement, half a question, and he tears his gaze away from her heart to find her still looking at him, her eyes dark and warm.

“Yeah,” he says, his heart starting to pump a little more steady against his palms.

Like he said to Nancy - he might have been a shitty boyfriend, but he's a damn good babysitter. Those kids are his.

“Might not be much,” he admits, fully aware she's just coming back from fighting some being from an alternate dimension trying to get her son, and there's a whole girl with super powers out there getting dog piled by her friends. “But it's me between them and anything else, Upside Down or whatever. All of them.”

Just in case she wasn't sure if that included Will or not.

Her eyes drop down to his heart, beating steady and sure - and then she leans in, pressing their foreheads together for a moment before she pulls back.

“You're a good kid,” she says, and her heart beats strong, saying true, true, true. “You're as much like your father as Jonathan is like his, and that's a good thing.”

His heart spasms in his hands, and he curls his fingers in a little like he can hide it, though he doesn't even attempt to put it away.

“I was mean to him,” he admits in a rush. “Last year.”

Mrs. Byers snorts. “You were sixteen,” she informs him. She tucks her heart back into her chest, and gets back to work on patching him up. “He said you apologized, and he's forgiven you.”

Steve doesn't stop her, still doesn't try to put his heart back in his chest. “I didn't finish apologizing, though. It doesn't mean anything if you just say you're sorry, and you don't say what for.”

He knows, because before his dad stopped apologizing at all - he'd always say he was sorry, but he'd never say why. Like he knew his mom or Steve were upset at him, and he knew he had to apologize to get them to not be upset, but he didn't actually give enough of a shit to figure out the why.

Or to stop doing it, but at least Steve managed that one.

“I think your actions were a little more important to him than your words,” Mrs. Byers says, like she can read his mind.

Steve doesn't know what to say to that, so he just lets her finish patching him up.

—

“Kids say Billy Hargrove put his hands on Lucas first,” Hopper says.

Steve scoffs. “Yeah, that's one way of putting it.”

Hopper looks at him, long enough that Steve feels his stomach start to squirm a little. “What's your way of putting it, then?”

“Hargrove's a piece of shit,” Steve says bluntly, too tired and in pain to care. “Come on, Hopper, you know exactly why he targeted Lucas out of all of them.”

Hopper's jaw sets. “I do. And Lucas doesn't want to press charges. So. How do we convince Hargrove to stay the hell away?”

Steve opens his mouth, closes it again, and swallows roughly. “You want me to help figure it out? Why?”

Hopper raises his eyebrows at him. “Seems like you've already been doing a pretty good job at it.”

It's a good thing he'd put his heart back in his chest, because Steve wouldn't want Hopper to see the way it beats a little quicker.

It's strange, having this much adult attention on him. Having people who ask to see his heart, who tell him that he did a good job, who give a shit, even if it's only because Steve's gotten himself involved in all of this mess.

He likes it, he thinks. He likes being seen as someone who can be counted on, someone who can help protect the kids, more than he'd ever liked being seen as popular.

“I could arrest him, easy,” Hopper says. “But something tells me he's used to getting in trouble with the police, and it'll just make him more pissed off.”

“We don't want to get him in trouble,” Steve says slowly, thinking it over. “We want to make sure he knows we're the only reason he's not in trouble.”

Hopper grunts, looking at him expectantly, and Steve realizes it's a silent encouragement to continue.

“If it seems like you're going to arrest both of us, he'll be more willing to work with me on something that'll keep us both out of trouble. He knows I won't want it to get back to my dad or to Coach, but he won't want it to get back to his dad even more. We just have to make sure he knows he has just a little bit more to lose than I do.”

Hopper's looking at him still, in a way that Steve can't figure out.

“It's high school,” he says, feeling the need to - to offer some kind of explanation, some kind of excuse for why he knows how to do this.

“It's politics,” Hopper says, a little wry, a little bitter.

“It's bullshit,” Steve spits out, the word tasting like a chewed up rubber band.

“Damn straight it is,” Hopper agrees. “But it's reality. Sometimes - sometimes you have to play by other people's rules, do things you know are bullshit, make some deals.”

His eyes flicker, back towards the living room, and Steve wonders what deals he's had to make to keep the government off their backs, to keep El hidden and safe.

“I hate it,” Steve says, soft and raw.

He's never admitted that to anyone else, and he has no idea why he says it now, but it makes Hopper's mouth twist a little, something like understanding in his eyes.

“Me too, kid. Me too.”

That's why it's him and Hopper out here, Steve thinks. Sometimes you have to do things you don't want to, sometimes you have to play their bullshit game to get what you want. Something slides a little bit into place - knowing that he isn't alone, that what he wants isn't any of the pointless things he used to do this for.

It's to protect this weird little group that, somehow, have become the most important people in his life.

“You're our babysitter now, right?” Hopper asks after a few minutes. “Make sure he knows that. Knows it's my kid that he's messing with if he comes after them or you again.”

“Yeah,” Steve says with a nod. “Yeah, that'll work.”

—

Billy wakes up next to him in the backseat of Hopper's car, hands cuffed behind him. It takes him a minute to clock onto where he is, and a minute longer to realize that Steve's next to him, also in cuffs.

“Who the fuck called the cops?” he hisses at Steve.

Steve shrugs. “How the hell should I know? Neither of us were exactly conscious at the time, thanks to you.”

Billy sneers at him. Steve can see him trying to collect himself through the haze of the sedative wearing off. “Here's how this is going to go. You want to keep it from happening again, you do exactly what I-”

Steve laughs at him. “Dude. They did a drug test already. Where did you even get the stuff you were on?”

Billy goes still. It sets Steve's teeth on edge - it's the same still he'd felt sitting in the junkyard, waiting for Dart. But he knows what he has to do now just as much as he did then, and he lets himself sulk as he leans back against the seat and watches Billy think.

If he says Max drugged him against his will - one, he's admitting to the fact that a thirteen year old girl got the best of him, and two, he has to be smart enough to know that Max would never admit to that, and the kids would all back her up. Billy was the one who showed up looking for a fight, Billy was the one who threw the first punch, Billy was the one who smashed a plate over Steve's head - no way in hell the cops believe him over the kids.

Billy scoffs. “Guess I better spread the word that the Freak is lacing his shit with who the fuck knows what.”

Shit, of course that's where Billy goes. Steve scrambles for a moment, then fixes him with an unimpressed look.

He can salvage this. Munson is pretty much the only supplier around, most of the guys aren't willing to mess with him too much - and if Billy does try to spread it around, it won't be too hard to add onto the rumor that it's just because Billy did something to piss Munson off.

“Maybe you should be nicer to him,” he says with a snort. “Munson always gives me the good stuff.”

Billy just snarls at him. It's clear he's got his story, and he's going to go with it.

Steve shrugs - or as best as he can, with his injuries and his hands cuffed behind his back. “Your funeral, man.”

“The fuck are you talking about,” Billy grumbles.

“You're going to tell the cops that you bought shitty drugs from the Freak, went on a bender, tried to attack some little kids, and beat the shit out of a teammate?” Steve asks.

“Shut your fucking mouth, Harrington, I'm going to-” he pauses, and Steve sees the moment that he clocks what Steve is saying.

It doesn't matter how Billy tries to phrase it to the cops to make himself look better - that isn't the story that's going to get around.

“You breathe one word of that around school, and you're dead,” Billy says.

Steve takes it back. This is nothing like that junkyard - Billy may actually try to kill him, but he has nothing on demogorgons and demodogs. Steve isn't scared of him.

“Yeah, because that won't prove any of it true.” Steve smirks, unconcerned that it makes his lip split open. “You put one hand on me and it just backs it all up.”

“Can't exactly gloat about that from a hospital bed. You'll be the one taking a beating that makes this seem like a walk in the park,” Billy replies, his tone low and menacing.

Steve thinks of the sound of the kids screaming on that bus, the sound of flesh splitting open when the demodog peeled its face apart, the endless fangs dripping saliva as it shrieked at him. He meets Billy's gaze and holds it. “I look like I give a shit, Hargrove?”

Billy looks at him - really looks, and Steve sees a flicker of something in his eyes. It isn't jealousy, it isn't recognition, it isn't fear, it isn't hate, it isn't want - Or maybe it is, maybe it's all of them. Maybe Steve is too tired and far too concussed for this.

Maybe his lack of ability to give a single fucking shit about Billy Hargrove and his threats is what gets him through this.

“So what's the play?” Billy asks, biting the words out as though it physically pains him to say them.

“We were blowing off steam, got a little too carried away. But it's all good now. You and me, we're square.”

Billy considers that, and he looks - comfortable. He looks like this is something he's done before, and briefly Steve wonders how many times Billy's gotten into fights, gone way too far, and had to hash out something like this to keep from getting busted.

“Yeah, all right,” Billy says. “Stay out of my way, I'll stay out of yours.”

“And stay the fuck away from the little shits I babysit,” Steve says. “I hear from any of them that you've been giving them trouble, and the deal's off.”

Billy sneers at him again. “No one told me King Steve spends his free time babysitting.”

Steve rolls his eyes. “Yeah, bet no one told you that one of them belongs to the chief of police, either.”

Billy's eyes narrow. “You're watching Hopper's kid?”

Steve shrugs, nonchalant in a way that he knows will work better than trying to lie.

“Fine,” Billy says, sounding pissed as hell about it. You've got a deal.”

–

Billy gets released and peels out in his Camaro, loud music already blaring from the window.

Steve, on the other hand, gets a ride home from Hopper himself.

He doesn't hate it.

“Second time in less than two years that I've seen you with a busted up lip.”

Steve's got a hell of a lot more than a busted up lip right now, but he's not gonna say that. “Yeah, well. I deserved the one last year.”

Hopper raises his eyebrows at him.

Steve resists the urge to slouch in his seat. “I was angry, and hurt, so I got mean. I wanted Jonathan to fight me.”

Hopper snorts something that sounds like teenagers.

It's quiet for a moment, then Steve says, “But I don't want to do that anymore. I don't want to be mean when I'm angry.”

Hopper's looking at him in a way Steve can't make out, not in just the muted light of the streetlamp. That seems to be a theme for the night - Steve'd thought he was a little off last year when Jonathan socked him in the face, but apparently that has nothing on a concussion like this.

“So… I'm trying,” Steve adds softly.

Hopper shakes his head. “If I'd have figured that out when I was your age, who knows where I'd be?”

He sounds - proud, or something like it. He sounds like Steve's favorite coach, when Steve'd done well.

“Maybe,” Steve says. “But I think we all like you right here.”

Hopper snorts. “Jesus, kid, get out of here. Go put something better on that head than a bag of half frozen peas.”

-----

This is already written, and my plan is to post one part a day until it's all up here!

Taglist (always happy to add more to this if anyone wants): @fairytalesreality @lostonceandneverfound @wheneverfeasible @awkwardgravity1 @theintrovertedintrovert

[duhragonball]

Daima 06: Lightning

Centipedes? In my rations? It's more likely than you think!

Last time, Goku's group set out for the next leg of their trip, when the plane crashed. Apparently it wasn't that big a deal. Panzy concludes that they put too much luggage on board, which kept the plane from flying very far, but it didn't actually do much damage. Panzy recommends they leave a bunch of their supplies behind and she'll give the engine a look and they can be on their way.

Okay, I think there's a growing consensus among fans that Daima is slower-paced, and maybe this is setting up a controversy over whether this is a good or bad thing. Maybe the honeymoon period for the show is winding down, or we're just far enough into the series for the audience to realize it's probably going to be this way from here on. So I'll go ahead and weigh in on this.

For my part, I think the pacing is fine. It's different from the other shows in that you don't have this constant reliance on filler to pad the runtime. We're not checking in on King Kai to see what he thinks about all of this, or sending Goku on a fetch quest that ends up becoming a plot cul-de-sac. Instead, we're mostly laser-focused on this one set of characters on a journey, and occasionally we'll switch over to Gomah or Bulma's group on Earth, and pretty infrequently too.

But Daima does its own padding for time, and it does it by lingering a bit on things that probably don't need quite so much time. Conversations take a bit longer than they need to. The running gag where Goku gets Glorio's name wrong. The fight scenes are a tag gratuitous, but I think everyone gives them a pass because they're good. Still, I don't think anyone was worried about whether Goku could win that barroom brawl. If this show had half as many episodes allotted to the same plot, I'm pretty sure they could cut a lot of material and get the important stuff to fit.

I don't mind that much, because this relaxed pace kind of reminds me of reading the Dragon Ball manga. By that, I mean each episode kind of feels like a manga chapter, and not that much gets done in a single chapter. You might have several panels of characters getting to know each other, and then just enough exciting stuff to make the chapter feel worthwhile. Actually now that I think about it, it's a lot like my experience reading the Jaco the Galactic Patrolman manga. It's like twelve chapters, and the first five or so are very focused on introducing characters and situations, so it really doesn't pick up until the end, and even then, it's still quite low-key. But it's so good that I didn't mind it. It was just really chill. Daima feels a lot like that.

That having been said, I do find this plane crash between Episodes 5 and 6 kind of a cheap way to waste time. King Kadan described all the extra provisions he loaded onto the plane in Episode 5, then the plane started to go down and Panzy said it was the excess luggage. Then in Episode 6 the plane lands and Panzy repeats that the luggage was the problem, and she lists all the supplies all over again.

Then Panzy gets out her tools to run a diagnostic on the engine, but instead of actually working on the plane, she asks the Supreme Kai what his whole deal is. And that's fine, but it starts to wear thin in places. Like, they could have just had this conversation on the plane and gotten wherever they're going. The plane crash just adds time, and I'm not sure how many more times they're going to pull that trick before it gets old.

Nevertheless, I'd rather watch these characters talk about themselves outdoors than on the plane, so I'm not too worked up over it. But I can already tell this is going to be a focus for Daima critics in the future.

I like the way Goku explains the Supreme Kai. He tells Panzy there's a "bunch of god-like guys called 'Kais.' And the greatest one of them all is Supreme Kai-sama here!" and he gives him a hug while he says it, like he's bragging on a pal, which I guess he is. I just think it's nice to hear Goku's perspectives on all of his friends.

Panzy's impressed that Shin is a god, and that he made a smart move leaving the Demon Realm to take the job, but then she finds out he doesn't get paid, so it sounds less impressive to her. This kind of raises more questions than answers. Does Panzy even understand what a god is? Also, it seems pretty clear now that Shin and all the other Kais were born in Demon Realm and left to become gods in the Outer Universe, but how did that work? Did Grand Zeno put up a help-wanted sign? Were their other overseers that the Glind replaced when they became the Kais?

I just always assumed these guys were some sort of weird feature of the design of the universe. Like, there were always Kais running things, and they were literally born and bred to carry out that role. But no, they're just Demon Realm expats who showed up to work one day. If the universe functioned without them before, then why do we need them now? Hopefully this series will answer all of this.

Anyway, Goku's gotta poop, so he just announces this to everyone for no reason. He farted in Episode 3, so I have this sneaking suspicion that this show is going to do a lot of Goku poop-and-fart stuff as we go. That might be a good idea, as it keeps the show from getting too reliant on "Goku's hungry" gags. GT did those a lot, and it got pretty ridiculous. It got to where Goku would complain about being hungry right after he got done eating. If he said he had to poop half the time, at least it would cut the hungry gags down to a manageable level.

Anyway, Gomah's troops show up while they're waiting for Goku, so Glorio and the others have to play it cool to get rid of them. Glorio claims to be from the First Demon World, and Shin from the Second, but since Panzy's from the Third, they want to scan her collar, which she has under her scarf. Gomah apparently made all the Third Worlders wear the collars to make it easier to collect taxes from them, but he didn't implement this policy elsewhere, since the goons aren't too suspicious of Glorio or Shin. They find the idea of tourists traveling around the Third World strange, but let them go. Oh, and they ask if they've seen a kid with spiky hair and red pole, because there's a ten gold coin reward out for him.

Goku returns when they leave, and Shin suggests that Goku tie his hair back or something. Goku says his hair is too resilient for this. Oh, right, there was that Super episode where he had all that hair gel in it, and his hair sort of broke loose like when the Incredible Hulk rips through Banner's pants legs but not the crotch. Panzy asks if Goku washed his hands, and the answer to that question is no. Goku, that's nasty.

The gang take off again, and Panzy asks Shin if it's true that Glinds are born from trees. Shin confirms this, so I'm glad we're not doing away with that lore. I was seriously beginning to wonder if Toriyama forgot about all that stuff, or if he was dumping it in favor of new lore. Of course, this is all news to Goku, so the Supreme Kai explains how his kind are born "once every few centuries from the Glind Tree". There's a flashback to show this, and we see these trees with big purple trunks that are all fat on the bottom, and the newborn Glinds are in these holes in the bark, just hanging off of stems from their backs.

Also interesting to note: the Glind buildings and vehicles in this shot look a lot like Namekian houses and ships. I don't know if that's intentional, or this is just Toriyama's aesthetic for this sort of thing. I always thought Majin Buu's house looked a lot like Namekian architecture, for example.

So does that make the Supreme Kai and the other Glinds plants? I never really thought of it that way, so Goku raises an interesting point. Shin says he "doesn't know about that". I feel like there ought to be a firm answer to this, one way or another. Goku also asks if this is why Shin only drinks liquids and never eats, but Panzy jumps in before he can respond. I feel like we've seen Shin eat before, but oh well.

Panzy wants to know about Degesu, who works as Gomah's second-in-command. Is he Shin's brother? Yes, because he was born from the same tree about 216 years after Shin. Are all of the Glinds brothers, since they're all born from the same tree? No, because there's five Glind Trees. Kibito and the Elder Supreme Kai must have been born from one of the others.

Panzy wants to know why Degesu remained in the Demon Realm instead of leaving with the other Glinds? Okay, this implies that there was one Glind migration out of Demon Realm, and Degesu chose not to go. But for this to work, it must have happened after Degesu's birth, which is well after Shin's.

The thing is, Kibito is much older than both of them, and the other Supreme Kais from Universe 7 are even older still. I'm talking about the ones who fought Majin Buu and Bibidi like five million years ago. The whole point of all that was that Shin was the rookie Supreme Kai, implying that the others had been doing the whole god thing for a lot longer.

And then you have the Elder Supreme Kai, who's much, much older still. He claimed to be the Supreme Kai from fifteen generations prior. I'm not even sure what that means if they were all born from the same five trees. Maybe it just means there were thirteen Supreme Kais between the Elder and the current Supreme Kai. But Shin reigned as Supreme Kai for at least five million years, so these aren't short terms in office.

I'm not too worried about this, because I have to assume we'll get to an episode that explains the Namek and Glind exodus from Demon Realm. They keep bringing it up, so it must be important. And I guess this is what I mean when I say I don't mind the slow pace of this show. There's still a lot to look forward to, even if it's just characters swapping lore.

But back to Degesu, Shin says that he was very ambitious and didn't get along with the other Glinds. That doesn't seem like much of an answer to me. Then again, Shin came along on this mission because he hasn't seen Degesu in so long and he really doesn't know what he's been up to after all this time. He may not know a whole lot about him in the first place.

Panzy asks about a Glind woman who's a genius scientist, and Shin confirms that this is Arinsu, his older sister. Or, more accurately, they're siblings, since Glinds don't actually have genders, so they're not "exactly men or women."

Again, I had heard this about the "Core People" before, and I'm glad they didn't toss out this lore. I've never quite understood it, though, since the Elder Kai is big horndog, and the Supreme Kai of Time once got a big crush on Bardock in Xenoverse 2. Arinsu has big ol' titties, and I don't know how you get those if you grow from a tree. Like, none of these guys have anything to do with sex at all, right? The trees might have freaky deaky alien tree sex, but not the Glinds themselves.

Then again, I guess this is all just fantasy stuff, and I might as well be asking why Arinsu has nostrils or ears. There must be some magic that makes these trees grow people, and maybe some of them end up with big ol' titties or a magnum dong or both or neither. But until today I kind of figured all of the Kais were just completely smooth down there. Like they didn't even have buttholes.

Perhaps they modify their bodies at some point in their life cycle, and some of them present as man or women just out of a personal preference or some sense of fashion. This might explain the Supreme Kai of Time's transformation where she gets really tall and shapely. They all sit around figuring out what they want to look like, like they're screwing around with a character creator mode in a video game. Chronoa's like "Yeah, I want my base form to be all smol and cute, and then my super form's gonna have a big ass and big-ass titties."

Wait, maybe I'm onto something. The Supreme Kai gave Goku those pointy ears with remarkable ease. Maybe that's not a special weird power that only gods have. Maybe all the Glind have it and they do it to themselves all the time. Degesu just gives himself a third testicle for a week to "see how it rides."

Anyway, we don't learn anything new about Arinsu in all of this. She's a mad scientist who also stayed behind for the excitement of Demon Realm, but this was already known.

Night falls and Panzy explains that it's perpetual twilight on Third Demon World nights because there's two suns. Glorio wants to land and make camp in a cave for the night, and Panzy hates this because she wants to shower. Goku's like "skill issue, just never shower, like I do."

While Goku sleeps off dinner, Panzy asks why Glorio says he's from First World, when he looks like a Third World guy. He claims that he got hired by someone in First World, so he currently lives there. Who hired him? He deflects the question. Shin asks why he wants to defeat Gomah, and he claims it's because Gomah is evil, but Shin finds it odd for a Majin to have such a defined sense of justice.

Anyway, we find out exactly who Glorio's working for, because he phones up Dr. Arinsu while the others are asleep. But Shin hears him return to camp, so he clearly knows something's up, even if he doesn't know what.

By early morning, a minotaur comes out of the cave they're sleeping in, and he plans to eat them all. Apparently he stinks really bad. Goku isn't scared because he thinks the guy is a cow, so he doesn't get why this guy thinks he's on the other end of the food chain. Normally this is where Goku would kick some ass, but Glorio volunteers first, and Goku's like "Uh, I'm the main character, I should fight this guy." But Glorio doesn't see it that way, because he doesn't think Goku's that much stronger. Well, there's only one way to settle this, so it's on.

Yeah, the minotaur gets reduced to a spectator, and it's Goku vs. Glorio. Goku's impressed with Glorio's abilities, but we all know he's not trying very hard. Finally, Glorio whips out some purple lightning powers, and Shin asks Goku to fight harder so he can see the true extent of Glorio's power. I guess he figures that'll help him understand Glorio's agenda better.

So Goku fights harder, but Glorio manages to knock the Nyoibo out of Goku's hand, and he prepares to fire some big finishing lightning move. Goku decides to try something out, and he turns Super Saiyan. He did this briefly in Episode 5, but now he's staying in that form, and just stands there and lets Glorio shoot at him so he can try to deflect the beam. And he does. He just throws out his hand and it dissipates on contact. Goku does a little self-satisfied "Hmp!" and then snap-vanishes behind Glorio and puts his hand on his back. Fight's over, Goku wins.

This is a really great way to introduce Super Saiyan into the series. This is very likely the most iconic aspect of Dragon Ball. Maybe the Kamehameha clears it, but I don't think there's much else that comes close. So it's hard to imagine viewers who don't know anything about the form, but they're still out there and they need to know. So we have Goku fighting in base form, and then he decides to use it, not to win a hopeless battle, but to do something cool in a sparring match. Base Goku could probably have done something else to defend against Glorio's power, but Super Saiyan Goku can just tank the thing and get past Glorio's guard all at once.

It doesn't give away the entire Super Saiyan experience. It's a power up, and it shows a lot of promise, but here, it's just one of Goku's many techniques. The full extend of it can be shown off later. It's still an open question how well Goku can fight this way. He's been de-aged, and the environment in Deamon Realm slows him down further, so it's possible that he can't use Super Saiyan as long as he could before, or maybe he can, and it just doesn't give him the same boost that it normally does.

Also, it's just really cool to see Goku enjoy showing it off. He does this cool smile when he finishes transforming, and he looks all badass when he blocks Glorio's beam, and he's grateful that he can still do it in his kid body. "Yep, I'm whatcha call a legend, nbd. The missus doesn't like the hair color, but what're ya gonna do, right?"

Oh, right the minotaur. Well Goku hasn't forgotten him, but the minotaur suddenly remembers that he had a big dinner the night before, so he's too full to kill and eat these guys like he said he would, so he goes back to bed. Well, that's a shame. Maybe they should swing by this cave on their return trip.

Goku poop update: He has to go again.

Meanwhile, back on Earth, Vegeta is doing reps on the Lookout while Bulma finishes the Supreme Kai's old plane. They all pile in to follow Goku to Demon Realm, but Bulma… stays behind? That's weird. Anyway, the ship lifts off, then immediately breaks down. It didn't even get twenty feet into the air. So that's another plane crash cliffhanger for you. I sure hope this show finds a more reliable mode of transportation soon.

[askfordoodles]

Finally some good fucking food character analysis, OP.

We really aren't talking enough about how much of a performative chaser Emmrich actually is, because it's so sub-surface and tends to get drowned out by other parts of his more overt behaviour i.e. the gentleman-aspect, his fish-out-of-Nevarra status, his overall general positive attitude and passion for learning etc., so I absolutely agree.

Also, you can practically see the switch he makes from realizing he's being chased to deciding 'oh alright, I see you noticing me, - I'll take it from here' 😏 During the skull-scene is where you get to see him go into his well-practiced (but also very performative) Rizz Mode™ persona, as I like to call it. There's a reason people find it difficult to see how he can be both an awkward nerd AND a Rizzler. It's because he can't. He's very good at flirting, but it's also not his true self. It's dance, the steps of which he's come to learn flawlessly though experience, but it's also a shield. (*side-eyes Dorian* what is it with you fruity necromancers and your deep-seated fear of intimacy?)

I also realize now, that look of shock IF you tell him he's your first "anything, romantically"... also has that tell, like he's GENUINELY astounded that someone could choose him for something so important, something more monumental. 'Really? No one before me? You could have had anyone, what's so special about me?' He's realizing he isn't just another one of Rook's flings, they waited all this time for someone like HIM, and they consider what the two of them have as ROMANTIC. And we see that tell OP mentioned, he looks down/pikachu combo all 'Oh... oh damn, I'm important to them...' And then his face softens, he looks back up and says he's glad to be chosen.

But again he's underselling it, he's not simply "glad", he's so thoroughly honoured and touched.

And he assures them, without prompting btw, that they'll take it slow. Now... Rook didn't ask for that, technically. Honestly, I'm realizing now this could just as well be Emmrich trying to regain a sense of control, but pulling on the reins to slow things down, because 'woah woah, you're actually WAY more serious about this than I was ready for, let's take it easy...' but since he's a gentleman, he slyly reframes it, implying it's for Rook's benefit. In respecting Rook's boundaries, he's really covertly trying to protect his own emotional barriers.

(also, as I've said before in my own meta: my personal read on Harding's line about them moving too fast is that she's referring to them, moving too fast FOR EMMRICH, which is to say EMOTIONALLY - and she was right on money, too, but obviously she words it clumsily enough that it's not obvious to the player, or even Emmrich at first)

Unfortunately, he's already got it bad and there's no turning back without some good ol' fashioned self-sabotage. Tell yourself you did the right and noble thing to try and mask how terrified you are.

Emmrich is so in over his head even before that argument. He's used to being afraid of dying,

but along comes Rook,

and he has to face that he's been afraid of living this entire time too, and it's too much.

It's knowledge he wasn't ready for. But it's smacked him in the face, and they might die tomorrow and welp, time to let fear write my break-up speech.

What I think is beautiful is, the argument itself ends in a way where, if he WANTED, he could have chosen to see it as a break-up, but in the midst of battle, after having only cooled off for maybe half a day, like OP mentions, HE'S the one to initiate an attempt at reconciliation. He even, tentatively, refers to Rook as 'darling', he's making no attempts to distance himself. As far as he's concerned, they're still together, they still care about each other, whatever they have is salvageable and, more importantly, he wants it to be.

Sadly, they don't get the chance to apologize to one another, because Solas Shenanigans happen... Rook is gone... For WEEKS. And Emmrich is left to stew in every single emotion he's ever felt for them. (we were robbed, this should have been included somewhere, in all romances)

It's the age-old saying: you don't know WHAT you have 'till you lose it.

The vacuum in his life without Rook hits him full force. 'Actually, wait, them not being here is way worse than them being too close. They could never be too close, I need them here with me right now, what was I thinking, I'm such a fool, as always...'

When they finally return, he's NOT leaving anything ambiguous, he is GOING to let them take the lead, he is GOING to lay with them until morning and unapologetically act like a besotted couple of newly-weds and fetch them breakfast, ...

he is GOING to admit to them, and to himself, how he feels.

That he loves them. And they're a team, facing the world not merely side-by-side, but together. For the long run. They're going to plan for a future that no longer scares him like it used to.

((Personally, my Rook never banged him until that coffin scene, and I think it's extra impactful that their first time is Rook leading him, but I do appreciate that the writing makes their previous level of intimacy vague enough that several Rook-interpretations make an equal amount of sense))

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is ��I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[raiiny-bay]

made this & then realized i wanted to make something else instead

[thatonebabybat]

Hey btw having depression is not a requirement for being goth and if you think it is I don't like you. That's a whole chronic illness, not a part of your "goth mindset"/"aesthetic". Please reflect on that.

[kumakuma-circus]

just randomly remembered that during my like 10+ attempts at the shadow yukiko fight i more or less consistently ran out of revival beads so yosuke was just dead (well unconscious but whatever) on the ground for like half the fight gfhfjvhfhfhd-

[unproduciblesmackdown]

omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!

[keeps-ache]

now annoying my brother by making up tunes and making him think they're real songs lmfshvjhs

[stardust-swan]

Kinda want to buy the Inis perfume but I already have D&G Light Blue which is also a fresh beachy scent and I try to keep my perfume collection to one 10/10 perfume for each mood.

Light Blue opens with a sharp lemon note which I really like and fades down into a freshie with hints of sweet citrus. It smells like 2004 and reminds me of a Mediterranean beach during summer, drinking freshly squeezed lemonade while surrounded by hot, wealthy people sunbathing and hanging out on nearby yachts. Feminine but not overly feminine.

Inis smells like actual seawater, moss, and some light florals and citrus. It smells like 1998 and reminds me of spending a nippy day on a rocky beach near a cliff in the West of Ireland, before going to a gift shop along the shore that sells handmade soap, Aran pattern merino scarves, and Celtic Woman CDs as the dulcet tones of Enya plays in the background, before going back to your hotel which was formerly a manor house and taking a calming shower, using the posh products in the ensuite bathroom that somehow smell just like the sea you'd just visited but fancy and refined. Unisex but slightly masculine leaning.

[rootspiral]

Agatha All Along deep dive: episode 5 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1])

in which I FINALLY get to episode 5 Darkest Hour/Wake Thy Power

oh wow this is legit the first time I see the Salem Seven's face makeup, a world is revealed every time I brighten a scene.

jen with her leaf mask. sweet baby alice with her hands tucked between her knees

rio just squatting there watching everybody else sleep. agatha nowhere to be found, because after what happened with rio she had to be dramatic and sleep on her lonesome

doesn't rio just like to torment lilia? just a little bit? keep her on her toes for shit and giggles? she would not be above sneaking behind her at night and going boo! in her ear

rio: I'm so fucking angry at agatha.

also rio: okay she might have killed the whole salem coven but her mother was a humongous piece of shit so let's jot that down real quick. just so we are all on the same page

jen: look here girl I'm not being dragged in the agatha harkness defense squad just because you two smashed

alice is STILL the only adult in the room

agatha always had a soft spot for children

lmao she was absolutely listening from behind a tree trunk, waiting for the perfect moment to make her clown entrance

kathryn hahn was given a swooshy coat and by god she's gonna make it swoosh every chance she gets

I love shots where they're all together because that's some excellent costumes and character designs. look at all the silhouettes silhouetting.

rio is ready to cut a bitch. "but rio you're the natural order of things you're not supposed to intervene and harm-" AGATHA IS IN DANGER. NEXT QUESTION

everybody being like no ew we're not using brooms!! meanwhile rio is going AW YASS BROOMSTICKS

lilia I adore you but also time and place, time and place

agatha making a pretty leafy broom for rio

rio making a cool butchy broom for agatha

"pro te delecta aperio via" for you my beloved I open the way???? WHO IS COMING UP WITH THESE SPELLS I JUST WANT TO TALK

lilia is pissed because she put lil flowers on jen's broom! why didn't SHE get flowers too, jen???

tfw you just had a fight with your ex so you have no choice but to look at them wistfully from behind a broomstick

selflessness? the iRONY

they brush hands and she SNAPS it away. clown behavior! clown!!!!!

LET'S GO LESBIANS LET'S GOOO

awwwww alice made a broom for billy and she's being shy about it

no transformation from actual owl to owl makeup because we're running on vibes and zero cgi budget

alice has a big stick!!! alice SMASH!!!!!!

aubrey skipping along pretending to fly lmaoooo

look at the athletic gesture

this is so grainy, they really had no budget. only a lot of heart.

and I just covered a whole 5 minutes of show. I'll never see the end of this

[stairset]

Microdosing on having money by looking at virtual tours of apartments I can’t afford

[revvywevvy]

i took her out of her box just long enough to take this picture then stuffed her back in because I'm terrified of ruining her pristine model-work ;; she's so purrdy,,

[hms-no-fun]

Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

[tkbrokkoli]

:(