#metas and headcanon for ALL

[gleafer]

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[unicornpopcorn14]

Chuuya's reaction to Dazai getting hurt during the Lovecraft fight has always been so interesting to me...

Because it's the kind of worry you'd never expect from a character as gruff as Chuuya, who had displayed nothing but hostility towards Dazai so far. Usually, characters that are labelled as "angry" or "anger issues" (which Chuuya is much more complex than that but you get my point) act more as a tsundere type of way when the one they "don't care about" gets hurt. And show their care in very, very subtle ways (ex. their eyes widen, their mouth parts and closes again, etc) before putting up their front once more.

Chuuya, however, is open, and vocal about it. His worry is clear not only to us, but to Dazai himself, the one he shouldn't be displaying the concern to (as per the cliche). Shouldn't it be some sort of secret that Chuuya does care? Isn't that what skk's dynamic has been shaping up to be until now?

I'm telling you- the way my mind blanked when Chuuya just casually.... showed concern not once, but twice, was a sight to see.

Besides, the context makes it much more confusing, because Dazai isn't some rookie, and Chuuya knows that more than anybody. He was the youngest executive in Port Mafia's history, of course he can handle a hit or two. Of course he'd seen him handle a hit or two, sometimes without batting an eye.

Heck, Chuuya himself was hurling Dazai like a ragdoll in their reunion, which was their last meeting. And you could argue that he was going easy on him, but Dazai has mostly withstood the same damage (as far as I could see), and Chuuya was as bitter as ever.

So that kind of contradicts both what we knew of Chuuya so far, and how their dynamic was shaped to be. I mean, that just makes Chuuya a hypocrite, yeah? What makes him care now, all of a sudden? What makes him care at all?

Well, to me, this backasswards reaction implies one (or more) of the following:

- Dazai rarely got physically hurt during their partnership and thus this is an unexpected thing for him to see (during a mission).

- The four years of separation made Chuuya unsure of how much Dazai can withstand physically now. Also the fact that he isn't in the mafia anymore, aka fighting enemy organizations on the weekly, would naturally make Dazai lose his touch in a way, what prompts Chuuya's reaction.

- Dazai getting taken off guard took him off guard which led to panic. Especially since the situation was (momentarily) out of their depth. Seriously wtf even was Lovecraft?

- During the dungeon scene Dazai was an enemy, while in the Lovecraft fight he was as an ally. The difference might be significant to Chuuya.

- This has always been Chuuya's reaction to Dazai getting hurt regardless of the situation.

- "Only I can hurt him like that" ahh logic

- Asagiri was still experimenting with their dynamic and thus there are some inconsistencies.

This scenario didn't play out again (after their reunion) for me to exactly determine which one is more plausible, but it is 100% canon for Chuuya to shamelessly show his concern and run to Dazai to check on him before properly dealing with their opponent, which I find to be such an appealing layer to their dynamic, and a good spin on the type of character he gets stereotyped as.

Bonus: Dazai also becomes a softy when Chuuya's hurt, especially post corruption. Dead Apple alone displays that multiple times.

All in all, Skk are doing a terrible job at maintaining their 'hostile' and 'antagonistic' relationship post their reunion. Freaks.

[nerdanelparmandil]

I'm sure many have said this, but it always makes me weak to think that Feanor, brilliant and tragic High Prince, the most beautiful of the Noldor, the master of language and smithwork, the greatest mind the Noldor have ever seen, falls in love - still young - with Nerdanel, who is great in her field and as keen as him, but is a normal girl, not nobleborn, not even considered pretty, but he loves her and values her. They travel together, they share the same passions, he loves her for her mind, her hunger for knowledge, her strength. He found his match in her, although she was also different - calmer, gentler, wiser.

Feanor's descent starts when he turns away from her counsel, when the first cracks in their marriage appear, and she is not swayed by him, she knows he is wrong and she holds her ground.

This is not in the published Silm and it's just a version of the story, but Feanor's words to her - were she a true wife - tell me of someone who is incredibly bitter and angry that their wife has left him when he thought she should have followed them. Despite the long estrangement, he still expected her to follow him. He managed to move an entire kingdom, but not his own wife.

How strong she must have been to survive the grief.

[kingthunder]

I saw a few of those "bg3 characters driving a car" headcanons and decided to do one myself for fun.

Lae'zel: She learned how to drive on the opposite side of the road from everyone else and her instincts are all wrong for her current location, but back home she's an excellent driver with a spotless driving record. She actually follows the service schedule in the car manual. She gets incensed at people who don't maintain their vehicle properly or who disobey road rules. Her car is immaculately clean. She would love to speed a motorcycle down one of those desert highways with no speed limit, but she's never gotten the opportunity and knows it's too reckless besides. But she wants to.

Karlach: She's had a motorcycle for ages and is a skilled if aggressive driver. However, she only recently learned how to drive a car. She is very enthusiastic about it and always volunteers to drive even though she's not very good yet. She's one of those people that do driving "pranks" like swerving back and forth to make people shriek/laugh, or doing "3, 2, 1 BLASTOFF" and gunning it. Could easily be provoked into an impromptu street race. Drives way too far on empty or with the check engine light on.

Shadowheart: Drives stick so that no one else can drive her car. It's a beat up old station wagon with a busted tail light and looks like shit on the outside, but inside she turned it into a goth mobile with like black velvet seat covers and stuff. She named the car but she won't tell you what. She has an air freshener hanging from the rear view mirror that smells like night orchids. She's a perfectly good boring driver with nothing to note about it UNTIL one day a cop tries to pull her over for her busted tail light and she hits the gas and pulls out all these street racing moves that you had no idea she was capable of and shakes the cop. She'll let you pick the music but if she doesn't like it her silent disapproval is so withering that you voluntarily change it to something she does like.

Astarion: Never got a driver's license and isn't about to get one now. Passenger princess who likes to control the radio but his taste in music sucks. He makes funny mean comments about other drivers and pedestrians. He'll complain if you ask him to fill the gas tank but he'll do it; you're paying for it, though. Actually pretty fun to go on a road trip with because he doesn't care about stuff like "making good time" and he's up for stopping anywhere that looks like it might be entertaining.

Gale: Never got a driver's license because he was always too busy with his studies to care and his mom drove him around and/or did all his errands for him anyway. He's real good at maps though and likes to be helpful by being the navigator. He's the smartest man in the world but he's completely stymied by a gas pump; you're better off pumping the gas yourself and sending him into the gas station for snacks. He always manages to conjure a full meal out of convenience food, somehow, and he's really good at feeding you while you drive.

Wyll: He saved up and bought his own fixer-upper car after getting kicked out of the house as a teenager. Good driver in general. People always think he would make a good designated driver, but actually he likes drinking socially and will politely decline requests to be the DD unless there's no one else available. Sometimes when he's having a bad day he blasts music really loud and finds a deserted area to just fuckin tear ass down as fast as he can go (he'll only do this alone and doesn't tell anyone about it). Never lets you pay for gas even if you offer. Will pick up hitchhikers.

Halsin: Has been driving the same car since 1973. Drives that specific car really well. If you gave him a modern car he would have no idea what anything on the dashboard does. Honestly, he prefers to walk or bike anyway.

Jaheira: Has a fuck-off huge SUV full of empty cans and wrappers from her kids. Absolute maniac of a driver who tailgates and speeds with no regard for road signs or lane markings. She is going to GET where she is GOING and gods help you if you get in the way.

Minsc: Failed the driving test three times and just gets rides from Jaheira. This does not bother him in the slightest. He tells you that Boo can drive vehicles you've never even heard of.

Minthara: Has run someone over on purpose.

[thesummerestsolstice]

So I think one thing that really drives Feanor is his grief– he looses Miriel, and he very clearly never recovers from that. There's the pain of loosing a parent and the added layer of Miriel's death being, on some level, a choice to leave Feanor. You can't tell me he didn't internalize the idea that he wasn't good enough for his mother to stay ay least a little. And I can't help but imagine that most of Valinor really wasn't helpful. There was probably a lot of vague sympathy with no real understanding of the situation, people who in theory thought Feanor had the right to grieve but reacted pretty badly to any actual displays of grief, and some people who insisted that Miriel chose to stay dead, Finwe and Indis were happily married, and therefore, Feanor shouldn't feel sad about it anymore. Even for those with more understanding of grief, it's still a really complicated situation. But you know who would understand Feanor?

Elrond. And the reason is Elros and Arwen– Elrond knows what it's like when someone you love dearly chooses to leave you, essentially forever, not because they don't care about you or because you weren't good enough, but because they have to make the best choice for themselves. And how you can respect that choice, and be glad that they did what they needed to, but still grieve them and the relationship you had with them. He understands those complicated feelings and how to process them in a healthy and non-destructive way.

And I'm losing my mind over this because Feanor is the one who starts the kinslayings and the cycle of violence between elves, and Elrond is the end result of all that violence; born to two refugees and raised largely by Feanor's sons. But despite all that, he's good and kind and able to focus on healing instead of pain. He ends the violence and makes a sanctuary where everyone is welcome. And he's able to do what Feanor never could, and not be consumed by his pain. And that means so much.

[dicenote]

Death Note characters ranked on how good they are at driving, from worst to best:

Near: I'm sorry, but he's not reaching the pedals. Like, if you could strap his brain to a car and make him psychically drive it, he'd do better than most people on this list. But in a regular car he'd unfortunately struggle. Maybe he can control the gas/brake while Rester steers, or vice-versa.

Matsuda: I just know that he gets distracted by every little thing. Funny road sign? New song on the radio? Discussing murder notebooks with his passengers? He suddenly forgets that he's in the middle of changing lanes.

Ide: Better than Matsuda because at least he keeps his damn hands on the steering wheel. He's considerably worse if Matsuda and/or Aizawa are bickering in the car with him, though.

Misa: Her placement can be shifted up/down a few spaces depending on your definition of "good". She will get you to your destination 10 minutes earlier than you expect, but multiple traffic laws will be broken on the way.

L: Look, I know he piloted a helicopter in canon without a license, but the sky doesn't have lanes or traffic lights. He can figure out how to drive the vehicle, sure, but his driving is chaotic and only marginally better than Misa's overall.

Light: Like L, he probably doesn't have a license and could work his way around a car. Unlike L, he wants to look like the perfect law-abiding citizen and will try his best to drive like one. He ends up going a bit under the speed limit because of this. L finds his behavior highly suspicious.

Aizawa: Completely average driver, other than the occasional bout of road-rage. Or Matsuda-rage, if a certain idiot is messing with the AC again.

Mogi: Also completely average, but goes completely silent while driving (except when working as Misa's manager). Is he focusing on the road, or does he just not feel like talking? Nobody knows.

Mello: Prefers motorcycles, but is shockingly capable at driving a wide variety of vehicles just fine. He'll even obey the law if he isn't actively committing a crime in said vehicle.

Soichiro: We saw him smash that car into Sakura. Dude managed to make that look cool as hell. When not breaking and entering TV studios, though, he's probably very good at going the speed limit and following traffic laws and all that boring stuff (he is a cop, after all).

Matt: Roughly half of his experience driving is from Mario Kart and GTA, but he can still somehow Tokyo Drift IRL. Theoretically, these could be points against him (see L's placement), but he's so bafflingly good that Rule of Cool makes him the best by default. My point is that he could drive normal, but where's the fun in that?!

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[cilil]

The more I dig into the lore around the Second Kinslaying for my current project, the more I'm fascinated by the detail that it was specifically Dior who killed Celegorm. That's one of the main details we get, we aren't even explicitly told who killed Dior, Nimloth, Curufin and Caranthir, just that they were slain.

Celegorm meets his end at the hands of the son of the woman he tried to marry, the son of the couple he fought against and I just love it when narrative threads come full circle (or parallel one another).

I know opinions differ in regards to the level of sexual or romantic interest Celegorm had in Lúthien, as well as the exact appearance of Dior, but this is why I love having him look like a male copy of his mother. I love the idea that Celegorm, in a way, sees her face one more time, but this time it's Dior's. I love the idea that the opponent he fights to the death looks like Lúthien. I love the idea that Dior's face may have been the last thing he saw.

And yes, I also love the idea that Dior may have wanted revenge for what happened to his mother.

If you then put the Silmaril aside for a moment, you can see a more private, personal conflict at the heart of this tragedy: Dior vs Celegorm, though Dior, true to his name meaning "successor", acts as a sort of stand-in for Beren, Lúthien and Thingol in Celegorm's perception.

It's just... ugh. So very fascinating and emotional and tragic.

[justanotheryellowsoul]

Oh. Oh.

Siffrin isn't just missing the trap switch or keys because they suck at their assigned job. He doesn't. Or at least- didn't.

They miss them because they only have one eye now. Siffrin has bad depth perception. He can't tell if a space in a drawer or book is a bit bigger than it's supposed to be. They can't tell if something is sitting oddly-

He keeps hitting that one table, because he clearly hasn't adjusted to the new depth perception. It's not their fault.

It was never their fault.

[vaperarmand]

daniel was so enthralled and delighted seeing louis' fangs, was fascinated with the knowledge that armand can read minds, that it stands to reason he would go balls to the wall insane to find out armand can fly. in the 70s he'd ask armand to do it all the time and armand would always do it so daniel would cheer for him and get all excited again. so in dubai in 2022 when armand is revealing himself as the ancient vampire and not the servant boy, i like to think he was like "well, there's one surefire way to make sure this reveal makes daniel's eyes bug out and makes him freak out and go crazy and realize how cool and hot and powerful i am." and then he just. starts fucking flying

[leverage-ot3]

I’ve talked about this before but imagine what it’s like for someone in a country/place where eliot is Top Most Wanted and then your tech guy finds a breakout star baseball player on their visual scanner that looks EXACTLY like spencer. but…there’s no way that’s him, right???

and then the next year it happens again but this time it’s some one hit wonder country singer kenneth crane that has like 78 tween-run fangirl blogs dedicated to him. you see a grainy video of him being chased by a horde of screaming teenage girls and ??? no way Eliot Last Thing You’ll Ever See Spencer is a country singer star just. signing pictures of his face right…?

a few months later your intern shows you footage of an eliot lookalike who is in san lorenzo talking about how there is dog fighting in the presidential palace and you just. sigh. because of course. a scant few days later the political geography of the country changes drastically and damien moreau is imprisoned. …interesting

and then a year of silence goes by. he still shows up as blips on the radar but he must have a good hacker working for him because his tracks on the internet are expertly erased.

every time you ask through interagency channels some random interpol guy talks in (condescending?) riddles at you and it also somehow feels like he’s threatening you

and then your friend who recently got into foreign hockey teams sends you a dropyourgloves video of someone called jacques the bear. you immediately get a headache (and watch some more videos because even you can admit this guy is a good hockey player)

and you know he’s a Bad Guy but it’s been admittedly a bit entertaining seeing what claim to fame he will come upon next. and his most recent actions over the few years make you wonder.

a few months later your phone pings because multiple heads of state evacuated from DC. the reason? eliot spencer was in town. you hear two days later a bioterrorist was taken down by… the report was redacted. your hacker tells you spencer and two teammates were behind the successful operation. which, huh.

not even a full year later it is released that spencer is dead and… you don’t know how to feel.

[clonehub]

Intergenerational lag between generations of clones is most apparent in the variety and type of songs they make up and sing on Kamino. First Gen clones are the originators of the mnemonic tunes they used as study aids, which they then passed down to later generations. Second gens and younger created lullabies to sing to their younger siblings.

This means that after deployment, there is a slim knowledge gap between the Gen 1s and later generations. The concept and use of a lullaby may or may not have been known to the older generations. On top of that, training structures didn't have them interacting with younger generations of clones to the extent that any would need to be sung to sleep. After a series of changes in interactions with civilians, access to the Holonet (plenty of non-regulation uses of the Holonet on Kamino), and changes in training and interaction structure, you get gens came to know and produce their own lullabies. What's unique about the lullabies is that they make no mention of weaponry, warfare, battle, or soldiering of any kind. They have absolutely nothing to do with war. These are the only songs clones have whose main and sole purpose is to comfort.

[bliss-in-the-void]

Thought oh god :(

So a few people have talked about how Satoru’s eyes are a place of vulnerability for him (the windows to the soul and whatnot), and one of the reasons why his eyes are always covered is so that everyone around him (and us, the audience) can’t see him in a vulnerable state.

Even when Kenjaku had him ensnared in the Prison Realm, there’s a frame where his eyes are strategically blocked. Same thing happened before he killed Suguru. His eyes were just out of frame. He was breaking on the inside and when he’s really vulnerable, the only one to see it is Suguru.

1. He only gets that way when Suguru is involved

2. He only feels comfortable enough to get that way when Suguru (or even just an echo of him, his body) is around

And I just realized rewatching that scene in Okinawa (S2, Ep3, 7:17 timestamp) when Suguru is telling Satoru about how he knows he hasn’t slept or rested his technique, and that it isn’t good for him, Suguru is meeting his eyes from the side. Not through the glasses. Genuinely looking straight into his eyes.

And just, the expression Satoru has on. It’s so vulnerable.

There’s something so poetic about the fact that the only person he ever lets see him in a vulnerable state is Suguru.

I don’t know how to word it, but I don’t think this is a conscious decision on his part. His walls just come down around Suguru—no, actually, they don’t apply to Suguru at all. He feels no need to defend his weak points against Suguru, because he knows Suguru can see them anyway.

There’s so much love weaved into the very fibers of this dynamic :(

[cits-kirby-brainrot]

Laying down the foot work of how Matter works in my imagining, don’t mind me.

[catharsistine]

thinking about the scene where gojo suprises megumi and nobara by making yuuji jump out of a box to reveal his death had been faked. thinking about why gojo did it. thinking about how when gojo, geto, shoko, nanami and haibara were kids they would have been overjoyed to find out their classmate was alive.

how many nights did nanami spend wishing that haibara's death was some cruel joke? that he was actually alive and well? how many times did geto replay riko's death in his head, touch the ghost of the wounds toji left on his chest, wishing for the days that were long gone? how many times did shoko stand over another dead body in the morgue, a corpse of a friend she has to dissect for her education, wishing she had any other cursed technique but her own? how many times did satoru curse himself for being unable to prevent the grief that tortured his friends, despite being the strongest? what all of them wouldn't have given for such a morbid surprise. gojo probably perceived the itadori reveal as the happiest thing that could happen to a jujutsu high student.

thinking about megumi and nobara's reaction to finding out their dear friend is alive. thinking about how well gojo has raised his kids to make them understand that death is unnatural and a horrible thing, not simply a pat of a jujutsu sorcerer's life. that one has to be horrified at death, not accept it numbly. their reactions to yuuji faking his death was betrayal; how dare you keep this secret from us? and not blind relief.

thinking about the dissonance between these two generations of sorcerers, thinking about how death was so normal to gojo's generation and so horrifying to yuuji's generation, how this correction in their perception is all thanks to the students not being reduced to pawns in the hands of the higher ups. satoru wanted to prevent his students from succumbing to suguru's fate and this scene perfectly demonstrates that he had succeeded. he couldn't save his best friend, his one and only, but at least he saved his kids.

[bettsfic]

okay so i saw The Bikeriders today and i knew i wouldn't be normal about this movie and even though my expectations were impossibly high it exceeded them. i was happy for it to just be a cool movie for the sake of being a cool movie, toxic masculinity ultraviolence whatever, and it was but with Jodie Comer's character narrating about what fucking idiots all these macho biker dudes are. it's like if a woman narrated Fight Club while constantly pointing out how stupid Fight Club is

also, most of it was filmed near where i live and it was so exciting seeing places i recognized! it's been all over the news for weeks

things i loved about it:

protective older woman/loose cannon younger man

lowkey romantic stalking

a relationship suspiciously close to a throuple, by which i mean protective older woman goes to war against possessive older man, re: their mutual intense love for loose cannon younger man. and that's not even subtext that's just text

hot sadboy who doesn’t talk much and is so cool he doesn’t know how cool he is

british people doing midwestern accents

NO PLOT, god bless. just stuff happening and a lot of gay tension building

accurate portrayals of the aftermath of the vietnam war

accurate portrayals of mid-century small-town life

accurate portrayals of men being fucking pathetic

things i did not love about it:

for the love of god please wear a helmet

idk man it's just a whole-ass movie about how vietnam changed the very definition of masculinity, and that awkward era between wwii and vietnam when guys were rebellious for the aesthetic, rebel without a cause shit, twinks in leather jackets manhood. the movie even points that out, like they're so against rules but then they make all these rules for their silly little biker gang because they're bored. and then allll these vets come home from a war nobody wanted and they're actually rebelling, full anti-establishment, and there's just no more honor anymore because everybody's broken. which is all to say, somebody please come into my ask and be insane about this movie with me.

anyway i'm seeing it again tomorrow and i have already started an ot3 fic goodbye