#meta writers help

[valiantponds]

I haven't yet seen a post about jod’s eclipse eyes. so I’m making one. bc I would love to hear any other interpretations or meta thoughts

(big spoilers after the photo for The Locked Tomb/Nona the Ninth)

jod’s eyes = black eye with a ring of bright white around the iris. total solar eclipse = black sky with a ring of white light around the moon’s silhouette

exhibit A: the eye in this photoshop job is a photo of the recent eclipse

[Detailed ID: A cropped photo of Taika Waititi, showing just one eye. The eyeball has been replaced with a photo of a solar eclipse. It looks just like the book’s description of John’s Gaius’s eyes: black sclera, black iris and pupil, and a white ring around the iris, i.e. the visible corona of the sun around the silhouetted moon. Some highlights added to make it look like a more realistic eyeball. End ID]

since realizing this visual parallel I have been certain this is why the eyes are like that. seeing as how they are actually the eyes of alecto’s soul

and like. our eclipses being a really unique phenomenon bc of the distances and sizes of the earth moon and sun. and it’s her view onto the other two celestial bodies most connected to her, the sun she orbits and the moon who orbits her

I have many unformed analyses of the thematic implications of this, and maybe I’ll come back with a proper reading, but overall I think it’s a really fucking cool answer to “what would the eyes of a planet be?”

much to think about

[mollysunder]

The biggest tragedy of Jayce's raid on the shimmer refinery wasn't just that he killed Renni's son, it's that that kid died slowly without any sort of comfort or aid. That boy was alive and wheezing by the time when Jayce and Vi slowly (kind of reluctantly) made it down to the ground floor and was still alive enough for Jayce to look directly at him as the light left his eyes.

What's worse is that he died surrounded by shimmer, a single drop could have saved his life! Anybody at the refinery that could have helped him, even in theory, was held at gunpoint by the Enforcers Jayce and Vi brought and could only watch him die. And then his body's just left there for his mom, Renni, to see. This boy was the kid that pulled the alarm on the Enforcers in the first place, he absolutely knew why shimmer was so important to their operation and once Piotover got involved he's deprived of it's aid.

[jacqulinetan]

On writing fanfiction

Exactly one person hinted that this might be helpful and I thought, well, okay, why not? tonight I have the time. I've been collecting thoughts for awhile and posting fic for more than a decade (writing longer than that!) so why not create a little manifesto of sorts.

A [not at all comprehensive] guide to writing and sharing fic - for beginners - from someone who is serious about writing fanfic as a hobby but casual about everything else:

On logistics:

Where should one write? I use google docs. Recently there's been some discussion about not using gdocs because of AI concerns, and I think if you are sharing nsfw files with other users there is a nebulous risk of losing access to the file... so I've heard. Tbh I cannot speak to the actual risk of either of these things. But I like gdocs because it's free and I can access the same doc from my phone as my desktop which is good for on-the-go thoughts. Other programs that people like are scrivener (costs money - but everybody who uses it says its worth it) and libre office (I tried this and didn't like it, but only because I'm used to gdocs). There are other programs out there, but these are the ones I feel I hear about the most. For me personally, I also have a notebook. If I'm inspired and want to get some scene or dialogue out quickly, writing analog is fastest for me and I find my thoughts flow well like that too.

Where should one post? Archive of our own dot org. There are other fic sites (wattpad) but none of them have the legendary tagging system that ao3 has - more on this later. On ao3 you will need to create an account (if you need an invitation, I'm not sure if you do, but if you do I will personally give one to you, just dm me). But you can post fic under your user handle or anonymously. When you browse the site, you will see that everything is separated by fandom, then by pairing (though non pairing/romance or 'gen fic' is fine too), then by characters involved, then other tags. I imagine it's overwhelming if you are not there a lot, but when you post, the form guides you for what to fill out (e.g. you will fill out the fields before you drop in your fic). You can always edit later if you want to change things around, but ao3 does not have an algorithm, so people will find your fic based on 1) the time it was originally posted or more likely 2) the tags that give an idea of what the story is about. I could write for ten thousand years about the merits of ao3, but like most things, you have to just get in there and try it out.

Other people who are smarter than me and know more than me can write and have written huge, in depth explanations for how to use features, and work skins, and the beautiful bells and whistles of ao3, but here is the down and dirty kind of explaining for sorting and filtering. I'm not going for nuance, I'm going for broad stroke understanding, and the nuance can come later. On ao3 fic 'metrics' we have hits (clicks), kudos (basically a 'like'), and bookmarks -- as a reader you can sort by any of these, which basically means you can move more popular fics to the top based on your preferences. And as a writer, it means you are hungry for people to kudos or bookmark your fic so that it potentially gets more eyes on it. Well, that's kinda putting the cart before the horse so to speak, if you're just getting started, but it is nice for your work to get feedback.

Tagging beyond pairing and character is important because it's how people will differentiate your fic from the others. This is things like 'canon compliant' or 'post canon' or 'coffee shop au' or 'enemies to lovers' or 'anal sex' or 'Bottom Shiro' or literally anything. Literally anything. These can be big tags ("wrangled tags") that everybody uses commonly enough that they are their own kind of category ('dom/sub') or random silly things you want to advertise with (e.g. 'blatant disregard for hoverbike safety'). You can add as many tags as you like. There are no rules to writing fanfic but tagging content warnings appropriately is important to readers, and you will find YOUR people most expediently if you tag honestly and robustly. Again, I could write 150k just about the intricacies of using ao3 as a reader AND writer, but 1) there are other folks who have done it better already/know more than me and 2) you really just gotta get in there and play around to understand it.

I am always happy to talk about fic and so if any questions about logistics arise, I will happily try to help. ao3 also has help pages and support. One random but important note is that the crux of ao3 is that it is an ARCHIVE only (so there is minimal moderation of content, to an extent ) and not for profit, so you must never ever mention money exchanged for fic there. if a work is a commission or something of that nature, that is fine, just mention it on socials or elsewhere, do not put put that in the summary or author's notes, etc as it will cause your work to be removed for legal reasons.

On writing:

The best advice for writing is the easiest to give and the most useless to receive: you really do just have to write. Write, write, write. That is the only way you will find what works for you, the only way you will get better, the only way you will tell your story. Since my goal is not to be patronizing, I will not say that. I will try to give some random and interesting tips that really get to the heart of what I feel you need to know (in my world of healthcare we call this type of information 'clinical pearls' LOL)

Getting started -

It's likely that there is a specific scene you want to write and that's why you're considering starting a piece in the first place. That's grand. All you need is that little bit of inspo!! when you're crafting a story around that point, try to drop the reader in at a time that is interesting/exciting/unexpected. if you're just starting out and all you have is the inspo scene, write that. then you can decide if that gives a full enough picture on it's own (fics don't have to be hugely long, esp in the beginning of your writing journey) or what else you want to add to be satisfied.

For me, I usually have an idea in a google doc and some bits of dialogue or random stuff that goes along with the idea as I got random inspiration. then when I want to start on a new work, I try to conjure up one scene that will get me rolling -- from there I can just keep writing what comes next. As a less experienced fanfic writer I wrote more outlines and was more methodical. when I'm writing now I don't really know how things end (except for in a very vague sense) until I'm actually writing the ending. this makes writing a lot of fun for me. when I write fic, I am my own audience and I am writing for my own entertainment.

Establish a setting -

I feel like a lot of less experienced writers fail to place these characters in a setting. If I open a fic and it's just mostly dialogue (chat fic, I'm looking at you, darling) I'm thinking ?? okay ?? are they floating in space??? what is happening?? I don't like chat fic. Give people an anchor at the very least and try to remember that the reader doesn't have your Mind's Eye and they will likely not know what you are imagining unless you explicitly state it. this might seem obvious, but writers who are good at setting are remarkably good at writing, I think. also, I do not like to open with dialogue but that's personal preference.

Magical paperclip moment -

Along the same lines as grounding the characters in setting, I like to add in what I call in my mind 'magical paperclip moments.' This is something I made up (I'm insane, btw) after being really impressed with a writer's work (I think in the hetalia fandom, I wish I knew the exact fic because it quite literally changed my life). anyways, the characters are having a conversation in the fic, and the author randomly added in a line about one of the guys playing with a paperclip while they talked. It did not move the plot forward, it was not important to the guy's character, it was just a random idiosyncrasy that made the story feel real. magical stuff. I love that.

Decide on vibes-

This is a big one for me!!! at the beginning of my working google doc I usually have some random notes, a running list of tags, etc, but I also have a category for ~vibes~ In other words, I am thinking hard about what kind of overall feeling I want the piece to have, and I am thinking about what kind of feeling I want to invoke in the reader. should this story be dreamy? Gritty? Fast paced? Emotional? And then it really helps direct the scenes because I'm trying to stay within that framework of vibes for the reader. So I try not to write just the story alone, but also the tone of the work. Also having a theme in mind, or a motif that runs throughout, can really make a work powerful

The POV has a voice-

This depends on the style of the writer, but for my work, it's HUGE. If I'm writing from the POV of one character and it is identical to the POV of another character, I am not doing a good job. through the way things are described, the tone, whether the writing is more formal vs casual, all of this can help establish the voice of the fic. the fics that I've written that are the most stand out, or the most entertaining, or the most popular - all of them have a very distinct character voice to them that matches the story and the tone of the fic, and helps characterize the pov. it's not for everyone, but to me this is the single most important thing to elevate a story into something special

Writer's block-

Getting stuck is inevitable. When you're stuck, you have two options: grind it out or let it simmer. Grinding through the block is not for the faint of heart - by this I mean literally chain yourself to the laptop and poke out word after painful word until the words start to flow. This could take hours and hours and barely result in a paragraph.... that you might scrap later. But, sometimes it can be enough to break through the block. If you let it simmer, that's more gentle - take a shower, go to the grocery store, go on a walk, etc. If that's not enough, read, watch tv, consume some other kind of media that fills your cup. Let your brain work out the block in your background processes. return to the fic when you really want to and then you will be ready.

Two things I always think of when I don't know what comes next in a story: What would I as a reader be so insanely stoked to see happen next??? and What would be unexpected or exciting here?

On community:

You can't really talk about the transformative work of writing fanfiction without mentioning the fandom as community. I have a lot of precious thoughts about this, but I will keep things brief here. Fic is shared in a dialogue with other fans - it is not sold, it is not beholden to canon, it is not for the satisfaction of the original work. People are writing purely because they want to and that is an amazing and powerful thing !!!!!

Comments -

Well we all want comments because we love to hear about how people love our take on our precious blorbos. But you have to leave comments on other folks work too. truly, as a writer, you have to. I think this is a good way to start finding your people: read fic that excites you -> leave a comment there -> see who else left comments -> read their fics -> look at their bookmarks -> read more fics -> leave more comments -> you will start to 'know' the people who like the same thing as you. you will start to have readers! you will find writers that inspire you! you will get better at writing! you will be in fandom!

One important thing to note for new to fanfic folks is that construct criticism of any kind is not welcome on fanfiction. it's not needed because the author is SHARING fic with you - I am by no means the first person to say this, but think of it like going to their house and eating their home cooked meal... if it's not to your taste, peace out. just leave. no need to let them know. this is doubly true if you don't like the content of a fic. simply leave...it's not for you, so find something that is. or make your own thing. As a writer, if someone is not following this basic fandom decorum, and they hurt your feelings with a nasty comment, you need to remember that they are the one in the wrong - they are being rude and you are justified to feel irritated or hurt. if you've tagged your own work appropriately, then you haven't done anything wrong by writing your fic.

Social media-

Two things about writing and social media (fandom circles of socials). 1. be insane about one particular thing, that will be your brand and bring you people and be fun. you don't have to do this, you could just be insane about a lot of things, but I think having one niche interest that really gets you going is good. that's my opinion! 2. never publicly discredit your work. don't say "LOL I suck at summaries" in the summary of the fic. don't put yourself down even if you have doubts about your writing....you can improve without doing that!!!

Sharing your fics in a post on twitter or bluesky is a good way to get more people to click on them, esp if you are a new writer. sometimes you will see people make pretty little title cards - they are making these on canva dot com and it is easy and free to use. I love doing this and it took me awhile to figure out how my favorite writers were making such pretty title cards for their fics. so now you know!

On concluding:

I can't imagine the resiliency of the readers who made it to this point!!!!!!!!! WOW !! Obviously I will post this with the caveat that I am just one little girlie and there are a lot of fic writing folks out there, some of them much more well spoken and more knowledgeable and better writers than me, and maybe if they posted a similar essay, it would have completely different content. that is okay and I am not sad about it. in other words, I do not pretend to be an authority on any of this, I am just a person who loves writing fanfiction and this is what I would tell a complete beginner <3 thank you for reading <3

[blorb-el]

Calling golden age Clark an anticapitalist/socialist paragon is only true for prewar golden age Clark (1938-42). The instant the US entered the war and the character started to be used to sell war stamps, he couldn't act as anti-authoritarian; destroying a car factory for its use of unsafe, inferior materials (action 12), trapping a mine owner in his own mine to force him to improve conditions for his workers (action 3), or tearing down tenement housing in order to force the government to build better, safer apartments (action 8) are all actions that would be seen as actively traitorous in the wake of Pearl Harbor. The Superman office contributed enthusiastically to war propaganda in all the forms of media the character was appearing in (comics, newspaper strips, radio show, and the Fleischer animations). By the end of the war Superman the Character was firmly established as Establishment. Postwar golden age Superman is still devoted to doing the right thing, of course, but now he helps raise money for charity, donates his time and labor to build orphanages, that sort of thing. He's not trying to tear the system down... much as I wish DC would let him try.

Instead of Siegel's original justice cryptid, the furiously kinetic Champion of the Oppressed outsider Superman, postwar to modern day we get a Clark who shifts back and forth on the spectrum of establishmentarianism depending on the writer, but who is generally not allowed to act directly against institutions (Wolfman, Morrison, Waid, Byrne, and Maggin for example all have WILDLY different takes on the relationship between superman and Authority). My personal favorite Take is that Clark as a person is not establishmentarian, but the establishment of superheroes and their conduct codified (or calcified, if you prefer) itself around him and his personal conduct. Both in a Doylist sense and in the continuities where he's the First Superhero a Watsonian one. How does your behavior change when you know people are looking to you to determine what's right and what's allowed for themselves? How does that constrict you, when your actions are dissected and taken for justification? That's why I always think of him as a person whose natural inclination is to be chaotic good, but who restrains himself into being lawful good. Clark would sure LIKE to Solve Capitalism. But he both can't, and will never be allowed to... and that tension, far from being a bad thing, can fuel a good interpretation.

[pinkytoothlesso11]

Reasons why Jinx is alive– A fully comprehensive evidence analysis

Right. So I've seen a lot of people with conflicting views on if Jimx survived at the end of Arcane season 2, and I have been itching to do a meta post on the subject, so here it goes!

The first piece of evidence that I found particularly noteworthy was the explosion itself. By going frame by frame it was possible to see this:

It's a blink and you miss it kind of scene, but this is right after the explosion, and you can see the clear pink line going into one of the vents. Now why is this important? Well, it's simple, it's the shimmer effect that happens when Jinx is moving very fast! I know that Warwick was holding onto Jinx, but in a explosion its perfectly plausible for her to get out of that grip using the explosion of her monkey bomb.

Then we have the scene where Caitlyn is inspecting the plans for the Hexgates.

There is literally no reason for her to look at these plans. Not unless she thought there was something she missed...

There's no dialogue here, so it's really just based on what she does and how she reacts. Most notably what she's holding.

It's the head of one of Jinx's notorious monkey bombs. What's more, it's clearly damaged and singed. So likely this is the very same monkey bomb Jinx used in the Hexgates. This also suggests that Caitlyn might have been searching for evidence of Jinx's dead body... and clearly didn't find it for her to be holding Jinx's bomb head and then searching on the plans. Which brings me to the focus changing to this:

The vents we see the streak of pink shimmer light go inside correlate to the plans as shown above. The vents connect to the air ducts which connect to the outside. After this, the camera goes back to Caitlyn and we see her look at the monkey bomb head and then smile.

Then we get to the most telling piece of evidence that Jinx survived and left Zaun and Piltover behind, which is definitely a controversial choice on the writers part and does come across that they just want the option to bring in Jinx whenever they want in later stories taking place in Noxus, Ionia and Demacia. Which is very Marvel like lol. This is namely the air blimp at the end shot of the show.

What I find interesting is the fact it mirrors exactly the very first time we see Powder in episode 1 of Arcane season 1 when we see one of these air blimps.

The difference in these shots is that the one from season one is going TOWARDS Piltover, and the one from end of season 2 is going AWAY across the sea. The only difference in the ships themselves is the streak of blue you can just about see on the side of the hull. Maybe a further hint that Jinx is indeed on board that blimp.

Obviously it is what Powder says about the air blimp in season one that truly gives some solid evidence Jinx escaped on the air blimp heading for the sea:

Well, it seems Powder was right about that... the shots being so similar is clearly not a coincidence.

This is made all the more evident with the very last seconds of screen time of the show. It ends with Jinx's signature scribbles taking over the screen for three seconds with the words 'The end' written across.

Some people I've seen commenting on the fact the letter E on 'the' is reversed, but I think that's just a style choice in line with Jinx's graffiti so far. What is significant here is the fact it's so evidently Jinx's mark straight after the air blimp that resembeled the one in the first episode of Arcane season one.

Annnnd there's just one more thing now. I promise I'm almost done lol.

The lyrics to the song Wasteland that plays during episode 8, when Jinx is about to try and end her life are as follows:

This world is a wasteland where nothing can grow

I used to have strength but I ran out of hope

I know it’s my fault that I'm here all alone

This world is a wasteland

Please let me go, go, go, go, go, go, go

But then the lyrics change in the last chorus, they go from Jinx preparing to end her life for good, to THIS:

This world is a wasteland where nothing can grow

If it weren’t for you I’d be here all alone

I know in my heart this is where we belong

This world is a wasteland

Don’t let me go, go, go, go, go, go, go

Don't let me go

I feel it's likely that the line 'if it weren't for you I'd be here all alone' is referring to Ekko. Because it's Ekko who stopped Jinx from killing herself. And then of course the biggest change, from 'please let me go' to 'don't let me go' Jinx isn't ready to say goodbye. She wants to stay living. And I think it's this that plays in her 'sacrifice' scene with Warwick. It's not her giving up on life, it's her accepting that her life has changed and she needs to break the cycle by moving on. Not for anyone else, but for herself.

Let me know in the comments or reblogs your thoughts on this! And thank you for reading if you got this far lol.

[shadystranger]

It's intriguing how Supernatural subverted the conventional trope where the hero's love interest is perpetually endangered or taken hostage because she's his 'Achilles' heel' or 'weak spot' (wild that samdean explicitly dubbed each other with these two btw). Instead, the show replaced the heroine with Sam, seamlessly reimagining the dynamic while still adhering to traditional gender roles.

and they wonder why people are shipping the brothers maybe bc the brothers are written like the show's surrogate token lovers

[velvetjune]

remedy games are very good and people should play them

[jayladfanpage]

Hi! Tq for the help. Sort of fanon-just-getting-into-canon writer here. I've read Barr's Detective Comics Run + Starlin's run for Robin Jason and UTRH + Lost Days + Countdown to final crisis for RH Jason. Going to be reading more but this is where I am at.

I just wanted to know, how would you approach a story where Robin Jason and RH Jason meet? What are the considerations from canon someone should take writing it? They're complicated, both of them. I don't think RH Jason even likes it all that much but morso deems it as 'necessary' and has made himself a moral casualty.

I'd be happy to have another viewpoint on this! But basically although Jason was an angry teenager, rightfully so, about the unfairness towards victims and the justice system itself being rigged against poor people (the whole diplomat's son fiasco and even adtif discussing immunity) I think he was the type to still view his bleeding empathy and compassion as righteous. I think he'd be vv put off by murder? Atleast the extent to which RH Jason is doing it?

Trauma changes people and grief is such a heavy driving force and I'd want to explore it but I feel iffy on many aspects.

How does RH Jason see himself? Does he see that love and open heart as weakness? It's a mess ;-; I feel my RH Jason characterisation isn't hitting at all. Does he have a moral compass (I don't think so???) Plus for all his love, he's also an asshole (imp information to me). Plus I just don't think Jason as a whole is suitable FOR vigilantism. It's an absolute mess. So if you have any input lmk! Tq.

— ヾ⁠(⁠*⁠’⁠Ｏ⁠’⁠*⁠)⁠/

OMG I LOVE LOVE LOVE TIME TRAVEL AUs!!!

I think a key part here is to not ignore Robin!Jason's anger. He was, generally, kinder and sweeter than Red Hood Jason is, but he was still angry and plagued by violent instincts. You can play this up, have Robin realize that if he continues on this cycle that he doesn't know how to break, he'll become Red Hood. He'll become apathetic to victims and grow hypocritial and, most importantly, alone. Jason, especially as Robin, is desperate for connection and affection. He would genuinely recoil at the idea of having no one that loves him -- it is, after all, what drives Red Hood to demand Bruce kill the Joker.

I do, yes, believe Robin Jason would be put off by the rampant murders. Not that Red Hood kills, I think after Felipe Garzonas he could realistically see himself becoming a killer even if you don't believe Jaybin pushed Felipe off, but he would be upset about the sheer extent of it.*

*You can tie in some of the Batman mythos here. Jaybin fully, throughly believes in Bruce's mission, fully believes that Batman is capable of saving Gotham. To see or know that Red Hood murders people would imply to him that he loses faith in Batman. It would break his illusion that Bruce is all-knowing and all-powerful, and that's GREAT angst potential.

Red Hood Jason believes himself to be right. Judd Winnick said on an interview something that's stuck with me-- Jason does not see himself as a crimelord. He does not see himself as a mass murderer or a villain. He believes himself to be a better Batman. Jason has full faith in his methods and his aggression, and he would not take kindly to anyone (especially a past version of himself) who told him he's wrong.

He does NOT view love and an open heart as a weakness. Red Hood is perhaps even more open with his emotions than Robin has ever been. He's loud about his feelings and he demands people listen to him, forces them to understand and sympathise with him. It hardly ever works, but he does try.

Lastly, Jason actually has a very strong moral compass, he's just wrong. He's headstrong and stubborn and sure of himself. He believes that his murders will change the world, he believes he's a good person. He thinks taking control of crime is the only way to truly stop it. He thinks if you're a horrible enough person then you're no longer a victim, you're a casualty.

None of that applies to himself, of course. He thinks he's good, and kind, and understands politics like nobody else does. He thinks he's saving people when he tells them to join him -- see Green Arrow (2001) #69-72 with Mia.

Hopefully this helps!! Don't be afraid to reach out again if you need anything else, and may the inspiration gods bless you!!<3

[ranchthoughts]

The Eight Sense and missing pieces

(this is going to be long. I apologize in advance)

The Eighth Sense, from the cinematography to the narrative, is about what is missing, what isn’t shown, what we don’t see. The whole show feels like peering at the edges of a jigsaw puzzle: the uneven margin of tabs and blanks hinting that there is something missing, a broader picture, just beyond our line of sight.

I’ve talked about this before, but the filming style of The Eighth Sense leaves so much out. The backgrounds of shots are often so blurry we can’t see what is lurking out there, though sometimes we know there is something we are missing out on, something we can’t fully see. Other times, the shots are shaky and tight, leaving pieces we would generally consider important out of frame, like the filming of their ocean kiss in ep. 6.

And then in the narrative, like @chaoticfandomthot and @asianmade mention in their posts (1, 2), there are so many things we don’t see or know.

There are large parts of Jaewon’s backstory missing to us (and to Jihyun) which are filled in a bit as the show continues, but not all the way. We never see Jaewon’s brother’s accident, or Jaewon’s dad. We don’t see the incident where the camera is broken, just flashes of it smashing on the ground and the aftermath. These are things Jaewon doesn’t even share with his friends - they don’t know about his home life, or his brother’s death, as @lurkingshan points out. Jaewon hides things from the people in his life just as the show hides them from us.

Though, like Jihyun, we the audience get closer than anyone has before. We step into Jaewon’s life, we see his therapist, we catch those occasional flashes like with the camera incident, we watch him open up to Jihyun, and like Jihyun we get many of the pieces of Jaewon and his story he hides from everyone else.

There are other scenes in the story missing from the show too. We never see Jihyun’s accident, or Jihyun in the hospital. We never even really hear what happens. We don’t see Jaewon reuniting with Eun Ji after the accident, or much of their relationship before the first breakup or the second. We do hear about what precipitated their first breakup in a rare moment of explicit explanation, but this comes after much of the show has gone by and we don’t see it, we just hear about it.

"the hole they left inhabits the narrative more than their presence ever would have" - the show is about what we don't see. It’s about the trauma that haunts Jaewon, his home life, what he hides from others. It’s about Jaewon’s brother, who isn’t in the show except briefly in flashbacks, but has shaped Jaewon’s life and his relationships with others in innumerable ways. It’s about the trauma that Jihyun and Jaewon experience at the beach that isn’t shown, even to the audience.

@respectthepetty writes about how The Eighth Sense is all about tradition: Tae Hyung wants to continue the traditions of their seniors even though it caused him pain, Ae Ri wants to break with traditions she finds are stifling, much of Jaewon’s trauma comes from his family and familial expectations (the death of his brother, his desire to pursue a career in photography, etc.), and so on. But this “tradition” is in many ways curiously missing from the show. We don’t see the forces and people imposing tradition on Jaewon, like his time in the military, or his father, or his home life. We don’t see the club seniors or hazing Tae Hyung references, even in flashbacks. “Tradition” structures the characters and therefore the events of the show, but it is also more of a looming spectre, blurry in the background, just out of frame.

Half the show we have to piece together - what happened on the beach? Is Jihyun really dead? What happened to the camera? Who did that? Things are missing, told out of order, fragmented... and the cinematography echoes that.

This style of storytelling and filming works so well for the characters. Many people, like @emotionallychargedtowel, have talked about how Jaewon is a survivor of trauma and how that affects how he acts and sees the world. He is depressed, he has been through horrible events, he hides from others - and the narrative and camera work of The Eighth Sense reflects that. The backgrounds are blurry and unfocused, the shots are shaky, the framing shows flashes but not always the full picture, sometimes the chronology of shots is unusual.

@emotionallychargedtowel and @jjsanguine and many others offer (1, 2) that the filming style of The Eighth Sense, particularly at the end of ep.6 reflects/is caused by Jaewon’s mental state. He has just been through another traumatic event, which greatly resembles the one from his past, so consequently his recollection of events will be blurry, shaky, incomplete. Even the colouring gets darker and greyer. Jaewon’s mental state and emotions are so strong they are altering the form and the filming of the narrative. He is responsible for many of the conspicious absences in the show. We don’t see his brother’s accident or Jihyun’s accident or confrontations with his dad because we can’t - Jaewon can’t or won’t let himself remember them, at least not in their entirety.

The show also feels so queer because of this style. I talked about this in my other post, and @talistheintrovert​ talked about it in this post too, but the way the cinematography is fragmented into close up shots, shaky camera work, montages... the tension of being queer, not knowing if you crush likes you or could ever like you or if them knowing you like them is a threat to your safety, the dream-like safe bubble of two people loving one another amongst the outside world... Being queer, sizing up another person, it’s all about looking closely but not lingering, searching carefully for details that are hidden to most others. Like @jemmo​ says, “queerness can often hide in plain sight” - it’s the things broader society doesn’t see that hold the most significance for queer people. Of course a queer narrative wouldn’t be able to show things clearly, of course they must be hidden and hinted at but never explicitly said, never fully or clearly shown - eyes lingering in the shower, hands held for a moment and then released in the next shot, montages of an evening at the beach together.

We see the edges of the pieces, and from that we can understand most of the picture. The Eighth Sense is about the holes, the absences, the lingering presences of characters and scenes and moments we don’t see. It is about what isn’t shown explicitly, what the character’s can’t remember clearly, what the characters are avoiding remembering, what the characters hide from themselves and others and even us, the audience. It is about paying attention to what isn’t there and why it isn’t there and how we know what is missing.

[avercado5]

Timeline of Armitage Hux's Life

Excuse the formatting... tumblr has no idents and it makes this stuff impossible. Please let me know of any corrections and I will update this. I tried to be as accurate as possible, but some of these dates are guesswork (and thus have a span of years it might be).

1 BBY - Born to Brendol Hux & a kitchen woman on Arkanis

5 ABY -

Evacuates Arkanis with Brendol Hux

Is given protection by Rae Sloane

10-13 ABY - Has lost Sloane's protection/contact and is abused by Brendol again

Sometime before Parnassos - Becomes a General

27-29 ABY - Meets Brendol Hux at the crash sight on Parnassos, witnesses bombardment of the planet.

30 ABY -

Allows Phasma to kill Brendol

(with Phasma) recruits Jinata security to begin capturing infants for the stormtrooper program.

33 ABY - Marooned with Kylo Ren

33 ABY - Kills Admiral Brooks

34 ABY -

Events of TFA

Events of TLJ

Rumors spread about Snoke's successor, many (incorrectly) assume it's Hux.

Travels to Titan for updates on refueling stations and hunt for resistance cells (With Pyre)

Fleet destroys Tag'Nuhna for helping resistance

Skirmish on Mon Cala

Battle of Battuu

35 ABY - Events of TRoS

35 ABY Onward- Hux lives :)

SOURCES:

5 ABY - Aftermath

10-13 ABY - Age of Resistance Comic

27-30 ABY - Phasma

33 ABY - Age of Resistance Comic

34 ABY - TFA, TLJ, Star Wars Resistance

35 ABY - TRoS

[thealexandriaarchives]

[falloutcoys]

y do you hate on malev sm if ur a fan of it? like not criticizing its flaws but every time i see a malev fan callin it bad its u . thats no shade /gen im just curious y u engage w somethin u dont like

I mean, there is a lot I do like about it, especially in the first three seasons. I don't think that having problems w something means you can't enjoy things about it 🤷 there's tons of cool fan art and fanfic and I enjoy that plenty, and I don't think I shouldn't engage with it just bc I have problems with some parts of canon

like, I will exaggerate my feelings about it for comedic effect. you don't see my genuine criticisms on here because I honestly don't have the energy for the arguments that can bring. if I'm doing meta it's for the aspects of something I enjoy.

and I reeaaally don't think I'm the only one doing that either lol like, I have plenty of moots who put similar tags to me on posts. maybe it's bc I just come from a fandom history where bitching about the show doesn't mean you hate all of it, like that's a time honored tradition in the spn fandom lol

[alvfr]

can i ask how long have you been writing? it blows my mind how good it is. you are very gifted and we’re all so lucky to get to read your works for free and i really hope you publish something big one day

also do you have any tips for new writers? i’ve been writing intermittently for some time but i still find it so hard not to compare myself and get bummed out or discouraged when there’s writing like yours out there 💔

Ps: I’m loving all the snippets of everything you’ve posted. keep up!

Oh, probably forever? I mean, I was making up stories before I could write and made small books by hand before I could type and I remember using my grandfather's clunky old laptop to painstakingly write my first "real" stories after I started school.

I started writing in English when I was probably 12-13 years old though and I'm 30 now so it's been a while. I posted some stuff on Quizilla back in the day (which oddly wasn't fanfic, but original stories), and I posted my first story on FFN when I was around 20 years old I think?

I go through periods of time where I write a lot and then I don't write at all for a while, mostly because real life gets in the way or something drains my creative energy. Like I couldn't write more than one sentence at a time the first year after I had my baby. Not because I didn't have time, but because the baby took all my focus and I did not have anything leftover to be creative.

Anyway, I think my best tip for new writers is just to write a lot. Like allow yourself to practice, to be bad, to experiment, to learn - just like you would any other hobby, you know? I have posted more than 1 million words on AO3, but I probably have more than twice that much that I'm never going to post that's just collecting dust in my dropbox. And that's fine! It's just practice!

Right now, I'm trying to re-learn how to write in my own language again (Norwegian) because it sounds awkward and weird to my ears and that is probably because I haven't written in Norwegian since I left high school - I need to practice.

Also, be careful comparing your first draft with someone else's finished product. I don't spend too much time editing my fanfics (because it takes the fun out of it and I never make progress), but even I re-read my writing a few times and change phrasings here and there to make it flow better. I personally like to read everything out loud (making funny voices during dialogue) to catch if it flows how I want it to flow.

Another tip is to read a lot. Preferably published books, but fanfiction too. I'm a bit weird here because I can't read fanfiction for the fandom I'm writing for and that is just because I know I will start to compare myself to others and be discouraged, just like you mentioned. Both when it comes to writing style and level of engagement. I mean, some fics have 1000s of notes or kudos/comments and I start wondering how bad my writing is because it doesn't get the same response. At one point, I almost wished someone would post a bad review of my story because it would have felt better than the complete radio silence I received. Truth is, I think engagement is mostly related to coincidence. Summaries, tags and format matters, of course, but after that it's just down to luck. If you're lucky, your story will find its readers and if you're especially lucky, those readers will let you know that they liked it :)

I'm wary of reading nothing but fanfiction though because we fanfic writers tend to get influenced by each other and use a lot of the same expressions, I think. There's a reason I never have characters smirk, chuckle or hum anymore because I'm still traumatized by how much I used that when I started writing. It's bad enough with how much eyebrow quirking and raising I manage to add in a single story. Also when it comes to characterizations, I try to stay true to the source material, but it's easy to mistake fanon for canon when you read too much of the same stuff.

Sorry, this got super long. I'm just sorry to hear that you're discouraged, especially because I am the exact same way when it comes to comparing myself to others. We are our own worst critics, but I highly encourage you to keep writing! I cringe when I look back at my first stories, but I would never have improved if I hadn't written those stories in the first place :)

[satelliteinasupernova]

Rewatching the final episode now recognizing that the Jughead walking along side Betty in the finale is writer!Jughead, who just wants to make sure Betty is happy and fulfilled with the ending that he wrote for her... Sorry to everyone who was frustrated with the finale centering around Betty, but RAS wrote that episode framing just for me.

[one-shitpost-a-day]

how do you think humanologists would describe human gender transitioning

[loxosceleslolo]

I read a fic about my NOTP for a review exchange one time and it is, to this day, one of the best stories I've ever read.

I can't recommend getting out of your comfort zone enough. (I don't mean read things that squick or upset you)