#meta the castle

[das-a-kirby-blog]

get you a king who cares each and every one of his subjects

[metamorphiacreations]

its not gonna do well on tiktok, this i know. and its not gonna do well here (my edits never do) but at long as someone sees it, and reblogs for others to see. thatll make me happy enough

edit: thanks for coming together to prove me a liar akfhs

[everlastingleuthymia]

My man got the lashes

[munchboxart]

Stupid comic about my stupid experience picking up this stupid game again

[shhhhimwatchingthis]

Cinderella's Castle Lore:

Some interesting world building/character lore dropped in Cinderella's Castle that may be further explored in The Lands That Are:

There was a time when the sun was blotted out and Trolls controlled/had free reign over the lands that are. What happened to sun? how did humans bring it back?

The Fairy Queen of Sweet Dreams, The Goddess of All That is Green and Good:

So much to chew on from her scene:

She was 'caged' in the land of death, so who caged her there (killed her)?

There are Nine Good Gods worshipped in the Lands That Are, but when Ella names the goddess of love the Fairy Queen has never heard of her, implying these gods are false/don't exist. If they are a real power in this world, they aren't as old/powerful as the fairy queen.

The Lady Ashmore: was the stillborn she placed at the roots of the old oak her still born child (a sibling of Ella's?) if not where did she get the body? how did the Lady Asmore know of the goddess of all that is green and good? how long had she worshipped her? Finally if her version of the ritual had succeeded what was the sweet dream she wanted the fairy queen to grant her?

The Grizzwald Bastard: part of why Justine and Lucy believe Ella about her step mother is they know about Trolls because 'their bastard brother hunts them' this is just such a specific detail I feel like this brother has gotta come back in some way

especially interesting to note he slays trolls, when there's a whole scene with our Narrator and Master Dwarf spelling out that trolls are fucking hard to kill, so how powerful is this guy?

The Narrator: this one is super small, the type of detail that drives me insane but I don't know if anyone cares. At the very end of the play, when the peasants bow for Queen Ella Ashmore, the Narrator clearly bows to her as well. As the Narrator. What i mean by this is unlike say Kim, who is in that scene costumed as a peasant, the Narrator is in the same outfit he has always been,he is not a background peasant, he is still clearly the Narrator. But he interacts with the story. He bows to Ella. This is the only time he does this. What does this mean, if anything? That he met Queen Ella Ashmore? That he was there? Are you thinking about the implications?

Some Miscellaneous points, not from the show itself, but from cast/creator comments:

The Fairy Queen of Sweet Dreams wanting revenge against the King and Prince, and that being part of why she pushes Ella to her own revenge. This is a hint dropped i believe from Kim Whalen about the Fairy Queen's motivation in one of the promo vids about her character. Brings up the implication that the royal family was behind the Fairy Queen's imprisonment in the realm of Death. (or at least did something that infuriated her)

Jon Mattheson in a cameo to a fan mentioned the possibility of Sir Hop-A Lot...or his descendants returning in a future show. Ella wishes for Sir Hop A Lot to 'sire many tadpoles' and grants him the lands of the swamps (land that would pass to his heris). Interesting to think of the other Castle shows taking place in the Lands that are but centuries apart. (either centuries before or after Ella) some interesting themes about the nature of stories and myth could come from this. What are the stories of Queen Ella Ashmore in the Lands That Are hundreds of years after her reign? Could be cool to hear stories of the events of Cinderella's Castle and see how they differ from the version the narrator told us.

[cedarxwing]

My favorite details in Castle Lecter's set design

1. The Lecter family crest pays homage to the Hannibal book cover.

It references Milan's biscione, a snake devouring a man, which appears on the coat of arms of the Visconti and Sforza families (from which Hannibal is descended on his mother's side).

SIDE NOTE: One of Hannibal's favorite pastimes as the curator of the Palazzo Vecchio was reading about his ancestors:

Funnily enough, the Visconti-Sforza commissioned their own tarot decks in the 15th century, so Hannibal might've been studying those in the Palazzo library around the time he designed his Vitruvian Man tableau. Here's the original Visconti di Modrone Three of Swords vs an artist's reproduction:

2. Pheasant & Raven imagery

The Chiyoh/Abigail parallels are strong, but Chiyoh's symbolic prey animal is a pheasant instead of a deer! She uses pheasant quills as decoration for her dinner with Will, and there are some taxidermied pheasants in the hunting lodge we didn't get to see:

But my favorite detail is how she uses a pheasant bone to kill the Caged Man! Even a prey animal has sharp edges.

Meanwhile, ravens represent Hannibal's imposing presence haunting the estate. We see them on the Lecter family crest and taxidermied by the fireplace.

Doubled birds of prey motif... a nod to how Will is joining Hannibal as a predator?

All the hawk paintings could also just be referencing this single line in Hannibal Rising:

SIDE NOTE: Over in Florence, Hannibal is keeping in the bird theme with a feathered arm ham wing and a nest of green bean asps for his dinner with Sogliatto:

3. A Shrine for Mischa?

There's a deleted scene in the script where Will spots a Shinto shrine while snooping:

A small version of this shrine appears above the fireplace. It includes a pair of birds of paradise, the same flower Chiyoh leaves on Mischa's grave:

If you've read the books, Mischa's presence is also palpable in the deer heads watching over their dinner (not that we got to see them lol):

4. The way the painting above the fireplace is cut off makes it look like an oni glaring at them! Creepy!

Or maybe it's meant to look like Enma, the Buddhist King of Hell, who is depicted in the painting on the ceiling in the original production design (The Fever of Tairo no Kiyomori by Tsukioka Yoshitoshi, 1883):

It's actually this Rorschach of a landscape based on Old Plum by Kano Sansetsu (1646):

5. Japanese family crests (mon) on the curtains

The Secondo scene uses the weeping wisteria family crest (sagari fuji mon):

The name Murasaki means wisteria, so I assume this crest represents her. It's doubly fitting, since in real life, this is the Fujiwara crest, and Lady Murasaki's namesake (Murasaki Shikibu, author of the Tale of Genji) was a Fujiwara.

The original production design uses a princess tree family crest (kiri mon). Not sure if there was any symbolism to that choice, but they didn't go with it in the end.

[swallowtail-ageha]

Anyways today i replayed castle morne and i want to brainvomit a bit about it because i genuinely think its brilliant in both buildup and execution of themes, and especially as a way to denounce the supposed righteousness and the imperialism of the Golden Order so early in the game

(Putting a cut because holy moly its long. Also i apologize in advance for the run along sentences)

You first reach the weeping peninsula and the first npc you speak to is Irina. She is standing alone, without any weapon and blind, in the middle of a bunch of her family's garrison's corpses (and i think that the fact that the models used are the models of soldiers of godrick, whom thanks to Kenneth Height we know are particularly cruel to demihumans and the likes, is significant). As she herself says, she is being hunted down: her family's servants have rebelled and her father corageously stayed there to keep the postation and the home's ancestral sword, while she had been ambushed and her garrison died to save her.

And this is the perfect set up for people who are less genre savy and expect a more linear story, where the young girl and the kind father have been kicked out by the intrinsically evil, inhuman creatures that don't look human and don't seem to be very intelligent, and where the kind knight helps them to defeat the big bad leader of those creatures to take their castle back. Good ending!

Alas, it isn't like that. If you have already finished Kenneth's questline before, the whole setup feels weird. With the injustice that had been inflicted on the demihumans by the common soldiers, we already have the seed of doubt regarding the whole righteousness of the situation. As deformed and weird they might look like, demihumans, and therefore misbegottens too, are also people with thoughts and social structures and that maybe using them as mindless workforce is wrong.

Upon reaching the castle's walls, you are faced with a sword memorial, and if you read it you are smacked in the face with another revelation: the castle hasn't been built by irina's family and didn't actually belong to them, but instead has been taken by force by Godfrey's forces after he had slaughtered the previous clan that had it and even its last survivor who had made a desperate last stand in vengeance. Irina's whole narrative suddenly becomes even more shady.

Anyways, you finally enter Castle Morne, and the first sight you stumble upon is an horrific one: hundreds of corpses set in a pile on which several misbegottens are standing triumphantly. On the rampartarts household soldiers and other misbegotten are still fighting. Of course, again, if you take the whole narrative at face value, without reflecting on the sword memorial and Kenneth's questline, you might be still thinking that the whole situation was still black and white. However there are two, definitive moments that shatter that illusion, one more overt, the other less, but still as powerful

The first moment is finding Irina's father, Edgar, the castellan. One would think that, at least, you'd find him surrounded by corpses (i don't say in battle for obvious npc logistic reasons). And yet no. He is alone, sitting in a secluded place of the ramparts, with no signs of battle around.

Then he speaks: we learn respectively three things

-His main goal is to keep the castle (however he doesn't seem like he's done much fighting and only takes action once we go to kill the rebel leader ourselves. Fittingly enough, even fighting him as an invasor is extremely easy), but not because of any strategic importance or sentimental value. No. The reason why he's protecting it is to not permit that the heirloom of the caslte, the grafted blade greatsword, whom was forged by the Hero of Castle Morne as a tool of vengeance and has likely been kept around as a symbol of Godfrey's mightiness for having defeated him. The whole thing comes less as something about honor and more as something about simple vanity, or, better, about keeping intact the superiority of the Golden Order towards his opposers, something that cannot fall in the hands of such things as misbegotten (proof of that is also the ghost of the noble begging to not be eaten by them as he's nobility and doesnt want to get sullied by their lowlyness)

And

-That he is a Godrick loyalist and has been placed in the castle by him (therefore the idea that the family has been living there for long is rendered moot), and 3) that he is sickeningly racist towards misbegotten.

These two last points, now, have made your alarm bells ringing non stop. Maybe if this is the guy who is allied with a man who is known for his cruelty and maybe if he's so hostile against misbegotten, perhaps they had a good reason to rebel like that.

This brings us to the second moment:

After speaking with Edgar, you go in the back of the castle and reach the gaol section of the structure. As we can see, they are dirty, tight, and cramped. But most importantly, we find there a whip, which was specifically built as a way to torture and punish servants for their slightest disobedience. This is the final piece of the puzzle of *what* caused the misbegotten to rebel: not envy or any intrinsical evil, just the hellish condition that they were put in. One really can't blame them for organizing and revolting against their slavers.

You can see the leader of the revolt from afar, sitting in the grave of the hero's clan, having him too become the hero, for he in the name of vengeance for his species treatment started a rebellion.

But in the end, he'll have the same destiny as the Hero Of Morne.

You reach the Leonine Misbegotten and you kill him (perhaps even with the help of his slaveowner!) but the mood after the fight isn't triumphant. You stand alone, light rain is falling, the music is somber, in a massive graveyard dedicated to the one who lost his entire family to the golden order's imperialism, after killing his spiritual successor, perhaps even his descendant. You successfully put down a slave revolt for nothing, as the reason you did all of this, Irina, unbeknownst to you, has already been long dead by the time you take the castle back, killed by the same species whom her family exploited (The name of the site of grace of the graveyard, the Gravemoaning of Morne, really is fitting).

Her death prompts Edgar, the father, the lord of Castle Morne, the slave master, to start his own futile journey of revenge, becoming in the meanwhile too the Hero, bringing the story full circle

[artbyblastweave]

The trick to writing a good punisher thing is twofold. The two folds are that A.) you gotta establish in no uncertain terms that Frank Castle is a fuckin' freak, and B.) you gotta then make Frank Castle look like the most normal well adjusted guy on earth compared to whomever he's currently trying to kill

[fumifooms]

Thistle & Falin

Just my narrative of Thistle & Falin, collection of shippy thoughts and dynamic analysis. Creating some imagery and threads, etc. What if we both made devotion to our loved ones our purpose, what if we both hadn’t lived for ourselves in a long, long time. Who are we? Beyond who we love and our powers, what are we?

Background info: a short Falin analysis touching on Faligon and Thistle + an old thistlin post, compiling most of their moments. Here I delve into further thoughts but for base analysis of what they have in canon and in potential those are good starts. If you want I also have a full Falin analysis.

Disclaimer: Beyond the nebulous 1000 years I place Thistle as a young adult, and though I agree Falin mothers him to some degree I don’t think it’s unsimilar to the way that Marcille is a mom friend that sometimes mothers Falin and Izutsumi especially. Their relationship has layers like every other one in Dunmeshi, reducing it to being incestuously motherly or age discoursy to justify it being problematic is so funny to me, hello did you miss the mind control. Ah yes I love the 1090 yo with godlike powers being groomed by his chicken slave. You can have your own interpretation but canon is ambiguous enough, and dare I say intentionally ambiguous, that I have no qualms with not infantilizing Thistle, same with Yaad at the end of canon. I do ship Thistle and Falin, and although it’s in a nebulous qpr-or-other third secret thing situationship instead of conventionally romantic way, like, I puke on anything giving them a parental framing so don’t come shitting on my doorstep, kid-Thistle truthers be warned. Only nuance enjoyers allowed on this post. It’s valid if you’re uncomfortable with the ship!! Don’t make your issue others’ problem.

I thankfully finished my Falin analysis before posting this, but besides that I also have an analysis coming on the whole Thistle age thing which I think is interesting, beyond the well being poisoned there are things to explore there, idk in how long that’ll be done though. That’s all for plans that are relevant to this, now let’s get into it.

Part 1

So my favorite Falin things are Faligon + her sense of being like a pawn/misplaced, going on autopilot to follow the wishes of others, a feeling of identity being a burden and sort of fleeing from that, and her not really caring in the way/with the intensity that she’s "supposed" to (as per the points I go over in my Falin analysis). Meanwhile, Thistle has a lot of shit going on already but then there’s also how being a dungeon lord is highly wearing on his mind. As Faligon and as dungeon lord Thistle, the way they’re both so out of touch with reality in different ways holy shit?? They have power imbalance between them and it very much comes from mind control lol, but it’s also not something Thistle is fully aware of himself, because the powers are driving him unstable and he’s not even aware there’s someone in front of him really. He’s so out of it that he can’t even recognize that the dragon has been fused with a human and she’s so out of it we can’t even tell how conscious of her actions she is.

And then the interesting thing is that they’re kind of in it together… Mostly from Falin’s standpoint. We see that he does rely on the dragon increasingly so, hanging out with it, being saved by it and embraced by her etc. When he lets them both fall after breaking the web they were hanging from, he automatically, fully and wordlessly trusts her to catch him, instead of relying on magic or anything, and she does. Falin devotes herself to him but he’s devoted to The Cause which is just chasing ghosts at this point. But despite it all there’s a weird comfort here too… From the guy who in his last moment of lucidity reached out for someone, anyone’s hand, from the guy who hasn’t felt companionship in hundreds of years probably, hasn’t taken it slow and slept and eaten in who knows how long, from the girl who feels compelled to care after him like she’s always done with others… And the beast-ness allows her to have some freedom to figure herself out in a weird way, to simply enjoy being beside someone and doing anything her own whims tell her to.

It’s very destructive and weird and layered but like…. I can see the sliver where it works out. Where her kindness reaches him and he has a moment of lucidity where he sees her and it’s like, wait, who are you, you’re not the dragon?? Where finding someone else who feels just as messed up and devoted as them, like they’re just trudging along life like it’s a dream following their loved one, heals them a bit. Where caring for the other becomes a way to care for themselves too, a dark mirror of each other that shows you, oh, this is how bad it can get and I want to choose something else for myself actually. To grow to see the person standing in front of you, instead of only searching with your eyes in what way they’ll reflect on you. In helping each other, finding some companionship that’s weirdly vulnerable and self-healing. He gets her in touch with herself and her own needs again through the arc and conflict they have, and she gets him in touch with the world and his surroundings again. They have clashing ways to be selfless, very self-sacrificial from Falin meanwhike self-centered with Thistle (he ‘knows best’, ‘everything needs to be left to him’, etc etc, he needs the control, but he does it all for others, meanwhile Falin leaves that control to others and only grabs it for herself in exceptional cases like sacrificing herself to the dragon for Laios).

Like just let yourself be, damn!!! So then them being like, zombie mentally stunted babies kind of enhances that theme in a way too lol. The way they communicate together is very… Instinctive and basic, and I’d love to see how it could develop into a functional dynamic. They’re in ‘learning to be your own person’ kindergarten together to me. Thistle looking at her coloring wildly outside the lines and being like "you’re doing it wrong" and then you look at his and he colored everything a weird color. The precision is scary but then his crayon goes 1 mm out of the lines and he blows up into tears. Ok the metaphor has run its course

So yeah like the ship/brotp is very, them being isolated and against the world together and like… Slowly regaining their minds together. Getting their sense of identity grounded into them again. In my mind they have a 50k words adventure where they hang out and he slowly realizes there’s more to her than just dragon and she encourages him to dawdle around and eventually just play in water and shit and it’s like, starting to see life again beyond the laser focus you limited yourself to… And she’s allowed to just chill out and do whatever she wants besides the whole searching for Delgal thing. You can’t tie down a dragon! They are a duo they are an unit‼️ He’d have been fucked without her and at this point in time he sort of made her and he’s her world. Traumabonded kittens do not separate but it’s onesided in different ways haha. Honestly it’s sort of reflavored mickuro wait fuck…

If nothing else, they’re a very interesting dynamic to ponder. The depths of it all… I want to use them as a social experiment. I want them to stop to smell at the flowers and learn to work together… They’re master and servant they’re owner and pet they’re mothering and mothered (in a guardian hound way, in a mom friend way) they’re both incredibly (emotionally and physically) vulnerable in different ways…… Master and monster if you will. Mostly I see them as guardian & leader. Like I said I ship them but it’s not really romantic atp I think but it’s not quite qpr either it’s truly a weird secret third thing… What if we were sort of coworkers but also ?!!!>??????! You should hate me but you fiercely protect me I should appreciate you but I only see you as a tool WHAT IS GOING ONNN IN THERE

He wants to be protected even if he can’t really admit it. Here the catalyst was emotional distress moreso than physical threat. Notice how he lays there under her wing for a bit as he (refuses to) processes what Mithrun told him about Delgal dying and betraying him. She’s becoming his safety net, his comfort hound. Somehow, the both of them find they’re soothed in each other’s presence.

It kills me. Them being so toxic at the start of it, then somehow ambiguously just hinting towards how things could have went on to be better, could have been headed somewhere nice and healing and healthier, she dies and he dies everyone fucking dies and they forget each other and it ends there they never speak of each other again. Canon wanted me dead specifically. Like remember too that I was there when the last chapters where being released, my ass really was like "Oh I wonder how Falin will react seeing Thistle after being revived!" 🤡 But yess at least that means there’s a lot of Unsaid, a lot of space for speculation, and I want to see what could have been. I want to see it so so bad. It’s so interesting

Post-canon is also so interesting, where they’re sort of recovered but not fully not really, them actually getting to know each other… And she doesn’t remember him but he doesn’t remember her either, in a way they’ve never met even though they have, even though she was the first one on his side since so long, the first hint of companionship he’s had, companionship that he’s so unused to getting that he can’t even recognize it for what it is. He couldn’t even recognize a human standing in front of him!! He is so disconnected from others and the world!! He spoke to ghosts like they had no worries in the world and everyone was ok!! He’s out of touch, tone-deaf af!! Has always been tone-deaf!! Being tone-deaf when he was younger, a stick in the mud, caused him to be more isolated than he already was… Autism4autism, anyways—

It’s them not knowing why or how to express it but being drawn together, a bond forged together by the fire of circumstances and coincidences— or is it only that? No one can know for certain but there’s a grip they have on each other there somehow. Weird distant caring thing. I dont know who you are but I feel like I should know you

It’s like my headcanon that she doesn’t know why, but on her travels she feels something when she comes across wild thistle flowers… There are just faint remnants, whispers of feelings like ghosts.

They should be remnants in each other’s lives. A deja vu of a person in the way Falin hugs small dolls to her chest, or how Thistle reminisces of something when he sees bird feathers discarded on the ground. < This paragraph courtesy of @cabinette’s huge brain

He canonically writes poems btw… Poems would be such a good way for him to get in touch with himself again post-canon, find desires in again and get creative fulfillment. He should make poems about her. To explore and vent and express all the vague feelings and memories he has, both those of during canon and after canon. He doesn’t remember her but he remembers her, slivers of kind eyes and warm gentle hands and healing magic like a blanket…

Yaad, an unlicensed therapist but the best you're gonna get in fantasy land: Maybe you should try journaling.

And too the thing is their relationship with each other in a way is ONLY about themselves, even when Falin is being self-sacrifical it’s less about him and more about how she generally is, that sort of instinct to latch onto someone and just follow along with whatever they do and ask, meanwhile to Thistle she’s only ever been a factor in his plans. Idk idk them getting to that point where they see and know each other, stumbling into that through canon or actively working towards it post-canon, there’s weird beauty in that Like. Thistle cares about her because he’ll take anyone as long as they fit the job description well enough, he’s desperate to find Delgal and will grasp at straws to find him. In a similar way that he’ll reach for someone, anyone’s hand on the verge of death, she seeks to protect someone, anyone. That’s how she centers herself, makes someone her compass and her world. Falin wants to protect someone and Thistle would use anyone, pushed to the states they were in they would latch onto anyone for comfort (caring for him, grabbing Marcille’s hand).

Mirrors truly truly. And Thistle likes to shatter those, and silence anyone who tries to talk to him about reality, so then the option left is to be by him quietly and subtly gradually, gently (her specialty) nudge him in the right direction … Nooo but actually why did he shatter those mirrors. Very interesting to think about. Would seeing himself in others anger him?

I like to call him a ghost of who he was sometimes, a ghost of the past, he’s so haunted, and I think there’s fun imagery there too. The care she offers Thistle somewhat reminds me of the one she offers ghosts. I wonder if part of it is that she sees herself in ghosts, that she wants to offer them freedom and peace of mind she can’t get for herself.

And of course meanwhile on her end, the thistlin arc is also about growing self-respect. I don’t want to see Thistle as a lost cause in saying that her efforts are wasted on him, but being so permissive and invested in him is obviously not healthy for her. She needs to learn when to put her foot down

Oooh, just realized that choosing to eat in this scene was a big character moment all things considered. By eating she faltered in her task, stood up for herself and her needs, was selfish for once (/positive go get your damn food girl). She chose to eat. Anyways

I bet he’s the one who healed her wounds after the Shuro party fight. And on that note— it’s interesting he could change her form from Falin to Faligon without touching her isn’t it? Healing by everyone else like Marcille and Falin always required touch, physical contact between the healer and healee, which some like Chilchuck say is a negative, but… The dungeon lord not needing to touch to heal makes a nice metaphor for how isolating the powers are I think. Truly clinical instead of warm. Theme of community and freely offering affection in Dungeon Meshi etc etc. Like I said, Thistle is out of touch.

The way that he has the powers to change her form and heal and like soo much magic power but he can’t even realize when he’s hurting himself and she’s the one who has to heal him. He’s so fully devoted to the cause even when he acts selfishly that he neglects himself too, and she has to remind him to take care of himself, to eat, etc. That she feeds him. Eating is an act of love to yourself and to life. The berries, the curry, the soup that Thistle refuses to eat—

Do you see the vision. Do you see all the narrative relevance and themes and parallels of their dynamic. To chase ghosts, to cling onto them so they stay with you no matter how warped and ugly they get, and to soothe souls, purifying them and helping them depart for the afterlife… Both magic prodigies whose lives revolve around protecting and caring after their loved ones more than anything else. A family member who looks elsewhere while they are their whole world. They can flee their emotional issues together 🤝 Who are we? Beyond who we love and our power, what are we? I think about the way she cradled him in her arms just before they fell down into the dungeon all the time idk idk

^ End notes from the one fic I wrote about them so far: Slivers, on AO3. For a moment, they were both slivers of themselves, bound together.

Thistle feverishly holding onto ghosts of the past and his source of power, meanwhile Falin cradles the people she can protect in the now with the powers that reside in her… Him cradling his book, her cradling her master……… Parallels

Interlude

And yess it’s important to remember too, Thistle became a mage only after delgal asked… He had innate talent, but moreso than Falin it’s through studies that he learned to actually harness his magic etc. Idk I think it’s an interesting parallel that could have interesting stuff be done on it. People often characterize him as predominantly bratty but. He’s smart and composed he’s mainly smart and composed… He’s unstable and everything during canon was happening all at once with the winged lion being freed and Laios’ party and the canaries and agh </3 He can have a meltdown as a treat he’s smart and cool-headed if it wasn’t for the dungeon wearing on his mind ok… Obvi I love my chars with anger issues but saying he’s overly childish is having tunnel vision I think

Ok so the elephant in the room… First of all how present is Falin in Falugon exactly…… We have no clue. The end sequence does show her in purgatory with a dragon foot holding her down, which can easily be read as it suppressing her personality- with how it’s shown though it feels like she’d be fully suppressed by that? And we know that’s not the case, since not only does she recognize Laios and calls out to him, she hesitates to hurt Kuro because of the dog association, she’s excessively kind towards Thistle, the latter which her Adventurer’s Bible profile confirm to be "her kind nature remaining as the chimera". Maybe it’s a dream-like state? Maybe the dragon is the driving force with the instincts, and it’s only bits of Falin and her personality that show through? A state of mind very primal and not very think-y, even if Falin has enough brains to think of sharing the berries, gesturing and oh- of course, casting magic. No issues with controlling the human half of her body as well. To some degree, her and the dragon are working in tandem. My own preferred interpretation is the driven by instincts one, a state of mind like an actual dragon’s, which in my Falin analysis I delve into the significance of it for other parts of Dunmeshi too. So yeah, dreamlike mindless autopilot… I think exploring her pov as Faligon would go super hard. Aware of her surroundings but sort of disconnected with it, and disconnected from herself too, entirely living in the present… And like with her talking to Laios— the only time she speaks in her chimera form, a simple observation, "Laios, brother", sometimes her human thoughts peek through more sharply, short moments of lucidity… I think it’d be interesting to see an arc where as the chimera, she learns to share the "brainspace" more with the dragon.

It’s also unclear if Thistle had a say in how much of ‘Falin the human’ is in control? He very well might have suppressed her somehow when he changed her form to be more dragonlike. That might also be due to just getting back the dragon meat though— and the dragon meat itself might be why/how the brainspace is shared. There is a lot less of Falin’s body in the chimera than there is of the dragon, body mass wise. Dungeon Meshi is a lot about physicality so I wouldn’t be surprised with this reasoning. But there’s the whole mind control soul bond situation too…

The mind bond is another thing that’s left mostly to interpretation when it comes to the details. She feels compelled to listen to the dungeon lord’s orders as a monster created and owned by it, like the dragons Thistle summoned during the fight at his house, but again like we see with the dragons, if the monster has a "strong will" it can disobey to some level without being punished by the bind or anything. The eyes of the magician, the small wyverns, level-of-control wise can’t be accurate examples because they’re sort of like familiars, Thistle can see through their eyes in real time no matter where they are but it’s only this species as far as we know. So otherwise the mind bond is more subtle… There’s also the question of how much the control is shared between the dungeon lord and the demon, which again Thistle’s situation is exceptional because he managed to seal his demon in a book, presumably all the power goes through Thistle without the intermediate of the winged lion, though we do see he has some reach since he reaches Laios through his dreams. ANYWAYS all that to say. I do really ponder about how a dungeon lord's monsters get their orders, like... For the fight on the first floor, did Falin just feel Thistle's agony in her bones and came clawing and barging her way in desperately and angrily to protect him because of his distress, or did he more directly demand she come, consciously or not?! Idk, since Falin is actively protective of him unlike the dragons who reluctantly listen to him, her being very fast and intense about it doesn’t have to be forced… It’d be interesting if she can sense his feelings, wants or thoughts, bc I don’t think it’s as conscious as like, telepathically communicating "hey you, do this"…? Pondering, pondering. Mind bond <3 Soulbound <3

They’re both very trapped in the past… I wonder if as Faligon a lot of her mind goes back to memories of Laios and such, if she’s in a dreamlike state and not just sort of absent, where would her mind retreat... I don’t think so like I said I think she’s mostly driven by dragonlike mindlessness, but still… Thistle stuck in the search of Delgal, thinking back to everything they’ve shared and where it all went wrong obsessively, and Falin, sort of larping that she’s still beside Laios, not unlike how Thistle treats having the corpses of the royal family at his house like them being safe. Delusions. Idk I just want more character studies.

The metaphors in this truly… It’s not literal, like def not something that happens during canon at no point are they or could be ever atop a mountain of frames and paintings of the Golden Kingdom’s royal family and fine art lmaoo, so then like the meaning behind it all… She offers him reprieve, an outsider from all the Golden Kingdom expectations and drama, just someone warm to lean on, someone who’ll stay…….. I love Faligon pushing him to rest and nap so much. Man has first nap in a thousand years. Feather duvet like a nice warm pillow. The peace she offers him man……. Live in the present bbygirl Unfortunately it doesn't help. Look at them eyebags… Man needs to sleep!!

Part 2

^ This panels drives me crazy It’s the possessivity. It’s the "my". It’s the "stealing".

What if you have fear of abandonment and think you have to prove your worth for people to stay by your side. What if belonging to someone makes you feel like you belong and you feel loved and soothed by it lowkey, feel like it makes things easy. What if I was bought as a slave and servant but I was adopted into a pretty loving family. What if ownership is what love looks like to me. What if that’s why I have no problem rationalizing keeping people against their will in a glorified kingdom-prison, because that’s just what someone with the power who Knows Better does, and… Did he always call her his dragon hello? Feelings

He is not letting it go damn He hates when people mess with what's his. Or Delgal’s.

But imagine. The dragon is like, the last thing he has. The Golden Kingdom has moved on from him, everything is shit, but his dragon is the last thing he still has some realm of like. Ownership over. But that ownership is kinda just his sense of belonging. His role, his duty.  So it’s like "Don’t steal the last thing I have" especially if post-canon… It’s thinking from his time as a jester bought into a loving family that ownership is natural in love and care. It’s thinking that’s the way you get to belong beside someone, beside earning that through achievements and being useful and capable. Everything is being stolen away from him. Control and things and people and even the importance he has to the Golden Kingdom as he becomes part of the background & past history and the kingdom switches into new hands aka Laios’…

My dragon, not the dragon. I do like to imagine especially after the berries he’s starting to feel differently about her. He keeps being like "you’re acting odd, dragon". His dragon is special. She’s not just another regular monster npc to easily replace, there’s human contact in there. His dragon just for him. <3

I do think Falin has some issues with like, asking to be with the people she loves, feeling safe in asking for that, that she’s worth that. She follows them and is quiet and just takes the crumbs of love that they offer, she doesn’t ask Marcille at the academy to spend lunches with her, doesn’t ask anything of her distant busy father and ill anxious mother… The person she did ask things of, Laios, who she always asked to go travel the world with him and whatnot, left her behind. Like how Delgal left Thistle. Theme of leaving </3 theme of family and abandonment issues </3 So she just follows and cares after them and makes herself useful and is grateful she gets to be beside them at all. So yeah what I’m saying is being owned/belonging to someone might feel yeah like, belonging. Being One Person's. He’s seen her at her worst and most bloody and raw, and still wants her? Very comforting And especially post-canon he doesn’t need her to be witty or useful or such, he just needs her love and that’s what she has lots to give.

Do you think Falin wants to be needed… Do you think she’s a little restless if she doesn’t feel like she is, like she thinks just like Laios people might leave you behind and you never see them again.  It’s also because of what she said, that she put others before herself, that she just followed/imprinted on her parents/Laios/Marcille. She avoided conflict, she wanted to be liked and live in peace. The only times she was selfish, she hurt people (left school for Laios, sacrificed herself for them, teleported them out despite possibly hurting people on the surface), so she chooses to be selfless instead. "One of the most selfish things i've ever done was barely even for the sake of myself" - Falin and Toshiro both hah Falin is often told she doesn’t care the right way or not enough, you’re cutting classes Falin, I’m upset you left me and you don’t even seem to think it’s a big deal Falin, you shouldn’t have sacrificed yourself to save me (her not noticing her ostracization in her village wasn’t told to her but I’m including it also). And with Toshiro when considering her proposal, she was worried to accept because yeah it’s have been convenient but she wouldn’t be reciprocating his feelings in the way he wants and expected her to with what he asked of her… And she’s worried it wouldn’t be right… Bc she doesn’t care about the proposal on the same level he does….. I just think that’s neat I think that Falin caring both too little and too much, with laser focus on Laios & Marcille neglecting even herself, is a big part of her. She focuses on others and their emotional needs so so much always, babygirl be selfish for a while…

Thistle’s interaction with Laios is interesting too, especiaoly when Kaios heals him. How he looks at his shoulder, surprised and confused… Guy who's used to not having his personal needs met because he's so busy doing everything for the people he cares about receives care??? Woah that’s crazy Something something being so unused to human contact and affection that you don’t know how to process it and don’t recognize it when it happens/stares you right in the face. Thistle the Toudens are gonna make you open up ur heart to humans again on god…

What if… He doesn’t want to admit she’s not the dragon. If he admits it’s not the dragon that means giving up some control… This was not in his plan, he doesn’t know how well he can control a chimera rather than a dragon, it’s weakness it’s vulnerability it’s feeling like he’s losing his grip on everything again and thus losing his place and purpose. Hmm…

Finding yourself through someone else… Because defining yourself through others is what you’ve always done… Yeah. Yeah.

I do love it tying into Falin’s arc of finding herself. Like, she doesn’t remember her time as a chimera, she just remembers this guy she has conflicted but fond feelings of for some reason, so say if they travel post-canon, traveling with him would also be a way to figure out more how she’s feeling, and then there’s how when looking at him she gets the feeling that it’s been a long time he hasn’t lived for himself either… And like for him traveling is about seeing the world a bit too. Seeing it not as something to control or always dangerous but something to explore, and just enjoy the little things instead of worrying about the court. And just. Aghhhh. He hasn’t had someone on his side for centuries. Sighs. Of course Yaad also becomes that largely but traveling post-canon with Falin… Would love to see that in fancontent

Them growing to SEE each other, with the film in front of their eyes slowly fading away. Both of them coming out of it more genuine than they’d been even before meeting, before becoming warped, growing more comfortable in their skin and with the thought of connecting with others. It’s the mutual care <33 it’s having been on each other’s side at both your ugliest <3 Unconventional caring...

Toshiro saying "you can’t tie down a dragon" is always so good… Someone should so do stuff with that. "But you can tame it" / "I tried to once" / "but she chose to stay with me anyways"… Musical theme of How to Train your Dragon starts playing in the distance

When/after they get together, I feel like their relationship isn’t something they like to label… If anything it’s like. Partner. Or calling each other by name… Him calling her my dragon, except now it’s warm and personal would be so. Aughh <3 But then that just also makes the first time he calls her by name so huge.

Conclusion

They and their relationship is weird and unusual but that’s just how they are, and how they need to accept themselves (again: as they are) and roll with it! And make a place in the world for them anyways!

Magic forced them to be vulnerable in front of each other but it’s them who have to like… Be pushed out of their passivity and do something with that vulnerability.

BROTHERSSS THEY’RE BOTH ALL ABOUT BROTHERS. LEAVING. OUT OF TOUCH WITH REALITY. OUT OF TOUCH WITH THEMSELVES AND THEIR OWN IDENTITY. In a twisted way only the other would understand what it’s like.

Thistlin is so crazy, in humanizing you it humanizes me, in recognizing you for what you are I get more back in touch with the world again.

Flighted birds have hollow bones. With freedom there are risks and drawbacks. Thistle was Falin’s.

It’s not everyday you can have a ship where both characters are out of touch with reality and others and themselves and have this weird almost innate bond of her being compelled to protect him and care for him and him holding onto that unknowingly… Even if he didn’t need to, keeping her by himself and sitting on her while he plans and has a panic attack….. And also he owns her and robbed her of her freedom & body & full mind but she still wuvs him. Weird intimacy with the guy who horrifically changed you into something else, and yet is not even aware he has done it.

Falin loves nature and Thistle is named after a flower… Her post-canon coming across wild thistles and feeling a rush of fondness and she doesn’t know why… Thistles have thorns, but they taste sweet. Just gotta peel them off and enjoys the sweet taste of it once it’s open <3 Eat it like them honeysuckles

Slice of life 40k words thistlin sitcom I need you. Don’t make me write it myself. Sob

You are so so close sweetie…

wutiwant

I don't know what I want But I know it's not this These words don't mean nothing Once they left my lips More awake inside of my dreams Was that really you, next to me? Give me what I want, who am I supposed to please? Who am I supposed to please? Who am I? Who am I? I? Give me what I want Give me what I want

Some links, since the pair is small enough that finding stuff for them can be hard: Falin & Thistle search on pixiv Falin & Thistle search on danbooru Ao3: Thistle x Falin, Thistle & Falin Ship names: ファリシス / シスファリ. Thistlin

My own spotify playlists: Thistle & Falin, Thistle, Falin

source v

[ladystoneboobs]

theon's thoughts of his existing black wardrobe when considering the watch has been talked of plenty, but let's not ignore the rest of this fantasy which is imo even funnier. bc a) he remembers jon snow joining the nw as a selling point but fails to consider what it would mean to meet jon again after taking wf and supposedly killing bran and rickon and b) he describes it as a life of honor but assumes he can bed wildling women, which watchmen usually see as the most dishonorable kind of sex, not just patronizing the whores south of the wall but sleeping with the enemy. his newly-turned and fleeting ambitions of captaining a ship at eastwatch, rising to first ranger and even lord commander look downright logical and realistic compared with forgetting the celibacy vows and the motive he's just given jon snow--who never really liked him to begin with--to oathbreak by murdering him on sight. (tho, funnily enough he is kinda foreshadowing jon's soon approaching experience of sex with a wildling woman and facing accusations that his black cloak was indeed turned, even after rising to the position of lord commander. biggest difference is jon did not plan and go looking for a wildling lover, was unaware of his own possible princehood, and ygritte likely would not care about jon's royalty except to joke about it if they did know.)

[gffa]

ANYWAY, IT’S MONDAY AND I’M CRYING BECAUSE ANAKIN SKYWALKER’S FORCE GHOST GETS TO SPEND HIS AFTERLIFE HELPING PEOPLE HELPING PEOPLE WITHOUT THEM KNOWING IT’S HIM OR THEM SEEING HIM DOING IT PURELY BECAUSE IT HELPS PEOPLE BB REALLY DID LEARN TO LET GO OF HIS HATE AND RAGE AND SELFISHNESS TO BECOME A SELFLESS JEDI AGAIN TO BE THE GOOD MAN HE ONCE WAS I’M CRYING BECAUSE ✨ANAKIN SKYWALKER✨

[blu-ish]

✨Late Night Flight🌙

[lovegrowsart]

soooo fascinated by how the acolyte plays with gothic tropes and motifs like there's so much to chew on in that department but especially how both sol and qimir occupy a bluebeard role in the story but at different points and in opposite directions, because qimir is a bluebeard figure to mae but not to osha while sol is the bluebeard figure to osha but not to mae and it's like.... yeah that's kind of storytelling i need in my life!!!

[giveamadeuschohisownmovie]

I’ll speak more on the season finale of “The Last of Us” later, but for now, I just wanna say that I felt that the episode brought back the sense of dread in a shootout scene. I feel that audiences, including myself, have gotten so desensitized to gunfights in movies and TV shows that when we’re watching these scenes happen, we’re not registering just how destructive they really are. For example, if you watch any of the “John Wick” movies, by the 70th person who John has gunned down, you’ve essentially become numb to all the deaths. They’re no longer people, they’re just targets.

But the way “The Last of Us” filmed the hospital scene really emphasized just how horrific the massacre was. Heroic music isn’t playing, close-ups on Joel’s victims, Joel shoots a guy who surrendered, Joel’s numb expression, unarmed people running away and pleading for their lives. Even though Joel is the hero, the show doesn’t sugarcoat how destructive his actions were.

Honestly, the last time a shootout scene gave me this sense of dread was “Daredevil” when Frank Castle shot up the hospital…oh, what a coincidence!

[shhhhimwatchingthis]

From a writing perspective one of the strongest elements of Cinderella's Castle is its mastery of tone.

This show is so good at pushing you to the edge of fear and despair and then bringing you right back just before the edge.

Lucy and Justine are murdered. Then we introduce Sir Hop A Lot and Crumb, two cute companions to lighten the tone again (something something the fairy queen of sweet dreams giving Ella two friends who are noble and true out of the innocent blood from her murdered childhood friends. something something the faye and gods aren't good or evil but they are fair)

in the most horrific part of the show Ella gets her feet cut off and then we cut to the narrator and our master dwarf in a funny forth wall breaking scene where the dwarf tells the narrator to fuck off for killing Cinderella. its cathartic. a release valve for the brutal murder we just watched.

its just really good storytelling. this is a fairytale. its going to have a happy ending. but the originals were so dark. and this ones really dark and its an adaptation so there's no rules really... You are stating to wonder. Will it ever after happily?

And it does of course. but it feels earned.

[gethoce]

Meta Knight lives on the Halberd, but after it sank to the bottom of the ocean he, ironically, crashed at Castle Dedede.

In return Dedede got to train with him for his own revenge plot.