#meta posting on main Tumblr posts

[robynator]

obsessed with how daud canonically chooses to forgive billie when she gives him the choice between killing her and showing her mercy after she betrays him

obsessed with how just a few months later, daud does the same, placing his life in the hands of a man whose life he completely ruined, asking to be spared and, against all odds, walking away from that encounter alive

obsessed with the alternatives you're given to those options as well

how, if you choose to kill billie in low chaos she helps you guide the blade. how she looks up at you and smiles as you stab her. how you hold her hand as she dies and don't let go even after she's gone

how, in high chaos, you just don't get that choice. her death is brutal, just like all the other deaths at your hand. like she said, what's one more body? but she's not just one more body. she's your second in command, your confidant, the closest thing you have to a daughter. you don't kill her with the same detachment you do for everyone else. you don't simply pull her onto your blade, you grab her by the throat as you stab her. it's brutal and it's personal, and that makes it so much worse

how, if you end brigmore witches with high chaos, corvo will kill you because you are not true to your word. you say that you feel remorse over jessamine's murder and yet your actions speak otherwise. you are not sincere in your words and while corvo may not know that, the game does. and it's telling you that that's the only way it could end. that if daud goes down that path he will not ever better his ways, nor will he be given the chance to. the only way daud can live is if he is actually committed to change

but despite all those options, in canon, daud gives billie the chance to leave and make a new life for herself. and corvo does the same for daud. and that is a parallel i think a lot about

[karvviie]

i am so normal about them

[descendant-of-truth]

Honestly? So much of Sonic Prime happens the way it does because Sonic is unabashedly, wholeheartedly neurodivergent, and I wanna talk about that in detail for several reasons

I think most people assume he has ADHD, and while I agree, I think they tend to leave it at "he's hyperactive and impulsive" when there's actually a lot more going on there.

For example, he lacks a filter. He says exactly what he's thinking, all the time, regardless of who's listening. I wouldn't be surprised if he does it as a type of vocal stim, considering that he talks to himself as much as he does to other people. Maybe he dislikes the way silence feels on his ears, too?

Something I noticed was that when Thorn gets on his case for this, asking if he ever stops talking, the way he says "eh, not really" sounds... almost resigned?

He could have easily said it in a more jokey way, but his tone (and the wide camera shot) gives me the impression that this isn't a trait of his that he feels especially positive about.

It's not cool or funny to him, at least not in this instance; it's just something he does, which further proves to me that it's more of an unconscious stim than anything else.

On the topic of the jungle world though, it also shows us a couple instances of him not being able to read others' intentions very well. Prim lies to him about knowing what the Prism shard is, and Thorn uses him to get to said shard - and despite how hostile they are, he takes both of them at their word.

He only realizes Thorn's intentions after she hits him across the clearing - not for the first time that day, mind you - and Sonic berates himself a little for not seeing this coming.

But it's not like this is the only time he has difficulty understanding intent; just look at his interactions with Shadow.

This is not the behavior of someone who understands why Shadow's picking a fight with him. He doesn't understand the implications of "you literally shook the world" because he doesn't know about the Weirder aspects of the explosion. In his mind, he just messed up a mountain.

Though I think his attitude implies another thing about his dynamic with Shadow that might explain why he was so quick to dismiss what he was talking about, which is. I don't think Sonic usually understands why they fight??

Shadow is a person of few words and Sonic has a hard time picking up on subtleties, that's a recipe for miscommunication already. And if Sonic's already predisposed to thinking that Shadow fights him Just Because, then of course he didn't take this particular instance seriously.

Though going back to "he only registered the physical effect of the explosion," Sonic is actually pretty consistent with understanding things that are tangible a lot better than anything else. Case in point: that One Palm Tree

His first reaction to seeing it presented as a gift is that it must be a trick. because he doesn't see the tangible point of the tree, and isn't enough of a symbolism guy to see the sentimental point of it, either.

Don't get me wrong, he is being insensitive here, but I don't think it's on purpose in any way. Look at his body language and expressions:

Even as he's getting on their case for being too sentimental, he's not unhappy or uncomfortable with them. He's just completely failing to recognize that this was supposed to be a big deal for them, so he's treating it way more casually than is appropriate.

Which is like. a classic social flub for neurodivergent folks

(Quick side note - this specific "huh" that he makes as Tails is flying away before Sonic realizes he's upset is a whole mood. I don't know how to explain it but this is Exactly what it feels like when you can sorta tell something's not clicking but you don't know what yet)

(Look at him. brain static)

I could go on with the detailed explanations but some of that would just be me repeating past posts I've made, so I'll leave it at "he is clearly not handling change well either" and link back to an example.

So anyway, this is what I meant when I said that so much of the show is impacted by Sonic being neurodivergent. It affects how we hear his thoughts as viewers, it affects his ability to understand and connect with his friends, it's why he dismisses Shadow, it's why he impulsively smashes the Paradox Prism, the list goes on.

And he's not stupid because of any of these traits, either. None of what I've described has to do with intelligence, but I've seen "Sonic is too dumb" as a reason to criticize the show, and that's just not what's happening here.

If anything, I'm actually really impressed with how well the writers have managed to portray a more nuanced take on what a character with ADHD would look like. Because he's not just being hyperactive and chatty, you can tell it affects how he perceives things too.

Which is a much bigger part of the overall experience, and it's really cool to see in a cartoon like this - and in the lovable main character, to boot! Who cherishes his friends despite his struggles to understand them! Why is it so good!

In conclusion Sonic is the ADHD king we both needed and deserved, thanks for coming to my TED talk

[mythalism]

this will never not be so fucking funny

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[qiu-yan]

thoughts

also wasn't sure what to do with the lan simp brothers so i guess they can sit on the side

[aroaceleovaldez]

The himbo, malewife, goofball -fication of percy jackson is such a crime by both the fans and riordan. It has made Mr not like percabeth as a couple because in all posts and in later books annabeth is such a girlboss, while Percy's dumb and can't fight his way out of a paperbag without her. All the posts are about how annabeth will be an architect and percy would love to be a trophy husband.

Even the humor in the books went from Percy's sharp wit and snark to 'my pancakes can't drown because I'm a son of poseidon.'

And now this recommendation letter bullshit.

Honestly now I'd wish percy just separated from annabeth (but they remain best friends.) He stays home with his family, becomes a camp counselor, helps young demigods, holds God's accountable and eventually becomes a social activist. (I also dislike him doing something marine biology related. It's clear he hates academics but he always wants to help people. Him helping demigods and mortals is such a wholesome profession for him.)

I fully agree with the first half of this, though I slightly disagree with part of the latter.

The later-series and fanon mischaracterization of Percy is at least a solid 50% ableism minimum, full stop. He's being warped into a very stereotyped ADHD character and the exact reason why he's being characterized as "dumb" is because of ableism. Percy is a very intelligent character! That's exactly why he's so in sync with Annabeth and they're such a strong duo! It's just generally Annabeth is more book/academically smart.

I disagree with where you say he hates academics - because that's one of the common misconceptions about his character. Percy doesn't hate learning or academic subjects! He's not even bad at them! We know explicitly that when he is in an accommodating environment he is interested in learning and gets significantly better grades! Percy only dislikes school because it is generally an environment that systematically he struggles with. It's literally just he has a learning disability (two, actually)! That's it! When his learning disability is accommodated for he does well! It's almost like that's what accommodations are all about! We know this from the first series! It's discussed pretty in-depth! Percy isn't a dumb character and he doesn't hate learning, he's just been let down by school systems so much that he's inherently distrustful of them. If they actually accommodate him though then he does just fine!

And that's exactly what CHB was all about and why New Rome University was supposed to be such a big thing for him! CHB is a learning environment geared for demigods. NRU is a demigod college. Both inherently imply an environment meant to cater to and accommodate students with ADHD and dyslexia! They are both systematically structured to be able to accommodate him! Heck, CHB and CJ even both address in the wider themes of the series a metaphor about how ADHD and dyslexia are commonly seen as childhood disabilities, and how it can be more difficult to find accommodations into adulthood because of that attitude but those disabilities don't just go away - that's why CHB is a summer camp but they talk about how demigods outside of CHB don't often fare well. The metaphor there is those who are not getting help or accommodations are struggling. Because that's how that works! This is a fully intentional metaphor from the first series! CHB is never framed as being perfect for demigods, because one of the entire central conflicts of the series is Percy and Luke going back and forth about this flawed system meant to help and support them but still letting people fall through the cracks. The "claim your kids by 13" thing is a metaphor about how acknowledging a child's disabilities (and possibly getting a diagnosis) earlier/as early as possible means they will have more time to learn and build up resources and support for themselves to be able to use later in life. One of CHB's major flaws is that it can accommodate demigods to a certain point, but it can only do so much before those demigods have to leave (the metaphor being accommodating school systems when those disabled students do not have any other forms of accommodations in their lives.)

And that's why Camp Jupiter was framed as being so revolutionary for Percy because it had an environment acknowledging that this is not just a childhood disability, adults with ADHD/dyslexia exist too and still need and deserve accommodations, AND is a place where those accommodations are available. That's why Camp Jupiter and NRU are treated as such special and important things to Percy, because it's essentially Percy being shown this type of thing can and does exist and it is available to him. It is an option he never thought was possible. Percy never thought he'd be able to go to college because he would not be able to go through school without accommodations, but NRU proves otherwise.

The part that's absolutely stupid is Rick then proceeded to retcon NRU so that apparently it's not a full college and Percy still has to take classes at normal mortal college which DEFEATS THE ENTIRE PURPOSE OF NRU EXISTING. Rick has fully retconned that demigods struggle past the ages of 16-18 when they're on their own (see above elaborated metaphors) and in doing so we have fully killed all symbolism in literally all of that. It's so stupid. And by having the plot of the CoTG trilogy entirely be that Percy is not actually allowed access to NRU in the first place because he is a son of Poseidon and has to do extra to even be accepted is stupid!

All that to say, I agree the marine biology feels like a huge cop-out and a disservice to his character by reducing him to just a son of Poseidon. The literal only reason why it's the default option people take for him is because oh, fish thing, fish guy. But I feel like everyone ignores the really obvious answer for what Percy would want to do which is - writing. Both his parents are writers/authors and he clearly admires that about them. Percy likes telling stories! He canonically is already a published author in-universe! That's what the books ARE in-universe! The first series fully exists in their universe and Percy is the author! This is explicit canonical information! Percy canonically has help physically writing it down (accommodations) but he is still the credited author! Percy is a writer! Already! Canonically! Why are we making him a marine biologist he already has a profession that ties into his character significantly more. Like you said, Percy likes helping people. That's what the books in-universe are supposed to be for! It's point blank at the beginning of the series! Book one! The thing everybody quotes all the time! The books exist because it is Percy trying to give advice to other demigods who don't know what's going on yet! It's Percy's writing down his experiences to help new demigods understand and contextualize their experiences so they can understand themselves better and figure out what's going on - WHICH IN ITSELF IS ALSO A METAPHOR ABOUT ADHD/DYSLEXIA! Because the core of the series has and always will be built around ADHD/dyslexia! Percy as a protagonist EXPLICITLY was created so that ADHD/dyslexic kids could see themselves as a hero!

Sorry that all was a very tangential rant but my point being: Absolutely. Percy in newer stuff in the franchise and in fanon is horrifically mischaracterized in ways that are functionally either fully ableist (shoutout TSATS for just outright claiming Percy is intentionally lazy and skips school out of disinterest, which is like the number one ableist attitude towards kids with learning disabilities) or a complete erasure of Percy's disabilities. Also I think he should be a writing major not a marine biologist.

[apollos-boyfriend]

anyways this session has really solidified the reason quackity chose the people he did for me. because i remember connor getting an ask a while back complaining about how they wanted quackity to add people who would actually play instead of his friends (ie wilbur) who may not be active as often and. it rubbed me the wrong way for a lot of reasons, but mainly because it's clear quackity didn't choose just his friends. sure, it was a bonus that he was close to them, but quackity's first priority has never been "who can minmax the server and stream every day?" it's been "who is a good storyteller/who can tell a good story?"

because that's the core of it. the qsmp isn't about streaming or playtime, not necessarily. it's about the story. during the first announcement, people were surprised to see dantdm and jaidenanimations on the cast, because dan isn't really in quackity's circle and jaiden is barely an mcyt even if you push it. but you know what they were? storytellers. dan was a part of so many people's childhoods with his mod showcases and miscellaneous videos, all of which had lore. jaiden creates entire stories from video games! games with pre-determined stories that she has to spin into something new, something of her own.

and then the brazilians were added. some of them still did minecraft content, sure, but not all of them. but they were still storytellers. cellbit has his entire rpg. pac and mike have multiple roleplay series. and when you get to the french, the pattern repeats. baghera, for example, with her gta roleplay. not all of them are minecrafters at their core, but they are storytellers, and for most of them, improvisational ones at that. the same, of course, goes for the newest batch. pol is a filmmaker. vshojo has insane, deeply complex lore for all their vtubers. bagi is adept at ttrpg. sure, people being able to log on often is a necessity, but what good would that be if it ended up sacrificing quality for quantity?

this session really nailed it for me because you could see their expertise shine through. i feel like, even still, a lot of mcrp is seen as "lesser" because of its medium, or because of how it can switch between roleplay and just creators hanging out. roleplay is only typically praised and called to attention when it's highly emotional, and the same goes for the storytelling, with a heavier focus on how well creators can utilize angst as opposed to other moments. but this was treated differently. the silliness of minecraft was gone. what was previously disregarded came into light, like how fucking smart foolish is when writing characters and how well quackity is able to play into the story while staying true to his character, among other things! i just think quackity's brilliance in selecting his server members isn't talked about enough, because holy shit has he done a fantastic job

[deafeninggardenerpanda]

[whetstonefires]

see the really fun thing about luo binghe for me is we're taking the established critique of a certain style of protagonist, the guy who goes killing and fucking his way through the world, accumulating victories and treasures and bitches and wreaking deserved vengeance,

the critique of this kind of fuck-emperor (i'm told many centuries established in chinese literature) that he is very clearly miserable.

that you don't live like that unless there's a gaping hole inside you that no amount of sex or power can do anything to fill, and yet you can't find any other way to even patch it over.

and then it's like. okay so why is he like this. does he have another option. the narrative doomed him to this; he is the audience's little toy. he is the audience's collective scream. he is the cycle of abuse made flesh. he is thirteen years old forever. at what point was he still salvageable. could he have ever saved himself.

and the answer to that last one is simultaneously no, he could not, people aren't made to be alone, how can you learn to be good and happy when the world gives you nothing but pain and betrayal; everyone needs a little kindness, sometimes all anyone needs is just a little kindness. but also:

he was always the only person who could.

[wandixx]

Halloween dress-up, let's go!!!

Assignment: "Dress up as ghosts".

Status: Yes. They're ghosts. Just really different types of ghosts

[starflungwaddledee]

Hear me out…Meta Knight and Starstruck

✧��°.✧ gravity ✧˖°.✧ ɡravɪti (noun) 1. the force that attracts a body towards the centre of the earth or towards any other physical body having mass 2. the degree of intensity of gravity, measured by acceleration 3. extreme importance; seriousness 4. solemnity of manner

[prince-liest]

was recently talking to a friend about qi rong which then lead to me going on a reread of my favorite qi rong fic EVER, and now I’m in my feels about him, his relationship with his family, and his relationship with xie lian and guzi.

I just love qi rong a lot. to be clear, he’s a horrible little gremlin and that is a lot of WHY I love him - but I also think that fundamentally qi rong is a character who is super traumatized but does not receive sympathy for that trauma because he is not traumatized in a “palatable” way which is a trend that starts when he is young and just never ends, canonically, at any point in his life

right from the bat: the first 5 years of his life, he's being physically and emotionally abused, he's cast out to live in a shed, his mom is forgotten by her family. by the time she finally escapes his abusive father and goes back to the palace, her elopement with him has been swept under the rug and most people don't actually know what happened - and are then weirded out by her and qi rong, causing all the children and even most adults around qi rong to basically refuse to interact with him. so he's abused and hated, then isolated to the point where nobody talks to him, nobody plays with him. the one time he thinks he succeeded at attempting to make some friends, it turns out that they tricked him into writing a death wish for himself and his mother on his lantern.

and all the while, he's watching xie lian and the adulation he receives, not understanding why xie lian gets those things and he does not. everyone always says he looks like xie lian. he’s even called xiao jing, like he’s a mirror of the crown prince. what’s the difference?

and then xie lian himself is the only person aside from his own mother to be genuinely kind to qi rong. qi rong is desperately lonely, envious and fixated on the cousin that nobody will stop comparing him to, and then said cousin is the only person to reach out to him with kindness. of course he wants to attach himself to xie lian and emulate him.

unfortunately for both of them, then his mother dies - not just randomly, but specifically in defense of xie lian’s mother, and having extracted a promise for xie lian’s parents to care for qi rong. however, things don’t actually change at that point. sure, they take him in and buy him whatever he wants, but as far as love and care are concerned, xie lian is really the only potential source of those things left for qi rong. xie lian is also a teenager with a lot of pressure on his shoulders and a lack of understanding of difficult situations. of course he doesn’t know how to raise his traumatized, misbehaving cousin! and nobody else bothers to. it’s deeply unfair for xie lian to be used as the singular tool to discipline and direct qi rong, and that directly contributes to their extremely soured relationship.

now that qi rong’s mother is dead, there is nobody left around that actually wants him or is willing to put effort into properly raising him. when a kid turns out as wild as qi rong - that's not just random happenstance, that happens because they weren't parented right (or at all). he acts out in increasingly insane ways for the attention everyone hates to give him - anyone's, but especially xie lian's, which sucks for xie lian because it should have been his parents providing qi rong with an authority figure and source of love, not xie lian's teenage self. and people respond by waving him off, giving him whatever he wants just to make him go away, and ignoring him, because he has a deeply off-putting personality.

and it causes everyone around qi rong to resent him in this vicious cycle that escalates his behavior because he doesn't know what else to do - until eventually even xie lian, the one person that he really looked up to, hates him too.

obviously qi rong is an awful person by the point we reach in canon, but I also think that if he had received regular hugs as a child and maybe some actual parenting from someone who didn’t beat him, instead of just being given a bunch of money and being told to fuck off

specifically because he was weird and traumatized and unlikeable

things would have turned out very different for him. because he very clearly tries - that’s one thing that’s very clear in the flashbacks and even continues to modern canon: qi rong really tries to get love and attention, and when that doesn’t work, he just escalates to “any attention, bad attention, attention that proves I’m worth something, proves wrong all the people saying the supposedly-amazing cousin that took away my only source of kindness when he started hating me, is so much better than me”. he starts out an awkward, off-putting kid and ends up the night-touring green lantern. of course he holds enough resentment to end up a calamity. his cannibalism shtick doesn’t even read as genuine to me, it just seems like he picked out “what’s the worst, most attention-grabbing thing I can possibly be to pre-emptively justify everyone’s disgust in me” and landed on that.

(see also: I think it’s hysterical that he has very strong opinions and abilities as pertains to gourmet cooking, and then just uses them to lure in victims so that he can have his meal of Raw Unseasoned Human Flesh. you can’t tell me he’s doing it for anything other than the bit at this point.)

and that’s also why I think his weirdly wholesome relationship with guzi also makes a lot of sense. qi rong is a shockingly decent father to him (eventually), probably in part because he overidentifies with guzi also being abused by his father, but also, because guzi is literally just a kid and therefore is not someone that yet has the capacity to have all these preconceptions about qi rong, nor for qi rong to read into his words and be insulted, because. that's just a kid. there’s nothing to read into.

I think his treatment of guzi (eventually) shows that he's capable of being at least kind of decent (or at least functional), he's just never been in a circumstance where his trauma and relationships let it happen. his material life was always supplied for, but his emotional and familial environment in xianle was invariably toxic for him.

anyway, I think qi rong needs a shower and a hug, in that order, and then to be forced to learn to interact with people who don't immediately assume the worst of him. thanks for coming to my TED talk, I know it was long as hell.

[descendant-of-truth]

If I may throw my hat into the ring here, I think the source of a lot of problems in the writing of Miraculous can be boiled down to its confusion over its target demographic.

There are two very clear audiences the show is trying to cater to:

Grade school girls around 5-10

Teens/young adults around 15-20

And this results in some. unique conflicts in the show's internal logic.

Because it's a superhero show for little kids, it's full of fun, bright colors, wacky villain-of-the-week designs, and the characters are all very straightforward with exaggerated personality traits. The cheerful, clumsy, scatterbrained girl protagonist, her utterly charming and goofy (but slightly clueless) love interest, her cool best friend, her mean bully, etc.

This extends to the romance; the show is so comedic that Marinette's nervous crush and Cat Noir's flirting are played up for laughs. Their more "problematic" behaviors read as cartoon shenanigans first and foremost, which I do think was the intention - they're both shown as being more than a little ridiculous for acting this way, so they're not exactly trying to encourage people to emulate them. They're allowed to be genuinely wholesome, too, because it's nice to give the kids something to go "aww!" at, but it's not meant to be more complicated or deep than that.

And of course, it's gotta follow a sweet and simple episodic formula! A conflict in Marinette's civilian life, an inciting incident to get a side character upset enough for Hawk Moth to turn into a villain, Ladybug and Cat Noir show up, there's fun banter, Ladybug uses her Lucky Charm to figure out a wacky solution to the problem, and boom! The day is saved, Marinette and/or someone else learns a moral, and we get a cute little end screen showing all the key players of the episode.

The one aspect of the show's setup that's a little more serious is the fact that Adrien has a super controlling and distant father, but even this is something that doesn't necessarily break the kid-friendly tone for the first season or two. Superhero shows in particular like to put in some stuff that's a little more emotionally challenging for the viewers, even when they're mostly comedic, so it's not totally out of place here.

For example, while they tend to have more grounded tones overall, Spider-Man cartoons are aimed at kids and regularly keep the conflict between Harry Osborn and his father, Norman, intact; often including the plot point of Norman being the Green Goblin, a notorious villain. It's a similar deal with Adrien, and his dad secretly being Hawk Moth.

You can easily anticipate drama coming from this, but the show primes you to expect it to work out fine in the end because every other conflict so far has been wrapped up in a nice little bow once the episode's over. Though I will say, the choice to have Hawk Moth be Gabriel instead of his own, separate character is perhaps the first sign of the tone shift to come.

And, uh. it sure is a shift.

See, Miraculous does not start out with what you'd call a... plot. It vaguely alludes to there being more going on behind the scenes, but the only thing it really tries to get you invested in is the Love Square dynamic. Marinette and Adrien dancing around each other while fighting crime IS the plot, and it's clearly going to end with a cool final confrontation with Hawk Moth.

You expect it to end like... well, like the movie. Identities are revealed, Gabriel realizes the error of his ways when he finds out he's been fighting his son this whole time, and they may or may not make up but he almost definitely gets arrested. Marinette and Adrien kiss, roll credits.

This is not what happens, because the plot the writers actually had in mind is complex in a way that I would argue is meant for the same audience as YA novels. And with that plot comes a lot of darker, weightier traits to these otherwise silly characters.

Marinette isn't just scatterbrained and nervous, she has debilitating anxiety and an increasing need to be in control of everything due to the stress she's under. She has panic attacks on-screen. She's not just great at strategizing, she also knows how to manipulate people, and does so with increasing frequency - and to Cat Noir at times, no less. Her positive traits haven't gone anywhere, she's still loving and creative and sweet and doing her best to help everyone she can, she just. has all of that other stuff going on, now.

Adrien isn't just a charming, goofy, clueless love interest with a gazillion skills and a controlling father, he's like. actively being abused, and in some cases straight-up mind controlled. His tendency to heroically sacrifice himself so that Ladybug can do her Cool Protagonist Thing is gradually but unmistakably reframed as being a sign of suicidal inclinations. He has identity issues out the wazoo and he doesn't even know he's an artificially created human yet, because everyone in his life is keeping secrets from him and/or lying to his face about crucial information.

Information like, uh. how his dad died???

Yeah, so we're at a point in the story now where there was no satisfying conclusion to the Gabriel plot, no team-up, no moment where he realizes he's been fighting his son, none of that. He still has something akin to a change of heart, but he also still kind of gets what he wants - the Miraculous of the Ladybug and Black Cat, which he uses to rewrite the universe with a wish. It's just that instead of reviving his wife, he trades his life for Natalie's. Of course, he was already dying anyway, which was his own fault but he did force Cat Noir's Cataclysm onto himself, so, that's another thing poor Adrien is going to have to deal with at some point.

And because there's all these astronomically messed up things in Adrien's life, and Marinette's the one who got to learn about all of it before him, she decides that maybe it would be better if he just. didn't know about it. Which is understandable, if I was 14 and had all this information about my boyfriend's life that he didn't, I wouldn't know how to begin telling him about it, either.

But. can you see how we've maybe lost the plot, here?

Here's the thing: starting with a simple framework and gradually getting more complex and subverting the audience's expectations for how the main villain is going to be dealt with is not a bad thing. The fact that it gets darker over time is not an issue. I actually think that all these developments are, themselves, pretty cool! I'm a sucker for angst and complex character dynamics and the show is absolutely giving me those things.

The problem is that it didn't just start with a simple framework, it started with the framework for a different demographic entirely, and perhaps just as importantly, it never actually... stopped.

For as much complexity and intensity they're injecting this story with, they're still working under the logic of it being "for young kids." We still get goofy villain-of-the-week designs with equally goofy motivations, and the supporting cast is stuck remaining two-dimensional no matter their circumstances. Chloe is the most blatant example of this - she was made to be a simple bully first, so no matter what else they do with her, she has to remain straightforwardly evil.

This, I think, is the reason that Gabriel is a more nuanced and "sympathetic" antagonist than her, and why so much care goes into Adrien's character as a victim of abuse while Chloe is just a Problem Child despite suffering similar neglect; she wasn't made to be interesting, and so the show is resistant to changing that. Gabriel and Adrien, however, were already made with nuance in mind, and so they're allowed to develop as characters. And at the same time, it's a kid's show! We need to teach the kids what kind of behavior is acceptable, and Chloe's home life isn't an excuse to treat people badly, so--!

...Oh crap we're supposed to be teaching kids about acceptable behavior. Uh. Um. Quick, bring back the ice cream akuma who cares way too much about his ships so that Cat Noir can learn about consent! Uhh, but don't change his character too much afterwards, he's only marketable because of his silly flirting, and we can't lose that.

Yeah, remember when I said that the romance having problematic elements to it used to work well enough because it was clearly just exaggerated cartooniness? It wasn't free from criticism or anything, but you could see how it was intended to be endearing and silly, right? You were supposed to point and laugh at Marinette's convoluted plans to spend time with Adrien, at Cat Noir's dramatic flirting attempts that Ladybug herself fondly rolled her eyes at.

The tonal shift into deep character exploration kinda paints the previous stuff in a worse light, and to an extent, I think the writers know that. It's hard to laugh at Cat Noir being flirty all the time when he's also supposed to be taken completely seriously, and the more Ladybug rejects him, the more it turns into harassment, and it. kinda just stops being funny, even with the comedic framing.

It's also hard to laugh at Marinette's crush being so all-consuming when they try to tell us (in what I can only assume was an attempt to get people to stop complaining) that she's like this because it's fueled by an event in her past, one that made her so scared of loving the wrong person that she now needs to know Everything about them before asking them out. Her cartoon antics aren't funny under that light, it's just concerning, but they're dedicated to keeping it up anyway.

The show runs on straightforward cartoon logic where you're not supposed to think about it too hard just as much as it runs on grounded, closer-to-real-life logic where people are messy and complicated and actions have consequences. It's so divided that you can hand-pick parts of the story that are influenced by one or the other pretty easily, and depending on the episode you can find instances of both in the same 20-minute time span. Maybe even multiple times!

Neither thing they're trying to go for is bad, and neither is a better approach than the other, but forcing them into the same show makes both sides suffer.

It's not just hard to laugh at the parts I mentioned earlier, it's hard to take Gabriel seriously as a villain whenever you rewatch an episode and remember that he has a once-per-episode pun-based speech that he says so self-seriously that you can't help but laugh at. It's hard to take him seriously when you remember that he repeatedly akumatized a Literal Baby and practically threw a tantrum every time it didn't work, or when he randomly steals (and enthusiastically performs) his nephew's musical dance number, or something similar that you would only do for a cartoon villain aimed at five-year-olds.

And I can only imagine this whole show is a marketing nightmare, too. Hey, little girls, here's your cool role model! She's cute and smart and talented and powerful and can fix anything by shouting the title of the show! Hope you're having fun watching her tell her boyfriend that his newly-deceased father (who used deepfakes of him to sell merchandise that's built to enslave the population and then locked him in a solitary confinement chamber in another country) was actually a hero who sacrificed himself to stop the main villain instead of, y'know, being the main villain! Aren't you excited to watch her wrestle with the guilt of this lie for the next season or so? Doesn't it just make you want to buy her merchandise??

Like. what is even happening right now. what am I watching. how did we get here and why did we start where we did if this was what the story was going to be about

[royalarchivist]

Fit: Alright Ramon, I'm gonna tell you a bedtime story about nighttime.

Fit: Now, nighttime of course is when monsters come out, and they try and scare little eggs just like you. But, the thing about nighttime is that as long as you have a source of light, you will be safe. That's right. And Ramon, do you want to know what my source of light is on this island? It's you, my boy. You are my light on this island. Without you, I would be covered in darkness.

Fit: So, I'm just- I'm just so glad to have you as my boy. That's right.

Ramon: [Nods and holds up his totem]

Fit: Oh, Ramon... Yeah, that's right – you got that totem right there! You're going to be nice and safe with that as well! That's right. But I'm just uh– I'm glad you woke up today, Ramon. I was getting worried about you for a second, but no, you're a tough kid. So, I'm just glad you woke up.

[doublycharming-tetraquark]

Claudia x Naadan Parinde Video Edit. This song has been going on in my head for months so I decided to learn video editing just so I could make this. It roughly translates to "Oh naive bird, come back home".

There are two running themes here: Claudia not being able to escape her circumstances (stuck at puberty, being Loustat's daughter) no matter how hard she tries and the second is Louis-Claudia's relationship (represented by the chorus).

Edit: English Translation in the reblogs for anyone interested.