#meta maybe??

[sleepynegress]

Trying to make a point about good things someone has done who has been AWFUL in other ways, in order to normalize those good things is damn near impossible, nowadays.

Because of this trend to constantly look to pick apart the bad. I just saw a post on twitter that was praising Christopher Reeves and his transformation from Clark to Superman, via his physical acting and this person basically said... "sure, but he was gaslighing lois the whole time." I want to shout from the rooftops that this isn't normal and that the worst people in the world take advantage of this faux moral nit-picking.

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[o-wild-west-wind]

While I’m still a bit bummed that they didn’t go with a more book-aligned POC Fiyero for the Wicked movie, I’ve been thinking (heheh) about how his being white highlights the really interesting foil relationship between him and Glinda (and, in many ways, the audience yourself).

At its core, Wicked is a cautionary tale about propaganda, (literal) scapegoating, and what it means to uphold the status quo. The audience is watching through Glinda’s eyes—it is through her, arguably the most beautifully tragic character of the show, that we learn how lonely life becomes when you forfeit your values in favor of systemic power and likability (“No One Mourns the Wicked” is, in many ways, about HER).

Now, this is where Fiyero’s whiteness can get interesting—if you consider him and Glinda to share roughly equal footing at the beginning in terms of privilege/how much they have to lose (applying our real-world lens of race and power here, where whiteness is the apex), his storyline essentially represents what could have happened if Glinda had made the brave (and arguably wise and loving, if you’re picking up what I’m putting down 👀) choice to go with Elphaba and fight the good fight (this is also why I feel like a queer reading of G&E’s relationship is almost implicit to the story, but I digress).

As the POC/marginalized allegory, Elphaba has much less of a real choice in her curtain-pulled-back turning point. But Fiyero and Glinda—both representing privilege—get to choose. So in Act II, we see the consequences of both the choice to stay (Glinda) and to go (Fiyero). In Fiyero’s case, his ultimate rejection of his own power, privilege, and even beauty leads to immense physical loss—including his own body—but that is then compared to the loss of love, community, and identity that we see Glinda left with by the end. And this brings us to the question that the audience is left grappling with: in an unjust system where loss is inevitable (a.k.a. our own world, as the Wizard himself represents), which of these things are YOU more willing to give up?

It’s important that Glinda is an empathetic character because, in reality, most people are going to be Glindas (obvi this is nuanced among us Elphabas of marginalized identities, but I’d still argue that there’s some level of Glinda in us all)—and it’s important to be rattled by the end of the show when you realize that she is the one who has the sad ending. But it’s also so important that Fiyero is empathetic (which I’m SO glad this movie leaned into)—because he’s ultimately who Glinda—and thus we, as the audience—should have been.

And especially given the state of US politics right now…this is just all more relevant than ever.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[that-one-weird-cloud0]

Batfam: ghosts aren’t real.

Danny, having been trying to explain that he’s the dead boy to them or 3 hours: *pulls sleeve up and sticks out arm*

Danny: Find. A. Pulse.

Batfam: Danny, how is this—oh my god where is your pulse?

[tunemyart]

But regarding the way Rio revealed herself to Lilia

She didn't choose just any old guise, she chose tarot imagery. She chose something specific to Lilia and Lilia's own language as a witch. She didn't appear as Death - Rio is always Death. She appeared as the Death card. Something so soul-deep for Lilia that the recognition would be instantaneous and unquestionable.

I don't think this is Rio's usual garb. I think she has a lot of control over how she chooses to present, and I think most of the time she probably looks like Aubrey Plaza. She's just Rio. She's a woman. She's the oldest, original green witch. That just also happens to mean that she's Death.

[lass-us-slay]

So I read a prompt about how Wonder Woman found Danny in a trash can (don’t remember which one) and I was bored.

So I took that lil info and made it into an AU.

So basically, Danny get yeeted into this unknown universe and has no where to live. And no where to live means no money. No money means no food. No food means Danny can’t keep his human half sustained.

So what does he do?

Decides to not change into a human and live in a trash can.

Yes you heard that right, live in a trash can.

Because he’s a ghost, he doesn’t have to worry about the germs and stuff. But that doesn’t mean he lives in just any trash can! He lives in a clean one ��️

AND he also decorated it with his name so other people know it’s his!

And so Danny has been here for a while now and realizes

Holy shit there’s hero’s here- you know what, why doesn’t he have hero’s back home?!

And being minorly annoyed jealous (but he’s never admitting that)he thought:

Well since there’s hero’s here already, guess I’m not needed.

.

.

.

Good. I’m tired af

And so Danny caries on his life, being content with his trash can and scaring whoever comes into his alley. It’s fun. Sure he sometimes needs to ugh overshadow people to feed his human side, but other than that.

It’s going great.

But Danny doesn’t realize that with Amity gone (or smth, you choose) which was his haunt, he slowly makes the trash can into his new haunt.

And slowly but surely, Danny’s beloved haunt trash can starts to become other worldly kinda.

Yk because of the ectoplasm.

So now Danny’s lovely trash can haunt has more space inside and- Hey Danny can actually sleep in it better!! And he got some company too!

In the form of blob ghosts.

Two actually.

They keep his trash can clean and help purifying some corrupted ectoplasm that he finds. Because for some reason this universe’s ectoplasm seems half way artificial and tastes a bit weird. Which is where the blob ghosts help out in.

Everything was great.

Danny was loving the trash can life style.

He has two blob ghosts friends. Which he named Sam and Tucker, and yea they couldn’t talk but that was fine.

He wasn’t lonely, he wasn’t. He had two very much talking friends like Sam and Tucker.

However one day two weirdly dressed people- oh they were hero’s.

Well anyway they found him, one woman stripper and one furry guy.

But it was on accident! He was just peaking out of his beloved haunt trash can, and they spotted him.

He stared, they stared back.

Then the woman stripper asked him questions, even when he said:

“Don’t mind me, have a nice day!”

But they just kept bother him and giving him weird looks and glances.

Which- rude.

Didn’t they see his mark on his haunt trash can? Obviously it means it’s his home, so they shouldn’t be bothering him still. He’s safe as can be.

Plus.

It’s not like he’s looking at them in suspicion and weirdness, I mean look at them! What kinda cheep knock off vampire fury mix and American stripper style clothing are those!

They should mind their own business!

———

Just a silly lil drawing of this lmao, don’t mind me.

[sakuravalelp]

Ellie(Dani) didn't realize how dangerous Danny's home was for him until he was more worried about her when she got her own home. - Prompt I think(?)

Ellie wasn't sure how to feel when Danny excitedly animated her to accept Arthur's invitation to live in Atlantis.

"Just if you want of course, but you'll get a stable home, and Frostbite said living underwater might be good for your water cores stability."

She had already been planning to accept the offer. Once she gave the guy an opportunity to have some sort of conversation, the guy was pretty chill, and the castle was pretty cool. So yeah, she was going to accept the offer.

But for some reason Danny's eagerness for her to go with Arthur hurt. It felt like he was trying to get rid of her.

She knew that was ridiculous, she didn't even live with Danny. He looked out for her, and was always a call away but, as much as Danny parents her, he was just a child like her. It made sense he was happy to give away the responsibility of taking care of her.

So when Ellie moved into Atlantis, she was expecting to hear less from Danny. After all, she had settle down, and he didn't need to worry about her adventures anymore. That was Arthur's and Mera's job now.

Weirdly enough, it was the complete opposite.

Now that Ellie was living with adults, Danny seemed MORE worried for her. They went from a call once a week or so, to almost daily calls in the afternoons. He would be more insistent about her telling him if anything was wrong.

He would ask specifics about the food she was eating, and her activities of the day, and her room, and the castles security...

Sam had told her that it was because he used to be able to monitor if she was eating well through the transactions of the debit card they had given her. Tuck had told her that he used to evaluate how safe she was through the phones location, and the hotels receipts.

And well, maybe she underestimated how much attention Danny put on her before, but the way the calls went made it seem like he thought she might be in more danger now that she had a stable home.

Which made no sense, because unlike him, she didn't even need to hide her ghostlines. Anything that was out of normal for Atlanteans was excused with meta-abilities, she didn't need to worry about being classified as a non-sentient species.

That was when it caught up to her. Danny was worried now that she was in a stable home because his stable home had always been dangerous for him. It isn't even a think of it being dangerous now that his a ghost, it has been dangerous ever since he was a child. She remembers all of Jazz's rants about how unreliable their parents have always been.

The food has always been contaminated. The security now attacked him directly, but there had always been a possibility of it malfunctioning and hurting the residents. Him and Jazz had always had the responsibilities of not only keeping the house clean, but the lab as well. If she tops it with the house security system attacking him, and his parents been ghost hunters...

Ellie hadn't found it too dangerous back then, Danny mocked Jazz rants with her, and Jack and Maddie were kind when they interacted with her in her human form. The Fentons neglect seemed liberating in comparison to Vlad overly controlling nature. But thinking about it now, after two months living in Atlantis, she doesn't like the picture.

She doesn't like the idea of Danny being somewhere so unsafe, but where would he go? He doesn't have a water core like her, and even if he had gotten sorta used to shapeshifting, he isn't good enough to live in a second form, which isn't recommendable either way. So he wouldn't be able to move underwater with her.

More so, she doubts that Danny would like to leave his Amity, he had taken the sole responsibilities of dealing with the whole humans - ghost conflicts. With the anti-ecto acts, there's no way he would leave the portal unsupervised.

What should she do now? Should she talk with Arthur about it? He said he was part of the heros friend group, what if they already know about the anti-ecto acts and are okay with it? What if they change hoe they act with her when she tells them she isn't actually an atlatean meta?

[vaguely-concerned]

the more I play the more I think lucanis basically knows it's illario who betrayed him right from the beginning (he's had a year in the ossuary to think. not that many people knew where he was going. when you ask him 'did Illario know you'd be on that ship' his only answer is the hardest flattest 'yes' you ever heard). so it's not so much about figuring out who the traitor is (because that's ludicrous. we all know. immediately. they didn't really bother to hide it lmao) as about methodically closing off every single avenue of denial lucanis has clung to that whole time with as much or little gentleness as you might prefer until he has no choice but to admit it. because the moment he has to admit it, he'll have to do something -- feel something -- about it. and that's such a catastrophic event in lucanis' inner landscape (he has had TWO people in this whole entire world up until now and will do anything to hold on to them with a heartbreaking child-like desperation, even at and especially through the detriment of his own self) that he'd rather just. not. what if we quite simply. didn't. what if we just stayed here in the emptiness where we can both pretend you didn't hurt me in a way I should never forgive. I have so much practice in that with caterina already it's always worked out great for everyone so far. (press x to fucking doubt but that's trauma logic for you lol)

after everything illario did, so much of the storm of lucanis' emotions around it is 'what the FUCK did you get yourself tangled up in this time and how do I get you out of this mess safely'. what's worse: the fact that your brother murdered you, or that he put himself in horrible danger doing so and thus exposed you to the risk of losing him forever. lucanis' heart certainly has an opinion here and it's fucking unhinged (affectionate)

the themes of dissociation in lucanis' character in general makes me feel nuts. allllll these contradictory messy things he needs to cut off from each other because they can't coexist or be easily reconciled inside him. but all remain stubbornly true separately anyway and will have their due one day. love and resentment. tenderness and fear and rage. terror and longing. love and freedom don't coexist. the burned out golden child anthem is playing in the background. he was always caterina's favourite and he has to keep striving to deserve that dubious honour with every breath he takes and then, presumably, mercifully, some day he will die and be excused and can rest. and until now he's suppressed all the -- natural, healthy, protective! -- negative feelings that threaten the few attachment relationships he actually has, at the cost of ever actually having his needs for connection and safety met and leaving his core self imprisoned and compromised. and spite goes 'what. no. that's dumb fuck that' (*spite voice* I do not understand that and even if I did I would not respect it) and does not allow him to fall back into that, which I think is what saves his life, ultimately. it took being possessed by a demon for lucanis to even contemplate telling anyone he loves 'no' in any way, but hey. whatever gets you there right lol

lucanis is dealing with the freeze response allll the way down baby. and he was even before the ossuary, that just turbo powered it and brought it to a breaking point way before it could happen naturally. but something was going to break eventually no matter what, and I'm just glad that in the end, through the power of friendship and also pure spite, it doesn't have to be him

[linddzz]

I love the theory of JayMelVik. They could be the ultimate power throuple and man Mel would be so good in there. She's already so supportive of her boytoy's weird codependent thing with his lab partner (tbh she's probably like "I didn't realize this was a package deal but I also did not realize that the boytoy Himbo I wanted to politically manipulate is a needy puppy so... sure") Checking in to see how Viktor is doing in the hexcore goo. "He'll come back to us."

It's all there ok! Season2 showed me the wonder that could be Mel going "This is my boyfriend Jayce and this is Jayce's soulmate, Viktor. Jayce and I make out and Viktor and I are frienemies for reasons that don't have anything to do with Jayce and more to do with Viktor's opinions of politicians."

Unfortunately Season 2 also absolutely torpedoed my ability to see Viktor being ok with this. Holy shit this look he shoots between Mel and Jayce when she interrupts them. Holy shit Viktor

This is the angriest he looks in his entire actual villain arc. This is the most murderous he looks. He looks like he just found his man cheating and he's going "actually maybe I will straight up kill his ass" (Viktor she interrupted because you were literally choking him out what is wrong with you)

I think it even goes deeper than just sexual jealousy. I think that codependent nerd labeled her a homewrecker when she made Jayce a councilor and in doing so committed the heinous crime of having Jayce do things outside of the lab more. She took Jayce's attention. She took Jayce's mental energy off the work. The dream. Their dream. At that point banging Jayce was just the sprinkles on top.

But then when I go "I don't think there was as much sexual/romantic jealousy" I remember this. Viktor...my guy...

And it's so one sided. It's so one sided he's so petty with it. Mel is so supportive! she's already viewing them as a pair of brilliant minds! She figured out quick that Jayce comes as a package deal!!

She comes in to ask how he's doing and help support Jayce. she says "he'll come back to us" and worries about what the hexcore is doing to him. and Viktor's stupid little cocoon tries to bite her!! yeah it's likely a reaction to her own latent arcane ability but my take is funnier

He's so petty!! Uncalled for!!! Viktor please you are killing what could be the baddest hottest power triad in Runeterra!

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[aq2003]

twelfth night main plot: haha bisexual love triangle that is gay in both directions! haha mistaken identity and gender fuckery haha

malvolio side plot:

[orchidbreezefc]

ok. years have passed and we've had some distance, so i'm finally gonna take the leap of faith that tma fandom is finally ready to hear me on this. let's talk about tannins.

161 was the first tma episode i heard on early release, and i felt the bit where martin declines wine and cites tannins was pretty obvious in its implications. cool, got it, say no more.

imagine my surprise when i was one of maybe three people i saw read between the lines there, in a fandom famous for red stringing--a fandom that immediately caught the much less obvious thread of ignition sources in the same episode. i'll spell it out: alcohol is an issue for martin.

maybe it just felt obvious because addiction is a pet issue for me--as it is for jonny, who has said everything he writes is filtered through a lens of addiction. i don't know if that's due to his own experience or a loved one's, and i won't speculate; i also don't know if martin personally struggled with drinking or just avoids it for fear he would, but alcohol would fit what we know of his family. his dad walking out and his mum spiralling into bitter wallowing and verbal abuse? i'd bet one or both of them drank, yeah.

on a basic level martin tries to decline alcohol, and that alone should have raised eyebrows given what we know of martin and, again, a fandom that dissects everything. we already knew martin "K" blackwood lied about his personal life and his family in particular, especially pre-canon, which is when this flashback took place. i was shocked that everyone took his flimsy excuse at face value with no further questions.

and the excuse is flimsy. martin turns down wine by--nervously--exclaiming tannins are "a proven headache trigger!" which sounds like trivia from a magazine cover and not the words of someone who actually has headaches--and it hasn't come up before or since. jon, confused, points out that tea, a drink martin consumes to a degree that is memetic both in- and out-of-universe, also contains tannins, and martin squawks a panicked, "what?!"

if tannins are enough of a concern for martin that he knew they're in wine and so avoids it, why didn't he know they're in his drink of choice? why does he still drink tea at the time of canon, and why doesn't he struggle with constant headaches from consuming 'a proven headache trigger' day in and day out? why, indeed, would someone avoid wine and not tea?

when sasha insists martin drink he caves and agrees to 'just a drop'. i imagine him pouring it in a plant, which admittedly he could have done if tannins really were the issue. i will say that i, for one, would be less likely to falsely agree to something that makes me physically ill than to a private issue that i'd rather not be pressed on any further. this scene also establishes martin's birthday was an ice cream party instead of the more traditional visit to a pub.

also, this scene was in the first episode of the final season, as one of three flashbacks that could have been to any pre-canon event in the archives. prime narrative real estate. not really time one would waste on establishing the important character context that martin has... headaches. which never comes up before or after, even regarding the week he spent in spiral town. but you know what is pretty crucial character background...?

it felt like a no-brainer, and yet all i saw was h/c fluff about jon attending to martin's headaches. and i hate feeling bitter about disability representation. i want folks with chronic headaches to feel seen and have fluffy escapist fantasies. i don't want to be mad about people portraying a character with a disability. but, guys? you got the wrong disability. jonny sent a clear message, and it went over fandom's head.

[tea-cat-arts]

Sometimes I wonder what Jiang Cheng could've become if his parents didn't instill a mix of "crippling fear of failure" and "impossibly high standards" in him. Cuz like, his dad was holding him to the vague standard of being as good as wwx, his mom yelling at him whenever he goofed around like wwx, and then both of them expressed disappointment when he's less successful than wwx. The thing both of them seem to ignore though is that wwx got where he is entirely because he had the freedom to fuck around and find out- he trained tirelessly because he made training fun for himself, he was innovative as a cultivators because he experimented and persisted through failures, and he was able to act in line with the Jiang clan moto because his actions had less political pull than members of the main family. Jiang Cheng on the other hand- if he fucked around he got told to "stop stooping to the level of servants." If his achievements were lesser than wwx's, he got either dismissed by his dad or yelled at by his mom to try harder. And if he picked fights with the Wens, they'd have an excuse to destroy his clan. Like ya- no shit that'd create an adult who's terrified of failure.

The kite game serves as such a good metaphor/embodiment of this set back- with Jiang Cheng never being able to shoot as far as Wei Wuxian because he pulls back and shoots closer the second he misses.

And its sad too because he's shown to be pretty brilliant when he's in "fuck it, we ball" mode. Like, when he's not freezing up, he manages to pull off things like rebuilding his entire clan from the ground up, leading armies and taking back territories from the Wens, and I'm fairly sure he's the only character we see counter the Lan music cultivation techniques (feel free to correct me if I'm wrong on that last one. Also feel free to add any of the other cool shit he did that I'm blanking on at the moment, cuz I know I'm forgetting something).

That being said- even with his anxiety, he's still one of the top cultivators. Imagine what a force of nature he'd be if he could sustain "fuck it we ball" mode

[avelera]

My could-be-controversial take on Jayce Talis is that if he lived in a universe or city where you could just go study to become a wizard, like the Baldur's Gate 3/D&D universe for example, he never would have bothered with blacksmithing or Hextech in general, he would have gone straight to esoteric magic school and never come out again. He'd be Gale Dekarios. Blacksmithing and Hextech were always about him finding a workaround within his own available skills and background for what was possibly the most heartbreaking moment of his young life: that he didn't have any actual, inherent magical ability of his own.

(Which just makes the fact that his mage also didn't have inherent magical ability, that Viktor gained it through his association with Jayce, all the more delicious.)

[bet-on-me-13]

Bank Security Guard Danny AU

So, the People of Gotham are extremely desensitized to Rouge Attacks at this point. It got to the point that whenever a person gets a job at the Bank, they have a whole 1 Hour Training Video on how to deal with a Rouge Attack right.

So, when they hire a New Security Guard from a lesser known Security Company, they don't even bother showing him the Training Video. They assume that he'll either Die or Drop them within a Week.

Danny, for the record, did not know how bad the Rouge problem truly was. All he knew was that some random guy in a Ski Mask had just walked into the bank like he owned the place and started showing off a Gun telling everybody to get on the ground.

Danny did the sensible thing and Knocked him the Fuck Out.

Then, the same thing happened the very next day, but this time it was an entire group of people. Danny had them dealt with before the first person had gotten to the floor.

Then the same thing happened the Same Day!

By the end of the week he had become a Legend among the Citizens of Gotham. There was only a single Bank in all of Gotham that had avoided being robbed for a Whole Week, and it was all because of this one Security Guard who was freakishly good at his Job.

By the end of the Month, most criminals don't even bother trying that Bank anymore. It got worse when he got loaned out as Security for another Bank, and the same thing happened again.

Eventually, he ends up rotating shifts in Every Bank in Gotham, and it becomes a Game for the Criminals to see if the Bank they try to Rob is the one Danny is in that night. And they can't even reasonably predict his next location, since he always moves around at Random!

No matter what Bank he is in, he always manages to beat the Crooks trying to Rob the Bank.

Then it gets weird. Due to a scheduling Mix Up, Danny ends up being scheduled for 2 different Banks on the same day, each across the city from the other.

One Bank reports that Danny stopped a gang from Robbing them at 6:00 PM, which really confuses the other Bank because Danny did the same thing in their Bank at the same time. Security Footage proves it, Danny was somehow in 2 places at once.

They decide not to confront him about it, but they do test a theory. They intentionally hire him at multiple different Banks at the same time for a week. He shows up to work every time without fail.

By now they have basically confirmed that he must be a Meta, but they don't really care anyways. Now he can protect multiple Banks at once with his usual perfect Efficiency, and he'll be payed accordingly as well. The Banks get protected well, and he gets payed Extreme Overtime by the Banks, everybody wins!

Well...except for the Crime Bosses of Gotham.

Before this, it was a Game for them to try and beat Danny. They didn't really care since a single Uber Competent Security Guard was still perfectly fine for business, sure they would fail a Job once in a while if they ran into him, but he could only be in 1 place at a time. It wasn't a Huge Loss.

But now it was too much. They needed to take care of him.

Assassination Attempts didn't work. He was just as competent Off the job as he was On it, so they could never get to him.

They tried attacking his Bosses, but then they hired themselves to protect...themselves. It was hard to kill his Bosses when he was constantly Bodyguarding all of them at once.

Attempts to get to him through his Family were...let's not talk about that...

It continued on like this for a while.

...

Soooo...I don't know how to end this one.

Go ahead and put your own spin on this Prompt! The basic idea is that Danny is using his Duplication Power to get to every shift on Time, and he is really annoying the Local Crime Bosses.

What do you think?