#meta and things

[memorydragon]

Yup, still on my gay coproganda bs.

One of the more interesting things about Jiang Ting's character is how much he doesn't actually want to be a character. His defense mechanism is to turn the question around. We first see this when Yan Xie confronts him the first time about being 'Captain Jiang'. He asks Jiang Ting what he has to say about all of the things he'd uncovered about Jiang Ting's past, and Jiang Ting's response is "What do you want 'Captain Jiang' to say? Tell me and I'll say it."

And he does this so often. He could lie, he could tell a half-truth, instead he asks what the other person wants to hear. What they want him to be.

And guess what? I'm totally normal about that. XD

The earliest memory we have of him is as a child, cleaning his father's body and being grateful that he wasn't beaten today. He's too young to understand that his father overdosed (we get no information about his mother) and is already dead. He's too young to realize that the majority of the people in his small village are either addicts or dealers, that it's a miracle he was born without HIV. When he's sent to the orphanage, he's isolated and bullied, internalized that he's unclean and unlovable when he looks in the mirror. When Yan Xie gets angry at the corruption in the orphanage Bu Wei grew up in, he just replies that 'It's like that, in places like these.'

When Ma Xiang confronts him, asking him who he is really. Is he the mole that got Yan Xie shot and nearly killed, lying on an operating room table while they waited for news? Jiang Ting says it himself, he's the most suspicious out of all of them, because even swept under the rug, the rest of the division Knows something is off about their 'Consultant Lu'. Jiang Ting doesn't define himself. He says "I'm who your Yan-ge thinks I am."

Yan Xie listens to the half-truths he's spun about himself after he dragged Jiang Ting out of the river, and Jiang Ting tells him: The safest thing for you is to hand me over to the police. I can't make myself believe you, because I have nothing now. I can't respond to this feeling, because I don't want to lie to you. Whether you hand me in or not is up to you.

He even does this to Wen Shao, when his loyality is probed. "What do you want me to say?" Except Wen Shao thinks he understands Jiang Ting the best, that only Jiang Ting understands him. Jiang Ting tells the truth then, that the one who understood his reasons wasn't him. Yan Xie was the one who correctly guessed the motives.

Because Jiang Ting has never been wanted as himself. He was the child of drug addicts, tossed into a orphanage where the corruption was rampant and money went into the adult's hands more often than not. When he finally found a friend, someone who liked him and didn't chase him away, his first thought is of saving his friend. Wen Shao has money and a family who loves him, so it's okay if he dies as long as Wen Shao lives. When his friend betrays him, saves himself first, Jiang Ting is happy.

Except his first friend, the person who says now everything I have is yours and you will be my only brother, the one person who likes someone like Jiang Ting, is the son of a drug lord. He forces the kidnappers who hurt them to take heroin, then turns to Jiang Ting and asks if he's happy now.

The child who watched his father overdose and has finally learned to understand what drugs are, is forced to watch more people die the same way by the one person who was supposed to love him.

He's happy. He's very happy. (The lie is so weak - he's ten years old and he's never had to hide himself like this before, despite everything. He's only just realizing that his first lie was already made, because he can't be loyal to Wen Shao, not like this. But he lies, because what else can he do? )

Wu Tun adopted him to keep his son, Wen Shao, in check. He's a pawn, put into a good school and groomed to be a policeman with padded pockets who will let the drug cartel off. He hates - hates - that he has no choice in this, he just has to become the pawn Wu Tun wants.

Wen Shao returns and he's brought new, even worse drugs with him. He wants his Red Queen on his side, gives Jiang Ting an apartment to rest in, to take care of things that would be 'inconvienent' otherwise, and Jiang Ting hates and hates even more.

So he plans to kill the King of Spades, then take out the Ace of Clubs. It can't erase what he is, but maybe he can move forward. All the over time, the stress, the loneliness will be worth it. (I'm so very very Normal about how he can't just agree to hanging out with his coworkers, how he over thinks and decides half way to take the agreement back and say 'let's talk about it tomorrow'. Because he wants to go, for the first time in his life he wants to do something as simple as going out with coworkers - possibly friends.)

Except he's been sold out. His plan falls through. His team dies and he'll never be able to talk about it tomorrow, and when he runs into the fire, all that's left for him is three years of being comatose and the King of Spades going free.

When he meets Yan Xie, he hides. He wants to be what Yan Xie wants him to be, but he can't. He's still tied as the Queen of Hearts, haunted by the sins he's committed and the people who died. He comments that Yan Xie is blind falling for someone like him, calling him beautiful all the time. That this crush that he'd never allowed himself to pursue has come back into his life and wants to be picked by him.

The Red Queen's heart that was so full of hate now has something else. But even if Yan Xie was blind now, would he still love Jiang Ting when he saw the truth?

He hides and he hides and lies, and when the cards are drawn, he finally tells the truth, finds something to define himself by. "I love you, Yan Xie."

Yan Xie's faith in him is already broken. It has to be broken further. The best lie is the one that is the truth that no one believes.

[gossippool]

*steeples hands under my chin like i'm sherlock* so you see,

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[willgrahamscock]

crowley must have known that aziraphale was also in love with him, he tidied the bookshop, he was planning on taking him to the Ritz after his confession, he had their song queued in the car these are not acts of someone who wasn't sure what the outcome will be.

which makes it so much more painful that he still confessed his love for aziraphale with tears in his eyes and on the verge of a full blown panic attack, he left saying "don't bother" but he still waited by his car til the elevator doors closed. all because

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[azulhood]

DPxDC crossover but, instead of Danny being his ghostly-horror self, the justice league believe that he's just some guy.

Danny: *glowing eyes, sharp teeth, aura of eldritch being*

Villain: You're seeing this right?

Justice league: *turns around to find all the ghostly stuff gone* oh that's Danny *waves* hi Danny!

Villain: ...are you being serious right now?

It's not even that he's doing it on purpose, it's just anytime he does ghost things none of the heros are looking, and when they do have him in their sights he's just a normal person.

It probably wouldn't work for batman and his thousand cameras, but let's just say that it never got his attention cause no one in the league thought to mention it and the one time he did check it was just regular dude hours.

To the Justice league Danny is the humanist human to ever human.

Which is why they are so confused as to why this small branch of the government (mad scientist parents optional) is so sure he isn't.

[bloominglegumes]

i love normal guys doomed by the narrative

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[youryurigoddess]

Aziraphale is a keeper of the divine order who instinctively creates clutter and turmoil. Crowley is an agent of chaos who stress cleans like an addict. These two ineffable idiots really are perfect for each other.

[gale-force-storm]

Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea

Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party

You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"

In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful

[memorydragon]

Okay, so I know I'm shouting to the void here and you guys probably want mdzs updates instead of my rambling about the more obscure novel that I started reading before mdzs was a blip on my radar, but I'm going mental over here and this is what you're getting.

I'm just so Normal about Jiang Ting saying "Don't test me. I'm on your side." And when I say normal, I mean completely normal levels of Absolute Unhinged.

Because he will fail the test every time.

"Don't test me." When Yan Xie questions him on why he hid the packet of drugs, of course it's suspicious. Of course he lies. (Though is it a lie, that he wanted it for himself, to hide the evidence that will lead Yan Xie further to the truth) The truth will damn him, the lies will damn him, what else can he do?

"Don't test me." When Yan Xie asks why he wasn't tortured by the drug lord when he was captured, he asks back, "Who says I wasn't?" Yan Xie's anger at the lie, at the omission he knows is there was real. But the truth will damn him more, that sensory deprivation was the gentlest form of torture, because why would a drug cartel need to be gentle with a cop?

"Don't test me." When Yan Xie drops a recorder in his pocket to listen in as Jiang Ting interrogates Li Yuxin, and lies to her about being the betrayer, and they're texting right next to each other. He can't help the small panic that Yan Xie had been listening in. Because that was a lie, but it held too much truth, that to be betrayed there had to be relationship before. He failed the test, only to see Yan Xie's final message while waiting outside the operation room, because Yan Xie was dying in the next room, and his message was "What are you afraid about? Why don't you trust I'll help you?"

"Don't test me." When Yan Xie loses his temper and does test him, when he's a little too violent because he's being blocked from investigating and tries to force Jiang Ting to the martyr's cemetery. He apologies to Jiang Ting softly, wiping the water away with a gentleness Jiang Ting doesn't believe he deserves. When his feet are burned because Yan Xie needs answers - answers that he cannot and will not give, despite everything, Yan Xie again apologizes and tends the burns. Yan Xie wasn't in the wrong suspecting him, and he's failed every test, but Yan Xie is the one who apologizes and realizes he's gone too far. Except he hadn't gone far enough to get to the truth that would have Jiang Ting fail once again.

"Don't test me." When Bu Wei jumps off the bridge and tries to take Jiang Ting with her. He sees too much of himself in her - Yan Xie sees too much of Jiang Ting in her - but he'd let her go to save himself. Except then she jumped and that wasn't how it was supposed to end, because there had to be something after the realization that the worst betrayal wasn't being left behind. When he looks at Yan Xie and tells him it's up to you. To turn Jiang Ting in or not, to believe him or not please, don't believe him he'll accept whatever Yan Xie decides he is, a traitor or friend. He cannot trust, cannot give his faith, and it's up to Yan Xie to decide if he can still accept that.

(And that's a whole different rant about how Jiang Ting cannot define himself, how he can only mold himself into what other people want him to be, say what they want him to say, because the only time he tried to choose who he wanted to be, his whole team died and he was left in a coma for three years. I'll be Unhinged about that in a perfectly normal way another day)

"I'm on your side." When Yan Xie has seen the orphanage's records, followed the evidence to it's natural conclusion, that all the times Jiang Ting had lied and omitted to save himself were finally exposed. Yan Xie has deleted the only picture of Jiang Ting on his phone and has already broken his own heart when Jiang Ting asks, "Do you still believe in me? - It's better you don't."

"I'm on your side." When he kisses Yan Xie after all the cards are on the table, as tears run down Yan Xie's face while the King of Spades watches for any flaw. He points a gun at Yan Xie's head, ready to pull the trigger that will keep Yan Xie from coming after him and tells the truth for the first time. "I love you, Yan Xie." In front of his adoptive family of drug lords, in front of the man who betrayed him and that took him in as a brother, in front of the bodies of the people he had just mercilessly shot down, as the Queen of Hearts, whose own heart is enchained by hatred and thorns caused by the drugs he can't escape, he tells the truth, which can only be accepted as a lie.

"I'm on your side." When Yan Xie finds the evidence that Chief Lu is lying, that Jiang Ting went undercover to get rid of the drug cartel once and for all and he realizes that his wavering faith in Jiang Ting was expected. That he was the one who failed that time, even though it was necessary for the King of Spades to take Jiang Ting back. That despite that, Jiang Ting had still left him a way out and saved his life. And Yan Xie is going to drag Jiang Ting home, no matter how dangerous.

"I'm on your side." When Jiang Ting asks him, "why are you here?" when Yan Xie holds him and kisses him softly after nearly dying because he was exposed, and Yan Xie replies that no matter how harsh the betrayal - the truth - he couldn't love Jiang Ting less. That just because Jiang Ting pointed a gun at his head, didn't make Yan Xie miss him less. (You want to talk about scenes that make Mem absolutely feral, this is one.) He has to go back under cover, he has to leave again, but Yan Xie will drag him back.

"Don't test me." One last test. Yan Xie tells him to jump, that they are either going to get out of this together or die together. Yan Xie refuses to let him fail this time. No matter what, he won't leave without Jiang Ting. I'll be by your side, because living is harder than dying.

And Jiang Ting jumps.

[gossippool]

rewatching deadpool & wolverine again for fanfic characterisation purposes (part 2) and can we talk about this scene where logan says "you don't want this"

all the other wolverines wade visited had no qualms with attacking him (even little miss cavillrine!) the moment he stepped foot into their space. THIS logan ☝🏼 was suffering not only from whiskey dick of the claws but also whiskey dick of the violence

this logan is the only one that hesitated using his claws on wade, or didn't at least respond with aggressiveness (by his standards). we talk a lot about how his blow up at wade in the honda odyssey is really just him projecting, but so is this. when he tells wade "you don't want this", it's him who doesn't want it—he doesn't want to fight anymore, doesn't want to hurt anyone anymore. look at the expression on his face when he says it. he's so fucking tired of it all

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[willgrahamscock]

Oh, god. I understand now. This look Aziraphale has right after Crowley kissed him. I didn't understand why he'd look disgusted when we as the audience know that their feelings are mutual, and as Neil hinted, they both wanted to confess in this episode, but the Metatron changed that. "Do it again."

Richard Siken//Good Omens

[biceratops7]

Dang it guys

we only ever talked about HALF of why these scenes were a big deal, like I just realized this today and my heart is going insane.

It’s not just that Crowley’s pissed at Gabriel for treating who he thinks as Aziraphale this way, the last thing he says to the people about to kill him is a benign and peaceful wish to see them again.

And like- this is Crowley trying to replicate Aziraphale to a T. So he legitimately just sees him as this endless well of compassion, someone who is always warm and accepting. It’s not just their friendship throughout the years, he remembers Aziraphale’s kindness on the Eastern Gate. When the angel had absolutely no reason to trust this random demon who just slithered up next to him. Crowley knows that he’s loved. Maybe not like that quite yet (although he’d be very wrong), but he knows that around his friend he’s always welcome and safe.

And Aziraphale?

Well he just thinks Crowley’s the coolest fucker alive, like he is laying it in THICK and enjoying every second. Listen to that charisma, look at that smirk. These are traits that are typically only appreciated in the context of how good it makes Crowley at tempting, a job he hates. But Aziraphale doesn’t see someone manipulative or regard this persona as signs of his “demonic nature”, he just sees Crowley. Someone charming, fun loving, and cute.

This is when we get to know precisely why they love each other, what exactly they see in the other.

edit: this is now my most popular post, good work team, lol

[the-uncanny-dag]

Related to my previous post: it's amazing how the setting of Muir's novels contrasts with the depth of character writing focused on queer WOC. Bc it doesn't matter how woke and diverse John Gaius' Fully Automated Luxury Gay Space Catholicism is from the audience's first glance at the dramatis personæ, the Nine Houses are still a fascist theocracy cracking liveable planets like walnuts & making sure not a single denizen of the colonies has a moment of peace, and it was built by a man who grew up in the 21st century and whose female (citation needed) partner he killed, ate & put in the fridge. Women are still assigned value by their physical appearance (like the twins), their treatment still hinges on their gender expression (compare treatments of Gideon's body vs Harrow's), they still aren't taken seriously at work (like Mercy), interclass marriage (necrocav couple Abigail & Magnus) is scorned, reproductive rights and healthcare in general are abysmal (Fourth, Sixth, Seventh, Ninth for different reasons). "Does the narrative respect women" and "Do the characters in the story respect women" are two completely different questions with sometimes completely different answers