#messier 60

[quiltofstars]

M60 (center) and NGC 4647 (above left of center) // Wei-Hao Wang

The elliptical galaxy M60 was discovered by Johann Koehler just days before Messier himself observed it. It is the third-brightest giant elliptical galaxy in the Virgo cluster and contains about a billion times the mass of our Sun.

Notably, M60 appears to be close to the spiral galaxy NGC 4647. However, there doesn't seem to be any evidence that these two galaxies are actually interacting. New data from the Hubble Space Telescope seems to suggest that the interaction has only just begun.

Visible in this image within the disk of NGC 4647 is the supernova SN 2022hrs that occurred on April 16, 2022. You can see below the progression that the supernova took, being very bright at first and dimming over the course of four months.

[paintpanic]

do you make your art with a mouse? i read you did that at one point

if so thats EXTREMELY impressive hats off to you

I do! Thank you for the kind words.

If all goes to plan I *should* be getting a real drawing tablet by the end of the year. That'll make it a lot easier to do things! Let's keep our fingers crossed for that.

[official-chekov-enjoyer]

The fact that all Barbie cases are also closets is telling.

[paeinovis]

Living is so hard idg how people do it lol

[felassan]

Some info on the SAG-AFTRA strike:

Another post

Messages/info from Erika Ishii, Alex Jordan and Jessica Clark

A message from Jennifer Hale

SAG-AFTRA Interactive Media Agreement Negotiating Committee Chair answers a fan's question on how fans can show support and solidarity during the strike

SAG-AFTRA's page on the strike | News | FAQ

How creators and streamers can show support

Creators and streamers are not being asked to stop playing certain games

Only the American guild is striking. "The UK union are not able to strike due to LAWS in the UK, but do stand in solidarity! Do NOT attack UK actors for working at this time" [source]

"As far as Dragon Age Veilguard, several of the voice cast are SAG-AFTRA members, this would most likely mean they would not be involved in promotion [after SDCC] or would not be able to record any lines/do mocap moving forward." [source]

Also: "The game actors strike rules are messier than it first seems. They can't work on new projects, or ones recently started, but games in production a year or more ago and live service/ongoing games are excluded from the strike (for now)." [source]

Text in first image reads: "From a SAG-AFTRA spokesperson: Due to certain provisions in the IMA contract, games that were in production at the time that the union provided the company its notice of termination are not currently subject to the strike order. Most notices were sent in September 2022. We served a separate notice relating to live service games, which we can strike in less than 60 days. We will update the membership if we expand the strife order to include those games closer to that time." Text in the second image reads: "The language in the IMA is clear that video games that were already in production prior to August 25, 2024, including live service games, are not subject to the strike and remain covered by the ongoing terms of the 2020-2022 IMA. Performers would not be in violation of the strike order if they continue working on these games." [source]

[doctorbitchcrxft]

Dead Man's Blood | Supernatural Series Rewrite | Dean Winchester x Reader

Pairing: Dean Winchester x Reader

Warnings: canon violence, canon gore, daddy issues, mentions of parental death

Word Count: 5022

A/N: Cannot believe we're at the penultimate episode of my version of the first season Supernatural!! Crazy!! Thank you guys so much for the love and support; I truly appreciate it.

When season 2 starts, the taglist will be closed! If you'd like to join and haven't already, please let me know!

Mobile Supernatural Series Rewrite Masterlist

Supernatural Series Rewrite Masterlist

Supernatural Series Rewrite Playlist

You and the Winchester boys sat at a table in a diner searching for possible cases to take on. You sat at your laptop on the side of the table with Sam and Dean to your right and left. 

Dean looked through a newspaper and folded it up in frustration. “Well, not a decent lead in all of Nebraska. What’ve you got, Sammy?”

“I've been scanning Wyoming, Colorado, South Dakota... here. A woman in Iowa fell ten thousand feet from an airplane and survived,” Sam responded.

“Sounds more like ‘that's Incredible’ than, uh, 'Twilight Zone'.”

“Yeah, I agree,” you said.

“Hey you know we could just keep heading east. New York. Upstate. We could drop by and see Sarah again. Huh? Cool chick, man, smokin'.” Dean whistled lowly. “You two seemed pretty friendly. What do you say?”

“Yeah, I don’t know, maybe someday. But in the meantime we got a lot of work to do Dean, and you know that,” Sam stated.

“Yeah, alright. How ‘bout you, (Y/N)?”

“Uh, man in Colorado, local man named Daniel Elkins was found mauled in his home,” you said, continuing to scan the web page before you.

“Elkins? I know that name,” Dean said.

You shrugged as Sam said, “Doesn’t ring a bell.”

Dean muttered the man’s name over and over.

“Sounds like the police don't know what to think. At first they said it was some sort of bear attack, now, they've found some signs of robbery,” you continued.

Dean took out his father’s journal and began to flick through it. “There, check it out.” He turned the book around to you and Sam and pointed at a contact reading “D. Elkins” with the man’s phone number next to it.

“You think it's the same Elkins?” Sam questioned.

“It's a Colorado area code.”

“Alright, Colorado it is. Let’s go, kids,” you said. 

***

You and the boys made your way to the remote cabin of Daniel Elkins and picked the lock to his home. You cringed at the sight of your messy surroundings once inside. Books were everywhere, mad scribblings on stray pages covered the floor, and the furniture seemed to not have been dusted in years.

“Looks like the maid didn't come today,” Dean remarked.

You crouched down at the entrance of the home and fingered something on the floor. “Hey, got some salt over here.”

“You mean protection against demon salt, or 'oops I spilled the popcorn' salt?” Dean asked.

You gave him a dirty look. “Clearly a ring. Elkins was a player?”

“Definitely,” Dean responded. 

You rose to go stand beside the brothers and look over the journal they were flicking through.

“That looks a hell of a lot like Dad's,” said Sam as he flipped through the pages.

“Yep, except this dates back to the '60s,” Dean added.

You led the brothers into another room and took in the shattered skylights. You moved your flashlight around the room and took in the fact that somehow, this room was messier than the other ones.

“Whatever attacked him, it looks like there was more than one,” Sam said, referencing the damage to the skylights. It seemed there were two separate entry points through them.

“Looks like he put up a hell of a fight, too,” the older brother added. He crouched down to the floor.

“You got something?” you asked, crouching beside him.

“I don’t know,” he replied. “Some scratches on the floor.”

“Death throes maybe?” Sam suggested.

Dean grabbed a page from a notebook on top of the desk beside you and placed it over the spot on the ground. He rubbed a pencil over the top to create an outline. “Or maybe a message.” He peeled up the paper that now had a lot of blood on the back and showed you and Sam the rubbings of the characters. “Look familiar?”

“Three letters, six digits. The location and combination of a post office box. It's a mail drop,” you said.

Dean looked to his brother. “Just the way Dad does it.”

***

You and the boys found a letter in the mailbox labeled with the numbers and letters from the floor’s message. You leaned over the back seat of the car and read off the letters on the envelope.

“ ‘J.W.’ Gotta be John Winchester, right?” you said.

“I don't know. Should we open it?” Dean turned his head to you.

A knock on Dean’s window came before any of you could say another word. You reared back and grabbed your gun from your belt, pointing it at the sound.

“Dad?” Dean breathed out.

You breathed out sharply as John opened the door and slid into the seat next to you. “I almost shot you, dude.”

He chuckled at you.

“Dad, what are you doing here? Are you alright?” Sam asked, turning to face him.

John’s gravelly voice seemed even more tired and worn than the last time you’d seen him. “Yeah, I'm okay. I read the news about Daniel; I got here as fast as I could. I saw you three at his place.”

“Why didn't you come in, Dad?”

“You know why. Because I had to make sure you weren't followed. By anyone or anything. Nice job of covering your tracks, by the way.”

Dean looked a little proud. “Yeah, well, we learned from the best.”

“Wait, you came all the way out here for this Elkins guy?” Sam questioned.

John nodded. “He was— He was a good man. Taught me a hell of a lot about hunting.”

“Well, you never mentioned him to us.”

“We had a— we had kind of a falling out. I hadn't seen him in years.” He gestured to the envelope. “I should look at that.” He opened it. “ 'If you're reading this, I'm already dead'... that son of a bitch.”

“What is it?” his eldest son asked.

“He had it the whole time.”

Sam looked at him confused. “Dad, what?”

“When you searched the place, did you— did you see a gun? An antique, a Colt revolver, did you see it?”

You shook your head. “I saw an old case, but it was empty.”

John sighed. “They have it.”

“You mean, whatever killed Elkins?” Dean asked.

John started to get out of the car. “We gotta pick up the trail.”

“Wait, you want us to come with you?” Sam scoffed.

“If Elkins was telling the truth, we gotta find this gun,” John rushed out.

“The gun? Why?”

“Because it's important, that's why.”

‘He’s even more of a hardass than Dean.’

“Dad, we don't even know what these things are yet,” the younger son protested.

“They were what Daniel Elkins killed best: Vampires.”

Your heart nearly dropped at the mention of those creatures.

“I thought they were extinct. I thought Elkins and others had wiped them out. I was wrong,” John said. 

“Damn right,” you jumped in, not realizing the sudden venom lacing your words.

The three men stared back at you, and you shrank awkwardly.

John continued to explain. “Most vampire lore is crap. A cross won't repel them, sunlight won't kill them, and neither will a stake to the heart. But the bloodlust, that part's true. They need fresh human blood to survive. They were once people, so you won't know it's a vampire until it's too late.”

Anxiety clawed at your throat. You hadn’t faced any vampires since the death of your family.

***

You and the Winchesters found a decently priced motel to stay in to get your bearings before you went after the vampires. You watched Sam and Dean sleeping peacefully on their beds, but you were unable to get a wink. You and John sat on opposite sides of the table in the room listening to the police scanner.

You admired Dean’s relaxed features. You rarely saw him this at-ease. You wished you could be sleeping beside him, but your own mind was keeping you awake. The eldest Winchester looked over at you and whispered over the hum of the police scanner. “How’ve they been?” he asked.

You sighed. “They’re alright, I think. Been driving themselves crazy looking for you, though.”

He chuckled softly. “I figured they were.” He paused for a minute. 

“They need you more than they need me,” you said. “You should stay with ‘em. I’ll be hitting the road in a little while, I think.”

“Don’t,” he said. “They’ll need you when this is all over.”

“What? You’re not gonna stay?” You turned your head to John.

“I don’t think so,” he shook his head. 

You were disgusted at him. “Look, no disrespect, but that’s crap.”

He seemed caught off-guard. “And why’s that?” he challenged.

“Sam’s a mess. You walked out on Dean. Your boys deserve their father," you whispered harshly.

“Don’t act like you know me,” he hissed. “Dean’s a grown man. He’ll get over it. Sam, too. I’m not abandoning them; it’s just not safe.”

“Just call a spade a spade, John. Abandonment ‘for their safety’ is still abandonment,” you argued. 

“You don’t think I wanna be with my kids—?"

“No, I don’t actually,” you cut him off.

Before he could continue to argue with you, something on the police scanner caught your attention.

“Unit 22 let me confirm. Mile marker 41, abandoned car. You need a workup?” the static voice said.

“Copy that. Possible 207. Better get forensics out here,” another voice said.

“Sam, Dean, let's go,” John slapped their feet as he stood, his voice still gravelly from his anger with you.

“Mm-hmm,” Dean muttered, though still asleep.

Sam sat up and Dean rubbed his eyes.

“There’s a call on the scanner,” you said.

“(Y/N), did you get any sleep?” the older brother slurred sleepily.

“That’s not important right now,” you told him. “C’mon.”

“What happened?” Sam asked.

“A couple called 911,; found a body in the street. Cops got there and everyone was missing. It's the vampires,” John explained.

“How do you know?”

“Just follow me, okay?” John said, leaving the room. 

You turned to Sam who was putting his jacket on. “It’s how they hunt. They lay in the middle of the road and wait for somebody to pull over. By the time they get up close and personal, it’s too late. Then they leave.”

Dean sat up, still half-asleep. “You gonna be okay?” he asked you.

“I’m fine,” you responded. You could tell he didn’t believe you, but you left him behind without waiting for an argument.

***

John was talking to the cops while you and the brothers stood back by the Impala under the cover of the trees. He refused to look at you after your argument, and you refused to speak to him. You wouldn’t engage with a man who walked out on his children and put Dean through so much.

“I don't see why we couldn't have gone over with him,” the brunet sighed sulkily.

“Oh, don't tell me it's already starting.” Dean rolled his eyes.

“What's starting?” Sam asked.

John walked up before either of you could answer.

“What have you got?” Dean asked his dad.

“It was them, alright. Looks like they're heading west. We'll have to double back to get around that detour,” John explained.

“How can you be so sure?” Sam challenged.

“Sam—” Dean tried.

“I just wanna know we're going in the right direction,” Sam told him sharply.

“We are,” John responded.

You stood back next to Dean, trying not to get involved in the fight.

“How do you know?”

John handed something to his oldest son. “I found this.”

“It's a vampire fang.”

“Not a fang, teeth. They’ve got a second set that comes out when they attack,” you explained, looking over Dean’s shoulder at the tooth.

“Any more questions?” John challenged Sam.

Sam looked away and stayed silent. 

“Alright, let's get out of here, we're losing daylight,” John said. Everything he said was said with authority. “Hey, Dean, why don't you touch up your car before you get rust? I wouldn't have given you the damn thing if I thought you were going to ruin it,” he gruffly spat at his son before heading to his truck.

You angrily stared after the man before looking over at Dean, who grimaced and got into the passenger’s seat.

Sam drove, keeping a close follow on John’s truck. You rested your chin on Dean’s shoulder, looking over the excerpt he was reading about vampires in your journal. He read aloud to you and Sam. “ ‘Vampires nest in groups of eight to ten. Smaller packs are sent to hunt for food. Victims are taken to the nest where the pack keeps them alive, bleeding them for days or weeks.’ I wonder if that's what happened to that 911 couple.”

Sam grumbled, “That's probably what Dad's thinking. Course, it would be nice if he just told us what he thinks.”

“So it is starting,” Dean sighed.

“What?”

“Sam, we've been looking for Dad all year. Now we're not with him for more than a couple of hours and there's static already?” 

Sam huffed. “No. Look, I'm happy he's okay, alright? And I'm happy that we're all working together again.” 

“Well, good,” Dean said. 

The younger brother was unable to help himself. “It's just the way he treats us, like we're children.”

“Oh, God.” You sat back in the seat, doing your best to ignore the fight between the brothers.

“He barks orders at us Dean, he expects us to follow 'em without question. He keeps us on some crap need-to-know deal,” Sam argued.

“He does what he does for a reason.”

“What reason?”

“Our job! There's no time to argue, there's no margin for error, alright? That's just the way the old man runs things.”

“Yeah, well, maybe that worked when we were kids but not anymore, all right. Not after everything you and I have been through, Dean. I mean, are you telling me you're cool with just falling into line and letting him run the whole show?” Sam looked over at his brother angrily.

Dean gave Sam a long look before strongly responding, “If that's what it takes.”

Sam shook his head and returned his eyes to the road.

A few minutes later, Dean was on the phone with his dad. “Yeah, Dad. Alright, got it.” He hung up. “Pull off at the next exit.”

Sam’s frustrated tone was back. “Why?”

“ ‘Cause Dad thinks we've got the vampire's trail,” Dean said matter-of-factly.

“How,” Sam somehow sounded angrier.

“I don't know. He didn't say,” Dean responded.

Sam gunned the engine, and pulled in front of his dad’s truck before slamming the breaks.

“What are you doing, Sam?” you asked.

Sam got out of the car without answering you.

“Oh, crap. Here we go.” Dean followed his brother out of the car. “Sam!”

You just watched from the back seat, deciding not to get between the family’s brawl.

You watched in the driver’s side rear view mirror as John and Sam got in each other’s faces. Dean was trying to pull the two apart, and you could make out some of what they were screaming at each other about.

Sam approached the car again before spinning back around at his father. You often got in fights like that with your own father but more about his treatment of you and your brother. You knew better than to argue his orders.

“You were just pissed off that you couldn't control me anymore!” Sam yelled loudly enough for you to hear.

Dean then shoved the two apart, forcing Sam back to the car. Sam got back in the driver’s seat, still enraged.

“Sam, do you want me to—”

“No,” he snapped at you.

“Oh-kay, then.”

***

You and the brothers sat in the trees watching the beat-up barn the vampires called home. Dean stood beside you and cursed, “Son of a bitch. So they're really not afraid of the sun?” as he watched the vampires climb into a car, shielding their faces with their hands.

“Nope,” you said. “Direct sunlight just stings like a badass sunburn.”

“The only way to kill 'em is by beheading. And yeah, they sleep during the day— doesn't mean they won't wake up,” John added.

“So I guess walking right in's not our best option,” Dean said.

“Actually, that's the plan,” John grinned.

You and the brothers flipped open the trunk of the Impala and began grabbing machetes. John did the same with his truck, but his was outfitted with a fancy, automatic, hidden compartment.

“Here, (Y/N).” Dean handed you a rusty machete.

You caught sight of the giant blade their dad was holding. “Whoa, why don’t you have any like that?”

Dean snorted and turned his head. “Wow.”

John paused, closing his trunk. “So, you boys really wanna know about this Colt?”

“Yes, sir,” said Sam.

“It's just a story, a legend really. Well, I thought it was. Never really believed it until I read Daniel's letter,” John began. “Back in 1835, when Halley's comet was overhead, the same night those men died at the Alamo, they say Samuel Colt made a gun. A special gun. He made it for a hunter, a man like us only on horseback. Story goes he made thirteen bullets, and this hunter used the gun a half dozen times before he disappeared, the gun along with him. And somehow, Daniel got his hands on it. They say... They say this gun can kill anything.”

“Kill anything, like, supernatural anything?” Dean breathed.

“Like the demon,” Sam connected.

“Yeah, the demon. Ever since I picked up its trail I've been looking for a way to destroy that thing. Find the gun, and we may have it.”

“Wait, and you couldn’t tell your kids that why?” you snarled.

“(Y/N)—” Dean scolded, but you couldn’t help yourself.

John just looked at his eldest son. “What exactly made you keep her around for so long?”

“Both of you, stop it,” Dean said. "Let’s get these fuckers while we have the chance.”

You backed off, tension dissolving a little at Dean’s words. You looked between the boys and their father. Their faces conveyed complex emotions you couldn’t quite read.

Silently, you and Dean flanked one end of the barn while Sam took the other with his father.

You and Dean jumped through a barn window and walked around their hammocks carefully. Dean accidentally kicked an empty bottle on the ground, and you froze. You made a worried face and looked over to Dean, who froze as well.

The vampire next to Dean stirred, but didn’t wake up. You and Dean continued on until you found a woman tied up against a pole. You weren’t sure if she was sleeping or unconscious. 

“Dean,” you whispered, crouching beside the woman. He came over to you as you began to untie her. You heard a noise behind you, and Dean went over to investigate.

“There’s more,” he said, grabbing something to break the locks on the metal cages a distance away from you.

The woman you were untying began to stir, and you did your best to assure her you were here to help.

The woman awoke and let out an unearthly roar. 

“Dean!” you called, shooting up.

“Kids, run!” John called to you after hearing your voice. You and Dean sprinted out of the building, yelling for Sam as you did so. The vampires chased you, but you used the daylight to your advantage. You broke back through the trees and returned to the cars.

“Dad?! Sam!” Dean called. The two then came back up the slope. 

“They won't follow. They'll wait till tonight. Once a vampire has your scent, it's for life,” John said.

“Well, what the hell do we do now?” Dean questioned.

“You gotta find the nearest funeral home, that's what.”

You knew where John was going with this. You smiled at the boys who seemed confused. “C’mon, Dean,” you said, patting his shoulder. You turned to the Impala, and Sam and his father got in the latter’s truck.

Dean cruised down the road to the funeral home you had found and were planning to break into. 

“What the hell was that earlier?” Dean asked frustratedly as soon as the car doors were shut.

“What?”

“With my dad, (Y/N), why would you say something like that?!”

"Look, we got in a fight while you and Sam were sleeping. I just don’t like how he treats you guys,” you admitted.

“Well, thanks, but don’t. Sam’s enough for me right now as it is,” he responded.

A few moments passed, and you looked down at your hands. “I’m sorry,” you said quietly.

Dean sighed. “It’s okay.” He snorted after a moment. “Not many people would stand up to my dad like that.”

You smiled, eyes still on your hands folded in your lap. “He reminds me a lot of my dad. John and Sam fight exactly how my dad and I did. Steven always had to break us apart.”

“I just don’t understand why Sam can’t leave the old man alone,” Dean told you. “I mean, we spent so fucking long looking for ‘im, and as soon as we find him, he’s pickin’ fights.”

You nodded in understanding. “I get why he’s upset, but I agree that it’s the wrong place and wrong time right now. I mean, despite the fact that I picked a fight with him. Again, mistake on my part.” 

“Agreed.”

You let a moment of silence pass before you spoke again. “Dee?”

“Hm.”

“Now that we’ve found your dad, do you still want me here?”

He turned his head toward you. “Of course, I do. You’re not gettin’ rid of us that easy.”

You grinned. “Good. After a year of all this, you guys have become my new normal. I don’t think I’ll be able to go back to being alone again.”

Dean smirked and turned back to the road, pulling into the parking lot of the funeral home. 

After a few lies and a bit of breaking and entering, you and Dean were headed back to the motel with dead man’s blood in hand.

“What does that stuff do exactly?” Dean asked you as he drove.

“It’s kinda like vampire food poisoning. Pretty useful stuff,” you explained.

“How’ve you been with this whole thing?” he asked.

“What, the vampires?”

Dean nodded.

“Winchester, are you goin’ soft on me? Since when do you care to get into the touchy-feely?” you joked.

He rolled his eyes in response. “Answer the damn question, (Y/N).”

You sighed, dropping your plucky attitude. “I’m okay, I think. I just— I haven’t hunted any vamps since my parents died. Any time I sniffed any out, I ran the other way. It’s kind of ironic that the one thing I fucking hate hunting has the one thing we need to kill this demon.”

Dean chuckled. “Yeah, well, y’know… Just…” 

“There’s my boy. Having trouble with moments of sincerity once more,” you gibed but became serious once more as he rolled his eyes. “I know. If I need anything, I’ll let you know.”

***

You were surprised to find John and Sam laughing when you reentered their motel room.

“Whew. Man, some heavy security to protect a bunch of dead guys,” Dean said.

“Get it?” John asked.

You reached into Dean’s jacket pocket and pulled out a paper bag with a bottle full of blood inside it. You handed it over to the eldest Winchester.

“You know what to do,” he said.

***

You hated watching that creature feel Dean up and kiss him, but you knew you needed to let it happen for the sake of getting the Colt from the vampires. You’d already nearly beheaded her when she backhanded him.

Another vampire appeared behind the woman holding Dean in the air by his face, and that was when you made your move. You used a crossbow to shoot both of the vampires straight between their ribs, and the girl holding Dean dropped him.

“Dammit,” she cursed as you approached the group from the trees. “It barely even stings.”

“Give it time, babe,” you told her. “That arrow’s soaked in dead man’s blood. Should be giving you a nasty tummy ache any second.” You pouted at her mockingly as she began to waver and lose consciousness.

“Load her up,” John ordered you and his sons. “I'll take care of this one.” Moments later, you heard a slashing noise and blood splattering coming from behind you as you finished loading the girl into Dean’s trunk.

***

You met John in a clearing in the woods where you and Sam were setting up a campfire. Dean tied the unconscious vampiress to a tree, and you circled her, fuming.

“Easy, tiger,” Dean told you. “Don’t kill her just yet.”

“I’m tryin’ not to,” you responded, gripping the handle of your machete tightly.

He chuckled at you and turned to his dad.

“Toss this on the fire. Saffron, skunk's cabbage, and trillium. It'll block our scent and hers until we're ready,” John commanded.

“Stuff stinks!” Dean coughed.

“That's the idea. Dust your clothes with the ashes, and you stand a chance of not being detected,” his father replied.

“You sure they'll come after her?” Sam asked his dad.

“Vampires mate for life,” you broke in. “She means more to the leader than the gun.”

“But the blood sickness is going to wear off soon, so you don't have a lot of time,” John added.

“A half hour oughta do it,” shrugged Sam.

“And then I want you out of the area as fast as you can,” John stated.

The boys began to protest.

“Well, Dad, you can't take care of them all yourself,” Dean said.

“I'll have her,” John replied, referencing the passed-out vampire. “And the Colt.”

“But after. We're gonna meet up, right? Use the gun together. Right?” Sam looked at his father expectantly. There was a long pause before Sam spoke again. “You're leaving again, aren't you. You still wanna go after the demon alone." Hes scoffed mockingly. "You know, I don't get you. You can't treat us like this.”

“Like what?”

“Like children.”

“You are my children. I'm trying to keep you safe.”

Dean spoke up much to your surprise. “Dad, all due respect, but, uh, that's a bunch of crap.”

“Excuse me?” the older man scoffed.

“You know what Sammy and I have been hunting. Hell, you sent us on a few hunting trips yourself. You can't be that worried about keeping us safe,” Dean argued.

“It's not the same thing, Dean.”

“Then what is it? Why do you want us out of the big fight?”

“This demon? It's a bad son of a bitch. I can't make the same moves if I'm worried about keeping you alive,” John responded.

“You mean you can't be as reckless.”

“Look, I don't expect to make it out of this fight in one piece. Your mother's death… it almost killed me. I can't watch my children die too. I won't,” John admitted.

“What happens if you die? Dad, what happens if you die, and we could’ve done something about it?" He let his words hang in the air for a moment. "You know, I've been thinking. I think maybe Sammy's right about this one. We should do this together,” Dean stated.

Sam nodded as his brother continued. “We're stronger as a family, Dad. We just are. You know it.”

John’s walls went back up. “We're running out of time. You do your job, and you get out of the area. That's an order.”

Dean looked down at the ground, and you watched him carefully as he tried to suppress his rising emotions. 

***

After you and the boys freed the people that had been locked up in the vampires’ barn, you went to find John and the members of the nest. You found them just in time because John had been knocked on his ass by the vampire you’d kidnapped.

You and the brothers hurried out of the trees and began shooting vampires with a crossbow. You moved toward the leader with your machete, but he backhanded you and held you in a headlock with his arm around your throat. 

You struggled against him as he addressed Dean, who was holding a machete of his own. “Don't! I'll break her neck. Put the blade down.”

Dean hesitated.

Luther tightened his hold on your neck, causing you to struggle more. “It’d be a real shame for her to die.” He dug his nose in your hair and sniffed deeply. “She’s pretty. I’d love having her around. Drop it!”

Dean did as told, and his jaw clenched in fury. 

“You people. Why can't you leave us alone? We have as much right to live as you do,” the leader said.

“I don’t think so,” came John’s voice from behind you. The vampire spun you and himself around to face John, who shot the vampire in the middle of his forehead. He dropped you to the floor, and Dean rushed to your side.

You turned and watched a sigil appear on the man’s forehead where he’d been shot as his girlfriend screamed in agony. “Luther!”

The vampire slumped to the ground, dead. The vampiress started toward John, but was pulled away by her friend to get to their car. They took off, wheels screaming and leaving you in the dust.

***

You sat in the brothers’ motel room, having finished packing long before they had as usual. John entered the room and addressed his sons. “So, boys.”

They stopped packing and turned to face him. “Yes, sir.”

“You ignored a direct order back there,” he said crossly.

“Yes, sir.” Sam hung his head low.

Dean argued, “Yeah, but we saved your ass.”

John held his son’s challenging stare, and you swallowed nervously.

“You're right,” John admitted much to your surprise.

“I am?”

If it weren’t for the situation, you would’ve laughed at Dean’s adorably clueless face.

“It scares the hell out of me. You two are all I've got. But I guess we are stronger as a family. So… we go after this damn thing. Together.”

You smiled as the two boys said in unison, “Yes, sir.”

Series Rewrite Taglist: @polireader @brightlilith @atcamillanorrman @jrizzelle @insomnia-bookworm @procrastination20 @mrs-liebgott @djs8891 @tiggytaylor @staple-your-mouth @iloveshawn @jesstherebel @rach5ive @strawberrykiwisdogog @bruhidkjustwannaread @mxltifxnd0m @sunshine-on-marz @big-ol-boat @mgchaser @capncrankle @davina-clairee @chervbs @simpingdeadcharacters @nesnejwritings @stillhere197 @stephshaww @tearsforhan @take-it-on-the-run @iloveyou2mia @maxinehufflepuffprincess @ohgeehowdigethere @here-for-the-extravaganza @seninjakitey @berarenado @s0urw00lf @princessleahorgana @quarterhorse19 @rei0812 @isla-finke-blog @silverdoragon @karacaroldanvers @gayandfairycore @examishbookwyrm @more-espresso-less-depresso-og @mysticmyth @favoritefandoms27 @star-yawnznn @real-sharena-h @fandomloverrr @metalmonki @onlyangel-444 @yu-winchester @benniwiththefanni @daisychaingirl @skys-writings @immagods @metalblindbitch @missmieux @yoongi-holland

hi there lovebugs!! quite a few tags were broken :( if i've misspelled your tag, please let me know! make sure you have my blog notifs on so you don't miss an update!!

[bandaidfingers]

anyone interested in sketch page commissions similar to these? :)

one character in two-four different poses and outfits, visible colored pencils sketch lines underneath (you get to choose the colored pencil color) and more lose/ experimental inking (I get to play around with my bag of half-dry pens <3)

I’m thinking $60 for two poses, $100 for four :) but we could negotiate lower if youre fine with even messier line work. + shipping if youre interested in having the original

Once you send references for the character, poses, and outfits there won’t be any adjustments, just sketch and done. Super quick turnaround.

[haigidal]

He smiled. And released his chakra seals. F.U.B.A.R chapter 60 by @messier-47

[techmomma]

whilst I am sick in bed, I want to put something out here before things start getting wild with conspiracy theories about this whole submersible debacle. because I think we will start seeing a lot of conspiracy theories starting up. some irrational, but some rational!

also note that I have no educated experience on these matters, just 33 years of living and a special interest in both the titanic and maritime disasters. so take everything with a grain of salt(water).

and while yes, if they’re dead, I genuinely think every navy and coast guard already knows and has known since like the first three hours since the sub went missing, I also genuinely do not think this was out of malicious or subversive intent, or trying to hide some big secret, and I will explain why:

underwater explosions/implosions make a very characteristic sound. this is called a bubble pulse: multiple booms being the result of initial explosion, followed by water pressure collapsing the gas bubble.

the major powers of the world, certainly the US with SOSUS/IUSS, have underwater listening stations. this is a system of underwater hydrophones and listening devices originally meant to track soviet submarine activity and underwater nuclear tests. this system was already quite powerful in the 60s, and its capabilities by now in the 2020s are classified but likely even moreso powerful. this is not me saying THEY’RE LISTENING TO US AND PUTTING TRACKERS IN US this is me saying “by the early 90s they could track a single whale over the entire Pacific for several years.”

if the submersible imploded--and I am leaning toward it not being built well enough to withstand four days of 375 atmospheres worth of pressure--then this was almost undoubtedly heard by listening stations across the atlantic

so why not tell the public?

despite having declassified much of the program, SOSUS/IUSS still has many parts that remain classified. to reveal that they heard the implosion would be to also reveal potentially delicate information such as station positions (figuring out WHERE a classified station might be based on the fact that it picked up the sound, and figuring out the minimum capabilities of such a system).

we’re already in kind of a weird proxy war with the Russians, again, so the government’s paranoia about not letting anything leak to them Russkies is, again, at an all-time high. I will state though that classified information is actually like, at the bottom of my list of “reasons why they may not have said anything immediately.”

this is an incredibly... unique situation. while I have no doubt they heard the implosion, they may not have been able to concretely confirm that it was an implosion, and an implosion of a civilian submersible, until after the story of the missing sub had already gotten out to the public. one of those “it looked like a duck and quacked like a duck so I’m pretty sure it was a goddamn duck, but I technically need to run tests to make 100% certain that it was in fact a duck, because if I’m wrong that could mean big trouble.”

in addition, to 100% confirm an implosion, typically the debris field has to be actually spotted on the sea floor, in addition to all the previous criteria being met. they have been trying to find a debris field... in a bigger, messier debris field.

they need to do this, because if there’s even a .0000000001% chance that they are still alive and you left them for dead, that would be... bad, for a lot of reasons

because the debris field has not been found and there IS a .0000001% chance that they could be alive, they still need to TREAT it as a rescue operation. this is standard procedure for like. everywhere.

even if they WERE still alive, they were going to die. every rescue party out there right now knows this. just planning to recover debris from that depth often takes months if not years of planning, let alone a sub about to run out of air in four days, max. in these situations, where the rescuers know the victims are alive but will, without fail, die, you have to still TREAT IT as if they are able to be saved (while also, quietly, making sure no one else is going to be further hurt). for the sake of the victims, their families, and the public at large. for the basic dignity of the victims. yes, out of compassion.

a comparable situation is when an EMT arrives to the scene of a traffic accident and knows, immediately, that this person, while not technically dead, is absolutely not going to make it. the EMT is still going to attempt to do everything they can to save that person, for their dignity and for the slim chance that maybe, by some miracle, they can help. you don’t give up until you know they’re actually dead. this is standard procedure and also like. a basic human compassion thing.

this is also likely why, if you’ve been watching any news about this, we’ve not seen any illustrations of “potential ways to rescue the sub,” or how authorities think they might do it, only diagrams and illustrations of where the sub might be or the depth it might be at. ideas have been floated around, but nothing concrete. because there is nothing concrete. at least, that’s what I’ve seen but that’s probably confirmation bias.

so yeah. in the coming days or years or whatever, I think it’ll come out that rescuers have known all along what happened and kept that little part quiet. but I also think it’s for the most boring, mundane reasons possible: standard procedure technicalities and human compassion while having to navigate a sticky situation between the media and the public.

[soberpluto]

Tarot Tips: How to Spot Soul Connections

In my readings, these are the main give aways about spiritual relationships (soul-contracts). Mind that I am taking into account only upright positions.

Applicable to all types of soul contracts:

Cards falling in sequential order: there's an imminent plot to be fulfilled

Preponderance of Major Arcana: the relationship is entangled with universal forces that cannot be controlled by the parties involved

Paired King and Queens (the weaker pair is the Swords suit): high compatibility and resonance

If your reading contains 60% or more of each block of cards, take it as a clear indication of a soul tie

Soulmates:

Ace of Cups: genuine and abundant desire to love

2 of Cups: deep understanding, balance and closeness

6 of Cups: kindred spirits (a reunion from previous lives)

10 of Cups: this is your fairytale romance

The High Priestess: telepathic rapport and a soul bond

The Hierophant: faith in each other and spiritual connection

The Lovers: high chemistry and fated love (you stick like magnets)

The Wheel of Fortune: your encounter was destined

Temperance: you are divinely guided

The Star: a healing connection

The Sun: you light up each other, it's pure bliss

The World: they see you as the one or vice versa

Karmic Partners:

3 of Swords: this relationship will hurt AF

4 of Swords: your self-care will be neglected

5 of Swords: this relationship will feel like a war

6 of Swords: you need to heal from this and move on

5 of Cups: there will be grief, sorrow and loss

8 of Cups: please leave before it gets messier

Many Wands cards: there's a lot of attraction but little to no stability

Many Swords cards: many challenges around communication and understanding (watch out for 7 and 10 of swords, as they indicate cheating as a rule!)

Reversed court cards: please watch out for these, they can do a lot of damage

The High Priestess: there are many secrets and hidden forces around you two, it's highly important you listen to your intuition

Justice: you need to choose for your own good and do what's right, if not karma will repeat itself until you learn

Death: this relationship brings deep transformations through crisis

The Devil: toxicity is part of your union / you are badly co-dependent

The Tower: your world will crumble and turn upside down / you are fatally attracted to each other

The Moon: very strong connection, but one that triggers each's shadow side

Judgement: you need to learn from the past, take responsibility for your deeds and release karma. If they wronged you, they will pay.

Twin flames:

This is the most difficult to pinpoint accurately, but you will get a mix of Soulmate and Karmic Partner cards. Clear give aways are:

2 of Cups: unconditional love (even if the reading looks challenging)

4 of Wands: you are meant to reach union / 11:11

The Lovers: yin-yang principle, you are each other's counterpart

The Magician: you have manifested each other / the attraction you feel is more powerful than your separate wills

The High Priestess: you are connected in ways you cannot understand / the bond cannot be broken

The Empress + The Emperor: You are the divine femenine / divine masculine

Death: you will summon a new version of yourself after this encounter

The Devil: the intense feelings you trigger in each other can create havoc in your lives

The Tower: the universe will strike you by surprise and both will change each other views for good

The Moon + the Sun: the runner and chaser dynamic

The World: they are your "missing piece" and vice versa

🌟Intuition will ultimately tell you which is what, but I feel this is a pretty good starting point. 🌟

Thanks for reading! 😇

Written by @ soberpluto

Book readings here! https://starintuitivehealing.etsy.com

[apod]

2024 February 22

A View Toward M106 Image Credit & Copyright: Kyunghoon Lim

Explanation: Big, bright, beautiful spiral, Messier 106 dominates this cosmic vista. The nearly two degree wide telescopic field of view looks toward the well-trained constellation Canes Venatici, near the handle of the Big Dipper. Also known as NGC 4258, M106 is about 80,000 light-years across and 23.5 million light-years away, the largest member of the Canes II galaxy group. For a far far away galaxy, the distance to M106 is well-known in part because it can be directly measured by tracking this galaxy's remarkable maser, or microwave laser emission. Very rare but naturally occurring, the maser emission is produced by water molecules in molecular clouds orbiting its active galactic nucleus. Another prominent spiral galaxy on the scene, viewed nearly edge-on, is NGC 4217 below and right of M106. The distance to NGC 4217 is much less well-known, estimated to be about 60 million light-years, but the bright spiky stars are in the foreground, well inside our own Milky Way galaxy.

∞ Source: apod.nasa.gov/apod/ap240222.html

[mai-333]

The Poverty Aesthetic;

Why do people want to look poor?

N.hoolywood Fall/Winter 2017 men’s collection

Not wanting to look polished and elegant isn’t something new. Messier aesthetics have been popular styles since the 1950s. The hippies of the 60s wore a beat up, vintage carnival look. Punk rock trended in the 80s where people wore shredded, torn, or bleached jeans. The 90s had grunge where tattered and even dirty clothes were worn, with distressed denims and flannels. But while these trends were primarily influenced by music and political movements, the current phenomenon of wanting to look homeless or poor is not.

The poverty trend really started with shoes. Taking inspiration from grunge fashion trends which included well worn Doc Martens and Converse. Many people took to manufacturing this look by purposefully making their shoes look dirty, and old. So while these may look similar, the 90s grunge style was created through thrifting and repurposing clothes. This new trend is a mockery to 90s grunge, faking a used look is pathetic, many people who are forced to wear tattered shoes would love your brand new ones. If you really want the distressed shoe aesthetic then buy them second hand, or just wear your shoes until they look worn. This has escalated severely, to the point where luxury brands such as Gucci and Balenciaga, are now selling new used looking shoes.

N.hoolywood and Magnolia Pearl have both been criticised for glamorising the poverty aesthetic. Even John Galliano, who’s 2000s homeless inspired collection later influenced the parody Zoolander film. Celebrities such as Johnny Depp have been seen wearing ‘distressed chic’ outfits which could have been seen on a homeless person, except that he’s actually wearing Magnolia Pearl.

It is no surprise that people have taken issue with the poverty aesthetic, because this is only an aesthetic for those who have the choice. It is the ultimate luxury to be able to choose to dress poor. What a poor person will be judged for wearing is now a trend for richer people. Rich people view poor people through their lens of privilege. This style is not just controversial, it is ignorant, out of touch, and overall just privileged.

Choosing to wear second hand clothing, oversized and layered outfits, is not the issue. I understand that many people choose to dress in a more alternative and grungy style which may look similar to what is worn by poor or homeless people. It is not problematic to wear distressed or tattered clothing when you can afford otherwise. Dressing in worn and second hand clothing is one of the best ways to tackle fast fashion and over consumption. The issue lies where rich people want to masquerade as poor, when luxury brands sell and promote ‘homeless chic’ fashion.

[wonders-of-the-cosmos]

Messier 88 is a spiral galaxy about 50 to 60 million light-years away from Earth in the constellation Coma Berenices. It was discovered by Charles Messier in 1781.

Image Credit: Adam Block, Mt. Lemmon SkyCenter, U. Arizona

[hchollym]

Percy Weasley & the Weasley's Homophobia/Transphobia

I wrote about Percy having Oldest Daughter Syndrome in this post, but that got me thinking, and I realized something - out of all the Weasley siblings, Percy is the only one that doesn't fit into gender norms.

So I started going back and rereading to double check, and I was blown away by just how many traditionally feminine traits Percy has in the books that I didn't notice the first time I read them! 😱

It has me wondering if that was subconsciously - or purposely - a major contributor of why the Weasley children disliked Percy so much (given how homophobic/transphobic the Wizarding World is in general).

The Basics/Personality Traits

Percy doesn't play Quidditch (i.e. sports).

He enjoys Divination - a subject that is seen as silly by the popular characters & only people like Lavender and Parvati (i.e. "dumb" girls) enjoy it.

He's not great at chess: "He [Harry] suspected he wouldn’t have lost so badly if Percy hadn’t tried to help him so much." According to many studies, there is a stereotype that boys are better at playing chess than girls.

Percy is more organized and clean: ""Ron hasn't put all his new things in his trunk yet," said Percy, in a long-suffering voice. "He's dumped them on my bed."" This is a common stereotype for women, while men tend to be thought of as messier.

Descriptions/Word Choice

Percy is said to be, "fussy about rule-breaking and fond of bossing everyone around." Fussy and bossy are both sexist phrases that are commonly used to describe women who aren't accommodating enough.

Book 2 said, "Percy swelled in a manner that reminded Harry forcefully of Mrs. Weasley. “Get — away — from — there —” Percy said, striding toward them and starting to bustle them along, flapping his arms." It's not a coincidence that the other Weasley brothers are never compared to their mother.

In Book 4, it stated, "“Mr. Crouch!” said Percy breathlessly, sunk into a kind of halfbow that made him look like a hunchback. “Would you like a cup of tea?”" He is portrayed as being quite submissive and eager to please in his job (traits traditionally used to describe the ideal woman, particularly in the religious sectors).

Later in Book 4, there's this conversation: "“Maybe Percy’s poisoning him,” said Ron. “Probably thinks if Crouch snuffs it he’ll be made head of the Department of International Magical Cooperation.”" Poisoning is most often done by women, whereas men tend to kill someone in more aggressive ways.

His Job

Percy worked as an assistant/secretary to Mr. Crouch and then for the Minister of Magic - both of which are considered "women's jobs." This dates back to the Industrial Revolution, when more than 1.7 million women began working in this career, and it is still predominantly held by women (who make up almost 90% of secretaries and assistants).

Even his research was feminine:

“What are you working on?” said Harry. “A report for the Department of International Magical Cooperation,” said Percy smugly. “We’re trying to standardize cauldron thickness.

Cauldrons are generally associated with women because they were also used for cooking, and in paintings, it is almost always witches (women) depicted with cauldrons.

Then, there's this:

“I don’t reckon he’d come home if Dad didn’t make him. He’s obsessed. Just don’t get him onto the subject of his boss. According to Mr. Crouch . . . as I was saying to Mr. Crouch . . . Mr. Crouch is of the opinion . . . Mr. Crouch was telling me . . . They’ll be announcing their engagement any day now.”

A secretary falling in love with their boss and becoming obsessed... hmm, where have I heard this stereotype before? 🙄

Discipline

A research study on parental discipline found that, "“When it comes to disciplining the kids, there’s been a role reversal in the modern home,” the study concluded, with moms being more consistent in discipline than dads. The researchers found that dads are no longer the strict disciplinarians that they were in the ’50s and ’60s, and are more likely to let children get away with wrong behavior and less likely to talk through discipline issues with the kids.""

We certainly see that dynamic in the Weasley household with Molly & Arthur, and we continue that trend with most of the Weasley sons - Bill & Charlie definitely aren't disciplining anyone; they're the cool, "chill" brothers who contribute to the problem by smashing tables around in the air for fun.

Percy is the only one who disciplines the younger kids - especially at school and in the role of a prefect:

“Five points from Gryffindor!” Percy said tersely, fingering his prefect badge. “And I hope it teaches you a lesson! No more detective work, or I’ll write to Mum!”

&

Fred and George were going the wrong way about cheering her up. They were taking turns covering themselves with fur or boils and jumping out at her from behind statues. They only stopped when Percy, apoplectic with rage, told them he was going to write to Mrs. Weasley and tell her Ginny was having nightmares.

Lack of Humor

“Yeah, well, Percy wouldn’t want to work for anyone with a sense of humor, would he?” said Ron, now starting on a chocolate eclair. “Percy wouldn’t recognize a joke if it danced naked in front of him wearing Dobby’s tea cozy.”

It is repeated regularly throughout the books that Percy isn't funny and can't take a joke, which correlates to the sexist idea that women aren't funny (or that men are much funnier).

Mother-Hen Tendencies

Percy has so many instances of looking out for his siblings (or noticing when something is wrong) and worrying about them (i.e. fussing over them):

Her Pepperup potion worked instantly, though it left the drinker smoking at the ears for several hours afterward. Ginny Weasley, who had been looking pale, was bullied into taking some by Percy.

&

Dear Tom, Percy keeps telling me I’m pale and I’m not myself. I think he suspects me…

& After the Second Task in Book 4:

Percy seized Ron and was dragging him back to the bank (“Gerroff, Percy, I’m all right!”)

Compare this to Fleur's reaction only a few sentences later:

Fleur had broken free of Madame Maxime and was hugging her sister.

(In fact, Percy & Fleur share a lot of characteristics, but that's a topic for a different time.)

Relationships

Percy had a girlfriend, but he still broke the gender norms by writing love letters to her all summer and keeping a photograph of her. This type of romantic personality isn't stereotypically common of most teenage boys (especially in these books), but it is common of characters like Lavender, who bought Ron a gold necklace (and Ron was appalled at the idea of wearing it).

His Brothers

To compare, the only other Weasley brother who shows any traditionally feminine traits is Bill with his long hair (and I guess his one earring, but that became very popular among guys during the 80's/90's). This is a physical characteristic as opposed to an emotional/behavioral one, and Bill doesn't get any negative reaction, because he is masculine in every other way - He had a dangerous, exciting job for many years; he has a career working with money (74% of people working in finance are men); he married a much younger, attractive woman (think about Leonardo DiCaprio not dating women over the age of 25); and he had a completely heteronormative marriage.

To Summarize

Percy has an abundance of traditionally feminine characteristics in the books, as opposed to his brothers, who definitely do not. Given how society is in the Wizarding World, it is very likely that this contributed to his strained relationship with his family. 😥

[talonabraxas]

The Sky This Week from May 31 to June 7: A Jupiter-Mercury conjunction

The parade of planets starts as two worlds come close and the Moon moves on down the line in the sky this week.

Friday, May 31 Although the Leo Trio of galaxies gets quite a lot of fame, these aren’t the only deep-sky objects to chase down within the Lion. With no Moon in the sky after sunset tonight, consider hunting down another of this constellation’s galactic gems: NGC 2903. In fact, many skywatchers wonder how Messier could have missed this gorgeous spiral, whose brightness is on par with other galaxies the Frenchman did spot in Leo.

NGC 2903 sits just below the big cat’s “chin.” To find it, first look west an hour after sunset, where Leo is slowly making its way down toward the horizon, now 50° high. You’ll easily spot the constellation’s alpha star, magnitude 1.4 Regulus, as one of the brighter suns in this region of sky.

From Regulus, see if you can find the rest of the Sickle asterism, which looks like a backwards question mark in the sky. The Sickle’s blade ends at 3rd-magnitude Epsilon (ϵ) Leonis; from this star, scan 3.3° west to land on 4th-magnitude Lambda (λ) Leo. And from there, simply drop 1.5° south to view magnitude 8.9 NGC 2903.

This spiral galaxy is roughly twice as long as it is wide, stretching about 12.6′ on its long axis. It is considered one of the finest NGC objects, and a medium-sized telescope (4 inches or so) will begin to resolve its brighter nucleus and fainter halo into distinct regions.

Sunrise: 5:34 A.M. Sunset: 8:22 P.M. Moonrise: 2:06 A.M. Moonset: 1:52 P.M. Moon Phase: Waning crescent (39%)

*Times for sunrise, sunset, moonrise, and moonset are given in local time from 40° N 90° W. The Moon’s illumination is given at 12 P.M. local time from the same location.

Saturday, June 1 June opens with a gorgeous dark evening sky that might allow you to catch a glimpse of noctilucent clouds floating high above the northern horizon. These stunning, reflective clouds are unique in that they are composed of ice crystals that condense largely on high-up dust particles left behind as meteorites streak into the atmosphere.

Noctilucent clouds form in the mesosphere, some 60 miles (100 kilometers) above the ground. Because they are so high up, they can remain in sunlight long after the Sun has gone down for those on the ground, thanks to the curvature of Earth. Thus, these clouds can appear to shine high in the sky even in the dark of night, while lower, “normal” clouds are dark blots without illumination.

There’s no special equipment needed to view noctilucent clouds, just a little luck and some patience. Step outside an hour or two after darkness falls and turn your gaze north. Note that even though they’re high in the atmosphere, these clouds may be low on your northern horizon depending on your latitude, so try to get to a viewing site where that direction is clear of both obstacles and artificial lights. Look for wispy, silvery clouds that appear lit up rather than dark or dusty. Like the aurora, noctilucent clouds can come and go, and displays may ramp up slowly — but hopefully the mild weather and moonless skies will allow for some additional stargazing even if no night-shining clouds appear!

Sunrise: 5:33 A.M. Sunset: 8:23 P.M. Moonrise: 2:30 A.M. Moonset: 3:05 P.M. Moon Phase: Waning crescent (28%)

Sunday, June 2 The Moon reaches perigee, the closest point to Earth in its orbit, at 3:16 A.M. EDT. At that time, our satellite will be 228,728 miles (368,102 km) away.

The Moon then passes 2° north of Mars at 8 P.M. EDT. Both are visible in the morning as part of the line of planets now shining in the pre-dawn sky. So, step outside early this morning about an hour before sunrise to find Mars and the Moon both in Pisces, standing 15° high at that time in the east.

The waning Moon lies west of Mars early this morning, sitting to the Red Planet’s upper right in the sky. By tomorrow morning at the same time, the Moon will be an even thinner crescent to the east of Mars, having moved to its lower left.

An hour before dawn, three planets in the six-world lineup are already visible. Mars and Saturn are both 1st magnitude, with Saturn far to Mars’ upper right (west) in Aquarius, nearly 30° high at this time. Neptune lies between them in Pisces, about 5.5° below magnitude 4.5 Lambda Piscium. The distant ice giant is magnitude 7.8 and requires binoculars or a telescope to spot.

Wait 30 more minutes, and Uranus (magnitude 5.8 — again, requiring optical aid) and Mercury (magnitude –1) have risen, with Uranus some 4.5° high and Mercury just 1.5° high. Magnitude –2 Jupiter is just rising at that time, and will need a bit longer to climb above the horizon. See if you can catch it just before sunrise, though be careful to look away and stop using binoculars or a telescope several minutes before the Sun rises from your location, which may differ from the time given below.

This lineup of planets will feature throughout the week, especially as the Moon passes through the line and Mercury and Jupiter meet in a close conjunction in just two days. Stay tuned!

Sunrise: 5:33 A.M. Sunset: 8:24 P.M. Moonrise: 2:54 A.M. Moonset: 4:18 P.M. Moon Phase: Waning crescent (18%)

Monday, June 3 Asteroid 2 Pallas is currently moving through Corona Borealis, now within the constellation’s southeastern border. Tonight, the 9th-magnitude asteroid sits just 20′ from a magnitude 6.5 field star, but there’s actually a much easier way to find it.

Because of its location and the rotation of Earth, you can let nature do the work for you. Center your telescope on magnitude 4.1 Epsilon Coronae Borealis and simply lock it in place without tracking, so the sky appears to drift past. Within 20 minutes, Pallas will be in the center of the field!

Corona Borealis has been recently making headlines for a different star: T CrB, a star just 1° southeast of Epsilon. Normally magnitude 10 and requiring the aid of binoculars or a telescope to see, T CrB is expected to suddenly and briefly flare sometime in the next few months, reaching a naked-eye magnitude of roughly 2. Tonight, Pallas is nearly 3.5° east-northeast of T CrB; it will close in on the variable over the next few weeks and pass within ¼° of the star later this month.

Sunrise: 5:33 A.M. Sunset: 8:24 P.M. Moonrise: 3:21 A.M. Moonset: 5:34 P.M. Moon Phase: Waning crescent (10%)

Tuesday, June 4 Let’s hop back to that parade of planets early this morning to check out a close conjunction as Mercury passes 0.1° south of Jupiter at 6 A.M. EDT.

At that time, sunrise has already reached the East Coast, while the two planets are just rising in the Midwest. Mercury lies just to the lower right of Jupiter and binoculars or a telescope will show both within the same field of view. No matter your time zone, you can catch the pair about 20 minutes before local sunrise, when they are some 2° to 3° high. It’s definitely a challenging view, but a rewarding one. Note that Mercury will continue sliding east over time, so those in time zones farther west may see Mercury directly below or even to the lower left of Jupiter in the sky.

They’re a stunning contrast — the solar system’s smallest and largest planet, together in one view! Mercury spans some 5″ and appears nearly 90 percent lit. Nearby, Jupiter is more than six times as wide at 33″ and is fully illuminated by the Sun. Its four Galilean moons are on display, though they will be hard to make out in the growing twilight. In the eastern half of the U.S., Europa is just finishing a transit across the disk, slipping off just 10 minutes before sunrise in the Midwest, so take care if you’re trying to follow the event. After that, Europa lies closest to the planet to the west, with Callisto farther west. Io lies closest to Jupiter on the east, and Ganymede sits farther east.

Moving down the line of planets, the Moon passes 4° north of Uranus at 9 P.M. EDT tonight.

And earlier in the day, Venus reaches superior conjunction at noon EDT, which is why it’s currently invisible in the bright glare of our star.

Sunrise: 5:32 A.M. Sunset: 8:25 P.M. Moonrise: 3:51 A.M. Moonset: 6:50 P.M. Moon Phase: Waning crescent (4%)

Wednesday, June 5 The Moon now passes 5° north of Jupiter at 10 A.M. EDT. The slim crescent will be a real challenge to observe, although according to longtime Astronomy contributor Stephen James O’Meara, there are some unique and beautiful effects to be seen if you can manage it.

See if you can catch the nearly New Moon in the sky shortly before dawn. If you do, you might experience the lunar blackdrop effect, which can cast dark stripes on the last illuminated bits of the lunar crescent. These stripes aren’t real, but are instead an illusion caused by both the diffraction of sunlight and the turbulence of our atmosphere, through which we are viewing the Moon (and all other celestial objects). In fact, you might notice these stripes dance, waver, or disappear and reappear if you’re able to follow the slim crescent over time. The more turbulent the atmosphere — and the poorer your local seeing — the more likely you are to see the stripes.

Particularly intrepid observers can try to catch this effect again tomorrow morning, just hours before the Moon finally reaches its New phase.

Sunrise: 5:32 A.M. Sunset: 8:26 P.M. Moonrise: 4:26 A.M. Moonset: 8:05 P.M. Moon Phase: Waning crescent (1%)

Thursday, June 6 New Moon occurs at 8:38 A.M. EDT this morning, leaving our sky dark, moonless, and perfect for deep-sky observers.

Longtime observers know that although the images of galaxies and nebulae we see are often stunningly multicolored, most objects don’t show off vivid hues through the eyepiece when visually observing. But some do, and one of these is NGC 7662, also called the Blue Snowball and the brightest planetary nebula in the constellation Andromeda.

You’ll want to catch this object in the early-morning sky, after around 3:30 A.M. local daylight time, when Andromeda has risen well above the eastern horizon. The Blue Snowball is located in the western portion of the constellation, just under 2.5° west-southwest of magnitude 4.3 Iota (ι) Andromedae. The nebula itself is magnitude 8.3 and roughly 30″ across; it’s easy to capture in most instruments. Smaller scopes will show a small, grayish smudge. But you’ll want a larger scope to pull out its deep blue color — something in the 8- to 10-inch or larger range is a good start, but bigger is better! Make sure to use high magnification as well for the best chances at a glimpse of its beautiful blue hue.

Sunrise: 5:32 A.M. Sunset: 8:26 P.M. Moonrise: 5:11 A.M. Moonset: 9:15 P.M. Moon Phase: New

Friday, June 7 Tonight offers the first of several chances in the coming days to catch Comet 13P/Olbers near NGC 2281, a 5th-magnitude open cluster in Auriga the Charioteer.

You’ll need to be quick, though, as the constellation is setting in the west just behind the Sun. An hour to an hour and a half after sunset, you’ll want your telescope trained on eastern Auriga, just to the lower right of the bright stars Castor and Pollux in Gemini. Tonight, Olbers lies some 5.7° north-northwest of magnitude 3.6 Theta (θ) Geminorum and just 2.2° southwest of NGC 2281. The comet is currently around 8th magnitude, so a few magnitudes fainter than the open cluster but still bright enough to pick up in relatively small scopes as long as the atmosphere is clear and calm. An observing site that is slightly elevated above its surroundings and with a clear western horizon will help, too.

Discovered by William Herschel in 1788, NGC 2281 is a loose collection of young stars spanning about ¼°. Astronomers estimate the cluster is some 435 million years old. It is among many open clusters in Auriga, including the three Messier objects M36, M37, and M38. Of these, M37 is believed to be closest to NGC 2281 in age, based on the clusters’ rotational rates.

Sunrise: 5:31 A.M. Sunset: 827 P.M. Moonrise: 6:04 A.M. Moonset: 10:15 P.M. Moon Phase: Waxing crescent (2%)

The Sethian Gnosis by talon Abraxas

[igotthis-egg]

Igotthis-egg oc posting??? Insanely rare sight.

This is a concept for an updated mechanic uniform in the sci-fi story I’m working on. I’ve had the old one for quite a long time but I felt like it was a little too basic now, after 4 years of using it. New and improved version! I really need to work on the volunteer uniforms. I really want them to be 50’s-60’s inspired!

Old uniform here for comparison

Also man I kind of miss using this brush. My sketches tend to be messier using it though, which is why I ultimately made the switch to a pencil brush. But boy does it make my art have a totally different vibe