#mentioned dorothea

[askhubertvonvestra]

Boops nose, how have you been?

...I see you missed these antics.

But I have been well. With the support of our allies, progress with the war has been both swift and decisive.

Although I suppose that doesn't quite answer your question. Dorothea and Petra have brought it to my attention that I rarely respond accordingly when questions involve me directly, so. I have been collaborating with Linhardt on his more engaging studies, and Bernadetta has been joining Ferdinand and I for tea as of late. Byleth has gladly roped me into their training sessions with Caspar, claiming that we will be good influences on one another. Begrudgingly, they were not incorrect on that front. Naturally, this has been encouraged by Her Majesty as we both pursue greater independence and free time outside of our duties.

Likewise, it would be excellent news to know that you are doing well. May only the best cross your path.

[diezmil10000]

A girl like you

versión original en español, Una chica como tú

[yourlocalbadgerscales]

We always talk about how Taylor uses “gorgeous” and “beautiful” to describe her muses, and those are very feminine words, but can we please take a sec to talk about “Baby doll, when it comes to a lover”…

like… Taylor, hun… the closet is glass

[bastart13]

"Does that FE3H character have a bastard child?" tier list

One of the funniest things my sister and I have done with FE3H is create the Sylvain-Dimitri bastard tier list aka. on a scale from Sylvain to Dimitri, would that character have a bastard child?

Sylvain sleeps around and bitterly assumes every woman wants a child from him, so duh, while Dimitri would be so ashamed of holding hands with an unmarried partner, he would immediately marry them and claim all responsibility on the spot

The Gilbert tier is "they might if they weren't rizzless"

[b1oodmoonlit]

the way this still from the You Need To Calm Down music video lowkey confirms the Taylor-Is-James/The-Man theories

[vonehrenfest]

Together Forever

So it turns out that Danny is functionally immortal, his living and ghostly forms stabilizing each other every time he transforms. What this means for his human body is that he keeps reverting back to the age of his death- if he wants to grow up, to grow old, he will have to give up the other half of himself.

Danny could also stay a ghost instead, but it doesn’t feel right. It would be too much somehow in a way he can’t explain. (To be a ghost is to be tethered to your pain. He doesn’t notice it while he’s dead but the relief is real each time he comes back to life.)

Tucker reincarnates, like he has been for the past millennia. Each time he forgets his friends, and each time he’ll look into an ancient mirror and slowly start to remember.

It’s not just Tucker who comes back. His parents also return, again and again to each other. They never remember but it’s comforting nonetheless. On his third life after being Tucker Foley, it occurs to him that they might be soulmates; his continued existence not an unnatural blackmailing of the universe (like magic so often is) but just… skitching a ride.

Sam lives. She’s idealistic, a fighter, and ambitious. She dabbles in the dark arts just enough to help further her bright-eyed goals. Then, for a while she disappears. When her friends finally find her again, she has demons- both literal and metaphorical. She stops dabbling, and lets herself age. (She won’t stop fighting though, she never will.)

Sam dies. Danny protects her soul, and Tucker helps preserve her heart and mind. Her ghost is a fearsome and terrible thing, nearly a goddess in her own right. Death frees her from her living burdens, and for the first time in centuries she feels as light as she was in her youth.

Dani and Vlad are similar to Danny, but they are not perfect. They have to eat.

Vlad’s death was gradual. There is no single moment his biology returns to when he transforms, so he ages. He sustains his living body with his ghostly form, so like Spectra and Desiree he learns to draw energy from human emotions.

Dani was born half-dead. The condition Vlad discovered in himself as he begun to live longer and longer than any human has natural access to, she had from the very beginning. Dani doesn’t bother with vampirism though. She’s a Frankenstein and she’s ok with it; she gets her ecto-vitamins in the form an injection by Danny.

One day Dani will find out why she wanders, and why she traces the same paths over and over again. (Sam will tell her about ley lines, liminal spaces, and tears in the veil between worlds.) She’ll find places and events where the air itself sustains and strengthens her. Sun on a flower.

[mywingsareonwheels]

Ugh, that thing Russell Lewis does...

... of dropping in devastating or revealing character information in off-hand bits of dialogue or the info on a tombstone you see for one second or this this that and the other. Right up until the final episode.

Some of the things that are really blink-and-you’ll-miss-it the first time around if you’re not careful:-

Bright lost his daughter. While way posher than most of the characters he’s still not from quite as upper class a background as his wife (who cheated on him at least once, though they weathered it). Her nickname for him means “tiger”. He doesn’t seem to have fit in comfortably at any point with anyone, perhaps indeed until he starts to bond more closely with Fred and Morse in the last 2-3 series.

Win was stalwartly in London for at least part of the Blitz. She once met a guy with a foot fetish who flirted with her and she’s still tolerantly amused decades later.

Constance was less than 20 when she had Morse. (AAAAAAAH.) (Everything about her marriage to Cyril sounds horrifying frankly.)

Max is gay and has a lost love (“and one was fond of me” / ”the one that got away”)

Fred grew up without indoor plumbing and generally in fairly intense poverty, he and Charlie at least (presumably Billy and I suspect their mother too) were physically abused by their father (who was an alcoholic).

Also on Fred: he was already an anti-fascist in the 1930s including when it meant joining with one of his colleagues (Sgt Vimes, who Sam was probably named after) against the rest. (Frankly Fred is the king of the “devastating info that is easily missed”, and that last point regards some moderately obscure knowledge to decode but it’s solid once you have that.)

Jakes’s non-Blenheim Vale background was very poor too, given his familiarity with the “Never-Neverland” of the kind of housing estate that replaced the kind of slum that Fred grew up in.

Dorothea has had a fricking epic past doing war correspondence etc..

Sam was bullied at school and didn’t tell his father because he was worried about how he would react.

Jim was brought up by his apparently rather obnoxious and judgemental grandmother, which might explain the desperate need to fit in and get on at all costs, as well as the extremely skilled peacemaking at times. He might have been in the navy before the police, though that’s a bit more uncertain.

Trewlove went to a posh enough school to have serious chess-playing as a thing. (She’s definitely the only person at the station with a comparable class background to Bright’s.)

And so on; I know I’ve missed out plenty of things here and especially I know there’s some info about Win that’s on the tip of my brain and I can’t quite remember. (I think she’s from Blackpool originally, e.g. and misses the sea? And did some war work outside London?) I weirdly couldn’t think of anything significant that’s not already foregrounded about Joan, Box, Fancy, or Monica; help me out here lovelies. :-) 

This is on top of eveeeeerything about Morse, which is far more foregrounded but even he has things dropped in very casually sometimes.

Goodness they’re all so messy and I love them all so very very much. <3 (Though also: I so very much wish that Lewis gave just *more* to his women characters. I have the obvious reservations about Joan’s arc (I *like* Strange, but... hmmmmmmmmmm), and the obvious wishing that Monica and Trewlove especially had had far far more to do.)

[kaibutsushidousha]

Do you have any predictions on how Lorelei Barthomeloi's going to look like now that Dead Apostles Ancestors have gotten their buffs and Lord Trambelio has less than half of the od that Ciel has? How would you design the Aristocratic faction's big shot?

I don't have a direct answer to the question. I believe everything that was previously established about Lorelei's brand of magecraft is no longer applicable after the remake. So instead I'll use this convenient ask as a platform to write a post I've been meaning to write for a while. A commented translation of Lorelei's old profile focusing on what I believe still goes and what I believe no longer does.

Introduction: Barthomeloi Lorelei London's Clock Tower, a central institution of the Mage's Association, is the proud home of The Queen: the greatest mage in the present era. Clock Tower's assistant headmaster. The current Wizard Marshall, commanding a choir called Battalion of Clones. Her magecraft's element is wind.

This initial part I think is maintained in full. There is a huge asterisk on the Battalion of Clones, but I'll get to it when I reach the profile section that explains what the Battalion was.

She's also a vampire hunter who previously defeated 2 out of the 27 Dead Apostle Ancestors and handed them to the Church.

Her track record is confirmedly gone with the remake. Sorry, only Ciel is allowed to be cool now. But when Ciel is fighting Vlov, she mentions some madman who invades vampire lairs from the front door and challenges them to fair duels, and that's 100% Lorelei.

She's an orthodox mage with nothing unique about her magecraft, but since she has the highest value in every stat, she consistently produced excellent results in every situation. She believes simple is best. The archetype and perfect model of the idea that one who is strong enough doesn't need a special ability.

This part I can very confidently say is gone. I can even bring up two completely different reasons.

The point of Lorelei favoring high stats over gimmicks is to portray her as a mirror to nemesis Ortenrosse. And the point of pre-remake Ortenrosse thinking little of unique powers is that he was Brunestud's first follower and held too much respect for the moon man to devote himself to something beyond a vampire's basic kit. However, as of the remake, Principles are part of a vampire's basic kit. Having unique powers is now built into Brunestud's blueprint, so there's no reason for Ortenrosse to continue committing to being boring. Ortenrosse will have a power defined by his Idea Blood and the Barthomeloi will have a magecraft system suspiciously similar to Ortenrosse's Principle.

Nasu mentioned the Barthomeloi family once after establishing the remake lore. In Clock Tower 2015, the Barthomeloi are namedropped as the Lord family commanding the Department of Individual Fundamentals. Shortly after, Sanda established Individual Fundamentals is run by Solonea and Policies is run by Barthomeloi, with Nasu trying to clean up the retcon by saying in his blog that the Clock Tower 2015 line is just wrong. But it's very telling that at some point Lorelei was slated to Individual Fundamentals since studies to foster one's unique abilities are very much the opposite of what our beta version of the Barthomeloi family would be about (it does speak about Lorelei as an individual, but we'll get there).

In fact, her standard combat stance is to bring along 50 elite mages and slaughter the enemy by commanding and instructing them without a shred of disorder. She takes the form of a young empress conducting an orchestra. All troopers, unified by their unique lack of uniqueness, are first-class mages, with Lorelei herself being supposedly able to take on a Dead Apostle Ancestor in direct solo combat.

First, let's address the elephant in the room that with Ancestors being raised to the ballpark of gods, there's no way Lorelei can 1v1 them anymore. She could easily be stronger than McDonell and Karmaglyph, but the power gap can't be that big.

Now to the part that matters. The Battalion of Clones. I think the section above already makes my point clear enough. Lorelei taking Individual Fundamentals somewhere along her character retooling shows an abandonment of the "unique in their lack of uniqueness idea" angle.

What Lorelei ultimately got was Policies, whose most featured members are Goredolf and Hishiri. Both of them are mages who default to their unique abilities (Musik's metalized punches and Hishiri's Mystic Eyes), and Dolf is far from what anyone would call elite.

Of course, the answer could easily be that the Department is bigger than Lorelei's elite squad. You can be from Policies without being from the Battalion of Clones. In fact, you could say there's evidence for it, considering Goredolf from Policies first entered Chaldea with a group of exactly 50 mage followers. If he was part of the Battalion, it should be a group of 49 followers plus himself. Unrelated, the idea of Lorelei lending Dolf the Battalion still feels insane to me, even for an operation as big as entering another Lord's nest.

Anyways, the biggest argument against my ideas is that Fate/Labyrinth confirms that post-Remake, the Battalion of Clones still exists by this name despite the concept that names them, the idea that all 50 shared the same non-identity, being seemingly discarded. Much to think about.

Explanation: Assorted notes One of the Lords, the ruling class of London's Mage's Association. Her family has one of the oldest bloodlines in the association but their origin and style of choosing heirs is kept a secret.

This part touches the core of Lorelei's expected backstory in Tsuki 2, so I'm fully confident it stays. It's absolutely essential the Barthomeloi, this inexplicably ancient lineage of mages who carry this generational grudge against the oldest mage-turned-vampire while coincidentally sharing his core philosophies, does not want to reveal its origins. Haha, who could their originating ancestor possibly be?

They have some modicum of friendship with the fellow Lords of the Archibald family and only them.

This part says more about Kayneth than it says about Lorelei and her dad. There's not much I can say now, but I'll come back to this with a Kayneth appreciation tangent when I get to the line about Lorelei's personality so I can elaborate on the implications.

They left no written records of why their family is named Barthomeloi.

I'll say this stays as is. Nasu clearly has a really dumb wordplay 20 years in the making that connects the meaning of Barthomeloi to Ortenrosse and we know he wouldn't throw a stupid pun away.

The clan first appeared at the time of the Clock Tower's foundation, attained their Lord title through their powerful Blue Blood (noble Magic Circuits), and stood at the top for centuries since.

Changed. Case Files Material's timetable places the Clock Tower's foundation in the 500s and the introduction of the Barthomeloi in the 1000s.

Their current head sees the name Lorelei as nothing more than an appendage added to her name after she took over as the family head. They all only consider the sound "Barthomeloi" to be their name.

Lorelei growing up without her own name is a thing I'm 50/50 on. The bit seems to exist mainly as a thematic extension of the old Barthomeloi and Ortenrosse pursuit of a lack of individual identity. A Barthomeloi has to be the Barthomeloi ideal instead of their own person. Much like the instrumentalists in the Battalion of Clones were all clones of each other and therefore clones of nobody, the conductor is likewise raised to be a clone of previous conductors, tracing all the way back to the original, who in some major ways can't escape being a clone of Trhvmn Ortenrosse. And I already made clear that I consider this character trait to be dropped.

But. The purpose of the Department of Policies and the Clock Tower timetable establishing that the Barthomelois arrived laying the groundwork for the Clock Tower's aristocratic system shows that their unreasonably controlling aspects are still a core element of the Bartholomei character, meaning Lorelei being raised without a name is still a thing that can still happen even without the anti-individuality themes.

Perhaps due to the perfectionism beliefs on every generation's part, the Barthomeloi heads are raised exclusively within their manor, never appearing to others until they are fully accomplished mages. Nothing embarrasses them more the stepping into the big world without being ready for it. Consequently, at the moment they first step into the Mage's Association, they're already the commander of a department.

This part I feel like it stays at is. There's no need for it to be gone. This homeschooled ignorance can play into Lorelei's waifu side.

In a sense, they're more fervently aristocratic than the Dead Apostle Ancestors, and consider even their fellow Lords to owe obedience to a nobler, more capable blood. The only mages that the Barthomeloi heads see as their equals are the embodiers of First Magic.

This one is a bit that I absolutely need to stay as is because it's so much more interesting with newer context. The text says "embodier" rather than user, so it should refer to witches in general, and it's now established that (non-Meinster) witches in the modern era are regarded as living garbage by the world of magecraft at large. It's fascinating to me that the Bartholomei are defined by their dedication to their arbitrary social tier list and said list simply just

S: Barthomeloi, trash

D: Everyone else

F: Vampires REEEEEEEEEEE

She holds a peerless obsession for the king of the 27 Ancestors, the White-Winged Duke Ortenrosse, and is participating in an operation squad to thwart the Aylesbury Ritual that he has been arranging for the past few decades. She never engaged in early-stage sabotage for one reason: to lure out the White-Winged Duke and watch the mortified screams of the disgraced vampires as she thwarts the ritual mid-procedure.

Needless to say at this point, this is the part that needs to stay exactly as is. It's the conflict that gives her reason to be in Tsuki 2 and what the majority of her other character traits in this profile exist for.

Source: The Dark Six (title subject to change) She's the leader of the Mage's Association's Aylesbury Inspection League... except no other mages cooperate with her due to her excessively aristocratic principles, making our problem girl a solo leader. That's not how it works, dear. Due to her special upbringing, she has no interest or tolerance for domestic chores.

This is all purely Lorelei waifu points, so that will be kept intact.

Her personal principle was to measure someone's worth not by their personality, but by what makes them unique. Therefore, she's relatively interested in people with powerful talents.

I imagine this will stay, although it will be a lot less meaningful now, considering that Lorelei's innate interest in unique abilities will no longer be an antithesis to the anti-uniqueness tradition that was going to define the Barthomeloi and Ortenrosse.

This character is thoroughly aristocratic in her beliefs, however, because she believes her blood is the only noble one, she cares nothing about the other nobles. Lorelei sees no difference between the working class and the ruling class. What makes one from either category stand out is not their birth, but the individual abilities they learned.

Lorelei's most important waifu factor. Absolutely stays. But let's get to what really matters. Kayneth. The only guy who maintains a friendship with the Barthomeloi family. What does this say about him?

See, Kayneth is a genius who knows he's a genius and loves the feeling of that. He's prideful and loves boasting. He felt the need to replace a perpetual motion engine with a ball of mercury just so he could better brag about his aesthetics. His material profiles even cite his likes as "himself". His self-esteem is absolutely top-tier.

But as much as Kayneth loves praising himself, he always implies that he doesn't like being praised by others. The higher echelons of the world of magecraft are a field of equivalent exchange, where everyone only helps others for their own benefit and these kinds of deals that define Kayneth's upbringing are only worth trusting when both sides are on an even playing field. He 100% believes that he's special, but can't react positively to special treatment.

He's madly in love with Sola-Ui, a woman who treats him with cold indifference. He fails his relationship with Diarmuid because Diarmuid just wanted someone to deposit his loyalty on and Kayneth is unable to process an uneven relationship in good faith. So when Lorelei's profile tells us that Kayneth holds a major friendship with the guys who treat him the same way they treat the janitor, all I can think is "Yes!! This is so Kayneth!".

She is the typical archetype of the character who shoves away her human side as hard as she can... She is currently being considered for one of the main heroine slots, maybe...

With all the random mentions the Barthomeloi/Policies get, I feel like it's pretty much guaranteed at this point that Lorelei will be a main heroine in Tsuki 2. But with the remake being set in 2014 and Lorelei being defined as young and new at this, all the Barthomeloi mentions in Case Files and stuff should now be about her father (not that any of them said anything character-specific).

[dorkofclanlavellan]

Remember when Justinia had a Tranquil (his name was Pharamond) go to Adamant to see if there was a cure for the Rite of Tranquility and when he did as she asked and cured himself she punished him by ordering him be made Tranquil again while he cried and begged her to just kill him instead?

Remember a couple years before that when she had Leliana go to Kirkwall to warn Elthina to flee because she was planning to order an Exalted March on Kirkwall because more and more mages weren't taking their imprisonment, tortures, rapes and murders without resistance?

Yet we're supposed to see her death as sad and awful.

[bananabraiined]

Well? Like what you see?

[nemo-of-house-hamartia]

the brain is rotting so much dear gods.

And Gale reminds me SO MUCH of Mathias.

The two of them would get along SO WELL, and be the bestest of friends.

Having a heart-to-heart and calling each other out when they run in path of self-destruction.

And also lend each other the same after-shave and haircare products, because both my darlings have a neat beard and leonine hairstyles to maintain.

[paperstarry]

star star star i uh i know we don't talk much? but um yeah so hello my lovely mutual i wanted to ask, since i knew you are also a fire emblem three houses enjoyer so i wanted to ask about your ships for that game? just because i am curious 🥺

also i hope you are having a good day <3

Hi Rock!!!

Omg you're opening Pandora's Box with this ask, I ship so much in 3H, do you have an hour-

My favourite ship is Netteflix (Felix/Annette), I've been obsessing over their support for 5 years now <3 (everyone who knows me knows I will Not shut up about these two dorks lmao. The amount of AUs I created for them is unreasonable).

A close second is Ashe/Caspar, I love both characters individually and together they are so cute and fun!!! Cat dads!! Wandering Adventurers!! Big eaters!!! I need them to hold hands.

I also like Sylvain/Ingrid (him being a big charmer and her being the only one who can resist his charm!!!! Also whatever is wrong with Sylvain), Yuri/Bernadetta (childhood friends separated and reunited??? The DRAMA that was Yuri being hired to assassinate her!!!), Dedue/Mercedes (the end of their C Support left me in shambles), Hilda/Marianne (their ending card is so sweet and I swear Hilda gave Marianne the most gorgeous engagement ring), Dorothea/Edelgard (she wrote her a song/opera!! Also they have hot vampire vibes together) and many more....

What about you???

(hope you have a good day too <3)

[sieglinde-freud]

potential inigo dorothea interactions are obvious with both of them being performers and i think you could argue for their interactions to take a dorothea/sylvain route or a laslow/azura route but i propose this secret third thing in that they both see right through eachother. “you flirt as a defense mechanism!” “wtf well SO DO YOU??” they put up the same persona but for completely different reasons, and i think they’d sympathize with eachother to an extent. inigos not a noble in fodlan, so dorothea would be more open to hearing what he has to say as opposed to someone like sylvain, and i think after knowing what his own mom went through as a performer in ferox, he’d lend an ear to dorotheas struggles climbing the ranks herself. like i just think they could be the bestest of friends ever and also this is how ferdinand finds out he is bisexual. and then they kill sylvain

[edelthea]

Dorothea: Yuletide Dancer (Fire Emblem Heroes)

[dimiclaudeblaigan]

One of the biggest reasons I try to recruit all the characters in Three Houses isn’t just because I don’t want to kill them, but because if I do, I still have to go back to the monastery afterward. I still have to pass by their dorm rooms full of their belongings and know that’s where they spent their alone time and where they slept. I still have to pass by the spots they frequented the most. It’s not just the sad dialogue of characters reacting to the deaths, but passing by the spots I vividly remembered them hanging out at.

I realized this most in my first playthrough when I didn’t have the chance to recruit everyone and I accidently killed Raphael at Gronder. I didn’t have the enemy attack range turned on so I didn’t realize he was in range of attacking.

During an exploration, I was looking for Ignatz who was, unfortunately, in his dorm room... and I walked into the wrong room and into Raphael’s after he was killed and man that fuckin’ sucked! Feels bad but like, multiplied with big numbers, u kno??? ???

YES, IT’S A VIDEO GAME. YES, I HAVE HUMAN BEING FEELINGS ABOUT IT.

[nancywheeeler]

List 10 songs with 10 names in the titles that I like, and then tag 10 people.

tagged by @lilalbatross, thank you this was a blast! i didn't realize how many of my favorite songs have names in the titles.

buddy holly {weezer}

emmylou {first aid kit}

evangeline {emmylou harris}

fare thee well, miss carousel {townes van zandt}

francesca {hozier}

for elise {saint motel}

jackie onassis {sammy rae & the friends}

me & magdalena {the monkees}

ophelia {the band}

so long, marianne {leonard cohen}

tagging @eugeniedanglars, @camgoloud, @goodwitchs, @skiptownlikea, @benoitblanc, and anyone else who wants to give it a go!