#men can and should be affectionate with each other without it being romantic in intent

[arcane-vagabond]

I need some of you to stop trying to find homosexual romances in straight media and actually sit down and start supporting the LGBTQ+ media that’s already out there.

[rubyreduji]

I’m sure it wasn’t posted with malicious intent, but as a member of the LGBTQIA+ community, your post about Seventeen’s sexualities is kind of upsetting. Opinions are one thing but unless an idol confirms their sexuality themselves (like S. Coups, Yoongi, kinda Moonbyul), it’s really distasteful to say stuff like that. Especially when you acknowledged the backlash you might receive over it with the “blah blah blah.” This is exactly why so many idols are scared to engage in skinship with one another and how some of them end up losing the bonds they’ve formed together because people want to sexualize their relationship. Men should be allowed to love one another and engage in skinship without it meaning they’re gay or secretly romantically involved. They’re humans too and their relationships to each other, regardless of whether or not they’re actually gay, are nobody’s business but their’s. Members kissing and hugging and showing genuine love for each other is exactly the same as girls kissing their friends while drunk or snuggling when they’re bored. Normalize men showing affection to the people they love without making it weird.

seventeen has a love that transcends platonic, romantic, anything and they love each other in a way that no one else can understand and it will never be broken up by anything, especially not a shit post on tumblr dot com but i digress, let's break this down

"as a member of the LGBTQIA+ community" hey bestie im actually not a cishet girl and am in fact a bi trans guy, happy to clear that up

"you acknowledged the backlash you might receive" backlash?? am i...a celebrity??? omg thank you so much?? (are we in love now? sorry but my heart already belongs to another) but being fr i was just poking fun at the people who say that and then turn around and assume they're straight bc they think attractive men can't be gay

now the real shit:

i never said men can't have platonic physically affectionate relationships with each other (i come from the theatre world so trust i am very used to it) and i absolutely never sexualized their relationships (ive been very clear on this blog about my standing with the fetishization of mlm relationships)

the truth is straight guys can act gay and gay guys can act straight and i was reflecting on that in a light hearted manner bc everything i post on this blog is never that serious and will never be that serious, so if my post bothered you that much dude block me

also i literally said Dude Kisser kisses the members in a no homo way??? smh

and who said i was assuming their sexualities?? like yea i think hoshi is super gay but i also think he loves eating pussy like they can happen in the same universe

anyways tldr; suck my mf dick and get off my blog 🥰️

[pippin-katz]

I was loving this post until the very end; could you please clarify if you’re being kinda serious/genuine with that comment? Cause it’s not entirely clear to me.

If you are being serious, can we not do that?

Joking about that, I would think, is probably fine cause they literally play a couple in their film.

However, saying “you know COUPLES do that a lot” without clarifying the unserious intentions holds the implication that you think they could actually be in a romantic relationship, which is not something that should be publicly speculated about, despite how normalized it is to do so.

This is especially true in the case to two men who are straight; while Taylor hasn’t publicly shared a label, Nick has publicly said he identifies as straight.

This type of behavior perpetuates the stigma that two men can’t be affectionate/comfortable with each other without being considered potentially gay. Men should be allowed to behave however they want around each other without every action being scrutinized for queerness. It leads to toxic masculinity. It also leads to online fan bases becoming too entitled/aggressive toward them regarding their personal lives.

Taking every interaction between them that’s sweet or cute and saying “omg they’re so couple-like” or “I wonder if they’re dating” is going to discourage them from behaving that way around each other to avoid those constant comments.

Tons of fans are already speculating about them having “beef” with each other because they didn’t like each others’ posts on Instagram, which some have pointed out could’ve been an intentional decision to avoid this exact issue.

This is towards everyone:

If we want to see more of them together, we need to be respectful of them and their relationship.

If you’re just trying to make a joke, please be super clear about it to avoid any implications that they could be romantically involved.

It’s a privilege to see them together publicly, whether it’s online or in-person. They can interact with each other all they want to in their private lives, and we would never know or see it. They have so far chosen to share their friendship with us, and they can choose not to at any time. They lose nothing; they will still be friends behind the scenes.

This is the time of truly establishing the dynamic between us and them. Since the strike was going on, they weren’t allowed to interact with us or share with us, even if they wanted to. Now they can choose to, and if we as a community don’t behave respectfully, they can very well choose not to.

Taylor was teasing Nick here but also actually so caring lol he's concerned about Nick's condition that he's super tired, I mean why didn't he just say that "we are tired" lol because they both were doing the same thing covered in the same cakes!

And Nick trying to play it cool and making that baby voice again in which Taylor immediately followed (like he always does), that laugh Taylor lmao ..I swear it wasn't that funny to warrant that kind of laugh help he just playfully threw a piece of cake nothing special 😂😂 adding more to this list of Taylor's laugh lol (also did Taylor used British accent to get Nick's attention at the end? To continue playing and annoying him lmao but Nick already busy on his own struggle with the cake. They're such kids!!)

T&N, Dr. Antonia Hall has something to tell me 😂 this is the second time??? That's why I am curious of whyyy

"It may be annoying, but it's a sign of a strong relationship." 👀👀👀 "mirroring"?👀 common in adult romantic partnerships??💕👀

[korra-the-red-lion]

Legends of Tomorrow and the Zarlie Incident: Is it happening again?

As many fans of DC’s Legends of Tomorrow are aware, during season 4 and 5 of the series, the ship “Zarlie”, a pairing of Zari Tomaz and Charlie, became quite popular during this time, especially during season 4.

Zari was a fan favourite character who was introduced in season 3. Throughout the season, Zari kept mostly to herself until she began to warm up to the others on the Waverider. Due to Zari’s closed off nature, she never had a LI in season 3. There were jokes about it, of course. Zari was very attractive to one Mr. Jonah Hex, and honestly. who wasn’t from the Waverider, haha? We’re told them as viewers that Zari is attracted to men. Sounds good.

Then s4 rolls around and Charlie gets introduced to the crew. Charlie takes an instant liking to Zari, affectionately calling her ‘Z.’ Maisie previously played Amaya on the previous two seasons, who was quite close with Zari as a friend, so it only makes sense that there is some chemistry between the two actors since they’ve been friends for awhile now. I wasn’t surprised when people starting shipping the two of them, thus the ship ‘Zarlie’ was born. What I wasn’t expecting was the writers to play into it. They had some pretty close scenes, and by close I mean there wasn’t enough room for two hands between their faces. And Zari made a comment about Charlie picking Amaya’s form because she was hot, implying that she thought Amaya was attractive. Thus the infamous scene happened:

No denial from Zari, just her usual annoyed look she got whenever Charlie started picking at her. Thus, the Bi Zari headcannon was born and mostly accepted by everyone in the LoT fandom. Of course, with Avalance and I believe Constangreen at this time, many people doubted it would become canon. And unfortunately, shortly after, Nate and Zari began dating, which felt sudden to me personally, and Steelhacker was born.

However, Steelhacker canon did not stop Zarlie from continuing. If anything, the writers only added more fuel to the fire so fans could have discussions. This is where I started to get annoyed, because why continue to bait the pair if you have no intention of making it canon? It felt a little dirty to me, even as I enjoyed the banter and chemistry between the two of them. Oh well, I thought at the time, it’s just shipping for fun now.

Season 4 ends with Zari being replaced by Zari Tarazi, or Zari 2.0 if you will. People still shipped Zarlie, though it was mostly from Zari 1.0. Fans were a little put off when Charlie said she slept with Behrad, but it also called attention to the fact that Behrad technically replaced Zari from the original timeline, meaning that Charlie wanted sleep with Zari, yes? Very confusing, but in a weird way, it was almost like they canonized the ship further.

Maisie had been on record several times acknowledging the chemistry between the two, and how much she wished they could have explore that more. Then of course, the news of the filmed but deleted kiss broke out and everyone from the Zarlie fandom lost their mind. There was a kiss, so in some strange way, Zarlie is canon, but only behind the scenes. From a show that does have amazing queer characters and content came a strangely bizarre queerbait that is now semi-canon, but only because the news of the kiss came to light, otherwise it would be another ship lost at sea, dragging people down with it as it lured them with its content. That should be the end of it, right?

Wrong.

Season 6 came out this season with Astra, the villain being manipulated by the Fates in season 5, being elevated to main cast. Joining her was newcomer Esperanza “Spooner” Cruz. Some people were hesitant because Astra was a bit of a polarizing character in s5, with reason. And of course, with any new character coming in, people are worried on how they will fit into the show. However, Spooner easily became a character that people enjoyed, and she somehow grounded the show, due to her very emotional character arc.

Spooner and Astra didn’t interact much until the animated sequence, when Astra turned her into a fork, much to the fans delight. Spooner actually encouraged Astra and after that, the two slowly became friends. They could have some snarky yet fun back and forth conversations and remarks to another, and the two actors played off each other well. They also connected from their lost mothers, Spooner who thought her mother had been taken by aliens and Astra who lost her mother to hell. They had a sort of emotional vulnerability between them that only they could understand.

Then the bowling episode came out and I think this is when the ship really got rolling. There was the big hug at the end of the match were a much taller Astra scoops Spooner up off her feet into a massive bear hug, smiles between the two. I know this is when I became a solid Esperastra shipper.

The pair continued to partner up after this. They partnered up again during the Clue-esc murder mystery game. Something that is very interesting about this is the pairings themselves. Ava gets killed by Sara right away (lol) and Nate dies shortly after, with Sara following behind. When Sara dies, her and Ava are shot together in a typical lovers pose in death. Makes sense, as they are engaged. Zari 2.0 is paired with Behrad and John, her brother and her lover respectively. Everyone is paired with someone they love. So...Astra and Spooner are paired up. Okay, no comment. JUST KIDDING. They die together, and this is shot in such a romantic way:

I know it’s dark, my apologies. But Spooner is leaning on Astra, and Astra is falling on top of Spooner. I’ve watched and read a lot of stuff, and this is a typical lovers in death position as well. 

Then we get to the final two episodes which see Spooner and Astra pairing up again. Spooner leans on Astra for emotional support throughout these two episodes, because she knows that Astra understands what she’s going through. Astra was devested when she thought she lost both Spooner and John at the same time. Luckily, Spooner did come back and the two shared a very emotional hug.

Now, this is where it gets a little frustrating as a fan. The writers and showrunners have stated clearly that they are Just Friends(TM). It seems like, based on some decisions from this past season, the writers are pushing for Astra/Behrad, which is like, not terrible but a little strange. However, Tala Ashe (Zari), has been on record to say that she thinks the actors have great chemistry and she ships them. So there is clearly a small divide yet again. So, if season 7 leans into this any more, is Esperastra the new Zarlie?

Of course friends can love each other, hug one another, and use each other as emotional support. However in this case, there does seem to be some underlying tension between the two that I wonder if the writers are going to explore. Is Esperastra going to stay friends, or end up becoming yet another queerbaited sapphic couple from Legends of Tomorrow? I guess only time will give us an answer on this. However, I will say, the parallels between the two ships is slightly uncanny, and perhaps even intentional. Zarlie connected by being two people who felt lost without family, and Esperastra may be doing the same thing now that John is gone, who was functionally Astra’s only family left.

Let’s hope Legends of Tomorrow doesn’t do the same thing twice.

[queer-and-dear-books]

Title: Openly Straight

Author: Bill Konigsberg

Genre: YA Fiction | Romance | Friendship | Drama | LGBTQ+

Content Warnings: Homophobia

Overall Rating: 9.3/10

Personal Opinion: It does not hold up as well from when I first read it. That aside, I will always love Rafe and Ben as best friends and as a couple. They truly felt perfect for each other. Agape, a higher love. One that transcends all others. This story is about Rafe learning the importance of being himself and also about the possibilities of love when you keep your mind open to them. And there is nothing more romantic than that.

Couple Classification: Seamus Rafael Goldberg X Ben Carver = Nerd/Jock X Nerd/Jock

Do I Own This Book? Yes! It was a favorite of mine in high school so I bought it way back then.

Spoilers Below For My Likes & Dislikes:

Likes:

- I don’t know if it’s just the nostalgia talking but I still love these characters. Truly, even without the romantic aspect, I think Rafe and Ben were just perfect together. I mean, their talks were always so deep and they openly said, “I love you” as friends and that kind of shit just brings a tear to my eye. I think it’s because Ben is this huge, buff, perceived straight guy but he’s so sweet and openly affectionate with all of his close friends and I wish that more straight men could be like him and Bryce. Smart, kind-hearted, and sensitive.

- Albie and Toby are amazing friends too. They didn’t judge Rafe for hiding who he is and just talked to him openly about shit. They made him feel welcome and real. All three of them are dorks too. I love their wild and less-than-sensible antics. But they’re also good people. Like when Toby wanted to help that lost old lady.

- Claire Olivia is an ace bestie too. Even though she didn’t get why Rafe did what he did (and yeah, it was bizarre), she was there for him. She was always backing him up and made sure his facade stayed strong even when she didn’t understand.

- Rafe’s parents may be the best part of this story though. They’re even bigger dorks than Albie and Toby and they love their son so much, clearly. I love how much they support him and how much they love to celebrate his queerness. God, if only every parent could be like that. 

- I haven’t talked enough about Rafe and Ben. I think what really gets me is just how connected they were. Every time they locked eyes and just stared at one another, my heart skipped a beat. Every time they had a philosophical debate, I wanted them to talk even more nonsense. I just wanted more of them. With every detail of their developing relationship, I wanted more and I think that’s what makes a good fictional couple. When you can read every single one of their interactions and crave for more. And not because their interactions are lacking. Those interactions were very central in this book. The fact that I yearned for more when I got so much is proof that Rafe and Ben worked. When Rafe was walking to the bathroom and Ben opened his door and said, “Those footsteps. I know those footsteps,” I swooned. It was like he knew Rafe was thinking about him and then they had implied sex and it was beautiful. 

- Mr. Scarsborough is such a great teacher. I love that he didn’t judge Rafe and instead, encouraged him to write about his experience. He helped Rafe discover and explore himself in a safe and private way and I think that makes him an extraordinary teacher.

- I just remembered that Ben kissed Rafe on the cheek not once, but twice! The guy is so sweet, I can’t take it. It’s really no wonder my standards for men are so high. And why I’m subsequently disappointed by them.

Dislikes:

- Fuck Steve and Zack. God, I hate their dudebro attitudes. But that’s intentional so whatever.

- I feel like I should really hate what Rafe did. We’ve pretty much established that I loathe when a character is in the closet for no real reason. So I should hate that Rafe went back in the closet and was seemingly ungrateful toward his parents, right? Except I’m not. I’m mildly disappointed in him for not telling Ben sooner but overall, I’m not mad at him. I think it’s because my coming out story is the exact opposite of his. And if I could have traded lives with him, I would have. So I think I get why he did what he did. I get why he felt like he had to. The grass is always greener on the other side and whatnot. If only dear sweet Ben hadn’t been collateral damage in it.

- There’s a lot of ableist language in this book. The early 2010s was clearly very different because every other work by Konigsberg (that I have read) handles mental health very differently.

- Whatever happened to Toby and Robinson anyway? I feel like we glossed over it after Robinson got outed and Toby showed his secret hideaway to Albie and Rafe.

- I am so glad there’s a sequel in Ben’s POV because the ending is severely lacking.

[just-call-me-the-intrusive-thot]

A Disasterous Loaf-Life

���Bread”

@weweregoddesses​

Pairings: Romantic Dukexiety

TWs: Swearing, Remus being Remus, Sexual Innuendos, Phallic Shaped Bread Creatures, some angst but not too much, Pretty Brief Heated Makeout, mentions of a parasite that affects humans, Implied Sexual Activities Post Fic End (no actual sex tho),

Summary: Two Pining Dumbasses Make Bread.

(This is so long I just got super carried away)

--

“Remus, is there a reason you’ve kneaded your dough into the shape of an ass?”

Virgil watched with a fond sigh as the man next to him proudly stood over the booty bread he’d lovingly crafted over the last ten minutes. 

“Not really,”, Remus cackled, raising his hands, “Except for this!”, and with that, he brought down his hands in a flurry of obscene slaps to the fake rear. Virgil maintained his composure for all of a minute before he had to physically restrain his snickering. 

God dammit, this fucking guy! Thirteen years and Remus was still the one person who could make him laugh like the world wasn’t watching. 

“Well, when you’re finishing pulverising your Glutenous Maximus, are you gonna finally tell me what you’re actually shaping your loaf into this time?”, Virgil snarked affectionately. 

Remus rolled his eyes; his emo dork was spending far too much time with Patton lately. 

“Same as the last time we did this, duuuh.”, he retorted, as if that were common knowledge.

Virgil’s eyes widened, “.... You’re not serious.”

“As serious as Naegleria Fowleri.”

“.. as what?!”

“Y’know, that fucked up brain eating amoeba that they found in that one Disney water park-”

“NEVERMIND!”, Virgil hastily shook the thought away as he tended to his own dough, “Don’t tell me, I’ll have nightmares for weeks...”

The hoodie clad mad looked Remus up and down as he folded his own purple dyed dough, “.... Are you really going to attempt the Cocktopus again? Seriously?”

Remus shrugged, already forming the eight ‘tentacles’ in stunningly graphic detail, “Why not? You’re making purple bread again, why don’t I do the same?”

Well, he had him there. Really, Virgil had gone to make his bread purple without even thinking about it. Perhaps just being next to Remus after all this time had subconsciously brought him back to that same summer day they’d spent in the kitchen side by side making bread together. Virgil could hear his mother’s old junkbox of a radio blaring Redbone’s Come and Get Your Love while he and Remus slung flour at each other and danced about in their socks trying not to slip. 

Being back in the same house - now passed down to him - making bread once again with Remus brought back so many memories and emotions. Most of them good, though as he looked over to the man he still loved absolutely going to town on his bread sculpting, Virgil couldn’t help but remember how much guilt he still harboured; he’d never expected Remus to kiss him out of the blue back then, but Virgil also hadn’t expected to silently run off to his room to calm down, only to find Remus had left. 

Not just his home, but his life. Virgil hadn’t wanted to face Remus, unsure of how to handle his feelings, but seeing the moving sign on the Duke family’s front lawn that next week as he watched the moving van leave just that little bit too quickly for Virgil to say goodbye had plagued his mind more often than he cared to admit. 

A gross, gooey wetness on his cheek hauled him back to the present, only to realise Remus had finished a surprisingly glorious cocktopus and had slathered some of the egg wash on his cheek.

“Earth to Tickle-Me-Emo, you good??”

Virgil would’ve socked him in the arm if Remus’ concerned smile didn’t send his heart racing too hard to consider it. He wiped the mixture off his cheek, only mumbling back at Remus as he formed his purple mix into little loafs, “I’m fine, just stop covering my face in slimy shit.”

“..... Okay, now I know something’s up. You never leave me room for innuendos like that.”

Not even waiting to clean the residual flour off of his hand, Remus softly reached out and Virgil anxiously awaited the touch on his cheek. 

But it never came.

He watched as Remus seemed to course correct and he used his thumb to draw a line down his forehead, whispering, “Simbaaaaa-”

“Okay, fuck ooooff!”, Virgil had snorted, fondly swatting at Remus.

“Come on, Virge! You looked like you were gonna blow a blood vessel, how could I not diffuse the tension a little?”, Remus snickered, though the silence that followed wasn’t so comfortable somehow. Virgil struggled to place it until he noticed Remus’ expression falter. He didn’t get the chance to ask what was wrong before Remus spoke up, 

“This was a mistake, wasn’t it?”

A cold jolt shuddered along Virgil’s spine, rattling each vertebrae as it went.

“What’re you-”

“Why’d you invite me over, Virge?”

Truthfully, Virgil knew exactly why he had invited Remus from the outset; he wanted to see him again, drown in his presence, hopefully find out that he was single and still just as in love with Virgil after all these years as he was with Remus. But once Remus was there, single and right in front of him, he’d panicked - what else was new? - and resorted to turning their meeting into a catching up between old friends. 

But people who are just friends don’t dream about being held by their friend at night, don’t fantasize about a future together, don’t lay awake at night regretting not having just taken the chance to be more when they had it.

They also don’t stare at their friend’s gorgeous toned body every chance they get, but that felt a little too pathetic to admit on top of everything else.

Virgil wasn’t aware of how quiet he’d been until Remus spoke again, “Here I am, thinking maybe you might want me back in your life for good, maybe even like me back if I was lucky....”, Remus paused forlornly, an expression that didn’t suit him in the slightest, “But even now you’re still anxious around me. Which, I mean, I get it. Why would you like me back after I just kissed you out of the blue like that-”

“But why would you want me-?!”

His voice wasn’t meant to come out so high pitched and whiny, but Virgil was more focused on trying to process what Remus had just said. Remus liked him still. After all this time. And yet, Virgil’s brain was still trying to ruin it.

“Remus, you… look at you!”, he gestured to all of him, “You’re still a fucking weirdo but you’re stupidly hot!”

Virgil kicked himself mentally, his hands raking through his hair and nails scraping his scalp, “Ugh, no! I mean! Fuck, Remus, I’ve been in love with you all this time! I haven’t even LOOKED at another guy in these last thirteen years, because whenever I even think about finding someone to settle down with, the only goddamn thing I can think about is how much I only want you-!”

The clattering of a knocked over kitchen table was the only warning Virgil got. Then all he could focus on was Remus’ arms wrapping around him, his breath cool against his neck. 

“Then why’d you never tell me, you asshole?!”, Remus murmured against him. 

Virgil wondered if he imagined the soft noise of relief Remus let out as Virgil hugged him. 

“Because I’m the worst-”

“No.”, Remus cut him off, pulling back a little to give him an unimpressed look.

“No-?”

“No. Try again.”

Ah. It’d been years since Remus took this approach with him. 

“,... Because I’m stupid-”

“Try agaaain.”, Remus droned, prodding one of the little purple loafs Virgil had lovingly been shaping from a circular loaf into a spider before all of this began.

“Dude, don’t poke my spiders-”

“Or what?”

Virgil narrowed his eyes, unable to stop the quirk of a grin, “Don’t you dare-”

Remus narrowed his gaze, grinning as he plunged a finger into another spider loaf. Virgil tried to stop him all the while Remus cackled and kept dotting them with holes. Finally, Virgil conceded, 

“Fine! I was scared, okay-?!”

The silence hung heavier than both men anticipated. Virgil would’ve found Remus stopping dead with his finger shoved into the spider loaf’s ass hilarious if he wasn’t too busy shaking with nerves. 

“I was scared.”, he repeated, quietly dropping onto one of the chairs around the table, “I liked you so much back then too, but emotions are the fucking worst when you’re a kid and I was still trying to work shit out.”

The scooting of a chair let Virgil know Remus had sat down too. 

“My anxiety just got worse the longer I couldn’t see you, but every time I thought about facing you, I just kept thinking “well, he deserves better anyway-!””

Sick of hearing Virgil self deprecating further, Remus all but hauled Virgil into his lap, their faces inches from touching, eye contact unbreaking.

“Virge,”, Remus purred barely above a whisper, “I mean this in the nicest way possible..” 

The way their lips brushed over each other send shockwaves along Virgil’s spine, “But shut the fuck up.”

The scrawnier man didn’t need to be told twice. The second Remus’ lips pressed against his own, Virgil had no intention of breaking the contact until he needed air. Not that he’d mind suffocation if it was Remus’ lips doing the smothering. His left hand threaded itself in Remus’ hair while the right held onto his firm bicep. Fucking hell, Remus had never been this solid when they were kids. Since when did real, unphotoshopped people have muscles like these-!?

All of a sudden, Virgil couldn’t care less as Remus’ hands caressed his hips, earning a gasp Remus was more than willing to use to deepen their kiss. He got no complaints from Virgil who reciprocated the intensity of their kiss with no hesitation. It’d already cost him thirteen years with the man he loved, Virgil wasn’t about to hold himself back anymore. 

…. Okay maybe he should have held back a little.

A surge of panic jolted him free of the makeout headspace when he felt himself tipping back. Right, they were on one of the kitchen chairs. A chair meant to only support one person. Thankfully, Remus noticed and leant back. Instead of Virgil toppling to the floor, he wound up on top of Remus on the floor, hissing as his knees made contact with the tiles. 

“Fucking hell-! Oh shit, Remus, you okay-?!”

Remus groaned and scrunched his eyes at the pain. Virgil immediately feared that Remus had done himself a serious injury, however the man he was using as a seat cracked an eye open and sighed theatrically,

“Well, at least I’m gonna die with a raging boner.”

Virgil sighed. He was fine. 

“Come on, let’s get these dumb loaves in the oven and then you can be horny all you want-“

Remus didn’t waste a second. He barely gave Virgil a second to get off of him before he was up on his feet. A gasp made Virgil take a break from dusting flour off of himself.

“MY COCKTOPUS!!! IT’S DEAD!!!!”

Well, that’s not a phrase you hear everyday. Sure enough, when Virgil followed Remus’ gaze, the poor phallic sea demon he’d constructed had deflated somewhat; it’s many ‘’tentacles’’ had fallen over and flattened while the head of the beast was beginning to sag. Virgil was about to tell Remus to leave it be when he noted how genuinely upset Remus was.

Sighing, Virgil rolled his hoodie sleeves up to his elbows once more, “Alright, you can fix it, and THEN we’re making up for lost time..”

------

... I have no excuses for this one, the idea came and I ran with it.

Special thanks to the ever wonderful and talented @accidental-sanders​ for helping flesh out this whole thing with me <3 Taglist: @somehow-i-got-an-account   @cateye-glasses   @fandomsofrandom @patton-cake @does-this-look-logicality-to-you @justalittlecorrupted @irritating-lady-knight @katlikethesword 

[nightswithkookmin]

still same anon. this was another one of my asks from months ago. basically it was a comment I made about jikook's intimacy. it was from this interview: https://youtu.be/T--BOS8oTec the moment I'm talking about happens from 3:00 minute timestamp onwards. i was saying how despite this moment being "skinship" or whatever, it kinda hit different? there's also intimacy there. bc you see how jimin doesn't have to say anything and jungkook immediately understands what to do and starts massaging his neck. jimin literally threw a glance at him, tilted his neck a lil and jungkook didn't need a second more to know what to do. I wanted to talk to you about it since I know that you're not big on skinship defining jikook's relationship, but I think there ARE jikook skinship moments worth noting and this is one of them imo.

Oh ok. Thanks.

SKINSHIP IN CONTEXT

I think skinship by it's very definition is an intimate act depending on the level of familiarity between the parties involved in the act.

From my understanding of skinship, it's basically interactions that would otherwise be viewed as sexual outside of their culture but viewed as acceptable platonic behavior between the same sex or even the opposite sex.

The objective of skinship is to be intimate with another person on a level that's only next to romance.

I remember my sister telling me how shook she was when she found out for the first time, around 2011 when she first moved to Seoul, how she couldn't even keep her pants on at a 'Jimjirban' because all the gals in there were expected to walk around butt naked in the spa. No towels, no pants, no robes butt nakedttt.

'Mehn, this doesn't happen where I'm coming from' she said to her companion.

A. I'm black.

B. I'm not flat.

C. I'm wearing my pants.

Her very naked friend, a native SK, whom she says she'd only met for like a week, then grabbed her underwear and pulled it down her thighs exposing her deforested vagina to the winds and a dozen other curious gazes. All females.

'For a second, I thought I had been tricked into an orgy of a sort. I was very naked without my consent. Wind whistling through my shy butt cracks. Watching very naked females of varying ages stare on with pride and smiles on their faces as if I had just saved a village or something and when I jiggled when I walked I could hear them gasp, amazed- Goldy, how is this not gay?'

'You think skinship between their men is weird, wait till you see their women. Wait till a very attractive Korean girl is breathing down your neck and caressing your nape and complementing your skin while showing you pictures of her boyfriend on her phone.'

She says it took her a while to get used to the skinship between women in SK and seeing the men interact in a certain way messed with her brains for a while. She said she felt her intelligence was being played with most of the time.

I guess if you want to look at Jikook's skinship as intimate then there's nothing wrong it.

Skinship is intimate at the very least.

But skinship, for all intent and purposes, is platonic and nonsexual in nature. And maybe this is a fatal flaw on my part. Or maybe thanks to my sister, I'm desensitized to this form of interaction but I have a hard time seeing Jikook's intimacy as platonic or even seeing most of their skinship as romantic- in anyway. It will make sense in a bit, hold on.

I have a hard time equating skinship with romantic intimacy. But that's just me.

I wasn't able to click on the link you sent but I'm guessing this is the moment you are talking about?

I wouldn't call this skinship. I mean it is but I wouldn't call it that. Skinship is meant to show how close two people are. How familiar they are with eachother.

This doesn't show how close Jikook are. But It shows how caring and affectionate JK is as human being, as a dongsaeng, and as a boyfriend.

I'd rather we celebrate that. JK doesn't get highlighted enough. He caters to the people he cares about. He is an attentive person.

Hate to be a grinch but I can pull up a couple of times JK has done that very gesture with Jin or Tae or Hobi. Remember Soop? Remember when Jin complained of feeling cold and JK went up to him immediately and 'warmed' him up?

Of course, Jimin kept stealing glances at him like he could throw a shoe at the back of his head if he could but that's beside the point.

The man is an empath. He's said several times he feels a lot of pain watching his hyungs go through it. Fact is, Jk cares about people. He's kind, loving and he shows this aspect of him through gestures like these.

He does it for Jimin. He does it for all the members because as he's said, they are all a family.

It's stressful hearing people claim he doesn't give a fuck about Jimin, that he doesn't care about JM because he shows affections for others besides JM.

At some point we would have to make a distinction between what acts flows from their unique personalities because of who they are at their core and what act flows from them being a couple.

Most people who see Jimin as a natural nurturer and what not are able to separate this identity from his ship moments but JK isn't accorded the same privilege. It is why most people are quick to lash out at him when he interacts with others in the same way he interacts with Jimin.

When JM acts nurturing towards V or RM or Suga he is seen a good, kind person.

When JK does something affectionate it's seen as a beautiful Jikook moment or Taekook moment or Jinkook moment and is soon swept under the carpet, soon forgotten and never tied to the personality of JK- perhaps because most of these shippers don't care to know who JK is as a person and as a human.

When Jimin does something affectionate its 'awww Jimin is such an amazing person' even if that act is merely performative sometimes.

I try not to engage in conversations that perpetuate this horrifying discrimination against either of Jikook. They are both individuals.

There are a lot of Asks sitting in my box highlighting the various ways JM is awesome and kind and amazing as s boyfriend to JK and not a single out of 500 plus posts talking about how empathetic JK really is. How thoughtful he is to even pack motion sickness drugs to go on trips even though he doesn't get motion illness and JM is the one that often complains about motion sickness on trips.

The heteronormative lens, on opposite ends of the spectrum in the shipping community, which dictates we perceive on Jikook as either feminine or masculine is a telltale sign of the misogyny and misandry prevalent within this fandom.

The fandom's heteronormative lens filters Jimin as the wildly feminine archetype, wildly fragile, sexy and womanly right down to the way we praise him as the 'good woman' in his relationship with JK- loyal, faithful, nurturing, kind, silent in that he continues to perform Jikook even when Jikook are not in a great place. etc.

Yet because he is seen as womanly or feminine, the part of the fandom that hates women hate Jimin. That's where all the slut shaming, bullying and harassment stems from- misogyny.

Jk is viewed as the opposite of that. By most, he is very masculine man and as such harbors all the traits of masculinity the modern woman detests- toxic masculinity, cheating, disloyal, fuckboy who treats women like shit. All forms of hatred and intolerance towards men is projected on to him especially by male intolerant people or dare I say feminist women within the fandom.

And you see them in the way they are always fighting for Jimin against JK as if Jimin were a fragile faithful woman whose man don't treat him right thus further perpetuating the heteronormative stereotypes of Jimin.

What's disconcerting is Jikook are both men and yet depending on how their masculinity or femininity is perceived, they are both treated very differently.

You hear Tuktukkers talk about how Jikook is as a result of heteronormativity and thus prescribe Taekook as the ideal homonormative ship- because to them, Tae and JK are both seen as two whole men.

To them Jimin is just not man enough to even be gay- isn't that the foundation of homophobia?

Gay men not seen as men at all?

Whereas amongst Jokers, Jimin's manliness is often forgiven and JK's is abhorred. Jk is too much of a man and men just ain't shit.

This may sound like an over simplification but Tuktukkers hate women, Jokers hate men and either side suck. In my opinion.

Jimin is a nurturer he cares about people including his boyfriend. JK is an empath he feels the pain of those close to him including his boyfriend and is often moved to ease or take away some of that pain.

It's thus annoying to hear people out here yell and complain on every turn each time JK interacts with the others how JK 'doesn't act exclusive' with Jimin or how he doesn't care about Jimin.

Should he not care about anyone besides Jimin just because he is dating Jimin?

It's annoying when they say the same about Jimin. Jimin nurtures everyone ergo there's nothing special or exclusive about the way he nurtures JK.

Nonsense such as these are spewed without taking into account that those acts in themselves speak directly to who these people are as human beings first and foremost; secondly, to how they feel about the person at the recieving end of their affections.

If they are treating everyone the same it's probably because they love everyone too- in a non romantic way of course. It's their love language. They love others with the same heart they love eachother with.

It doesn't take away from how they feel about eachother. JK admiring another member does not mean when he admires Jimin it's nothing. It just mean he admires Jimin too.

Not everything has to be romanticized or given a romantic context. They are each expressing themselves and their feelings for their bandmates. It's about them not their bandmates or their relationship with said bandmates.

Certain moments are just attestation to their love language be it platonic or romantic and it says more about who they are as people than what their relationship with the other person is. It's not all about their relationship.

People need to start treating Jikook as individuals. They are humans first before a ship. Shipping them shouldn't take away from their authentic expressions of self.

That's how they each end up getting cussed out in these streets left and right.

It's ridiculous.

This is JK being JK. Imma leave it at that.

This is from the same interview where Tae was talking about how they love showcasing their bond.

It's ok to celebrate it. Just see it for what it is- as flowing from JK's kind self. This is not Jikook. This is JK. Jeon Jungkook.

Don't fume or act disappointed when you see him do the same kind gesture for another member just because of the meaning you are imposing on this moment. Know what I mean?

That being said, there are certain Jikook 'skinship' moments that crosses the line of skinship right into sexual foreplay.

If 'skinship' leaves you 'sexually excited' it's not skinship. Nobody can tell me nothing.

Make of this moment what you will. Just be responsible with it. I think. But don't mind me. I'm grumpy.

Signed,

GOLDY

[karezzasstuff]

The Karezza Method: 5 Reasons Why This Spiritual Sexual Experience Is Worth Trying

When it comes to sex, we often don't just use the orgasm to indicate how successful it was – we also see it as the ultimate goal of sex. Time to check out the karezza method.

Where does the karezza method come from?

KAREZZA METHOD

The Karezza Method: 5 Reasons Why This Spiritual Sexual Experience Is Worth Trying

When it comes to sex, we often don't just use the orgasm to indicate how successful it was – we also see it as the ultimate goal of sex. Time to check out the karezza method.

Where does the karezza method come from?

Karezza is a slow, sensual way of making love, where the climax disappears completely from view, leaving room for emotional connection and more intense affection. The karezza method has ancient spiritual roots, but became known in our era thanks to the publication of Alice Bunker Stockham's 1903 book, Karezza: the Ethics of Marriage.se Stockham coined the term karezza based on the Italian word carezza, meaning "to caress." ' stands for.

The idea behind the karezza method is to deepen sexual and emotional bonding, says clinical sexologist Randi Levison. The method “teaches couples to pay attention to each other's entire being, not a single body part,” she says. “The point is to relax and be present in the now.”

The method is also known by its Latin names, 'coitus reservatus', although strictly speaking that differs from real karezza; coitus reservatus refers to the penetrating partner abstaining from orgasm while continuing to stimulate the receiving partner to have it.

As with tantric sex and other more sensual sexual practices, karezza has become popular in recent years with couples trying to find their true intimacy and connection in their relationship.

Benefits of the karezza method:

1. You explore other forms of pleasure than the orgasm.

For many people, sex is mainly about having an orgasm, which can actually lead to you getting distracted and not really enjoying the sex. If you take this goal away, then you are free to focus entirely on the sensations, without worrying about what it "builds up" to. As Levison said, the goal is to be fully present in the moment.

For people who get stressed out during sex (which is usually due to the idea that your sexual performance isn't enough), letting go of the O target can be a burden off the shoulders. When sex is about the journey and not the destination, it creates the space to truly enjoy what each sensation is in itself, without fear of where it leads.

It creates more affection than other forms of sex.

It does so because it encourages couples to take their time caressing, touching, kissing and cuddling with each other. These actions stimulate the production of oxytocin, a neurotransmitter that creates feelings of attachment and love. By fondling each other for longer and longer, "we feel good, happy and painless," says Renee Adolphe, a sex and relationship coach who is well acquainted with karezza.

You learn to feel each other better.

“As a sex therapist, I recognize that a couple's sexual behavior is usually a symptom of what's going on in the rest of the relationship,” Levison explains. At karezza “you experience a sense of convergence… of complete unity with a partner or the experience of being on the same frequency. This unity is inherently harmonious, and when you experience harmony during sex, it usually spreads out of the bedroom on its own.”

In other words, the time you spend bonding during karezza could be the healing balm for your relationship.

It connects sex and spirituality.

Karezza began as a highly spiritual practice, daring to admit that sex is a central element of spirituality. In his important 1931 text, The Karezza Method, J. William Lloyd writes: “Sex is very close to the soul. Anyone who touches sex touches the secrets and center of life… The voice of sex, in its power, is like the voice of God.”

For the people who have learned to separate sex and faith, karezza can be a way to start reconnecting the two.

It is equally applicable to people with disabilities or chronic sexual pain.

For whom penetrative sex is not an option due to a disability or a condition that makes sex painful, the karezza method offers another way to enjoy your sexuality with a partner that is suitable for almost everyone, because it is about fondling and hugging your partner, not about penetration.

Positions, methods and tips:

Create a conscious, sensual space.

Lloyd emphasizes the importance of the right environment for karezza – ideally an intimate, romantic atmosphere in the bedroom.

“If you are novices, choose a time when you are both completely alone, without rush and when you will not be disturbed. Focus fully on your love and joy and the way you merge into oneness. Provide a warm room, with delicate and beautiful decorations; and let clothes get in the way as little as possible,” Lloyd writes. Adolphe has an addition for our modern age: “Make sure you have plenty of time, and make sure your telephones and television are turned off, because you want to be fully present being in the moment.”

As a couple, determine your intentions for the sexual session.

If you're just starting out with karezza, it's helpful if you and your partner go into the sexual session with a certain mindset about what kind of experience you're trying to create. Remember that the method is intended to connect with the whole body, not just the genitals.

“Karezza requires mental preparation,” Lloyd writes. “You must first have the understanding and conviction that the spiritual, the caressing, the soft side of the relationship is much more important, and also produces much more pleasure, than the purely sexual, and that the sexual should be secondary throughout the relationship. on this loving side; it is her means, her mediator, her fodder. Sex is certainly necessary to bring out all the good, but only under the strict guidance of and for the glory of love. … Make sure both of you think more about your love than your passion; convert your sex passion into heart passion as much as possible.”

He also emphasizes the importance of starting from a place of tenderness, rather than a sense of intensity or sexual arousal. Think relaxing hygge vibes instead of burning passion vibes.

Start slow and sensual.

Start by massaging your partner's body, or by running your fingers tenderly over their body. Pay attention to places you might normally ignore during sex. Caress your partner's face, their neck and shoulders, the sides of their waist.

Place a strong emphasis on communication. Ask your partner what feels good and how the sensations in their body feel. Tell each other where to keep their touch as you explore each other's bodies. Be direct about what gives you the most pleasure.

Compliment each other.

“As your hands caress her, tell her how beautiful her face is to you – her forehead, her hair, her lips, neck – her arms, hands, bosom, waist, the smooth curves of her limbs. Be eloquent, poetic in her praise,” Lloyd writes. “The Beloved can never be over-praised or appreciated by the Lover. Take some time for these preparatory caresses.”

Don't be afraid to make it intimate!

(Lloyd's advice is clearly aimed at men with a female partner, but can of course be used with ease regardless of your gender or sexual preference.)

Stroke their penis or vulva.

When it feels right, move down to caress your partner's genitals with that same tender touch. But remember, you're not working toward orgasm, so move slowly and watch your partner not get too close to climax. Move elsewhere if that seems to be happening.

“Keep your mind on love, not passion,” Lloyd reminds us. “Be completely relaxed physically… hold the thought of Peace.”

(Tantric yoni massage or tantric lingam massage are perfect to try during karezza.)

Use positions where you can see each other.

When you feel ready for penetration, don't switch to reverse cowgirl positions, but stick to karezza-friendly positions where you maintain eye contact and physical closeness, such as the lotus position, rocking chair, or missionary position.

If you find yourself nearing an orgasm, pause the current activity and return your focus to the fact that karezza is about emotional bonding, not climax. (For those with a penis, it may help to practice semen retention in addition to the karezza method.)

Take it easy.

Karezza is a marathon, not a sprint. Don't think you can practice it quickly in between.

“The most important thing is to be loving, benevolent and patient with yourself and with your partner. Slow, tender and affectionate are keywords to help you on your karezza journey,” says Adolphe.

The karezza method can ultimately bring you and your partner(s) closer together and increase your capacity to enjoy sex. It is a space where you are mindful of your partner, where you explore this new way of connecting with the other.

SOURCE: https://www.nieuwetijdskind.com/karezza-method-spiritual-sexual-experience-het-tryen-waard/

Recently I had it in a log WHAT MORE DOES LIFE PROVIDE TOGETHER. But there is more to enjoy all of this. And it actually comes at the right time. It ties in nicely with the previous one. Sex is much more like I wrote than the act itself. Feel each other caressing each other. Bringing you to a climax with your whole body but not through penetration. The whole body plays an important role. From your hair to your smallest toe. There are erogenous zones that play an important role in the sensual. It's all about love. Give and receive love. This can be done with clothes on up to a moment. You feel you share you give and get. Without there being any point to penetrate right away. To pull the clothes off each other's body. Looking at the other person can also make you feel a lot emotionally. Now with this it is really knowing and being able to control your body. And you have to learn that step by step. Just like you have to learn everything.

AUM NAMASTE BUDDHA BRUNO

Om Shanthi,

one must be able to connect spiritual and earthly

AUM MANI PADME HUM

That is love

Aum Shanti

Luminous but also purity and clarification.

You can let go of so much when you are so busy with each other.

#yabyum #joy #karezza #nirvana #yoga #love #meditation #unconditionallove #tantra #maithuna

Karezza - Liefkozen howto:

#karezza #yabyum #Nirvana #How #moksha #yoga #samadhi #maithuna #tantra #satori

[forevercloudnine]

pre-new 52 scarebat ship meme

 (I actually have no idea what to call this period of comics. The dc wiki calls this the “New Earth” universe... it’s like, everything after Jason Todd was retconned out of being a circus acrobat up to Flashpoint. Anyway like a month ago I asked @heroes-etc​ to send me questions for this version of scarebat from this ship meme but then forgot that I did it because I got distracted by other ships. Sorry Jonathan...)

4. Who can’t keep their hands to themselves?

Bruce does DO physical affection — I mean, how many comic panels do we even have of him making out with Catwoman on rooftops — but he’s not especially forthcoming with it. I don’t think it’s an exaggeration to say that his love interests are more likely to instigate contact than he is, especially when that love interest is a villain like Selina or Talia (can you even IMAGINE him trying to take them off guard in a fight by grabbing their face for a kiss? Because I cannot).

He does occasionally instigate affection with his children/proteges, though usually it’s in instances where they obviously need comfort. Bruce isn’t always great at handling complicated emotional situations, but grief and trauma is something he understands very intimately, and he never hesitates to physically reassure people who are in that kind of pain.

In situations where someone isn’t in the active process of being traumatized, he’s less forward with physical affection. That doesn’t necessarily mean he’ll reject it if it’s instigated — depending on who you are, of course. I’m guessing he wouldn’t put up with hugs from random members of the Justice League. Superman is his best friend and he would probably try to wiggle out of 90% of Kal hugs if doing so was physically possible. Most of his loved ones don’t really spring physical affection on him unless they need it or it’s an especially emotional moment, however. It’s not really Bruce’s primary love language. 

Jonathan seems even less physically affectionate than Bruce, though obviously doesn’t have a lot of opportunity to demonstrate how he feels either way. Master of Fear offers the only example of him expressing explicitly romantic affection that I know of (unless you count his terrorizing Becky Albright in New Year’s Evil as physical affection, which... might be how he’s thinking of it...?), and it’s entirely instigated by Sherry Squire. He does ask her to the Halloween party, but she’s the one who takes him down to the furnace room for some “one-on-one” time and tells him to kiss her. 

He also notably does not actually get a chance to kiss her, mainly because the whole thing was a prank meant to humiliate him. This might be why he doesn’t try to instigate anything similar with his next crush, Dr. Linda Friitawa (again, unless you count Becky Albright, but I can’t find New Year’s Evil to read anywhere so my only knowledge of his interaction with her comes from Tumblr. I’m like 80% sure he was supposed to be interested in her romantically, but asking someone to do supervillainy with you isn’t the most direct way to express attraction, so I’m taking that as more obliqueness from Jonathan).

He never expresses any direct romantic interest in Linda, but at the very least he clearly cares about her more than he cares for most people, since he, like. Defends her in conversation and apologizes to her for things that aren’t even his fault. Which means a lot, coming from a sociopath with no regard for human life. They do hold hands at one point, but Linda reaches out to him first, and he waits to see if she’s going to back away from his reciprocated touch before he reaches for her other hand. 

He never instigates anything further with her, possibly out of fear of rejection. Unfortunately, it turns out that this was a good call, because Linda was only pretending to be nice to him while Penguin was paying her to experiment on Jonathan without his knowledge. When Batman figures out what they’re doing, she immediately fucks off and starts dating Black Mask.

Even more unfortunately, his 45 seconds of hand holding with Backstabby McMad Scientist is probably the only mutual physical affection Jonathan has ever experienced in his entire life, so honestly I have no idea if he would be more into it as a concept if it was offered to him more often. He’s clearly willing to return physical contact when it’s initiated by someone else, so maybe it is something he would seek out in an actual relationship? He DOES get handsy with Bruce when he has Batman tied up sometimes. 

9. What is the most embarrassing thing they have done in front of each other?

Trip out on fear toxin, both of them, hands down. There are few things more embarrassing than, as Jonathan aptly describes it, being “reduced to whimpering quivers” in front of your enemy. Especially an enemy who’s presumably jotting down notes on your worst fears, since Batman/Scarecrow fights tend to just be competitions in who’s more frightening.

11. What do they hide from one another?

I mean, obligatory mention of the fact that Bruce hides things from absolutely everyone (with the possible exception of Alfred, because Bruce trusts him as completely as he is capable of trusting anyone, and also because it’s really hard to hide things from a parent whose involved in every aspect of your life and already knew you before you developed your pathological need to obfuscate your feelings and intentions).

As Wonder Woman pretty aptly describes during the Tower of Babel arc, even Bruce’s closest allies are never going to hear the full story from him. So it’s deeply unlikely he’d ever be 100% truthful with a supervillain, even if they got close AND Jonathan reformed. 

But it’s notable that Jonathan’s fear toxin has actually given him a more honest look into Bruce’s psyche than he would ever purposefully give to people who aren’t close family members. And by “close family members” I again pretty much just mean Alfred. Unfortunately for Bruce, nothing forces emotional transparency like mind altering drugs. Fortunately for Jonathan, nothing forces emotional transparency like mind altering drugs! Not that I’m recommending that anyone drug a romantic partner into being honest with them. But Jonathan is a trained psychiatrist, so I assume his psychological know-how combined with insights gleaned from the dozens of “sessions” he’s had with Batman in the past would leave him more prepared than most to decipher the mystery that is Bruce Wayne. (@heroes-etc: riddler is SEETHING.)

Jonathan meanwhile is more than capable of putting together a clandestine scheme, but in respect to himself he’s actually pretty straightforward. Though his driving motivation in this continuity gets more and more complicated over time, from the early 90’s “I just like fear” to the early 2000’s “my Granny tortured me with birds when I was a child and now I’m obsessed with inspiring the same fear and submission she forced on me onto others,” what doesn’t change is his willingness to monologue about it to anyone who’s listening.

Also, anything that Jonathan is unable or unwilling to go into detail on, Bruce is more than capable of puzzling out himself. In Scarecrow: Year One he successfully tracks down Jonathan’s old home to recover and read through Granny Keeney’s diary, and after Scarecrow’s Master of Fear origin was published, it’s clear that Bruce has done his research on Jonathan’s childhood. There’s even a (presumably unintentionally) hilarious scene where Bruce pauses mid-rescue of a man that Jonathan has kidnapped and traumatized with fear toxin to lecture him on having bullied Jon in high school.

Is this really the time, Bruce???

(@heroes-etc: oh 100% he nailed that timing.)

13. When do they realise they should get together?

Well, circling back to Tower of Babel, it’s revealed when Ra’s al Ghul has Talia steal Bruce’s contingency plans for defeating the Justice League that Bruce has “borrowed” Scarecrow’s fear toxin in case he has to take down Aquaman.

This was back when Scarecrow had a number of different toxins that induced different phobias, or made people hallucinate hyper-specific nightmare scenarios (such as “being eaten alive by roaches from the inside,” for some terrible reason). Batman notes in his contingency files that Scarecrow has already done the work for him; presumably Jonathan had already designed a formula to induce hydrophobia, so all Bruce had to do was steal a vial of it from a crime scene.

(The sentence “Why not make him incapacitate himself... perhaps through fear?” alone is like 90% of why I think these men would get along like burlap on fire if they ever actually cooperated on something. Also, unrelated, but the polaroid of Jonathan he has in the Aquaman file is weirdly adorable.)

Bruce’s plan for Arthur is incredibly effective, and notably also Bruce’s only contingency that isn’t either inherently lethal or a ruthlessly sociopathic betrayal of emotional vulnerabilities that had been revealed to him in trust and friendship (RIP Kyle Rayner).

(Notably, Bruce’s plans for Kyle and several other leaguers directly involve using their worst fears against them, even without a fear toxin conveniently tailored for this purpose. Bruce just really likes using fear as a weapon against people.)

After Tower of Babel, Bruce obviously needed to create new contingencies, since the whole point is that they were secret plans that no one could see coming. In canon, Bruce goes on to create the A.I. satellite Brother Eye for this purpose (which backfires even worse than his first set of contingency plans, because of course it does). But I think an interesting alternative could have been Bruce tapping Jonathan for more toxin strands tailored to taking down the Justice League. If Bruce Wayne offered to pay Scarecrow’s way out of Arkham in order to develop formulas that could neutralize the world’s most powerful superheroes, is there any way that Jonathan would turn him down? I mean, obviously he would plan on betraying Wayne at some point, and Bruce would similarly be working against Jonathan’s best interests. But maybe if they set aside their “who’s scarier” dick measuring contest to work together for once, they could come to recognize their shared passion: scaring the shit of people.

Also, the Jonathan in this continuity really likes books. And you know what’s a reliably sustainable source of books that can’t be confiscated by the authorities? Dating Bruce Wayne. The manor alone probably has an insane amount of rare books that have been hoarded by his family over the years. It’s like a weird reversal of the Beauty and the Beast, where the rude rich guy who gives a library to the love interest he may or may not have technically kidnapped is the pretty one.

21. Where do they get nervous about going with one another?

If they were dating, I’m guessing Jonathan wouldn’t want to go anywhere in public with Bruce at all. Bruce Wayne is a celebrity bachelor, and celebrity bachelors get a lot of attention, and people who take celebrity bachelors off the market get a lot of NEGATIVE attention. The public reaction to Bruce settling into a committed relationship with anyone would be the kind of weirdly resentful gossipy judgement that the girlfriends of famous princes or actors or musicians always get from tabloids and entertainment television, but in Jonathan’s case it would be a million times worse. Not just because he’s a supervillain, because if there’s any town that would expect its most eligible bachelor to eventually date a supervillain, it’s Gotham. But more specifically because “ugly social outcast” is one of Scarecrow’s most enduring character traits. Not exactly the traditional trophy wife. And though Jonathan’s Scarecrow identity seems to distance him from a lot of the shame he suffered growing up, I’m guessing that the kind of spiteful vitriol that would follow him anywhere he accompanied Bruce would at the least bring back some very unwanted memories.

Bruce probably doesn’t have the same discomfort Jonathan would with being seen together in public. He doesn’t care if people think Bruce Wayne is insane or lacking in judgement as long as they don’t think he’s Batman, and I’m sure he’d find a way to spin “dating a man who prefers to dress exclusively in burlap” into something appropriately characteristic of playboy idiocy. But while he'd definitely respect Jonathan's wishes to stay out of the public sphere, he would probably enjoy any opportunity to bring Scarecrow into Gotham high society, since his presence would definitely shake up a party, and Bruce is generally extremely bored at any social event where he doesn’t have anyone to snark with. And with Jonathan’s scathing wit as entertainment, Bruce might one day fulfill Alfred’s wish and actually make it through an intermission sometime.

I’d say that Bruce would be nervous about taking Jonathan out for “field research,” but I’m sure it would be one of Scarecrow’s requirements for any long term collaboration, so it’s something that he would have to get used to pretty quickly. He would probably endeavor to keep Jonathan away from anything that could retrigger his less healthy behaviors. On the other hand, it’s not like Bruce does that for himself, so it stands to reason that he probably wouldn’t be able to successfully control Jonathan in that regard either. 

It doesn’t help that one of Jonathan’s primary motivations in villainy is his childhood, which is... exactly the same thing that Bruce is fixated on. A significant portion of Scarecrow: Year One is the two of them waxing poetic about how similar they are in this regard. 

Relating to this, even though it might be a terrible idea, I don’t think Bruce would be able to resist encouraging Jonathan to reconnect with his mom. Bruce would never recommend for someone like Cassandra to seek out a relationship with her father, but if someone he cares about has a LIVING parent who WASN’T abusive to them? It seems unlikely that Bruce wouldn’t advocate for reconciliation. Jonathan’s dad obviously never cared about the teenage girl he knocked up or their bastard child, but Karen Keeney is a different story. DC Holiday Special ‘09 makes it clear that Jonathan was taken away from her against her will, and she’s spent a significant portion of her life wracked by guilt imagining what the woman who abused her was doing to her son.  

Ultimately she attempts to commit suicide because she feels personally responsible for every terrible thing her son has ever done, which is tragic because really she’s the only member of the Keeney family completely blameless in the creation of the Scarecrow. In Scarecrow: Year One Jonathan clearly resents her for leaving him and moving on to have another baby that she actually did keep, which I would call a really paranoid case of jumping to conclusions if it didn’t seem extremely likely that Granny Keeney told him his mother didn’t want him and left him to be tortured on purpose.

(Side note, it is REALLY weird how young Karen Keeney is depicted in Scarecrow: Year One. At times her son looks older than she is, and it doesn’t help that her second born child is an infant for some reason. Even if Jonathan is only thirty years old here, then unless she had him at younger than fourteen, she should already be in her mid-forties. Why did she only have a second child so late in life? The implication with her abusive husband is that she ended up getting trapped in a bad relationship for survival when her family kicked her out as a teenager for disgracing the family by having Jonathan. It would make way more sense for her child with him to be at least in elementary school. Also the scene would have been way more interesting if Scarecrow’s sister was old enough to talk.)

Thankfully Deadman manages to convince Karen to hold on to life long enough for someone to call 911, and she ends up surviving the suicide attempt. But were Jonathan ever to reform, it seems like reconciliation would be really healthy for both of them, since miraculously Karen still seems to care about Jonathan despite everything he’s put her through, and they’re both clearly still suffering from the after effects of Mary Keeney’s abuse. 

Bruce would be enthusiastic about this prospect for obvious reasons, although he would presumably still be nervous about the possibility of everything going terribly wrong. And even if everything went perfectly right, he would STILL be nervous, because everytime Jonathan goes to see his mother there’s a chance that she will mention the time that she kissed Batman full on the mouth. And that is not information you would ever want your psychologist boyfriend to know, unless you want to be mocked with Freudian buzzwords for the rest of your natural life. 

(...This would also count as a thing that Bruce hides from Jonathan.)

[regrettablewritings]

Can I request a Love head canon with Geralt please? I just read the pre-relationship one you did for Jaskier and I absolutely loved it!!

I mean... I can try 😅 Though, I think it should go without saying that Geralt isn’t exactly synonymous with love and affection as we relatively human beings interpret them . . .

Who said “I love you” first?: Assuming we’re sticking strictly to the verbal expression of the phrase, I believe you already know the answer to this. After all, it’s simply not in Geralt’s nature to be the most talkative person, much less vulnerable and affectionate. And that’s referring to his nature as being Geralt of Rivia and not specifically his nature of being a Witcher. You could wait an entire run of three human lifetimes and still potentially have to wait just a bit more to hear Geralt willingly say, “I love you” in this manner. It’s nothing against you, of course, but it’s better for you to recognize this and accept it than force otherwise. Besides, it’s not as though he doesn’t appreciate it: Deep down, Geralt is beyond startled that you would willingly apply such affection and devotion to him of all people, and a Witcher at that! Though, if you’re willing to stretch the expression one uses for “I Love you”, then it’s arguable that Geralt said it first, in some way, considering that . . .

What are their primary love languages?: Geralt is a very . . . sexual being. Physically aggressive. And considering his complex relationship with Yennefer, it therefore would stand to reason that his primary expression of “love” comes in the form of physical touch. Hell, if love languages were a thing acknowledged of the period (and if Geralt ever even cared to acknowledge them), he might’ve grunted and agreed so himself, even if only to get the conversation over faster. But the longer he spends having you as his companion, the more evident it becomes to him that this may not be the case. The thing is, physical touch can be more than just sexual release -- but for him, that’s all it ever was, simply because it was easier for him to do when Yennefer was still around. But since then, he’s come to recognize that perhaps he has more to offer than he gave himself credit for: Geralt operates through acts of service. Geralt is never going to be the most openly expressive one of the bunch, even when it pertains to you. But he’s always going to show his care for those whom he has a soft spot for by assuring their safety and well-being -- in odds and ends, so to speak. He’s never going to write you sonnets or wax poetically to you; he will rarely hold your hand just for the sake of doing so, or be the best at offering words that could technically be comprehended as affectionate. But when he notices you’re tired, he won’t hesitate to place you on Roach’s back -- an absolute honor, considering his protectiveness towards the mare. He’ll make sure that you’re warm and sheltered when you break camp, even if it comes at the cost of his own comfort (not that he feels much of a difference after this point anyway). If he thinks you may be doing something or even considering doing something that might put you in harm’s way or cause you mental or emotional pain, he’s unafraid to shoot that shit down (he loves you enough to let you hate him, so to speak). It may be the bare minimum that he saves you from a death of cold or starvation or hazardous encounters, but for him, it’s a way of showing he at least respects your right to continue living. He doesn’t really expect anything back besides respect. And perhaps some . . . physical comforts. But, once again, to his surprise, he’s not solely focused on physical touch when it comes to you. At least, not as intensely as he normally would be. What Geralt specifically appreciates form you is words of affirmation. But only from you: None of that showy, obnoxious nonsense that Jaskier calls music. Geralt likes feeling recognized as a person, questionable as that sort of title might actually be. He just likes being talked to to a degree, over small things. The affirmations come where you openly appreciate him for his efforts and bravery, and even when you thank him for taking care of you. Being a Witcher is a thankless job. But hearing you appreciate him for everything, big and small, and acknowledging his more humanistic traits at the same time? It does him more good than both you and he ever thought it could.

How often do they cuddle/engage in PDA?: The closest you get is when the two of you are either in a very crowded market place or are running and you’re having trouble keeping up: He’ll hold your hand to assure you don’t get separated or left behind. There’s also, of course, the preservation of body heat when the both of you wind up breaking camp on a particularly cold night.  But other than that, I wouldn’t expect much in the ways of affection.

What are their favorite things to do together?: The lifestyle you both lead (well, that Geralt leads -- you simply adopted it by association) doesn’t exactly lend itself well to couples’ hobbies . . . But the two of you haven’t bitten each other’s throats out yet, so clearly you’re doing something right, no? You aren’t quite sure what it is, but you heavily suspect that it might be when you ask Geralt to tell you about the creatures he’s encountered. Not in the “Tell Me Stories of Your Amazing Feats” kind of way, but more so in a manner of “Please Make Me Aware of the Weird, Strange, and Horrific Beings Lurking in This World and How To Combat Them”. Which suits Geralt well enough, as he tends to skimp on the details and doesn’t care to describe battles or anything of the sort. He knows that you’ll never be a Witcher, but it surely couldn’t hurt you to have an awareness of the world around you. Besides, he’s witnessed far too often the slaughtering of perfectly harmless creatures due to ignorance -- he feels a sense of relief when you express an interest in learning how to differentiate beasts with intentions of harm and beasts that simply want to be left alone unless provoked.

Who’s better at comforting the other?: Neither of you is especially great at it, but for different reasons. Though it should at least be said that you’re better skilled at comforting than Geralt is: You by far are the more emotionally available and intelligent one between the two of you, so the efforts you put forward are at least more overt. However, given that Geralt is a rather standoffish person and not especially prone to expressing vulnerabilities of any kind, it’s hard for you to know if you’re getting through to him. He won’t make it blatantly obvious if something is bothering him unless it’s bothering him in a way that earns his aggression -- and even then, he doesn’t need comfort, he needs you to gently chide him and calm him down as one does to an agitated horse or dog. Or a wolf, in this case. Meanwhile, Geralt . . . just isn’t the best at comforting people. At least, not in the most traditional sense. When he tries to be, it comes off very awkwardly, the words not filled confidence as much as they are hesitancy. It’s only made worse by the fact that his gruff, barely-used voice just isn’t compatible with the words he tries to use. Which is why he feels the best he can really offer to do is just say nothing at all. He won’t reject you or even flinch if you were to bury yourself into his side, instead just slowly placing an arm around you and trying to give a consoling, if stiff, pat on the back. Please know that this is him trying his best, and that he’ll be far more relieved than you’ll be if you actually do find some semblance of comfort in his seemingly low-effort efforts.

Who’s more protective?: Geralt wouldn’t consider what he does protection -- it’s simply what he, well, does. He’s always fighting creatures (and people) in self-defense or for a cause of some kind. And whenever Jaskier joins the two of you, or once Ciri becomes a part of his life, the job only intensifies. Him keeping you alive is simply common decency, lover or not. But if one were to ask someone who’s more emotionally observant like, say, a certain bard who occasionally accompanies the two of you, then he would beg to differ: Geralt is fiercely protective of you, he just does so quietly. Contrary to his stony nature,he does value your well-being. And even if you’re a commendable fighter, he acknowledges that it’s not as up to snuff as his own, making him feel more obligated to assure you come out of encounters alive and well. This is more obvious in the wilderness, of course, but when it comes to civilization he tends to become a bit more lax. He trusts you enough to measure your options when, say, some men at a pub are making particularly bawdy comments about you. He also trusts you to know when to whip out that knife you always keep on you. However, you needn’t worry about him turning a blind eye, should things threaten to escalate: Whether you’re at a marketplace buying some necessities, or paying for your meal at a tavern, Geralt is never so far away that he can’t keep a close eye on you or be unable to step in, should the environment intensify.

Do they prefer verbal or physical affection?: Geralt likes verbal affirmations, yes, but don’t discount physical: At least he doesn’t have to talk or respond when at the end of a long day, you sit next to him and nuzzle your head up to the crook of his neck. Plus there’s the whole intimacy he experiences for the first time in its true form when you and he finally decide to take that step.

What are some songs that apply to their relationship, in-universe or otherwise?: Hm. It’s hard to say, especially considering that Geralt is a hard person to apply music to, much less music with a narrative or one that actually sounds like anything he might listen to, particularly in a romantic setting. I had to push past that mindset just to pick anything, and what that got me to conclude was something along the lines of “Love Like You” by Rebecca Sugar or "Resilience” by Thomas Newman. Maybe “My Blood” by Twenty-One Pilots. I can’t place exactly how or why, especially sound-wise, but these just stood out to me in particular . . .

What kind of nicknames do they call each other?: You two don’t really resort to nicknames, actually. “Geralt” isn’t exactly an easy name to harvest a nickname out of, and he doesn’t do anything that particularly warrants one in reference to an idiosyncrasy. The closest you ever got was trying out “Wolfy” in reference to his title as “The White Wolf” but the look the attempt received, coupled with your own realized distaste for it, made you drop it in an instant. And Geralt just isn’t the sort to apply nicknames in the first place.

Thank you for requesting this! I hope I did okay . . .

[thebluelemontree]

I don't know if you've already answered a similar question, if you have I apologize and will look better for it. But do you think Sandor and Sansa would still love each with how much they've both changed? They've almost become new people, but still the same beings.

It’s no problem. I’ve written about that here and probably touched on this in many other posts. 

I wouldn’t frame the question as would they “still love each other with how much they’ve both changed.” It implies that their feelings were already understood as love by them when they were together. What they had was a confusing mess of conflicting emotions that neither were fully capable of understanding or accepting at the time. Each had their reasons for why that was so, which goes to some of the issues that stood between them. While there is chemistry, intimacy, and empathy shown, IMO, it’s better to think of them as possessing the building blocks that can lead to love in the future.  

On the other hand, there was also:

The fact that she’s too young, immature, and unready for a consummated romance with anyone. She needs space and time to grow up and figure out what she wants. Until AFFC, she’s still only comfortable consciously fantasizing about Loras Tyrell, who is non-threatening, conventionally attractive, and uncomplicated. They are still relatively chaste/borderline erotic fantasies. The unkiss takes time for her to consciously accept and embrace as reciprocated erotic desire.  

The fact that he has no idea how to express himself without resorting to the language of violence that he understands best.

The fact that he copes with the unresolved childhood trauma and PTSD in unhealthy ways like his abrasive Hound persona, his overly-cynical worldview, and sometimes abusing alcohol when he’s under stress.

His immaturity and inability to simply ask for and accept the emotional support he wants (which she was perfectly willing to give) without freaking out over being vulnerable with someone. 

The fact that they are on opposite sides of a war where Sansa’s family is in open rebellion against her captors who Sandor owes fealty to. 

The fact that she’s the king’s betrothed. She’s his property. To explicitly act upon any romantic attraction would be considered treason, punishable by torture and death.  

The fact that there is a massive class disparity between them that overshadows the age difference in their world. That’s one reason why neither can put a name to this thing between them. A future queen / high lord’s daughter from an ancient house should not be fraternizing with a non-knight from a house only three generations old. That’s why they struggle even knowing what to call each other because using first names shows too much familiarity and intimacy. This would be true even without any of the other conflicts. Class controls everything in Westeros. 

And yes, he still owes her a big heartfelt apology for his abhorrent behavior during the Blackwater, and he should beg her forgiveness.  

Most of these points I elaborate on in more detail in the links above. If you notice, though, most of these things have either been resolved or are in the process of being resolved. None of these issues were ever insurmountable obstacles. 

The ways in which Sansa and Sandor have evolved even in their separation has been largely positive and complementary of each other. They haven’t grown apart or become incompatibly different at all. If anything, it’s pushed their feelings further along, and it’s clear they are very much on each other’s minds. Since we can see Sansa’s perspective firsthand, she’s only thought about Sandor more since he left.  

Sansa has grown and matured a lot more when we see her in the TWOW sample chapter. Had the five-year gap panned out, she would be legally an adult in Westeros; however, dropping it doesn’t seem to have affected GRRM’s intentions for any of his POVs. She’s in the company of unconventional, sexually mature women in their early twenties who can be role models in navigating adult relationships. The sassy way she takes no shit from a brutally honest Harrold Hardyng shows she has confidence and the ability to go toe-to-toe with Sandor’s gruff personality without getting flustered and running away. After she wipes the floor with him with her wit, she ends up winning Harry over to the point he’s begging for her favor. There is no point in the sample chapter where she voices any anxieties about not feeling ready for marriage, sex, or children. This no longer seems to be an issue for her, so we can assume she feels okay with having an adult relationship at this point.   

Her time as a bastard girl has made her warmer and friendlier. She was always kind, but proprieties and courtesies can also read as aloof and re-enforcing strict class boundaries. Can you imagine Kings Landing!Sansa hugging someone like Lothor Brune, a landless knight, as she does in TWOW? Or preferring the company of a sex-positive widow who enjoys taking lovers or a bastard girl over the “perfect sister” she saw in Margaery Tyrell and her cousins? Hell no. That would never happen. This new Sansa lacks those prejudices and is openly affectionate towards people she was raised to keep at arm’s length. Once she loosened up and stopped reciting courtesies, people actually got to know her and like her for who she is. That’s what Sandor always wanted from her, right? To drop the courtesies and flattering bullshit and just be a real person with him, not a talking parrot. While that criticism was harsh and rudely put, it had a lot of truth to it. It seems to have made Sansa into a happier person and more in touch with her authentic self. Now that she has accepted in Feast that she wanted Sandor like that, what is there to stop her from acting on it later?

The Quiet Isle didn’t exist before Feast. It was written for Sandor to recover and rehabilitate. Not just physically, but he’s getting what constitutes psychological counseling and a treatment plan that deals directly with his worst traits. He appears to meet with the Elder Brother often enough because the latter seems to know quite a bit about Sandor’s backstory, what his issues are, and exactly who Sansa Stark is. The rest of the time, he must observe the no talking rule and do meaningful work as a novice. This man, who once flaunted his contempt for those who couldn’t defend themselves as weak and deserving of death, is put to work digging graves for the innocent victims of violence. All day long, he has to look at the faces of men, women, and children killed by evil men with that philosophy. One brother even yells at him for carelessly tossing dirt around with the shovel, and he silently takes it. No smart ass backtalk. In the evening, he has to serve food and clear plates for men he would have once mocked. They’re men of faith, they’ve renounced violence, and Sandor sits lower in status than them. To Sandor’s credit, he humbly submits to all this in a show of respect and humility. It’s like he wants to learn these lessons they are offering and is allowing himself to be schooled. Now Sandor may always be Sandor on some level (if Stranger kicking down the stable doors and refusing to be gelded is any indication). Still, it does look like he’s become a gentler, healthier, and sober version of himself. The only part of Sandor that Sansa rejected was the Hound, and it’s both stated in the text and by George himself that the Hound is dead. Period. And yeah, it seems like Sandor is in a place where he is unlikely to backslide into old behavior, and he can make that heartfelt and necessary apology to Sansa. I don't think Sandor could ever be okay with moving their relationship forward without making amends first. It wouldn't sit right with his sense of remorse and personal responsibility, which is a good thing. 

All these changes are for the better for them as individuals and as a possible future couple. Contrary to your ask, I would say a positive, fully-fledged romance with "HEA" potential wouldn’t be possible or believable without all the growth and changes they've undergone. When they reunite, they can do so on more equal footing. 

Not that there aren’t more conflicts to overcome. They both are currently wanted fugitives for murders they didn’t commit, so they both need to clear their names and reclaim their true identities. There is still the matter of Sansa’s marital status as Tyrion isn’t dead but their marriage was also unconsummated. She could try to have her marriage officially annulled by the Faith somehow, but to do that, she’ll have to take the risk of revealing her true identity. Again, these don’t seem like plots that won’t be resolved anyway at some point. What about that class divide though? Well, the Starks aren’t like Tywin or Cersei, and they actually value things like faithful service. No reason why Sandor couldn’t be awarded a lordship and lands in gratitude for saving the lives of both Arya and Sansa. I’m just sayin’.  

[nona-gay-simus-main]

Top 10 Worst Romance Tropes - Part 1

It’s Valentine’s Day and that means it’s time to talk about romance. Specifically, shitty romances. Woo!

Disclaimer: This list is just my personal preference, and I don’t want to fight with anyone about it. You do you, boo. 

I’ve also tried to avoid things that have been talked to death like romanticizing abuse or love triangles because I want to keep things original. There’s also definitely going to be a part two to this post since I came up with so many terrible tropes.

And third, but not last: this list specifically pertains to the genre Romance (whether paranormal, fantasy, etc. the point is that the romance is the main plot or at least half the plot). There will be a separate list for romantic subplots in other genres.

1. The Misunderstanding

If the entire plot of the novel can be solved by the characters having ONE (1) conversation, I’m just not interested.

Chances are these people should not be together anyway, since apparently, they can’t even communicate properly. You can’t both/all be communication bottoms. One of you needs to suck it up and be the top.

I’ve seen people argue that this actually a good trope because it’s “realistic”, but to me, the whole point of romance is that it’s supposed to be escapist. 

Otherwise, we’d all be reading about mediocre people going on mediocre dates and being boringly happy together - that’s realistic too. Do you want to read a book about it? I sure don’t!

2. First Love is The Best Love

This is more applicable to YA than any other genre, but I’m so tired of stories that make your first love be your one and only true love. I’m not saying it never happens, but it certainly doesn’t happen as much as the media says it does.

I feel like it’s both disingenuous, and possibly even dangerous, to raise such a cult around first love. Your first love is not going to be your one and only chance at love and that’s probably for the best. It’s likely, that along the way you’ll find someone who’s an even better fit for you and by then you’ll be more mature and better at handling relationships.

I just wish there were more stories that didn’t romanticize the magic of first love, as much as the showed how experience and knowledge can often be much healthier in the long run.

3. Fighting means Flirting

Just to be clear, I’m not talking about enemies-to-lovers or disdain-to-love, where the characters start out fighting and eventually grow to have a much healthier dynamic; nor am I talking about affectionate fighting, where they insult each other, but they don’t actually mean it.

I’m talking about cases where the love interests are actually fighting, but the author will have one of the side characters say something that implies that actually, they are flirting. Fuck right off!

I’m not one of those people who think that if the characters have one fight, that’s an instant sign of a toxic and unhealthy relationship. It’s fine if your characters fight sometimes. It’s also fine if they flirt sometimes. Just don’t try to tell me those two things are one and the same. It’s not cool to promote the adult version of the message that ‘boys pull on girl’s pigtails because they “like” them’. 

If your characters are older than fourteen, I’m going to be expecting them to act accordingly.

4. Virginity Naïveté

This is a trope I see a lot in cis-hetero romance and I’m so repulsed by it.

There’s absolutely nothing wrong with being sexually inexperienced, or writing about someone who is sexually inexperienced, but these characters are rarely just inexperienced. They are also so ignorant about sex, to the point of making me question whether they are emotionally mature enough to be having it at all. And not only that, but they are often paired up with the biggest sexpot character and it turns into this icky power imbalance, where the more experienced person uses their sexual experience to manipulate their partner.

It’s not realistic, and it’s gross, stop perpetuating the social construct of virginity. Just let women (and sometimes pretty feminine gay men, but that’s a whole ‘nother can of worms) have healthy sex lives. And if they are inexperienced, at least let them have a healthy attitude towards sex and sex-havers. And pair them up with someone who, if not at the same experience level as them, is at least at the same level emotional maturity.

5. Questionable Consent

Nothing puts me off a story faster, than if I have to wonder if the what happened was fully consensual. 

I don’t know how to say this, but please stop having your big male characters groping strange women (or sometimes strange smaller man, but again - ‘nother can of worms) or even women (men) they know, who have not expressed any romantic interest in them; pressing them against walls/doors; giving them lovebites (yes, something I literally read once - though admittedly, it was in a fanfic) and any number of inappropriate physical behaviors without explicit consent.

Surprise kisses are fine if the other person responds, or if you stop when they don’t - but anything other than that is weird, uncomfortable, and it makes me feel like this character doesn’t understand boundaries. And frankly, I don’t want to root for someone who in any other circumstances would be a rapist. 

6. Insta Love

I’ve recently been exposed as a slow burn hoe, and that’s true enough, but even if you like faster-moving romances, what’s so compelling about Insta Love?

The whole point of romance is to see the development of the relationship (except for the rare cases the partners are already together at the start, or if it’s a second-chance romance) and see them falling for each other. 

If they are already in love by the second time they meet, all that potential and stakes are lost.. And half the time, you can’t even figure out why they are in love, to begin with, aside from the fact of being two people of similar ages, attractiveness levels, and the right sexuality. It’s boring and lazy, do better.

8. Teacher/Student:

This is probably because I work as a teacher, but no power dynamic will skeeve me out more than the teacher/student one.

It’s particularly awful if it’s a high school student / high school teacher, for a multitude of reasons I hope I don’t have to explain, but even if it’s college it’s still pretty gross. 18-19-year-olds or even 21yos are just not mature enough to handle a relationship with their professor, who is a minimum of 35 btw, (unless they are some super-genius), and holds their future in their hands.

Maybe grad school would be okay if I’m sure it’s a one-off and that professor doesn’t make a habit of dating their students. Really, the most acceptable versions of this, are either grad-school student/professor, but the student is not that professor’s class, or a college student having a one-sided crush on their professor, and then they meet on equal terms, years after. 

9. All in the family!

I’m not talking about actual incest, which should obvious - but specifically about dating your partner or ex’s sibling/parent/uncle/aunt/first cousin. 

I mean, if it’s a one-night-stand, fine, everyone makes mistakes, but a prolonged relationship, that I’m supposed to root for? Yikes.

Your ex will always be there. At your wedding. At your anniversary parties. Every holiday from now on. And how awkward are family get-togethers going to be when everyone knows where your genitals have been, from now until the end of time. And especially currently, with the internet and how everything is forever? Once your kids /your ex’s kids grow up? They’ll know too! That’s gotta be uncomfy.

10. Cheating

Look, if the romance starts with cheating... well, first of all, I’m already rooting against this couple, because they are assholes and I prefer my romances asshole-free (when it comes to the main characters at least). 

Not only is cheating such a gross and awful thing to do to someone but frankly, I don’t think any relationship that starts with cheating can last. I don’t think you can really trust a cheater - not just to cheat again, but really for anything. They already broke their ex’s trust, who says they won’t do it to you too?

Now, I will say there are some borderline situations that I find more acceptable, where your mileage would vary, if things with the third person beyond purpose-less flirting (aka flirting for the sake if a confidence boost, rather than with the intention of starting something - some people are just naturally flirty) and/or at any point the people involved know that what they’re doing is wrong, but they keep doing it anyway - I’m out.

Some authors will try and justify the cheating MC, by having their partner cheat too, but I’m sorry - two wrongs don’t make a right. That just means everyone is an asshole, and I’m not rooting for any of them to be happy.

[brideylee]

Chateau Quarantine

                 Sophia Coppola smokes a cigarette while she waits for an omelette she has no intention of eating.  It’s a gloomy marine layered morning, you can barely see across Sunset. She’s been in lock down for three weeks and while she normally loves the moody, brooding decadence of the Chateau Marmont, its elite solitude is giving her a bit too much time to reflect. She thinks about the concept of crying as she watches a long torso-ed model skinny dip in the pool from the penthouse. There are no rules anymore, not that there were many in the first place. The hotel was shuttered to the public as of three weeks ago, and those who were already there could stay indefinitely. Sophia lives alone in the tower suite with the three bedrooms and the wrap around porch, known by some as “the Deniro”, but Robert himself couldn’t tell you why. Any legends or gossip about the Chateau were just bread crumbs to keep the public hungry and mystified. The real Chateau for the privileged few who used it, was an unceremonious respite for excessive loneliness, addiction, and often not great sex. The Chateau had a reputation: look but don’t fuck. Everyone’s genitals were rendered useless from anti-depressants.

               She thought she would be filming by now. Her cast is stranded too, with little guidance other than “we’ll wait it out.” The film she wanted to make stars Hugh Grant and Ewan McGregor as two estranged brothers coming together for their father’s funeral. Iman was set to the play the mysterious woman who shows up at the funeral who they then realize was their father’s mistress. It was going to be a slow movie about the brothers coming to terms with their father’s death and equally so falling in love with the woman he hid from them. All this would be suggested through intimate long takes, and funny, stylish, improvised montages. Always subtle and romantic without the sap, this was the tight rope Sophia liked to balance on.  At the end of the movie, both brothers are mildly changed, but not entirely. She has a sweet spot for the immovability of people’s psyches, particularly men. 

Sophia watches impartially, as the naked model floats on her back in the calm pool. It is so cold and early to swim, is she on drugs or is everyone at this place even more numb than they think? She wondered if her film was too male, too disembodied from her personally to mean anything.  Tapping into the male gaze, was an ability she was born with. Her father’s point of view was all she interacted with as a kid, and the underside of his specialties became her focus: the lost parts of men when they are too weak to hold up the heavy crown of their egos, who they were when they could let themselves feel outside of their work. But given the state of the world, and the molasses nature of time during lock down, Sophia started to question if what she always found to be her strength was just simply trauma. Was her whole profession a way to resolve some genetic creative stifling that took place in the shadow of her dad? Surely her body of work contains more than that. It’s not all a selfish attempt at repair. Is any art not selfish? "Maybe I should make a different movie, something that everyones gonna like for once.” She thinks to herself.  Thank God, her goat cheese omelette has arrived.

             Later on, the gothic lobby is empty besides the cast of her film and the elegant model behind the reception desk standing like a hollow sculpture, frightened by the chaos that lurks outside. Ewan McGregor, drunk off of five Marmont Mules, is showing Hugh Grant an app that maps the stars and constellations. Ewan has gone on and on about a camping trip he took around Scotland and how amazing the stars were, but when pressed for details about where exactly he was or what he saw or what year he did this, he can’t seem to remember anything at all.But that doesn’t dampen his excitement about the app. “See, that, there is Orion’s belt!” Ewan enthusiastically points out, his cute smirk displaying his bottom row of sweet corn kernel teeth. Ewan just recently learned about the stars. Until the age of 47, Ewan had been referring to them as “night freckles.” Many think this is why he didn’t have a fun time acting in  Star Wars, space simply befuddled him. Hugh and Ewan are dressed exactly the same: navy blue beanie, black jeans, a tight blue thermal, and desert boots- the actor man uniform they give you after you play opposite Nicole Kidman or Renee Zellweger.

“That’s brilliant,” says Hugh Grant completely perplexed by the app and confused at Ewan’s rambling. Hugh sticks a handkerchief up his nostril with his pointer finger and wiggles it around somewhat violently. Iman clocks this with a blink of disgust, her silk, gold blouse  glistens with god-like royalty in the amber glow.  “Can you turn your face away? That’s how the virus is spreading.” Her voice is deep and she rarely uses it because it changes the direction of the wind and messes with the tides.  “Aw, fuck me. That’s right, isn’t it?” Hugh Grant turns away and starting blowing his nose and coughing obnoxiously. Hugh is acting like a resentful brat because he knows he wont be able to have Iman. He decides he’s gonna pick a fight with Sandra Bullock via face time later to blow off steam. Iman is thinking she was right all along, she should never have agreed to this. She was already sick of the “beanie twins”. 

Hugh had been rattling on about how the movie needed a sex scene or at least a sexy scene and went on to say that Sophia had some sort of block. Iman felt that both Ewan and Hugh, however innocently, were exploiting their acting roles to gain real life experience, and there was no way in hell, she was going to kiss either of them.  Her kiss would make them immortal and Iman knew their souls needed more lifetimes to grow. Plus, she liked the script the way it was- underwritten and open for interpretation. Her character is symbolic of the side of their dad they didn’t get to meet-  spiritual, graceful, embodied. It was a soulful choice not to show any nudity or sex, one that could lead Americans to try to use whats left of their iPhone stolen imaginations.

                Meanwhile Michael Cain, who was supposed to play the dead father, is staring at the beautiful Victorian tapestry hanging behind her. “It’s like it’s right out of the Cloister’s.” Michael says under his breath. Michael is sweet, Iman thinks as she watches him stare at the tapestry with wonder, his mouth agape, and a lil warm milk spilling out of his left eye. Iman and him have known each other for years and he always reminded her of her husband: his fierce devotion to his craft, his rigorous intellectuality that does a bad job hiding an animalistic sexuality. Both men contained so much and no one can handle a man like that besides a mystical siren like Iman. 

Hugh and Ewan’s chatter dies as their drinks empty. “If I were to be honest with myself…” Hugh begins. “Better later than never…” Michael Cain interrupts without cracking a smile,  a dryness a la Maggie Smith. In fact, fuck, this was Maggie Smith. No one had realized. Hugh winks at Michael/ Maggie and continues. “ I don’t think were going to be filming any time soon, folks. I think we are being held hostage a bit by Miss Coppola.” Ewan stares off with a thinking face like no one has  ever had a deeper thought before. “That is interesting to think about. There is some kind of bratty assumption that all this will fade away soon enough. And we’ll be back on set. But what if it’s not for another year or so?”  Ewan is really getting worked up “What if we live here for the rest of our lives!!” His eyes are big and dazzling, it’s like he’s thinking of the most ideal outcome for the rest of his life.

               Suddenly, Sophia joins them at the table. “There they are, my little hunchbacks!” This is what Sophia affectionately calls her actors, the origin is unknown. Sophia has a strange new confidence around her. Usually, when she walked into places, she would feel like a Nat Sherman cigarette, like only some select tall New Yorkers in the back would still appreciate her. “Hello, love! Someone slept well.” Maggie Smith as Michael Caine chirped. Even when Maggie-Michael said something sweet, it still felt like someone was aggressively tickling your ribcage. 

          “I have news.” Sophia sits down, and smiled large and toothy, a stark contrast to her usual chic, despondent stare,  a look only afforded  to artists born with trust funds. “We’re not making the movie.” Hugh taps the table. “Well, I believe I won that bet.” Ewan’s jaw drops, destroyed. “You mean we cant live here together forever?” He runs his hands through his hair, petrified. Iman is quiet, which can mean many different things and all things at once, she is eternally the glory of God, a forgotten pyramid at the bottom of the ocean that if unearthed would explode us into 5D ascension. 

 “We are making a better movie! A super hero movie!!” Sophia exclaims. Sophia gets up close in the faces of her cast, pitching them on her new idea. “It’ll be a real heroes journey- good guys versus evil! Fun CGI! Sexy starlets and fun on trend jokes!” She turns to Michael Maggie, her mouth inches away from their milky eye, and says- “And much much more!” Sophia climbs up on the table now. “The adults will love it, as well as the little ones!” She does an Irish jig and starts spinning around and then poses with her arms up as though at the end of a musical.  It was not fun to watch.  Iman cuts her off-“I don’t trust what is happening.This is not reality. This is delusion. A karmic spell.” The power of Iman’s words blows the power out of the Chateau, pipes burst, the fire alarm goes off, and Joel Madden of Good Charlotte in room 304 stops jerking off for a second. Sophia is still catching her breath from her presentation, her sweating, arms stretched to the ceiling. She gulps as her eyes meet Iman’s. “Why don’t you just write from my character’s point of view?” Iman says as softly as she can without causing chaos.   Sophia freezes. Her whole body calcifies and turns to ice, then crumbles onto the table. Ewan and Hugh watch in absolute horror as Iman drops some of the ice into her water. She knows she shouldn’t have said yes to this project and looks on lovingly at Michael/ Maggie who has dozed off. 

[pseudoneiiric]

meta post: lili and her gender

let me go on the record to say that i fucking love lilian eyler with my whole heart, like, i typed all this out and im so fucking emotional about her! in the past, i've written things about hello charlotte and how the lgbt representation is... lacking, let's call it, and i've also made a few headcanon posts here and there about lilian's transition and her relationship with gender. so i thought, you know, let's actually write a whole ass thing about it. so here it is.

content warnings: gender dysphoria, suicide attempts, homophobia/transphobia in the original source material

PART 1: ETHERANE'S BAD TAKES so... etherane did not handle lgbt stuff well, like, in the slightest. lili is canonically genderfluid, as seen in one of those little profile things that etherane drew that doesn't actually show up in any of the games. but her genderfluid identity isn't handled well at all in the actual source material. actually, in general, hello charlotte is pretty transphobic. to cite one example, there’s this journal entry in hello charlotte 3 talking about “defective” charlotte vessels, and one of the things that can make a charlotte vessel “defective” is for them to be born amab or intersex. this already has some really bad vibes, but then we remember also that one of the big functions of charlottes is apparently for them to be sexualized (yikes!!!!!) and so we also get this weird kind of like, “trans people aren’t hot” kind of take?

but anyway. when it comes to lilian specifically, she never actually states in canon that she’s genderfluid or otherwise trans, not even in the spinoff visual novel, which, by the way, would have been the perfect place to address her gender identity, and she consistently uses he/him pronouns. we don’t actually get to see any of her thought processes about her gender at all — like at this point, i can’t even say it’s a non-issue because that would imply that they even mentioned her gender in canon. the only time we can potentially extrapolate from canon that lili might not be cis is when anri mentions that charlotte is lili’s self-insert oc. that’s kind of heavy-handed with the whole “charlotte being the female name for charles”, but that’s another matter. the point is, with the lack of any canon basis that lilian’s even vaguely questioned her gender, the reveal that she’s actually genderfluid with like, two pieces of artwork that are detached from the actual game feels very pxrfxrmxtxvxly xnclxsxvx (performatively inclusive) especially considering how.... etherane talked about lilian’s gender in particular within the actual canon material.

after all, the story behind lilian is effectively that, after she was born, her mother was forced to abort her second child, a daughter that she would name scarlett. doing so plunged her into a really deep depression that eventually took on delusional qualities. so ever since lilian was about three years old, her mother has been referring to her exclusively as scarlett, asking her to ‘ be a good girl ’ and similarly raising her as a girl. we can see here that etherane seems to have implied that genderfluidity is something that happens because other people make it so, and isn’t an identity and lived experience. (bad take!) although, albeit unintentionally, i think etherane did lay some groundwork to talk about lilian’s relationship with her gender, specifically with regards to her projection onto her oc, charlotte. in high school, when she’s more active on the internet, we see that she’s going by charlotte and using she/her pronouns. anri, her irl friend, is pretty openly critical of that, but she sort of brushes off anri’s complaints and continues to present as feminine online. now, there’s this fanfic writer who goes by the pseudonym “c”, and lilian very quickly takes an interest in him. the way she talks to c, who doesn’t know her irl, compared anri, who does, is just like flat-out like they’re completely different people.

compare, her with c:

to her with anri:

i also wanted to mention that lili does occasionally act more “femininely” with anri, but it’s never to the extent that she does with c, and in general, affectionate banter is sort of... outright ridiculed in their friendship both ways. see this one exchange:

anri: >:) always up for some roasting lili: right? <3 <3 anri: now you’re the one being gross

unrelated but it fucking kills me that anri was like “ily <3” and lili went “gross” so she went “kys” and lili deadass goes “that’s better” like that’s what anri is referencing when she says “now you’re the one being gross” and im like... please just be healthy friends who don’t wish death on each other???

it’s also worth noting that c doesn’t know that she’s not “actually” a girl, and literally when they meet, she goes like, “it’s you who should be disappointed in me. charlotte turned out to be charles, whoops! i bet you were hoping that i’d be a cute girl.” and that’s... really depressing, like, she ended up really leaning into that cutesy side of her when she was talking to c and now she feels the need to be a lot more... sarcastic and bitter, like how she is with anri, because now c “knows the truth about her”, that she’s “actually been a guy all along”.

in any case, i think the intent that etherane was going for with this was kind of like... “lilian’s actually a repressed cis gay man!” which is . not great. it gives off this really gross vibes where it’s implied that since lili was raised as a girl and is into men, she got “confused” and started going by she/her online because she couldn’t come to terms with her sexuality or whatever. and that’s just such a bad take!!!

not to mention that a really important part of lili’s backstory is... her germaphobia. she has persistent delusions accompanied by visual hallucinations where she sees people as “parasites”, which visually manifests as them rotting or decomposing. because of that, she wears gloves all the time and is repulsed by physical touch. but when she meets c (whose real name is vincent) in person, she pretty much instantly goes for skin-to-skin contact with him, where she takes off her glove and holds his hand. and like, sure, that’s sweet, but that’s really not how mental illness... works. in the slightest. she doesn’t react at all when his hand touches hers, despite the fact that she has literally had panic attacks in canon from touching things without her gloves. and it gives off this implication that mental illness can be cured with romance somehow, and that’s a really bad take!

this feeds into fandom understanding that like, well, if lilian sees vincent as pure and allows him to touch her, then Obviously she’d let him kiss her, they could probably have sex, etc. and like... she’s canonically asexual though! and that brings us to the other implication, that asexuality is somehow... caused by something. like, there’s nothing in canon to state that lilian experiences sexual attraction (or even really romantic attraction, like i know etherane went off in heaven’s gate and did a lot of ship tease, but she never really outright says she’s crushing on anyone), but judging from the way etherane handled lilian’s gender identity, i have a sneaking suspicion that she established lilian’s asexuality with her mental illnesses specifically in mind. lilian’s autistic, germaphobic, has severe ocd, and she’s been sexually assaulted in the past. therefore, she must be asexual! that’s the sort of vibes i get from the game, and im not here for it. similarly to how her genderfluidity was handled, she makes no actual statement in canon that she doesn’t experience sexual attraction. the closest she’s ever come to this is when she says to anri in heaven’s gate that she is just straight up not interested in kissing (to which anri is like, “well what if it were vincent owo??” which. ugh. anyway). it just seems really strange to me to design a character with severe mental health issues with regards to physical touch and then just sort of treat it as a given that she’s asexual. it’s another example of etherane implying that lgbt identities are results of traumatic experiences or symptoms of mental illness and not an identity or lived experience. you can be sex-repulsed and not be asexual, and while i understand that many people do identify as ace due to trauma and other such things, it still feels like really bad rep when taken with the way lilian’s genderfluidity was portrayed.

PART 2: HOW “CHARLES” IS DIFFERENT FROM “LILIAN”

throughout hello charlotte, lilian identifies herself as a passive observer, someone who doesn’t directly interfere in events. this applies mostly to her existence in false realm, where she’s like... a god, and doesn’t want to interfere in the balance of the world. but i believe she also has always seen herself as an observer. in her very first scene, the one where she and anri are watching someone get bullied, she’s the one who tells anri that there’s no point in getting help. because her role is just to observe. to take pictures for anri, to be a good girl, to say yes to everything and to never express her opinions, feelings, thoughts.

and honestly, i think the main reason for that is that she’s dysphoric. whenever she talks about herself, she’s really self-deprecating, especially compared to when she talks about charlotte. i feel like the main reason why lilian detaches herself from the world and refuses to really perceive herself is because she’s fundamentally disgusted with her gender presentation. and like, we can see in the two times that she’s presented femininely (with c and in that one comic) that lili is just so much happier and more bubbly when she’s presenting as feminine. you can literally see her stop dissociating and becoming more present in the moment because she’s just. so much more comfortable in her skin. compare:

these pictures with this one:

it’s funny i was going to say that there is a picture where she’s presenting as masculine and actually smiles like a person, but guess what! she’s texting c! so she’s actually performing femininity!

but the point is, like... when she’s presenting as masculine, especially in the canon pictures rather than etherane’s art, she just doesn’t look... happy. and then we compare that to how much more present she seems when she’s presenting as feminine, and how much more comfortable she seems in being, like, happy! and cute! but there is a downside to this. and that is...

PART 3: DIFFICULTIES IN LILI’S TRANSITION

in my sort of... “main verse” for lili, i have it so that her suicide attempt failed and that she was somehow... saved from drowning. mother passes away and she starts to... soul search a little bit and find a reason to live, and somewhere along the line she starts to transition socially. that means she starts transitioning at a pretty... extremely vulnerable point in her life. in the year between 18-19 years old, she’d be a wreck. she’s growing her hair out, but she feels insecure about it. she starts to wear skirts, but only at home. she buys makeup and never wears it. it’s a long process for her, because it’s one thing to go by she/her online or to claim she’s just a gender-confused gay boy and a completely different thing to come out as a trans woman and to actually see herself as a woman and not some kind of imposter. considering that she was raised as a girl, she would have a large amount of guilt over transitioning, feeling like she’s going to be seen as confused, or that her gender identity is a direct result of her childhood trauma. but she’s not just worried that others will see her that way: she’s worried that she’s going to see herself that way.

and for a long time, she probably does see herself that way. for a long time, scarlett would probably treat her transition as some kind of attempt to personify her unborn sister and comply with perceived expectations rather than an attempt to feel comfortable in her own skin. she’d get nervous that she’s somehow becoming scarlett, because though she’s always thought it would be easier if she’d just been her sister, she’s never really wanted to be scarlett. she’d be scared to wear mid-length skirts, scared to put her hair up in a bun, probably even scared to wear red for a time, all because she’s scared of somehow losing herself and becoming her alter.

because of her caution and concern with identifying as a trans woman and not as the “safer“ gender identity of genderfluidity (where she can say she’s trans but never actually have to “push boundaries” by wearing feminine clothing or using any pronouns besides he/him), it would likely take her a very long time to take the step to medically transition. she’d likely never get any gender affirmation surgeries just because of how invasive the procedure is, but hormones would probably be something she’d look into once she’s much older and has a more stable income.

i mentioned before that before her transition, she uses dissociation and observation as a way to cope with her gender dysphoria. she saw herself as someone who didn’t really participate in the world, was a class ghost, invisible to everyone and a minuscule part of a vast universe. but upon transitioning, she’d feel much more actively self-conscious. once she starts to present in a feminine way, she’d feel like she’s being seen, like she’s actually participating in the world, and that’s both a blessing and a curse.

she’d be much more prone to stammering, especially when saying her name, and would blush far more often. she’d be afraid of saying the wrong thing or messing up somehow. and on top of that, she’d likely feel predatory for talking to others, always wondering if others find her cute or repulsive, always wondering if someone will perceive her and harm her in some way.

she’d very likely also feel really guilty about her own emotional experience. because she’s so used to being a passive observer, a puppet that only does what others want, she would feel like it’s selfish to be just... content. she’s so actively disgusted with herself before she transitions that she’s never allowed herself to be mentally present for a happy moment in her entire life. she always second-guesses, always dismisses positive things as a mere coincidence, and after she transitions, when she starts being more present in her life, she’d feel so guilty for just allowing herself to be happy.

because of that, she has some trouble with presenting as feminine consistently — she’d vary the “level” of her feminine presentation from day-to-day, where she might go full femme one day and another day stick with a beanie and a pair of slacks. she’s much more comfortable with presenting as more traditionally feminine when she’s at home or with trusted friends in a private space, but around 19 years old, she makes a vested effort to remain in public spaces. she’d time herself, saying, “for one hour, i’ll stay in this café while wearing a skirt, and then i can leave,” and she’d gradually increase the amount of time she spends in public spaces. and eventually, eventually she does end up feeling really comfortable with her gender presentation and falls into a more static sense of style. she really likes clothing design, so she ends up wearing a lot more dynamic outfits when she’s more comfortable with herself, and she probably also mildly gets into cosplay.

i also like to think that she reconnects with anri during her young adult years. either it’s like, right after her suicide attempt (i’ve written before that she’d had anri listed as her emergency contact and forgot to change it when she moved), or it’s at some point after she starts transitioning socially. i think it’d be really sweet for them to be friends in a more real way, and the sheer concept of anri teaching lili how to properly apply makeup and to set her hair is just so fucking sweet i might die. they both deserve to have friends so i think this is just a step up from hello charlotte canon.

[pickalilywrites]

I'm not that anon but wow! I didn't even realise anyone else shipped eretra 😭😄 If it's ok please can I request eretra as kindergarden teachers? 💕

you’re definitely not the only one! i’ve always thought they were kind of cute tbh >///

Big Fish

Eretra. Kindergarten Teachers AU. 

2579 words. 

Buy me a ko-fi!

Petra rifles through the closet in search of the extra apron that she’s absolutely certain is there. It would help, of course, if she kept the closet neater than it is, but it’s difficult to find time to organize anything when she has to take care of fifteen rambunctious kids at a time. The new teacher that has been appointed to work with her earlier this year is definitely a help when it comes to handling the kids, but he’s not any neater than she is. Petra would be exasperated at his lack of cleanliness, but he gets along so well with the children that she doesn’t have the heart to scold him.

“Petra,” Eren says, popping his head in the closet. He opens it a crack and a few curious students peer in as well, wondering what their teacher is looking for so furiously. “Are you almost done in there? The kids are getting pretty impatient.”

“Just a second!” Petra replies. She pulls out a cardboard box full of costumes, frowning at the colorful wigs and props that are inside. She searches through it for a second, shoving aside a feather boa and a tutu, before shoving it back onto the shelf with a sigh. She turns back to Eren, smoothing her hair down with a hand. “Are you sure you didn’t put the apron somewhere else? I can’t find it in here.”

“It’s the last place I remember putting it,” Eren tells her. He looks down when a child tugs at his leg and then returns his gaze back to Petra. “It’s fine if you can’t find it. I’ll just do without. We still have to set everything up too.”

“Alright,” Petra says with a sigh. She stands up, brushing off her jeans before finally exiting the closet. She grabs the apron hanging on the wall, slipping it on. “Eren, you can go ahead and set up first.”

“Alright!” he says cheerfully. Her colleague calls for the kids to line up at the door before leading them all. They follow him like ducklings, eagerly watching as he sets up the water lab - a favorite summertime activity for the kindergarteners where they can play with little waterworks. The children squeal when they see him pull out the hose to fill the water table, and their shrieks escalate when he turns the hose towards them and soaks their feet.

Petra can’t help smiling as she watches them. When Eren was first assigned to her class at the beginning of the year, she was nervous about being partnered with him. Although she had been teaching for five years at that point, she didn’t feel experienced enough to be a mentor, but she soon found that Eren required little guidance. He was a natural with children, and kids were naturally drawn to him. He knew how to make them laugh, when to scold them, and when to console them. There were only a few instances when Eren ever needed her assistance - speaking to parents or authority figures - but he began to get the hang of that as the school year went on. She’s certain that he’ll be able to handle his own class sometime in the near future, so she’ll value all the help he’s giving to her while she still has him as a partner.

When Petra steps out, apron tied around her waist, she finds Eren playing in the front with some of the kids. He kneels beside the kids so that he’s almost their height, playing with some plastic boats and listening intently as the kids babble about a story they’re making up about a kraken living in the water. Occasionally, he looks up to watch the more energetic kids - kids that aren’t content with standing in one place and splashing around in the water - on the lawn chasing each other around with water guns. Every now and then, he adds his own spin to the story, creating a hero that is able to thwart nearly every ridiculous obstacle that the children throw at him. His fictitious hero is able to delight the children and even Petra finds herself smiling. It’s only when Eren hears her stifled giggle that he realizes that Petra is watching him.

“Hey!” he says with a bright smile. Petra personally dislikes playing at the water table - she usually gets soaked some way or another - but Eren looks content with his elbows deep in the water. He waves a plastic fireman toy at her. “Do you want a turn?”

Petra shakes her head. “It’s fine. It looks like you have everything covered here,” she tells him. She gestures towards the little kiddie pool a few feet away. “I think I’ll go fishing with the other kids while you’re busy here. And keep an eye on Gabi and the others, of course.”

“Let me know if you catch something interesting!” He gives her a wink, and for a moment Petra thinks that he must be unaware of exactly how charming he can be. If he were teaching in high school, his charisma would definitely gain him some troublesome attention from female students. Then again, they already have kindergartners declaring their love for Eren and announcing their intentions to marry him. Eren always brushes off these innocent proposals with a laugh and a wave of a hand.

Petra finds herself sitting cross-legged on the ground between two students, Udo and Zofia. Unlike the other two, she’s not really fishing, although she does pull out whatever gets stuck to the magnet at the end of her pole. Really, she’s just observing the other children around them while listening to Udo and Zofia arguing with each other.

“I told you I’m catching the red fish!” Zofia says with a scowl after Udo has once again knocked her fishing pole away from her target and towards a green plastic fish instead. “Why don’t you find your own fish to catch?”

Udo shrugs, not at all bothered that his friend is irritated with him. He ceases his teasing for a moment and holds his fishing pole limply in his hands. After a moment, he says, “There are a lot of fish in the sea.” Both Zofia and Petra turn to look at him - Zofia more out of annoyance than anything, but Petra is surprised to hear such words from a five-year-old. When neither person responds, Udo continues, “There are a lot of fish in the sea, so you don’t have to get upset about one red fish.”

“That’s very wise of you to say, Udo,” Petra says, looking over at her student affectionately. It’s always amusing to hear such pearls of wisdom from young children. She suspects that he’s parroting something he overheard a relative say.

“Thank you,” Udo replies. He goes back to fishing, nudging another plastic fish away from Zofia. He ignores her when she scowls at him. “My aunt says that a lot when she’s upset. ‘There are other fish in the sea.’ And then she cries and eats a whole gallon of ice cream. Sometimes she lets me have some when my mom isn’t looking though.”

“Oh, is that so?” Petra says. Her mind wanders, searching for another topic to move onto. She really doesn’t want to discuss Udo’s aunt’s love life. She fiddles with her fishing rod, bobbing the little magnet at the end in and out of the water. “Do you have a favorite fish, Udo?”

“I like sharks,” Udo tells her. He yanks at his rod and pulls out another red fish. “But my aunt says they’re not the kind of fish she’s talking about. She says that all girls want a really big fish. I don’t really get it, but she says I’ll know when I get older.”

“She means a whale,” Zofia says. She gets annoyed when Udo tries to snatch another red fish from her. She finally does away with her rod, tossing it off to the side, and plunges her hands into the pool. When she finally pulls them out, each hand holds a scarlet toy. “Whales are the biggest things in the ocean.”

“Whales aren’t fish,” Udo frowns.

Zofia wrinkles her nose. “Then what are they?”

The little boy pauses for a moment, unsure, but reiterates that whales are not fish. Zofia, of course, vehemently disagrees with him and Petra only quietly observes, not bothering to correct either of them. She’s not sure they can handle the characteristics that differentiate fish from mammals at this age.

Suddenly, Udo turns to Petra while Zofia is speaking mid-sentence. “What about you, Miss Petra?” he asks. He does not notice Zofia fuming behind him. “Are you looking for a big fish too?”

“Er, not at the moment,” Petra says. She regrets her reply immediately, but the sudden question had surprised her into answering.

“Maybe she’s not old enough,” Zofia murmurs.

It’s not that she doesn’t think of going, er, fishing every once in a while, but her career as a kindergarten teacher takes a lot more time than one would think. By the time she gets home, she’s too tired to grab dinner let alone dress for a date. Even if she did have the energy to go looking for a date, she’s not sure how she would go about doing that. Go on one of those dating apps? Or even one of those dating websites? She’d prefer one of those meet-cutes in classic romantic comedy films, but goodness knows that her life isn’t a movie. She’d be fortunate to even find someone moderately good-looking, but the only men she ever comes into contact with are either married or single fathers who are only interested in her as a babysitter for their kids. She really should go out more. Petra doesn’t mind the idea of being single, but she does think it would be nice to have someone to treat her to dinner and take her out on dates. The thought of having to “go fishing,” as Udo’s aunt would probably put it, is just far too troublesome though, Petra thinks with a sigh.

Petra turns to Udo, ready to change the subject. Just as she’s about to open her mouth and ask the kids about their opinion of the beach, there’s a loud shout from Eren followed by squeals and laughter from the children behind her. Petra turns around in alarm to see Gabi and Falco gripping the handle of the hose while spraying everyone in Eren’s area with cold water.

Immediately, Petra stands up, her fishing pole forgotten, and runs over. “Gabi! Falco! Let go of the hose!” she shouts. Her words are barely heard over the shrieks of the other children. Thankfully, they’re so distracted that they hardly notice her coming for them from the side. She’s able to wrestle the hose away from them without much trouble. When she finally looks over at them, the dripping hose dangling from her hand, they don’t look ashamed in the least. If anything, they’re delighted.

“Look!” Gabi cries, doubling over in laughter. She points a finger at Eren. Gasping for breath, she giggles, “He’s all wet!”

“He looks so funny,” Falco laughs, a huge grin on his face. He’s usually a good kid, but he’s easily dragged into mischief with a little coaxing from Gabi. “His clothes are all wet too! It’s like he went swimming!”

“If I knew this was going to happen, I would have brought my swimming trunks,” Eren jokes. Water drips from his clothes and he frowns as he grabs the fabric of his shirt and tries to wring it out. It hardly helps though and he can only look over at Petra with a resigned smile on his face as he combs his dripping locks away from his eyes. “Too bad we couldn’t find that other apron, huh?”

“Yeah,” Petra murmurs, but she’s not really listening. It’s difficult to concentrate when her coworker is right in front of her with his white cotton t-shirt soaked through.

She had always been aware of Eren’s looks. It was difficult not to notice him when he stepped in her classroom that first day in August. All six feet of him looked as if it belonged on a fashion magazine, not a kindergarten classroom. It didn’t help that he has a habit of wearing comfortable jeans and fitted tees - not the standard wardrobe for a teacher, but they were practical so Petra never had the heart to ask him to wear more professional clothing. The other parents didn’t seem to mind his clothing either. The mothers in particular - married or otherwise - seemed to adore Eren’s tight-fitting jeans, the soft t-shirts that showed off his strapping arms, and his charming, boyish smile. While Petra wouldn’t say she’s immune to his charms, she’s made sure never to be anything but professional with him. Workplace romances are far too messy, she thought. However, looking at Eren right now with his hair sopping wet and sticking to his face and his hard-toned abdominal muscles visible underneath the thin fabric of his soaked shirt, she’s starting to consider making an exception.

“Gosh, look at that boy,” Petra hears someone say behind her. When she turns her head, she sees two mothers - probably here to pick their children up early - observing the sight of Eren sopping wet. It’s quite evident from their expressions that they like what they see. “It makes you wonder what else he’s hiding underneath all that.”

“What a catch,” her companion sighs wistfully. “If I weren’t married, I’d certainly go after him.”

Hearing them talk, Petra feels her ears start to burn and she finds herself walking hurriedly over to Eren, who is too busy trying to dry himself off to notice his admirers. He only looks up when Petra shoves her apron in his chest.

“Here, take this,” Petra says. She glances back at the women who are currently glaring at her for obscuring their view. “You need this more than me right now.”

“Are you sure?” Eren asks, eyebrows raised. “It’s fine. I can just grab an extra shirt later.”

“Just put it on!” Petra says, waving the apron in his face. She’s relieved when he finally puts it on, finding that she can breathe properly now that he’s not standing (pretty much) half-naked in front of her. “We should clean up now. It looks like everyone’s had enough fun. Some more than enough.” Her eyes flit over to Gabi and Falco, who are still busy giggling to themselves.

“Sounds good,” he says. He calls to the other children, telling them to collect their toys and gather while Petra goes over to empty and deflate the kiddie pool.

As Petra gathers the little plastic fish, she’s reminded of her earlier conversation with Udo and Zofia. She tries to focus on the task at hand, feeling that doing so would distract her from what she really wants to think about. It doesn’t work. She keeps thinking about his slender waist and the taut back muscles that the ragged, green apron is unable to hide. Her face burns at the thought of it, and she tries to remind herself of what Udo’s aunt told the little boy. What was it again? There are many fish in the sea. Petra repeats this to herself under her breath as she deflates and folds up the kiddie pool, but even as she does she knows there’s only one fish that she’s interested in catching.

[reconditarmonia]

Dear Rule 63 Author

(It’s finally happening! Thank you so much for signing up!)

I’m reconditarmonia here and on AO3 (and have been since LJ days, but my LJ is locked down and I only have a DW to see locked things). I have anon messaging off, but, er, I can answer any questions you might have about my requests in my mod capacity if you contact the exchange email ;)

Fullmetal Alchemist | History Boys | Pride and Prejudice | Robin Hood | Spinning Silver

General likes:

– Relationships that aren’t built on romance or attraction. They can be romantic or sexual as well, but my favorite ships are all ones where it would still be interesting or compelling if the romantic component never materialized.

– Loyalty kink! Trust, affectionate or loving use of titles, gestures of loyalty, replacing one's situational or ethical judgment with someone else's, risking oneself (physically or otherwise) for someone else, not doing so on their orders. Can be commander-subordinate or comrades-in-arms.

– Heists, or other stories where there’s a lot of planning and then we see how the plan goes.

– Femslash, complicated or intense relationships between women, and female-centric gen. Women doing “male” stuff (possibly while crossdressing).

– Stories whose emotional climax or resolution isn’t the sex scene, if there is one.

– Uniforms/costumes/clothing.

– Stories, history, and performance. What gets told and how, what doesn’t get told or written down, behavior in a society where everyone’s consuming media and aware of its tropes, how people create their personas and script their own lines.

General DNW: rape/dubcon, torture, other creative gore; unrequested AUs, including “same setting, different rules” AUs such as soulmates/soulbonds; PWP; food sex; embarrassment; focus on pregnancy; Christmas/Christian themes; focus on unrequested canon or non-canon ships.

A note: I'm generally fine with "/" ships where the fic doesn't contain a kiss, overt declaration of love, etc. I'll trust that you wrote it with shippy intent and don't expect you to force in something that wouldn't fit the story.

About Rule 63 Exchange specifically: I have no strong preference for character names, with a slight preference for sticking with their canon names; it's up to you whether you want to justify any resulting names that would be unusual for women or just gloss over it. As far as characters' personalities and gender expression are concerned, you can tell from my requests that part of what interests me in most of the characters I requested is the question of what they and/or their relationships would be like in a world where they grew up as women, but I tend to want to see them as similar to their canon selves, just female. I'm probably fine with unrequested characters also being swapped to female, but feel free to check if you're not sure; please don't swap any female characters to male.

For this exchange, I've requested only fanfiction and only Always a 63, and with the exception of FMA, have requested non-smut (for FMA both smut and non-smut are good).

—

Fandom: Fullmetal Alchemist

Ship(s): F!Roy Mustang/Riza Hawkeye, F!Roy Mustang/F!Maes Hughes, F!Roy Mustang & Riza Hawkeye & F!Maes Hughes, F!Roy Mustang & F!Maes Hughes

I only recently started watching FMA:Brotherhood and I love it a lot. My fannish interests run towards military contexts, loyalty kink, idealistic/noble characters, and ambitious/pragmatic characters, so I'd love to read more about any of these combinations of people trusting one another to be the best person to do the job, or to know what to do, and risking a lot on that - whether that's on campaign in the war, when trying to get Roy up the chain of command, during the conflict with the homunculi... (I'm not yet up to the bit where Roy tells Riza he trusts her to shoot him in the back if he steps off the path, but it's been mentioned to me and it is my JAM.)

(My requests are fairly unspecific because as I write this I'm only about a quarter of the way through the anime. DO NOT worry about avoiding spoilers in the fic; I'm getting through the canon and can't wait to read whatever you want to write. Although I should specifically say, feel free to either have Hughes continue to be alive or stick to canon in this regard.)

Smut Likes: clothing, sexual tension, breasts, oral sex, grinding, informal d/s elements, intensity

Fandom-Specific DNW: please avoid canon-typical loss of body parts. If writing Roy/Maes in a period when Maes would canonically be married to Gracia, please don’t kill her off or get into either infidelity angst or poly negotiation; an AU where they never married or the assumption of an open relationship are both fine.

—

Fandom: History Boys

Ship(s): F!Stuart Dakin/F!Tom Irwin, F!Entire Class & F!Tom Irwin, F!Entire Class & F!Douglas Hector

I'm dying to know what the cultural touchstones would be if this plot were about lesbians instead of gay men. Auden, for instance, keeps coming up in the play - Hector loves him, Dakin and the other students bring him up to feel out Irwin - Housman, Bette Davis in Now Voyager...so what's acceptable and/or eccentric Culture for lesbians to cling to, or to signal (or flirt, or come-on) with? Who are the writers and the icons? During canon(/pre-, if applicable with Hector) or post-canon Oxbridge-slash-TV-historian life, it's all great. I, like most of the fandom, do like the idea that Dakin and Irwin do make it work at some point, post-canon.

Although I acknowledge that female versions of these characters feeling shut out of the historical and literary Canon is a valid place to go with the concept (I mean, that's Mrs. Lintott's speech), I'm more interested in following through on the way that the canon (little-c) characters relate historical or literary figures and events to their own lives - whether that's using more female figures, or finding things to seize on and relate to in the male figures of the Canon (in a fuck-you women-are-like-this-too way or a gay way rather than a Great-Men-are-universally-relatable way, I suppose).

—

Fandom: Pride and Prejudice

Ship(s): Elizabeth Bennet/F!Fitzwilliam Darcy, Jane Bennet/F!Charles Bingley

I would love to see how the basic narrative of P&P, or scenes from it, could play out, with period setting and some level of period attitudes, if either (or both) of the two main men are women looking for a "companion" or being pursued as a "companion," rather than as a husband. (Yes, I've been watching Gentleman Jack, but I've wanted this sort of thing for longer than that.)

To be clear, period attitudes can be "meh" rather than wall-to-wall homophobia; I'd just prefer to explore the implications of this change rather than supposing that same-sex marriage is accepted and everything about the plot is the same. If Jane, the eldest daughter to marry off, isn't interested in a heterosexual marriage? If Elizabeth turns down Collins without any expectation that a more suitable man could exist? (Having characters be bi rather than lesbian works too, I'm just throwing out some examples.) The significance of dancing, when in a formal dance context you'd encounter another woman in the dance but wouldn't be able to have her as a partner? Jane and Bingley being adorable, or Elizabeth and Darcy coming to revise their initial ill opinions of each other in this new context? Are the men a hot ticket for the women of Hertfordshire in the same way if they're women instead?

—

Fandom: Robin Hood (Traditional)

Ship(s): F!Robin Hood/F!Little John, F!Robin Hood & F!Merry Men, F!Robin Hood & Merry Men, F!Robin Hood & F!Little John, F!Robin Hood & Little John

Tell me about these people! A female outlaw commanding the loyalty of a mixed or male group -- or an all-female group of outlaws, how they live, what might have led them to choose that life. I'm also here for Robin Hood's relationship with her right-hand man/woman specifically, because I love loyalty kink -- people willing to go into danger for one another, the leader knowing how best to use her right hand's skills and strengths, what elements of formality might appear in, well, a very ad-hoc group. (And f!Little John would probably be hot.) If you're writing the Little John pairings, feel free to make the Merry Men either their canon versions or female versions.

I'd totally be into any of the f!characters crossdressing as men vis-à-vis the world at large, although if you go this route I'd rather have them not be in disguise to each other/to their own allies (so no Merry Men thinking they're being led by another man when it's crossdressing Robin, for instance - preferring masculine clothing/appearance even among friends is fine, though).

—

Fandom: Spinning Silver

Ship(s): F!Staryk Lord/Miryem Mandelstam

I love Miryem, and I'm so interested in the ways that making the Staryk Lord a woman would change Miryem's entry into the Staryk world and the romance that eventually develops between them. Maybe same-sex marriage is common among the Staryk, and that's one of the customs that are new and unfamiliar to Miryem in this new world. Would this be a Miryem who had never imagined being attracted to a woman before but comes to fall for the Staryk Lady, or one who simply couldn't have imagined being able to marry one and have that be a normal life? (For values of "normal" that include ice lands and gold magic!) How does the fact of the marriage being same-sex affect Miryem's initial understanding of it as a business arrangement, or for that matter, affect her understanding of the offer of queenship as a marriage at all? What makes them fall for each other?

Canon Miryem wonders what her role as queen is, thinking that she'd know about managing a household and having children and sewing if she were married to a human lord - is it the same if she has a fairy wife instead of a fairy husband, more so because there's not even the hope of a gendered complementarian aspect to fall back on, less so because the Staryk Lady is there as an example of what a female monarch in the Staryk lands does? Does Miryem try to be more like her, or to find her own accounting-powers-and-personal-bonds niche?

It's so important to canon Miryem to have a Jewish wedding with the Staryk Lord - what would that look like here? What happens when she comes back to the human world not only the queen of a magic country, but married to a woman (and in love with her, depending on when you set it)?