#medieval event
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darkhestur · 8 months ago
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dettumi · 6 months ago
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positivelyqueer · 5 months ago
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if you feel like you’re ‘getting in the way’ as a mobility aid user, particularly with larger aids like wheelchairs, rollators/walkers, gait trainers and service dogs, That Is A Fault Of The Space (and potentially the people), not of you. You deserve all the space you take up and more.
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sanctus-ingenium · 2 years ago
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recount of the events that took place between Gryfon and Pantera during the battle against the dragon Avarice
Although complete hull losses had happened before over the centuries, this was the first record in history of one beast inflicting such damage against another. Saint Gryfon plays a critical role in dragon battles by acting as a platform for the spear of god, a harpoon so powerful that a single shot is enough to tether a dragon in place and winch it to the ground. But while tethering a dragon, Gryfon cannot physically move, and he must be defended from attack. Saint Pantera was a more than capable battle partner and bodyguard, and the dragon was not especially large, so it was expected to last only a few days.
No one could have predicted Pantera turning on his charge. Eyewitnesses and surviving crewmembers of the brawl saw Pantera turn without warning to strike Gryfon, and in the collision the knight rider Sir Glory XIV, his six apprentices, and fifty of Gryfon and Pantera's crewmembers lost their lives. The harpoon came loose and the dragon escaped. In the confusion, Pantera fled the scene.
It was thought that Sir Victory XVI of Pantera was responsible for the carnage, but key eyewitnesses later stated that the knight had in fact fallen from the throne chamber of Pantera prior to the attack. His body was found later, on the ground beside the severely damaged Gryfon. We never found his head.
It is advised that the former Saint Pantera is located as quickly as possible, to put him out of his misery. All surviving apprentices of Sir Victory are hereby reassigned to smith duty.
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upennmanuscripts · 4 months ago
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Way back in February, 2023, we took a look at LJS 443, a 15th century Armenian collection of texts on the calendar. From the highlight reel you'll see it's chock full of diagrams and tables, and includes a few pretty colorful headings, too. You can watch the full 30-minute video at the link below, and if you're interested in joining #CoffeeWithACodex in real time check out the schedule and details on our website: https://www.library.upenn.edu/events/coffee-codex
🔗:
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wickedfang-sso · 2 months ago
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Am I the only one who thought the lance we get upon being knighted would be an actual item we get in our inventory? Like idk how we'd use it, but I was under the impression that somehow we'd be able to carry that lance around outside the jousting arena whenever we wanted after 'claiming' it.
What's the point of displaying it as a reward and having a 'claim' button if we don't get anything? Am I missing something?
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wonder-worker · 4 months ago
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Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.
#elizabeth woodville#nobody was doing it like her#I wanted to add more things (eg: propaganda casting her as a transgressive figure and a threat to established orders; the way we'll never#truly Know her as she's been constantly rewritten across history) but ofc neither are unique to her or any other historical woman#my post#wars of the roses#don't reblog these tags but - the thing about Elizabeth is that she kept winning and losing at the same time#She rose higher and fell harder (in 1483-85) than anyone else in the late 15th century#From 1461 she was never ever at lasting peace - her widowhood and the crisis of 1469-71 and the actual terrible nightmare of 1483-85 and#Simnel's rebellion against her family and the fact that her birth family kept dying with her#and then she herself died right around the time yet another Pretender was stirring and threatening her children. That's...A Lot.#Imho Elizabeth was THE adaptor of the Wars of the Roses - she repeatedly found herself in highly anomalous and#unprecedented situations and just had to survive and adjust every single time#But that's just...never talked about when it comes to her#There are so many aspects of her life that are potentially fascinating yet completely unexplored in scholarship or media:#Her official appointment in royal councils; her position as the first Englishwoman post the Norman Conquest to be crowned queen#and what that actually MEANT for her; an actual examination of the propaganda against her; how she both foreshadowed and set a precedent#for Henry VIII's english queens; etc#There hasn't even been a proper reassessment of her role in 1483-85 TILL DATE despite it being one of the most wildly contested#periods in medieval England#lol I guess that's what drew me to Elizabeth in the first place - there's a fundamental lack of interest or acknowledgement in what was#actually happening with her and how it may have affected her. There's SO MUCH we can talk about but historians have repeatedly#stuck to the basics - and even then not well#I guess I have more things to write about on this blog then ((assuming I ever ever find the energy)#also to be clear while the Yorkists did 'eat themselves alive' they also Won - the crisis of 1483-85 was an internal conflict within#the dynasty that was not related to the events that ended in 1471 (which resulted in Edward IV's victory)#Henry Tudor was a figurehead for Edwardian Yorkists who specifically raised him as a claimant and were the ones who supported him#specifically as the husband of Elizabeth of York (swearing him as king only after he publicly swore to marry her)#Richard's defeat at Bosworth had *nothing* to do with 'York VS Lancaster' - it was the victory of one Yorkist faction against another#But yes the traditional line of succession was broken by Richard's betrayal and the male dynastic line was ultimately extinguished.
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crustyfloor · 3 months ago
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Till's piece from the event is a very honest depiction, but I want to examine it in more detail since it looks so interesting.
For one, I find the headpiece confusing, I was hesitant on this point in the last post I made covering this I assumed the headpiece Till is wearing (separate from the headphones) was this device.
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There isn't even a name for that device, but it's been theorized that it serves a similar function have the collars pet humans have, but affects the pet humans in some way.
I believe it's a behavioral management device since there is an emphasis on the brain when it's shown. And just based on the design itself. I think the purpose of it is similar to a shock collar.
Till in this environment looks familiar, he has that focused expression that he always has when he's writing music, like he's in a daze. Since this is a practice in a controlled environment I think he might actually be handling an instrument this time around (hence the headphones). Till has a natural passion for music, the environment of Anakt Garden also appears more calm than what he goes through with Urak so he looks very much in his element.
But despite how calm, and focused he looks outwardly, his collar shows orange.
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Till is giving with his expressions even around the aliens, so if he was feeling bad (I would suspect as much seeing the fresh experiment patches..) I believe it would look more obvious, but the difference threw me off a bit. I could be reaching (definitely) But given how unruly his behavior can be, and how much effort the aliens are putting into finding ways to subdue him I think they used that device to mellow him out so that they could properly monitor him.
The collar being orange gives me the impression that he's not as calm as he looks but the headpiece is keeping him in a 'sedated' state(?)
Red - Condition in the negatives, energy depleted, feeling bad. overall horrible state.
Orange, yellow - to a lesser extent, more like if you're feeling skittish, nervous, (think of this mode as feeling under the weather)
Green - Good, calm, happy, normal and a healthy mode.
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(Translation by kh47uo on Twitter)
This behavior could also show desensitization, as he had likely been conditioned to not be phased nor show weakness in front of the aliens even if he feels bad, a way of tolerating. But this is just me trying to make sense of whatever that head gear was... he could've also been sedated beforehand (banging my head against the concrete)
Also interesting to me that we weren't shown Till doing other things, like dancing, or singing. I think it's a testament to Anakt's (And Urak's) priorities as they have Till build on his music skills, his strongest skill. It's probably because that's all he has to offer is his music (His grades in every other subject are a mess.). So building that to its greatest potential before anything is important. But it's a reminder of the situation, he's not so intense about his craft because of his inclination to it. He doesn't make music simply because he likes it, he does it because it's what he has to do to survive. Despite doing what he is naturally driven to do, he looks like he has had his life drained out of him.
Urak (the bastard) knows that for sure. Appearances, and 'decent' skills can get you far but overwhelming passion and skill can put you farther above all the rest, it's exactly why Luka is the best in his league, and why Urak pushes Till to his limits to surpass that even with such destructive means.
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klabauters · 6 months ago
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Knight's tournament at Grenzwacht
Pictures by Rico
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samipekoe · 10 months ago
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another day of working hard at the being normal factory
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flowerakatsuka · 6 months ago
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[ messy ass sprite edit ] youkai au, but if it was cooler & sexier ( aka they let these losers have anything besides their fuck ass bowl cuts. )
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silver-peel · 1 year ago
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The fair unknown, the local man bullied by a birb🪶
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dettumi · 6 months ago
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mcrcki · 2 months ago
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the beating of the wings echoed in her mind, mirroring the beating of her heart as she stared into the sky.. violet should've been terrified, should've ran in fear at the sight of a dragon so close to her and yet.. all she could do was stare. stare and feel. it all hits her like a tidal wave, sent her way by the wind of the dragons wings, and gods, for a moment, she wishes she could forget it all again. and all at once, all she sees is red. she's going to fucking kill him. she's going to fucking save him but she is going to rip him apart first. first she just needed to fucking find him in this godsforsaken village.
@tragcdysewn for xaden riorson
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upennmanuscripts · 2 months ago
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Two of the most popular, frequently copied and translated astronomical texts of the Middle Ages were Joannes de Sacro Bosco's Sphaera mundi and Georg von Peurbach's Theoricae novae planetarum. On September 19, Curator Dot Porter will bring out LJS 42, a 16th century commentary on a Hebrew translation of Sphaera mundi, followed by a commentary on a Hebrew translation of Theoricae novae planetarum.
Coffee With A Codex is an informal lunch or coffee time to meet virtually with Kislak curators and talk about one of the manuscripts from Penn's collections. Each week we'll feature a different manuscript and the expertise of one of our curators. Everyone is welcome to attend.
Register 🔗 :
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taniatas · 2 months ago
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