2 for any, uhh I cannot remember what it is but..7 for any, cause it’s my lucky number :smiles:
Why does your oc look the way they do? What are your reasons for their appearance?
gonna answer this for most of them bc its fun lol
Raide is actually way different than they originally were designed. she used to be a sona, or, my sona (ravio)'s opposite twin thing. i didnt like that idea anymore so i revamped him completely, and ended up mashing together "skull pattern bc its cool" "keep her hair similar" and "colors i like" and ending up with what we have now. oh, her hair actually originally was designed after a spatoon oc i had, and then i Hated drawing the hair so much that i never drew him, so, with my siblings advice, i made them wear a crown that looks similar to his old hair, and her new hair still has similar vibes but is much easier to draw.
Calen actually hasnt changed too much, to be honest. he used to be just an offbrand version of a character i liked from a fandom im no longer in, and because i had already made him kinda my own, i kept him around and changed him into a twili to match Raide. his colors are blue and gold because thats what his colors originally were, and his skin is tinted green because i didnt want All my twili to just be black and white. thats boring.
Vang was the first of the twins to be made, and was also my first twili oc, so she kinda became the outline for them. Her and her brother, Kalt, are supposed to look like siblings, but also look closer to Midna from canon, because they are part of the royal lineage, and i wanted them to match more with the canon looks we are given for twili.
Kalt is vang but to the left, design wise, honestly. they probably looked Very similar, if not identical before she transitioned, but neither of them minds. he has the same hair as The Hero (link from twilight princess) because he looks up to him and wants to be cool. (aka he started as just a twili Link design but i made him my own.)
(all of the twili are actually undergoing mild design changes currently. undecided if some of the new design choices will be part of an au or not, so i wont be explaining them here, since they arent complete yet anyways.)
Hobic the wizard design choices? uh. slutty gay wizard with his tits out. that was the whole design idea. also green. i dont think too deeply about these things, he's entirely a joke character.
The M Crew, Moss, Marble, and Media are actually mostly three colors. green, purple, and orange. Moss is Purple with green clothes, Marble is Green with orange clothes, and Media is Orange with purple clothes. the intent is to make them look fine on their own, but also like a fun group when put together. Media is supposed to look simplistic but kinda punk. (the end result is them looking like a bouncer at a concert but thats okay lol.) Moss is supposed to have a similar outfit to what i usually wear. letterman jacket, combat boots, ripped jeans. Marble.. marble was a struggle and a half and i dont like her outfit at all. she looks like she got a witch costume from spirit halloween and called it good, so i have to fix that.
Does your oc have any notable skills or good personality traits? Why did you give them those traits? Why do they exist in-universe?
hm. Raide is good at most forms of art. i gave them that skill because im a jack of all trades, and my oc's are almost always an extension of myself. Raide is a good artist in universe because she loves art a lot, and doesnt want to be a royal guard anyway, so why not try Every type of art while he finds out what they want to do? right?
Calen is good at mixing potions, and is pretty charismatic. honestly hes had these since being created so i dont know why he has them. as for in universe explaination: potions are his job, so hes been trained on how to make them(and he Has to know how to make potions.. because they keep him alive..) . charisma is also job related. hes a merchant of many wares (potions are just the ones he makes himself.), so he's gotten pretty good at being charming but honest. it helps people buy his shit.
this got long lmao- and those two are the only ones i could think of answers for quickly(they may or may not be my fav oc's of mine...) so if you wanna ask about other beans feel free!!
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the “glendower was dead, had always been dead, and gansey kind of wanted to live” line has such a double meaning because on one hand we learn that the glendower who whispered to gansey was noah all along so the line is actually talking about noah, not glendower. but also gansey was going to wish noah back to life despite knowing that gansey himself was going to die in the next year. and then in the end noah gives up his life and afterlife so that gansey can live. noah was dead, had always been dead, but at least he made it so that gansey could live
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there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.
i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.
i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).
trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.
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