#media analyses

[catsconflictscopicsandchamomile]

The kind of Christ Figure the writers intended Jack to be: pure, glowing, wholesome, REALITY-BREAKINGLY POWERFUL DONT WORRY ABOUT IT, too-good-for-this-world White Bread Midwestern Evangelical Second Coming

The kind of Christ Figure Jack ACTUALLY became: everyone debating whether he IS God, or whether he and God are two aspects of the same being, if he counts as "Divine", is he a demigod etc etc etc

@jackgirlbluntrotation @very-offkey-kazoo @wrenchenthusiast

here. im not sorry

[flutishly]

At a family-adjacent event, someone from the other side of the family (who I know fairly well at this point) asked me "Have you ever read Hilary Mantel's Wolf Hall?" She knows that I love reading and like talking about books, so it wasn't completely out of left field, but given how much I adore Wolf Hall, it caught me off guard for a moment. Yes, I replied, it's actually genuinely one of my favorite books.

She then started talking about the reasons she mostly hated it. And it wasn't from a perspective of dismissing my love or tearing it down. She talked about how much she admired the writing and about how much she disliked the characters. "He's such a difficult main character," she mused. Yes! I cried, he is!

The whole time, we had this conversation while explicitly coming from different places in terms of engaging with this piece of art, coming from different generations (classic Boomer versus Millennial), and seeking different satisfaction from the art itself. She had just finished the book and I read it years ago, when it came out. But even though we had fundamentally different experiences reading the book, we forged a fascinating conversation. We argued over the literary merits of having such a flawed, difficult protagonist, about what it means to like that (as I do), and more.

And it's these sorts of conversations that I think are sorely missing from fandom. This debate wasn't an argument and it wasn't passive acceptance of someone else's other opinion with no pushback. There were aspects that were obviously just down to taste, but other things were interpretative or contextual. When I compared Wolf Hall as a contrast to the film "A Man For All Seasons", she brought up "Anne of the Thousand Days". Our interpretations were different. Our experiences were different. But that didn't prevent us from finding the contact points.

I love being able to engage with art (as should be pretty obvious by this entire blog). I love watching or reading something and going "ah yes, here is something I liked" and then discussing it. I also often like saying "ah yes, here is something I deeply disliked". My dislike usually doesn't negate my like (if I have it) or even someone else's like (if I don't). Today, gifmakers will often bristle at the idea of tags that don't fully embrace the characters or scenes depicted in the gifs. But for me, part of sharing something is having that discussion. If I'm sharing a gifset, it's because I like it and I want to be able to address something particular in that gifset. Sometimes, I find a relationship compelling without necessarily shipping them; does that mean I can't/shouldn't share something that comes from a place of viewing them romantically, while elaborating on that thought? Maybe, maybe not.

"Make your own post" is the common refrain, but that's exactly what I find missing. Smaller fandoms sometimes manage to have these conversations, but there's a sense that it's always the exception. Fandom revolves around the love of a thing, often leaving little room for truly nuanced discussions of what does or doesn't work for others. Ultimately, I'm surprised and gratified to have found exactly what I was looking for at a child's birthday party, discussing a book I really loved between the salad and the cake. I just wish I could have it within my other fandom communities as well.

[werewolfpurfect]

So yall I'm making a substack to write my thoughts on various media! I am really excited about this, as I always wanted a creative outlet for that kind of thing! First post will be on 2022's Poison Ivy comics and the way they portray humanity and inhumanity! https://substack.com/@errohle

[descendant-of-truth]

Shipping is fun and all but I swear every single time someone makes a comment, whether as a joke or in a legitimate analysis, about there being "no other explanation" for a pair's interactions, I lose just a bit more of my sanity

Like, no, you guys don't get it. Romance is not about the Amount of devotion, it's about the COLOR. the FLAVOR of it all. a character can be just as devoted to their platonic friend as they are to their romantic partner, and they don't love either of them more, just differently.

But because the majority of people still have it stuck in their minds that romance exists on the highest tier of love, I'm stuck seeing endless takes that boil down to "these two care about each other too much for it to NOT be romantic" as if that's the core determining factor to how literally any of this works

In conclusion: stop telling me that I don't understand the story if I don't interpret the leads as romantic, I am TIRED

[arcanegifs]

rewatch the show yall. it gets even better if you do.

[atrophiedemotion]

escapism vs reality in alien stage

in this post (elaborated greatly by geo's tags as well) i mentioned a big sua/till parallel i noticed (but didn't go into much detail because i didn't want to derail the post lol), and i wanted to go into more detail on that and the overall reality vs fantasy theme alnst has going.

sua & till both use their love for mizi as a form of escapism. sua's love for mizi and the weight of her knowledge of their universe causes her to create a safe (fake) bubble for her and mizi to exist in & makes it as perfect as it can be before they're out of time. till uses his love & admiration for mizi as a beacon of hope, as motivation to go on despite how horribly he's treated in day to day life. mizi is the brightness in both of their dull lives.

this view of mizi as a hopeful, optimistic sort-of deity sheds light onto an entire theme of alien stage, escapism vs reality. it also shows that mizi & ivan, in this specific instance, are antitheses of each other.

mizi, as a character, symbolizes hope and escapism. she is the only character out of the main four that didn't understand the exact conditions of their world due to how she was raised. she does not fully grasp how horrifying the alnst universe is until she watches sua die, which is the inciting incident for the entire series. escapism isn't possible anymore, but hope is still there when she gets rescued by hyuna and joins the rebellion.

ivan, on the other hand, literally symbolizes truth and the reality of their world. since he was born he understood the cruelty the segyein are capable of and knows exactly where he stands in the world. he is seen to be fatalistic and even nihilistic. his death, which he sees as an inevitability, is the second inciting incident (the one where everything goes to shit chaos afterward). it is a brutal reminder of the truth of alien stage to both the characters and the audience.

sua & till actively seek out mizi as solace in their pain, and they both actively avoid ivan (in their own ways) and the connections he has to reality.

sua avoids ivan because, well, he's mean to her, but mostly because he's not even trying to be mean, he's just objectively right and she doesn't want to hear it. he is a reminder not only of the cruel world they live in but her own 'twistedness'. he reminds her that she is not solely the fantasy she's created with mizi, but someone with unavoidable knowledge of the inevitable (as well as someone who is willfully keeping this information from an unknowing mizi).

till avoids confronting his feelings for ivan and confronting ivan in general because ivan confuses him. his feelings for ivan aren't cut and dry in the way his feelings for mizi are, because ivan is and always will be tied to pain and suffering for till (their first meeting in the auction shop, their miscommunication/strange relationship, the fact that ivan is the only one who sees him at his most vulnerable, etc). ivan's death forces him to confront these feelings (for ivan & about their world in general) but even then he's repressing them until he physically can't anymore.

mizi is escapism & hope, literally realized because she escapes. ivan is reality & a representation of the fate of alnst contestants, literally realized through his death.

it doesn't end there, though. sua & till are escapists running from reality (with diverging paths that are both narratively important in their own ways), while mizi represents escapism & ivan represents reality. along similar lines, but going a step further, hyuna & luka showcase these exact themes.

hyuna is the legitimate showcase of hope, of freedom. she is a free human (as free as you can get in the alnst universe) and the leader of a human rebellion focused on uprising as a race against the segyein.

luka is the perfect example of compliance within reality. he is now a two time alien stage champion and the definition of a pet, no matter how he actually feels.

hyuna & luka are similar to, but a step beyond, mizi & ivan. mizi symbolizes escapism, but she is faced with reality and must grapple it, while hyuna is freedom personified (albeit with demons of her own). ivan symbolizes reality, but he still yearns for something he thinks he'll never have, while luka completely shuts off those emotions because he knows they will only jeopardize his chances of survival.

the characters of alien stage perfectly embody one of the core themes of alien stage, the discrepancy between fantasy and truth, and the way those can coincide in a world.

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[bisexualfagdyke]

I saw someone say that Jinx got a satisfying ending because she .... was suicidal and finally got to die? Uh. Yeah, that's not satisfying dude!!!! The idea that the only happy ending for mentally ill characters is death, is such a god awful message. She struggled for 2 whole seasons and never got a break, and her whole arc ended miserably and it's so unfair to her character. I know characters can be entirely tragic, but I truly believe it is unfair. Especially because she was DOING BETTER when she had Isha, demonstrating she can begin to recover, only to have that ripped from her so she could truly give up on life again and become suicidal. I am so unhappy with Isha's character, the way she was used as a plot device for Jinx's development only to die and then Jinx's development goes down the drain and she dies too? What was the POINT?

It also makes me bitter that caitvi sex scene happened in Jinx's jail cell, not long after Jinx had directly communicated suicidal ideation to Vi and went off to attempt. It's almost portrayed in a way where Vi chooses Caitlyn (an enforcer, an oppressor) over her own sister. It makes me bitter that caitvi got a good ending despite everything Caitlyn did, which she never apologised for, and it was never properly addressed. The oppression Caitlyn and the enforcers caused the zaunites was entirely swept under the rug.

This isn't even mentioning the other characters who got terrible endings. Ekko, especially. I am happy for caitvi and jayvik fans but I think ppl are so preoccupied with YAY! LESBIAN SEX! YAOI! That they fail to see how unsatisfying the ending was for other important major characters, or they just don't care cuz their fave ship got a decent ending. Don't pmo 😭😭 IDC IF UR FAVE GOT A GOOD ENDING!!!! IT SHOULDVE BEEN MY FAVES (JINX AND EKKO) INSTEAD!!!!!! I would've preferred to see literally any other character die than Jinx.

[neutron-stars-collision]

It's incredible how much everything changes when you rewatch p1, after seeing the whole thing at least twice. Especially episodes 1-2. The context of Colin's feelings, his confounding feelings, makes everything even better.

Because imagine this: he's on the tour of the continent, living the life, only no one responds to his letter or seems interested in his whereabouts. And if it were only the family? He'd probably be fine. Salty, but fine. Except it's Pen, his dearest friend who doesn't respond to his letter. Not once.

So, Colin spirals, decides to change his personality, become the man he thinks society expects him to be, starts documenting things in his journal where usually he'd write about them to Pen. Perhaps with time he stops writing letters to her completely, but he still misses her so much.

He comes back, a changed man, everyone's attention on him and his newly acquired swagger. Debutantes swoon over him and his new look. It's everything he wanted, except... Pen gives him the cold shoulder. Twice. Doesn't seem at all interested in his new persona. The flirting, which he has tried out on many unimportant women in the Ton doesn't work on the one woman who actually matters. He's confused and lost.

Once he realises what he has done to garner Penelope's anger, he instantly makes amends. Sheds the newly acquired armour to tell her just how much she means to him. Or at least as much as he's allowing himself to notice by that point. The confusion is still there, and it gets worse after the handshake because you cannot tell me he didn't feel a spark right then? He definitely did. And it was bewildering.

But, still, being the oblivious man he is, Colin pushes on with the mad and spontaneous plan to help Pen find a husband. Mostly because it gives him a chance to spend time with her. And suddenly this is all he wants to do. The only thing that provides genuine joy. Only in those brief moments with her he can be himself. He can be accepted.

And episode 2 showcases all of that perfectly. It shows Colin in a permanent state of confusion because not only are those moments with Penelope the only times he feels like his old self, but also now there's more. The constant desire to be alone with her, to trample over any left rules of propriety to steal just a moment of her attention. To help her because this is the only thing he's good at. To be useful. Then jealousy begins to brew because he has to watch Pen be her charming self with men that are not him. Slowly he begins to realise that perhaps he wants more than to be her friend. That perhaps she's never been just a friend.

By the time Pen asks for that kiss, Colin is terrified because he wants to kiss her. He wants to kiss her while knowing that it will mean something. It will mean something to him. Because Pen is home. Pen is everything he was looking for. And now that he has realised it there is no chance he can forget. The kiss only signs off that which was inevitable.

[prokopetz]

Some of y'all will call Joseph Campbell a little bitch, then turn around and act like TV Tropes has cracked a universal code underlying all human expression.

[otaku553]

I have an agenda.

Long hair teenage sabo.

[catsconflictscopicsandchamomile]

definitely less coherent/well-spelled than usual, still getting used to Twitter lol (im just on there for shows, art and myths. NEVER get current events stuff via twt holy SHIT)

anyway, post-show update to this is that apparently, you can't force open Janus' gates, it has to be done by choice. ....however, strapping his kid to a bomb is still pretty damn forceful.

also I'm currently trying to figure out why Rebecca has SO MUCH IN COMMON with AT LEAST FOUR DIFFERENT GODDESSES

who IS she

pspspspsps @jackgirlbluntrotation @wrenchenthusiast @very-offkey-kazoo come get yall's Janus

@maniac-reboggles idk if Roman Mythology is ur jam but here's some Deep (mostly CW Gotham Knights-Relevant) Two-Face Lore

@about-faces the (equally weird) companion piece to the whole Gilda Gold Grendel's Mother thing. I'm very normal abt seasonally-linked gods lmao

no time to copy-paste the full incoherent rant uhhh Here Yall Have Some Myths

@very-offkey-kazoo

@jackgirlbluntrotation

@wrenchenthusiast

@maniac-reboggles

[dlldior]

i made the mistake of searching up dadbastian on twt and found a bunch of proshippers screenshotting my captions of my dadbastian edits and dragging me on there 💀

[scruncheduppaper]

seeing ppl on twitter’s takes about snowgrave kriselle makes me want to kill myself oh my godddd “its toxic” “regular kriselle better bc its healthier” DO YOU THINK I WANT TO SEE THEM MUSHY KISS AND BE LOVEY DOVEY AND HUG EACH OTHER??? NO!!! the APPEAL is that adding romantic connotations to their snowgrave relationship (which mind you very much already exists in canon) allow their relationship to become so much more interesting. do i think they’ll become truly endgame canon? do i think they’re in love with each other??? ABSOLUTELY NOT!!! AND I DONT WANT THEM TO!!! the POINT is that it’s supposed to be dark and interesting and exploratory of their characters in relation to the deconstruction of autonomy in video games through gender roles and principles of knighthood and the idea of the “damsel in distress”. not to mention that “shipping” regular kriselle and snowgrave kriselle isnt mutually exclusive either. in fact i think understanding both allows you to analyse their relationship much more fully and deeply than without considering the other side. and besides, isnt the fucking point of shipping to explore character relationships??? why would you want to Ignore nuance and depth rather than focus on it???? are you unable to handle anything deeper or darker than like fucking cocomelon??? if you hate character analysis and dark themes in relationships you can head on back there or smth idfk oh my lord i cant fucking TAKE IT ANYMORE

[n1ghteeea]

Love the way they see how bothered Egon is by the whole Boogeyman situation, ask him to open up about it, and when he does, comfort him in a way that doesn’t feel condescending or pitying, but instead actually makes him feel better. Just shows yet again how well they know each other 🫶

[potatosaresweet]

me : it sucks when people describe fengqing's dynamic as either They Absolutely Despise Each Other or Omg They're So In Love And In Denial because their dynamic is so incredibly nuanced and layered it doesn't quite fit with the other two statements they're so much more than that and watering it down to either one of those situations actually does a huge disservice to their characters

also me : they should fuck.