#meant to post this to the writing blog first but....here we are

[gingernut1314]

X's and O's

Summary: Luffy loves physical affection

Content: gender-neutral reader, headcanon mixed with drabble, Luffy's love language slightly expanded on

Word Count: 540+

A/N: Just a small thought I've had for a little while now. It's a little short just cause I don't have too much time to write at the moment but I really needed to write something so here it is lol. I hope you enjoy! (also I didn't read this back over because I'm posting this while I hide away from family, but I'll look it over later)

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We all know Luffy loves physical affection

He’s attacking you in hugs any chance he gets

Holding your hand and hanging onto your front and back like a stretchy limbed baby koala 

But I think he’s also a big kisser

And not just small little peaks on the cheek

No no

Big old, wet, smacking kisses

Those attacked hugs that send you flying into things and onto the ground are going to be accompanied by kiss after kiss after kiss

Kisses to your cheeks, forehead, nose, chin, neck, collarbones, shoulders, and lips

He’s kissing you anywhere he can get at

Kisses are just another form of affection he thinks he should be able to give to the people he loves

He has no true sense of boundaries whatsoever so if you're not into his type of affection you’re gonna have to shout it at him 

He may look at you like a scolded little puppy

But he’ll find another way to shower you in lover in no time

The first time Luffy kissed you, you were stunned. You weren’t sure if he had meant it romantically or not, but you allowed it because it made you feel all warm and fuzzy inside.

Luffy always had that effect on you. On everyone he cared for, it seemed. 

He was happiness incarnate and his kisses only further solidified that. 

You found yourself seeking Luffy’s affection more and more, especially after days when everything seemed to be wrong. 

And Luffy, of course, was always more than happy to shower you with hugs and kisses

But today, you weren’t the one doing the seeking. 

No, Luffy was on the hunt for you. A hunt you were only alerted to by the cheerful shout of your name from across the deck of the Sunny. 

You perked up instantly at the sound, knowing what was to come in mere seconds. 

Robin perked up as well, blue eyes looking from the book she was reading towards where you sat next to her. A small smile tugged at her lips as Luffy shouted for you again. 

“Looks like Captain’s searching for you.” She mused, watching as you quickly placed your drink down before going to get up. 

“Yeah and I better--” But before you could even finish your thought, your name was shouted once more. A shout that was growing closer in a split second you didn’t even have time to try to stand up before Luffy was flinging himself at you. 

An Oofed huffed of air was knocked out of your lungs as you were shoved right back into your chair, the wood it was made up of groaning at the sharp movement. 

Arms were stretched round and round your waist, hand holding you tight. Legs did the said as kiss after kiss was planted to your face. 

“Lu--” His warm, chapped lips kissed your own. “--ffy.” You finished when lips kissed at your cheek. “What’s all this for?” You asked when he nuzzled his face into the crook of your neck. Luffy gave that mishvious laugh of his, lips kissing at your neck. 

“I was just thinkin’ about how much I love you.” He pulled away to smile brightly down at you. “Just wanted to let you know.”

[ohnoproblems]

ok i know youre probably done with these kinds of asks, but i have a question that probably wont make sense

i am apart of the precure community, and one of our jokes is calling toei animation, the creators of precure, john toei. the term came from the kamen rider community from what i know, but i wanna know the first instance of the term "john videogame/company"

i searched 4chan since i thought that would be to most likely place for the term "john toei" would come up, which, it did in 2016

another lead i got was john backflip, but due to the undocumented nature of it, i am unsure it came from that since as far as i know, the joke as we know it originated in 2013

i also got clues from people asking the same question as me on reddit, which lead me to you. i cannot contact op since they deactivated and i dont know if youll even respond but always shoot yo shot ig

my question is

before you made the john darksouls reblog post, have you, by any chance, seen that term be used even before the john darksouls post? has there been an earlier instant of something similar to john darksouls?

oh fuck it's no trouble at all and this question delights me. the thing is we HAVE done a cursory historical analysis of the term "john darksoul" before. but i do mean cursory - the mesh of influences grows diffuse almost immediately, but nonetheless i and others have attempted to weave them. the one i was thinking about was here, though some of the links to @3liza's blog in the post itself might have exploded:

(for those of you saying "huh? john darksoul?" well, here. he's had a hard life.)

one thing i always remember is that one time i had a phone interview for a writing position at gearbox with some Names there while they were still working on battleborn. and over the course of the interview i said the words "john darksoul" with my mouth to them. they didn't know what i meant in the slightest. i realized this gulf of understanding and my own mistake immediately. i didn't get that job

[sizzlingcloudmentality]

my 2024 review

@guiltyasdave tagged me, thank you so much babygirl 🫶

writing

I published 11 fics and wrote about 19k words this year. Which is, for me personally, huge.

I tooted my own horn here, so if you want to cut to a super short "best of" just visit that post. For the rest: the yapping starts in 3... 2... 1...

The man of my year was DAVE YORK. He got me back into writing in May and since then my thoughts are orbiting around him. I almost wrote exclusively for him. I sent him to a club, had him eating croissants while doing the dirty, made him confess his sins. 8 oneshots in total and I even started something like a series with in the sheets. Plus, still absolutely mind-blowing for a newbie writer like myself: slow has over 500 notes. What in the ever loving fuck? Thank you all so much!

And then I wrote for JOEL MILLER. Imagine being in Ireland and meeting this gorgeous Texan in a pub. It's fluffy and warm and exactly how I imagine a first kiss happening in Ireland.

And then there are so many wips for other characters like Max Phillips, Marcus Accacius, Javier Peña, Oberyn Martell... Most of them half way finished. All of them are part of challenges (I'm so sorry...) but they will come to you some time soon-ish in 2025, pinky promise!

And then there are wips for some Jake Gyllenhaal characters: Rusty Sabich, John Kinley and Lou Bloom. At least two of those should see the light of day in 2025 too (please send thoughts and prayers).

reading

I suck at reading. One of my new year's resolutions: read more (maybe a fic per week, not a fic per month...). And work on a system to find my fic recs on my blog so I can talk about them in length for the 2025 review. Until then: You are a talented bunch of lovely people, please be kind to each other and yourselves, thank you for creating pure magic!

all the highlights 2024, a selection

This year was all about connection, in the form of grief and friendship. Which is both ultimately love. In January I felt unbelievably lonely and sad and now I don't because it gets better. It always does. We just have to hang in there.

I reached out into the Jake Gyllenhaal fandom and met precious and insanely talented people there. @davidayer @charliehoennam and @gyllenhaalstories you three made my year so much better and I am beyond grateful to be allowed to live in your DMs 💛 (I'm working on responding in time, I swear...)

Watching Presumed Innocent every week in the wee hours of the (European) morning with my lovely Laurie, screaming at each other about writing, just chatting and holding space for each other... @gyllenhaalstories I love you so much sweet pea and I hate that there is this stupid ocean between us. We are meant to be eating blue candies while watching movies and hug at all times.

I started some polls and asks in the Jake fandom and it was so beautiful to witness how people came together and started reaching out and talking. I am a little proud of myself that I was part of the reason for that.

And finally: @guiltyasdave. I never thought I would find a friend in this fandom just because finding friends is hard and making a friend in real life is even harder. But not with you. With you everything is easy. You're not getting rid of me anytime soon 💛🥹

Oof, that was a lot. Thanks for reading!

Absolutely no pressure tagging, this post was some real work haha: @toomanystoriessolittletime @gyllenhaalstories @ace-turned-confused @yxtkiwiyxt

dividers: @steddiecameraroll-graphics

[cultivating-wildflowers]

make it out alive

post | I Worried | post | To A Number of Poets (@softstonesandhardedges) | Vincent van Gogh | The Thing Is | Birthday | Everyone Sang | Gregory Orr | Franny Choi | Rabbi Tarfon, Pirkei Avot | post (Mary Oliver) | If | Portrait of a Boy with Grief | Under One Small Star

[buttercupshands]

Chapter 419 Analysis or "How to completely break Tenko Shimura" a manipulative guide from All For One (part 1)

This is mainly a character analysis of Shigaraki Tomura or Shimura Tenko, any other character present is there to help.

Chapter 419 was hard to comprehend even with just summaries right on April 4th. Some things need at least fan translation to fully make sense. Or just hurt more in that matter.

Warning of spoilers to the whole manga to the point of chapter 419! All of the warnings from the respective Tomura chapters are applicable.

So like... mentions of death, killing other people, manipulation, emotional abuse and many more!

This is Part 1 - See Part 2 for something less depressing

This is going to be long! So let's start, shall we?

First of all we'll need to take into understanding ALL the chapters that we'll need to remember/reread just make this chapter worse (skip if already familiar with them):

Chapter 222 - Tomura Shigaraki: Distortion

Chapter 234 - Destruction Sense

Chapter 235 - Tenko Shimura: Origins

Chapter 236 - Tenko Shimura Origins, Part 2

Chapter 237 - Tomura Shigaraki: Origins

This is your "Tenko and Tomura understanding" starter pack, basically. Without them it's harder to even start unpacking what just happened with Tomura's perspective in mind

Well then.

The chapter starts and we are immediately greeted by AFO semi-agreeing without wanting to, that Tomura was strong enough before Izuku started trying "saving" him in his own way and even succeeded making Tenko's will all the more fragile than it was when he returned using his hate to his advantage.

Even after Izuku holding Tenko's hands for the whole chapter he was still stubborn enough to continue even without that hate in his heart

And the thing that initial summaries missed was the fact that Tomura actually reacted to AFO reapperance.

Still not understanding why AFO was even saying that.

Tenko was literally taught by AFO to follow "what he wants" in ch 237 with Tenko making his first decision to kill someone himself. And never actually hiding that Tomura just needed to never forget that hatred and those bad emotions that Tomura never really understood. And it took Izuku seconds to decipher them.

With AFO reassuring Tomura that he has no need in following morals of society and just should follow whatever he wants - his want to destroy everything that hurts him. And only AFO would accept and help him. He was constantly reminded of that.

Even if Tenko was feeling sick from killing at first, even if hands that he wore were still making him sick 15 years later without him understanding anything. Decisions made while person is emotional are usually the ones that the person might regret the most and Tomura lived with those unstable emotions for years. Knowing that they hurt him and make him feel sick.

But Sensei said that it's okay to follow those emotions. That's it's actually great that he does it.

Everything was for his sake, everything was for Tomura Shigaraki and Tomura Shigaraki only. He was his Sensei's successor and no one should argue with it. He's the only one to be next ruler of the underground and the next king. And Tomura gladly accepted that as truth.

Since it was easier than facing his guilt.

Because AFO just needed Tomura to have enough willpower to get OFA when the plan is ready. To make Gigantomachia to follow him while Garaki was watching knowing full well how the plan is going. Both knowing full well that Tomura is still holding himself back.

In this chapter however we finally see how all of the things AFO told and taught Tenko were just to make him so sure that HE was in control and allowed to do whatever he wants to completely break his worldview in the end "after he gets OFA" which is an unreachable goal now since OFA is gone for good.

By just saying that Tenko never had any choice to begin with.

Tomura already knew that AFO manipulated him and he was just a pawn, needed only to get OFA and piss off All-Might he accepted and embraced it as something unimportant. It was his choice and he was free to do it and not feel bad about it. Since he's born to destroy.

Until suddenly it wasn't just his life after Decay that was manipulated.

But his whole life from birth. Just because AFO didn't get his hands on Hana sooner and she was happy while AFO needed someone hurt and broken. And Shimura's household wasn't as bad as he needed it to be at first with Kotaro loving his children, wife, in-laws and even his mother.

And AFO destroyed it by creating so much conflict and even going out of his way to make sure Tenko's father knew that he was playing heroes with some kids. And even saved them by putting his own quirkless life in danger.

In some sense narrator-Tomura's words at the end of ch 236 still might hold true. AFO didn't just create his hate out of nowhere, to make it feel like even if Tenko remembers everything it's still he's doing not a villain appearing, not just some accident that it actually was.

Although AFO doesn't say anything about people who didn't help Tenko even though he he knew that it happened so he most probably was watching it happen until Tenko lost all hope entirely to finaly make him dependent on his help.

And he succeeded for the most part.

Tomura was making an assumption after he remembered everything that he "must've been yearning for that" and from that point onwards explains everything that happened as "I wanted it - I did it" and was clinging to it like a lifeline to explain everything.

He accepted that if Re-Destro is talking about his Decay quirk affecting him he exists only to destroy.

And now it seems he found a false motivation for himself that AFO created by cruely manipulating everything from his quirk to his family. Making him believe he had a hand in it. Breaking one of "safe" truths that Tomura never doubted. They only made his decisions feel right.

Which makes that a hopeless loop of broken memories being staged just to let Tenko become Tomura who hates and destroys everything believing that it's his choice. Only choice at that.

And if destroying is him only choice because of his quirk... then what can a quirkless person do while having so many people dead from his own hands? Hands that were literally cursed to have destruction quirk in them not because he was born to do it. But because his own Sensei wanted that.

And he's "unwavering heart" is now nothing but an illusion that was destroyed by both Izuku and AFO together.

There's no "Can I be a Hero?", because can he even be a Villain if most of the choices that were from Decay and the hatred in his heart weren't actually his own?

[thefrogdalorian]

Having of those moments where I wish to yeet the like button into the sun or maybe make it so there was setting you could turn on so that people can only reblog posts (even better with the minimum requirement of adding at least one tag)!!

It's kind of absurd that one of my fics is getting close to 500 notes while simultaneously being one I've had the least actual human interactions come from. Like...... come on, that's now how it should be AT ALL!

Don't get me wrong, I'm so thrilled people are clearly finding it and I guess enjoying it(??) but just having endless likes without people letting me know what they enjoyed about it or even if they liked it kind of makes me sad. That's not why I want to share my writing here!

I love having those little human connections with others. I don't ever want my writing to feel transactional. I would love to talk to more people about things I've written. It's truly one of the best feelings and I would hate to lose that, the more I write or the more notes my fics get. Please don't be shy!! I get the social anxiety, but there is no reason to be. I am truly just a Din Djarin obsessed loser.

Anyway, whine over. I don't want to focus on the negatives here and I appreciate every single person who has ever left a positive interaction with something I've written. You are truly a light!

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[amirasainz]

Hiii I love your blog so much. It always makes me so happy when you post something♥️😘

Can you write like Oscar x reader, where they are both in university and they always meet in the library. It's like the silent love and they slowly fall in love with each other.

Enjoy reading and send some requests

-xoxo, Babygirl 💋

The quiet kind of love

The first time Oscar noticed Yn, she was sitting three tables away from him in Oxford’s grand Bodleian Library. He wouldn’t have given her a second glance if it weren’t for the fact that she was always there. Every evening, just after 6 PM, Oscar would settle in at his usual spot by the arched windows, and without fail, she would be somewhere nearby, always engrossed in her books.

It became a quiet routine. They both came to the library at the same time, stayed until it closed, and left without exchanging a word. The first week, it was coincidence. The second, it became an unspoken ritual.

Oscar was the kind of student who liked order. His desk was neatly arranged with color-coded notes, pencils lined up with perfect precision. He had come to Oxford with a scholarship to study history, and he took every second seriously. He told himself that he didn’t have time for distractions, and Yn, sitting quietly at her table, wasn’t one. But still, he noticed her.

Yn had a quiet intensity about her. She studied with the same focus and determination that Oscar did, but there was something different about the way she immersed herself in her work. Where Oscar’s approach was clinical, Yn’s was passionate. Her fingers would glide through pages, her pencil tapping against the desk when she was deep in thought. She studied literature, and every so often, Oscar would glance up and see her smiling slightly at whatever she was reading.

For a long time, they didn’t speak. Neither one seemed inclined to break the silence. It wasn’t awkward, though. The quietness of their shared space felt right, like they both understood the importance of the library and their respective work. It was a kind of peaceful companionship.

Then one evening, as the early chill of October settled into the old stone walls, Oscar glanced up from his notes and saw Yn sitting at her usual spot. But this time, there was something different. She had a takeaway coffee cup in front of her, and without thinking, she stood up and walked over to him.

Oscar blinked in surprise as Yn set the cup down next to his laptop. “I noticed you always look exhausted by the time we leave,” she said, her voice soft and even. “Thought you might need this.”

He didn’t know what to say. His brain stalled for a moment before he managed to mumble, “Thanks.”

Yn nodded, a small, polite smile on her face, and returned to her seat. That was it. A coffee, a thank you, and then back to silence.

The next evening, when Oscar arrived, he brought two packets of biscuits with him. After half an hour, he quietly stood up and walked to her table. Yn looked up, her wide, curious eyes meeting his for a second before she noticed the snacks.

“Here,” he said simply, holding them out. “I figured you might get hungry.”

Yn’s lips curved into a full smile this time, not the reserved one he had seen before. She took the biscuits with a small nod. “Thank you, Oscar.”

He felt a warmth spread through him, hearing her say his name for the first time. How did she know? Then he remembered their IDs had been out on the table one time when the librarian was checking their books, and she must have caught a glimpse. He liked how his name sounded in her voice—like it was meant to be there.

“See you tomorrow?” she asked, more a statement than a question.

“Yeah,” Oscar replied, surprised by how natural it felt.

From then on, every evening they brought small things for each other—Yn’s coffee, Oscar’s snacks, sometimes even a scribbled note with a suggestion for a book they thought the other would enjoy. They still didn’t talk much, but the silence between them felt comfortable, not awkward. There was something more than just the quiet. It was shared, and it was theirs.

Weeks passed, and as November approached, the air grew cooler. Oscar found himself looking forward to the evenings more than ever. It wasn’t just the books or the studying—it was the simple act of seeing Yn, knowing she would be there.

One Friday, the library was quieter than usual. Most students had gone home early for the weekend, but Oscar and Yn remained, tucked into their usual places. After about two hours, Oscar stretched, his back aching from sitting so long, and when he looked over at Yn, she was staring at him.

She blinked, caught off guard for a moment, then smiled. “Want to take a break?” she asked, her voice soft.

Oscar hesitated. They had never taken breaks together before. But he nodded, feeling something stir in his chest. “Yeah. Let’s go for a walk.”

They left the library and wandered through the cobbled streets of Oxford, the night air crisp and cold. Their breath hung in the air like ghosts, and for the first time, they talked.

Yn spoke about her love for literature, her fascination with stories that revealed something hidden about the world. Oscar shared his passion for history, for the way people and events could shape entire civilizations. They walked for hours, moving from topic to topic as if they had always known each other. It wasn’t forced; the conversation flowed easily, like it had been waiting to happen.

“I’ve always thought Oxford was the perfect place to study,” Yn said as they paused by a bridge, watching the river flow beneath them. “The history here, the way the buildings seem to have stories of their own… It feels like the right place to find something, or someone.”

Oscar turned to look at her, the moonlight casting a silver glow on her features. He wanted to ask her what she meant by “someone,” but instead, he just said, “Yeah, it does.”

When they returned to the library, neither of them mentioned the walk. But from that night on, something had changed. They no longer sat in complete silence; sometimes, one would quietly comment on a passage they were reading, and the other would respond. They didn’t need to talk much, but the few words they shared each night felt more meaningful than entire conversations with anyone else.

By December, their routine had deepened. One evening, when Yn arrived, Oscar was already there, waiting with her coffee and a small smile. She sat down, and without thinking, reached across the table, her fingers lightly brushing his hand. She started to pull away, embarrassed, but Oscar’s hand moved to meet hers.

The touch was brief, barely more than a second, but it felt like something had shifted. Neither of them spoke about it, but from that night on, their hands would meet under the table, fingers brushing, lingering longer each time. It wasn’t something they planned or discussed, but it felt natural, like a quiet confession they both understood.

One evening, after the library had emptied, Yn leaned over her desk and whispered, “Do you ever feel like this is the best part of the day?”

Oscar looked up from his notes, surprised by her sudden admission. “Yeah,” he said honestly. “I do.”

She smiled, her eyes soft. “I like this. Us.”

“Me too,” Oscar said quietly. His heart was pounding, and before he could stop himself, he reached across the table and took her hand fully in his. This time, she didn’t pull away.

The weeks leading up to Christmas were filled with more moments like that. They spent their evenings together, sometimes in silence, sometimes whispering small things to each other. They held hands more often now, not hiding it under the table but keeping them interlocked where they could see. It was as if every day, they allowed themselves to fall a little more into the connection they had been building.

Then, one night, just as the library was about to close, Yn looked over at Oscar, her eyes serious. “Oscar,” she said softly.

“Yeah?”

She hesitated, as if searching for the right words, then spoke. “I think I’m falling in love with you.”

Oscar stared at her, the words settling over him like a blanket. He knew, in that moment, that he felt the same. He had felt it for weeks but hadn’t been able to put it into words.

“I think I’m falling in love with you too,” he said, his voice steady but full of emotion.

Yn smiled, her eyes shining. And for the first time, they both understood that the quiet library, the long nights, the coffee and biscuits—it had all led to this. Their unspoken connection had turned into something real, something they could no longer ignore.

Oscar leaned across the table, and in the soft glow of the library’s lamps, he kissed her, gently, just for a moment. It was a quiet kiss, fitting for the quiet love that had grown between them.

When they pulled away, Yn’s smile widened. “Let’s keep meeting here,” she whispered.

“Always,” Oscar replied, knowing that now, the library was more than just a place to study. It was where they had found each other.

And so, they did.

[babydollmarauders]

WHO’S AFRAID OF LITTLE OLD ME? — JACK HUGHES

jack hughes x fem!reader

summary: in which jack hughes should be afraid of what y/n can do to his reputation

notes: yeah, idk what this is either; there’s not much plot.

september 16th, 2023

deuxmoi

24,107 likes

deuxmoi pop sensation, y/n, is seen hands on with new boy toy?

if anyone has any information on who this man is, do come forward! we’d love to know who america’s queen of heartbreak anthems is with now!

view all 549 comments

user82 the hand placement?! HELLO?!

user3 oh great, new music where she makes herself some sad victim again

user55 a new love album next?! maybe?!

user09 let’s not get ahead of ourselves, it’s some low grade pap photos posted on a gossip blog. it could’ve been a first date for all we know

user45 @/user09 with the way they are in these pics? absolutely NOT a first date. y/n has famously said she doesn’t get “frisky” early on because of her ex. most definitely a bf

user92 oh her next song is gonna HIT

user06 that guy kinda looks…. where were these taken and when?

deuxmoi all the sender said was that they saw them in michigan last night! know something?

user06 hmm the tl matches! that looks like it could be @/jackhughes , a hockey player for the New Jersey Devils!

user98 OH MY GOD, YOU’RE RIGHT!

user67 those hands?! girlie better never let him go!

september 27th, 2023

y/nofficial

liked by sabrinacarpenter and 4,628,961 others

y/nofficial every dead end street led you straight to me 🤍

view all 7,923 comments

user72 SOFT LAUNCH OH MY GOD

user5 oh he’s got her using emojis?! she’s down BAD

user29 i’m so happy for her, she deserves so much love and happiness and it seems like he gives that to her 🫶

user6 MOTHER?!

user01 what poor boy did she sink her claws into this time?

user9 if you don’t like her, why are you on her post? obsessed much?

sabrinacarpenter he scored 😉

y/nofficial sab!! nah, i think i did!

user92 he better be treating her damn good! it’s what she deserves after ‘he who shall not be named’!

user76 i know who you meant but also started giggling at the idea of her writing an album about voldemort 😭

y/nofficial @/user76 gasp! don’t you know who lover is about?! the dark lord and i just couldn’t make it work :(

october 10th, 2023

jackhughes

liked by y/nofficial, nicohischier, and 815,736 others

jackhughes as a wise woman once said: “i was enchanted to meet you”

tagged y/nofficial

view all 2,865 comments

y/nofficial my sweet boy 🤍

jackhughes my pretty girl

user76 A HARD LAUNCH

user94 THEY’RE SO SICKENINGLY CUTE 😭 SHE DESERVES THIS

user36 JACK IS DATING Y/N?! OH THE SONGS THAT WILL COME OUT OF THIS

user8 he could do so much better

lhughes_06 about damn time

trevorzegras JACK WHAT THE FUCK YOU’RE JOKING

user02 oh they’re so cute 🥹

dawson1417 did you just… hard launch with the biggest singer in america rn?

jackhughes y/n says “what? like it’s hard?” idk what that means

user16 can we talk about how happy she looks?! and i know her hockey loving self is giggling and kicking her feet over her landing a hockey player! too cute!!

john.marino97 if her next RED-like album is about you, i’m requesting a trade. can’t believe i’m gonna have to listen to songs about YOU

january 1st, 2024

y/nofficial

liked by jackhughes and 5,827,025 others

y/nofficial thank you 2023, you brought so much love and laughter 🤍 can’t wait to see what 2024 brings!

tagged jackhughes

view all 7,503 comments

user86 oh she’s so down bad she was taking pics of him at his game 😭

user9 one tour pic and three pics regarding to jack? she’s so in love

jackhughes here’s to another year with you, my talented girl

y/nofficial i can’t wait for another year with you, my love 🤍

user55 i can’t wait to see you in KC this year!!

user7 she’s truly living her best life and i’m obsessed!!

user21 i hope 2024 is just as good to you as 2023 was!

january 26th, 2024

deuxmoi

36,592 likes

deuxmoi fan submission: trouble in paradise?

pop sensation, y/n, and her boyfriend, hockey player Jack Hughes, were seen out by a fan last night. the fan claims that they overheard y/n consoling Jack about his recent injury that has left him unable to play. in the video (on our site), you can hear y/n telling Jack “i know not playing is hard, i know it’s sad-”. Jack is heard cutting her off and snapping “you don’t get to tell me about sad. you don’t get it, so stop acting like you do.”according to the fan, y/n left the date alone and in tears.

what do you guys think, is this couple over?

view all 1,251 comments

user29 wow what an asshole, she was just trying to be comforting

user4 wtf?

user07 yeah, can’t say i didn’t expect them to end soon enough

user99 she was trying to comfort him and he snapped at her? yeah, i’d hope they’re over

user20 she deserves better

user19 it’s just an argument, everyone is being so overdramatic

user3 do i think they’re over? no. if we know anything about y/n, it’s that she’s forgiving, sometimes to a fault.

user67 i don’t think they’re broken up but if she was leaving alone and crying, i hope they will be soon enough

user82 has anyone thought that maybe he didn’t need comforting?

user13 umm, obviously he did if he snapped at her

user98 idk about everyone else, but i do think they’re broken up if she left alone and was visibly upset

user23 oh i can’t wait to hear what she writes about him. i’ve known he seemed too good to be true

february 14th, 2024

y/nofficial

liked by oliviarodrigo and 7,431,846 others

y/nofficial happy valentines to my favorite boy 🤍

the most kind-hearted, respectful, and loving man i’ve ever had the pleasure of being able to call mine. nobody is perfect, but i think you’re pretty close to it. i’m so eternally grateful to have you in my life 🤍

tagged jackhughes

view all 278 comments

user6 oh, she’s still with him

user02 y/n, baby, please come to your senses

user14 i don’t like him at all after last month

jackhughes happy valentines, beautiful girl ❤️

user65 “nobody is perfect” oh, mother is telling us rn

comments on this post are now limited

march 23rd, 2024

deuxmoi

29,783 likes

deuxmoi looks like y/n and her hockey beau have called it quits! eagle eyed fans spotted last night that they’ve unfollowed each other on instagram and y/n deleted all photos of him.

previously, y/n ONLY followed jack, now she’s back down to 0, which fans seem to read as a finality to their relationship.

view all 1,736 comments

user95 about time! after that spat in january, i feel like everyone was waiting for this

user72 EVERYONE MOVE! EVERYONE REJOICE! MOTHER IS FREE!

user24 GOOD RIDDANCE!!

user61 can’t wait to hear who the catalyst was, him or her?

user3 obviously she’ll make herself out to be the victim

user61 @/user3 tell me you’ve never actually listened to y/n without telling me you’ve never actually listened to y/n 🙄 she doesn’t shy away from admitting if she was the one who ruined a relationship, she admits she has problems and that sometimes she gets in her own head

user8 it was obviously him after that video in january

user23 everyone is celebrating but have we stopped for a second to realize that she’s probably really heart broken right now?

user70 fr! like, she seemed so in love with him and i feel so bad for her. she seemed to love him a lot more than her exes and we all know she’s a hopeless romantic at heart, so she was probably imagining marriage and babies with him and then he showed his true colors

april 1st, 2024

y/nofficial

liked by tatemcrae and 14,698,276 others

y/nofficial there’s always a fool, but i guess all’s fair in love and poetry… new album THE TORTURED POETS DEPARTMENT. out May 14 🩶

but surprise! the first and only single, Who’s Afraid of Little Old Me? comes out April 19 🩶

view all 3,279 comments

user18 MOTHER DOES NOT PLAY!!! AHHH

user63 may 14th 💀 she said “i’m not fucking around, y’all WILL know who this is about.”

user9 significance of may 14th?

user63 @/user9 it’s jack’s birthday 💀

user00 OH SHE MUST REALLY HAVE SOME SHIT TO SAY IF SHE’S ACTUALLY DROPPING A SINGLE BEFORE THE ALBUM

user78 i wonder if jack feels stupid yet

user12 new y/n album before GTA6

user93 the vibes??? mother didn’t write an album, she wrote a EULOGY

april 19th, 2024

y/nofficial

liked by john.marino97 and 9,726,820 others

y/nofficial at this hearing, i stand before my fellow members of The Tortured Poets Department with a summary of my findings.

Who’s Afraid of Little Old Me? out now.

view all 2,738 comments

user72 i’m speechless

user2 “you don’t get to tell me about sad” SHE REALLY FUCKING DID THAT

user33 I AM IN SHOCK!

user94 MOTHER CALLED HIM OUT

user78 once again i ask, @/jackhughes do you feel stupid yet?

user61 dude just got surgery and she still came for his neck 😭

user09 i mean, not like she was gonna change the release date just because of that but it’s still so 😭

user22 “the scandal was contained….. at all costs keep your good name” she really spoke on the january spat, didn’t she?

user12 “WHO’S AFRAID OF LITTLE OLD ME?”

user77 @/jackhughes you should be

john.marino97 🩶🩶

user82 oh he’s MESSY! i love it 💀

user50 tbh, i look at this single like a warning. it sounds like jack didn’t think it through before he broke her heart and didn’t think she would speak on him, but she’s warning him right now that he should be scared because she has a lot to say about him and their relationship

user31 she’s so— i love her

february 8th, 2025

y/nofficial posted on their story

february 10th, 2025

y/nofficial

liked by john.marino97 and 11,762,936 others

y/nofficial brand new, full throttle <3

view all 3,627 comments

user93 i- did she just inadvertently tell us we’ve all been wrong about who So High School is about?

user77 this is the fastest she’s ever gotten into a new relationship and you know that means she has to be in LOVE

user04 AHHHHH Y/N AND JOHN MARINO

user82 how do you know it’s him? she didn’t even tag anyone and you can’t see his face

user04 @/user82 she posted john on her story a couple days ago! they’re on vacation together while he’s on bye-week!

user23 i don’t wanna get ahead of myself but,,, they met through jack, did they not? and now they’re dating? mother is messy

user51 is it messy? yeah, maybe- but people have already looked back through old interviews of his, and she’s been his celeb crush for a WHILE now. and i mean, hey, she’s dating someone only a couple years older than her now, one can only assume he’s more mature than j*ck

user92 the way she clings onto him 🥹

user88 she deserves happiness, i really hope he gives that to her 🫶

john.marino97 i knew what i wanted and i got her ♥️

[dancinglikebutterflywings]

Little Love Notes | Bang Chan 

Pairing: Bang Chan x Fem!Reader  

Summary: Chan's girlfriend likes to leave him little notes.  

Warnings: It just fluffy. I have written a little drabble similar to this but wanted to switch it around so it's reader leaving him little love notes. This is a repost from my now deactivated blog. More of an explanation in my pinned post.

Word Count: 482 

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Chan's heart swelled with warmth as he read the little note once again. The words are written on a bright yellow post-it note which was stuck to his laptop lid. It was a simple sentence, but it meant so much to him.  

"Have a great day, my love. Don’t be too hard on yourself."   

The last couple day’s he’d been a little hard on himself because he couldn’t get a part of the latest song they’ve been working on right. No matter how he mixed it, with and without Changbin and Jisung’s help, he couldn’t seem to get it sounding like he envisioned in his mind.   

Taking a moment before he goes back to the song that’s becoming a headache, he remembers back to when Y/N left him the first note she ever left him. They had just moved in together when he found a post-it note stuck to the screen of his phone, with ‘I love you’ written on it. From that day on, Y/N made it her mission to leave him little love notes around their apartment. Some days they just said I love you and other days they’d be a small paragraph reminding him how loved he is, or how lucky she is to have him. Sometimes they would be sweet little reminders for him to take breaks, or to go easy on the guys and stuff like that. When he went away, whether it be in South Korea or overseas, the little notes would continue. He’d find them on in his bag, in the pocket of a random hoodie or pair of pants, and on his electronics. He even found one wrapped around his toothbrush, one time.   

The guys often tease him about the notes, but he doesn't care. He loves these notes more than anything because they are a physical representation of her love for him. It’s his and Y/N’s little thing they have that doesn’t involve anyone else. He loves it and would be sad if she ever stopped writing them.  

As he opens his laptop, he chuckles to himself when he finds another note in his girlfriend's handwriting. ‘Can we please have McDonald’s for dinner?’  

He puts the notes somewhere safe so he can add them to the growing collection, filling his desk drawer at him. Grabbing his phone, he pulls up his messages with Y/N, and types out his reply to her notes.  

‘You have a good day too. I’ll pick up McDonald’s on my way home tonight. I love you so much x.’  

He puts his phone to the side and boots up his laptop to get started working on the newest 3racha song.  

It doesn’t take long before his phone buzzes, notifying him that he has a new message. When he checks it, he smiles, seeing it’s from Y/N.   

‘I’ll message you my order later. I love you so much too, baby xxxxx.’ 

Likes, Comments & Reblogs are welcomed and appreciated. 

©️ 2024 CRAZYFORMFICS. NO ONE HAS PERMISSION TO COPY, TRANSLATE AND/OR POST MY FICS ON HERE OR ANY OTHER SITE.

TAGGED: @staytiny2000 - @dancelikebutterflywings - @kpopmenace143 - @treehouse-mouse - @alexxavicry - @jedi-dreea - @rainydayteacups

[giannaln4]

Away For Valentine's

lando norris x fem reader

summary: McLaren had the fantastic idea to launch their car on Valentine's day, and as much as you reassured Lando he didn't have to worry about it, he still wanted to make it up to you (1k words)

warnings: none, just fluff

a/n: heyy everyone! so this is the very first fic i'm posting so please let me know what you think! i'm honestly pretty excited to get started with this blog so hopefully you guys like what i write. anyway please send some ideas my way!

↺ back to navigation — send me a request!

Valentine’s Day was off the table this year, and so was everything you had planned for you and your boyfriend.

You were disappointed when he shared the news with you, but you couldn’t be mad at him, not when it wasn’t his fault.

He saw the disappointment in your face, and how much you were trying to hide it by just smiling and nodding, your head finding a spot on his shoulder to avoid eye contact. He appreciated you understanding the situation, like you always did, but that didn’t mean he didn’t feel guilty.

“I know we had plans-”

“Lan, don’t worry about it” You took a deep breath before looking at him again, trying to get rid of the sadness in your face “I mean it, we can do that some other time”

He was about to say something but a quick kiss on the lips stopped him. You proceeded to look at him, offering him a small smile and a glance that he knew meant ‘I don’t wanna talk about it’, so just nodded as he smiled back.

A few weeks go by and his winter break was coming to an end, meaning soon he’d have to leave the comfort of your shared home and go get started with his preseason duties. That’s something you were used to, having to see him leave for long periods of times but it barely ever affected your relationship. He always made sure he made enough time for you, even when the time difference was huge and he was feeling tired most of the time, he needed to make time for you. Your love for each other was so strong that, at the end of the day, you were just relieved you still had each other even if all you had was a five minute call every day.

But still, sometimes it was hard to see him go, and this time was one of those times.

The night you knew would be your last one with him before he left he decided to take you out on a date. Fancy clothes and an even fancier restaurant were your plans for the evening, and you knew he was trying to make up for Valentine's Day. It wasn’t the same, of course it wasn’t, but you still enjoyed every second of it.

The food, the small talk, the jokes, the stupid stories, the shy glances, the small touches, everything was perfect, almost making you forget he was getting on a plane in a matter of hours, but your smile slowly faded as soon as you remembered.

The ride back home was quieter than he would’ve liked, but he knew exactly what was going through your mind, and honestly he couldn’t blame you cause his mind was flooded with the same thoughts.

As soon as you got home he ran around the car and opened the door for you, offering his hand and kissing yours as soon as he took it. You smiled softly at him and you made your way to the door. Once you were inside, you dropped his hand to take off your shoes and tossed them somewhere close to the door, sighing in relief as you started walking towards your room.

“Mhm, come back here” He whispered as he grabbed your hand and pulled you back into him

“There you are” Lando smiled softly at you as his lips found yours. After a moment he broke the kiss, and both of his hands found a better spot on your waist as he started to move along the off-tune song he started to hum. You couldn’t contain your smile, quickly trying to keep up with him. You moved together in a slow dance, it was like your bodies were in perfect harmony. 

Lando was looking down at you in pure admiration, almost as if he was trying to memorize every centimeter of your face so he wouldn't forget it while he was away, but you didn’t dare to look up, scared you would make eye contact with Lando and you wouldn’t be able to take it, so you safe option was to rest your head on his chest and pray you didn’t mess up. Although it wouldn’t matter if you did, you were just in the comfort of your living room anyway. But you didn’t wanna mess up.

He eventually stopped humming, hoping the silence would encourage you to look at him, but when you didn’t he moved one of his hands to cup your check, making you look at him. For a moment your eyes lock, making the silence feel very loud and Lando couldn’t help but smile at you, and you immediately blushed, but tried to play it off. 

“You’re a terrible dancer” He laughed and you narrowed your eyes playfully and softly hit his shoulder.

“You’re one to talk” You joked, locking your fingers behind his neck and giggling when Lando scoffed.

“Maybe we should go out to dance and I could show you all of my moves” He started to move again, bringing you closer to him.

“I thought you didn’t like slow dancing”

“I do if I get to hold you this close to me” He replied, once again finding your lips.

This time the kiss was longer, both of them savoring each other’s lips while they still had the chance “I’m sorry about Valentine’s” He whispered once he pulled away, your forehead resting on his.

You giggled at this. You had assured him a million times he didn’t have to worry about that, and he still apologized every time he remembered “You need to stop apologizing”

“But I am sorry”

“I know, but it’s not your fault” You hand fell on his hair, slowly stroking his soft curls “And I had a great time tonight, so I’d say love is not dead”

He laughed at his, dimples appearing as his eyes vanish for a moment “I still wanna make it up to you”

“You will” You replied as your head fell back on his chest “But for now I just wanna enjoy this” You closed your eyes and inhaled his scent, and after a moment of complete silence you can feel him start moving again, his soft hums interrupting the peace his heartbeat was giving you.

[raguiras]

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In this timeline, there isn't one Yuu — no, there are MANY, and as a result, things never get boring at Ramshackle...

Applications open!

All about my Twisted Wonderland fan project under the cut!

First off, who am I?

I'm Mionn, a TWST-obsessed artist who recently started posting art here and is planning to make a ton of Twisted Wonderland content in the future.

Said content is going to include a fair share of comics and OC content, which is why I came up with this project.

I also have a meme blog, @twistedmionn, and a blog devoted to my Deuce x Allen ship, @spade-of-storms.

I love hosting projects, and I hope this will be enjoyable for everyone who decides to join!

What is the purpose of the project?

connecting with others in the fandom & making friends

sharing your own OCs and discovering the ones of other members

fun shenanigans with canons & OCs

developing OC relationships

I'm planning to make short comics based on this project, so your OC will occasionally appear in them!

there's going to be a Tumblr blog where I reblog content involving the OCs participating in the project (= serves as a "library" for the OCs)

What exactly is going to be done?

I'm going to make occasional short comics involving the OCs from the project, and they might also make cameos in my usual art.

Outside of that, this project is meant for making friends with fellow OC havers or strengthening already existing friendships! You can also build relationships between your OCs and the ones made by other members.

Additionally, we're going to have a Discord server that allows members to freely ramble about TWST and our OCs. If you don't have Discord, that's totally fine as well!

How do I join? What do I have to do?

It's easy! Send me a DM asking me to join the project and submit all the OCs you want to be a part of it. We will work on further important details then!

Who can join?

Anyone who isn't a proshipper/racist/anti-LGBTQ+.

If I join, do I have to draw/write/do anything for this project?

Unless you want to, not at all! It's meant to be a fun project, not a duty.

Does this project involve roleplay?

No! However, we will have an optional roleplay channel in the Discord server.

Do I need Discord to join the project?

It's preferred, but not necessary in the slightest!

Is there anything monetary about this project?

Nope! It's entirely for shits and giggles.

Can I submit Yuu/Ramshackle OCs only?

While the project is going to focus on the Yuus/Ramshackle students, all types of OCs (except for fandorm ones) are welcome!

How many of my OCs can be included?

As many as you want to.

Is there anything else of note? What's the plot?

Since there are going to be multiple Yuus, Ramshackle doesn't have an official prefect in this project.

None of the Yuus presently know why they're in TWST or what their purpose is.

Are there going to be ships canon to this project?

Yes, and they're actually fairly relevant!

Unless the owners of two OCs decide on making a poly ship, only one OC x canon ship is allowed per canon character.

For the sake of fairness, please submit one OC x canon ship only (maybe your Yumeship/the one that matters the most to you).

OC x OC ships are allowed!

OC x faculty ships are allowed as long as the OC is of age!

OC x side character ships are allowed, too.

Official OC x canon list

Riddle x Grace (@/cyn-write)

Ace x Ashi (@/ashipiko)

Deuce x Allen (@/raguiras / me)

Trey x Haru (@/vanrouge13)

Cater x Vizzie (@/symphonicmetal101)

Leona x Yuuta (@/bunnwich)

Ruggie x Ivy (@/cherrytreegrove)

Jack x Kiyuu (@/skriblee-ksk)

Azul x Taru (@/taruruchi)

Floyd x Yuhua (@/distant-velleity)

Jade x Celes (@/celestelunia)

Kalim x Spider (@/driedupeyeballs)

Jamil x Yulla (@/grimmxelor)

Vil x Bram (@/valy-gc)

Rook x Soleil (@/nyx-of-night)

Epel x Yuuma (@/ollieeyy)

Idia x Yume (@/comingyourlugubriousness)

Malleus x Reina (@/inkblot-mirror)

Silver x Yuukuro (@/beneathsakurashade)

Sebek x Thea (@/althea-and-alcestris)

Lilia x Via (@/galacticstationsblog)

Crowley x Tammy (@/miss-atena)

Crewel x Ezra (@/boopshoops)

Trein x

Sam x

Vargas x

Neige x Beiyuu (@/silksatinbonnet)

Rollo x Beto

Che'nya x Rem

Fellow x Polaris (@/nerdazzler)

Is there a deadline for submitting OCs? Can I join even weeks after the project starts?

You can join anytime or, if you're already a member, add new OCs! There is no deadline.

Can I leave the project?

I'd be sad to see you leave, but it's entirely your choice!

♤♡◇♧♤♡◇♧♤♡◇♧♤♡◇♧♤♡◇♧♤♡◇♧

OCs in the project

We currently have 100+ OCs made by more than 70 creators in the project. They include Yuus, NRC students, faculty, and even some friends from RSA! Join in on the fun and include your own OCs in the project. (✿◕‿◕)

[twelve-forfend]

Well, I did say this was a multi-fandom blog... Alright, let's do this.

The Qing Jing Peak Lord's Bamboo House

(and the symbolism therein, as recorded in the donghua)

I was snooping through the establishing shots of the Qing Jing Peak Lord's Bamboo House, and had to laugh as I always do at all the gay symbolism that managed to sneak its way inside. But then I looked a little closer, and was floored by just how much passive storytelling was packed into background assets. I talked about it at length over discord, and at the urging of others decided to make a shareable post on social media as well.

First, the shots which first piqued my interest in this topic years ago:

Shen Yuan transmigrates into the stallion-genre webnovel entitled 狂傲仙魔途 (translated as Proud Immortal Demon Way). The author's and his own usernames are dick jokes.

Notice the chrysanthemum vase, the cock vase, and the stallion statuette.

The stallion and cock are obvious nods to these jokes on their own, but for the uninitiated, the chrysanthemum is a symbol of gay sex between men, as the asshole itself is often euphemistically referred to as a chrysanthemum. This should have been Shen Yuan's first clue that not all is as it seems here! These are the personal quarters of Shen Jiu — the original Shen Qingqiu!

But let's move to the main room you first walk into upon entering the bamboo house.

There it is: the writing on the wall.

As the Peak Lord of strategy and the scholarly arts, Shen Qingqiu would naturally have calligraphy and paintings hanging everywhere! So let's break it down.

On the top we have 道㳒自然 ("Dao Follows Nature"), which comes from a Dao teaching by Laozi (founder of Daoism) meaning that life, death, the entire universe, the heavens and earth and everything outside and inbetween, all follow a set of laws referred to as the nature of things. Although unrelated to the Buddhist couplet below, it's certainly relevant!

Originally hanging in right-to-left order, I've arranged them to read left to right here to make things easier to keep track of. The calligraphy reads 西方竹葉千年翠；南海蓮九品香 and is a couplet commonly found in Guanyin temples. My classical chinese is not as strong as I'd like, but this translates roughly to "The bamboo leaves in Paradise are green for a thousand years / The fragrance of lotus flowers in the South China Sea is as thick as 9 sticks of incense."

The character 西 for West is used to denote the destination of enlightenment/purity: the buddhist Paradise (think Journey to the West). The South China Sea is where Guanyin was born. Upon the Lotus flowers is where Guanyin is commonly depicted as sitting. The "9 sticks of incense" though literal can also refer to the 9 tiers/grades of reincarnation lotuses with the 9th tier being the lowest, meant for those who in life committed the most evil of crimes — the 4 parajikas — and who can only manage a sincere Amitabha recitation 10 times and no more than this.

To put this in context with Shen Jiu (the same jiu as in 9/九), the 4 parajikas committed by the 9th Tier Lotuses Reborn (officially entitled the Lowest of the Low) are:

Sexual Intercourse

Stealing

Murder

Claiming attainments of stages of pure mental concentration that have not been achieved (in other words, rushing or lying about your cultivation/enlightenment, or maybe even becoming a Peak Lord without having formed a golden core beforehand).

From what we know in the context of the novel, Shen Jiu is innocent of at least the first of this parajikas, but the overall view of Shen Jiu in the eyes of others in the story is that he is guilty of them all. This calligraphy can be seen as a condemnation or a reminder for the character Shen Jiu, who even as the Peak Lord Shen Qingqiu is widely thought of as a scum villain and the lowest of the low.

Phew! That's a lot to unpack.

But if you turn your gaze to the original screenshot, you'll see to the right that there's a vase painted with a blue bird. This vase appears in several rooms of the bamboo house, and seems to be the image of a qingniao (青鸟; lit: Qing bird, wherein 青 can mean blue/green/clear-but-brackish black).

These qing-coloured birds are messengers and foragers of the Goddess-Mother of Paradise (Xiwang-mu 西王母, the "west/paradise" character from before, lit West-King(unisex)-Mother). They're a highly intelligent species who are exceptional in song (a good representative for Qing Jing's scholarly arts and pursuit of qin!), and the older ones might learn to speak human tongue. As a subspecies of luanniao (鸾鸟 lit: luan bird), they're thought to be related to The Phoenix and indeed thought to be the lifetime/samsara just before being reborn as a Phoenix.

If given to a "master" they don't like, the qingniao may refuse to pass messages or sing until they're set free, but if they do get along with you then they're loyal to the end.

As a point of interest, the Qing generation of Peak Lords uses the character 清, which is 青 ("colour of nature; brackish black, blue, green; young) + the radical for "water," resulting in the meaning of clear (as in water or heart; see-through); distinct; quiet (as in still); just and honest; pure; to settle or clear up; to clean up, expunge, or purge.

And as a bit of trivia, Liu Qingge's sword Cheng Luan 乘鸾 means "to ride the luan, take flight on the back of a luan." (Relevant, because the qingniao is considered a subspecies of luanniao).

With the Lords of both Qing Jing and Bai Zhan referencing this bird, I really wonder about its significance! It's spawning plenty of theories and headcanons for me.

Heading back outside for a moment, you'll find that in the Quiet Pool (清静小池 qingjing xiaochi (yes, the same Qing Jing the peak is named for)), there are lotuses, and on land there are flower shrubs which are either wide-petaled chrysanthemums (gay bottom jokes ahoy), or a type of peony, the king of flowers demarcating wealth and prosperity. Either way, a blossom fitting of our Qing Jing Peak Lord Shen Qingqiu!

My one regret is that I cannot get a clear shot of the fan hanging on the wall to try and translate the calligraphy on it. If anyone can snag one, please tag me! I also couldn't translate the paintings with poems hanging in Shen Qingqiu's bedroom (it's just too small and blurry for my bad eyes to make out). If I make another post attempting these things, I'll append them to this initial post in an edit afterwards.

[who-is-page]

The Sol System's Alterhuman Writing Challenge

In November 2021, we challenged ourselves to write an alterhuman-oriented piece every day until the end of November, ideally building up to 50,000 words written overall. We wanted to take this challenge up for several reasons—to help strengthen our writing habits, to set up routines during a time we normally struggle to do anything due to our seasonal depression, to finally learn to put our first drafts out there fearlessly instead of being ornery perfectionists, and to just generally get better at handling mixed reviews with our rejection sensitive dysphoria.

All in all, it was a huge success and a ton of fun-- we wrote about topics we might not have otherwise touched on, made a TTRPG, and just had a grand time overall with all the responses we got from the community. And because of that, we want to offer it to any of y'all folks who might be interested in tackling the challenge yourselves (even if it's a few days late, but who's counting?)

Here are the rules we bound ourselves by:

You must finish and publish at least one piece of writing a day, on your platform of choice—DreamWidth, Tumblr, Mastodon, PillowFort, DeviantArt, Twitter, Discord, Neocities, anywhere. It has to be publicly accessible and (if possible) tagged appropriately.

That piece of writing must either be about or in connection to alterhumanity (in general or your own), the alterhuman community, a community typically classified underneath the alterhuman umbrella, an experience related to or connected to alterhumanity, or otherwise be something inspired by alterhumanity/alterhumans/alterhuman experiences/etc. This category is meant to be as broad as possible, while still sticking to theme. Use prompts or go off the cuff, whichever works best.

Other than that, go nuts! Fiction, nonfiction, games, NSFW, do whatever you want. There is literally no limit on what type of thing you write, just that you write. You can also start a piece at any given time—for a couple of our pieces, we started them one day, after we’d already published something, and then finished them and posted them a day later. I also personally recommend dedicating one unique tag to it on your blog to help keep track, but it's your writing and your rules all the way down other than what I've listed out here.

And if you do decide to take up the challenge, consider tagging us in it! We'd love to see whatever you write!

[lu-is-not-ok]

Sorry I'm actually obsessed with the Daiyu-Baoyu theory and I'm rotating it in my head forever. I'm not sure if I'm actually onto anything here but when thinking about it I recalled this CG from the TGS trailer

and I remember thinking about how odd this picture seems because it's so Un-Hong Lu-like. Because from what we've seen, Hong Lu has never even gotten close to being this angry. And yet, they showed us this picture in a trailer before the game even released. It's obviously something they wanted us to see and keep in mind. But so far, there doesn't seem to be anything we can think of that can draw this kind of reaction out of Hong Lu, who seems to just redirect or avoid upsetting topics altogether.

When reading your theory, I remembered this CG and noticed that he's facing the right, meaning we can't see his jade eye. This isn't the first time they've obscured something important from us in the trailer (e.g., Don Quixote's eyes), so it's not a stretch to say they're intentionally hiding his eye. This suggests that something might be up with it in this scene that we aren't supposed to know yet, like, for example, being removed.

If we assume that Baoyu's memories are in his eye, which has been put in Daiyu's body, as well as Kurokumo Hong Lu's attitude being the most Daiyu-like, then it would explain this CG a lot better, because it's not really Hong Lu or Baoyu. It's Daiyu.

Sorry for the very long ask, I got excited. Again, I'm really just rambling and speculating. What I do know is that I'm really enjoying this theory, and thinking about writing a fanfic with the premise because it is so fascinating to me!

Funny you bring up that CG in particular, since the subject of it has come up on this blog before! That being said, I unfortunately can't find the exact post where I talked about it, so I might as well do so again - especially since we now also have more insight on Hong Lu as a characer.

The full CG that cut-in comes from can be seen in the Story Demo video for the Alpha Version of Limbus, as a preview CG for the 1-5 node on the very early version of Canto 1's Story Node map.

Notably, this CG does not appear in any Cutscene/Story Demo videos post the TGS Teaser, meaning the CG must have been scrapped at some point between that Alpha Version demo and the post TGS Teaser demo. Whether it was scrapped after it was used for the Teaser, meaning it was still part of the story at the time, or whether it was scrapped before but PJM decided something about that particular image of Hong Lu was important enough to the Teaser to include it anyway, is something I don't think we'll ever know.

Unfortunately, with how early the CG seems to have originally been placed in the story, I doubt it has anything to do with Daiyu specifically. However, I do now have my own theory of what that cutscene might have entailed, as well as why that would contribute to it being scrapped.

Judging by the leftmost panel, it's easy to deduce this was where Yuri's backstory was originally meant to be explained, as in the whole site burial and survivor's guilt thing would be brought up. The fact that the explanation would later be moved to be inside the Dungeon rather outside would on its own be a good reason to scrap the CG, but there's something else about it that I realized only recently.

In the game proper, Yuri reveals her trauma almost exclusively to Gregor (and initially Ishmael), as all the other Sinners have already passed out due to the gas grenade. However, in the hypothetical scrapped scenario where the reveal came outside the Dungeon, every Sinner would have a chance to hear it and react to it.

So, what kind of reaction would fit the other two panels on the CG? The middle panel of Rodya comforting an uncomfortable looking Yuri while Hong Lu looks innocently confused, followed by a panel with the angriest looking Gregor we've ever seen clashing with the angriest looking Hong Lu we've ever seen?

Here's what I think could have originally happened in that scene (and this is Entirely Speculation, we have no proof of this actually being the case):

I believe, after sharing her story, especially the point about trying to escape the site burial, Mr. Hong 'I am always ready to accept my own death' Lu would act confused and ask something along the lines of "Why didn't you just stay?" or a variant of such. Why didn't you just accept it, why didn't you just let it happen, why did you try to fight it, etc. Essentially asking why, if Yuri was going to feel such guilt for surviving the ordeal, would she ever bother trying to survive in the first place.

This would, understandably, piss Gregor the fuck off, as he himself holds a good deal of guilt for the fact he participated in the War and survived through it. There's a high chance of him trying to verbally rip into Hong Lu, to tell him that he has No Idea what it's like to have to live day by day trying to survive just long enough to see tomorrow, what it's like to have one's life turned into hell without them having any choice on the matter, what it's like to feel the need to run away despite knowing that it will leave them with the guilt of not being able to save anyone else. He's some sheltered rich kid after all, how could he know what it's like to actually suffer?

And I think something like that would be enough for Hong Lu's facade to crack. Because no, Gregor is wrong. Hong Lu knows exactly what it's like, more than anyone should know he does. He might not even be responding with much in this cutscene, even just a hostile "You know nothing about me and my life." would be enough to set the tone. That whatever is going on behind that smile of his is so much worse than what it seems.

...And that's why I think it was scrapped. Because a peek behind Hong Lu's mask in Canto 1 would be too early.

Hong Lu's slow unraveling of his lies is just that - slow. It took us until Just This Recent Canto to get a somewhat clear confirmation that no, the info he gives about his Family is not to be trusted. It took until Canto 3 to see him be the only Sinner actively willing to lie and until Canto 4 to show us he's a good actor. Revealing that Hong Lu has a very different side to him underneath the curious cheerful persona as early as Canto 1 would completely alter the pacing and trajectory of his arc. You'd have a reason to suspect him from the beginning, rather than have a chance to be just as fooled by him as Dante and the other Sinners are.

So no, I don't think that CG is meant to show Daiyu. But I do think that CG was meant to be our first hint to the fact that Hong Lu isn't being honest with the others, at least until it was decided it was too soon for such a reveal.

[morbethgames]

Halloween Special, Current Projects, New Patreon Content

I am so sorry about the radio silence as of late. Between the stuff earlier this week (yes, that stuff), dealing with deaths of people, and university; I've been very busy and mentally drained. However, the good news is, you can play the mini game of The Bureau, "Witchy Woman" right now! The link is at the bottom of this post! Eventually I'll integrate it into the main game, or put it out as potential free DLC or something, but for now there are no stats and it's not tied to choices from the base game.

Tonight is a special case. The MCT has been called in as a favor after finishing up our most recent case. A friend of Kris's reached out, and the local P.D. has let the MCT take the lead on this one. A house party in the beginning of October up in Maine has turned sour. A party-goer has been reported deceased.

We just finished a job, but in this line of work, there's always another case to solve. So here I am, approaching the residence with my team, about to find out exactly what happened on this cold, damp night.

Because it's not part of a bigger game or story, and the only pacing I had to worry about was that of the investigation, this is much more freeflow than other investigations in the main story. Go back and forth between the crime scene, the perimeter of the house, interrogations, and more! The more you discover evidence, the more new options will unlock in conversations, and you have an evidence log in the stats section that updates every time you find out something relevant to the case.

I'm only promoting this now, even though it's been done for a couple of weeks, because it was part of a Jam and I didn't think it would be fair if I got votes from a community built over a few years when others in the Jam would not have had that same benefit. I wanted it to be an even playing field, even if it meant holding out for a bit. So, I apologize for making you all wait.

There are still things I'd like to do for this game, things I'll end up adding, but it is at the very least ready to play. It's 40k words, so have at it!

------------------------------------------------------------------------------

Right, next up, something I'd like to announce. I'm working on a serialized fiction that I'm (hopefully) planning to turn into a book. The first 3 chapters are going to be posted for free, both here on my blog and on my Patreon, though not quite yet. Chapters after that will be released on Patreon for the people who pay the $5 tier.

I'll be honest, it has been extremely cathartic to go from writing an IF where the chapters are all pretty much the length of a book themselves, to writing an actual book where a chapter is about 4k words. It's a very nice breath of fresh air, and it by no means, entails that I will stop working on Bureau. In fact, it may even help speed up rate of production, funnily enough. Having something to keep my mind turning while having writer's block about a scene in the IF will help me constantly generate ideas, and that's really nice to think about.

A small college town is rocked by a horrific murder. In wake of the events, a couple of friends begin investigating this personal tragedy, determined to get to the bottom of what happened at the Scribe City college. The lesson is quickly thrust upon them that loss leads to pain, but pain is temporary, and loss can be forever. So what comes after the pain? They need to explore that journey together, and in the process, navigate the complicated things feelings that have started to bloom.

The book (serialized fiction for now) , called Love In Stasis, is going to be a 'WLW romance small town college murder mystery'. You will explore the relationships that these characters have and continue to form, and just how messy things get when tragedy sparks love. I have almost 25k words done for it, about six and a half chapters, and I'm going to try to get 50k words done with it by the end of the month. A writing challenge that's totally not tied to the name of any organizations.

If this works out, I could reward patrons with static fiction while not having to worry about providing everyone with constant things tied to the IF itself, and I could work on The Bureau at a pace I'm very comfortable with.

I'm still learning as a writer. I'm still learning new things I like, and how I like to produce content. All I know is that I like producing art in the form of writing, and I most certainly will not stop doing that anytime soon, and now that the Halloween Special is done, I will be getting back to the base game.

Which will start with a complete recoding of the gender variables. I've already started on that process, so no more multiple versions of each chapter. One version. One set of gender variables. Much more condensed coding and script. So, people out there who said that wasn't going to change, I just have to say what I'd said all along. My coding was indeed bad. However I will also say something else I've said all along. I do take criticism.

That being said I'm never using multi-replace and you can't make me. I like being able to read what I'm writing.

More to come in the near future.

Stay Brilliant,

-Vi

https://cogdemos.ink/play/viisbae/the-bureau-halloween-special-witchy-woman

Patreon Link