#me: doesn't listen to many musics with lyrics in them

[seaofreverie]

Anyway.... Back to what I was pondering earlier today... It's been 4 months but I'm still as deeply obsessed with Exotic Creatures of the Deep as at the very start

[morimess]

i keep seeing songs on TT that remind me of Linebeck...and I don't...really know how to feel about it.

[deikshen]

Shen Qingqiu may know a lot about PIDW, monsters, the plot and papapa plot devices, but, traditional ancient music? Are they seriously going to ask him to learn all those old songs in addition to trying to save his ass from a horrible death?

So, in guqin classes with his students, Shen Qingqiu decides that it is not bad to teach them adaptations of modern music. Nothing crazy. Popular stuff, something classic Queen like exaggerations. He doesn't sing in English, but the music has this magnetic thing that can make a few of his disciples hum along, and it feels like they know the lyrics. Shen Qingqiu enjoys it very much.

Luo Binghe is the only one who actually hears him sing it. With English lyrics included. Of course, Luo Binghe has no idea what it means, but that doesn't mean he can't imitate it! So he's singing softly while washing some robes, enjoying Shizun's musical gift to him, when he hears someone stumble.

That someone turns out to be Shang Qinghua, the An Ding Peak Lord, who stands up from the ground with wide eyes. Luo Binghe interrupts his song, looking at him in confusion, when Shang-shishu... run at him?!

"Bro" Shang-shishu says, in a casual and unpleasant manner, with an expression on his face that Luo Binghe had never seen before, "What the fuck. What the fuck. Queen? Somebody to love? Are you kidding me? How did you get the Protagonist!?"

... and Shang Qinghua begins to speak.

Luo Binghe is sixteen years old, and at this point in his life, he is intelligent, manipulative, and able to handle the situations around him with cunning. So, he manages to keep a conversation going with Shang Qinghua by repeating strange words that he doesn't understand the meaning of, letting the man talk and say things like, Transmigrator? System? Username? How many years has he been there? How did he get the "Scum Villain" to treat him well? Is he preparing for the "Endless Abyss"? Since apparently, that thing, System, had told him that it was an "inescapable plot"...

Luo Binghe is evasive. He says he's been there since he was a baby, which turns out to be an appropriate answer. Bit by bit, he says he doesn't have many memories, which Shang Qinghua seems to understand? He says that some memories settle when he reaches adulthood? That this happened to him. He was twenty when he was really able to manage "both lives" in one coherent thing.

Luo Binghe listens, humming in all the right places, being elusive and evasive but Shang Qinghua doesn't even seem to suspect anything. He insists that he should prepare for the Endless Abyss and promises to get him some weapons and talismans that he can hide. He tells him that he hopes "His King" won't make such a fuss without so many monsters.

Finally, the evening falls, Shang Qinghua begs him to please keep seeing each other to talk, he is tired of being alone.

Luo Binghe looks at the wet clothes. He finishes washing and leaves with many things on his mind.

Shang Qinghua recognized him as a "Transmigrator", whatever that was, from the song. The song his Shizun had taught him. He had asked him how long he had been here. At first, the question hadn't made much sense, but looking back, recalling Shizun's complete change in temperament and personality... Luo Binghe can get an idea of how long Shizun has been there.

Besides, what was all that about "Protagonist"? Luo Binghe is not an epic hero blessed by the gods, and he doesn't have the abilities to be classified as one. Or does he?

That night, he makes an impeccable dinner. He makes sure to present all of Shizun's favorite foods, favorite tea, and favorite scented candles. A treat for the senses. When he sees his Shizun start eating, he just smiles sweetly before:

"Shizun, this humble disciple has a question about the future."

"Mnh, this Master listens."

"Why must this disciple fall into the Endless Abyss as an inevitable plot? Is there no way the System will allow this disciple to stay with his Shizun, or is this an unavoidable fate because this humble one is the Protagonist?"

The chopsticks fall from Shizun's hand. The expression on his face is one of the deepest horror.

"Binghe, what...?"

And his Shizun looks in all directions. He seems to be searching for something that isn't there. The "System", perhaps? Whatever that is, Binghe has never seen or felt it. And, at that moment, his Shizun doesn't seem to see it either. Or, he sees it, but what he sees seems not to be a response of cosmic horror. What he sees makes his Shizun's countenance turn peaceful. After terror and tension, his shoulders relax.

"First, Binghe has to tell me where he got all that... information" begins his Shizun. Binghe nods quickly; he won't have any problems with exposing Shang-shishu if necessary. He has no loyalty to him, not like he does to his Shizun. "Very good. Binghe, sit next to me and pour us some more tea. This is going to be a long conversation."

And it definitely was.

[misskingshit]

𝘚𝘩𝘰𝘶𝘵𝘰𝘶𝘵 summary: where he has an interest in a certain pop singer, and he doesn't try to hide it. note: believe me or not i’ve been listening hip hop since Im like 15 y/o, soooo why not do an M&M’s fic?? Let me know if u want part 2! xoxo

The lyrics of Mr Eminem's new song being mostly about you? That was something you definitely didn't expect.

I get so weak on my knees

Lose all control

Damn, her silhouette

So hot

Fuck bein’ a gentleman

I'm going to fuck her instead

The red carpet at the Grammys has always been a dream for you, you had already won a couple of awards, today... you were excited to be the presenter of one of them.

Best Rap Album.

To say you were excited is an understatement.

You've loved this genre of music since you were a teenager, Tupac, Fifty, Snoop...to name the most classics.

The camera flashes were the only thing you saw, accompanied by many voices that stunned your ears just by hearing your name.

"Y/N! over here!" A reporter called you, without hesitation, you approached.

"Hey how are you?" you asked with a big smile.

"Incredible! How are you? I imagine you're very excited for tonight" he smiles.

"Don't even mention it! I can't wait to call the winner on stage!"

"Do you think Eminem is nominated? He's been on everyone's mouth lately with his latest song..."

Here we go.

"Yeah... well, I'm sure he'll be nominated, I mean, he's fucking Eminem, it would be like a sin if he wasn't, right?" You laughed a little awkwardly.

"What do you think about his last song, about his comments towards you? 50% of people are upset calling Eminem a degenerate..." you didn't let him finish speaking.

"Well...I really like him, I mean, I've always been his fan and it's an honor to be named in one of his songs. Plus I also think that...we all know how he's like, if you don't like his way to be, to think, to speak, the lyrics of his songs, just don't listen to it and that's it, problem solved, I don’t see the point in hating so much on something you can just...ignore" you laugh looking at the camera "Just take things more lightly, not everything is fighting and bad intentions."

You finished your conversation with said reporter and simply headed to your designated seat.

On the other hand, a certain blonde boy was also being attacked with questions regarding his controversial lyrics.

"She's here? Shit, I want to see her," the blonde rapper said, showing a small, very small, smile, turning his head around with the intention of catching some sign of the hot pop singer, you.

"Yes! In fact she will be the one to present the award for best rap album!"

"No shit! Damn man she's here" Em turned around and said to his best friend, Proof.

In a few minutes everyone finished settling into their seats and you both were surprised when you looked at each other, just a few seats away.

You were five seats to the right and three to the back, so you caught him every time he turned his head back a little to look and smile at you.

Until, soon...your moment had arrived, you got up from your seat to head backstage.

By the way, when you walked past the rapper, he didn't try to hide the fact that he couldn't take his eyes off you for even a second.

"And the Grammy goes to..." you created some tension "EMINEN!" You blurted out the name more excited than you should have.

The rapper's reaction might not have been very expressive normally, but he couldn't contain his smile when he knew who would be the one giving to him his award. The rapper and his friends got on stage and it was inevitable that you felt nervous as you watched him walk towards you, with a playful look, as if he knew what he generated in you.

"Congratulations," you whispered when he was close enough to you, taking the grammy as you felt the soft brush of his fingers against yours, he did it on purpose.

You didn't expect him to give you a hug.

"That's all I get?" He whispered back to you, keeping your faces close and your noses touching, his hands on your waist pulling you closer to him as if he didn't want to move away from you.

A great bustle from the public was heard, and it took them both out of the small cloud in which they were.

This was definitely going to stir the waters.

You both walked away, while you greeted and congratulated the rest of his friends (Proof winking at you in the process).

"Wow, shit, this is crazy, thank you so much to everyone who made the production of this album possible, Dr Dre, who always had my back, I will be forever grateful...and my god, damn, thanks to whoever the fuck is that put this beauty in that dress..." he turned to look at you and winked "Y/N Y/L/N ladies and gentlemen, the source of my inspiration for Heat Seeker"

Obviously, you blushed.

The entire audience was applauding, probably already starting to gossip among themselves about the little show between you and Eminem.

Like a gentleman he offered you his hand as he watched you walk down the steps of the stage with great caution. "Thank you," you whispered. “Any time” he smiles at you.

´Til the end of the awards you continued to connect glances from time to time, you also noticed how his friends bothered him every time he turned his head to look at you.

"Hey, Y/N! wait!" listen to yourself behind your back. "Hey," you looked at him softly, "whats up?" He shook his head quickly. "I just wanted to…I mean, normally I wouldn't give a shit, but, I wanted to make sure that the song didn't offend you, it wasn't to upset you…" You interrupted his attempt to apologies "Don't worry, I understand it was just the song, I didn't take it personally, actually, I loved it" you laughed. "You did? I'm glad you're not like the rest and laugh instead of being offended." His attempt to hide his smile failed completely.

It just slips away from him.

Just with you.

A few seconds of silence took over the situation, though it wasn't uncomfortable, your eyes connected and you didn't seem to realize that you had been staring at each other. "Uhm, I was about to go to my hotel," you pointed behind you, "I was gonna change for the afterparty."

"Can I go with you?" He asked you, but before you processed the fact that he wanted to go with you to your hotel, he interrupted your thoughts "I mean, just so then we can go to the party together, if you want" he scratched the back of his neck.

You didn't even need to think about it "Yeah, I would like that" you smiled.

The two of you walked together towards your limo, captured by several cameras, so neither of you doubted that tomorrow you would wake up to a bunch of articles about how Eminem and Y/N left the Grammy's together. But none of you care about it.

[oikarma]

number one girl

pairing: max verstappen x reader

summary: the story of ynmax is a very, very heated topic riddled with holes and chock full of conspiracies: a couple and split to rival brocedes. it's mostly an a f1 thing, though, until you release an album and the internet tries to deduce what ruined a decades-long friendship.

a/n: angst warning. bear with me, you're in for a long ride. we go from twitter to insta to reddit to sdfsd. this was SO FUN!

part one / part two / part three

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liked by stevienicks, georgerussell63 and 3,104,827 others

yourinstagram: "number one girl" out now.

view all 411,295 comments

user1: mother??? music???

user2: our multitalented baby <3

stevienicks: so proud of you ❤️

yourinstagram: so thankful for you 🥺 your support is immeasurable in worth

user3: max verstappen did you-

user4: george listening to this so he can justify bullying max next season

user5: please 💀 i choked on my water reading that

user6: CHARLES IN THE CREDITS FOR PIANO?? how many side quests has this girl roped people into

user7: they're still good friends lol just cause she and max stopped speaking doesn't mean she's not close w the rest of the grid user8: @/user7 right! she and alex have also posted each other quite a bit after the rhode collab

user9: is no one talking about the lyrics 😃 gut wrenching, yes, but the way it all lines up w max??

user10: no babe dw we're all talking about the lyrics user11: my roman empire...

user12: who's this max guy and what does he have to do with my queen y/n

user13: @/user12 he's a formula one driver, they ued to be best friends user12: @/user13 like nascar? omg what i only knew that she debuted in shadow n bone but WHAT IS THIS

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A PAGE FROM Y/N's JOURNAL November 15, 2021

Max is a plane right now to see Kelly. I feel like I've been punched, three times over. The nausea is getting to me.

How could you? Just say all those things, like you always do. Do you mean any of them? When you say "I love you, more than anyone in this life." When you say "You're worth it, really. "When you say "forever." Does anyone ever really mean forever? Forever is part of the foreseeable future. You cannot capture what is beyond that.

You were my life. The words, every moment. An inescapable reminder.

── ⟢ ・⸝⸝

liked by charles_leclerc, brunomars and 2,819,305 others

yourinstagram: "toxic till the end (ft. lewis hamilton)" is up on youtube and all music platforms ♡

view all 309,418 comments

user1: what. the. fuck.

user2: is she dating lewis? what? y/n girl please stop being cryptic my head can't take all of this 😭

user3: if this is part of the press tour i must say i am now extremely invested in the ynmax drama and i didn't even know who max was until i saw a thread on number one girl...

lewishamilton: Best of luck with your future endeavors, Y/N 🫂 Will be by your side!

yourinstagram: you better be 🫰 user4: the friendship we didn't know we needed

user5: lewis with...pink hair...

user6: max emilian verstappen fumbled so hard

user7: imagine ghosting THE y/n l/n and then she drops this

user8: well, 4 years later but yeah user9: what even is a wdc...

user10: what does the heart mean y/n

user11: bro

user12: so i guess the harry styles dating rumors were all fake 😔 but omg lewis music!!

kellypiquet: Face and voice of an angel 😽

yourinstagram: me? please, pregnancy glow has been treating you good 💕 user13: at least they don't have any hard feelings...

user14: bruno in the likes is the most random thing ever

user15: acting career, check. singing career, check. formula one side quests??? multple checks

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liked by kellypiquet and 4,103,697 others

lewishamilton: Behind the scenes of Miss Y/N's "toxic till the end" music video

tagged: yourinstagram

yourinstagram: looking good there, lew

lewishamilton: Very kind of you to say user1: trust me we are witnessing the start of a great romance

user2: i don't want to delulu too hard but PLEASE tell me y/n's moved on with lewis it would be the ultimate baddie move

user3: imagine...you won abu dhabi but you lost the love of your life to the guy you beat 🤪 user4: we're all insane but i'm just going to keep dreaming

charles_leclerc: Why am I not in your dump?

yourinstagram: face card wasn't lethal enough user5: she's brutal 💀 user6: our charles's facecard could start wars idk what she's on

user7: daddy please give me ONE chance

user8: give me some of that maranello?? he looks so good oml

user9: focusing on music videos and not racing...no wonder he's washed

user10: @/user9 can you stfu and touch grass user11: @/user9 literally no one asked

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AN UNSENT LETTER FROM MAX November 2021

Dear Hey, Y/N.

I realized you blocked me. It hurts. I don't know what to say or what to believe anymore. I miss us. Overstepping was the wrong choice, if you must, but going back is not impossible.

We've been friends for so long. Why can't you won't you try?

I miss you.

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r/Fauxmoi · 1 day ago hamilton7xc

Max Verstappen and Y/N L/N's infamous split explained?

feralonsos: So she's been pretending he led her on when she lead him on

parking23: I don't know anymore. I know nothing. Don't even talk to me.

forzamcqueen: I want to say it's not about YNMax but 21 (as in 21, when they split?) and Y/N has been coming out with music recently. When you look at the "number one girl" lyrics from Boy's perspective it lines up with this submission. That Max wanted reassurance from Y/N and she gave it to him, but she couldn't give him everything he needed.

↳ roses_berg: @/forzamcqueen I don't know...it seems kind of unlikely. Y/N has a lyric about "chasing the prize" or something like that. What prize would she be chasing? On the other hand, you have Max who has clearly said racing is his passion and he loves winning.

↳ forzamcqueen: @/roses_berg I see where you're coming from but there are a few interpretations. Toxic Till the End suggests she thought his attachment to her was maybe unhealthy, and he kept trying to find ways to keep her by his side. Y/N has mentioned in past interviews (promo for her role in Shadow and Bone, when she was starting to do acting) that she's had bad experience with past relationships and is hesitant on starting a new one.

↳ januaryblues11: @/forzamcqueen Sorry, what interview? Could you link it?

↳ forzamcqueen: @/januaryblues11 No worries, I put it down below. The part I'm referring to is around 5:41.

↳ WolffHornerFan: @/forzamcqueen Okay, okay. I need a timeline then. She must've started filming Shadow and Bone in Oct 2019, then wrapped 4 months later in Feb 2020. This might be the "prize" she's chasing? Her own career. Before it was announced that she was in the series most news referred to her as "close friend" or "best friend" of Max Verstappen. Now a lot of people know her for S&B or Top Gun Maverick, etc.

↳ CautiousOwl: Might've not wanted her relationship to overshadow her career. It's understandable, if she wanted to be taken seriously instead of a "nepo friend."

↳ 4norrisop: She's amazing in Shadow and Bone! Definitely recommend checking that out, but I don't understand why she ghosted him.

↳ ynluv07: @/4norrisop he was dating kelly at the time. she might've thought it was a bad idea after it happened (i'm referring to the kiss, which i assume happened because she explicitly refers to it a few times in "number one girl") and distanced herself. maybe she told him it wasn't okay?

↳ ICEMAN_bwoah: Brain hurts.

↳ brooksies: Well if she did give up her happiness because she thought Kelly deserved better, that's great. No wonder they're still on good terms.

↳ DauntingParrot91: @/brooksies Yeah, sure...

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AN UNSENT LETTER FROM MAX January 2022

Y/N, I'm sorry I asked for too much; I'm sorry I pushed you. I'll take my bags and go quietly, this time. Maybe you'll open the door again someday. I love you too, my best friend always.

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liked by lewishamilton, taylorswift and 4,103,269 others

yourinstagram: Burnout.

comments on this post have been limited

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AN UNSENT LETTER FROM Y/N February 2022

Wish you'd take a little longer to pack up your bags. You're moving too fast. Make me want to hate you more than I hate myself, so I don't have to miss you. Make a mistake, please. So I have someone to blame.

Please, won't you stay a little longer? I would call you babe, just to make you smile. I wouldn't mean it that way, but I still love you. You're my best friend. Why wasn't that enough?

I'll be okay, sometime. You say it's written all over my face, and I wonder, what is? I'm fragile, now. I'm speechless, now. Don't leave me in pieces. I'm sorry, let me fix it. It won't be good for us, but oh-how I want to.

I'm already having trouble breathing. Please, stay a little longer. I can't stand these four walls without you inside them.

Come back, be here.

── ⟢ ・⸝⸝

liked by kellypiquet and 1,249,805 others

maxverstappen: She stayed a little longer 🖤

tagged: kellypiquet

view all 91,432 comments

user1: GUYS HE DEF HEARD THE SONG

user2: do we think kelly asked him to post it

user3: tbf given on how sweet her n yns interactions are i wouldn't be surprised if she listened to burnout

user4: kelly. you are the strongest woman i know

user5: so i can convince you the minute i kiss you speak a little softer so i don't have to answer and make it okay before you can say

user6: i just know he had a little breakdown inside after he heard the album

user7: max rn: CHARLES HOW COULD YOU PLAY PIANO FOR HER

user8: max: alexa play that should be me user9: ho-olding your handdd

user10: who are we blaming today

user11: at least max is finally someone's number one girl

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AN UNSENT LETTER FROM MAX Summer 2024

Sometimes I look to the television and you're on, flying a plane or wielding magic, whatever it is you do these days. I knew you could act. I knew you'd make it far. I hear you were nominated for a Golden Globe, too.

I was mad for a long time. I was upset you kicked me out of your life so abruptly.

Kelly's expecting. I think she will be as good a mother to our child as she is to little P. A family is what I have always wanted, you know. It was not what you wanted.

I am sorry. I have said that many times, but one day I will need to say it to your face. I am truly, irrevocably sorry for all the hurt I caused you, in the name of love.

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r/PopCultureChat · 1 day ago forzamcqueen

"Burnout" by Y/N L/N

How do we feel about the release of the full album? Moreover, how do we think it fits into the YNMax narrative? I, for one, have been listening non-stop trying to figure out the story.

lec_clerc16: I think it's funny how many people have gotten into F1 because of her music. Lol.

↳ NaturalOtter5: Well Lewis & Charles were on it so I would say the F1 community is pretty interested in the tea aswell.

↳ lec_clerc16: @/NaturalOtter5 Right, but YNMax is old drama. Sure, someone's posting in r/F1 every other week about an old photo or new quote. It's still been around for a while. This is fresh meat 😋

jennyowens1342: such a player...LOL who is gameboy about atp

↳ sassybanana: TBF Y/N's dating life has been a lot more quiet than Max's. There have been rumors but she hasn't hard launched anything. Maybe the one public "relationship" was enough for her.

museapollo: the more i listen the more convinced i am that y/n did not want the relationship as max did and decided it was best for them to stop being friends. the whole album is about a codependent relationship and the two people can't deal with leaving but they know it's better for both.

↳ janitorsclosetmonster: yess!! that's what i've been saying. we can't blame y/n for everything, it must've been confusing for her as well. having to navigate everything. idt she'd dated anyone at that point. max was her only close friend.

↳ EggplantParmesan713: But did max cheat...that's the real question. When did THE kiss happen? And who started it?

↳ museapollo: @/EggplantParmesan713 idk. i can't figure if she actually loved him (romantically) bcs it's clear he did but her side is a bit more hazy. you have: 1. "i just WANT it to be you" - it's not actually him she loves but she desperately wants it to be him 2. "cause even when i said it was over / you heard baby can you pull me in closer" - she's telling him it won't work out but he's not listening. 3. "please, won't you stay, stay a little a little longer, babe?" - she pauses before babe, like it's her trying to convince him to stay. mb she thought it was best to distance herself/end the friendship for a bit but she still loves him a lot because they've been friends for so long

↳ forzamcqueen: @/museapollo The best explanation I have heard so far. You can't force someone to love you the way you do. At least they've matured and moved on.

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January 2025

Dear Max:

Congratulations. I'm sure you will be a wonderful father, as I have always guessed. 2024 was a great year for you. I watched all a few of your races; you've still got it.

I'm putting out an album soon. I thought you should know. I already had a talk with Kelly, she's listened to some snippets and she likes it a lot. Some of the writing is about you the things I never said.

It was wonderful being your best friend. We had a good run, better than most.

Missing you Wish you the best, Y/N L/N

── ⟢ ・⸝⸝

February 2025

Dear Y/N:

Occasionally, I think of all that could have been.

But we had many years together, and I will always cherish those moments.

Kelly loves the album, she puts it on while she cooks or does her makeup. P sings along in the car. She says she wants to go out for a tea party with you sometime. I listen to it even when they're out of the voice, for a reminder of your voice. You've made quite a name for yourself. I'm sorry I couldn't be there by your side.

Thank you for writing it. There are some things that you have to hear once, just for yourself.

Love Always Yours, Max Verstappen

── ⟢ ・⸝⸝

what did you think?? i might do a part 2 of yn & max talking for the first time in forever but i wanna know if you guys liked this one first LOL

[tan1shere]

Double Trouble

Billie Eilish x Young Miko x female reader !

A/n: well well well, I was watching the whole interview of these fine mfs and finally got a storyline for this plot 😇 I hope you all enjoy this one. Choosing Oxytocin for the song as the lyrics fit the vibe 🤭 - also small disclaimer if the Spanish isn't correct pls let me know !! Google translate isn't always trusted lmaoo LONG !!

Summary: You're dating Billie and go with her to one of her small events, Young Miko happens to be interviewing her when later on things escalate.

Warnings: smut ! THREESOME !!! Billie and Miko are both dominant, sub reader. Overstimulation, strap usage, oral, (all r receiving) mommy kink, orgasm denial, think that's it, lmk if there's anything else. This one's going to be interesting, but enjoy 😈

Masterlist

Hearing fans scream as they call out for Billie. You were currently in the back just waiting for the interview to be done, listening to their voices. She happened to get Young Miko to interview her while she was in Mexico. Which was awesome, seeing as you had been a fan of her music for quite some time now. So there was no doubt you were fan girling just a little.

Once the event had finished they come into the back room, approaching you. "Hey baby, thought I'd introduce the two of you. Considering you're a fan of hers." You stand up, smiling at them both. "You like my music?" Miko asks, seeming a bit surprised. You nod at her question. "Most definitely, I've been listening for a few years now actually." You admit, she gives you a smile. "That's awesome honestly! Have you learnt any Spanish?" "Funnily enough yeah, I've learned a ton of new things just by listening." Your smile widens. Billie seemed a bit, distracted though. As if she had something brewing in her brain. Your curiosity got the better of you especially when she says this to Miko.

"Meet you there." Meet you there? Miko then salutes her with a small smirk. Your brows furrow, looking at your girlfriend. "What was that about." You had asked as you head for the car. "Just a little surprise we have for you." We??? There was something behind her eyes. Excitement, no? Maybe? You let your orbs linger over her own. Then it clicked you knew exactly that look and your eyes suddenly blew up in size. It was lust. She got that you were catching on, putting a hand on your thigh. "Now, I'm ok with it. But I want to make sure you are." It was all very secretive, until she catches you way off guard. Pulling into a parking lot which looked to be at a hotel. "You want Miko to touch you?"

She asks, breathing impossibly close to your face. Your cheeks heat up. I mean sure you'd have a little fan girl moment but you loved Billie, butttt you'd be lying If you said you hadn't imagined it just a tiny bit. "Go on, I know what you're thinking." Her fingers trace over your jaw. "You want her to baby?" You just nod, vividly. But her head shakes. "Uh uh, speak." Your breath hitches. "Yes.. yes I would.." Your eyes look into her growingly dark ones. "Good girl."

And that wasn't even close to the beginning of the best night of your life. Everything was very hush hush. This was incredibly wrong in many ways, but the thrill was overpowering that. "I'm a little nervous.." You admit to your girlfriend. "Don't be my girl, we are going to take good. Care of you." She speaks in such a velvet tone, making you clench your thighs. Already she had such an effect on you. That only made you wonder how Miko would be. Was this really happening.

Yep. It was. The door was being opened to her room, she lets the both of you in. Billie gives you a quick but passionate kiss. "Go strip babe." Your body felt tingly at the way she was speaking, filthy yet so damn sexy. You bite your lip. Billie loved to be in control, not in a horrible way ofcourse she just adored having that strength. "Do what you'd usually do, but listen to her. If she doesn't speak up. Make. Her." You swallow overhearing Billies husky voice saying that. "lo entendiste. - you got it." Miko says with a small smirk causing Billie to mirror that, but more evil.

You had stripped out of everything except your bra and underwear. Sitting nervously on the bed. Was this truly happening were you dreaming? You suddenly were being pulled out of your thoughts as you see the pretty Puerto Rican infront of you. "Hi angel." She smirks at your expression. You turn your head for a second to see where Billie is, was she going to watch. When you felt fingers under your chin. "She's just preparing Mami." Your eyes linger over the small bathroom door in the hotel room. "Something tells me you want her to watch. True?" She asks, going to kiss your jaw. When a shakey breath leaves your lips. "I- uhm-" Her eyes connect with your own.

"Imagine her, watching someone else fuck you. Senseless, might I add." Her kisses move lower and lower, having them on your neck. "Imagine her hearing how dirty you sound, because of me?" Your brain couldn't process this, feeling it fogging over already.

Can't take it back once it's been set in motion.

Your nerves and excitement both mix together. Wondering what you had agreed to. Miko's hands come in contact with your bra covered breasts. Kneading gently. "Can I take this off?" You nod at her question but she remembered what Billie had said to her. Her fingers press lightly against your jaw. "Do I get an answer, angel?" You swallow thickly. "Y-yes you can take it off Miko.." You breathe, her smirk grew at the way you whispered her name. Loving it maybe a bit too much. But she had to hear it again. After she removes your bra, discarding it somewhere. Her lips immediately attach to your nipple, sucking hard. Your mind goes blank at the insane feeling. But even if Billie consented to this, or if it was her idea. You couldn't help but feel bad. Or maybe that just made you feel great.

Maybe that aroused you more, the thought of her watching was something you did enjoyed thinking of. And as if on queue. Shes there in the room. Your eyes meet as her head tilts slightly, your heart races at this insane setting. Miko sucking on your tits, as your girlfriend just watches. You weren't being loud enough to Mikos liking. She then bites your nipple, sending a moan to tumble out of your mouth. Your eyes are still locked on Billie as the noise comes out, feeling your eyes go wide. But she smirks. And she does it broadly.

"Don't hide your noises baby. - we've talked about this." Billie then speaks, noticing the way you were biting your lip extra hard. "Go on, wanna hear how she's making you feel." You do as told, but God was this so incredibly filthy. Was it bad you enjoyed it very much? She continues to watch.

She couldn't look away.

Your head lulls back against the headboard as Miko travels down your body, leaving kisses. Her eyes then look into yours as she's reached the main event. Ofcourse asking for permission but silently. You go to nod, considering she hadn't spoken you'd be safe. But the look in her eyes makes you think differently. Your brain just goes to the quickest sentence you can think of. "Please take them off." Your winey voice made them both smirk. Although you weren't looking at Billie right now, when you did. You swear you could've just cum. Then and there. You hold her gaze for a bit.

Shed wanna get involved.

That eye contact remains, until Billie speaks. "Make her cum." Her eyes still boring into your own as she utters those words. You felt like you could go insane. "Heard that mama." You nod slowly. "Y-yes." Miko smirks at your reaction. "You look scared love. Don't worry I don't bite. ... unless you want that." She finishes, coming impossibly close to your cunt. It now being free from the previous fabric clinging to it. You swallow again, letting your mouth hang open as her tongue is on you. Your head falls limply at the insane feeling. Billie's smirk never leaved her face it was as if she was frozen. Getting to watch you like this from a different point of view. Your moans grew louder as she picks up the pace, causing your hands to grab her hair.

What would people say, if they listened through the wall.

There was no other sound but Miko's tongue lapping at you, your soft but powerful moans. Making not only Billie, but Miko also. Go mental. Your orgasm was quick to approach as Miko speeds up, if that was even possible. Sending your mind blank, feeling yourself cum on her tongue with a slight screech. You let out pants, trying to catch your breath again. "Overstimulate her." Billie then orders. Your eyes look over at her. Finally gaining the courage to actually say something. "Bils-" Her head tilts, once again. "Hmm?" Your mouth shuts almost immediately. "Nothing." "No no, go on babe. What is it? You don't want that?" But that'd be a lie, ofcourse you did.

"I just-" But that was cut short as Miko's back at it, having you shake at how sensitive you truly became. You let a shakey but satisfied sigh escape you, having your eyes flutter shut. "What was it you were saying angel?" Your back arches too distracted by your second orgasm to fully care about what Billie was mocking you for.

I can see it clear as day. You don't really need a break.

Billie craved to watch you writhe under Miko, the way you're almost cumming again. But Bills was having too much fun. "Deny her." Billie speaks lowly. And just like that you felt nothing. A cryish whine leaves your plump lips. "Nooo." Your eyes had been closed. "Wanna see what you can take." Billie mutters, enough for you to hear. Your lips then pout as you look at Billie. With such a defeated look in your eyes. Almost begging without words. But you knew you had to speak them you knew that's what she wanted, you to beg.

You take any extra courage floating around inside you and grab Miko's face. "Please, please don't stop. Need your tongue." Billie smirks as you say that, proudly. Miko dives back in satisfied, herself. With how you responded. But she felt like teasing you, testing your limits. Billie seemed to be proud of that also, knowing you'd start to get bratty if she kept it up. "Make her cum, one more time. Then I'll come on over." Billie states, making Miko nod in response.

You should really run away.

She kept circling your clit with her tongue, moving back and forth from there, to your entrance. Your head is rested back as she does so feeling worn out but so amazing at the same time. All you could then think of was what Billie would do. "Make her work for it, need her begging." You look over at her, giving an annoyed little look. But she returns it with a warning one, causing you to immediately look away from her. It was nearing once again, the coil was incredibly close to snapping when Miko squeezes your thigh tightly. Signaling for you to not do so yet. A slight whimper comes from you, trying to hold it. "Please let me cum please-"

Her whole tongue inserted into you suddenly, rapidly sticking it in and out at an ungodly pace. You were shocked at how good she was, nearly as good as your girlfriend. Your mouth agape as your coming close to your release. "Please, please- need to." She looks up at you with such a lustful look. Pulling away slightly to speak. "Cum now." And so you did. Hard. Feeling just as amazing the first two times if not. Better. You let out ragged breaths. Miko removes herself from you. Standing up fully, swiping her thumb over her lip to get the excess cum and put it inside her mouth. "Hm, tasty." She says. Billie comes over standing next to her. "Isnt she." She smirks at you.

You sit up on your elbows, just now catching your breath. Billie inches closer towards you, crawling ontop of your figure. Your eyes glued to hers as she looks to your lips. "I don't think you're ready for this." She spoke in a hushed whisper. Leaning in to kiss you. Ofcourse you kiss back, honestly missing any kind of touch from her. Your hands reach out to gently place them on her face. But it's as if they had already discussed this, because Miko is lifting you up slightly, sitting on the bed and placing you on her lap. Your eyes dart back to Billies. Gulping. "What? Nervous?" Your head shakes but her eyebrow raises in a questionable way. "N-no..not nervous." You speak up.

"Hmm, good." You hadn't even noticed she attached the fake dick to herself, until you felt it near your entrance. Looking back at Billie once again and taking a tiny breath in. Were you nervous? "So wet." She says as her fingers swipe along your sticky cunt, from the multiple orgasms. You bite your lip subconsciously, feeling the dildo peek into your hole. "Please Bills.." Miko's hand moves to your throat, causing Billie to get closer to your face. "What's my name baby? Say it correctly and I'll give you what you want." You take a second, letting out a few staggered breaths. "Please fuck me mommy."

And thats exactly what she was about to do, sliding it in almost all the way, making you arch your back. Slowly bringing it down again as she begins to fuck into you. God this was so insane but amazing all at once. More moans fill the hotel room, you didn't care who listened to be honest you were too caught up on the feeling of Miko's hand still around your throat and Billie's hard thrusts to worry about what others may think. Billie begins to pick up the pace, Miko's other hand coming to cup one of your breasts sending pleasure throughout the whole of your body. Head to toe shivers consume you as her hand tightens just slightly.

Billie watches in amusement as your face contorts into pure ecstasy. Eyes rolling back as she enters you even deeper. You truly were on cloud 9. It just felt too good.

I wanna do bad things to you.

Her hand rests on your waist as she continues to fuck you, feeling you suck her in as if it were her own dick. Making Billie go more feral for you. Her other hand makes its way to your clit, rubbing slowly. Whimpers filling her ears as she does, feeling like she could cum from that alone. She craved to hear such sounds coming from your pretty lips. Drove her mental. Billie didn't feel like being as nice though, wanting to make you go mental. And it sure did. "You cum when I say to got it, pretty girl?" You let out a slight whine, not before shes grabbing your face with her fingers. Smushing your cheeks slightly. "Got. It?" "Yes.. - mommy." Her once Satisfied look returns, bigger than previously.

"Good girl, that's exactly what we like to hear. Isn't that right Miko?" She then replies. "Without a doubt Bill." Your breathing becomes irregular again, trying to gain that focus. "I- I'm so close." Billie just shakes her head. "Don't even think about it." You then feel Miko's soft fingers dance over your skin, moving their way down to your pussy to mess with your clit. "Bi-" You let out the filthiest moan ever, trying so hard to hold it. "C-cant.. please." You speak on the verge of tears. Bingo. Just what Billie was after. The little pout on your lips almost makes her give in. But she keeps drilling into you, so much harder making your head spin. "I-" "hold it."

"B-b..u." A near pornographic moan then ripped out of you, feeling your body shake. "Be a good girl baby. Know you can." - "hold it mama." Miko then whispers in your ear. Another whimper comes from your mouth trying so so hard to keep it in.

I wanna do bad things to you.

Billie goes close to your ear, close to Miko. They then kiss one another making you stare, as your girlfriend comes back into view. There was no denying how hot it was. Billie catches your eyes. She chuckles softly. "You enjoyed that didn't you bub?" You couldn't even speak. She lets that one slide, knowing how much you were struggling. "Precious girl can't even reply to you." Billie shakes her head at Miko. "Shes too busy crying over my dick huh baby?" Your head just rests back on Miko's shoulder. Almost screaming at the insane euphoria you felt. Miko's other hand quickly covers your mouth, tightening her grip on your throat. "Shhh baby not too loud."

I wanna make you yell.

Wanna do bad things to you.

Your eyes roll back again, letting out a groany whimper.

Don't wanna treat you well.

It was getting nearly impossible. Until Billie says the three words. "You can cum." And you gladly do, gushing all over the plastic dick inside you. Squirting a little over Billie. Your brain felt empty, having your eyes closed to try regain stability.

If you find it hard to swallow.

"Just one more angel, know you can." Your eyes snap to Billies. "S-so sore." Miko wipes the lingering tears on your face. But as she starts to move slowly, the need for more is inching its way back. Grabbing onto her hips. "Fuck!" You then scream, making Miko's hand return on your mouth. She eventually got an idea. "Open." She says to you. You do as told going to let her slender fingers enter your mouth. You suck needily, feeling Billie speed up yet again. Her thrusts go at an ungodly pace eventually sending your body to writhe and shake underneath her. Those tears coming back, you cry out of pleasure. Sucking harder on Miko's digits.

I kinda wanna look away.

Her grip on your neck loosens, keeping her fingers there for you to greedily suck on. She honestly enjoyed the feeling of it. Bringing that hand down from your neck to your nipple giving it a pinch. You moan around her fingers, feeling your fourth or fifth. You honestly lost count. Orgasm of that night.

Kinda wanna get involved.

Billies hands grip your waist, completely railing the fuck out of you. The sight infront of her making her moan, herself. Low, lustful. Filthy. Your eyes continue to gloss over feeling it coming closer and closer. But you listened to what she had said earlier, only when she says to.

Other people don't obey.

Her thrust continued, her stamina was impeccable. But you knew that already. Your hands reach out to touch her, grabbing at her tits. She smirks at you, knowing their your favorite. "Can feel how close you are. Tugging me in." You accidentally bite down slightly on Miko's fingers. Little did you know she didn't mind that, one. Bit. Your teeth retract from doing so, continuing the sucking motion.

You should really run away.

The coil was close to snapping, it got harder for Billie to even thrust at how tight you had became. She needed it, you needed it. Miko needed it. "Cum." She breathes.

Bad. Things.

You did with yet another scream, of who's name? Well ofcourse both. They both, made you cum. They both, made you scream. And there was no doubt this wouldn't be the last time this would happen.

It was your little secret.

[pomefioredove]

okay after reading all the goth hc, I gotta ask. how do you think the guys would react (any of them but preferred Floyd and Idia ) to playing them goth music/show them a trad goth outfit/makeup look (suprise them maybe? For example: I hc Leona to just have the least slay music taste to mankind (beastmankind?) so you play him- idk let’s say Lebanon Hanover, and he’s like “wtf is this herbivore?” But then he kinda gets into it. no pressure to write for it btw!

-✨♥️✨

ANON I was literally thinking about making a post like this a few days before this ask... you have my heart. I'm doing a full post

summary: nrc boys and goth type of post: headcanons characters: nrc students additional info: platonic or romantic, reader is gender neutral, reader is not specified to be yuu, half-headcanons half-x reader author's note: I'm assuming that goth as a subculture and a music scene already exists in this world. this post is also mostly about the music scene

*ੈ✩‧₊˚

Riddle is essentially a baby bat

he's like, two bad life choices away from going full victorian goth at any given moment

he flat out refuses to listen to anything "vulgar" but secretly adores the dark, poetic side to goth

he's also morbidly obsessed with death, being a sad victorian boy and the child of two doctors. it works

as much as I hate to say it, Ace starts out as the kind of guy to say he wants a "goth gf" on multiple occasions

he proudly announces it to everyone at an unbirthday party once and Riddle almost kills him for being annoying for interrupting

thinks the music is too sad

...but he mellows out eventually (your influence)

both Deuce and Trey are not particularly interested

(Deuce leaned into punk music as a preteen but has since "given it up" because it's too unruly for an aspiring honors student, in his opinion)

Cater inexplicably already knows a lot about goth

won't talk about it unless you bring it up first but if you play him something semi-popular

he'll be like "oh yeah I know that one"

he has a few songs on his playlist he listens to when he's alone

is a goth magnet himself. pulls many hot goths. no one knows how

*ੈ✩‧₊˚

Jack is also not really into it. not his thing

however I can see him secretly being into emo

make of that what you will

and Ruggie will never pass you the aux again. he calls it "halloween music"

Leona acts thoroughly uninterested for a long time

like, he'll listen to the music you give him, but doesn't really say whether he likes it or not

says he doesn't care about the scene (thinks it's too pretentious)

and pretends to be annoyed when you give him more song recs

but he gets into it. he starts listening on his own

he has a definite preference for gothic rock

*ੈ✩‧₊˚

Jade is already goth (to me at least)

and very eager to talk about his favorite bands

loves giving recommendations

apparently the coral sea has its own goth subgenres and bands, which sound... much different from land ones

Floyd will listen (has listened, thanks to his brother) but he doesn't particularly care

he much prefers the aesthetic, it reminds him of home

...being that he's from the deep sea, where it's dark and cold

the flowy, dark, elegant looks are just enchanting to him. he can't keep his eyes off it

Azul couldn't be bothered

he's willing to learn, but isn't a huge fan of the general... strangeness

(he doesn't really understand why anyone would want to be perceived as strange in the first place)

and the music is so unmelodic to him

"that was just a man moaning and a gate creaking for seven minutes" and then he bans you from his office

*ੈ✩‧₊˚

Kalim literally listens to goth already

I don't know how to explain it but I know he does

it's so funny because he never ever dresses goth or acts stereotypically goth but every once in a while he'll be like "who wants to hear my new favorite song? :D" and it's like, alien sex fiend. and no one can say anything about it

Jamil is an appreciator

depending on what you show him, he could really get into the lyricism and general mood

...if only because he finds goth dancing absolutely mesmerizing

*ੈ✩‧₊˚

Rook is goth

he only dresses the part sometimes, but he's always been very passionate about the poetic elements of the music

...really into french coldwave

in terms of fashion he leans romantic goth

it just makes sense to me. he could find beauty in absolutely anything, and the dark and macabre are no exception

will talk your ear off about his favorite bands if you give him the chance

Vil is really more into the style than the music

he's dabbled in a little bit of everything; trad goth, romantic goth, medieval goth. he pulls all of it off

honestly, if anything, the gothic style compliments his features and tastes more than anything

he has such a respect for the subculture and the dedication that goes into the visual elements

Epel doesn't get it. sorry 😔

he will listen to the music you recommend because he cares about you, but he just doesn't like it

he's in the same boat as Azul. "was that a slide whistle?"

absolutely baffled, but he likes you and it's a small price to pay for your happiness

(and he thinks the fashion is too androgynous for his tastes)

*ੈ✩‧₊˚

I feel like Idia also used to think he wanted a goth until he saw the e-girl vs goth discourse, freaked out, then spent two weeks reading about different subcultures

...still wants a goth partner

but now he actually knows what that means

will listen to any music you give him out of respect (fear) and won't say anything about whatever weird taxidermy-related hobby you have

he's surrounded by death all the time anyway who cares

*ੈ✩‧₊˚

you could get Silver to listen to the cure's entire discography and he'd come out of it really enjoying just like heaven and nothing else

it's just... not for him

(plus the slower songs put him to sleep)

Malleus somehow hasn't even heard of goth as a genre when you approach him

he is. a little disappointed it's not music about the architecture style

but he still warms up to it, especially as someone who enjoys finding the beauty in the dark and misunderstood

you can fix him. you can goth him.

Sebek joins only after everyone in Diasomnia gets in on it with you (he doesn't like being left out)

he loves it because silver doesn't and malleus does

peepaw Lilia is an old goth

he was around when the music scene started, and he also remembers the literature movement it was named after, and the popular architecture style that was named after, and...

...you get it

still, he's always pleased to learn about new bands and subgenres and styles and the like

could and will talk about it for hours and hours with you

he dresses the part, too

we love him

[fluentmoviequoter]

The Memories Get to Kickin' In

Requested Here!

Pairing: Tim Bradford x fem!singer!reader (former cop)

Summary: Tim gets roped into going to a concert. He doesn't expect to have his heart broken during the first song, or to apologize to his ex-fiancée.

Warnings: r's stage name is OFCR, angst, breakups, lots of feelings, vulnerable Tim, fluff, Nyla and Angela, I changed the lyrics to 'Nobody Gets Me' by SZA and made up an album title/additional songs

Word Count: 3.2k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Rules/Info

“Where’s your boot?” Angela asks Nolan.

He looks around quickly, frowning as he answers, “Uh, I know exactly where she is. Do you need her?”

“Yes, we do,” Nyla replies. “So maybe we should find her.”

“Who?” Lucy inquires.

“Celina,” Nolan says.

“Oh, she’s in the bullpen. She got a call or something right after roll call.”

Nolan, Angela, and Nyla follow Lucy to the bullpen. Celina paces back and forth with her phone outside the roll call room. She rubs her thumb against her lip before she slows to type.

“What are you doing?” Lucy asks as they approach her.

Celina startles but doesn’t look up from the screen as she answers, “I’m trying to get concert tickets.”

“This is not the time or place, Juarez,” Nolan chides.

“Wait, Nolan,” Nyla commands, raising her hand toward him. “We have lives outside of police work. What concert?”

“Uh, OFCR,” Celina answers carefully, flitting her eyes quickly between Nyla and her phone.

“Wait, tickets are on sale again?!” Angela exclaims, pulling her phone from her pocket.

“Second presale,” Celina explains. “If you’re on her email list, there’s a code to get in but there’s a waitlist and the site keeps reloading.”

“What’s the limit?” Lucy asks. “I’ll send you money right now to get me a ticket.”

“Five, I think,” Celina answers. “If I ever get through, I’ll get tickets for all of us.”

“Officer?” Nolan repeats.

“Yeah, but it’s o-f-c-r,” Lucy explains. “Bailey listens to her music; you’ve probably heard it.”

“This is the second sale for the LA show, but we couldn’t get tickets the first time,” Angela adds. “They sold out in like 90 seconds.”

“You guys talking about OFCR?” Aaron interjects.

“Yeah, we’re trying to get tickets,” Celina responds.

Aaron unlocks his phone and says, “I got it.”

“Don’t tell me you have a guy for concert tickets, five minutes,” Nyla deadpans.

“No. Well, I do, but I also know OFCR, we’ve been friends for years. How many tickets am I asking for?”

“Can I bring Bailey?” Nolan requests.

“Of course.”

“Then, six- seven if you want to go, Aaron,” Angela says.

“What is going on over here?” Tim demands.

“Eight it is,” Lucy announces with a smile. “Tim, you’re going to a concert with us.”

“Wasn’t a question, Bradford,” Nyla says before he can oppose.

“Alright,” Aaron says. “VIP tickets will be emailed within the hour. I’ll forward them to everybody.”

“VIP?” Celina repeats. “Aaron, you are the best!”

“Me, pssh,” he responds playfully.

“Can we get to work now?” Tim asks.

“Yes, yes,” Lucy answers.

“Bailey is going to be so excited,” Celina tells Nolan as they walk toward the shop.

“Thorsen, wait up,” Tim calls. He approaches Aaron and drops his voice to ask, “Wanna use my ticket for a date or something?”

“No, you’re going. I’m not getting on Nyla’s bad side again.”

“I don’t even know her music, Aaron. Or when the concert is, what if I have plans?”

“Start with Streets of LA, it’s the album she’s touring right now, and if you do, change them.”

“Nyla can’t protect you forever, Thorsen.”

“Yes, I can!” Nyla yells from her desk.

Tim hesitates but presses play on the album Thorsen mentioned. He flexes his fingers under the wrap protecting his knuckles, preparing to hit the heavy bag to clear his mind. When OFCR starts singing, however, Tim freezes. At first, Tim thinks maybe it's because the voice is impressive, but as he listens to the words and finds himself relating to them a bit too much, he turns the music off.

“I’m not going to that concert, Thorsen,” he grumbles as he shuffles his usual playlist and strikes the bag.

Tim asks Wade to be given desk duty the day of the concert so he doesn’t have to hear the others gushing about OFCR all day.

“No,” Wade answers immediately. “You have a job to do. Besides, the girl can sing.”

“It’s not about whether she has talent, it’s that I’d prefer to do my job without hearing speculation about what color her shoes will be.”

“Luna thinks blue,” Wade says with a smile.

“Oh, come on.”

“Have a good day, Bradford.”

When Tim finally gets home, he sighs and sags against the front door. However, someone knocks on the door before he can think about what he wants for dinner. He opens it and sees Angela and Nyla standing in matching shirts bearing the letters OFCR in a font that looks like painted roads.

“Let’s go,” Nyla demands.

“Maybe you should change first, actually,” Angela interjects. “Do you want help picking an outfit?”

“I am not your child, Lopez,” Tim snaps.

“Then stop acting like one, Timothy. You have two minutes to change, spray cologne, whatever it is you do.”

Tim considers arguing briefly, then nods and disappears down the hall. He dresses quickly, feeds Kojo and ensures he has water, then follows Nyla and Angela to the car.

“It’s a limo,” he realizes aloud.

“Oh, yeah, when Hollywood said they were great friends, he meant it,” Nyla muses.

“Apparently Lincoln helped her get in with a label and a producer buddy of his, and since she and Aaron are pretty close in age, he introduced them. They hit it off and have been friends ever since,” Angela adds.

“Is that why you listen to her music? Because of Thorsen?” Tim inquires.

“No,” Nyla says. “We listen to her music because it’s good.”

“And she sings about things we can relate to. She seems pretty amazing.”

“So did Charles Manson,” Tim grumbles as the driver pulls away from the curb.

From their VIP seats, they have a clear view of the stage without any screaming fans blocking the stage. Lucy records one of the songs performed by the opening act while Bailey, Nyla, Angela, and Celina talk about which songs they are most excited to hear OFCR perform.

“Nobody Gets Me is probably my favorite,” Bailey says.

“Oh, yes!” Celina agrees.

“So good,” Angela adds.

Aaron returns with a bag of OFCR merchandise and smiles. “Showtime.”

The lights dim, and the crowd silences. Tim watches, growing restless as he sits between Angela and Nyla like they think he’ll run. At the sound of OFCR’s voice, however, he’s frozen just as he had been in the gym, yet he still doesn’t understand why.

“Los Angeles!” you call into the microphone, looking out into the dark arena. “I need you to sing this first song with me.” The crowd roars, and you smile as you continue, “It’s about my ex-fiancé. He will not talk to me, so we’re gonna sing this for him. You ready, LA?”

The lights come up, and you stand in the oversized flower display the set designer built specially for this performance. It’s an inverted version of the last bouquet your ex got you, and it means nearly as much as the song.

“Took a long vacation, no uniform, just sandy. You kissed me, now we silent, Los Angeles was ours to rule then. So tired, screamin’, ‘What now?’ Love me, but I’m anythin’. Hurry now, baby, kiss me ‘fore the memories get to kickin’ in. It’s too late, I don’t wanna lose what’s left of you,” you sing, standing from the flower petals as the sold-out arena screams the lyrics with you.

Tim watches you from the VIP section to your right with no discernable expression. His breaths are uneven, but he can’t look away as his chest tightens, feeling as if his heart will rupture from the pressure. He suddenly understands why he related so much to the song he heard. Like this one, it was about him.

Angela and Nyla stand with Lucy to sing together. Tim only watches you, listening to every word you’re saying and wondering if knowing you felt this way would have changed what he did. What he’s still doing.

“How am I supposed to tell ya? I don’t wanna see you with anyone but me, Nobody gets me like you. How am I supposed to let you go? Only like myself when I’m with you. Nobody gets me, you do,” you sing with the crowd.

When you step away from the inverted bouquet, which Tim recognized the moment you became visible, Tim watches you. His lips pick up at the corner at the sight of you, but he knows.

“Took me out to ballpark, you proposed, I went on patrol, you was feelin’ guilty, so you left me, now I’m stuck dealin’ with a deadbeat,” you sing.

If Tim had any doubt left, that would have eliminated it. You’re not OFCR, the singer his friends love, you’re you, Tim Bradford’s ex-fiancée. The woman he would do anything for; the woman he left because he thought it was what was best for you. The woman he thinks about every night and the woman he now realizes isn’t a better police officer without him.

“If I’m real, I deserve less. If I was you, I wouldn’t take me back.”

At that line, Tim stands and pushes his way past Angela. He exits the arena, and though he can still hear you singing inside, it’s muffled, and Tim can breathe.

Aaron rushes out behind him and raises his arms as he asks, “What’s wrong?”

“It’s stuffy in there,” Tim lies.

“Sure,” Aaron agrees slowly. “Is that all?”

Tim narrows his eyes and says, “Yes.”

“Okay. Because I know her. But I’m guessing I don’t know her like you do.”

“You don’t know anything, Thorsen. Leave it alone.”

Aaron remains silent for a moment, then asks, “If you did something similar to the guy in the song, maybe listening to it can help you find a way to fix it.”

“Not everything can be fixed, Aaron. There won’t always be a rich friend ready to get you things you couldn’t get otherwise, there isn’t always a second chance, and people fall out of love. It’s the real world.”

“Despite what you think about me, I know the real world too well. And it has taught me that when it comes to doing the right thing, there are second chances, even if they aren’t exactly what you want them to be. Sometimes an apology doesn’t take things back to how they used to be, but it’s something. Come back whenever you’re ready.”

Tim doesn’t acknowledge Aaron, but deep down, he knows that he is right. If he can get through the concert, listen to your songs, maybe he can unblock your number and send you a text to apologize. And then you can both move on with your lives.

“I see your sign,” you call with a smile as Tim returns to his seat. “I’m going to sing it later, I promise. What I want to do right now, though, is tell you guys that half of the proceeds from our merchandise sales tonight are going back to Los Angeles. I’m sure some of you know that I was a police officer here for a while, and I still love LA, despite all the scars it gave me. So, what you buy tonight is helping this city. There are also some LA-specific items, which I already see some of you wearing, and 100% of those sales are going directly to the LA Police and Fire departments. So, thank you for all of your support, and let’s sing another song.”

At the end of the concert, Aaron tells the others that there’s a back exit they can use to bypass the crowds. As they follow him down a hallway, Angela, Nyla, Lucy, Bailey, and Celina talk about how amazing the show was and how great your second outfit looked on you.

“Did you decide to do something?” Aaron asks Tim under his breath.

Tim nods, and then Nolan asks everyone if their favorite song has changed after hearing so many live.

“Aaron!” you exclaim as you walk into the hallway from your dressing room. You hug him and say, “Thank you so much for coming.”

“Thanks for hooking us up,” Aaron replies. “You were amazing, as always.”

“You dad tell you to say that?” you joke. You realize that his friends are staring at you and wave as you say, “Hi. Thank you so much for coming, I hope you enjoyed it.”

“Enjoyed?” Angela repeats. “This was the best day of my life, and I have kids.”

“Agreed,” Nyla adds quickly.

“You are incredibly talented,” Celina compliments. “All of your music is so heartfelt and meaningful but also sounds great.”

“You’re all being way too nice to me,” you interrupt with a laugh. “And I am terrible at accepting compliments, so please stop. Are you all cops?”

“We are,” Nolan replies. “Mid-Wilshire.”

“I know it well.”

“I bet,” Aaron murmurs.

When you glance at him with your brows pinched, he cuts his eyes toward Tim, who is standing against the wall on the other side of the hall. Your eyes meet Tim’s, and you immediately look away.

“Hi,” you whisper, keeping your eyes down.

“Hey,” he replies softly.

“Well, guys,” Aaron says, clapping his hands together. “Let’s go. Tim, I’ll send a car for you.”

“Thorsen,” Tim warns.

“Can’t hear you,” Nyla interrupts. “We’re going. He’ll send a car.”

Angela nods at Tim, then pats his arm as she passes. Though Aaron is the only one who has an idea of what is happening between you and Tim, his friends can tell that he isn’t himself.

“I didn’t know you knew Aaron,” you say once you’re alone.

“Yeah, they, uh- they made me come,” Tim explains.

You scoff and say, “No one can make you do anything, Tim.”

“I didn’t know it was you. Didn’t know you were OFCR.”

“That I believe. Look, I’m sorry this is awkward, but you don’t have to stay, you can catch up to your friends and-“

“I’m sorry,” Tim interrupts. You look up at him, your expression shocked and confused but soft. It takes every bit of willpower Tim has not to reach out to you.

“Don’t,” you plead.

“I thought I was doing what was best for you,” he continues. “I thought breaking off the engagement would make you be a better cop, give you less to lose.”

“I lost you anyway,” you remind him, your voice breaking. You shake your head and look away from Tim as you add, “Tim, that hurt worse than anything else I’ve ever dealt with.”

“I’m sorry.”

“Stop apologizing. There- it’s over, and now you know who I am and that I wrote a bunch of songs about you because… because nobody gets me anymore and I couldn’t even talk to you about it.”

Tim remains silent momentarily, but then he pushes off the wall to be a few inches closer to you. “Why’d you leave the force?”

“Are you serious? How was I supposed to go to work every day knowing I would see you? The week after you left made me question everything. I couldn’t stand not knowing what would happen each day, and the idea of seeing you with someone else was more than I could handle. There wasn’t any reason to keep serving when I couldn’t even take care of myself.”

“I never intended for it to be like that.”

“But it was.”

You look at Tim with tears in your eyes, and he takes a step closer.

“I didn’t want to,” he admits. “You were… I thought I was a distraction, that if you weren’t worried about me and us that you’d be able to protect yourself and do your job.”

You nod, trying to understand.

“In the song, you said you deserve less. You don’t really believe that do you?” Tim inquires.

“I don’t know what I believe anymore. You hurt me Tim, and there are days where I don’t think I’ll ever get past it.”

“Can I say anything to make this better?”

“Are you happy?”

“I haven’t been happy since we left the Dodgers game and you had a ring on your finger,” Tim confesses.

“Why didn’t you just talk to me then? Why did you walk out of my life and then make sure I couldn’t get back in? I know you blocked me on everything because after I left I tried to talk to you.”

“I don’t know. At the time, it seemed like a clean break would be better for you.”

“All this talk about what’s best for me, but you never once stopped to ask yourself what I might want? I have never been happier than I was with you, and there is only one you.”

“I-“

“You should go. Aaron’s driver is probably waiting for you.”

You turn and walk to your dressing room, and Tim watches you go. He doesn’t reach out to you, doesn’t say your name or ask you to wait, he just lets you go again.

In your dressing room, you drop your head into your hands and let your tears fall. You expected the show to bring back some unpleasant feelings but seeing Tim Bradford brings back everything you’ve buried over the years, and the hurt feels fresh.

Someone knocks on your door, and you call, “Just a minute.”

“No,” Tim replies from the other side. “This can’t wait.”

You open the door slowly, and Tim doesn’t let you speak before he says, “You deserved more. I thought it was best for you, but I realize that I was wrong. Listening to you sing about what I put you through… broke my heart. I can’t leave you again with you thinking that I deserve more than you or that I don’t care about what I did. I’ve loved you since before I first told you.”

“Tim, please don’t do this,” you plead.

“Do you really believe that nobody gets you like I do?”

You tell yourself not to answer, but you nod regardless.

“Then let me show you I still do. One more chance, and if you want to walk away, I’ll let you.”

“We can’t just pick up where we left off, Tim, it doesn’t work like that.”

Tim raises his hand toward you, palm up, and you step toward him. When his hand meets your jaw, you sigh and pinch your eyes closed, pushing fresh tears down your cheeks.

“I’m sorry,” he whispers.

You smile and admit, “I never stopped loving you, either.”

“May I?”

“Kiss me.”

“Let the memories in,” Tim tells you. “We can do this, but not if we forget where we – I – messed up, we don’t stand a chance.”

“Tim, if you don’t kiss me, I’m going to start singing about how much I cried when I recorded these songs.”

Tim drops his hand from your face, but before you ask what’s wrong, he pulls a chain from under his shirt. It has your engagement ring band on it, and you lay your hand on his chest.

“And I thought I was sentimental,” you murmur.

“I have a lot to make up for,” Tim says before he brushes his lips against yours.

“Maybe we should just start over,” you suggest, wrapping your arms over his shoulders. “I could use a new muse to sing about.”

“As long as you don’t tell Aaron he was right.”

“I’m not done with my tour yet,” you remind him, pulling back.

Tim catches your arms before they fall to your sides and holds you close. “I’ll wait,” he promises. “As long as it takes.”

“I love you, Tim Bradford,” you murmur.

“You move fast,” he jokes before you shut him up with another kiss.

[raven-at-the-writing-desk]

I feel like Unparalleled Aeons and Far Out songs stands out to me is how both members were given equal screen time (Given they are two). Because I guess the issues with the songs is how they have small amount of time for some. Well I don't blame some not just the number of members but also how some of them aren't professional singers like

Notice how the rest of the songs, the way housewarden sings like being the main singer (make sense on who is twisted version they are) the rest being like back-singers but still have some good solos. Meanwhile, the way Idia and Kalim sings doesn't feel like Jamil and Ortho are back-up singers nor them being main singers but like partners with equal parts. When I listened to the other songs, I can't tell who's who while the Ignihyde and Scarabia I can tell.

I don't hate the songs, but you can't help but notice that makes it interesting. Overall, I love all songs that have their motifs, themes, and lyrics. It's kinda sad these songs couldn't be use in modern Disney that much.

[My personal ranking(s) of the dorm songs here!]

I definitely feel like Far-Out and Unparalleled Aeons had the most evenly distributed lyrics of all the songs. As you said, maybe it was more challenging for the composer to balance larger groups, or maybe the composer was limited in how he could write the songs due to some VAs being less skilled with singing. However, I also have to wonder how much of this was intentional??

These are dorm songs, right? And the VAs are singing in character. So to me, it feels like the songs are storytelling too, telling us about the dynamics of the group through their performances.

Looking back on it, the two most balanced songs belong to the dorms where its members are the most deeply intertwined with one another. Kalim and Jamil are locked into a toxic codependent relationship due to their families' history. Kalim relies on Jamil to do practically everything for him, while Jamil is stuck in a servant position he wants to break free from and always forced to play second-fiddle to Kalim. Idia is constantly haunted by Ortho's death, and Ortho plays a huge role in providing support for his older brother's mental faculties (encouraging him to get out of his room and mingle with peers). Ortho is very reliant on Idia for much of his own identity and presence at NRC (prior to book 6), only allowed to be there because he was registered as Idia's + Idia provided tech support for the school. Idia also designed many new forms (gears) for Ortho.

Many of the songs are structured to feature the dorm leader--which I'd argue is thematically appropriate, as I will soon get into. I have a pretty bad ear too, but I was surprised at how many of the voices I could distinguish. The card soldiers, Silver and Sebek, and Epel and Vil were the only ones I couldn't quite make out. There was enough variation for me to tell the others apart, especially Savanaclaw (no way would I mistake Ruggie for Jack or even Leona for Jack).

Every song not only has its own genre, but also its own vibes. I like that Twst can be its own thing and not necessarily kowtow to Disney's more traditional musical roots. I personally wouldn't want these to be incorporated into modern Disney film or TV productions. When Disney tries to do this, it ends up sounding so tonally dissonant or mismatched with the rest of their OST(s). ... Anyway, here's a very brief analysis of each song's arrangement + some lyrics and how they're divided up-- (MVs not taken into consideration; I unfortunately don't have the time to analyze every frame and how it lines up with the lyrics.)

Heartslabyul's Obedience is interesting in that it is very symmetrical with its vocal pairings. Cater and Trey sing with one another while Ace and Deuce sing with one another. The third years are deliberately paired with each other, while the first years are deliberately paired with each other. Trey and Cater, the original loyalists, have lines about "[playing] your cards right" and how their ruler is looking righteous and smug. Meanwhile Ace and Deuce, the rebels, sing about not being "caught" by their dorm leader's gaze. It's not until the second half of the song where they mix things up (Deuce with Trey, Ace with Cater), but it's still very predictable with the blends (always a third year with a first year). Trey and Deuce, the more level-headed duo, bring up setting the table, while Cater and Deuce, being more of the "hide your true feelings"/"avoid responsibilities" duo, "[hide] behind a smile" and warn to not "get caught with your tongue sticking out". This goes along with the song's theme of following the rules to a T; all the card soldiers are in place! You can even say that the song starting off with the rhythm of a military band indicates the song coming up will be regimented and structured. The only part I would say outright "breaks" this rule is when Adeuce sing with Riddle (around the middle of the song?) but in a way, that also makes sense given that those first years rebelled against Riddle in book 1, but eventually come around in book 7 to become his supporters. Then they of course all chant together for the English portions ("Yes, your Majesty!", "My pleasure, my Queen!", "As you wish, my Queen!") where they express their devotion to the Queen, indicating that these phrases are something "[the Queen wants] to hear". (Riddle chants with them too, to show respect for the rules.)

I think the true chaos of the song comes in the second half. Trey and Cater mention running through a maze and how the Queen's righteousness breaks at that moment, then Adeuce elaborate it scatters like cards. Riddle remarks how this--the twisting maze--"[hides] the true colors of [his] heart". This parallels how there was an elaborate chase through the rose maze in the depths of Riddle's book 7 dream, obscuring his loneliness.

You definitely get the vibes that although everyone has their little solo, Adeuce, Cater, and Trey are there to support their dorm leader. Riddle gets about the same amount of lyrics as the others, but his parts are more embellished and have more vocal flair to them. The lines specifically assigned to Riddle also feel like he's the Queen welcoming you to his territory full of his followers ("This is the path to the Queen's rose garden", "The cards are lined up and awaiting their (next) orders", etc.). The lines assigned to the card soldiers seem intentionally designed--as if the cards are reminding you of the rules so you don't upset the Queen.

DIADEM is reflective of the relationships between its dorm members too, but the relationships are very different than Heartslabyul's. The song begins with Jack singing, followed by a line in which he and Leona sing together. Then Ruggie has a solo line, which is also followed by a line in which Leona joins him. It's only AFTER Leona has already shared lines with Jack and Ruggie that he belts out his own solo, which stresses that they will continue to roar, no matter how many times it takes for their message to be heard. This gives the impression that he swooped in to support Jack and Ruggie with their own parts, just like a benevolent king or mentor figure/senpai might do for his people or mentees/juniors. This is also what Leona essentially does for his dorm in book 2. Then once Leona makes his own declaration, they're all able to sing together, united as one. It's like he uplifted Jack and Ruggie to join his rebellion.

There's an interesting part in the chorus where Ruggie and Jack break away to sing (without Leona) about fate and laughing through the hard times which. Has some heartbreaking implications when you consider that Leona expressed as late as book 6 (and is strongly implied in his book 7 dream as well) that he sees hope in others, but not himself. So??? Him NOT joining Jack and Ruggie in singing about laughing through difficult times seems pessimistic. Around the middle of DIADEM, Leona shouts out commands ("howl" and "roar", respectively), each of which is punctuated by Ruggie and Jack joining him with the English phrases "BEAT DOWN" and "DO MORE". These come off like a leader rallying his allies, and those allies responding with chants for their cause. This is especially the case because right after we get Ruggie declaring that his blood is boiling (ie he's pumped now) and he's eager to destroy a future that has already been decided for him. Then Jack enters, saying that he, too, wants to tear down an unjust world. There is NO Leona in this part, it's ONLY Jack and Ruggie, who have been newly emboldened by his words. The song really highlights how much the juniors are motivated by their strong leader.

In Heartslabyul's song, you get the sense that everyone else exists to prop up the Queen/Riddle and try to keep each other out of trouble by reciting the rules. In Savanaclaw's song, you can see how Leona encourages his dorm members and they react by taking to the words that lift their spirits. Both dorms' members are showing deference to their dorm leaders, but in different ways.

Entanglement opens with Jade imploring the listener to spill their secrets to him. Then Floyd comes in, continuing the charade. Azul takes over from there. This framing makes me think of Octavinelle's usual schemes--that is to say, the twins advertising Azul's "services" and then finally introducing us to him, this supposed "wish granter" (a procedure described to us in book 2). The order of the characters' presentation slots in nicely with this: we start with the more polite and unassuming twin luring us in. Once Jade has set the bait, Floyd, the more conspicuous brother, feels safe to step in and really talk up what Jade laid out in the beginning. Only after both twins are pitched Azul does Azul actually show up to make his offer. Jade and Floyd make up the majority of the chorus, singing together to coerce the listener into making a decision, even framing it like the decision is being made exclusively based on YOUR free will ("It's all up to you"), when really, it's not. Azul shockingly says very little solo in the chorus, only "Now, go on, we're all ears", before the twins join him and they urge you to share your wish with them.

The latter half of the song gives Poor Unfortunate Souls energy; it features Azul telling the listener they won't find a better bargain than this, then Jade saying they're drowning in their own desires and finally Floyd putting on the pressure to close this deal. Azul then mentions paying a price and how his rules are reasonable, which is very similar to how Ursula demands her a toll be paid (how it isn't "asking for much", etc.). The twins also very characteristically warn you what will happen if the contract is broken ("punishment", "squeezing", "no escape"), like the potential consequences if Ariel cannot get the kiss of true love from Eric. Overall, Entanglement reads as the extended experience of you being roped into a Bad Deal.

Far-Out opens with Kalim (the dorm leader), with Jamil (the vice) following. This pattern of Kalim first, Jamil second (which reflects their dynamic in general) also occurs when they speak English in the song; Kalim gets his verse about the magic carpet first, Jamil gets his verse about treasure later. The dual nature of Kalim and Jamil is also made apparent here: Kalim is allowed to fly "whenever [he] wants", while Jamil is only allowed to "dream" about "treasure whenever [he] wants". When the two sing together, this duality persists: "good and evil intertwine", "[falling] into a sea of ecstasy", the part where they list several people of different social standing, etc. The one time when Jamil sings before Kalim is at the beginning of the second verse, before Kalim mentions a scarab flying in front of him. This comes off as if Jamil is leading the way for his dorm leader, like some puppetmaster dangling his puppet and tugging it along by the strings. I think it's very telling that Kalim's opening line is about describing the scorching heat of their homeland but Jamil's opening line is about... TEMPTATION??? Hilariously on-the-nose, seeing as how Jamil is the one with the literal mind control UM and he describes a serpent in the night with sharp eyes in the lyrics to Far-Out (literally describing himself). Meanwhile, Kalim's UM chant seems to be referenced, as he talks about singing and dancing. Both Scarabia boys sing about "giving in" together, but as the song goes on, the framing of the lyrics makes it clear they're "giving in" to different things. For Kalim, it's "the heat" (a stand-in for Jamil's mind control), which is made apparent by Jamil immediately saying "indulge in this feeling until it takes over" and Kalim later says he is "captivated by the heat". For Jamil, it's "treasure", something he repeatedly indicates as wanting to take throughout the song. For example, Kalim sings about endless riches, and then Jamil has a solo line where he says "if you desire it, take as much as you want"--and his dream in book 7 shows him taking all that was once the Asims'. They're both venturing to a metaphorical oasis to seek relief, but seem to be distracted by things along the way ("heat", "treasure", etc.).

Kalim mentions a golden scarab crossing his eyes in one line, and while this is an obvious Aladdin reference, it also makes me think of Jade's one golden eye interrogating him in book 4; this would be another time in which Kalim is taken advantage of by others. First by Jamil, then by Jade. At the very end, Kalim sings about undoing shackles (most likely referring to Jamil's) while Jamil sings about a party (of which Kalim throws many of) that will eventually exhaust. The other Scarabia character is at the forefront of each boy's mind, and it is also where their respective desires (friendship for Kalim, freedom for Jamil) derive.

La Volonté is French for "will" or "willpower", which is a huge theme in the song. Unlike the other songs so far (which open with a solo or duet), La Volonté begins with all members of Pomefiore singing about their "one and only wish", and how they intend to immortalize their beauty. This is fascinating in that all three of them have very different personal goals (Epel wants to be strong, Vil wants to be seen as a "hero", Rook wants to pursue beauty), but they sing in unison anyway, because this validates all of their goals as being "beautiful".

Rook, the most secretive of the trio, mentions a heart locked away in a box, then Vil joins him in speaking of a truth entering his ear--like in book 5, when Rook convinces Vil to go with the more unconventional picks for the VDC/SDC auditions. In one of Epel's solos, he tells of sweet poison dyed in crimson, which is wording that is very close to his UM name. When Vil joins him, they sing, "A little more, a little more...", which makes me think of how Vil intends to "perfect" Epel into a weapon to use against Neige in book 5. The fact that Rook sings about their goal "[being] within reach" is ironic, given that it's ultimately his vote that decides NRC's loss.

Though this song starts off with the Pomefiore boys together, this is definitely one of those songs that centers the dorm leader over the others. There are many parts where it's just Rook and Epel singing ("Let all freeze", "[...] grant eternal slumber", etc.) and Vil joining in later or getting a solo after them. The first "waltz upon white snow" invokes the image of Vil standing over the cold body of his fallen rival Neige, but later on Rook and Epel join in singing about this. I wonder if that's an intentional callback to book 7, when they delved into Vil's dream and found Neige... dying. It's Vil singing somberly about all the hands that seek to pull him down (all his haters, all the people who assume he is as evil as the villains he plays), not knowing "the worth of a true star" (ie himself). It's Vil issuing the order for your breath to still (as if your breath has been stolen away by him; this is also the beginning to Epel's UM chant). And, most importantly, it's Vil vocalizing to end the song--a song which, need I remind you, started off with ALL of Pomefiore singing. Now Epel and Rook have stepped back, allowing Vil, the "true star", to command the stage.

Oftentimes fans—and even the Twst characters themselves—will compare Riddle and Vil on the basis of strictness. This also holds true for the compositions of Obedience and La Volonté. Both songs have their respective queens front and center, but La Volonté is definitely moreso than Obedience. Maybe it’s Vil’s celebrity status that has him commanding the spotlight? It could also be that Rook and Epel are simply more inited under a common front (“beauty”) whereas the card soldiers are more selfish and follow Riddle’s rules as a means to avoid punishment for themselves rather than truly subscribing to his strictness.

Unparalleled Aeons has Ortho starting us off, and it's framed kind of like the middle of an argument between the Shroud brothers?? He seems to be addressing Idia, asking if he will shut himself away again, only for Idia to respond that "[he's] just one soul" and that "[he's] the problem". The fact that the song begins with Ortho and not Idia--the dorm leader--makes me think it's symbolic of many of Idia's social problems "originating" with the original Ortho's death. This would go well with the theme of persisting despair in the early verse. In any case, they continue to have this back-and-forth, with Idia stating that he has known dreams are hollow for a long time (likely a reference to his backstory and how he's destined to be Director of S.T.Y.X. one day, whether he wants to be or not). The two later on talk about sulking in the Underworld, which is something Idia notes is a common trait between him, his father, and his grandmother--previous or current heads of S.T.Y.X., and what awaits him too.

The chorus has both Shrouds singing, and it is very much structured around the book 6 disaster in which they attempt to open the gate to the Underworld, unleash Phantoms upon the world. They reference their "happy end" and Cerberus's engine revving up--perhaps to call attention to Phantom!Ortho, the third "head" and sibling to the Shroud brothers. Idia sings about how his loneliness spawned into genius (could he mean how his grief led him to invent a new Ortho?) too. In another verse, the Shrouds declare they will "rearrange the cosmos" and Ortho jeers about heroes that arrive too late to stop them. They're almost gleeful in the "whirlpool of {swirling) souls", full of despair and chaos as they finally realize their shared dream. Hilariously, Idia and Ortho shout "FEVER TIME", a special state that grants temporary advantages in games--indicating that, at least to the Shroud brothers, they see this all as one big game.

At one point, Ortho has a solo line about how a happy ending with tears is crueler than being forever alone. Is he talking about bittersweet endings here? Does this not describe book 6's conclusion--an ending in which Idia is forced to say good-bye to one brother, while also embracing another brother? Idia gets his own line about having all of the cheats and going at full throttle, which paints the image in my head of him putting together that cheat tool and delivering the weapons + armor to Silver and Sebek via magiwheel in book 7. Ortho's solo line in the chorus mentions entertaining trials and tribulations, which I think calls back to book 6, when he tested each of our little groups with mini games. Unparalleled Aeons is simply packed full of internet lingo and gaming slang, all being weaponized to taunt the listener.

The Shrouds lament about how they've been "forsaken by [...] Fate", then make reference to the Fates cutting a Thread of Life, sending them crashing towards "The End". They also later call to attention knowledge of past, present, and future, which are concepts associated with the Fates too. The cut life might be the original Ortho's death, or it could be Phantom!Ortho finally moving on, and thus Idia pushing past his grief. The chorus wraps up with Idia whispering "Welcome to the Underworld"--very fitting, seeing as I recall him uttering a similar line when welcoming the OB boys to S.T.Y.X. HQ (the domain he will rule in the future) for the first time.

Unlike Far-Out, which has an insidious vibe due to the clashing nature of Kalim and Jamil’s parts, Unparalleled Aeons allows Idia and Ortho to be on the same page. It really feels like a Final Boss and his top-ranked henchman scheming together to destroy the heroes.

Capricious Calamity is technically another song which centers the dorm leader, but not in the same way that La Volonté does. In La Volonté, Vil has many solos, whereas in Capricious Calamity, Malleus is the subject of the song, the one being praised and worshipped (using archaic terminology). Given that Diasomnia seems to be a cult of personality around Malleus, this direction makes sense--and the choice to open with Sebek, THE Malleus fanboy, singing about his master's radiance shining brightly in the night, also makes sense. Sebek also closes off the second verse, declaring "unending tribute" to Malleus.

The first verse slowly evolves with a new character added per line. First there's only Sebek, but then it becomes Sebek and Silver together. It gives the vibes of wandering into an old castle and running into the ruler's guards who are evaluating you before you may be graced with their lord's presence. Lilia (the eldest and most experienced of them all) then gets a brief solo before making way for Malleus. It feels like Lilia showed up to announce their prince's arrival, and how all should make way for him. And of course the first thing Malleus says is that he "knows not of celebration"... This is followed up by Silver mentioning that Malleus "wishes for a miracle" (to be invited/included). Then Silver, Sebek, and Lilia speak of this as a transgression which warrants judgment. Again, Lilia concludes this verse with the line about judgment, which harkens back to earlier, when he seemingly "announced" Malleus.

Malleus leads the chorus once Lilia has summoned him. He calls himself an omen that comes with the lightning (his signature), then his dorm members chant that all shall kneel before his green light. Disembodied voices join in, echoing that the listener should give their entire being to the thorns. It paints the image of loyal knights kneeling before their king and beckoning others to do the same in order to quell his rage. This is also the note that Capricious Calamity concludes on, which just further drives the message home.

Silver starts the second verse, noting Malleus reflected in the dark skies. (Sebek begins the first verse, and Silver he second; the two youngest in Diasomnia are also the "start"--the start of, perhaps, a future where fae and humans can live in peace together.) When Sebek joins Silver, they sing about how Malleus, even at his lowest, burns brightly. These phrases paired together, said by the first two of Diasomnia to "awaken" in book 7, make me think of them staring up in horror as Malleus's draconic form takes to the skies. They're terrified and in awe of his might. There's a part where Malleus and Lilia share a line, commenting on a commotion and the cries of the weak ringing out. These two, the strongest in Diasomnia, remarking on this... It calls to mind their battle within Lilia's dream, or even Lilia intervening when Malleus (as a dragon) intends to strike Silver and Sebek down.

At the very end, Malleus announced another omen, this time harkened by spreading thorns rather than lightning... thorns, like the very ones he summons to drag us all into a deep, deep slumber--the trap he sprung in book 7. I think it's telling that it's Silver that joins Malleus in song before the entire dorm sings together. This duo sings about an aurora that is overtaken by the abyss. Is this meant to be a reference to Silver and Malleus's final confrontation, and how Silver refused to slay Malleus at the crucial moment?

It’s really interesting to compare this song to DIADEM, the two performances featuring a prince. In Capricious Calamity, Malleus is propped up by his dorm members—but in DIADEM, Leona is the one propping up his dorm members. This really speaks to (and feeds into) the idea that Malleus and Leona are opposites of one another. A prince worshipped by his people and promised the throne. but still left lonely and emotionally unfulfilled… versus a prince scorned by his people and forbidden from having the crown for himself, yet he’s surrounded by people who look up to him and trust him to lead them… OTL

[neil-perrys-suicidal-tendencies]

Why does everyone HATE Taylor Swift bro. Like no one has to like her or her music but there are so many artists I don't like but I just dont give a fuck about them yk?

I like so many more artists of different genres with the same bandwidth that I like her, so I wouldn't call myself a hardcore swiftie but I know the lyrics to nearly all of her music, take that as you will.

And any argument for HATE can't be justified in my opinion.

1) Like you don't like her music- DONT LISTEN TO IT?? People say all her musuc sounds the same eventhough she has albums in pop, country, indie genres. She writes about a lot of stuff. Most people who say this have not heard anything beyond top 10-

2) Tyler, the creator has written a song about how he wants to rape women. Eminem has songs about domestically abusing his ex-wife and burying her. "But it was so long ago" and yet people pull out her lyrics because they are cringe.

2) She hasn't even been on the top 10 carbon emittors this year or the year before or the year before or the- (you get my point) She is the face of jet usage and for what? Beyonce was 6th in 2023, no one called her out for it. Travis Scott has been the 1st/2nd for a couple of years now. No one mentions that. Even Celine Dion is at 10th. Several Kardashians are on the list. Why is she being criticized for not even being on the list.

3) And as for the whole, she only writes about her exes? I could name more than 2 dozen songs on spot that are not about her romantic life. Even most of her top songs are not about her romantic life. (Ex - Antihero, you belong with me, cruel summer, blank space, shake it off, bad blood etc etc) Several other artists do this too. That's just what people write about. And criticizing her for having romantic relationships is just fucking stupid. Most artists have had more relationships than her. I don't get this argument.

4) And her fanbase is criticized with 'only straight white teenage girls listen to it'. Like a majority of white Anerican singers - she has a white fanbase. I am an Indian enby lesbian and I still enjoy her music. Why is something trash just because teenage girls like it? The Beatles had a largely female fanbase and now they are classics.

5) Her fans are crazy - most popular singers have a sub-section of people who are insane. I'm not defending them because they scare me too but there are worse fandoms.

6) The stupidest one by far - She uses feminism as a selling point. I am yet to hear of anyone listening to her because she is a feminist. Just because she likes doing/wearing stereotypically girly things does not mean she can't talk about being a feminist. In the same vein, she released a song about supporting queer people to gain money. Are you even hearing yourself...

7) She is ruining football. I'm not even going to defend this, she attended matches, why does that piss you off. Grow up.

She pays her workers well (VERY WELL), she donated in the food banks of every city she's toured in with the Eras Tour, she supports artists in award shows. She is a safe space for so many young girls, it seems so rude to hate someone who is kind and brings joy to so many young people.

Yes, she isn't perfect, she releases several vinyls for a quick cash grab, she has too many remixes, just because she isn't in the top 10 emitters, doesn't mean she's not there at all but hating her for this. It does not make sense to me. Don't like her, don't talk about her. It's really that simple.

(Did I mention how this hate escalats to violence, how her shows were going to be bombed, how people STABBED little girls in a taylor swift themes dance recital. STABBED. How a lot of the comments regardingthese events was stuff like 'you should have killed them all' 'the show should' happened so all of them die')

[kaiser1ns]

#. YOU CAN CALL ME MONSTER

featuring 𝘁𝗮𝗸𝗶𝗶𝘀𝗵𝗶 𝗰𝗵𝗶𝗸𝗮 𝘅 𝗳𝗲𝗺!𝗿𝗲𝗮𝗱𝗲𝗿

angst. takiishi chika was the one completely covered in flames and you are the one who will burn his world down.

recommended to listen to exo's "monster" because i worked with the lyrics and that song screams takiishi chika

Why is his heart racing? The way you look at him got him going crazy, you are truly beautiful, a goddess, a force powerful enough to destroy everything. From the feral Umemiya Hajime to the cruel Endo Yamato and the bloodthirsty Takiishi Chika — you remain the most terrifying. A sadistic, tyrannical woman who Takiishi let into his already dull world.

There’s curiosity in your eyes, you’ve already fallen for him but won’t let him in. He’ll knock one, two, and a thousand times, so will you answer him, will you let him into your heart? Don’t be afraid, they say love is the way, it keeps you on safe ground, a place where its roots start to sprout deep into the ground...but what if the soil doesn't allow it? The same ground is falling apart, covered in ashes, it’s unstable and destructive.

You can't help it, it's just a habit, you do this for fun. You are not afraid to cause a scene whenever you want, you do it all the time and this is how it's going to be. Takiishi stands before you, his eyes are wide and burning, and you know what he sees — a girl who is on the brink of madness. He can call you a monster if he wants, and he can kill you if he feels like it. You can feel the pain coursing through your body, but it only sharpens your focus: pain is your most trusted friend, not your enemy. Slipping under his guard, delivering a sharp elbow to his ribs, as his groans and whimpers are music to your ears.

You are dangerous, if anyone gets in your way you will never stop til you get everything you want. You are on the top now, higher than the king and queens, mightier than God himself, ruling the world made by chaos. You are just getting started, as you see fireworks in the sky and bodies on the ground. In your beautiful black dress you dance, the red pool and the colors dancing above. Where is everyone hiding? It's time to celebrate, it's a funeral to many, to your morals and values, they are probably long gone. So is your sanity, as you laugh and smile like a maniac. Destruction and chaos, no one can run from them, and nobody will survive when you are there causing them.

Lunging at him with a speed that belies your injuries, your movements are precise, your fists connect with his jaw followed up with a swift kick to his stomach. But he’s also not done yet. He swings, aiming for your head, but you duck, spinning behind him. Before he can react, your hands are on his face, cupping his cheeks so softly, your lovestruck eyes, betraying the violence as you stare at him. There’s something in his eyes—fear? Love? It’s hard to tell. But you don’t care. You slam his head against the wall with a sickening thud, the impact reverberating through your hands. He grunts but recovers quickly, you can tell he’s holding back, still underestimating you.

A fatal mistake.

You grab his collar and hurl him to the ground with a monstrous strength, your grip stronger than steel or any metal, you can't reshape or melt despite his hotness. His body hits the floor, and you waste no time driving your foot into his face. So beautiful, your one and only love.

But Takiishi catches your leg with his hand, yanking you off balance and sending you crashing down beside him. You hit the ground hard, but you’re already moving, twisting your body to get back on your feet. The dance between you continues, two burning flames consuming everything in their path, neither willing to fade out, it is not about who will die first, but who will dominate the other.

You are creeping into his heart, flipping over and breaking him down until you swallow him up. Even if you die, you will live forever because you got yourself engraved in his heart, body and soul—you messed him up and now you will pay and collect your debts. He doesn't recognise you or himself anymore. Out of your minds. To love is to be changed.

Don't let this blissful moment slip away, you are both going crazy, and this day will be remembered for eternity. There's so much to give you—he doesn't need no money, no material benefits—he only wants you. He wants you so bad.

You are a monster.

A bit impatient and not that gentle, a woman of many faces and masks. You thrive on conflict, creating it, nurturing it, watching as it grows and consumes everything in its path. It’s all a game to you, where you always win because you’ve written the rules. You are addicted to the thrill of it, the way it makes your heart race, the way it brings a sick smile to your lips when you make your love bleed.

But he wants you, that's right you are his type, his heart doesn't lie, not when it sends a dangerous signal and you know you make him feel a tremble, he is crazy for you, you know that, you always did. Everyone’s afraid of him, the so-called strongest but he is nothing but a boy with burning desires to have fun. In the end, you can’t reject him, hiding and stealing glances at him, then pretend to be surprised when he looks your way. He’s a part of your existence and you will make sure to destroy him by loving him.

To accept you for who you are, worry has no place here, not when you show such strong attraction to each other. Enjoy the agony that you’re able to endure, as he falls deeper inside in his own world, thinking that it's gonna be the same pattern, the same old way but then again it's your game, with your rules. Play with him however you want as you lash out with relentlessness force, each punch harder than the last, each punch showcasing your affection. He doesn’t fight back; he never does. Your strength surpasses his, and he knows it.

Bruises form under your knuckles, but he takes it all, absorbing the pain like a twisted confession of love. You’re a beast consumed by the madness inside you—stronger, more ferocious than anyone he's ever faced, yet he does nothing but take your blows. You're a monster, they say—insane to the core—but this insanity is yours to own, and for him to enjoy.

You are his monster, insane and fierce, burning his world to the ashen ground and building it again and again, until he finally gives up...until you finally let him in.

taglist :: @nyxypoo @meidiary @maruflix @heartkaji @stunie @slerixx @mydream-synopsis @kiurona

thank you mei, zevie and ke for doing a beta read, i love yall mwah🫶🏻

©2024 kaiser1ns do not copy, repost or modify my work

[andredeyemii]

hii girll ur page is amazingg <3 how do u make manifestation fun?

girl manifestation is soo fun in general like you don't even need to do stuff babes (but you should cuz it's fun skdksk) the concept of just being unserious and carefree enough to choose how you want to think and accompany yourself so good, you can influence how you feel (like talking to someone and your mood gets better) damnn it's just fun.. but then you get you desires after!? soo fun.

H E R E I S H O W ( I D E A S ) : :

⋆˚ 𝜗𝜚˚⋆ : : GRATITUDE : : instantly top one, it's life. I mean use anything else but this one is tradition and pricelessss

⋆˚ 𝜗𝜚˚⋆ : : SELF-CONCEPT : : just because it's second doesn't mean it's "less important" it should be a repiblic act

⋆˚ 𝜗𝜚˚⋆ : : RAMPAGES : : I recommend high frequency guru for this, she has many amazingg rampages they're life

⋆˚ 𝜗𝜚˚⋆ : : VOID STATE : : it's veryy spiritual and instant, like it feels so sacred like it belongs in ancient civilization practices

⋆˚ 𝜗𝜚˚⋆ : : SUCCESS STORIES : : turn off the stress news and listen to magical girls who manifested money outta nowhere this is what my account is forrr

⋆˚ 𝜗𝜚˚⋆ : : SUBLIMINALS : : guys we are evolving as a species, please use this and cherish it rnn goiss

⋆˚ 𝜗𝜚˚⋆ : : SATURATIONS : : these are my 2025 goals and this has the right to be included in beauty rituals cuzzz wow

⋆˚ 𝜗𝜚˚⋆ : : SCRIPTING : : you can script habitually or you can just write about your day with a lot of exaggerated positivity

⋆˚ 𝜗𝜚˚⋆ : : DRESS UP : : would your higher self think like you? no, that's why you do saturations. would my higher self dress like me? no, so I do shopping sprees.

⋆˚ 𝜗𝜚˚⋆ : : SHADOW WORK : : it's free therapy and it releases blocks and past traumas so you can embody ur dream self

⋆˚ 𝜗𝜚˚⋆ : : VISUALIZATION : : it's the basics of manifestation do it as much as you can

⋆˚ 𝜗𝜚˚⋆ : : BLAH BLAH BLAH : : stop complaining and start talking about success stories and lifelong goals instead, it's technically a mini-mind saturation

⋆˚ 𝜗𝜚˚⋆ : : WORK W PLACEBOS : : knowing if something is just a placebo effect doesn't take away the magic of the mind when it just proves it. lmao.

T E C H N I Q U E S : :

⋆˚ 𝜗𝜚˚⋆ : : social media technique : : when you see something you want, think "omg I have that too!!", "me rn", "twins!!" cuz y'all that's so much inspirational than jealousy

⋆˚ 𝜗𝜚˚⋆ : : lists / checkbox technique : : list your desires and affirm that you have all of them cuz it's fun and you will anyways

⋆˚ 𝜗𝜚˚⋆ : : the water technique : : esp if you're planning on drinking 2 liters of water and being hygienic for 2025, keep saying that water makes u prettier

⋆˚ 𝜗𝜚˚⋆ : : the love letter technique : : if manifesting an SP or simply someone loving you, write a love letter to urself as if you're them with visualizations. or write yourself a love letter from you and write love letters you won't send hehee

⋆˚ 𝜗𝜚˚⋆ : : I would like more technique : : gratitude is key for this, but basically if you experience one small good thing or a small manifestation, affirm "I am so grateful for this, universe / god, I would like more".

⋆˚ 𝜗𝜚˚⋆ : : for you and for me technique : : you have to block out limiting beliefs. if you hear someone say "your standards are too high, good men don't exist." you think to yourself "good men don't exist FOR YOU" and stay safe. update your affirmations to say "money is so easy FOR ME to have" also <3

⋆˚ 𝜗𝜚˚⋆ : : play some music babes : : everytime you listen to music esp those dreamy love songs and those pretty lyrics, pretend they're all about you. feel beautiful.

G E N E R A L T I P S : :

!! some people will not find some ideas and techniques fun because they're coming from a place of attachment, scarcity desperation and doubt !!

🌺 : : but baby girlll manifestation is supposed to be magiccc. you have to feel like a little girl again and pick up the feeling of believing that you're just a pixie fairy or a pretty princess WHEN you were a child.

that's what ultimate detachment is!! children can experience stuff, they throw tantrums ofc honey but they don't get stuck in the experience. you'll cry over the past but them?? they'll cry over a broken crayon but once the crayons are gone, they're playing tea party next. SEE???

so yah, feel like a child. you should have no problems believing in anything because you're overconsuming. I see you gurl. stop thinking serious and hanging on. have fun y'all.

[6rookie-writer0110]

New Lyrics tonight

Charles Leclerc x Male Reader

Summary - Bonding over music

Charles has been training at the track all day. Charles and Carlos are on the race track racing each other. After the race, they didn't agree on who beat who. Charles sits down to take a break and he checks his phone. He saw your text and he started to smile and he started to text you back. He doesn't like to text all the time but with you is an expectation. Carlos sits next to Charles and they begin to talk then Carlos mentions you.

“It’s sad that Y/N is not in the band anymore,” Carlos said.

“What are you talking about?” Charles asked.

Carlos took out his phone and showed him the article. You were kicked out of your band and you didn't tell Charles about it.

“Y/N didn't tell me,” Charles said.

“You should talk to him” Carlos said.

“I will,” Charles said.

You were in the band for many years. You met Charles when his friends took him to see the band perform. His friends knew the leader singer then you met Charles through them. You didn't know what was Formula 1 or that he was a famous driver. The more you got to know Charles, then you started to get into Formula 1. You moved in with Charles in Monaco and the relationship got serious fast from the start. The relationship is a secret for many reasons.

Hours later, Charles finished training and he went home. He noticed a lot of crumpled papers on the floor and he walked toward you. He gives you a peck on the lips and he sits next to you.

“Y/N, what happened with the band? Carlos told me that you left the band” Charles said

“I was kicked out of the band I was in since the beginning. The new manager is an asshole and everyone is agreeing to sing crappy music which we always hated” You sighed

“Why you didn't tell me, Y/N?” Charles asked

“The race started and you were training a lot. I didn't want to ruin your focus, that's why I didn't say anything” You said

“You miss the band?” Charles asked

“No, because it was going in a direction I didn't like,” You said

“I’m sorry I wasn't there when you needed me,” Charles said

You kiss him on the lips and he starts to kiss you back.

“I’m not mad, Charles,” You said.

“You can make your own music and your own songs” Charles smiled.

“Yeah, I can. I was trying to write music but I kept getting stuck” You said

He kissed you again then he grabbed your hand.

“You need a break,” Charles said

He kissed your forehead. He wrapped his arms around you and pulled you closer to his chest. You just cuddle with him on the couch and he listens to you talk about your solo project. Later, he took a shower and put on pajamas then you watched Charles make dinner for you. You decided to help him cook and he gave you encouragement not to give up on your music.

——

In the middle of the night, you and Charles couldn't sleep. You and Charles head to the living room and he starts to play the piano and you start to sing while writing down the lyrics. You grab your acoustic guitar and he continues to play the piano.

✫ ✯ ✬ ✯

You come home and Charles grabs Your hand, he takes you toward the piano.

“What is it?” You asked.

You sit down next to him.

“In your song, there should be soft music playing then you start to Sing. It will go like this” Charles Said.

He starts to play the piano and you just listen. Sometimes he would teach you how to play the piano.

“That was great. And I like your idea” You smiled.

“I thought you wouldn't like it,” Charles said.

You kissed him on the lips.

“I really do like it” You smiled.

You grab your notebook and you change the lyrics. He tells you where to stop then sing again then you start to sing and you follow his lead.

[minyard-05]

okay. maybe i will type up my caramel 2cents

(keep in mind it's 5 in the morning i've listened to it about six times already and i will be continuing all day)

so. To me. to me it's almost definitely the clearest message that's been in any of their songs. like if you read the lyrics and possess 2 pieces of knowledge (1: all members of the band deliberately remain anonymous by choice and 2: a lot of their fans are often bad at respecting this choice) i think it's very clear exactly what vessel is saying here.

but the first thing i want to bring up is the Sugar parallel. first of all, it's fucking everywhere: the title, the way it was teased, the style of the intro, ALL of this is very heavily linked back to Sugar.

but like. if you go back and listen to Sugar (which i did), and you read the lyrics, it ALSO has a very explicit message, although admittedly there is slightly more metaphor in this one. but just as an example:

i wonder what that could mean

it's no secret that both Sundowning and This Place Will Become Your Tomb are about being in/escaping an abusive relationship, one that's specifically emotionally manipulative and isolating, and this entire scenario is reflected in what we know about Vessel and Sleep. that's a separate essay in itself, but i'm going into the rest of this operating on the assumption that we all know and are aware of those topics being prevalent most on ST's first two albums.

and now. Caramel.

as a very basic explanation of what went on with the actual release of the single: essentially, someone involved with the band i think posted about being excited for it to be released and fans came back and lost their shit for it not being 'enough information' or not being 'exciting enough'. my first response to that is get a grip. my second response to that is stop acting like they owe you anything because it's literally just a band. like this is their day job. leave them alone.

ANYWAY.

unfortunately, the aforementioned bullshit about Caramel's release ended up being ironic as hell because the single dropped today, and what is it about?

exactly that.

i mean. come on. come on. like i can't explain this any better than vessel already did, the message isn't even hiding behind a metaphor anymore. what else could "I guess that's what I get for trying to hide in the limelight" possibly mean? sleep token kind of shot into mainstream when Take Me Back To Eden came out, they suddenly went from smaller venues on tour for TPWBYT, to selling out Wembley stadium on Teeth of God, and that's a stressful place to be as an artist. you go from making music for yourself and writing what you want to write, fuck what anyone else says– to immediately being Watched and Observed and Studied like a fucking experiment. all of a sudden people want interviews and people want to know what you're writing and people want the next song and it should be like this and it should be exactly like the last one and fans want fans want fans want.

this is why i would argue that fan culture is one of the most damaging things to musicians. because while it can be incredible to have so many people at your back who express a love for your art, it's suffocating to try and create when you can't get the reactions out of your head. what if they hate it? what if what you make isn't good enough? what if the last song they loved was a lucky break but the next one won't hit right and they'll hate it and they'll hate you and then you lose all of it because you couldn't do it right.

so do you get why the band might want to stay anonymous? that's not even getting into the media and the paparazzi themselves, which are their own issue.

with all this said, that's what caramel is about: the message is stop. it doesn't matter if we don't know their names or their faces, the members of sleep token are people and they deserve respect like anybody else. you don't get to demand anything from them, whether that's music or information or whatever else. they don't owe you anything. you choose to listen to the music, to buy the merch, go to the concerts, that's your decision. you're not entitled to anything from any one of them, because i'll repeat: this is their job. they're working when they're onstage, in the studio, even handling releases like this. and as a songwriter myself, it's fucking work. it takes hours and hours of looping 7 seconds of a song to get the mix exactly right, millions and millions of takes and rehearsals and writing sessions and it's fucking exhausting.

so i guess my final thing is just. listen to the music. engage with the other fans if you want to. enjoy what the band is freely sharing with you (listen to the message they're sending) and just don't be a prick. <3

[ckret2]

Do you think Bill would like 100 gecs and/or hyperpop?

sometimes I get asked "would Bill like [music]?"—usually about music that's outside of what I've already said he seems to like—and I feel like the majority of the logic behind those questions is "this sounds Weird™, and Bill is Weird, so therefore, I think he should like it."

I've got a very detailed post—plus multiple expansions on it—about what music Bill seems to like based on canon. Outside of LITERALLY non-musical sounds like rising shepherd tones, all evidence suggests his tastes are pretty mainstream: popular 40s~60s music like jazz, motown, and garage rock; and popular dance/club music, seemingly from the 90s onward.

Bill is the Joker "to men like me, Crazy Train is about a normal train" meme. He's a trillion-year-old alien; I'd suspect that to him, "weird human music" probably doesn't even register as weird music, merely human music, which is all equally weird by virtue of being alien to him (or perhaps equally non-weird, by virtue of being so small-mindedly human). Musically pushing the envelope is still well within the bounds of Shit Humans Listen To to him. A guy who considers rising shepherd tones musical isn't going to think extreme distortion or heavily processed vocals are remarkable.

(I think the fact that one of the faux reviews of TBOB is from Weird Al going "this is too weird for me, I'm just Normal Al now" says something about just how far Bill sits outside of even "weird" human musicians' concepts of normalcy.)

So for him to like hyperpop, it'd have to stand on its own merits as the kind of music he'd already like rather than getting a special VIP pass just for being weird.

And when you discount the "hyper," hyperpop is pop. Pop of many genres, but still pop. It's got bits of hip hop and bits of dance and bits of metal and bits of punk—and when it sounds like dance music, he might like it based on its merits as dance music.

But because of its shifting nature, with a lot of artists and in a lot of songs, it doesn't tend to remain dance music very long. It's dance for 20 seconds and then it's heavy screamo and then it's a capella with a drum track consisting of clapping and then it's dubstep for 15 seconds finally we can dance to this again and then it's ska and then it's a kawaii J-pop love song but in English and then it's the THX sound. Bill's only intrigued for the non-consecutive 38 seconds that it's dance, dubstep, and the THX sound.

And we can't discount the fact that he finds (some) synth music painful. Since he seems fine with modern EDM, I think it's probably particularly-80s-sounding synth music that's the problem—but since hyperpop stylistically samples so widely, I'd imagine danger synths aren't off the table. So there's that risk too, even if it's a small one.

On top of that? A lot of the genre runs on "cutesy sounding, angsty lyrics." I think Bill's neutral on cutesy sounding, but I think he's disgusted by angsty lyrics. As if HE'D play that whiny mopey spineless junk! He's a PARTY GUY, he's a FUN GUY, he's ALWAYS HAPPY, and NOTHING EVER BOTHERS HIM! When he's eight substances deep into a wild bender/party he doesn't wanna hear a song about using 4loko as a coping mechanism to hide your depression/anxiety! When he's being Haunted By The Ghosts Of His Terrible Past, he doesn't turn on music that he finds relatable and wallow in the feeling, he pushes it away and drowns it out with something loud and cheerful and positive—and that is canon.

So, he may like specific hyperpop artists whose music is particularly danceable and whose lyrics are less consistently angsty; but given the genre they're embedded in, he'd be unlikely to stumble on them naturally. It's definitely out on the periphery of the kind of music he'd listen to.

At their heart, I think 100 gecs sounds more like early 00s emo than like any other one genre, especially their more recent stuff. I think getting into emo music could fix Bill Cipher; but "I think this would fix Bill" is basically a synonym for "I think in canon Bill wouldn't touch this with a 10 foot pole."

[nuggeteri]

anyone else thinking about an arab/Islamic traffic series AU???? Because I sure as hell am! While I'm not muslim, I am arab, and islam is everywhere around me and I haven't seen ANYBODY represent it in the traffic Life series fandom.... so I might as well create an AU.

(There will be fully Muslim people, agnostics and atheists.)

Badboys are siblings. Growing up together, Joel and Grian were always closer, sharing perhaps problematic views in Islam. Their parents being unsupportive, they cut contact as they enter college. Jimmy, who is clueless about why, is still in contact with his brothers. While he plans on keeping contact with his parents---they don't expect him to, and, naturally, the contact starts fading away.

Jimmy goes into college and reunites with his brothers. Turns out, Grian is now atheist, while Joel is still very much a muslim. A few years later, Joel gets engaged with Lizzie, a hijabi.

Lizzie was Grians best friend growing up. And she fully believe evrrybody is capable of going to heaven even if they dont believe in Allah, because he is forgiving. she also fully believes Grian will go to hell.

Grian has been very vocal about his belief in God. Not only that he doesn't exist, but that if he did, he was a fucking asshole. That doesn't stop him from being Lizzies bestie.

going into college, Jimmy meets Tango, who is also Arabic, and soon learns that he is very very gay. He comes to Grian about his struggles---worried what that could mean about his beliefs---who tells him its fine and Joel and lizzie aren't judgmental people. Joel then proceeds to stalks Tangos socials, which tells him he is also religious, so he approves of Tango. Blablabla ranchers slow burn.

Later, when tango and Jimmy are a couple, there's this white guy with blue hair who catches their eye.

Scott is absolutely crushing hard on Jimmy, but he also knows he's Muslim sk he's kinda like im pretty sure he's not gay. But Scott is very much out as gay and lizzie doesn't seem to hate his guts so he's like eh maybe those are just stereotypes,,,,,

Then he sees Jimmy and tsngo kissing and he's like okay yeah those are definitely stereotypes but there is no way I'm able to get with them now

(He does get with them)

Im also thinking about a whole lot of small scenarios,,,, like Jimmy and tsngo teaching Scott Arabic.

And and Jimmy and Tango going to "celebrate" christmas with Scott's family.

Aid witht he fam would be AMAZING, there would be badboys, scott & lizzie, and ZITS. Zedaph woluld be the one to slay the sheep (he's not muslim. For their sake, he does say "bismillah" before killing it). Skizz inniciates prayers (he's muslim). everyone that isn't praying is preparing the sheep.

Grian and Lizzie would go on full on argument about songs. Lizzie doesn't listen to music AT ALL (except when she's at like,,, parties so.) and Lizzie is fucking HATING on lyrics. For exemple, sailor song, "I dont believe in god, but i believe that you're my savior" SHE IS HATING. Grian will be defending his songs with his heart and soul. Then Scott comes around and he's like uh,,, i kinda like that song,,, and Lizzie says "its fine ur allowed but GRIAN THOUGH--" and they fight.

so. many. possibilities. i will write thise one day, but for now, this is yours tumblr.