#me before and after having dinner

[humming-fly]

Trick or.... treast?

here you are a delicious feast treast just for you

[amygdalae]

Well my date liked Hellraiser so much I got dicked down 👍

[guardian-angle22]

911 lone star -> 5.05 tarlos counseling scene pt. 2

[hood-ex]

You know the whole cereal debate surrounding Dick and how some people believe he eats cereal because he's too tired to make a full meal to eat? Yeah, well, I relate to that hardcore now. The last thing I wanna do is wait around for food to cook after working for 12 or more hours. As soon as I come home, I toss shit into a blender and down that smoothie as quick as I can so that I can spend more time showering/relaxing before I have to sleep.

Let me be clear, I 100% reclaim cereal for Dick. That man can eat cereal if he damn well pleases.

[casualavocados]

Learn from who? Learn from you? You are still a brat. What do you know? You're only three years older. Like you are any better than me. You're 21, and still a virgin. What are you proud of? I think you can't do it.

KISEKI: DEAR TO ME Ep. 06

[cable-salamdr]

I need to play more gartic phone with you people this game is hilarious

[motsimages]

As per Tumblr recommendation, I started Kevin can fuck himself yesterday. I see people comment on how the sitcom part makes it look the way people see an abuser and how the abuse can be disguised. People think he is just a funny guy and the abuse goes unnoticed. I personally see it otherwise, although it's similar.

People know he is an asshole. He spends a whole episode being mean to the new neighbours just because. He meets a dangerous guy at a bar, in public. He is an alcoholic who throws weird parties with lots of other people at home. Patty's boyfriend tells her twice in the 3 or 4 conversations we see that he is an idiot. People know, and people avoid him.

And his bubble know, but they justify it and excuse it. And that's the sitcom. The sitcom is the theater of excuses Allison has (and then other characters too) about his behaviour.

"Can you believe it? We were in our anniversary, such a fun party, we were both super drunk and I don't know how it ended, that I was face down on the floor and the table was broken! Anniversa-rager we call it lol"

"He is such a clumsy guy that just as I was leaving the house, you won't believe that I don't know how he managed to cover me in chilli sauce! What a silly goose!"

"He is so helpless without me, he couldn't find the printer and he called me all day because he needed me to explain to him how to work it. And he worries too! He called the cops because he didn't know where I was, maybe I forgot to tell him".

The conversations with her coworker about husbands help drive this point. That's what mariage is. You find ways to justify it and to avoid certain fights and that's it. We got lucky.

But he did all these things on purpose. And the unreliable narrator of the sitcom makes the joke of it and makes the audience consider that maybe it isn't *that bad*. Allison needs to believe that's what it is, so it is. It really isn't that bad, she thinks, he is just like that.

And we can actually see the worrying things and the threatening parts from minute one. It's only a joke because we have been trained to dismiss it. To justify it and to move on. He isn't doing any heavy lifting here.

In episode 1, just the fact that he ends up standing on the table (when she doesn't want him to even put glasses on without protection) says a lot. But then the table breaks and he fixes it poorly and visibly. It would be bad enough just like this, but I personally think there is more to it. It's just that Allison doesn't want to speak about it or look at it so it is just the table, but it's the switch that turns on for her, the last drop. But she did end face down on her living room, on top of the broken table. It's a very elegant narrative tool where we don't see, but if we wanted to see, it's there.

And the more she notices, the more off-putting the sitcom is. It's still played as a joke, with the laugh track, but she is more aware now, so we can notice too.

We start the series with her turning point, but if the series started a year before that, it would only be happening in her house, as it is her life, her only frame of reference, and it would only be a sitcom because isn't he such a clumsy but caring guy?

[crunchy-rocc]

pevin (pineapple kevin)

[tkbrokkoli]

i thought arthur finally got a rly good night's sleep but turns out this was just the beginning of a nightmare full of The Horrors

[whenthegoldrays]

also I think it’s time for a little Elly Lore Update because I feel like I mention so many people on here and y’all need to understand who I’m taking about when you attend the virtual sleepovers 😌

[trans-yllz]

holidays are crazy when you have a shitty mom. a shitty alive mom on christmas is an experience ranging from inconvenient to traumatic that you have to deal with for a few hours. a shitty dead mom on christmas is just kind of sad no matter how you spin it

[casquecest]

If I end up having to train on the brunch shift tomorrow, and I end up being as tired from my shift tonight as I was last night, how am I going to watch the Olympic men's marathon live at 2 AM, EDT??

The answer is lots of little naps, I think.

[lexalovesbooks]

I remember reading fangirl when I was like thirteen and there being that mini plot thread throughout the novel where for the longest time Cath was too scared to go to her college’s dining hall because she didn’t know how it worked and was terrified she’d accidentally embarrass herself so instead she just spent half a semester eating peanut butter and granola bars until her roommate noticed and forced her to go with her. And that just really stuck with me because even at the time it felt like something I would do and I thought about it for years and years and then when I was finally at college on my own and I knew. that I needed to go to the dining hall and get food and eat but I was scared to do it on my own because I didn’t know the rules and what if I did something wrong or embarrassed myself and I couldn’t even ask my roommate to go with me and make it less scary because I didn’t have a roommate (covid protocol). Anyways Cather Avery most relatable character ever.

[compacflt]

hey! i was just going through your blog, and i saw a post about ice&carole and mav&goose. i looked a bit more but i couldn't find a post about your take on mav and goose's relationship, so i wanted to ask what it was. if you have answered this, i'm sorry about asking you again. imo i think what they had was wayy deeper than friendship but complex and probably not romantic, but again, i just wanted to know your thoughts on it.

thank you! and this blog has probably been one of the best finds i have ever come across on tumblr, i'll be sad to see you go.

yeah, i was really trying to be suave and subtle and mysterious about it with this parallel

like, you should be able to figure it out for yourself.

but luckily for you i looooove beating dead horses. to a problematic degree.

the full story of my vision of mavgoose (moose?) is in the completed draft of the extras that are coming out on Saturday. about halfway through. But i want to bring it back to the internal craft-of-writing debate i brought up yesterday—my inability to summarize, or to cut superfluous sections that don’t really matter.

I’ll stick it under the cut for spoiler reasons, but i wanna show the simple first draft of this scene versus the complicated, heavier final draft. And I want to ask any of you, if you’re interested—as a reader, which is more impactful? which should i end up publishing?

the simple first draft:

then i kept turning it in my head thinking of different ways to edit it to say something slightly different, to get a little more specific, coming up with things to add, and ended up adding like five extra paragraphs. which is this:

about 1/4 of the final draft (by which i mean, this is about 1/4 of the whole final discussion scene, but the goosemav-specific content only goes on for about another graf [omitted bc spoilers]):

(so to answer your ask explicitly, i actually don’t think they were anything deeper than good friends. imo there’s no evidence that they were anything deeper than good friends, especially with maverick blowing goose/goose’s wishes off soooo many times [‘she’s lost that lovin feelin;’ volleyball; refusing to do the responsible thing at least twice even after goose tells him it puts his & his family’s livelihoods at risk…bro all he does is blow off goose]. see me bitching in the tags for more on this)

obviously in my head the complicated in-depth version ⬆️ is the True version, the version of events that really Happened. i think the writing is in some spots much more compelling. But it just doesn’t make for a particularly good reading experience when it’s surrounded by like 3/4 pages of other discussion of history! sometimes too much of (what i think is) a good thing turns that good thing bad! & this is a major keystone dynamic of my whole series so i just want to get it right, for my own peace of mind. I guess im asking you to be the harsh editor i wish i had sometimes, if ur interested in doing so—this is genuinely a major major problem i have with my writing, i can’t ever just leave well enough alone 😭 please let me know if simpler is better/less is more in this case! do i publish the short vague “the reader fills in the blanks” version or the long boring “here’s EXACTLY how i see it” version?

[opalsiren]

the rage i am experiencing rn i actually should be sequestered in a lab

[kakusu-shipping]

I wasn't even keeping up with the MHA manga but I did read the last three chapters without context and I've already decided how to fix the ending for my Self Insert