#me and her are the same person

[zomvielover]

I just finished Lisa Frankenstein and oh my god she is me and I am her

[ddaz3d-and-cc0nfused]

it's literally the way that i dress like penelope irl 😭 that sweet girl is my inspiration!

[poorly-drawn-mdzs]

I know those eyes.

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[jakeperalta]

genuinely the way taylor clearly falls hard and fast and hopelessly in love every single time is very endearing. writing "this happens once every few lifetimes" and "no one's ever had me, not like you" on the same album that covers the breakdown of two relationships that were also seemingly destined and life changing and unmatched by anyone else is exactly what makes her so good at writing about relationships. if a songwriter doesn't feel everything with their whole chest and throw their whole being into it then I don't want it

[buggachat]

does anyone else form their headcanons of marinette and adrien largely on the basis of "they have to be opposite each other"? like, creation and destruction, yin and yang, etc. like Marinette being late all the time and sleeping through her alarms? so she's probably a deep sleeper? So that means, by the laws of my lovesquare headcanons according to my brain, Adrien has to be a light sleeper. Marinette is a chaotic creative person and I can imagine her just having so much STUFF all around and living in organized chaos. so therefore Adrien likes his spaces neat and clear. (also something something creation and clutter vs destruction and emptiness) you know??? ???? ? adrien and marinette headcanons just cant be independent of each other in my brain. they are always intrinsically linked

[beanghostprincess]

there's just something about pre-timeskip nami that makes me love her more and more every day

[deecotan]

anyway here's wavewave

[umblrspectrum]

hi heres art so you pay attention to me now go read the tags

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[ineed-to-sleep]

Blacked out in front of my tablet and woke up with sketches of my Touchstarved mc + Kuras my beloved. woops

[australet789]

"Alastor is a villain because he chained poor Husk 🥺"

I think you all forget THIS is the Husk that made the deal with Alastor:

The Husk that was so careless and selfish that was gambling SOULS, to the point he gambled his own soul away to save his powers.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[theminecraftbee]

Etho and Grian are back at base, hysterically laughing over their achievement. Cleo sits inside, staring, as the two of them talk about getting a wither and a warden to fight, and tries to figure out what she feels about it.

In some ways it's not their fault. Task made them do it and all that. Plus--

Well, it's not like she and Etho are losing hearts anytime soon. They've both done a damn good job keeping themselves from dying. A benefit, Cleo thinks, of deciding to team with Etho this time. Between the two of them, they'll largely only do chaos they can recover from. Maybe this is their game. Maybe this time, Cleo manages to stick with someone until the very end. It looks like it. It looks like...

Grian, of course, is the confounding factor.

She wasn't going to turn him away. He needed allies. They needed someone a bit better at actually doing damage than herself or Etho. It's mutually beneficial. And, besides, he's weirdly lovable, in an inherently kind of dangerous way. A little like loving a bobcat someone had accidentally raised as a pet cat until it got a bit too big and stinky and murdery for them. Like, yeah, he shouldn't be domesticated and he's not, really, in any sense of the word, but it's a bit sad to watch him try to survive on his own now, right?

Hah. Maybe that's what Scar managed to do to him. Would explain a lot, really.

Anyway, he's her bobcat now, which is the problem.

See the thing is: Cleo understands Etho. It's why finally deciding to be partners for once felt... right. They're similar flavors of people. Scared, mostly. Survivors, but not in the 'will stab anyone' way that like, Martyn is. Loyal, although Cleo has no delusions that Etho is as loyal as she. And scared. Has she already said that? Scared. It's important to the kinds of things she and Etho are. Like... mountain lions, maybe. Mountain lions that have been around just enough people to know how dangerous they are. Like that.

God, she's only doing cat metaphors. Bdubs really is turning them all into furries.

Anyway, the point is, Grian isn't scared.

And that... terrifies her.

That's scarier than anything else. Because, see, Cleo wants to survive. But more than that, she wants her partners to survive. And she and Etho, the two of them are doing well. Better than most people. They're green and they have so many hearts.

But Grian? Grian's yellow and not afraid and goading Etho into not being afraid too. It's not their fault, exactly, Cleo thinks. They both had hard tasks. They didn't have a choice, Cleo thinks.

But. But.

She doesn't know what to do, if Etho gets convinced the humans down the mountain aren't scary. She doesn't know what to do if he gets too close. She doesn't know what to do if he gets hurt.

Because she--she doesn't think she can learn to stop being scared, anymore.

But she also doesn't know how many times her heart can stand to lose someone.

Did you know--wild cats are social? They have a reputation for being loners, but mountain lions, they're social. They don't do well being alone. They don't actually hunt solely alone. That's the important bit here. They seem independent, sure, but actually...

Anyway. This is Bdubs's fault. For making her a furry, apparently.

She watches Grian and Etho scheme together and sits back and breathes and tells herself that Etho isn't going to stop being afraid anytime soon. That if push came to shove, he, at least, would retreat back, and that maybe the two of them could convince Grian to retreat too. Safe from hunters. Safe from red.

Maybe safe from hurting each other, too.

(She's not so sure about that part.)

[danandfuckingjonlmao]

[valtsv]

"Can you guess what it stood for, Mum? [...] It stood for valuable."

[dulcewrites]

I think the thing that shocks me the most about the discourse, if you can even call it that, around book Alicent vs show Alicent, is the idea that people think book Alicent had full autonomy over all her choices and she wasn’t a “victim” like show Alicent.

Now first, I put victim in quotations bc the way people who do not like her have almost bastardized that word. Alicent is a victim, and those things (rape, abuse, neglect) were done to her. That says everything about the men who did that do her and nothing about her. But people are hellbent on throwing Alicent, a woman in a violently patriarchal environment, being victimized back at people as if it is moral flaw of hers. Which is just terribly ironic bc the same folks who say Alicent “did it to herself” or “deserves what she is getting” also seem to think the crux of the story isn’t about generational trauma catching up with itself, how far people will go for power, or even how all girls and women are harmed - albeit to different degrees. But more the fact that Rhaenyra is the only woman to be harmed - and the only harm done is not getting the throne easily. Those same people wouldn’t be caught dead admitting that Rhaenyra is also a victim in the way they shit on Alicent for being. From the father who sets her up fail, to the baby daddy that’s been eyeing her since she was barely 18, to the uncle that grooms her. It takes away from the fantasy projected onto Rhaenyra if she too is surrounded by men that use her and she never escapes that.

Second, it’s funny how F&B gets heralded by some as this exploration of how history is skewed depending on who is telling it. But people can’t read between the lines (you honestly don’t even have to do that much work) with book Alicent. Showing 14 year old Alicent being preyed on, 16 year old Alicent being pregnant with her second child, and 18 year old Alicent being raped is somehow the show needlessly making Alicent a victim. But reading about a 13 year old bathing, dressing, and taking care of a king who mistakes her for the daughter he abused and neglected, and then that same girl, at 18, marrying another king that killed his previous child bride is just girl bossism on book Alicent’s part?

People hate conceptualizing the idea that (even book) Alicent is caught in patriarchal trappings bc to some that takes away from Rhaenyra’s plight…. Bc they can’t wrap their heads around several women *gasp* all going through hardships, and that ultimately people will respond to trauma differently depending on tools/knowledge they have at their disposal. Alicent neither being gleefully evil nor picking herself up by her bootstraps to somehow end years of patriarchal violence is not the neat box they want for her.