#maybe when i get old

[horrorsequel]

hiiiiiiiiiiiiiiiiiii from club bathroom mirror!!!

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[samble-moved]

post itself

false flags

trans/adjacent tags

accessibility features

tumblr live post (thanks for the link, @problemnyatic)

flashing / strobing / lights

unblockable flashing ad

buying ad free

staff @/macmanx guilt trip

list of staff + more issues

[starry-bi-sky]

FUNNIEST fucking shit that comes with making Danny eleven years old when he had his accident in "late at night, when the nightingale sings" is the implication following, that everything that happened in the show did too. And I fully intend on (mostly) keeping it like that. There'll be some changes (of which I need to figure out) but for the most part??? Yeah relatively the same.

Like I FULLY intend on keeping Dark Danny occurring 6 months post accident. Do you know how fucking HILARIOUS that is??? That Dan got his ass kicked by a goddamn FIFTH-SIXTH GRADER?? I'd never show my face ever again. Homeboy spent the last ten years being a one-man mass extinction event, only to get his ass beat by a kid who hasn't even lost his last baby tooth. That's hysterical. I'm losing my mind just thinking about it.

AND PARIAH DARK TOO. Imagine being an eons old tyrant capable of dragging whole towns down into your dimension, and you get singehandedly shoved back into your coffin in less than 48 hours by a kid whose bedtime is still 8:30. You didn't even have the time to expand your army! You were still trying to take over the city the kid came from!

And he just!!! Shoves you back in!! Insane! This kid hasn't even been dead for a full year yet! He's still growing in his ghost fangs! And he just knocked you flat on your ass in an oversized mech suit. What the fuck! It's like looking down and seeing a four week old kitten meowing very indignantly at you and trying to bite your feet, except that kitten is also actually a black-footed cat and they have a 60% kill success rate, and oops! Now you're dead. You took too long laughing at the kitten trying to attack you that it clawed up your pant leg and ripped out your throat.

COULD I, realistically, span these episodes out over the course of 2.5 years prior to Danny's family dying?? Yes I could! Do I think it's hilarious (and horribly traumatizing, which makes it twice as fun) to shove all of this into the span of (roughly) a year instead?? Yes. Because the show has such a skewed timeline that I've always just assumed that at the end of the show, Danny was starting his sophomore year in high school. So fuck it, lets go for it!

[heartorbit]

find another role, carry on the show

[backpackingspace]

Athena with odysseus: surprise attacking odysseus and bodily slamming him to palace walls (for awareness training). Randomly kidnapping him from the palace to drop him in the woods (or the ocean or on two memorable occasions on a completely different island) (survival training), using her full strength in sparing matches (odysseus has many broken bones) dragging him up by his wrist so they're face to face. Not being careful with how often she uses quick thought or any of her other powers (what? He seems fine. She's sure odysseus has always been a freak it's definitely not brain damage it's/fine/hes /fine)

Athena with telemachus, after she accidentally knocked him out once: right right odysseus and penelope taught me how to do this when they had me babysit you. Gotta be gentle so so gentle. Gotta support the head gotta craddle humans not yank them up by the wrist (she knew odysseus was a freak why didn't he say anything??) Can't just funnel her full power into the kid gotta be so gentle.

[jsheios]

So Hilda season 3. (This post has nothing to do with hilda season 3)

[villain-enthusiast]

TOUCH-STARVED HERO RAHH.

.

“You’re hurt.”

“I’m fine, actually,” the hero muttered from their sloppy position on the ground, though the oozing gash slicing across their torso and the fresh bruises circling their throat said otherwise.

The villain arched a brow, crouching down so they were eye level with the hero. “Do you think I’m dumb?”

The hero glowered at them. “Seems like you're deaf, actually. I said I’m fine,” they snapped, even as pain shuddered through their battered body. “Now if you could just get out of my way—,”

“Darling, please. You couldn’t stand up even if you tried, let alone walk yourself halfway across the city to your apartment.” The villain smirked at the hero’s deepening scowl, but the teasing flair didn't quite reach their eyes. “Let me do you a small favor while I’m here, at least.”

The hero bared their teeth. “Fuck off. I don’t need your stupid healing powers. You'll probably turn this into one of your idiotic bargains—," A harsh coughing fit cut them off, rattling their chest.

They tasted blood on their tongue. Fuck.

“Gosh, so prideful." The villain sighed, tilting their head. "Oh look at that, you're bleeding." They lifted a hand and ran a thumb over their hero's lips, wiping away a smattering of blood that had spilled from their mouth.

The hero's breath hitched at the villain's touch, the smallest, most delicate of noises escaping them before they could stop themselves.

The villain paused, their brow furrowing as their gaze took in every little movement and detail of the hero's involuntary response.

The hero's jaw tightened. Every muscle in their body screamed at them to get away, but they couldn't move. Or was it that they didn't want to move? "Villain, I swear—,"

Then the villain’s hand was cupping their cheek, and the hero melted.

A desperate whimper tore from their throat, their head lolling into the cool touch of the villain's palm as all the pain and exhaustion radiating through their body suddenly evaporated.

They closed their eyes, feeling their face begin to burn with shame.

"Oh, sweetheart," the villain murmured. Their other hand swept through the matted strands of the hero's hair, working through the tangles.

The hero had to bite down on their lip so that they didn't make another embarrassing noise. So gentle. The villain's touch was so, so gentle. So at odds to their earlier opponent's strangling grip and blinding punches, so contrasting to gaping loneliness and helplessness of coming home to no one, of having to painfully stitch themselves up day after day after day...

The villain brushed away a tear that the hero didn't realize had fallen.

"Hey, look at me," the villain said softly, nudging their chin up. The hero blinked at them, fighting back a sob. "You need to let me heal you, okay? You're losing a lot of blood."

The hero swallowed, barely processing the villain's words, their brain entirely occupied by the hand still on their face—or maybe it was just the blood loss. "Yeah," they managed, voice hoarse. It felt like their vocal chords were coated in tar.

"I'm going to do your stomach first," the villain noted. "I need both my hands for this, alright?"

The hero nodded, ignoring the inevitable panic that shot through them at the sudden absence of the villain's touch, which returned almost immediately on the deep laceration on their lower torso.

The hero cringed, bracing for some kind of torturous, painful mending, but the villain's powers were warm, soft, like honey in a cup of hot tea or a crackling fireplace during a winter storm. God, how many years had it been since they'd felt so comforted?

A whimper escaped the hero once more. They tensed. Jesus fucking christ.

The villain cracked a smile as they worked. "Don't worry, love. You're not the first person I've healed that enjoys the feeling." They brushed a palm over the wound, weaving the hero's flesh and skin back together. "This is gonna scar, but at least you'll live to see another day, hm?"

The hero scoffed weakly, still drunk on the villain's magic.

The villain swept their hands over the hero's body, feeling for more damage. "Gosh, Hero," they hummed, "you get yourself into so much trouble, do so much for this pitiful city, and for what?" They placed their hands on the hero's battered neck, soothing the inflammation. "When's the last time someone took care of you?" they asked quietly, but the question seemed more for themselves than for the hero.

Several heartbeats passed before the villain pulled away, finished with their work. The hero couldn't stop themselves from chasing their touch, nearly toppling over.

The villain caught them before they hit the ground, chuckling. "Oh, what am I gonna do with you?"

The hero felt a lump form in their throat at the thought of the villain leaving. I'm not gonna make it home. Not without Villain. They squeezed their eyes shut, swallowing their pride. "Please," they whispered. "Take me home. All I ask."

"Don't need to ask me twice." The villain swept the hero up into their arms, smirking at their indignant (and exhausted) glare. "You're not walking, sorry. You're getting all my love and special treatment today." They winked, as if they were joking.

But as the villain paced their way to the hero's apartment, and as the hero began to fall asleep in their arms, they both knew it wasn't a joke.

[14dayswithyou]

a few months ago you talked about playing mouthwashing and I was curious if you had any head-cannons for the characters if they got sent to that universe

pls tell ren he's adorable and he owes me 19 dollars

⌞♥⌝ They would be friends I think :3

[taehyunghobi]

boyfriend vibes 🐿️💕 (17/∞)

[dreamsy990]

just made a post about kh making like half the cast clones so heres some clones for you

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[xxplastic-cubexx]

i didnt plan to spend my sunday this way

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[seasideoranges]

i love your zukka art!! have you ever drawn them in a modern setting? i would love to see you interpret their clothing styles!!

sincerest apologies that their outfits are kinda boring especially sokkas, designing modern clothing for the atla gaang is very difficult for me haha

[shalomniscient]

maybe hot take but i do think it’s entirely possible to romance arlecchino even if you didn’t know her before clervie died, it’ll just take a really, really long time. the slow burn of the century, even. obviously there are things you have to be, like an ally to the house and a fatui member, but beyond that it’s really just a waiting game. it’s the progression from colleague to ally to trusted confidant before she would consider even looking at you platonically. and then maybe years of being just friends, at least to her, before she realises that maybe what she feels for you at this point goes beyond the bounds of friendship.

of course, when she realises this, she vanishes off the face of teyvat for a good month or so to go on a nice emotional crisis bender. maybe she even deploys you to some other corner of the continent to very pointedly avoid your presence because uh oh, feelings, and she has 0 clue what to do. sucks to be her, though, because she is also very pointedly miserable without your company. not in super obvious way—it’s arlecchino—but her kids and subordinates will notice that she’s slightly… off. always looking to her side where you’re supposed to be, but aren’t. it takes her a while and maybe a trip to that old broken arena, looking out at the vast sea before she finally reconciles her feelings with herself.

she loves you. not the same way she loved clervie, never the same way—but she loves you.

when she calls you back to her side she most certainly does not breathe a word of this to you. and it’ll take her even more time to do that step, carefully assessing your every action and reaction. she asks the children about you more, and they share knowing glances. your likes, dislikes. hobbies and even guilty pleasures. she almost unconsciously starts to court you, but plays it off as fortunate coincidences.

the director of this new play at the epiclese happened to give me two tickets for free. care to join me?

there’s a new item on the menu at hotel debord. i intend to try it; i believe some of the children may enjoy such things. however, a second opinion would also be valuable. shall we?

(the fact that the play is a romance one and the menu item is a couples’ special is a fact she conveniently avoids bringing up.)

i imagine she’d confess eventually in a surprisingly casual way. maybe you’re both standing on the shore, watching the sunset. the both of you talk about unimportant things, but it’s only with you that arlecchino wants to indulge in these unimportant things, if only to hear the sound of your voice. she’d say the words under the light of the pale moon, always having been more comfortable under the silver light than that of the sun’s. she won’t say the words outright, no i-love-yous, but something just enough.

you are valuable to me, she’ll say, watching the waves roll, as if simply stating another unimportant thing. but her body betrays her, the subtle tense of her shoulders and the way her fingers twitch by her sides. you are not expendable.

it’s fine, though, because you’ve known her long enough to know what she means. and when she finally kisses you for the first time it’s with the slightest hint of hesitance and uncertainty, but there is a sincerity in her that you could not deny if you tried. that night you walk back to the house with your arm looped in hers, and as she watches you watch the world she thinks she could never go back to the one she had before you.