#maybe that’s a long term job for me to do

[ballinandcantgetup452]

I legitimately hope that BNHA takes from American comics and allows for several people to work on the title. Vigilantes is proof that Horikoshi will allow for legitimate spin-offs and not just "oooo they're chibi" type spin-offs. I honestly think that Horikoshi would be okay with more spin-offs if they were good ideas. Here's some ideas that I would want to see get greenlit in order of what I want the most to least:

------------------------------------------------------------------------------

Boku No Hero Career:

Basically just Deku trying to be an adult, while being a teacher, while being a hero. Basically, I'm asking for J. Michael Strazinski's run on Spider-Man. But I could specifically see somebody having a field day with how this new society works, and how hero-work is moving more towards helping the oppressed rather than fighting sludge monsters. There'd still be sludge monsters, I'm not trying to de-comicify My Hero, but it's a whole lot more of trying to fight the root of the problem. I think a strength of this potential story could be the use of non-violent conflict resolution. There'd obviously be action, but nothing bigger in scale than say the Overhaul fight. If you want to add inherent stakes, you can always have Deku's armor get damaged or something. Gun to my head, I could see the first long running arc about Deku and crew trying to end a prostitution ring. I also wouldn't mind an Izuocha subplot, but that's just my personal preference. I admit that part of this is just me missing JMS' Spider-Man run.

Skycrawler Adventures:

Okay I only had one cool title name; sue me. But I just want more of Koichi, man. Horikoshi has said he's a sucker for Spider-Man and at the very least one cover is literally a direct homage to Ultimate Spider-Man Vs. Venom. If BNHC is JMS' run on Spider-Man, this is Tom DeFalco and JM DeMatteis' runs on Spider-Man. It's that early 20's, post-college and in your first big kid job vibes. Maybe we start with Koichi starting up his own hero agency and struggling to maintain it. Maybe we finally make him canonically autistic? I admit I'm projecting with that one. But I think that Skycrawler Adventures could be like Chainsaw Man Part 2. Not exactly, but in terms of making this into an epic.

Boku No 52

This title requires some light explaining. Back in the day, DC had an event called 52. This came right after the event Infinite Crisis. After Infinite Crisis, the DC universe had a one year time-skip. However, 52 also released at the beginning of said time-skip. The premise of the book being that each issue would cover one week, and by the end of the series (which had 52 issues), you would know everything that happened during the time-skip. The only real caveat with this book being that Batman, Superman, and Wonder Woman were practically off the table. So, you had to use more minor characters. The book had 4 all-star writers and it was an absolute smash hit. It's still beloved to this day. I think that BNHA could use something like this. It can even fit my prior two pitches in there. But you can also have chapters about the new class 1-A, Bakguo yelling at clouds, is Endeavor still trying to be a father, what is Momo up to, literally anything. You can have it showcase a bunch of new mangaka. I'm sure that Horikoshi had drawing assistants, let them have a shot at this. This one is definitely the least likely to get passed. But, I also think it has the highest potential.

I'm willing to bet that Jump DESPERATELY wants to have another Naruto or Bleach or One Piece. Specifically a manga line that lasts for a STUPIDLY long time that's extremely popular that they can ride into the sunset. I think that My Hero has that potential. I just think that they should keep Horikoshi as a consultant, and do brand new things.

[amarriageoftrueminds]

I ended up doing a long old rant on this other post, about the problems with the Steve/Bucky characterisation in CATFA, how it fails to make them mutual in their support / fails to properly show Steve's struggles and independence, before serum.

And I was thinking...

what would you have to do, if you wanted to write a CATFA or pre-war Stucky fic and wanted to fix all those problems?

So I figured I'd make a list!

Pardon me while I rip CATFA a new one...

.

Problem 1) Pre-serum Steve acts as if he's independent and self-reliant without Bucky... when the opposite is shown.

A) He doesn't have a job.

(He isn't shown working, doesn't mention working, or taking time off to do the things we see him doing etc. Bucky is framed as paying for things.)

If the fic is set during CATFA you could fix that by mentioning Steve does have a job but has been given time off to go enlist. Or has just been fired from his job. Basically anything to show that Steve has had a job, has been working. Perhaps even had multiple simultaneous jobs!

Probably cut out the part where Steve scoffs at working in a factory or collecting scrap metal (more likely he'd admire and/or understand why both of those are viable options; maybe they're jobs he has done in the past and is biased against now, for some experiential-related reason.)

Or, if he still does not want to work in a factory... well, at the time, with most men being overseas, factory work would've been women's work. So perhaps Steve was reluctant because it feels emasculating. Or maybe even dysphoric, to be relegated to otherwise female-only spaces, instead of welcomed into (then) male-only spaces like the Army? 🤔

(This would especially ring true if you were doing a trans!Steve story, or emphasising the disability aspect of his life. And it would cycle back when he gets stuck in the USO, doing women's work again.)

B) It would also be better characterisation if pre-serum Steve was actually already good at fighting, but just happened to be outclassed by heavier weight opponents, and/or handicapped by sudden disability flare ups mid-fight.

(In the tie-in comic, Bucky taught him how to box. Why not keep this? It really makes sense!)

The ability to fight and win should be a matter of Steve's spirit, not his physical body or his training. It shouldn't arrive with serum.

(To put it in His Dark Materials terms; Will Parry has a warrior's daemon, even when he's a 12 year old boy; he can win a contest against a grown man or even an armoured polar bear! Likewise, Steve Rogers is supposed to be the David who can win against a Goliath - yes, even when he's the little guy.)

I know it's easy to have Bucky swoop in to save Steve from a fight he's losing disastrously. But it would be more gripping (and make Bucky's value shine more), if Steve was actually winning the fight, despite being the underdog, and then something completely out of his control happened that tipped the tide against him, and then Bucky arrived to save him!

And also it would make more sense if Steve's health at the time of CATFA was in a lifetime high point, (possibly because of Bucky's long term support).

Then it would be less nonsensical to be trying to lie his way into the Army. There has to be some actual common sense logic behind his choice, so that he's not essentially snapping 'Bucky why won't you support me committing suicide, gdi??'

Steve shouldn't be getting his first real win by knocking down a flagpole; he should've been showing this capability in his pre-war / pre-Army time, too.

Possible Example:

You could emphasise the idea of Steve entering a fight he knows he's going to lose, in order to accomplish a secondary goal that the enemy doesn't recognise.

IE. Steve fighting the bully in the alleyway -- he loses the fight, but succeeds in stopping the bully from making a scene in the cinema, which was his original goal. So mention it!

(Steve could be like 'winning this fight wasn't the point.' And Bucky could be like 'ah, so what were you distracting him from?')

Perhaps Steve's secret goal in joining the war isn't to win the fight against Nazis, but to distract Nazis from Bucky?

.

Problem 2) The support is imbalanced; Bucky's doing all the emotional, financial, and physical labour in the relationship.

You could fix that by showing how pre-serum Steve was not only mutually financially supportive of Bucky (in the sense of having a job), but was also supporting Bucky emotionally and physically, just as much as Bucky supported him. He could be doing at least 2 of the 3!

Possible Examples:

Bucky going through an emotionally hard time that pre-serum Steve pulls him through (just as Bucky did with Steve's Ma).

Steve treating Bucky's wounds after a fight, just as Bucky treats his. (If Bucky's a boxer, like the tie-in comic, then Steve could be his cut man when he's in the ring!)

Steve paying for some of their expenses, or finding places to take Bucky that are free when it's his turn to plan a day out, etc.

.

Problem 3: Sarah & problem 2.

If this is CATFA / post-death setting, show flashbacks or make references to Steve visiting her in hospital, or doing the work of nursing her himself / sitting by her bedside if she died at home, paying for her medicine, etc.

So that it's not just another example of Bucky wholly carrying Steve; show the balance. Maybe Bucky was temporarily footing the bill so that Steve could afford to quit his job and do the nursing at home. Both putting the work in, in different ways.

(This would be a perfect example of one way Bucky's experience of looking after sick Steve would pay off, and make him able to teach Steve how to do it when the roles are reversed.)

Better yet, a show-don't-tell of Sarah instilling Steve's moral compass and tenacity; maybe even some Bucky POV to show her impact isn't just relegated to Steve.

Her absence could also be shown in present day with Steve, eg. packing up his things to go to basic and having to leave behind some keepsake of hers. In the comics Steve carried her photo. Perfect candidate to put in his compass!

.

Problem 4: The relationship is framed as transactional.

Less of 'I'll do X for Bucky now because he did Y for me back then'

and more of 'helping Bucky is the right thing to do because he's innocent, so I'm going to do it regardless of outside whining, and he would still do the same thing for me, or anyone else, because he's a good person too.'

There has to be more to it than just convenience, needing each other around to help; there has to be an actual desire to be together for pure enjoyment, too.

IMO you'd need at least one scene where Steve and Bucky aren't benefiting in some way from spending energy on eachother. They're just... happy being together.

And perhaps Bucky isn't the only friend pre-serum Steve could have had, just the one Steve most wanted to stick with. (His options should amount to more than 'Bucky or no one.')

Perhaps Steve's health absences and strong principles drove other friendship prospects away? Perhaps Steve even lost other disabled friends to their poor health, poverty, etc?

.

Problem 5: A's problems are framed as B's.

No more 'Steve getting attacked' being framed as a problem for Bucky.

No more 'Bucky being drafted to die' framed as a problem for Steve.

Better characterisation would show these bad things affect the victim first and foremost, and only/also the other one, secondarily.

Steve shouldn't be seeing Bucky's shipping-out uniform (skipping right over thank yous and congratulations) and talking about how that's sad for... himself.

Steve shouldn't be sabotaging Bucky's last night of freedom in NYC to spend it on... his own goals.

Sidenote: Bucky wanting to spend his last night of freedom with strangers is such idiotic writing anyway, when he has both Steve and a living family with whom he could be spending those last precious moments! And dragging Steve on a double blind date he clearly doesn't want to go on is counter-productive. It undermines the mutually-supportive / mutually communicative relationship Steve and Bucky should logically have, as lifelong inseparable best friends (viz. a Bucky who's known Steve this long should be able to tell he's not into it.) And it shifts the blame for Steve's singlehood off of him and onto Bucky, and women generally.

Steve shouldn't be detailing why he's so keen to fight, and focusing on random men he doesn't know, not directly/unequivocally mentioning Bucky at all.

(Indirectly, he wants to be like the men laying down their lives -- so... like Bucky? But this is still nonsense. He should want to be there to support Bucky, not to copy!)

It's likewise nonsense for Bucky, who has known Steve since he was a child, to ask Steve why he's keen to fight.

Bucky doesn't need to ask. Bucky already knows!

Lazy clumsy exposition.

And the narrative should be showing us why Steve wants to fight Nazis, rather than having Steve infodump some vague reason without anything to back it up.

Speaking of which...

.

Problem 6: Lack of explicit politics.

Like in the comics, Steve's reasons for fighting Nazis should be explicitly left wing and political, as well as passionately personal.

(Wanting to be like able-bodied men who get girlfriends is complete cringe incel bullshit as a motivation and not true to the comics, or CEvans's performance!)

Proper Steve characterisation should have him behaving in a way that shows he's a man ahead of his time in terms of Antifa politics, and that's why he wants to fight.

IE. happily sharing housing and schooling with people of other races, ethnicities, and religions. (Especially so when he has been in the same SEC as them / been in multiple different schools and lived in various neighbourhoods as a poor kid. Would also establish why both Steve and Bucky are fine having Gabe and Jim on their team!)

Not judging and mistreating disabled people the way he is.

Not judging unmarried mothers, belittling working women, expecting his mother to do all the housework, etc.

Not freaking out about the existence of queer people in public (even in an AU where he isn't one) defending gay men from attack as he does in the comics,

protesting and/or sabotaging public Nazi meetings in NYC, fighting with homegrown Nazi bullies especially,

ditto corrupt business owners / mafia union-runners as he does in the comics, etc.

(Sidenote: as a congenitally disabled person, Steve is also a target of Nazi rhetoric himself. So he would be personally concerned with fighting Fascism, and perhaps this was his philosophical springboard to recognising and combating all the other bullshit in its thinking, even when it's entrenched in American society.)

Basically, the Hydra saboteur should not be the first Nazi Steve ever got his hands on!

And Bucky should be an addendum when it comes to his reasoning. The heart of Steve's motive, where politics are the guts.

.

Problem 7: No disability rep.

A) Steve should not be saying that he, a disabled man, shouldn't have the 'right' to do less than able-bodied men, even though it is literally physically impossible...

...UNLESS, this internalized ableism is addressed in-story, rather than treated as if it's normal and even noble.

Other characters can be ableist; Steve should not (not only is he disabled himself, but he's supposed to know better!) ....unless it's part of an arc that shows him learning the error of his ways.

And that's a slippery slope when you consider that Project Rebirth, started by Nazis, really is a Eugenics project.

Instead of this suicidal ideation, it could be shown that Steve's health has recently become good enough for him to survive and succeed in the Army. And/or that Steve is passionate about fighting fascism, personally, because he belongs to a class of people whom Nazis believe shouldn't be allowed to exist.

Without Steve arguing that he should throw his disabled life away, just because able-bodied men are taking a significantly lesser risk of dying than him.

B) There should be actual details of Steve's disabilities, what they are and how they affect him. (Him - not Bucky.) In a way that has concrete negative consequences, beyond just not getting into the Army.

Possible Examples:

Kid!Steve being held back a year at school because of missing days due to sickness. (Kids can be cruel and parents can be ignorant; he might've been bullied and ostracised for being sick and believed contagious. And that's before the consider the amount of isolation necessary for recovery periods.)

Kid!Steve having to move around a lot (which would also affect which school he'd have to attend; always the new boy!) because losing money to medicine affects what his mother can afford, affects her work schedule when she has to look after him. Living in a worse place would then exacerbate his pre-existing symptoms, and so on.

Adult!Steve losing a job because of sick days, losing savings to pay for medicine, getting sick again because he chose heating and groceries over medicine, or vice versa, etc.

(This / the moving-around might be mitigated if he and Bucky are living together, meaning Bucky could make up the shortfall.)

Steve could lose friendships, job opportunities, or romantic partners due to sickness repeatedly taking him out of social circulation. He might also have disabled friends who lost the fight / weren't as lucky as him.

You could also play into the Nazi eugenics then endemic to the USA and have medical professionals telling Steve he shouldn't be alive; 'well-meaning' people offering to pray for him, saying they'd have just 'given up' if they were born like him, etc. (Or even saying these things to his mother!)

And Steve should, maybe, mention once or twice that he feels better after serum, and truly couldn't be doing what he's doing in Europe, if superserum hadn't also cured all his ailments?

If he's much more peppy afterwards, it should be because for the first time in his life he can actually breathe and spring out of bed!

.

Problem 8) The Incelery.

Pre-serum Steve should not be framed as undateable because he's short and disabled.

If Steve hasn't had a girlfriend, it should be because he didn't want one, not because he's incapable; not because evil women are repulsed by invisible health issues or Bucky is too dreamy for a disabled man to possibly compete with, be so fr. 🙄

You could fix this by making Steve: gay,

ace,

demi,

coincidentally surrounded by lesbians,

by women who have horrible unattractive politics,

too sick or busy with work to date,

getting attention but it's the wrong kind (ie. women who want to fetishize or nanny him),

and/or being very attractive to women even before serum but oblivious and/or simply not interested. 😂

/more than one of the above.

.

[lumiilys]

Dyou think that when Stede is sad or having a bad day he just stays quiet? The average person can’t tell he’s not doing good but Ed just knows. His jokes are less enthusiastic, he makes fewer silly comments, and he’s got this faraway look in his eyes. And Ed knows he’s gonna have to ask multiple times before he actually gets Stede to tell him what’s up cause Stede will always just go “yes I’m fine don’t worry just tired ☺️” at first. But eventually when whatever is bothering him comes out he’ll get to spend the rest of the day wrapped up in Ed’s arms.

[mob-choir]

i’m having so many emotions about teru

that was such a fast-paced, high-stakes situation, and he was thrown so many curveballs he barely had any time to cope with, and he still managed to adjust at impressive speed and never lost his faith in mob.

specifically: that moment right before ???% grabs him by the throat, when he’s kneeling on the ground trying to catch his breath. in that split moment, that’s when the realisation dawns, that this version of mob has no qualms in hurting him even with his bare hands. mob being non-violent to the point of letting himself get choked to unconsciousness was literally how they met, it’s one of the foundations at his core, and teru was well aware of it. having that knowledge suddenly be proven wrong, and all that means for his own safety, must have been a lot to take in. i can’t quite tell if it’s fear that we see on his face for a second, but if it is, that really adds to the element of horror - that sudden realisation that you’re in so much more danger than you thought and your initial plan is not going to be enough.

and then of course: when ???% lets loose his power despite so many people still being around and unable to evacuate. the horror on teru’s face, man. i don’t think it’d really clicked for him what mob being in this state actually meant until then. sure, him attacking teru was unlike him, but teru’s still an esper. he’s in great danger but he can somewhat defend himself. but civilians are different, and you can really tell teru did NOT think mob would put them in danger like that. he’s completely shell-shocked. i think that was another huge moment where he had to very quickly reassess the situation and what to do about it, all while coping with the emotional side of it all, since this is one of his closest friends and someone he really admires. he has to very quickly reckon with the fact that despite the pedestal he put him on, mob is just as human as he is and is capable of making mistakes just like everybody else, mistakes that don't detract from his worth.

which brings me to the point of it all. that DESPITE ALL THAT, teru was still able to 1) understand that mob desperately wants someone to stop him and would never want to harm anyone like this (bc he remembered that mob cried after realising what he’d done to his school....... where he’d only really harmed one person, who had done much worse to him..... if he cried after that, how will he feel when he finds out what he’s causing now?), 2) save all the people caught up in the devastation and get them all out of harm’s way, while being in a lot of pain (his EYES were BLEEDING), and 3) never once lose faith in mob. he saw him go on a (unintentional and unwilling, but teru doesn’t know that) rampage, doing things he would never in a million years think mob would ever do, and still took all of that in in record time considering the situation, and came out on the other side still whole-heartedly believing in shigeo and his goodness, and almost dying trying to stop him. because he knew that being the reason hundreds of innocent people got injured (or worse) would completely and utterly break mob.

and while, knowing teru, he might think he failed since he couldn’t achieve his goal (stopping mob’s rampage), what he succeeded in doing was ultimately just as important. he saved all the people he could, and gave his best for the one person he couldn’t.

[unknownarmageddon]

Hunger games simulator but it's just Kross aus

OH MY GOD you’re so right. hang on

[dancedance-resolution]

well fellas it’s happening i think i am maybe developing a crush on the girl ive been fucking recently 🫥

[deus-ex-mona]

my five surviving braincells when something remotely good happens:

[moinsbienquekaworu]

I just spent like 20 minutes thinking about soup

[ialwaysknewyouwerepunk]

.

[yo9urt]

mutuals and followers do u guys have any recommendations for:

headphones (must be wireless and noise canceling and comfortable and have a decent or better mic)

desk chairs

standing desks

[ilkkawhat]

Heya! Hope you’re doing okay ❤️

well, i didn't cry today (and more importantly didn't cry at work in front of everybody) so I'm taking that as a sign that things are getting better...I hope 😅

[z0mbride]

everyday my job at a nursing facility pushes me towards smoking

[deviousdiesel]

.

[imagine-nerd]

The fucking disconnect is so real.

[artykyn]

I was like “I’m so excited to move somewhere new and do a lot of exploring and traveling!” only to discover that actually I find exploring to be really boring when I’m alone

Like yeah sure I can go on a road trip and see some cool views and interesting places. But if I’m not sharing those memories with someone, then all my memories might as well just be dreams. I want somebody pointing things out to me and saying something funny about it. I wanna point things out to them. Quietly gazing at the ocean is boring alone, but a wholesome relaxing moment if I’m with someone. When something weird happens I want someone to laugh with me. When I’m alone I just go “huh okay” and move on.

At first I thought “maybe I can get a remote job and then pop around living in temporary housing for a few months at a time and explore everywhere!!” but the more I learn about myself, the more I realize I would be soooo bored. Unless I had a partner who also had a remote job and was willing to lead a lifestyle like that. 

[bsaka7]

sometimes the most random things make me miss being on a team soooo bad