#which like yeah i need help. a lot of help. but they all have their own jobs

[tizeline]

TSAU!Donnie's Ninpō Explained!

The first ability Donnie unlocks is the ability to see mystic energy! Objects or people with with mystic energy has this colourful glowing aura you could call it, the more mystic energy the more brightly is glows. For example - Mikey already has a very bright aura naturally, which becomes even brighter when he is actively using magic! ..... All of this is to say, Donnie found that out the hard way when he used his mystic sight on Mikey when he was using magic and Donnie as a result got a little bit fucking blinded!

All yōkai and mutants are naturally mystic in nature, they always have a visable aura because of that. Humans are not mystic, so they don't have that aura. HOWEVER! Humans can learn how to use magic through certain means like, y'know, Ninpō for example! When a human uses magic, they do have mystic aura, but only while actively using mystic powers.

(Also Donnie totally accidentally discovered that the "teapot" had bad vibes because his mystic sight lol)

After a while Donnie is able to start making constructs out of his Ninpō. Initially however, he can't really form complex designs, it's mostly just blocks and walls, very simplistic shapes. But it turns out he can use these simpler constructs as effective shields! Which is good considering his soft shell as well as the fact that his battle shell in the AU wasn't built to be used as armour. Both he and April gets a lot of use out of the extra defense.

With quite a bit of practice Donnie is able to actually generate specific and more complex designs! Which means that yes, to the horror of friend and foe alike, Donnie can and will summon an entire arsenal of firepower, yikes. He's not limited to firearms though, he's able to generate all kinds of technology and machinery (drill!!!!)

To create these mystic contructs, it does require Donnie to have a good understanding of what it looks like, how it functions, etc. His imagination and his knowledge of technology are what sets a lot of the limits on what he is able to create, if he can build it in his lab then he can build it with his Ninpō. This particular ability requires a lot complex thought, if Donnie wasn't so smart he wouldn't be able to pull it off as well as he does.

Another limitation is that maintaining the contsructs is very energy-consuming, he'll quickly exhaust himself if he keeps them around. He'll usually only summon constructs very briefly for an attack and then immedietly dismiss them.

The way that Donnnie's Ninpō manifests itself is already very technology-oriented, because of that he can interact with ordinary technology through his Ninpō. Personally I haven't figured out the details of what exactly that can look like, but there's definitely a lot of possibilities to explore here.

One thing though, as Donnie's Ninpō grows more and more powerful overtime, a side-effect of that is that if he gets really pissed off or otherwise very emotional, he'll accidentally make the technology in his near viscinity go haywire lmao. (This has the risk of making him even more angry, which just worsens the problem, and so on haha)

I really like the idea of Donnie being the second most powerful mystic user out of his brothers, after Mikey of course. And because he's mostly self-trained, he doesn't have the best understanding of how to properly control his powers, which evidently can become a bit of a problem. Donnie eventually agrees to let Draxum help him get a better grasp on his mystic abilities after the Hamatos and the Draxums become more friendly with each other.

So uh. About how Donnie kinda accidentally infused Shelldon with mystic energy while creating him which caused the robot to develop a kind of soul? Yeah so because of that Shelldon's mystic energy if linked to Donnie's, which means that Shelldon more or less gains access to the same abilities as Donnie does! He's not quite as powerful as Donnie, and he still needs to practice to fully get a grasp on these powers as well. But point is, that's how Shelldon gains acess to Ninpō in the AU! (He also notices their fucked up "teapot")

----------

Anyway that basically summarizes it! A lot of these ideas are headcanons I have for canon!Donnie as well honestly, the AU is just an excuse to explore these concepts. Donnie's ability to summon fucking firearms and military equipment is also something I've thought about, I wanted to try to think how it would work for him while also putting some limitations on it. ANOTHER THING I like the idea of Donnie's tech constructs basically being the same ability as when Raph creates constructs of himself. The difference lies with that Donnie is a massive nerd so his first instinct is to recreate his own tech with the Ninpō. While Raph being someone who is already so physically strong would naturally use his Ninpō to recreate his own greatest weapon, which is himself. (Donnie uses his brain, Raph uses his brawn, who would've guessed)

[thepolyamorouspolymath]

In 2012, healthcare was all over the US election debate bc Obama care was new, and I had 4 kids and chronic conditions in the family in every direction and I'm sitting at a party, talking about it to this 22 year old, doing shots with him as he explained how he didn't really get why it was being made such a big deal, and I'm like yeah, bc you still have your parents insurance and bc you're 22 so probably in pretty good health overall. Do you know how much it costs to have a baby? To vaccinate said baby?

(It was awesome until half my friends decided we must be hooking up bc we were talking for hours... in full view, 5 feet apart about a damn policy debate which isn't generally considered sexy.)

But no, that part never occurred to him, because he'd been taught, like all Americans NOT TO HAVE ANYTHIJG OCCUR TO HIM. It's not that Americans inherently lack empathy, because they don't. It's that from birth on we are told not to worry our collective pretty heads about anything because our country is special and perfect and a shining city on hill bullshit and of course there must be things to help people who need it!

I'm one of the most politically aware people I know, and have been for decades. And I regularly still find myself forgetting to ask "what state do you live in?" When someone has a problem because Illinois has problems but they have more help than a lot of places.

[f1cflcfic]

The Prophecy (SMAU ft. Lando Norris) Part II

pairing: lando norris x singer!reader (y/n)

summary: what happens after the break-up that noone saw coming? as Y/N L/N gears up to release her next album, each song reveals a little bit of the past, present and future of her relationship with Lando Norris. Inspired by a curated playlist built around "The Prophecy".

note: this is RPF and is obviously in no way, shape, or form reflective of real persons.

genre: social media au, angst, exes to lovers, happy ending

part i

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥

September, 2026

[Excerpt from Kelly Clarkson interview with Y/N]

“We’re so excited to have y/n l/n with us today, I can’t get your latest song out of my head. It’s really such a great revival of the sultry pop ballads,” Kelly says joyously, and y/n can’t help but smile.

“Thank you! That means a lot coming from you – I grew up watching you on American Idol, I can’t believe I’m even sitting across from you now.”

“Oh my god, stop! You’re gonna make me feel real old. Congratulations again on your Grammy for your sophomore album, All I Ever Needed. How did it feel going into your new project with that in the back of your mind?”

Y/N shuffles uncomfortably on the couch. “Hmm thank you. I – well, it was really different. The songs I wrote on there were coming from this feeling of bliss which was fading fast by the time the Grammy’s rolled around. I had to figure out what kind of artist I am if I’m not in love, or writing about happiness. It felt embarrassing. I don’t like being vulnerable, but I love sharing love. So it was hard for me, not gonna lie. But I’m happy that we got there in the end.”

“Wow, well I was able to listen to a few other songs on this record. I gotta say, I think it’s by far your best record yet. And did you write on all of the songs this time around again?”

Y/N nods her head, a small smile creeping back up on her face. “Yeah, I did. It turns out that writing about sad things can be really cathartic. But I really want people to know that it doesn’t mean this isn’t an album about love. At the end of the day, each of these songs are love letters to every single moment or person that made me feel something – for better or worse.”

early October, 2026

[Transcription of Capital FM segment with Y/N]

“We’ve got Y/N L/N with us here on Capital FM, and we’re about to play a quick round of Never Have I Ever! Are you ready?”

Y/N smiles, holding a paddle with “I Have” and “I Have Never”. “Sure, as ready as I’ll ever be.”

“Great! Now first one: Never have I ever… regifted a gift someone bought me.”

“Ooooh, not a gift someone bought me. But things I have been sent or given in goodie bags I’ve definitely regifted,” Y/N says, and raises the “I Have Never” paddle.  

“That’s alright! I think that’s not too bad. In fact, I’d volunteer to get something regifted from you,” the host laughs. “I usually donate it, but next time I’ll keep you in mind!”

“Perfect. Next one: Never have I ever slid into someone’s DMs”

Y/N rolls her eyes and raises the “I Have” paddle. “Who hasn’t? If people say they haven’t, they’re just lying to you.”

“Who’s the most famous person who’s ever been in your DMs?” The host asks, and Y/N laughs. “Hmm Taylor Swift, maybe?”

“You’re good friends, aren’t you?” Y/N nods. “Yeah, I actually wrote ‘how did it end?’ during a studio session with her.”

“Hmm that brings me to the next question – never have I ever written a song about an ex.”

Again, Y/N raises the “I Have” paddle, but then twists it so it’s halfway. “I think sometimes, no scratch that, I think almost always songs work way better when they’re open for interpretation. Isn’t it nice how everyone can take something else from it, that way?”

“Have you ever gotten back together with an ex?” The host asks, and Y/N makes a ‘tsk’ noise. “Never! First rule in the book, or so my friends tell me all the time.”

"Even when the heart wants what it wants?"

"Even then."

mid October, 2026

[Excerpt from Call Her Daddy episode with Y/N]

“I think in many ways this album is the most naked I’ve ever felt in my emotions. But maybe that’s actually a good thing,” Y/N grins.

“They do say that sex sells,” Alex (Cooper) responds, and Y/N chuckles. “You’ll find hardly any of that on this album.”

“That’s not entirely true, there’s a song on there with some explicit lyrics,” she adds.

“Undrunk? Funnily enough, that one was probably one of the easier ones to write because it actually felt the furthest removed from myself? It’s inspired by, but not based on my own experiences. I’d say it’s my unlived life,” Y/N tries to explain.

“Talk to me about that. People are always quite eager to pinpoint all experiences of a celebrity. They know who you’ve dated, look for clues and dissect every lyric. How do you decide what to share and what not to share?”

“I think it’s sort of why I wanted to share ‘how did it end?’. Even the title track is me addressing the fact that everyone feels entitled to determine my love story. Including me, I think everyone tries to engineer or hack happiness at one point in their life. But it doesn’t work like that. And at the same time, it’s important for me to try and have some semblance of control over my own narrative, my feelings, my sense of self. And that also goes for the people whose presence in my life inspired me to write these songs. For better or worse, I’m grateful for it.”

Alex smirks. “Look, we can’t avoid the topic here. We all know that one of those people is Formula One driver Lando Norris. He’s also got a lot of very dedicated fans, who’ve been clamoring under every post of yours to leave him alone ever since you started dating. How did, and do you deal with that? It would have been easy to erase him from your social media, once the relationship ended, but you chose not to do that. Was that a conscious decision on your end, or something you ever discussed?”

Y/N takes a sip of water, and purses her lips. “I kinda feel like it’s just not really my place to expand on that – it’s between Lando and his fans. Like, it actually has nothing to do with me, I feel. If people are surprised I didn’t delete like three photos, it’s just because I like them – it’s not that deep. I can still cherish good moments, even when they’re in the past. I’m not embarrassed or ashamed of the fact that my ex was part of my life. But it’s not for me to comment on it beyond that. He’s well within his rights to want to delete them, and he doesn’t need to explain to anyone – not to me, not to his fans, anyone why he did it.”

“But it’s more than that. It does seem to imply he doesn’t like the association. And yet you referenced him in the video for “Jaded”. It’s caused some controversy,” she prods a little more.

Y/N snorts. “I was just paying homage to my co-writer, and her iconic 7 Things video. But it’s also partly me taking that ownership. A video is one of the few spaces where you can set the scene. If I wanted to expand on it, I’d have done it through art. People will be mad either way, and the props don’t add anything you can’t already infer from the lyrics.”

“Has he listened to it?”

“Have you?” Y/N counters. Alex smiles, then moves on.

end of October, 2026

[The Independent excerpt]

Y/N L/N reveals tracklist to her third album as anticipation grows!

An obvious contender for the BRITs, is what the first reviews are saying about L/N's latest record “Jaded”. The LP will arrive in just two weeks, but up until today we did not know the exact runtime of the highly anticipated album. After posting to her Instagram, Y/N L/N revealed that the regular version of The Prophecy will count 12 tracks, with the deluxe edition raising that to a comfortable 16. Fans will surely be delighted to know that they can purchase various versions, all contributing to what is looking to be a very easy chart victory.

Talking to Jimmy Fallon earlier this week, L/N stated that she hopes her fans will listen to the album in its running order. “I know it’s really tempting to skip straight to your favourite, but I spent ages ruminating over how to tell my story in the best way – so I hope that translates.”

So far, all official singles of “The Prophecy” have charted both in the Official Top 20 as well as the Billboard Top 40, with The Heart Want What It Wants peaking on top, and Jaded just outside the top 10 at #11.

♥･*:.｡ ｡.:*･ﾟ♡･*:.｡ ｡.:*･ﾟ♥ I was soooooo happily surprised by the response to the previous part that I hurried up to post this :) Any comments, likes, reblogs, asks are super appreciated. ♥ Part III will follow shortly, it'll be four parts in total. for those interested, official tracklist songs

how did it end? - Taylor Swift / The Heart Wants What It Wants - Selena Gomez / Jaded - Miley Cyrus / Lie to Girls - Sabrina Carpenter / Breakeven - The Script / The Prophecy - Taylor Swift / Stay - Gracie Abrams / Science + Faith - The Script / Moral of the Story ft. Niall Horan - Ashe / Undrunk - Fletcher / Vertigo - Griff / No More Sad Songs - Little Mix / Paper Hearts - Tori Kelly / Into You - Julia Michaels / Supercut - Lorde / Genesis - Dua Lipa

[rhaeheartzsquirrelz]

Complaints

Sevika x Female Reader (Fluff)

Getting drunk and having your girlfriend take you home.

Contains: Intoxication, ass tapping. (literally nothing too sexual). Reader wears revealing clothes. (idk if that’s like, an ick?

Proofread || Note: So… I broke my phone :) hahhaaaaaaaaaaa 🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️🤦🏽‍♀️ This is so rushed, im so sorry omg.

Fourth drink down and you were beginning to feel tipsy. The loud music and the bright lights weren’t helping, and don’t get yourself started on the nagging laughter coming from the men sat beside you on the stools.

With a grimace, you turn to face the crowd of people; who were dancing to the upbeat music. They looked like they were having fun, unlike you. It had been half an hour since you unattached yourself from your girlfriend, who was now playing poker with a bunch of men, and went to grab a drink. As a lightweight, it never took much effort to get yourself drunk, so with only a few shots of tequila you were just that.

With your uncomfortably tight clothes, you stepped off the stool and made your way back to your muscular girlfriend. Sevika, who saw you coming, wrapped her mech hand around your hips the second you sat down. “Finally came back?” She smirked out, pulling the cigarillo from inbetween her dark lips. “You’re acting like I was gone for an hour..” hands on the edge of the table, fingers playing with the roughened wood, you lean your heavy head against her shoulder.

“In thirty minutes y’managed to get yourself drunk. Funny.” The woman scoffed, though there was no hint of bitterness in her tone. Instead, her words were full of fondness. You guessed she could smell the alcohol from you, must’ve been strong.

See, the main reason you’d stepped away from her was because she was being completely unreasonable— as you called it— your girlfriend had been complaining about your revealing outfit the second the two of you had entered The Last Drop. She’d even offered to lend you her, most prized, cape. Don’t get her wrong, she let you wear what you wanted, just not when you were trembling in the cold.

“Not funny.” With a roll of your eyes, you shift onto your girlfriend’s lap. It was definitely more comfortable, much more warmer too. Your mind was still trying to process a lot of things, so all you needed was a good place to relax. “In the middle of a game, love.” Sevika’s cool, metallic finger ran up and down your back, soothing your heated, tingling skin. “So?”— “So, you’re movin’ too much.” The woman gave your waist a squeeze and held you in place. “How much longer? I’ve been watching you play for like.. uhm, a good while now?” Your words slurred as you managed to speak. Your girlfriend took the hint and shook her head in slight disapproval. “Maybe y’shouldn’t of drank so much?” You, having a huge headache and clearly not in the mood, gave her a squeeze on her cheek. “Oh, yeah, poke your girlfriend’s cheek until she’s givin’ in.” This tactic had worked before, and you were confident in your attempt.

And, of course, you succeeded. Turns out, nagging in your girlfriend’s ear about the randomness things all the while squeezing her cheeks was the only way to pull her out of a game.

Sevika was forced to give up with a deep sigh before throwing her cards onto the table and walking you to your shared apartment; which wasn’t far. Arriving and locking the door behind the her, Sevika let out an exaggerated sigh. “Y’happy now?” Yeah, you were. “My head was hurting, not my fault.” Your migraine had lessened in time, thanks to the fresh air you’d gotten and the warmth from your girlfriend. “Hope you’re ready to be hung-over, baby.” “Yeah, I am. I’ll be fine with some medicine.” You follow Sevika into the bedroom before collapsing onto the bed, she followed suit and pulled you into her arms.

“Y’expect me to help your stubborn ass?” She gruffed in half-seriousness as she nuzzled into your neck. “Think we need to change you, I don’t understand why you didn’t wear something more.. functional..” of course Sevika disapproved of your outfit, she was the only one allowed to enjoy them; so to wear them outside the house would only rile her up. “This is functional, it’s pretty too!” A miniskirt with a laced top sure would get you a “lot of attention”, which you, sometimes, didn’t mind. “Pretty, sure. But, functional? Don’t think so, sweet thing.” Although it was hard to make quick movements in the fear of flashing someone, the outfit you wore was one of Sevika’s favourites, so you didn’t understand why she was complaining so much. “Will you just change me?”

It took Sevika a good while to figure out how to take off your complicated skirt. When she did, she gave your ass a pat before slipping you into some cozy pajamas. “Will you quit doin’ that?” You let your girlfriend carry you back into bed and she pulled you tightly against her muscular chest. “Y’like it, don’t lie.” The warmth of her breath mixed in with her sweet and metallic scent had you more relaxed than ever. Your mind had stopped spinning, your body just melted into her, and her touch had you more than content. You couldn’t feign the annoyance anymore.

“Maybe I do..”

[sandyca5tle]

Was having a semi-serious conversation with some friends, and accidentally found myself quoting RWBY in a way that actually helped the discussion at hand, which got me thinking, there's a good few lines in RWBY that are just generally good things for life, so i decided to write a post about it 'cause fuck it. Some'll have commentary some are self explanitary enough. "I'm not any one thing, I'm somewhat of a lot of things" - this was the one that actually sparked this, was talking about identity with a friend, and found this quote very applicable - you don't always have to neatly fit in a box, you can be somewhat several things at once, if that's what fits for you. "Well that embaressment, that desire to go back and tell yourself not to be so stupid, that just proves you're not the same person you used to be. And you're not done growing yet" "You don't have to look cool all the time"

"Of course you are [a real girl]. You think just because you've got nuts and bots instead of squishy guts makes you any less real than me?" - This is less a general life lesson, but more of a 'just because someone is different to you, doesn't make them/their experiences any less real'. And obviously there's the trans angle on this, not being a 'real girl' is an anxiety many trans girls have struggled with, or is something people throw at us to put us down. But just 'cause we're built a little different than cis girls, doesn't make us any less girls "Pyrrha thought that, if there was even the smallest chance of helping someone, that it was a chance worth taking" "I'd be lying if I said that it didn't hurt, that I didn't think about them everyday since I lost them. That I didn't wish I had spent more time with them. If it had been me instead, I know they would have kept fighting too, no matter how dangerous it was, so that's what I choose to do. To keep moving forwards." - Mostly putting this here 'cause it's always nice to have a talk like this regarding grief/loss, and yeah, i just think this is nice and fairly honestly reflection of how a lotta people feel when they lose someone, coupled with the adivce to keep moving forwards. "I'm not asking you to stop. Just please, get some rest, not just for you, but for the people you care about," - I like this one 'cause a) self care is important bitches! Burning yourself out isn't gonna help whatever you're trying to do and b) hurting yourself like that is also gonna hurt those who care for you, 'cause no one wants to see those they care for suffer. So remember to take a break from time to time. "You think you're being selfless, but you're not. Yeah that chameleon friend of yours got me pretty good, but I'd do it all again if it meant protecting you... and I promise Yang would say the same. You can make your own choices sure, but you don't get to make ours. When your friends fight for you, it's because we want to, so stop pushing us out. That hurts more than anything the bad guys could ever do to us," - Obviously the parts about fighting can be taken a little more metaphorically for everyday life, but I like this quote 'cause yeah, the people who are there for you *want* to be there for you, so deciding that you're a burden on them and hiding away/pushing them away is gonna hurt them because they *want to be there for you* - don't decide something for other people. "My losses, my failures, those, more than anything, are what have shaped me into who I am; showed me how I need to grow. If there's something I'm missing it's not because I've lost it, it's 'cause I haven't found it yet" - I just think this is a beautiful line. We've all wished at moments to undo the mistakes we've made, however those mistakes made us the people we are now. And yeah, I love the idea that something you're missing is not because you lost it, it's because you haven't found it yet. "One small kindness, in one small moment, lead to such a marvelous transformation, just like one act of dishonesty caused an unfortunate change" - Reminder that even small actions can mean a lot to others "What happens if I chose me?" "Then maybe, that girl is enough,"

But yeah, all of this to say I love RWBY, it has so many amazing and emotional moments and yeah, if you haven't given it a watch I would highly reccommend (and if you've heard bad things, i'd maybe give it a watch yourself first, a lotta people like to hate on the show in bad faith). But yeah, love RWBY and love all the wonderful moments and messages within it

[anyroads]

I can't convey the insanity of how fast this fire happened. If you grew up in Southern California, you know to be prepared for wildfire evacuations and earthquakes. A lot of people have go bags, and a plan for what to pack when you have to do so quickly. But the timeline for that has always been a few hours at least, if not a day, maybe even two. This fire spread so insanely fast that people went from clear skies and no warnings to having ten minutes, or even no minutes, to grab what they could and run. People lost pets, especially cats, because there's no way to get a panicking animal into a carrier when the flames are at your door.

Most of the headlines about the Palisades fire are about what celebrities lost homes already. So I need you to understand that while yeah, the Palisades has become an upscale area and the hills have expensive houses, it was a middle class neighborhood until about 20 years ago so a lot of its residents have been there for 50 or 60 years, when homes were affordable to middle class working families. A lot of residents inherited their home from grandparents or parents who bought them when it was an affordable area. There are (were. past tense now. were.) neighborhoods full of 2-3 bedroom houses that you could have afforded if you'd been born 30 years earlier and lived in West LA. Most of the people there aren't celebrities or multi-millionaires - those people lived in houses that were built more recently and in undeveloped areas. I also need you to understand that there are several fires around LA, most of which are affecting middle and working class people. I say this because the headlines care more about celebrities and places people know from movies but it's not reflective of the extent of the damage. I say this because I know how tumblr is and this is not the time for tankie bullshit and inhumanity.

In my 9th grade science class we learned about climate change. We learned about the projected changes and disasters that we could expect in the first half of the 21st century. Yesterday I watched on a live broadcast as the classroom I learned this in went up in flames, while right wing conspiracy theorists and Trump blamed everyone and everything except climate change. This fire happened because it hasn't rained in LA for 8 months, and the Santa Ana winds were absurdly intense this week, getting up to 75mph. The LA Fire Dept had funding cut to fund the police like OP said, and hydrants ran out of water.

Embers can stay live while carried in the wind for miles, and every area with dry brush and palm trees just needs a spark right now. I know this because I learned it growing up. I'm literally watching the horror scenes that kept me up at night in high school as part of an imagined future play out in real time. This is climate change. And thank goodness it happened while Biden is still president and could declare it a federal emergency which means FEMA resources and help are available now, which will matter to all the people who are already being told to fuck off by the insurance companies they've paid fire insurance to for years. Because I have no doubt that if this happened two weeks later, all that support would be withheld as punishment for California's election results.

Southern California is on fire

In 2024, L.A. Mayor Karen Bass defunded the LA Fire Department by $17.3 million.

The LA Police Department, however, got a $138 million budget increase.

Among the firefighters, 30% of them are inmate firefighters who are risking their lives for $2 an hour. Only for them to not be able to get a job as a firefighter once they're released.

There are now 4 fires burning across Socal. The one getting the most attention is the Palisades fire which has grown to over 11,000 acres. Alongside it is the Altadena fire (over 10,000 acres), Hurst fire (700 acres), and Lidia fire (50 acres).

Due to the unprecedented Santa Ana winds, which have blown to over 100 mph, firefighters have not been able to make a dent on these fires.

A thousand homes have been destroyed. Two people lost their lives from the Altadena fires.

Instead of showing sympathy for the thousands of victims, right wing conspiracy theorists on twitter are blaming the fires on LA Fire Chief, who is a lesbian, while Trump is blaming CA Governor Gavin Newsom for not removing water from a delta that would have endangered a native species.

Not climate change. Not the Resnicks, a billionaire couple who took control of California's water supply and now use over 150 billion gallons every year for their companies.

If you're in Southern California, please download the Watch Duty app. It brings up to date information on the fires along with evacuation zones. If officials tell you to evacuate, you do it. Make sure you look up shelters and mutual aid organizations where you'll evacuate to. If you have to abandon your car, please move it to the side or leave your keys in the car so firefighters can move it out of the way.

The consequences of this disaster will be catastrophic. It's become increasingly clear that our government officials will not protect us as they would rather fill their own pockets. Stick together. Protect your community as best as you can.

Please keep Southern California in your thoughts. We're going to need them.

[spoiledprincessbratspostsblog]

needing

Rafe Cameron x Maybank!Reader

Warnings: English isn't my first language so I apologize for any and all mistakes. All GIF credits to the owner. Heavy implications of smut but no actual smut. Kind of Toxic!Rafe but idk??This is lowkey rushed but I needed it to get out there lol.

ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚ ༘♡ ⋆｡˚ʚɞ˚

Being JJ’s sister already meant people had a bad perception of you, but your attitude did not help the rumors anyway. You weren’t known for being nice to everyone, and that was fine because it scared the weirdos away most of the time.

You’ve always seemed strong and independent. Insults usually rolled right off you, and situations didn’t seem to bother you. Being hard-headed and having an attitude all the time was a good cover. But it was all a front. At home, your dad would constantly abuse alcohol, and you and JJ often bore the brunt of his rage. When JJ started sleeping at John B’s house and only saw you once a week, you ended up taking most of the hits.

You were friends with the Pogues, but not as close as JJ was, so you didn’t feel comfortable staying at John B’s house.

You met Rafe almost a year ago at a party. It was meant to be an emotionless hook-up and nothing more. But over time, what started as frequent, meaningless sex evolved into a friends-with-benefits situation. You two began spending a lot of time together, both with and without there being sex involved. He started taking you out to places and even to parties with his friends and others around.

But he wasn’t your boyfriend. And every time you attempted to bring it up he'd claimed he “couldn’t be the man you needed.” Despite that, as you grew closer, he eventually learned about your home life. Rafe wasn’t stupid—he knew Pogues had it hard—but he hadn’t realized how much your situation affected you. How you were really a sweet and caring person who had just been hurt by your situation. Once he did learn, he started spending more time with you at his house, claiming, “Look, I know this is just sex, but come on, I can’t have you around that bullshit, ‘kay?”

You didn’t complain—free days at Tannyhill with him were a welcome escape!

Everything was fine until Rafe started treating you like an actual girlfriend. You wanted to be his, but was he really capable? Anyway, it wasn’t what he wanted—he’d made that very clear—so it didn’t matter.

Then, you two got into a bad argument last week. You’d started feeling very dependent on Rafe, and you hated it. So you began to pull back, which only made him care more. One comment led to another, and…

“Rafe, stop. If you’re not my boyfriend, stop acting like you care about me like one.”

“My god! You don’t want me to care about you just ‘cause I don’t wanna be your boyfriend? S’pathetic.”

“Fuck you!” you yelled before storming out.

You hadn’t seen or talked to him since. He was pissed but still wanted to fix things; he just didn’t know how.

That’s when you called.

Your dad had come home drunk, yelling and throwing things. You could no longer bear it. So you called Rafe.

“Hey, I’ll be at yours in like half an hour,” you told him, not waiting for a response.

When you arrived, Wheezie let you in. (She already knew the procedure and wouldn’t snitch,) but she stopped you.

“Hey, you okay? You don’t look okay,” she asked.

You put on your best smile. “Yeah! M’fine! Rafe’s here, right?” She nodded and let you pass.

When you reached Rafe’s room, he was sitting on his bed. His eyes instantly met yours. You climbed onto the bed, inching towards him, and eventually straddled him without saying a word while he stared at you.

“Hi,” you whispered before kissing him.

Rafe, being a man with needs, initially kissed you back. But after sensing something was wrong, he pulled back.

“Nah, nah, you were just over here yelling at me. I’m not mad, okay, but you’re not okay,” he said, concern in his voice.

You frowned as tears welled up in your eyes. “Rafe, m’fine. I’m sorry. You’re forgiven. Please just kiss me. Come on, I just need to forget.”

He kissed you again but stopped when he felt you begin to cry lightly, your breath hitching out of sadness.

“Nah, baby, come on,” he said, pulling you into a hug and holding you tight.

You couldn’t cry in front of him. You couldn’t be so attached to him. It freaked you out, and you tried to push him off.

“Rafe, stop!” you cried, but his grip only tightened.

“What is it? Is it me?” he asked softly, stroking your hair to calm you down. “Your parents?” he whispered.

Finally, you broke down, crying into his chest and wetting his shirt with your tears. Although you had previously confided in him, it had never been like this. He whispered a series of “M’sorrys” as he stroked your hair.

When you finally calmed down, you pulled back and got off him, heading to his mirror to clean yourself up. He stared at you with concern.

“Shit, sorry. Okay, well, m’gonna go now,” you said quickly.

He immediately got up and walked over, towering over you. “The fuck you are. You haven’t told me what’s wrong or why you tried to forget by fucking me.”

“I just needed to forget, okay? No point crying over something I can’t change.”

“Something you can’t change?”

“What?”

“What is the something you can’t change?”

“The situation with my dad and your feelings toward me,” you calmly explained.

“Now, why’d you think fucking was gonna make everything better, huh?” he scolded, switching the topic.

You looked away. “Thought that’s what you wanted.”

“What?”

“I thought you’d no longer be mad at me or wouldn’t care if I was crying if you got to fuck,” you said lightly.

He scoffed in disbelief. “You think that’s the kind of person I am? Baby, I care so much more for you than I’ll ever let on, okay? And this isn’t just sex. You are so much more to me as a person. It’s important to me that you know that, ‘kay?”

You nodded, still waiting for him to respond to your earlier comment.

His face softened. “Look, I wanna be your boyfriend, ‘kay? More than anything, fuck, believe me. But I can’t be the man you deserve. You deserve so much better.”

You scoffed lightly. “But I want you.”

He sighed. “Let me better myself. Then I promise.” He leaned in and kissed your forehead softly. “Stay here tonight, yeah?”

You nodded.

Later that night, as you drifted off to sleep, he kissed your arms, shoulders, and face with gentle affection. “I love you,” he whispered before the both of you fell asleep.

[alittlebitofloveliness]

Things I think the fandom needs to remember sometimes

-Ponyboy is not a loner or unpopular. He admits to having a lot of friends at school, and a few of them even visit him when he gets out of the hospital, though he notes it makes him uncomfortable that his middle class friends get to see where he lives. Which brings me to my next point;

-The gang does not spend all their time together, or even most of it. Yes they’re all friends, very CLOSE friends- yes, even Steve and Ponyboy- but they have lives outside of the gang. Pony has school friends, Darry has work or old school friends he skis with, Soda and Steve are inseparable to a degree that their outside lives overlap and their identities within the gang are also interwoven, but they all very much have lives outside the gang. Two bit has his mom and little sister and a revolving door of girls. Dallas only shows up when he feels like it and  he lives at bucks and jockeys in the races. Johnny couch surfs at the curtis’ and Two’s place, but he also regularly camps out in the lot and presumably crashes at Dally’s place sometimes too. Yeah, he’s Ponyboy’s best friend, but they’re not inseparable the way Steve and Soda are. It’s a different dynamic. The whole group has lives outside of the gang and I think it’s important to remember this. 

-The term ‘greaser’ is a derogatory term and originated in the 1800s as a slur against Mexican immigrants. It coloquial meaning changed when readopted by the greaser subculture in the 1950s and 60s (according to wikipedia), to primarily refer to lower working class individuals of mexican or italian ancestry, and becoming more ethnically ambiguous, but it still wasn’t widely used outside the subculture itself. Ponyboy is white, but he probably has some Italian ancestry which is characteristic of the greaser subculture, and he identifies with the word- but it’s still a more loaded term than the fandom sometimes pretends, and it still has racial undertones, regardless of how it’s portrayed in the novel and how it moved away from it's historically primarily racialised usage when adopted by the greaser subculture. Ponyboy makes a point of saying in the book that it’s okay for himself and the gang and others of their social group to use it, but when people outside the group call him it it ‘doesn’t make him feel so hot’. I think this helps illustrate that yeah, it’s an offensive term. ‘Greaser’ carries weight and I think it’s important for the fandom to recognise that.

-Darry is trying, but he isn’t a good guardian, and if he was then his character would not be redeemable after The Slap. The reason Darry Curtis as a character is so sympathetic is because he is twenty years old and trying his best, and his best is never good enough. If Darry was a well equipped guardian who was able to parent Pony AND Soda AND the gang (to an extent) the way his parents did, then him slapping Ponyboy would be unforgivable. It would be the action of a brute instead of the action of an overwhelmed older brother forgetting his new role as guardian. The reason Darry is forgivable and so beloved is because he is not perfect, or even good, at his role but he keeps trying and choosing to be present for his brothers over and over. (Remember, he had to fight very hard for custody, probably harder than Ponyboy realizes.)

-The portrayal of every female character is biased by Ponyboy’s narration- and Ponyboy has a lot of internalized misogyny and classism. It makes sense that he holds these ideas, considering the time period and the male dominated environment he grew up in where (presumably) the only woman he ever had any sort of close relationship with was his mother, but it doesn’t make it any less true. However, the women themselves are few and far between but incredibly important characters. I’ve spoken about it before but I think Sandy’s character and her unplanned teenage pregnancy sheds a small amount of light on how poverty affects women as opposed to men, something the book largely lacks due to the only main(ish) female character being upper class;  whereas Sylvia serves as a foil to Dally, and is essentially written to be the offscreen ‘female version’ of him, basically a representation of the ‘worst’ sort of greaser girl while Dally is the ‘worst’ kind of greaser. The only reason these women receive so much hate is because of misogyny- don’t pretend it’s just about the cheating, because it’s not- and if you want to hear further takes on them you can read my thoughts on the misogyny in the fandom here, and my thoughts on Sandy here.  Even Cherry, whom Ponyboy views positively, is viewed that way because of Ponyboy's biased ideas of what makes a girl 'good' and worthy of respect.

-Ponyboy has a fairly negative view of alcohol and alcoholism, but has a very addictive personality. Ponyboy has tried alcohol but didn’t like the way it made him feel. However, his view of Two-bit, while positive, seems to find him less brave than the rest of the gang as he drinks before the rumble, and Ponyboy ‘would hate to see the day he had to get his nerve from a can’. Soda’s reluctance to drink or smoke also adds to Ponyboy’s worship of him, despite the fact that Ponyboy is addicted to nicotine and caffeine respectively and it has the potential to be his undoing more than anything else in the east side.

-The entire story is built on grief. Johnny and Dally are doomed from the start, and Ponyboy mentions his parents' deaths from the first few pages. But loss of a loved one is not the sole type of grief the novel covers. Darry mourns the life he could have had, Soda mourns his imagined future with Sandy, and by the end of the novel Ponyboy is mourning his childhood and loss of innocence. I could go on, but I think the effect of grief is sometimes missing from analysis or canon compliant fanworks, when it is quite literally the driving force behind the story.

[quibbs126]

Okay, I think I’m FINALLY done with these designs. Well okay, I said Megatron might need some reworking, but shush, I’ll do that another time

I was not expecting this to take as long as it did. Apparently I started making this at 9 in the morning, and it is now 9:30 at night. Optimus, I am almost certain this is your fault

Anyways, as mentioned prior, the idea here was to give the Earthspark Cybertronians protoform designs like the Terrans, what they might look like when they were in this stage, because I haven’t seen anything to claim Cybertronians in this series don’t also have this stage, unless I’m wrong

I mean theoretically, Cybertronian protoforms could look entirely different from Terran protoforms, but we don’t know at this juncture, so I used the Terrans as my main references

Pretty much the main thing was trying to turn their blocky features smooth, while also taking out a bunch of their little details, like their antenna and horns

Honestly I still think Elita turned out the best, which is maybe a bit sad considering she was the first one I finished, but oh well. I don’t think everyone else was horrible, but I think she just looks best

I think Bee’s design is fine, and it was honestly refreshing after struggling so much with Optimus, but I can’t help but feel like his eyes are still wonky

Like I’ve said, by the end of things I think Megatron came out the worst. He was the second one I did, so I wasn’t sure, but by now I think he is. The real struggle with him is that his entire helmet is comprised of angles, when I need curves. And then there’s his side things, which I still do not know how to translate here. The idea I was trying to go for here is the top half goes around his head, while the bottom half is attached at the ends, but it’s the bottom half that looks weird. But ah well, hopefully I can fix it later

And then there’s Optimus. The majority of the time I’ve spent on this was him. It was mostly the struggle of his vents and trying to make them un-blocky. It was getting really frustrating particularly because I couldn’t think of anything new to do with them to change them, drawing the same thing over and over

But then I remembered, this Optimus was once Orion Pax, a fact I was planning to omit. But that meant I had something else to draw on

And it’s what finally got my brain to make his side things into the curves you see now. It’s also why his middle thing is solid black, like how it seems to be in the picture above

But yeah, I wouldn’t rate his design as the absolute best, but it’s serviceable and I’ll take what I can get

But aside from trying to change their designs, I think I had fun. I noticed by the end of it that they all have different face and eye shapes, and that’s pretty fun

Speaking of which, I notice with this how small Optimus’ eyes are here. They may not look it in my drawing but they’re a lot smaller than the others in the show. Is that one of the reasons his design looks so off? Like I know it looks weird, I just can’t place how exactly

But yeah, take these designs, the culmination of my drawing abilities for the day. I’d like to do more with them, I just don’t know what. Best I can think of is like, a fic premise where the Cybertronians somehow get reverted back to these protoform stages, and the Terrans now have to help them out

[notaplaceofhonour]

you also can’t take the fact a department or agency has provably engaged in conspiracy or planted evidence in the past as proof that they are currently engaged in a conspiracy now.

is it potential evidence? does it make it more likely/believable? maybe! but if you’re found guilty of committing one crime on one day and then charged with a separate instance of a similar offense later, you are still presumed innocent for the new charge. MK Ultra isn’t proof that the US is seeding clouds with mind-control drugs; the fact false flag attacks are a strategy that exists isn’t proof that any given attack is a false flag; the fact doctors have forcibly sterilized & experimented on minorities in the past doesn’t mean the MMR/polio/COVID vaccine are a poison shot. precedent is not proof.

there is both a grain of truth in “the government did XYZ in the past so it’s not unreasonable to assume they’re doing it now” and a very satisfying appeal that exceeds the proof actually provided in that grain of truth, which makes this the pet rhetorical argument of actual dyed-in-the-wool conspiracy theorists like Alex Jones. I’m not saying using this argument makes a person a conspiracy theorist, or that it’s never appropriate, but its wide use by conspiracy theorists means it’s not exactly helping to show how this isn’t a conspiracy theory.

is it impossible that evidence has been falsified in this case? no. but there needs to be proof that it happened in this particular case. not just suspicions, not just “it could happen”, not just “I (justifiably) don’t trust the police”.

because presumption of innocence is a fundamental right, it applies in all directions. it’s a good thing to be reasonably skeptical, and that includes being skeptical of alternate explanations and our own biases, however reasonably or justifiably we have come by them. proof needs to be proportionate to the allegation.

yes, all Agnifilo needs to do to get her client off is show the prosecutor has not proven without a shadow of a doubt that Mangione is guilty. “Mangione was framed by the police” is a separate sentence. I’m not saying that couldn’t be what happened. but if it’s an allegation someone wishes to make, yet can’t provide solid proof of (not just pointing out inconsistencies & the circumstantial etc), yeah, what people are going to see is

and it’s not just because they’re “bootlickers” who trust whatever the police say. it’s because there’s a lot more moving parts to “there are people who have secretly agreed to frame this man for this murder” than “this man committed this murder”; by ockham’s razor, the burden of proof for the former is going to be higher than the latter, in any case. and in this specific one, there is currently more physical evidence that seems to point to latter than to the former.

I don't really think it's fair to dismiss the idea that that guy might have been framed for killing the CEO as like an unfounded conspiracy theory when NYPD has a proven history of planting/fabricating evidence on people. in 2011 there was a massive investigation of the NYPD and hundreds of cases against people were dismissed after a former police officer testified that they literally have a name for planting evidence on people: flaking. you cannot be out here acting like considering the possibility that cops who do this shit under normal circumstances might possibly also do it when they're under intense global pressure and scrutiny is the same as republicans thinking democrats run a secret pedophile ring in the basement of a pizza restaurant

[numberonetacostan]

TACO HEADCANONS TUESDAY!

I have some spare hcs to share!! :) Enjoy!!!

I like to think, because it would be quite silly, that if Taco really wanted to she could just...remove her arms entirely. It's not something she would do, when she could easily tuck them inside her shell if she isn't using them, but she could. They're like another topping to her, which is why she can move them around in such interesting ways- They're not attached to a particular part of her body, they're just in there.

Between episodes 12 and 13, Taco tried to go back into Test Tube's lab and steal her time machine so she could use it herself to go back and do things again, not make the same mistakes she had in the past. Unfortunately for Taco, by the time she got into Testy's laboratory to take it, it had already been dismantled. Test Tube mentioned having deemed time travel to be "too dangerous" and not wanting to use it again, so it makes sense for her to deconstruct it to prevent accidents.

I think post-finale Taco would start riding around on Mic's head again. They'll be doing a lot of walking and she's got little legs, and also missed Mic very dearly and would enjoy being held even in this somewhat unconventional way. She also likes being tall so there's that too lol.

Occasionally when Taco is hanging out with Nickel and Baseball, she'll pull her arms in subconsciously. It's like if you go to an event and you're the only one in formal wear. No one else is using any arms, so it would be weird for her to do so. At least, that's how she would see it, as the only person in the entire cast who can choose whether or not to have her arms out. But yeah, sometimes when she's in the company of all armless people she'll just stop using her own. Unless they need her to grab something off of a shelf, or something, then she'll climb on top of one of them to grab it.

I think she and Mepad talked about what they wanted to do after Taco gave her apologies to Mic and Pickle. It's doubtful Taco would have been let into the hotel even if both of them had accepted her apology and wanted to have relationships with her again, and Mepad had just quit his job, so it seems like something they'd go into together. I like to think that the two of them were planning on searching for Toilet, actually. He was Mepad's close friend that he misses dearly, yeah? He's helped Taco so much, and wants to keep supporting and sticking with her even after she's given her apologies, and she is really grateful to him, yeah?? He's been there for her after she lost everyone. He quit his job partially out of anger on her behalf!!! So if he wants to go find his buddy Toilet, she'll come along and help him.

[jenanigans1207]

1/7/25: Petty

“Dude,” Sam says to Dean one night when they’re sitting in the library pouring over some boring ass books that haven’t helped them even a little bit up until this point. “What the hell’d you do to Cas?”

“Who says I did anything to him?” Dean asks without glancing up. “Dude’s weird, it’s probably nothing.”

A hand appears on the page that Dean was pretending to read, and it takes him a second to even realize it’s happened, blinking his attention back to the moment and glaring at Sam as he reaches out to smack the offending hand. Sam snatches his hand back before Dean makes contact, but the effect was successful because Sam now has Dean’s full attention.

“He’s taking everything I say so literally.” Sam explains, pausing as if he’s waiting for Dean to add something. When Dean doesn’t, he presses on. “We’ve known the guy for twelve years and even when he was his most angelic, he didn’t do this.”

“Sure he did.” Dean argued, the phrase no, he’s not on any flatbread circling around in his head.

But Sam shakes his head, a few long pieces falling into his eyes. “That was different. He didn’t know then. He’s doing it on purpose now.”

Dean sighs and scrubs a hand across his face. “He’s doing it to be a petty bastard.” He says finally. “On our last hunt I yelled at him because he never fucking listens or does what I ask him to do, which is how he got hurt. So now—”

“He’s taking everything said to him literally and acting it out exactly as he’s told to.” Sam fills in the blank.

“Yeah.” Dean says. “I was trying to ignore him hoping that he’d stop, but he only seems to be doubling down on being an ass about the whole thing.”

To Dean’s surprise, the only response Sam has to the whole situation is to burst out in laughter. It’s the kind of head thrown back, belly laugh that Dean hasn’t heard Sam do in years. It was the kind of laugh he cherished, because he used to get it so infrequently that he had to commit every second of it to memory. And even though Sam laughs more easily now, he still rarely laughs with this kind of unbridled joy— for a moment it makes Dean entirely forget about Cas and his petty revenge. Despite himself and despite the situation, Dean finds himself grinning a little too, just happy to see his brother happy.

“You really met your match,” Sam finally manages to choke out, still smiling in a way that’s happy but definitely verging on shit-eating. “For every pain in the ass thing you do, he returns the favor.”

“It’s not funny,” Dean grumbles, leaning back in his chair. He wants to take a swig of his beer but it’s empty and he doesn’t feel like getting up. “He needs to be more careful!”

Sam settles more comfortably in his own chair then and it’s the slant of his shoulders that tells Dean he should’ve gotten up to get the next beer because he’ll need it for whatever Sam is about to say. “Have you just tried telling him that you’re worried about him? And that it matters to you that he stays safe?”

There’s a lot of deflections and defenses that jump to the tip of Dean’s tongue, but he bites back on them. He’s been trying to be better to be at least a little more honest— with himself, Sam, and Cas. Nobody else was yet included in that honesty, but he figured he’d get there someday. So he swallows the immediate words he wants to say and glances down at the table.

“He should know.” He answers instead which isn’t much but it’s better and more vulnerable than anything else he would’ve said. At least it implies admission that Sam’s right about his true reason for being upset.

“I’m sure he does.” Sam agrees and there’s a sincerity in his voice that does actually comfort Dean a little. “But knowing it deep down and hearing it are different.” Sam explains, pausing before adding, “You know he loves you, but it’s still nice to hear, isn’t it?”

And goddamn it all, Sam has a point that Dean can’t even begin to deny. Because he does know that Cas loves him, knows it to the core of his very bones. But if Cas were to just stop saying it out loud, were to stop reminding him of just how much he’s loved, it would be hard for Dean. He wouldn’t doubt that love, but he would still struggle with it.

Dean groans and pushes back from the table, mumbling an affectionate and exasperated “bitch” under his breath as he leaves the room. He doesn’t have to travel far to find Cas, situated in the bathroom preparing to shave. Cas glances up when he walks in the door, their eyes meeting in the mirror. Cas’s hand stills where they were unrolling a towel over the sink in front of him.

“I’m so hard on you because I’m worried,” Dean blurts before he has the chance to lose his nerve. “I’m terrified of losing you and it scares the shit out of me when you get hurt on our hunts.” Cas’s eyes have gone impossibly wide in his reflection, but he doesn’t interrupt. “I don’t mean to be an ass, I just— I can’t lose you, Cas. You mean too damn much to me.”

“Dean,” Cas breathes, turning to face him properly.

“So there you go,” Dean scuffs the toe of his boot on the ground. “You can stop being a petty bitch now.”

Cas smiles as he steps up to Dean, reaching out to cup his elbow gently in a warm hand. “Thank you for telling me.”

“You knew, right?” Dean confirms.

“I knew,” Cas answers. “I couldn’t have been so petty if I had thought you were serious.”

“You’re such an ass.”

[glassladyoftheopera]

In Stars and Time as a Musical Follow Up: Costumes

Okay, a topic I may have enough thoughts on to make a full post about; costumes! (and a little bit stage craft in some places.)

This is mostly about what people would do if they wanted to actually put on a live version of this, versus treating it like a concept album. I am however going to mostly ignore cost restraints outside of like, truly ridiculous stuff.

So first, some general notes.

The color palette: we will still have all of the costumes and sets be in grayscale, with the red used in the 'say it's name' and Act 5 sequences probably mostly being done through lighting. We will not have the actors use skin paint though. I'm not that mean. The audience can buy the idea that the world is meant to be black and white just fine without it.

Materials: I would avoid overly synthetic looking fabrics to maintain the 'vaguely fantasy medieval' vibe, but I wouldn't worry about using actual natural fabric. Comfort and cleaning are higher priorities.

Ensemble: Not much to say about them! Just that the production would have to be careful to make sure everyone is in truly neutral grayscale and not let too warm / cool of grays slip in.

Okay, let's talk characters.

Siffrin is tricky basically every option for interpreting the cloak has it's own pros and cons. Having sleeves means better movement options for the actor, but they only show up in a handful of images in the game. Full poncho means we get Full Triangle Vibe, but it would hamper movement a lot. Cloak with a pinned closed front means we see more of the rest of the costume more often, which I wouldn't mind, but it does break up the classic triangle silhouette. It's honestly still my pick though. Then there's the eye patch. I know some shows just give characters eye patches, and as long as you're careful staging the dances it will probably be fine? But I assume semi-mesh eye patches for performers are a thing, so I'd try to find one of those. Lastly, hat. It probably couldn't be as absurdly big as in game without casting major shadows we don't want on Siffrin's face, so they'll need a slightly narrower brim and we'd keep the hat pinned in a more back position.

Mirabelle's outfit probably wouldn't need to change much, but her little fingerless gloves would need some reinforcement at the top to keep them from falling down her arms. There's also the matter of her needing to have her sword with her most of the show; it might need to be a little smaller than a true rapier, but Shakespeare shows have duels and such so we can make something work.

Odile wouldn't be particularly difficult to costume as long as you don't make her sweater / jacket too heavy and put some straps on her shoes. Fake glasses aren't hard too bad, but some rigging in the back to keep them on will be helpful.

Isabeau I'm sorry but your sleeves have to be a little less gigantic, it will get in the way of the audience being able to read your gestures / get caught on stuff. They can still be long and loose though. Also, in real life the stripes on his pants being that wide could be an issue in terms of reading where he is on stage with the set / looking kind of goofy, so I might make them just a bit thinner.

Bonnie... I do not know how to make your weird pillow hat work in real life. For most game accurate version you'd have to make it completely from scratch. Something like a beret in terms of construction but... big. And probably held up internally with stuffing and wire. The alternative would probably be a big sunhat, and if you want to include Bonnie getting a new hat just slightly redo that scene to find something else that's similar.

Heck yeah its time for Loop! Now, we're definitely not doing a full star head, that wouldn't let the actor do any of that good emoting. But! I think a lower face mask could still work. You might have to hide the actor's mic under there to make sure they could be heard, but it's definitely possible. They would definitely need a custom wig for spikiness, plus a star-like head piece to top it off. Now the rest of it... I mean, you could go full body suit. I'd probably do that as the first choice, though maybe adding a wispy loin cloth or tie around the middle for modesty depending on your performer / venue. But! Different productions could get really creative with it, as long as the base still has them black and covered with stars and there's the star in their chest. Add in some specific design quirks that are only elsewhere found in Sif and The King's costumes, but just tiny little detail type things? Chef's kiss.

Speaking of the King! He unfortunately does need to be Very Big, but thankfully Broadway shows can pull that off! Something similar to the Wizard head in Wicked could work here, where only some parts of the set piece move (mechanically or via puppetry) and the actor is a voice over. The hair could be a mix of practice and projections. The tears that show up in the fight would probably also need to be projected. The hard thing would be getting it to disappear quickly enough. Maybe the last bit before the loop resets is always in front of the curtain? Could be cool. A less well funded production would probably have to either use mostly projections or re-work to use less moving parts.

Last up Euphrasie! Since she has a long dress getting her some extra height wouldn't be too hard, and she doesn't have to dance or anything so that helps. But! She does need to do the Act 4 finale dramatic kneel down, which is harder to work around. If we cast a tall actor and just use lifts in her shoes, it could work. She wouldn't be as super tall as she would be if we used hidden stilts, but I like the image of her cupping Sif's face, it goes all the way back to the comics, I gotta keep it.

What about y'all? How would you dress everyone? Any little details you'd want to see? And tricks to deal with the problems I thought of? Have fun!

[sparklee-gem]

I hope you don’t mind me adding onto this but I have some thoughts about this and Yugi’s growth as a whole.

As a certified Yugihead(tm) myself, I always get frustrated when people don’t acknowledge his strength yes, but I feel like that’s not what’s happening here.

You have to remember that yes while Yugi was the one who introduced dueling to his friends, every MAJOR duel was handled by Yami, or “The Other Yugi” from the very beginning. Against Kaiba, against Pegasus, against Marik,/ Yami Marik, Yami Bakura, etc etc, it was always with Yami front and center. We as the audience know that Yugi contributed with strategies, and helps Yami a lot with pointers or advice, outside of that all people see is Yami because, well, they can’t hear or see Yugi. Hell even the one time he dueled on his own was not witnessed by anyone other than Yami Bakura, and through an entirely different puzzle game against Otogi.

I don’t think it’s incorrect to acknowledge that what Yugi was lacking was confidence, and like it’s a pretty big thing that he’s physically weak, but has a sharp mind and a strong heart. These things don’t always get him out of a tough battle though, and in the earlier battles we see even his mental state can’t hold up to certain duels, where he faints or gets drained very easily. (Though he becomes more and more involved which hints at how he catches up to Yami’s level.) Even Yugi admits that he feels weak and unable to stand on his own without Yami.

I think this scene is more the culmination of his growth: his friends are recognizing that he doesn’t need Yami to frontman his duels anymore; that Yugi is actually doing the opposite where *he’s* dueling for *Yami.* They see him, they see that even in Yami’s absence (“The long silence in Yugi’s heart… has made him grow up!”) he is able to stand on his own and doesn’t need Yami to handle his duels for him anymore. It’s actually a really great duel cuz I feel like it illustrates that Yugi was at a level where yeah, he’s Yami’s equal, both skill and confidence, and I love that his friend’s are witnessing his growth, to recognize he’s a great duelist, ancient spirit guidance not necessary.

Maybe I give them too much credit, but I feel like his friends have always seen the strong hearted person that he is, that’s why they became close after all! He’s just got the confidence they know he deserves now :]

ngl this pisses me off more than a little bit. i know yugi's played off as a wimp and a baby or whatever while yami yugi is so cool and swag but. yugi has always been a strong duelist? why are they shocked? he's the one who introduced duel monsters to everyone, he lives at a game shop with his grandpa. he's always had a strong will and is determined no matter what, ever since s0/beginning of the manga as a whole. he's determined that jou will be his friend and do the right thing, he sticks up for jou despite having been bullied by him, he solved the millennium puzzle completely by himself and never gave up. yugi has definitely grown up more thanks to their adventures and living with his other self, but he wasn't a super mega baby in constant need of saving beforehand. his friends really do not respect him at all until yami comes around and then once yami is forcefully taken, yugi proves his strength, and they're like "oh wow he's strong now!!!" HE'S BEEN STRONG!!!

[read-write-thrive]

Charles Rowland Week Day Two - Chorb/Comfort

After over three decades as ghosts, you would think that Charles and Edwin would have a good grasp on what ghosts can and can’t do, or even what ghosts could or couldn’t feel, so, etc. Like, ghosts can eat, but it tastes awful. Ghosts can’t sleep at all. That sort of thing. Edwin called them “ghost rules”. Charles also called them ghost rules, but he did his best not to talk about them at all unless directly asked. He’d opened up about missing being alive and all that baggage, yeah, but no need to poke at it, alright?

But lately they’d discovered a new ghost “rule” (ability? Function? Who knows) completely on accident. You see, after the entire fiasco with Esther (and the following quest to get Niko back) the boys had been, frankly, exhausted. They’d done a lot in their thirty years but never so much in so little time. It was weird, to say the least.

“Are you guys sure you’re okay? We can stick around—“ Crystal had tried as they all but herded the girls out of the office. It was past midnight and they should’ve left hours ago, but the boys must look especially bad if their looks were anything to go by.

However, this exhaustion was wearing on the boy’s patience (well, Edwin’s, but Charles had to mediate so it was getting to him too) and frankly, they needed a break. Charles was happy to say as much.

“Nope, all good here! In fact, I think we’ve all earned some time off, so maybe take the next few days to rest, yeah? You sure you don’t want us to walk with you to the tube?” Even his face hurt from smiling, which hasn’t happened since long before he died. There was an alarm bell in the back of his head, but he felt too exhausted to have a proper look at it. He just needed a break is all.

The girls shared a look again. Is this how people felt when he and Edwin did that? Charles didn’t realise it was so annoying.

“We’ll be fine. You have my number right? If anything happens?” Crystal pulled on her coat and helped Niko with her accidentally inside-out sleeve, “And you’re sure that ancient landline even works?”

“As I’ve said, the phone was enchanted to work even without electricity. Barring extremely dire circumstances, it works.” Edwin snapped, lighter than his proper angry tone but still on the edge.

“Do you want us to call you before coming back?” Niko asked towards Edwin, but with a significant, pointed glance at Charles. Charles knew there was something in that look, too, but thinking felt a little difficult at the minute. His head kinda felt like the jar of bees. Maybe he should fish it out of the backpack to compare.

Edwin replied to Niko kinder than he’d been with Crystal but not by much. Crystal snapped at him, probably about his tone with Niko, and then those two were arguing again. Charles really should break it up so the girls could get back to their flat.

God, was this a migraine? Could ghosts get migraines? It’d be just his luck, too. Was there ghost paracetamol he could take? He’d have to dry swallow it since the drink would taste like sand—

There was a hand waving in front of his face. Someone grabbed his arm and shook him. Suddenly Edwin grabbed him by the shoulders, staring him down intently. He was saying something, too. Charles moved to smile and nod, even as he had no idea what was going on, but that seemed to make the pain spike again. He flinched against it. He crossed his arms across himself, though he couldn’t say why. Comfort? Warmth? Guess it didn’t matter much, really.

Several sets of hands were pushing him somewhere—oh, the sofa, right. That seemed like a good idea. Weren’t the girls going somewhere? Or supposed to be, at least. He assumed they were some of the other hands pushing and pulling him along.

He landed on the sofa with little grace, the bouncing making something pulse in his brain is a not nice way. Edwin was there again, hands on Charles’s cheeks and forehead as if checking for fever. It was silly—surely ghosts couldn’t get fevers, if they didn’t have bodies. Edwin knows that.

They were talking to him again. It sounded like he was underwater, sound carrying but only barely. Oh, right. Ghosts weren’t supposed to have whatever was happening now, either. That would explain Edwin’s furious note taking and fussing. Niko was up and about helping him, which meant Crystal had to be the one next to him. Turning his head felt like a bad idea, so he was glad they only had so many people in the vicinity. Process of elimination and all that.

Pain struck at his abdomen next, dull ache turning stabbing in the matter of minutes. He curled in on himself, bringing his feet up onto the sofa and his knees to his face. Clutching at his stomach, Charles squeezed his eyes shut and pressed his forehead into his knees. Maybe if he just curled up tight enough—

It was like his ears popped and every joint cracked at the same time. Charles was pretty sure it was an audible pop! too. But suddenly everything was peaceful, like he was stretched out and condensed into the best full-body hug at the same time. The world was a warm yellow, bright but comfortable. Sure he couldn’t see his friends anymore, but it was blessed relief from whatever the bloody hell that pain was and Charles was absolutely going to bask in it.

After a minute or two of adjusting, Charles realised he could almost hear what was happening in the office. Crystal and Edwin were fighting again, though now Niko seemed to be— cooing over something? Muttering reassurances? He couldn’t catch all the words, but he was pretty sure that was her “finding a literal creature and/or inanimate object adorable” voice. Who/what was she talking to? Shouldn’t she be splitting up the other two? Actually, weren’t the girls supposed to be heading home?

He wanted to ask all of that, but this blissful state didn’t grant him the power of speech, apparently. Charles’s questions came out as a humming noise instead. Surely this should be worrying him—no sight, no speech, hell he’s pretty sure no body—but it was hard to feel worried, or frustrated, or sad here. He felt so good, why would he ruin it with all that? Besides, taking a step back and being relieved of his headache gave him the chance to carefully consider what had just happened.

And he would do that. Definitely. At some point. Look, this was probably the closest he’d gotten to sleep in over thirty years, you can’t blame him for wanting to bask in it for a while, alright? Just a little bit, so Edwin doesn’t kill Crystal (or Crystal somehow double kills Edwin). A bit of rest then he’d figure out how to go back.

~

When Charles “popped” again, returning to the mortal plane or whatever, it was to a pile of blankets and pillows in the middle of the office, wood burning stove lit and his three best friends circled around him. Thankfully they left him enough room to not pop on top of someone.

The girls were asleep, but Edwin was instantly focused on Charles. He went so far as to scurry forward, kneeling between Charles’s flailed legs to, again nonsensically, press at his face for a fever that wasn’t there.

“Charles, you’re back! Are you alright? Do you know what happened? Lord, I— we were worried.” Edwin admitted, dropping his hands and rocking back on his heals to create a smidge more distance.

Charles, genuinely smiling this time, decided he wasn’t a fan of this embarrassment or shame or whatever it was Edwin was dealing with. So, naturally, he leaned forward and threw his arms around his best mate.

“Oh, mate, it was brills…”

—

Day two of @charles-rowland-week !! I am vvvvv sleepy rn so if there’s mistakes no there isn’t 😌 hope y’all enjoyed!

[bitletsanddrabbles]

Island of the Procrastinating Brain

I swear, my brain is actively trying to drive me insane.

Back in 2022 it came up with a plot for @alex51324 's "Island of the Gays" where the Duke of Crowborough comes to the Island because, well, by this point the man's less of a human being than he is a walking bundle of neurosis. I got through a couple of scenes before my brain got tired and stalled out, but I still have a good frame work. Every once in awhile, I come back and poke at it and get out a few more sentences. Maybe even a paragraph or two.

Yeah, have I mentioned I'm not a fast writer?

And Phillip does NOT want to deal with his issues and Thomas does NOT want to deal with Phillip, which, okay, FAIR, but that's kinda the point of the whole thing. But in the meantime my brain still wants to write Phillip on the Island, so what's it done?

Come up with a sequel, naturally!

And it really, really wants to write this sequel despite the fact I can't do it properly until I've written the first piece, which neither my brain or my characters seems interested in, because they are all PUNKS, but my brain will NOT stop thinking about this hypothetical sequel which, at this point, will never be written.

So I'm just going to write out the summary for the thing here, in case anyone's curious and wants a laugh, because I can and maybe it'll galvanize the lump of grey cells in my skull to be productive. Maybe. Not holding my breath.

Things you need to know before going into this:

Random.org has decided that Thomas is married to Peter Fitzroy for this one, which is kinda important for Thomas's characterization.

Phillip only kinda counts as human at this point, but he's actively trying to fix that. The results are mixed.

It was inspired by a couple of polls I ran when I was trying to figure out where I was taking the first piece (hey! I have the last scene written!) and the suggestions that Phillip might like working in some sort of architectural field (believe that was from @o-rchidae) and that he wind up married with an older working class bloke who would not take his shit.

Right then. Let's go.

-

Okay, so, this takes place a couple of years after the Walking Disaster of Crowborough arrived. At one point he was tapped to help with building or repairs or some such and he realized he liked it, so he's taken to studying books on building and architecture and has joined up with the local work crew. The problem is, he's basically teaching himself out of books and then applying it to real life, so he keeps getting ideas about "Say, why don't we do this thing THIS way?" and while it'll seem like a reasonable idea, there is, in fact, a very good reason NOT to do it that way, but because a) he's a Duke and b) a bunch of people hate him, on general principle if nothing else, everyone just goes "Oh, okay, sure" and the do it that way and…it fails. And the people who hate him laugh and it's obvious that EVERYONE knew it was a bad idea and he gets frustrated, but he wont' say it, because a) Duke and b) boys don't cry.

And this goes on for awhile.

After a bit, though, a new guy shows up who has lots of experience building things. It was kinda his job before he got here. He is educated in the ways of Building Things and knows what's up. He's also at least ten years Phillip's senior and has limited patience for upper class twits, so when he joins the crew and is informed there's this know-it-all-Duke who's always demanding they do things his way (by which we mean 'making suggestions that everyone just goes along with'), even though it's stupid and wastes time and resources, this guy goes "Pff, not on MY watch!"

And sure enough, the next time Phillip makes one of his suggestions, instead of "Yeah, sure, okay" he gets "We're not doing that." Why? "'Cause it's a stupid idea that won't work." WHY? "Because (insert full explanation of why the thing wouldn't work)." And Phillip stops asking and the rest of the crew cheers and laughs at how the old guy sure showed him and they anticipate an end to the questions.

THIS TOTALLY BACKFIRES.

Instead Phillip, who had actually been kinda slowing down on the suggestions over time, is making ALL of the suggestions, ALL of the times, and arguing every last aspect of the suggestion with Old Timer before giving up. The crew can't put up a fence without an argument. Old Timer starts calling Phillip 'Phil'. Rather than tell him to stop, Phillip just starts calling Old Timer by a similar nickname, which Old Timer ignores, because not giving in to his own trick, oh no. There's talk of starting a police department in case they murder each other.

After this has gone on for awhile there is a Big Dramatic Plot Twist and the Old Timer goes out into the woods for something and…doesn't come back in a timely manner. He stays gone long enough for people to get worried and mount a search. To everyone's shock, Phillip wants to come. He's quite insistent on the point. They finally agree to put him in Thomas's party because he and Thomas "get along now" (read: Thomas has spent enough time with Peter talking him down that he can tolerate Phillip's presence under the right circumstances as long as he doesn't say anything). The parties go out and before long, Thomas and Phillip's party has the good luck to find Old Timer. He's accidentally been injured badly enough he can't walk and crawling through the woods is not easy going. The manner of this accident wasn't a super obvious bad idea, but that could maybe have been avoided with a bit more thought, perhaps, with luck. Most of the party just nods and goes "Yeah, sounds about right, could have happened to anyone."

…Phillip flips straight out and starts screaming at Old Timer for being an idiot who could have got himself killed. And then storms off a ways into the woods, back toward the village, leaving everyone else wondering a) the best way to get the injured man back home and b) what the heck just happened with the prissy little Duke. Thomas gets deputized to go find out what Phillip's problem is. There is protesting involved, but he finally gives in because he'd like to be home by dinner, thank you very much.

Phillip has, by this point, stopped to have a smoke, which both gives Thomas an opportunity to catch up and, thankfully, a scent to find him by. Thomas asks him why on earth he's so upset that Old Timer is hurt since the two of them hate each other and everyone figured Phillip would LOVE it if the other man died…

And that's when he finds out that everyone's had that relationship all backwards. Phillip doesn't hate the Old Timer, oh no! He loves being called 'Phil'. He absolutely adores the fact that when he asks "Why don't we do this?", rather than just go "Yeah, okay" and waste time and resources doing something HE KNOWS WON'T WORK, the Old Timer says 'no' and, over the course of the argument, actually EXPLAINS why not, which means Phillip ACTUALLY LEARNS THINGS. The more he argues, the better he becomes at building things and he doesn't have to try and decipher what some book is telling him or guess what the book might be leaving out and he LOVES IT and if the Old Timer had died, how would he learn things then? When Thomas points out that he'd learn just as much - maybe more - if he just asked the Old Timer to teach him things rather than argue, Phillip low key panics because what if he figures out Phillip WANTS to learn and stops talking to him or refuses because he doesn't like him at all?

By this point Thomas is a) trying to remember if he was ever THIS paranoid, and praying he wasn't and b) wondering what on earth to do with a Duke who is clearly in love with a crusty old working class codger, but hasn't figured it out yet.

He decides to tell Rouse and make it HIS mess to deal with.

Phillip and the Old Timer eventually get married and get a cottage of their own and Phillip about dies happy at the idea of a home that he actually owns instead of something that he's the custodian of for the next generation who will be the custodians for the generation after that and so on.