#maybe showing one act of kindness
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I love how Poseidon’s lesson about ruthlessness turned from something he was imposing to something he was trapped in.
When Odysseus says, “we’re both suffering, why not leave this here?” he doesn’t say “I won’t,” he says “I can’t.”
I wish in six hundred strike Ody would have used the line “the next time that you dare choose not to spare” or any callback to “remember them” because it would have been such a good loop. Such a good way to say to Poseidon that there could have been another way. But instead, he’s stuck here of his own doing, with this monster of his own making, being tortured over and over again. Because ruthlessness isn’t mercy. It’s damnation.
#maybe showing one act of kindness#leads to kinder souls down the road#ody only had to be a monster bc everyone around him was#thats what makes a tragedy tragic#it didn’t have to be this way!!#(im sure the circe callbacks are obvious in my analysis here)#epic the musical#epic the vengeance saga#the odyssey#odysseus#poseidon
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So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.
#'but lucabyte didnt you already do a comic with this exact same message? that loop has potentially killed their party intentionally before?'#yes i did absolutely do that thank you for noticing. that is what the cannibalism comic is about. no that was not a metaphor. lol#isat#in stars and time#isat spoilers#in stars and time spoilers#sifloop#isat siffrin#isat loop#in stars and time fanart#isat fanart#lucabyteart#ill ramble elsewhere some other time. maybe in a text post. but. long and short of it: even if you assume the answer to 'how do they know'#is that in sasasap isa got frozen once. theres still the fact that the loops are from sif being too distressed. how far gone does a siffrin#have to be before they can witness a party member die and notice it has no effect. how does loop feel to have planned to kill the party#during act 3. why did they NEED to show sif that. are they trying to preemtively stop them from getting the idea in their head#that maybe that might work? when they're out of all other options? when they just get so frustrated and at wits end?#loop helps in subtle ways through the whole game. and in less subtle ways like begging sif not to use the dagger. and while yes the#overarching reason you need to learn that the loops are tied to sif is because you need to figure out wish craft.... loop doesn't know the#actual mechanics of the loops themselves. just what didn't work. the power of friendship. getting the final hit in. being perfect. etc...#and besides all that.. how did loop feel during that hangout. being so deceitful. especially since before the other shoe drops#sif is enjoying themselves. but they know what's coming the whole time.#as for: why bathing? its the obvious imagery for blood on their hands/washing/never being clean. and is a bit of an inversion of the other#piece i just drew with the other casual closeness and nudity being kind. this one is cruel instead.#anyway tag ramble over ill do a masterpost of all my fanwork with some directors commentary sometime i promise. since i know im often vague
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it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now
#I think on another level he was sorta saying like ‘hey kiryu. you’re making it extremely clear that you don’t trust me and my intentions#and I’ve been trying to show you- over and over again- that I’d do just about anything for you and your safety#but I can’t just let my mask fall off in front of everyone- I need to keep up the unpredictable morally grey wildcard act for both my sake#AND yours. because disguising my helping you as crazy random violent outbursts and weird stalker behavior#is the only way I CAN help you. do you think it would go over well with shimano or literally anyone else if I was outright helping you out#of the kindness of my heart and fondness for you? stop being so fucking dense and look past the crazy wacky nonsense for a second and#maybe you’ll realize that all I do at the end of the day- really- is help you and put my own life and reputation on the line for you.#I am an honest guy when it comes to my real values and when I told you I wouldn’t let anyone kill you unelss it was myself- I meant it.#I’ve taken a knife and a bullet for you now. can you REALLY not see through the act yet? am I REALLY that unpredictable when you think about#it?’#that was a longer explanation than i intended but. it was difficult to put into words#I basically feel like it could be read as him implying kiryu shouldn’t backstab the people who put themselves on the line to help him#and/or pointing out that he’s never actually done kiryu dirty and has stuck to his word protecting him in the ways he can#trying to say yeah all this is a crazy act and all but when it comes down to it you Can trust me#it really makes sense when you think about it that he’d have to help kiryu/show affection towards kiryu in unpredictable convoluted ways#at that point in time because. I mean. there’s a reason he was the only person who showed up to welcome kiryu when he got out of prison#and that’s because A) he sticks to his word and his loyalty to people he cares about and B) no one else had the balls or the batshit insane#mask to wear to ward off anyone asking real questions like majima did. because ANYONE associating themselves with the supposed#patriarch-killer was a HUGE NO-NO at the time. someone important showing up for kiryu and welcoming him back outright could’ve caused#all-out warfare probably. except majima. because majima was dedicated and smart enough to use his widely-feared wildcard persona#(that everyone tended to view as incapable of having any Real agenda to worry about) to his And kiryu’s advantage#does that make sense??? I feel like it makes a lot of sense if you get it to click in your head#kazumaji#majima#kiryu#yakuza#kiwami 1#yk1#rambling
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*takes you by the hand as gently as I can*
You can dislike Maya without turning her into a one dimensional villain that serves no purpose to the story.
You can dislike Maya without disparaging the story and message the show is trying to convey.
You can hate Maya without moralizing your hatred. You can just hate her. It’s okay.
#i hear the sunspot#hidamari ga kikoeru#im just so tired of people shitting all over maya because she’s not perfect#she is complex and nuanced and maybe if given more than. oh i don’t know. one episode? we will see the complexity and nuance that is there#we had 7 episodes to learn about how kohei handles losing his hearing and he was offered grace#and i need you all to understand that i also don’t fucking like maya#she is an unlikable character#but thats kind of the point#but everyone’s reaction to her just proves her incorrect point about how people treat others with disabilities#yall can just say she’s unlikable without saying she’s pointless and why is she even friends with kohei anyway#yall can just say she’s unlikable without questioning the entire show#i’m gonna need everyone to take a minute and just think. think about how young she is. think about what she is actively losing#think about WHY she is behaving this way before jumping down her throat because she isn’t the perfect disabled person#and genuinely i want you to sit with my next question for a minute. just sit with it. i don’t need to know your answer#whether its yes or no that is between you and yourself#but i need you guys to think#would you hate maya this much if her gender was swapped?#would you have the same issues with how she’s acting if she were a boy instead of a girl?#again i don’t need to know your answer#but if you think your answer might be no…i want you to examine that#anyway that’s all. be careful how you approach me in talking about this btw. cause i have had it with the treatment of maya#i don’t want to defend characters i don’t like but some of the takes i’ve seen are just plain wild y’all
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so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell
#yes i read 'carry on' by rainbow rowell in middle school what else could you have possibly expected from me. anyway she gives me simon snow#vibes and not in a good way and she's even blonde while her british vampire boyfriend has dark dark hair and just. you will never be basil.#also i hate to be that guy but the writing has made me physically recoil and the acting almost reads as silly but mostly as middling :/ and#i wanted and expected more from matthew goode bc i really liked him in downton but i guess this is a 2018 bbc modern vampire fantasty serie#like i guess.#also there's SO much shit about bloodlines and maybe i'm gay with a blood disorder amd a family history of adoption but like. who fucking#careeessssssssss it ahould not be that serious. why is it that serious.#also the fantasy racism kind of reads like it's mesnt to be? homophobic adjacent? like there's a Lot of 'love who you love' talk going on#for the single most bland heterosexual relationship i've ever seen on a screen like there is so little chemistry? so little#anyway it's called 'a discovery of witches' and i'd recommend not watching it 🫶 or if you do then watch it on 1.5x speed#it's been decent background noise for knitting bc i kinda sorta care about the plot but if miss a chunk bc i'm in the lace chart zone i do#not care and i do not have to go back to catch it bc the writing is so transparent#there was another series it stole from that's escaping me atm but when i noticed it pissed me off a touch. hmm maybe it will come back to m#a post#do not watch this show#I REMEMBERED they wanted the juliette holding diana captive moment to be joaquin's 'i want to watch you fuck her' from sense8 SOOOOO BAD bu#it WASN'T bc they were too afraid to lean into anything that would make juliette interesting at all. for being all about the world's most#special blonde woman this show does not seem to like women very much. sad! well there's other shows#OH ALSO ALSO there are 3 magical 'creature' species which are witch + vampire + femon except the demons don't seem? to have any magical#abilities that humans don't have besides sensing the species of other creatures? like witches can cast spells and vampires do their various#vampire things but demons have nothing going for them except disproportionately high rates of homelessness and suicide?? like girl what are#we doingggggggg what are we doing here !! what's their deal why does no one care !! can they do anything or no !! god this show sucks
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i cannot stand the aot fandom this is not a new take at all they are universally intolerable but oh my dayssss u are FORBIDDEN from making ANY take about the show it's actually insane to watch. 'aot is perfect' no show is perfect. 'tell me you didnt get the show 😂🫵' people have different opinions/interpretations about things. 'eren is a good guy they could never make me hate him' i think there's actually 4 seasons and two movies explicitely using him as a tool to show that no one is 'good' or 'evil' they are only trying to survive. hello. the fandom r all so far up aot's ass that they actually discredit its writing in the process and it would be laughable if it wasn't so frustrating
#bc aot IS insanely well written but no one talks about it???#like all they do is SAY how well written it is but no one is brave enough to give examples or meta bc SOMEONE will jump on it#declaring they've misinterpreted the Single Correct Way of watching the show and are dumb and a hater for saying such a thing#i remember posting about my initial aot watch on here and i did NOT like eren i thought he was whiney and annoying (he is <3)#and i thought aot was overhyped but ive since finished it at long last and omg. it is so fucking good#one of those shows that you need to watch ALL of it to truly get what's going on#and the conclusion of eren's character i am genuinely so obsessed with ill probs make a separate post just about him#bc i have really 180'd on eren and i can see now he IS well written. but not for any reason i can see anyone else talking about???#people are just banging on about he was right and justified and a saviour and tragic etc etc and while those things are important#and should be considered that also like. was not the point imo#the irony and tragedy of eren jaeger was that after all the 'i am special simply bc i was born into this world'#concluded with the revelation that actually he was not special. the rumbling happened because a normal boy got a hold of a great power#and he mishandled it. he was immature. he acted his age. he was just some teenage boy and he responded in kind#there was selfishness and silly whims and a quick temper. he was never this godlike figure he gets painted as#and i ADORE THAT TAKE. THAT IS SUCH AN ICE COLD CONCLUSION. EREN WAS NEVER SPECIAL - THAT'S THE POINT#and like countless times through history one selfish person with their hands on an insane amount of power and a conviction#that they are doing the right thing goes on to lead to a continuation of the cycle of war#like the end credits with the tree is genuinely HAUNTING. it never ended. eren KNEW the rumbling would be unnsuccessful#and would leave enough of their enemies alive that they'd eventually retaliate HE KNEW THAT and did it anyway#why? bc he just /wanted/ it. desperately and immaturely. and so the war turned over for another generation and another and#LIKE THAT IS SUCH A POIGNANT HAUNTING TAKE. I FR STARED AT THE BLACK SCREEN ONCE I FINISHED IT FOR 5 MINS IN HORRIFIED SILENCE#yes it's not his sole motivation but ultimately the crux of his character boils down to the fact he's just some kid#to the point even when he's explaining it to armin at the very end they SHOW HIM AS A KID. THAT IS THE REAL EREN#THAT ANGRY SCRAPPY CHILD WHO THOUGHT HE COULD BEAT THE WORLD INTO SUBMISSION#NOT A HERO NOT A GOD NOT A DEVIL - JUST A KID GIVEN A POWER HE NEVER SHOULD HAVE GOT HIS HANDS ON#but if u say all that some chucklefuck tells u to kys and that u just Didnt Get The Masterpiece Of Attack On Titan#but do u know what? maybe people disagree w me! maybe this is just my interpretation! guess who's NOT gonna have a hissy fit about it?#fandom is about DISCUSSION and i have never seen a fandom as fucking allergic to it than the aot fandom#like omdddddddddd have a day off man isayama isnt gonna suck you off#aot
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I still can't get over the Circe Saga.
Hermes gives Odysseus a tool to even the playing field. He anticipates and encourages Odysseus to overpower her on a physical, magical, and sexual level. He phrases this help as "us[ing] more than words." He wants Odysseus to give up speech and mercy as much as the other gods do.
But ultimately it's Odysseus's words that save him and his crew. It's him telling Circe about his faith to Penelope that convinces her to help him.
There are other ways of persuasion, indeed.
#leah speaks :3#epic the musical#is this a surface level analysis? yes.#does it make me go feral over odysseus's arc regardless? YES#and of course the fact that immediately after the circe saga we have odysseus's descent into the Underworld and into monsterhood#and he CITES CIRCE AS AN EXAMPLE OF BEING A RUTHLESS MONSTER...#someone he has to EMULATE...#even though CIRCE WAS ULTIMATELY HANDLED WITH MERCY#AND CIRCE HERSELF SAYS 'Maybe showing one act of kindness / Leads to kinder souls down the road'#CONVINCED BY ODYSSEUS#AND NOW IN MONSTER HE'S GIVING THAT UP ENTIRELY#it's TRAGEDY and it KILLS ME and i LOVE IT and I WANT TO STRANGLE ODYSSEUS AND TELL HIM TO KEEP SOME MERCY#anyway im shouting in the tags so much bc this tangent abt the underworld felt kinda disconnected#sorry ive been obsessed with the theme of mercy vs ruthlessness in my own writing too so this musical is thematic catnip to me#leah speaks: tag edition
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im a eurydice = solas truther btw and ill die for my beliefs
be so serious........ and lavellan as orpheus......
#I NEED TO BE LOBOTOMIZED. TRULY.#i dont even know where to start i feel like i cant even post abt this bc theres no way all my thoughts can fit coherently lol#like the 2nd act/hadestown soul-selling business is just solas committing to his goals....#who would win eurydice/solas ''i walk the dinan'shiral - there is only death on this journey'' or orpheus/lavellan walking it anyway lol#to find them and bring them home again#also if the solas-is-a-spirit-that-mythal-bound theory turns out true then the hades = mythal parallels well. they are parelleling <3#''And the choice is yours / if you're willing to choose / Seeing as you've got nothing to lose / And I could use a canary'' HELLO????#ik the other popular interpretation is solas as orpheus but idk solas/eurydice just makes me crazy . it works so well#like theres that one interaction thats like#eurydice: “i havent seen a spring or fall since.... i cant recall”#orpheus "thats what im working on / a song to fix what's wrong / take whats broken#make it whole / a song so beautiful / it brings the world back into tune''#and thats very solas coded. BUT its also such a good parellel to high approval lavellan's fixing the world thru the inquisition/anchor#and thru their kindness and curiosity and all the things he thought were lost in arlathan. the things that make him think maybe shes Real#and it could all be real and worthwhile.#solas recognising the depth and personhood of lavellan thru their [from his pov endearingly naive] actions and spirit#''i havent seen a spring or fall since...i cant recall'' / ''you show a wisdom i have not seen since.... since my deepest journeys into the#ancient memories of the fade'' what if i lost my entire goddamn mind. what if i just completely lost it lol#ok im done im so sorry i feel like harrassing every single person ive ever met with this information like idek what to do with myself lol
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Time for one of my favorite TV traditions, "watch the new episodes of Selling Sunset and argue with the screen like the people can hear me."
#selling sunset#season 8#selling sunset season 8#team chrishell#seriously Chrishell has had to deal with so much nonsense since coming out#people complain that she's too dramatic or messy since season 6 (when she came out)#but to me it always seemed like a combo of her partner teaching her about work-life boundaries#and suddenly having to deal with masses of homophobes after being outed VERY publicly#(including Nicole in that “masses of homophobes” statement)#because seriously if Nicole wants to drop the whole “thank you” homophobic comment debacle she should apologize for BEING HOMOPHOBIC#she's acting like Chrishell is the problem for just not letting it go when she hasn't done shit besides say it was a mistake#why is it a mistake#Say the words “I'm sorry I was homophobic it won't happen again”#And honestly I would be WAY more mad at Amanza for the designer situation#Chrishell was being very charitable#Also Chelsea is also going through it this season#What is Mary's deal?#Like they all dress in approximately two square inches of fabric per scene (sorry---*event*)#but randomly now you have a problem?#Mary has always had zero conflict skills but hiding behind her husband was a Choice#it's giving racism to me#but yeah team Chrishell forever#Nicole drives me batshit insane#and I'm team Chelsea too this season (though I didn't like how in s6 she was so judgmental to Bre with no provocation)#The show seems to be trying to do a “the professionals” vs the “party girls” angle with Nicole + Mary vs. Chelsea + Emma + Chrishell#which I find kind of gross because it's shaming the big 3 for doing what the show is about with no reason behind it#they're on the “have fun and flirt with each other while wearing revealing clothes and maybe do some real estate on the side” show#so really THEY are the professionals because they're the ones who actually understand their jobs
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I will die on the hill that Epic’s message ISN’T “ruthlessness is the answer” but the exact opposite: there are other ways.
Every single monster Odysseus faced had the chance to be merciful. Even Poseidon—especially Poseidon. He was so sure ruthlessness was the answer, he didn’t realize in doing so he was damning himself. Because a man does not become monster when he chooses ruthlessness; he becomes a monster when he is faced with ruthlessness.
That’s what makes a tragedy. There could have been another way.
We will all meet monsters in our life that are ruthless. And we will have to be ruthless in kind to surpass them. But you might as well try your hand at kindness, first; who knows, maybe the God in your way isn’t Poseidon, but Circe.
And maybe one day the world will need ruthlessness no more.
#maybe showing one act of kindness#leads to kinder souls down the road#maybe one day the world will need a puppeteer no more#epic the musical#epic the vengeance saga#media analysis#the odyssey#odysseus#poseidon#circe
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#alright new update that no one asked for#ive been promoted! kind of#theyre having me be the acting manager for 3 months to see how i perform#which means im not getting a raise lol#but in 3 months theyre supposed to follow up and maybe make it permanent#they didnt guarantee#so thats good news#but also thats the same thing they told our last housekeeping manager when she started and so she worked as a mamager for starting pay#and they kept just extending the trial period for a year until she threatened to quit#and then they finally gave her the correct pay#so my advisors are telling me to ger the agreement in writing for my own protection#didnt ger the chance to today its been a shit show#but ill talk to the gm later
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I love when they casually reveal that Spinel hasn't stopped tracking the main trio once in this arc.. retroactively makes some of the past lighthearted episodes of this arc have a worrying edge to it, because you just end up wondering how long he's been watching, or if he was already watching at that point etc.
He is also even apparently keeping an eye on the Brave Asagi being repaired. He followed Friede around without his knowledge a while ago too. He just knows everything, and could act but just doesn't strike until the time is right.
I wonder if he is the one orchestrating Liko being separated from Roy and Dot in HZ064. The preview mentions that she is separated from them. And next ep will be exactly fifty episodes after HZ014, which was also when Spinel lured Liko away from the RVT to steal her pendant. He used her kindness against her by sending a fake ad about that one spice Murdock wanted. He spied on their conversation in that episode and used that bit of dialogue against Liko because he knew she would be exactly the type to want to go get that spice because it would make Murdock happy. Maybe he is creating some kind of diversion to separate Liko from her friends in the next episode. It wouldn't be the first time he messed with people's phones or other devices.
#spinel#pokemon spinel#liko#hz064#character notes#episode notes#he is so terrible (affectionate)#i love him.. one of the few characters in the anime who actually sends shivers down my spine#because he is so smart at everything he does#and he kind of could barge in whenever to do his thing but he never does and just keeps gathering info without others knowing#only sharing what he feels like sharing#and it kind of shows that he has the upper hand too. he could have acted at any other moment#but potentially waited for such a specific situation#liko being separated from the other in snowy mountains and not anywhere else#it's dangerous. and we know he can mess with people's phone signal#he did that in hz011 and at the time we brushed it off because yeah liko and mollie were in a forest so of course the signal is bad#and then hz012 showed that nope. it was spinel :) which retroactively made ep 11 worrying (he was watching at the time)#maybe he is doing that in ep 64 too#the expectation that of course the signal is bad in mountains and maybe that's why they can't contact liko etc#i love it. i love how he uses everything against others. their expectations the settings etc. even their feelings#he used liko's kindness against her in ep 14 and even used rayquaza's feelings towards terapagos to lure it out in ep 44#(by recreating terapagos' cries with the resonance generator etc)#doing all of that while serving in all his outfits. keep going king!#(i love how he has so many differents outfits and hairstyles ww they know who they're targeting with him)#he is soooo hhgh. a good character.
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something that's been weighing on my mind ever since learning about the situation with ezra / toonimal is seeing how these predators will take the active hostility that is frequently directed towards minors in online spaces to their advantage and use it to prey on vulnerable children. i think that we as adults in online fandom should probably come together and maybe rethink the language / manner we go about interacting with kids bc clearly the way things are rn is causing active harm.
like obviously, if you're an adult and aren't comfortable with minors interacting with you or your content, you should be allowed to set that boundary and should be vocal about it, ( especially if the content you create isn't safe for them to consume. ) but i don't think talking to them like they're a blight on all that is good and holy is the way to go about it. maybe just saying you're an 18 plus account will suffice, you don't have to tell them to fuck off.
#i'm opening myself up for ppl to leave the stupidest takes on this post but whatever i need to get this off my mind#before anyone says anything about the kids on that website. they're grooming victims. they're literally kids being taken advantage of#show them some fucking kindness and be understanding that they're the victims in this situation#idk what it is about becoming an adult that causes so many ppl to lose their empathy towards minors it's weird#like yeah kids can be annoying and pushy on online spaces sometimes but a lot of them are old enough to know online etiquette lbr#alot of us were annoying kids on the internet at some point we should understand that you don't just. get a handbook for how to act online#that's shit you learn overtime but ppl seem to forget that#they also seem to forget that talking down to kids isn't gonna teach them shit they're not gonna listen to you if you treat them like idiots#what i'm trying to say is that we really need to talk to minors more respectfully and maybe give them a little grace#( obviously there will be situations where some of them need to be yanked up by the collar but there's ways to go about that >>>#without treating them like shit )#these kids need to know that there's spaces for them to be online safely without having to stumble into places that'll pray on them#we all know how much it sucked to be a kid online we should want better for the ones coming in after us ya know#sorry if this comes across as preachy it just breaks my heart and boils me blood to see kids being taken advantage of like this#especially when there's ways to prevent it idk#how do i even tag this....#mj.txt#there's trigger warning on the linked post btw#tw csa mention
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Omega!Gojo Satoru x Alpha!Reader
I believe we are fated to do the things we choose anyway*
gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story
tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism
Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.
Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.
This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.
Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.
It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.
School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.
Satoru has already sorted you all into neat little piles of adjectives
Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.
Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.
And you, the new one. The last to arrive. Fresh meat. Quiet, wary.
You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.
He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.
School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.
Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin
Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.
Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.
Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.
The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.
You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.
He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods
You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.
Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.
He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.
He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable
For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.
He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.
So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.
He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.
It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.
Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)
He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.
He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.
He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.
When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.
Then Suguru leaves and the center of Satoru's world, his reference point, collapses
You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.
You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.
He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.
"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.
You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.
Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.
Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.
Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.
Because even when he was gone, he never felt like he had let any of you go
It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.
*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars
#gojo satoru x reader#gojo satoru#a/b/o#a/b/o dynamics#omegaverse#alpha!reader#omega!gojo#reader insert#gn#i'm sorry this is so much longer than the getou one#I changed styles to write something else and couldn't get back to the broad strokes style of the getou bit#i want to expand on both#this show is really good and the potential here is too much to resist#the quote came to mind because the six eyes user has a specific kind of fate#but the idea of fate has a lot of interesting discussion around it in between religions#jjk plays a lot with buddhist/shinto/christian imagery including the idea of a fate thread tangled between certain power centers#i was raised in a christian centered culture which has certain beliefs about predetermination that can get incredibly depressing.#fate is generally defined as a predetermined and inescapable path of action or consequences#you can't escape it no matter what choices you make#which seems glum#karma on the other hand has something more to do with tendencies - the things you do to yourself/by yourself that lead to consequence#karma is separate from fate. even if you escape the cycle of karma or samsara you cannot escape fate#little interaction with fate are common - seeking explanations of future fortune or charms to pull you in the direction you want to go#ultimately there is a tension between the human ability to act at will (karma/free will) and fate#How do you justify acting if everything is predetermined? one can trap themselves in ontologic questions about purpose and actions#there is an inevitably and circular in accepting that maybe we can't escape fate but that fate also can't escape us#our actions were always going to matter#io.omegas
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biggest fear for kiwami 3 is them retconning mines love for daigo (unlikely but it’s possible) or like something along the lines of that…. the minedai erasure would make me end it all
SUREST doubt of my life: even if you didn't want to interpret it as romantic, mine's love for daigo is an essential part to his character and motivation in y3. they coudnt erase mine's love without redoing his character
#snap chats#and if that minedai-fan writer is still around the office i know bro would step in .... i believe ...#AND I DONT MEAN THAT MINE'S CHARACTER IS SOLELY AROUND DAIGO HOLD ON#in the context of Why Mine Does What He Does it is because he loves daigo and the kindness daigo showed to him#if you mean edit the script and have mine. Not say 'i love daigo' or soemthing like that then again it'd be a very. BIG change#mine acts out because The One Good Thing in his life was taken- or he believed anyway#even if the dialogue was changed erm. his actions speak for themselves LOL like as long ashe says daigo was important then. yk.#even if mine doesn't say the word 'love' anymore but he still relays the same motivations to kiryu the message'll still be there#it's just that people would prob be more ardent on denying mine has deeper feelings#but at this point i think the majority of the fandom- even Reddit Dudes- accept that mine's AT LEAST A BIT zesty towards daigo#plus i dont think rgg really has done. any major script rewrites for remakes and remasters ??i dont think ???#maybe vocab changing and rephrasing but not outright change the message/sentiment#so we're fine#also why the hell did tumblr log me out while i was trying to answer the last two asks. stop trying to stop my truth#i have to remind people i still love mine.....
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I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god
#thoughts#oni talks#mean girls 2024#I think I may be the only person to kind of like it? like don’t get me wrong it is kinda ROUGH but it has so much potential and there’s bits#and pieces that I actually really enjoy or wish they had more of or just aahh#I’ve been nonstop thinking about the ideal version in my head like there’s so much potential obviously I’m biased by like a lot#since for one I know I tend to like stuff other people hate or don’t like but for two this sequel was weirdly way more relatable so maybe#I’m just projecting from my own personal experiences but Idc the POTENTIAL THERES SO MUCH ID WANNA DO INSTEAD#like there’s so many little details and characterizations that I wish was expanded on or fleshed out and it’s just like it feels like either#half baked or that it’s gone through too many edits it’s like it’s scared to exist?? like there’s some differences I love and wish they lol#leaned into but it’s like it was terrified to be too different? or like they were rushing the end especially#like in my ideal form it’s a tv show coz I think they honestly have enough that could be genuinely expanded in a way more interesting way#via that format probably not like a super extended series like you COULD but you’d definitely need more expansion but I could see the potent#but like idk one SOLID musical season with expanded character story and not like one of those rush cram shows like a good solid one#like Regina’s characterization is so fascinating but also feels like slightly off and like they could’ve leaned way more into things?#like I think keeping Regina as a closeted lesbian gives the greatest potential and interest for an expanded story#like I loved maybe the first half of the movie the most like that one song she sang to manipulate Aaron would work so much more perfectly if#she’s singing it about/to Cady? I also think in my ideal brain an cool flashback episode for Janis and Regina would be so cool coz there’s#so much you could flesh out in a flashback than you could in a retelling which while I do like the retelling since it lets you imagine thing#I just! potential! I also want more of them interacting and I do think changing Janis to be a lesbian works if they leaned more into it?#I also think in my ideal form janis would have more comeuppance or acknowledgement of her shit? I also think an arc of Regina coming out#like one thing they missed from the original is Regina playing soccer at the end & I think they could hint more towards that and maybe lean#more into her at home life in an expanded story way coz her mom is clearly like… yikes. granted maybe some of my views on the movie are too#biased by personal experience but like the way she snaps at her mom usually in my experience isn’t out of nowhere? like parents behind#closed doors. or frustrations with what her mom has clearly been putting on her the way she tells her mom not to talk about her body is very#like idk a lot of the characters in this version feel more real to me bc they act really similar to people I know irl so the expanded story#could be cool. another one that in my ideal brain would have more is Gretchen and especially her relationships with Regina as well as with#that one guy and her parents I wanna see more of how that works and her arc to feel more meaningful when she dumps him & mentions family#also as much as I didn’t care much for the straight plot stuff there’s 100% missed potential there that I could see in the differences like#iirc in the original it’s regular algebra not AP calc which I think could’ve been used as an interesting characterization opportunity for
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