#maybe like a different category????

[fluffypotatey]

Hello again! I hope you're doing well. Say, when it comes to Kaiju war forms, so far we've only seen Macaque, MK, and Mei, and Ao Guang if you count those dragon spirts as those too. Do you think we'd see others' Kaiju war forms? What do you headcanon SWK's to be like, other than the usual three heads six arms thing? What do you think the material will be like? And why hasn't it been shown in the show, or in the flashbacks? Have you ever watched Steven Universe? In one of the finals episodes of the show, all of the CG (Crystal Gems) and Steven fused to create Obsidian, a magma like being with a LOT of arms. I imagine SWK's Kaiju war form to be like that, but more red and fresh lava, with lightning emitting from it. Like a volcanic lightning creature. Very cool pics of those phenomenon. What do you think?

I'm close to finishing my sketches. Have a good week, and eat your meals regularly!

Hey! I am doing well 🥰 a little nervous with classes beginning soon for me but eh

so I have watched Steven Universe, but not all it. mostly bc I watch the episodes with my younger sibling who is a fan of the show and he only shows me the most plot relevant episodes. anyway, yes I have seen the Obsidian episode (super epic btw) and yeah that’s a huge kaiju kind of beast. Terrifying & magnificent

although, I personally don’t think of SU when it comes to thinking about giant. multi-armed kaijus. Obsidian is huge and magnificent, but I honestly imagine Sun Wukong’s kaiju form as bigger and more monstrous. like he’s got multiple heads, not just multiple faces. his arms vary in size and shape (some have razor sharp claws, some claws are poisoned or something). his bottom half is the most monkey part of him simply because he still has his feet and tail. they just grew in size to match the monstrous form that is his torso.

so yeah, I see the Monkey King’s kaiju form more as a giant, furry, scary-looking monster (there’s a reason why his own army got terrified of him during the War with Heaven in the book)

as for seeing more kaiju forms: I fucking hope so! I really, really hope to see SWK’s kaiju in s5 (crossing my fingers for it to appear at the special) and maybe even kaiju forms of other characters 👀

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[marimbles]

i miss carpisuns sometimes </3

[triglycercule]

ok so there's murder time trio where theyre best buddies and get along and sometimes even having more than just platonic interactions. and then there's also the murder time trio where they genuinely just don't like each other and avoid each other and do NOT get along and to me there's just a VERY clear timeline of events that could connect these two group dynamics. like these 2 could coexist,,,,,,

nightmare's fresh outta his little corruption sequence and he needs his henchmen. goes out and gathers the obvious three killer horror and dust (does it really matter how he got them??? kidnapping or not the trio will warm up to him). its his first time having to deal with mentally unstable grown up mortal men and he really has no idea how to manage the team so he lets them have some slack. spoils em a bit yk yk stops fights allows them to hang out allows em to screw around the castle even COMFORTS them,,,, shocking i know (a slightly nice nightmare interpretation from triglycercule? UNFATHOMABLE!!!!)

this killer's fresh outta something new so he's still kinda curious and nosy. he hasnt seen the multiverse and especially not interacted with nightmare/horrordust so he's kinda more outgoing and friendly (ish. to get to know better everyone and satisfy the curiosity of seeing what reactions and feelings these fellas could give him.) bc killer's not that much of a prick and horror and dust would naturally SLIGHTLY get along (and if in the right environment be good buddies. which is nm's lenience and killer's not shittiness) the mtt actually get along pretty well and are good buds!! like the first group dynamic i mentioned where the bad sanses are just kinda like a friend group except they have some weird work relations

and then a fight breaks out and nightmare kills either dust or horror (what about??? anything!) likely dust first because he's more likely to be wary of nm (if kidnapped) and also because he's just kinda more actively righteous compared to horror (who likely wouldn't do much against nm) or killer (does not give a shit.) dust dies, horror likely dies defending dust and that just leaves the og killer and nightmare

nightmare is like "oh shit i just killed my workers". he'll take like a week to ponder what he did and then completely move on (because hes an ass like that.) nightmare gets another horror and dust to replace the ones he killed. and killer is just like wtf how do i deal with this. the guys i were kinda friends were are dead but their copies are right here. like he knew copies existed in the utmv but he didn't think nightmare was so willing to replace them so fast???

this killer's still adapting to the multiverse and stuff (it probably hasn't even been a year since he got snatched up!!!) and yeah hes aware that copies exist and he could get replaced by one but he didn't think that it would LITERALLY HAPPEN RIGHT BEFORE HIS EYES. so he decides to stick more around nm and avoid getting replaced like the og dust and horror because it really just hammers in the point that he's kinda useless if he speaks out like those 2. hes avoidant of the new replacements as well bc hes still new to this experience and is getting used to the whole implications of two guys that were once him and he was friends with died and got replaced by basically the same person

but they still have to work together for obvious reasons. and even if killer's avoiding horror and dust they probably aren't avoiding each other and probably are like wary friends/acquaintances. and naturally killer HAS to become okay worker buddy pals with them because hes stuck living with them. nightmare's a lot stricter and cold to avoid something like dust's rebellion against him happening again. mtt are wary of each other (mostly towards killer. horrordust are pals and killer's kinda growing more apathetic to the duo because he's already experienced a lot of the stuff before with the og two that died.) but theyre still "friends" you could say

and then perchance maybe horror and dust decide to let killer in on a lil secret theyve been cooking up. theyre planning to escape (kidnapped DUH. and nm isn't as nice as he was to og horrordust to warrent them to wanna stay) and even though they don't really trust killer theyre still letting him in on the plan and offer for him to come with them because they lowkey feel bad for him and he's really not all that bad under all the bullshit

but killer saw what happened to the og dust and horror so he says no. and the night that the duo are planning to escape he just has this overwhelming sense of dread. the next morning he wakes up to nightmare standing over his bed with a cold glare telling him of horror and dust's attempted escape and death and killer just kinda. sighs. his dread was right (he was lowkey hoping that they could escape so they didn't die like the original 2)

and then the cycle repeats. previous dust or horror or both die to nightmare or some random outside force or escape (because it has to happen eventually right??) and the pair keep getting replaced. killer keeps witnessing their deaths and replacements and at this point he's just so used to it that he doesn't even TRY to interact with the new horrors and dusts. theyre not even like real people that are getting killed and replaced like robots to him anymore they're just distant coworkers that get fired and then a new one comes to take up the position

each new dust or horror is icked out by nightmare and killer. nightmare is incredibly cold and intimidating and dictatorial and just sucks in general. and killer gives them this distant look. like he knows something they dont. he's already proven to them that he knows that they should obey nightmare and how to deal with the king and they know he's been here longer than them but even when he's not with nightmare or not talking about him they get the blank stare

sometimes when a nicer replacement of horror decides to do something nice for killer like make him a meal he just gives him that look and declines (there's already been countless different horrors that tried doing nice stuff for him. it's not new and nice in his eyes anymore.) maybe when a dust replacement gets irked by killer's apathy and decides to try and say something that'll bother him or snoop through his personal stuff killer will just walk away or kick him out of his room with that creepy ass blank stare again (it's not the first time a dust has tried to rile him up. it's not new or interesting and just predictable)

killer just doesn't CARE about the new horrors and dusts. they're all pretty much the same two guy except maybe a bit nicer or meaner or quieter or even taller or something?? all he really cares about is is serving nightmares atp, no other outside relationships. and ngl he doesn't even care that much about nightmare either. he's already figured out his thinking he's already figured out all of his likes and dislikes and what not to do to piss him off. the only reason he's still dealing with him is because he doesn't have anything else better to do and he doesn't wanna be useless to the one guy that he's served all this time

he's just kinda stuck in an empty boring limbo that killer's only maintaining due to a lack of motivation and any other priorities. and personally i just think this bad sans dynamic is lowkey tragic because like killer keeps witnessing all these guys that he used to be friends or enemies or rivals or whatever with and they just keep dying or leaving him behind. not one ever stays for THAT long (because no wayyyy a dust or horror would take being under a cruel nightmare well) and it's given him this idea that none of these people matter (aside from the important one which is nm) because they're just gonna leave me and the connections ill have formed with them will be for nothing so why even try being vulnerable and friendly and interacting with these cheap copies of the guys i USED to be friends with

[longagoitwastuesday]

I keep thinking that this Gojo is just like Sukuna. I truly don't see much of a difference between them beyond the human/curse point of view

[darkjusticiar]

Like the game doesn't offer ulder enough. and it's frustrating because some people are starting to see the layers behind wyll's discussion of his horns/why he would be seen as unsettling to the tieflings, but idk if people are also fully understanding not just the role devils play in the game but ulder's own experiences... he says he became a "plaything for devils" when in elturel. That's bad yeah? like I fully believe he loves wyll and I fully believe that part of his firm refusal to listen to wyll stems from not just the real fear of losing his son to powers beyond his control, but also from his recent trauma of being abused by devils and then seeing his own son bear these marks. It's still not fair to wyll. But I find that having a character who's a flawed parent, who tried and tries and still has shortcomings but admits to them, is incredibly interesting and worthwhile to engage with. But also larian seems so uninterested in actually exploring their relationship, as evidenced by how little we get between the two of them lol

[corviddrawsstuff]

people are hating on the new wild card?? personally this has been my favourite session yet. I think the haters are a loud minority and at least for me, even if im not a fan of a gimmick or season theres still enjoyment to be found. remember nobody owes you anything and the life series is a group of friends having fun <3

[nyxi-pixie]

fake ass queers you dont even WANT to rearrange the traditional understanding of relationships

[dont-offend-the-bees]

Fuck I hate being an adult. I need a more adult adult to help with the volatile emotional situation.

[xenocorner]

Sitting here waiting for my students to show up to class and I'm just like

I know this is a Dr. Strange blog that focuses on art and not necessarily an art blog, BUT-

Would y'all, like, want me to put together like a master post thing with art resources for reference/learning/JustStuffTM and all that? Because I have like, a ton of those. And I love sharing tips and resources and stuff.

Or do I like, leave that to people with actual art blogs lmao

[statementlou]

Louis might not be chucking bricks at No. 10, but people are responding like he’s never displayed leftist politics or challenged a government position on anything. He supported demands to the government about a fix for UK touring musician post Brexit and Marcus Rashford’s petition about food insecurity. He fought the police about their social media use in 2018 and criticised the UK government position/support for factory workers in the pandemic. The things he speaks about are usually UK issues and meaningful to him or his family and friends. He’s also most likely to speak when he isn’t working. Also that specific anarchy has a punk anti authoritarian message as well. That statement fits Louis pretty well. He has been a poster boy for not sitting down and shutting up and doing what you’re told since 2012. If he was he probably wouldn’t have a solo career and he definitely wouldn’t have sold out the O2.

I like this point about him speaking out more when he's not working, I think that's a really great and useful observation and makes so much sense. I feel like it makes sense in two ways right now: like first, I don't blame him for not wanting to do things that would jeopardize how beautifully everything is going for him right now after the number of setbacks and troubles he's had to get here, it must feel so precarious. And knowing for a fact that any political statement you make will spawn a dozen tabloid stories and all kinds of outrage is bad enough, but add to that the fact that it's simply impossible to predict which thing will turn into a huge viral mess- it's a lot. And second, he's not just working, he's been on TOUR! I've been around musicians my whole life and one constant is that tour is time outside of normal time and life, it's a bubble, it's only paying attention to right where you are and what's in front of you and the people there with you and everything else is put off and neglected, is for when you get home (and have massive post tour letdown depression and fatigue). I'm not saying he can disconnect with the outside world entirely... but putting everything on pause? I would be surprised if it were any other way, and I would be surprised if he's been following the news and counter news and so forth closely enough to feel comfortable speaking out publicly about anything when it will be so scrutinized and picked apart. I would add to your list supporting the rail strike (something we wouldn't even know about if it hadn't been tossed in as an aside by an interviewer in the print only version of a piece, he didn't post about it or anything) and attending and posting about the BLM protests (not to mention telling people to pirate his stuff come on how punk is that), and I agree he is much more likely to speak out about UK issues which makes sense: most people are most moved by issues that are close to their lives in some way, and it's his brand. And I agree that even though as an anarchist I love talking about what anarchism as a political ideology actually is, the symbol does also have a common meaning in the world as just basically standing for anti-authoritarianism, and Louis as a guy who rejects authority and the status quo is nothing new at all and one of the reasons we love him, and in the last few years I feel like he's been going further in that direction both aesthetically and politically, and we love to see it! Plus he has pretty much always sported this slightly punky aesthetic to some degree, even when he was being dressed up like a little ken doll he snuck in skater looks and indie band tees and so forth (something something it's part of why his fanbase was so primed to love his new sound and it wasn't the risk he feared it was because people were always drawn to him who were already into that aesthetic even when his sound wasn't that yet) it's not like it's just a brand new out of nowhere side of him or something.

[akemiiya]

i like statistics so I think it would be really interesting to make a google forms survey asking people to rate the utdr + uty characters from 1-5 and share it across a bunch of social media sites. and the survey would have a question like "which social media did you find this survey from?" or "which social media do you frequent the most?" to see how the results differ. I have the impression that Martlet and Ceroba would be really popular with people from reddit while Starlo would be a lot more popular with people from tumblr/twitter.

[cent-scratchnsniff]

More sketchy employee profile images. Mostly made to be able to replace the picrew I had in the template I made since I can draw. I did end up just putting it as back and white though but the color is just nice to have. I'm STILL trying to tweak the template since it is very finicky and there is an example of what it looks down below if you're interested. It is a lot. It will happen. I am just not the quickest

There are typos and inconsistencies I missed but in general it should be fine...

[goldensunset]

there are games that i enjoy playing more and there are games i enjoy thinking about more. sometimes the overall story and themes and blorbos are delightful but actually playing it is a little annoying so i just rotate it in my mind instead. sometimes i get absolutely sucked into the gameplay and the world and the experience for dozens or hundreds of hours and i enjoy listening to the soundtrack but it has little to no lasting impact on me as a person bc something in the story just failed to hit and that’s ok. both are good both are beloved. obviously the ideal piece of media is one i both enjoy actively consuming and thinking about but my mindset is that if a piece of media has any single good thing in it it’s a good piece of media. give me literally anything to work with and i’ll extract joy out of it. i’ve literally never played a game i didn’t like btw

[doctorwhoisadhd]

hmm thinking about the idea of love songs. i think the idea of what a love song is that we have in our culture is inherently a little bit flawed because we have the idea that any song written about romantic feelings is a love song and im thinking thats not exactly true because there is a difference between "romance" and "love". what i'm saying is not that love is a broader category and applies to things that are not romantic in nature. this is in fact true, but it's not what makes the important distinction here. the true distinction between "romance" and "love" is that romance is a societally defined type of interest in another person, whereas love is, essentially, a promise that you make when you build a relationship.

as such, what i call "love" here might be better defined as "care", as that implies more time and effort, but that's a different suitcase to unpack and largely unimportant to my point here, which is more about the societal conventions of what we call love songs. the point is, relationships can be built with other people, yes, but also animals, places, organizations, ideas, so on and so on, whereas romance requires another person, hence the difference between the ideas of "romance" and "love".

with that in mind, there are two types of songs we in western, english speaking, society call "love songs":

1) songs that are about a person's romantic interest in someone that is either definitively known to be unrequited (existing monogamous relationship, sexuality that doesn't align, etc) or simply not requited (aka romantic interest being unknown); and

2) songs about an existing relationship (keeping in mind my points about relationships not just being with people, but also places, things, etcetera) as is.

(some examples of the latter category: mountaintop by relient k, which defines the relationship in question as non-romantic; or i miss my mum by cavetown, which is - as the title implies - a song about the singer missing their mother.)

now, the thing that makes distinguishing these two difficult is the fact that songs about an existing relationship CAN be about wanting certain aspects of that relationship to change. in these cases, determining that a song is one or the other will hinge either on a) authorial intent or b) whether the song is more about what the singer wants (thereby implying #1) or the lack thereof in that relationship (which would imply #2).

to get back to the subject at hand: the term "love song", as we think of it, is an umbrella term that include both of these two categories, and i think that perhaps it is reductive to do so. with that in mind, i think perhaps it would be more appropriate for "love song" to mean only the latter, whereas the former is a category of its own. WHICH is not to say that the two can't overlap — just that if a song is about a person with whom the singer has no relationship, it cannot be considered a love song due to the fact that it is a song about infatuation, not love.

(another interesting wrinkle this provides is the fact that a song might start out in the first category and, as the writer develops a relationship with a person, might move into the second category as they write more.)