#maybe it's a cultural thing

[wolfram-afternoons]

my liege, a new element just dropped. the ball

[nothingbutentropy]

I'm gonna be mad as hell if Vee actually turns out to not be Wat and, for the absolute life of me, I don't understand why anyone would want him to not be Wat.

They've already put the red string of fate on them, quite literally, so I don't see how it would make any narrative sense to not have Vee be Wat (unless they say Wat was never San's soulmate, but then the stone shouldn't have worked?).

I do hope San is conflicted with, who I'm calling, decoy!Wat for the good angst and tears, but I will refuse to accept Vee isn't Wat, even if the show ends with him not being her. Sorry I'm not sorry.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[timethehobo]

What-if pair…? Just had the thought of both of them silently enjoying their hobbies in each other’s company. (Emmy is helping, ok.)

[bixels]

Why do all your characters have to be part of a minority? This is such a forced and shallow inclusion.

Furthermore, normal people don't wear cultural/folkloric clothes all the time, it just seems like you want to show off like "LOOK GUYS THIS CHARACTER IS MEXICAN!!!!"

That wasn't an attack, I love your art but it really bothers me.

-🐻🍮

‎

[good-to-drive]

[thattheater-kid]

You know what’s wild about being a fictive? Missing your old life even though it was shitty because it’s a shittiness you were used to. The life you’re living now is a new kind of shitty that feels unpleasant in a different way.

[bogkeep]

the thing i keep running up against in discussions around Prioritising Your Well-being is that it keeps getting framed as an act of Dastardly Hyperindividualism in opposition to Our Glorious Collectivism. but that's... that's a false dichotomy. i'm not saying nobody has ever used "self care" as an excuse to be cruel, but like if you really want to be collectivist and organized, being able to care for yourself and knowing your limits is a vital skill. it's sustainable.

taking on more suffering than strictly necessary does not serve the collective. going hungry makes you cranky and unpleasant. trauma fogs up your conflict resolution skills. breaking your body breaks your body. taking on too much work does not make you more productive. i think the insistence on martyring yourself is far more hyperindividualist than prioritising yourself when you need to

[corderitas]

nicole kidman being the happiest after divorcing tom cruise

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[enemywasp]

I HATE tiktok and the Internet in general rn for the obsession with "oh this person's smellyyy" "Brother it STINKS over here" "BOO 💧🧼🧽🚿" and stuff like that. I wish I could put into words how demeaning and patronising that whole idea is and people implying anyone they don't like doesn't wash.

For one there's something grating about being insulted in a manner like we're in nursery again. But also WHY is that the go to insult. Why do you associate these things? Especially to those you deem "chronically online". Like I don't want to sound pathetic but it feels so nasty to me.

is it extreme to say this feels tied to ableism? And classism too?

[vigilskept]

Throwing my hat into the elves and culture discussion, I think one of the things that I find most... upsetting is _what_ Bioware took from Judaism to make their elves. Which is to say, not a lot. What they took was Jewish history - ghettos, diaspora, and blood libel. The bad parts. Stuff about our oppression. Not stuff from Judaism as a religion or Jews as a culture. We don't get to see elves celebrate any cognates to Jewish holidays. There's no equivalent of kashrut or Yiddish or Ladino (despite that not making sense with the Dales being around for four centuries). The two most defining features of Dragon Age elves, the vallaslin and the Evanuris, directly contradict Jewish teachings. Jews started writing down our history and laws as soon as we lost our homeland and independence to Babylon, but it's written into the fabric of Dragon Age that the elves didn't, and their story is one of obtaining a lost past, not preserving a remembered one. It's even indicated that the city elves largely worship the Maker.

In thoughtful hands this could be a story about how Jews are seen as a religion when it's convenient to oppress us one way and a race when it's convenient to oppress us another, but it's not. Instead the impression I am left with is that in the mind of Dragon Age, Jews are defined solely by our oppression.

thank you for sharing!!!!

this came up earlier when an anon asked about making an elven oc from a (marginalised) cultural context they themselves aren’t from and i think it always comes down to a question of whether oppression and suffering are the only things you’re interested in or whether you care enough to learn about community, family and joy. and bioware seems to fail to clear this bar every time it comes to the elves.

i truly think some of the most incredible work in this fandom has come from fans putting those things back into the setting.

[dewwshi]

princess of mithral hall

[blatantprinterpropaganda]

so far in the world of thamepo we've seen over and over that silently sacrificing your own happiness for the good of someone you love is ultimately never the way to go (thame tried it for the sake of the other mars members, jun for thame, and inevitably all the sacrifices po made for his ex who then promptly dumped him also feature in there), so my god, i hope that this well-intentioned lie of gam's comes to light at some point asap and she and pepper still get their happy end

[canisalbus]

Feel free to ignore this if it doesn't spark your interest but worth a shot. Can I ask what breed of dog Jesus was in your dog world?

I think dog Jesus predates most of today's dog breeds. Realistically he'd probably be some kind of mutt, probably with vaguely Canaan dog looks. But European depictions of Jesus have always been very localized, and I tend to think that in Medieval, Renaissance and Baroque art he'd usually appear as a Spaniel of sorts, although it varies from piece to piece. Gun dogs more often than not.

[syscultureis]

Plural culture is yeah we mask really well, no one can tell

Literally every single time we've come out to someone about the system (/srs)

"Yeah I kinda had an idea"

Or

"Ohhh that makes sense now actually"

Like guys please ;-;

We are trying to pass ;-;

And we've had people ask us if we have DID without us even mentioning it like come on