#maybe i'll write this sort of concept with him

[merakiui]

Okay speaking of magical girls.... Evil villain tako that has a crush on the cute magical girl at NRC but he doesnt know shes the magical girl that's trying to thwart his evil plan of taking over sage's island mwhaha

YES YES YES. And every week he gets his ass handed to him. You're determined to keep Sage's Island safe!!!! He's trying to get to know you through the fights. The (one-sided) sexual/romantic tension is too much. Tako who flirts at every chance during your fights... you genuinely want to take him out (defeat him), but he wants to take you out (on a date). And it's so obvious he's down bad for you, but you have no idea he's Azul Ashengrotto (your fellow classmate) and he has no idea of your identity either. Azul's trying to balance his love for the magical girl he fights on weekends and his darling classmate who he sees during the week hehe. How fortuitous that they are the same person.

Please imagine that trope where the villain ensnares the hero in tentacles, but it ends up looking more erotic than threatening....... orz evil villain tako whose tentacle is holding you upside down by the ankle and he's monologuing about how he'll take over the island and you'll get to watch, powerless against him. But then he looks at you and your skirt has flipped up and he's granted a gratuitous panty shot!!!!!!! Tako who gets a nosebleed on the spot. He's such a loser pervert. <3

Omg omg or you're squirming in the tentacles and ranting about how you'll get him for this, but Azul's trying so hard not to give into the horny thoughts because the way the tentacles are looped around you and squeezing is so attractive to him.

Like that one scene where Stocking's fighting the octopus ghost LOL.

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[astralibrary]

hi @marykedoesart, this is my gift to you for @natsume-ss' spring exchange!

you said you like tanuma/natsume and heartfelt, emotional themes so i went very symbolic with this, haha. i really love the idea of using imagery from the fish pond in tanuma's backyard to represent these two and their dynamic, so that became the concept i ran with. i'll explain my whole thought process below, but in the meantime i hope you like it! 💖

pls bear with me here bc this is going to be very long and wordy lol

so there's a definite theme of separate worlds here; while the environments are both pretty abstract, the idea was that tanuma is sitting in his house looking out towards his backyard where the pond is, representing the "real world," whereas natsume is in a more fantastical underwater setting, representing the world of youkai. also there's the implication that he's sitting at the bottom of the pond, aka completely immersed in that other world, while tanuma can only perceive hints of it in the reflected light & shadow on the wall.

tanuma's side is lit by the glow of the setting sun, and natsume's by an otherworldly blue light. also, there's their clothes: tanuma is in his regular school uniform while natsume is in a yukata, something that pretty much all humanoid youkai wear.

next, their poses; they're both sitting exactly the same way as a reflection of each other but natsume has his head bowed while tanuma is looking up; this is meant to represent their different approaches to their relationship. natsume is definitely more closed off, both as a defense mechanism and because he wants to protect tanuma & keep him away from the dangers of youkai. tanuma, though, is open and contemplative, maybe even hopeful; he wants to be let in and he wants to help, even if it is dangerous.

the lighting reinforces these conflicting attitudes, with tanuma's side being brighter and warmer while natsume's is darker and colder, representing this sort of "optimism vs pessimism" dynamic.

so now, the fish. the bridge between their different worlds, basically. on natsume's side it's a real fish while on tanuma's it's a shadow cast on the wall, which is obviously the original conceit of the scene in the source material: natsume can literally see the fish, while tanuma can only see its shadow. still, even if it manifests differently, it still exists to both of them, so it's a connection between them concerning youkai.

so they're both in their separate worlds, but because of this connection they affect each other, maybe in small ways at first; as the fish crosses over the barrier it leaves little effects, little disturbances behind. on natsume's side, bubbles drift up towards the surface, little pockets of air like little lifelines showing the way, and on tanuma's side little droplets fall and create ripples in the reflected water, these small things that grow and grow outward until they're not so small anymore. little feelings that bubble up and ripple out, hoping to reach the other in their own way.

the fish brings these feelings across the barrier, endlessly looping around them as they endlessly call out to each other, trying to navigate this relationship they have; it's possible to bridge the gap between them as long as they look and listen and learn to embrace the things that make them different just as much as those that bring them together.

and that's about it! my goal was to make a symbolic piece about their struggle to understand each other but with a hopeful note, so hopefully that comes across! i hope my explanation at least sort of made sense and wasn't too confusing! (to be completely transparent i only had about half of that in mind while i was drawing it, the rest sort of came together as i was writing this. neat!)

and finally, here's a still frame in the original higher resolution so you can see it a bit nicer! 💖

[nattikay]

bedtime

NOTE: stä'noli should be stolä'ni, that was a pretty rudimentary mistake and I'm not really sure what was going on in my brain when I wrote it but 😅 maybe i'll fix it on the image later but i can't be bothered right this minute, i'm already up way later than I should be as is (have an early day tomorrow)

Further language notes/rambling under the cut!

"wait, isn't Jake supposed to be spelled Tsyeyk in Na'vi?" Yes it is! And if I'd given that line to a monolingual Na'vi speaker I would've spelled it that way. BUT Neytiri is bilingual and does not pronounce it "Tsyeyk" (I mean, technically she doesn't say "Jake" either, it's more like "Zheyk" but w/e). So for her specifically I keep the j. I suppose at that point I could've just kept the English spelling completely, but leaving silent letters at the end like that makes things weird in written Na'vi given all the grammatical endings that can be applied (not that that matters in this comic because they weren't needed for the line but ¯\_(ツ)_/¯ )

Speaking of Jake, writing Na'vi dialogue for him is fun to me because he's not a native speaker which means I'm free to give him all sorts of beginner habits and/or mistakes, especially given that by his own admission he struggled learning the language. However, since I'm working within a pretty broad time frame, I had to remind myself that he wouldn't be a beginner forever.

I bring this up because there are two aspects of Jake's dialogue here that I was going to point out as...well, not wrong, but as more "English-y" habits I'd headcanoned he might hang on to...but on further reflection changed my mind because I realized that at the time of this comic he's been living with the Omatikaya for nearly ten years and would be pretty much fluent. I still left it written that way but am no longer headcanoning that that's ~just how he talks~ at this point in his life. After all, if I'm conscious of these habits after just two years of studying the language as a casual hobby, is it really believable that he'd be clinging to them after nearly a decade of full daily immersion, even with his self-admitted struggle with language learning? 😅

Anyways, for the sake of rambling about my hobby regardless, one of these aspects was using SVO word order, like English. Na'vi is a free-word-order language, so SVO is valid, but most Na'vi speakers are not going to stick to it exclusively. I think Jake, like many native-English-speaking learners, may have relied on this word order earlier on because that's just how his brain has been wired to process information, but at this point I think just by sheer exposure he'd have broken out of any strict adherence to it, intentional or otherwise.

The other thing is concerning possessive. The standard Na'vi grammatical ending for possessive is -yä. But Na'vi grammar also includes a concept called inalienable possession, which refers to things that are intrinsically yours and cannot be given away. What exactly qualifies as inalienable varies between languages that have such a concept, but with Na'vi it's most commonly seen with body parts. Inalienable possession can be marked with -yä, but there is a slight preference to mark it with the topical, -ri, instead. So, compare:

Peyä mehinam lu ngim. His legs are long. Pori mehinam lu ngim. His legs are long (lit. "concerning him, the legs are long")

Both of these are considered acceptable, but the -ri version is considered just slightly "better" (for lack of a better term).

You'll notice that Jake uses peyä instead of pori here; this was because the peyä structure is a more direct equivalent to the English construction, so it's pretty common for new learners to use it instead of -ri. And again it's not wrong, so it's not exactly a mistake per se. So it seemed like a reasonable "Englishy-but-still-technically-correct" habit for Jake to hang on to. And I do still think that may well have been in the case...in his earlier years 😅

soooo yeah. I will still probably be giving Jake some of those speaking habits in comics and such that take place only 2-3 years after A1, but once you get to around 10 years like this one...yeah I think it'll make more sense to just write his dialogue like that of any other fluent Na'vi-speaking character lol

[nightlyrequiem]

Thinking about how Valeria running away from 141 when they capture her, and stumble into your apartment which happens to be open (cause you always forget to lock the door ironically that u live in las almas) so your kinda freaking out but val is not having it so she shuts u up? Maybe things get spicy if u want to add?

-🦋🦂

She can stumble into my home any day 😛

A high-strung, stressed Valeria seeking shelter in your home? Forced proximity?? Maybe what occurs isn't accurate to how things would in real life, but nobody reads fanfiction for the realism.

Also sorry for leaving this in the inbox for so long!! Requests were closed and I was so busy, but I have the motivation to write despite my business. I really like this concept btw 🤭

Tags/Warnings: WLW, Home Invasion, Smut, Gagging, Scissoring, Choking (Not During The Smut.), Violence, Takes Place During The Alone Mission

Alone (But Not For Long.)

One. Two. Three. Four. Five. Valeria feels a stitch in her side as she runs. She feels a quiet sort of rage at Diego's idiocy. She knew there was something suspicious the guy who calls himself Soap and wears a mohawk. Diego let him in. Brought him right to her. Fucking idiot. Her legs work hard to keep her ahead of both Alejandro and his little posse of Brits. Valeria makes sure to keep herself in shape. Keeping herself lean and toned. She absolutely hates Cardio though. 

She quickly ducks into an alley. Valeria has the advantage of having home field. She knows about every single turn and crevice. The gringos do not. She tries her luck with a doorknob and lets herself in. Surprised to find it unlocked. The heavens are smiling down upon her today. Gifting her an idiot that doesn't understand that you should lock your doors. Especially at night. Especially in Las Almas. She leans against the door. Trying not to breathe too loud. Heavy footsteps pound right by. The place is silent. Fairly clean apart from a few articles of clothing littering the ground.

There's a small, shriveled and honestly, sad looking houseplant on the table. It's leaves are browning and droopy. Valeria looks around. There's nothing luxurious or fancy about this home. The furniture looks old and outdated. There's a throw blanket on the couch with tattered ends and an ugly pattern. The art on the walls looks handmade. It's almost admirable to Valeria, who is so used to the... wealthier aesthetic of her own home and Diego's home. Diego. She scowls as she thinks of him. She'll deal with him later. Valeria silently walks around. Inspecting her surroundings. Down the hall she sees a bathroom. Catching a glimpse of bottles and serums on the counter. 

She pushes open a closed door and pauses. It's the bedroom, and sleeping in it is you, one leg peeking out from underneath the blankets. She's about to turn and leave when you open your eyes. You and Valeria stare at each other for a few long seconds. Valeria swiftly darts towards you and clamps a hand over your mouth. Cutting off a frightened wail.

"Be quiet or I'll kill you." She says straight to the point. Valeria stiffens as heavy footsteps run past the window. Shadows passing through the curtains. Orders are barked with frustration.

She gasps in pain as you sink your teeth into her hand. She jerks back and you take the opportunity to flee. Throwing yourself off the bed and landing with a thump. You grunt in pain and take a second or two to get back to your feet. Unfortunately for you, a second is all Valeria needs to pounce on you. You both struggle, you to break free and her to keep you under control. Valeria's hands work hard as they grip your forearms. Keeping them pinned to the ground. You're stronger than you look - she actually struggles to keep you down. She's had enough and wraps her hands around your throat. Applying enough pressure to stop your struggling. 

When she sees that you're about to pass out she lets go and listens to you take in loud breaths.

"Are you going to be quiet?" She asks darkly. when you don't reply she repeats herself more aggressively. "Are you going to be quiet, bitch?"

Your lips part as you stare up at her. "...Yeah." You rasp. Voice rough from being choked. She glares at you.

"Good." She grunts. Moving off of you. Valeria grabs you by the hair and pulls you to your feet. Strong arms wrapping around you to keep you from running off. She unholsters her pistol and presses it into your soft side. She presses her face up to the side of your head. "You're going to stay quiet." She whispers the warning.

The door Valeria originally entered through slams open. Valeria thinks quickly and roughly pulls you into the closet with her, keeping you pressed right up against her front, on hand keeping the gun pressed against your side, the other splayed across your lower back. Through the slits in the closet door, she watches as a man quietly steps into the room. Soap. His gun is raised, and he surveys the room.

"Fuckin' Shadows." He mutters. Voice thick with rage and pain. His radio crackles to life. A deep, gravelly voice speaks to him.

"Found anything useful yet, Johnny?"

Johnny grabs a thin, long-sleeved shirt on the ground and rips a strip from it.

"A shirt." He replies. "I'm in an apartment, looks like the owner fled."

The owner trembles slightly in Valeria's hold and she feels sweat on the nape of her neck. Stressed that you'll make a noise and alert Soap.

"Smart move on the owner's part." The man on the radio replies. She recalls who it belongs to. The big guy with the skull face. "Get what you need and head to the church. I'm holding out for you there."

Soap quickly ties the strip of fabric around his waist to slow down the bleeding from a bullet wound. He takes one last glance around before leaving. Valeria counts to sixty before pushing you out from the closet. She drags you to the bed and forces you down next to her. 

"We're going to sit here and wait.

"Wait for what?" You ask, confused. "what's going on?" 

"Be quiet." She snaps.

After a few minutes of silence Valeria relaxes a bit. Letting her guard down. An action that proves to be a mistake. You abruptly make a grab for her gun. Trying to wrestle it from her hands. You're surprisingly strong and in an attempt to keep it from you, she accidently knocks both of you to the ground. The gun slides out of her grip. You two grapple together. Trading blows and punches, Valeria's significantly more painful. She's furious at you but also a little turned on. It's been a while since someone's fought back like this. You land a hard punch to the side of her head, snapping it to the side. You both go still and she touches the side of her face, expression unreadable.

Valeria looks down at you. At your parted lips, heaving chest, wide eyes. Without thinking she leans down and captures your lips in a heated kiss. She expects you to pull away or push her off, but you do the unexpected and kiss her back. Valeria should be trying to figure out her next course of actions. But you spread your legs, and Valeria is slotted right against you. Valeria pushes her tongue into your mouth while your hands wander underneath her thin tactical vest. Smoothing her sweater over her ribs. You give the vest a small tug and Valeria complies. She sits up, leaving a thin string of saliva to connect your mouths. She fumbles with the clips and straps and slides it off, taking her belt off too. Both are pushed to the side.

Before Valeria can return to your lips, you're pushing her down and straddling her. Hurriedly pulling off your shirt. The cool air hits your chest and your nipples harden. You reach beneath you and awkwardly pull her pants off. You run your fingers through her folds, feeling the slickness against them. Valeria gasps and arches her back as you rub firm circles against her clit. She can feel more slick dripping from her cunt. The gun lies off to the side in her peripheral vision, forgotten about completely.

You shift lower to press your cunt to hers. Grinding against her. Your folds sliding together wetly. a mess accumulating quickly beneath Valeria. You ride her with a fervor. Her eyes focused on the tantalizing movement of your breasts. You lean down for a better angle, pressing close enough for your nipples to brush against her chest. You whine loudly and Valeria's hand shoots up, covering your mouth. She pushes you off and grabs the remains of the shirt Soap used. Gagging you. With your back resting against the bed, she slots herself between your legs. Closer than ever. With you at no risk of making noise she roughly grinds into you. Using your leg as leverage. Her pace is bruising and quick. A few, muted noises make it past your gag. Your eyes rolling back.

Valeria can feel your leg twitching. You're about to come. She groans lowly as she nears her own climax. Your head presses against her shoulder. Valeria's legs are getting tired, but she keeps at it. Her hole fluttering around nothing as your clits grind together. Finally, the tension snaps. Blood pulses in her clit as she comes, riding out her orgasm with your body.

She slowly pulls away, grimacing at the wet sound she makes as she does so. She rests beside you. Head next to yours. Out of the corner of her eye she watches you struggle with the makeshift gag. Finally getting it off. You wipe yourself clean with it. Collecting your combined juices.

"... Want something to eat?" You murmur.

[yanderes-galore]

... I caved, okay? It's just... I'm a sucker for cute animals and horror... I had to write for the hound whom I pity so much. Obviously this is an AU. I mention the normal monster form but I also mention the cartoon form... yet I made an AU where Smiling Critters can swap between a smaller plush/cartoon form to their Bigger Bodies Initiative form. Why? Why not.

Maybe I'll do Catnap, I haven't decided, been a bit since I've done a fic that's not a request. This is pure brainrot and written at 1-2 AM. Expect mistakes. I just had to get the idea down.

Keep in mind as I write this I realized that you might as well just make this a separate AU from canon. These are still experiments but CatNap is probably not... Theo. Idk, letting 2 AM creativity flow created an AU for the cute stuffed animals so... enjoy?

☀️Yandere DogDay Concept☀️

🐶(My Version)🐶

Pairing: Platonic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Overprotective behavior, Fear of abandonment, CatNap has hurt DogDay in the past, Gore implied, Manipulation, Clingy behavior, Blood mention, Forced companionship.

Ah yes, DogDay, the leader of the Smiling Critters.

How I plan to write the Smiling Critters is this...

Each critter has a plush/cartoon form they can wander in.

They are small, maybe going up to about the waist of an adult.

But all critters also have a Bigger Bodies form/monster form.

Which is the form we can see DogDay and CatNap take in chases within Poppy Playtime.

(For those who know my blog you'll notice similarities to my FNAF Fluffy/Stuffy AU and my BATIM Bendy fics)

There's many ways you could meet the orange dog.

But for now... I just want to discuss how I'd write DogDay to get the ideas down.

In his smaller cartoon form he is like a living plushy to you.

He fits snuggly in your arms, a bright smile on his face with a sun collar dangling from his neck.

When you hug him you smell the calming scent of vanilla... a scent that seems to calm your worries with ease.

DogDay would act like a best friend to you.

The dog plush would follow you around, acting like a way to ease your anxiety.

If you were ever anxious or scared... DogDay crawls in your lap with a wagging tail.

His smell and soft fur puts you at ease....

In fact, describing him like this makes him seem like some sort of "service dog" (service plush?).

DogDay is technically still a living being in this form.

He still has blood despite being a living toy.

Which makes him warm to the touch when you hold him.

The smaller form of DogDay is obviously a loyal companion, very similar to a real dog.

Then there's his bigger version... he takes on a more monstrous form but even then still seems to be friendly.

He has a deeper voice and often calls you his "Angel" or "Best Friend".

In this form he still is very attentive to the needs of his new friend.

Especially if he's been left alone for way too long.

Even more so if CatNap decided to torment him like in canon.

In his bigger form he is more capable of scooping you up.

I imagine he still retains his vanilla scent?

In his monster form he probably still has it... but it's mixed with a musky scent.

Imagine if DogDay was left all alone in Playcare like in canon.

All of his friends are gone... CatNap has gone insane... in fact he may even have injuries by CatNap.

But then you show up and pick up the wounded plush.

You hold him close... he feels your warmth...

He gets attached...

Now you have a clingy dog plush following you everywhere.

DogDay is not the violent type.

However, he would do anything to protect you.

He's overprotective, especially if he has been abandoned.

He fears the idea of losing you which leads to him clinging to you.

You may be scared... you may not even like his monster form... but he's still your best friend, Angel!

You may try to run from him once you see his "true" form.

Yet he prevents it... grabbing you tightly and pressing you into his chest.

No matter his form... he still has that vanilla scent.

A scent that makes you relax... one that makes you go limp...

DogDay means no harm.

After all, CatNap could just gas you and force the affection out of you.

DogDay, even if he is in poor condition due to CatNap (legs or not), wants to be your guide.

He often swaps to plush form and monster form.

If he notices you're anxious he does whatever he can to prevent it.

DogDay would always be by your side.

He doesn't care if CatNap tears off his legs... or if blood and dirt stains his orange fur...

He wants to make you smile.

The monster form is most certainly used to either protect you or keep you beside DogDay.

For the most part he prefers to be in plush form with you.

He hates scaring you.

He definitely is receptive to pets like a dog... his tail wagging wildly when you stroke his fur.

DogDay is overly clingy and easily excited.

I wouldn't doubt it if you tossed something and said Fetch, he'd give chase.

He isn't too bad of a yandere.

He's clingy due to a fear of abandonment and overprotective... but surely that's understandable, right?

He just fears the idea of you seeing him feast on other toys...

He feels a hunger deep inside him but doesn't give in.

But if anyone attacked you... he may be unable to help himself.

If DogDay ever accidentally scared you he is quick to apologize and tries to appeal to you.

Blood? Around his mouth and on his paws? No... no things are okay!

See? See? He's just a cute plush dog!

Don't leave him.

PLEASE DON'T LEAVE HIM...!

If you ever tried to abandon the living toy, he won't allow it.

He'll swap to monster form and scoop you into his furry body.

Your nose is assaulted by the smell of musk... dirt... blood...

Vanilla.

It's always that dreaded smell that haunts you... a smell that should be so calming...

Vanilla.

DogDay would hold you close to him... even if you think of him as a monster.

You should see him as a friend... he'd never hurt you!

He'd desperately try to calm you down with his scent and furry hold.

He's covered in blood... but he isn't heartless, is he!?

He's protecting you...

He's helping you...

He's caring for you...

He's yours... and you're his!

You can't abandon him, Angel...

In his eyes, you're his best friend!

Even as you struggle against him he pulls you tighter against him....

It's his job to soothe your anxiety... just breathe in his vanilla scent and relax into his fur...

He can't bear to let go of his new Best Friend...

He can't bear to see his Angel go....

[staybabblingbaby]

Best Friend Protocol #14 (Team Meeting part)

[Caution: These are not full fics, or even full parts of fics for some, these are part of my writing progress archive!]

Concept: You're Felix's childhood friend, and you and he have been planning a visit to see him for his birthday for what feels like years now. Unfortunately, SKZ is a very busy group, and the week-long vacation you'd planned for doesn't seem possible.Until Felix decides to ask his bandmates a favor...

Word Count: 2672

Notes: IT'S FINALLY HERE! ALL HAIL THE LEGENDARY FIRST WRITTEN PART OF BFP! I meant to have this out over a week ago, but it's here now! I will be attempting to get a regular chapter out here shortly to fulfil my promised 4 november chapters. Wish me luck! Huge shout out to one of my beautiful beloved betas, @brbwritingfanfic for taking the time to make sense of this damn thing lmao. I appreciate you spotting all my errors, you a real one <3 For those familiar with my archive style and curious, this is A3D2 for this chapter. It was kicking my ASS. If enough folks are interested I don't mind releasing the other attempts, but BFP is a bit divorced from the usual archive proceedings, so I'll leave that up to y'all. I actually really loved how Felix's character came through here, and i'm pretty pleased with how the dialogue turned out. My poor fiance had to sit through like 5 separate rants about how i could not roll back the details enough and kept having to scrap dialogue so it sounded less like AI attempting classical literature.

Warnings: She/Her Reader. Sort of? Polyamory negotiations. More like, the possibility is tossed out there.

Leave me comments or questions or anything! Love hearing from folks

Additional Note: I'm always taking interaction requests. Just fyi

Masterlist | Prev Part | Next Part (coming soon!)

The meeting goes something like this;

They pile into the living room of his and Seungmin’s shiny new dorm without discussion. It makes Felix both nervous and grateful. They’ve always had these meetings wherever Chris happened to be, before. It feels like an unspoken declaration of allegiance. Like they’re letting Felix take the lead, here.

The pressure is kind of getting to him already, as they all settle in. He doesn’t even know how he feels about it all himself, making a decision doesn’t seem like something he should be in charge of right now.

Still, he’s grateful. They’re being so mindful of him in this, and he kind of wants to cry about it. He feels seen, and loved. A bit too seen, maybe, but as embarrassing as it is he’s still a bit gooey inside about it.

Felix drags a beanbag over to where Hyunjin has settled on the couch, plopping down to lean against the other man’s legs. A hand automatically goes to bury itself in his hair, like an anchor against Felix’s stormy thoughts.

The grounding warmth of one of his best friends soothes Felix as Chris calls the meeting to order.  

“So!” Their leader casts an inquiring gaze around the room, “Who wants to start? Where are we at right now?”

A few glances are cast Felix’s way, but he tips his head back against Hyunjin’s knees to avoid their eyes. Everyone must get the message, because no one prompts him.

Jisung is the one who eventually bites the bullet, and Felix sends a silent ‘thank you’ to his birthday buddy.

“Well, I’d like to clarify everyone’s, like, goal in this?” Jisung puts forward tentatively, “Because I’m at the point where it’s more of a ‘I’d like to get to know her’ thing than a ‘I want to date her’ thing.” he shrugs to himself, “I haven’t talked to her much yet, I just think she’s cool.”

“I’m a little bit smitten,” Changbin admits from across the room. He gives Felix an apologetic grimace, but all Felix can do is wave him off with a worried smile. 

“We talked for quite a while the other day and, I dunno... We clicked? I guess? I feel like we did, anyway. I kind of want to see where that could go if we let it.” 

Changbin sends an almost appealing look to Felix as he speaks, and honestly? Super awkward for Felix right now.

Because, see, Felix’s first instinct is to get super defensive and shut everything down. He doesn’t really want to be talking about this, and it scratches at something delicate and boyish in him that they’re having this discussion at all.

It’s embarrassing to know that the feelings he’s kept so close to his chest for so many years are out in the open. It feels a bit like a betrayal that this meeting is about the fact that most of his friends have feelings for the girl he’s had a crush on basically his whole life, instead of planning how to get him to stop being stupid about said crush.

It’s just... Uncomfortable. On so many levels. An ugly monster wants to tear out of Felix’s throat as he locks eyes with Changbin, but a light scratch at his scalp from Hyunjin stalls the beast.

Right. Felix reminds himself that these aren’t any old friends. These aren’t just some acquaintances he could burn bridges with, or strange men he had to protect his angel from.

No, these were his brothers, the people he’d shed blood, sweat, and tears with. The men he’d lived with, grown with, the guys who’d seen more of him than any other person in the world.

Felix finds it in himself to spare Changbin a strained smile. He means it to be reassuring, but he’s so tangled up in his thoughts right now that it’s the best he can offer. The older man seems grateful for it anyway.

He turns his gaze up to Hyunjin, the catalyst of all this, and Felix’s current rock in the storm. He tries to keep in mind how much he loves these people as he moves the conversation forward.

He has to hear them out, at least.

“Thoughts, Hyun?” Felix gently inquires. 

Hyunjin briefly presses his lips together, gathering his thoughts into words. 

“I’ve been pretty open in my flirtation from the start, I think.” he finally says, “So I guess I’m more surprised that anyone else is? Surprised, I mean.”

Felix has to hand him that one. For all that his ‘no flirting’ rule had been mostly a joke, it did mean that he’d expected them to flirt with her. 

He wonders what makes things different now? He’d been okay with the flirting when he’d thought everyone was just joking around, has anything really changed now that he knows it’s real?

Felix sits with that thought while Minho throws his two cents in.

“I don’t think surprised is the right word,” their second eldest ponders aloud, “I’m personally more... worried about how this might work out.” He draws the words out slowly, like he’s tasting the flavor of them before he speaks.

It’s off-putting to hear Minho speak so cautiously- he’s usually so blunt with his words. 

“I’m more worried about how this will affect us as a group,” Minho admits, “I mean, I like her, she’s fun, but I don’t want her if it’s going to cause issues among us.”

And the older man has a point. Anything that causes discord in a group like theirs is a disaster waiting to happen. Especially something like this, where a misstep could lead to long-term resentments and jealousies.

Felix feels pressured by the group’s regard for him all over again. One word from him, and he knows it all ends. The moment he says he can’t handle this is the moment that the rest back off. The emotions won’t fade, Felix knows, but they’d do it anyways.

Because they love him.

He loves them right back.

“I really like her,” Seungmin pipes in, face blank. His eyes cast toward the floor for a moment, before rising again to meet Felix’s. “I really like her,” He repeats, “I don’t know that I would be okay with letting go without trying.”

Felix pulls his bottom lip between his teeth and nods at the younger man. His head tips toward his lap while he thinks, brow furrowing as he loses himself to his tumultuous thoughts.

It helps to hear everyone’s feelings put so bluntly, Felix thinks. Having everyone’s stances laid out clearly like a map in his mind’s eye. 

Han, who’s not invested but interested anyways.

Changbin, who’s probably in deeper than he’d really like to be.

Hyunjin, who’d been open about his intentions from the start.

Minho, who the fact that he’s even considering her means more than Felix thinks the man realizes. And yet, he’d give her up at the first seed of discord among the group.

It’s kind of heartwarming, when Felix thinks about how much love their second eldest had shown them with those words. 

Finally, there’s Seungmin. A man whose compliments are hard earned, and whose feelings are closely guarded. A man who’d just handed Felix his heart on a silver platter, trust and love etched in every word, spoken and not.

Felix’s first instinct is still to shut them down. His clouded heart tells him to scoop up his angel and hide her away like a dragon with its hoard. To claim her as his and his alone, and feel slighted if anyone tried to contest that.

But that’s not fair. Not to his members and not to her. Not even to himself.

They’d shown him respect and care every step of the way, the least he could do is give them more than a knee-jerk reaction.

“Is it really all that complicated?” Jeongin ponders aloud.

Their maknae looks almost bored from his armchair, staring at them all. His furrowed brow gives away his worry, as does the way he allows Chris to pull him into the elder’s side with an arm around his shoulders.

“I mean, it’s up to her in the end, isn’t it?” their youngest continues, “she’s the only one that can really make a final call.”

“Could we handle that?” Felix finally speaks up. It’s a little scary having everyone’s attention snap to him like that, but this is the crux of the matter, he thinks.

“If she chooses one of us, could we handle that?” he elaborates.

A contemplative silence descends over the room. Felix kind of wishes he could peek into the member’s brains at this moment. He wants to know if they’re as worried as he is, if they’re worried about the same things he is. 

Because, quite honestly, the more he thinks about it the less he really minds if they flirt with his angel.

It’s taken him this long to untangle the ugly knot of emotions in his chest, and he still can’t see all of it for what it is, but the core of it all, he thinks, is fear.

He’s afraid that, at the end of it all, he’ll be left behind. That he’ll lose two of his very best friends, his favorite people in the world, to each other.

He doesn’t think he could handle that.

It’s an unjustified fear, Felix knows. His bonds with all of these people, the seven present in the room with him and one halfway across the world, are stronger than anything. Forged in fire and elastic with time, he’s sure there’s nothing that could ever truly break them.

That doesn’t stop anxiety from creeping up his spine.

Felix lets his eyes wander around the room, landing on each of his members in turn. It’s like something in him believes that they could guide him in this, just by looking at them, the way his gaze lands heavily on each of their forms.

Hyunjin’s hand drops from his head to knead at the base of his neck, and Felix feels himself soften. A little bit of the anxiety drains from him at the comforting touch, and with it gone he can see something new under the miasma of fear and uncertainty.

It’s bright, like hope, and a bit more exciting. A giddy little thought bubbles up with it-

“What if she chose more than one of us?” Han beats him to the punch. His eyes flick between them all anxiously, looking very much like the rodent he’s nicknamed for, and when he’s met with six confused stares and Felix’s suppressed grin, he starts to babble.

“I- I mean, we’ve all shared partners before. Like, sexually, at least. I just- I mean- We’re not strangers to sharing, is all I’m tryna say!” Han explains himself.

His shoulders rise up to cherry-red ears under the weight of their stares. Minho places a calming hand on his thigh, even as he pokes holes in the other man’s claim.

“We’ve never shared romantic partners though,” He points out, annoyingly reasonable, “That’s a completely different thing.” 

“I’d be willing to give it a shot,” Hyunjin shrugs when all eyes turn to him.

He was, admittedly, the last of them Felix had expected to back the idea. Hyunjin was the most romantic of them all, and the least likely to indulge one of them in sharing a partner or two.

“I love you guys, and I really like her,” Hyunjin states plainly, “I don’t see an issue with it.”

“So.. what? We try for, like, a.. polycule kinda thing if she wants?” Changbin questions. He scrunches up his face in concern at the concept, pointing out, “That feels a little unbalanced, doesn't it? Is it fair to hinge the whole thing on her?”

“It's going to hinge on her whether it's fair or not,” Jeongin interjects, “You all have crushes on her, not on eachother.”

“I just don’t know how comfortable I can be with that,” Changbin explains, “There’s one of her, and currently six of us. I don’t think it’s humanly possible for her to split her time enough for all of us, and it’s really unfair of us to expect it of her.”

“It could be a good thing, though,” Han argues, “None of us have the time to dedicate to a relationship how we should. Having more than one of us to turn to could be a good thing.”

“Okay, but you’re all forgetting something very important in this hypothetical,” Jeongin stresses the word, making pointed eye contact with his hyungs, “situation. She has to agree to it too. We can’t make a decision without her.”

Felix can't help but be proud of their youngest for reminding them of y/n’s place in all this. It’s not like they’d forgotten, but it was a good reminder anyway. It did feel a bit icky to be talking about their relationship with her like it was a foregone conclusion.

“I’m just saying!” Han proclaims, throwing his hands in the air, “It’s a possibility that we should be open to if it happens!”

Finally, Chris loudly claps to get everyone's attention and forestall any oncoming argument.

“Oh-kay!” he enthuses, “Let’s refocus. Show of hands, are we okay with everyone flirting with her if they want to?”

All hands go up, none of them opposed to anyone else shooting their shot. Felix pretends like all eyes aren’t on him as he easily raises his arm.

“Alright, next” Chris pushes on, “Do we think we can handle it if she chooses one of us?”

Hesitant murmurs sound around the room at this, but Felix has come to an understanding with himself during this meeting, so he speaks confidently when he says, “I think we’ll be okay.”

His words seem to reassure the others, and a ripple of agreement and gentle ribbing starts circling the room.

“Alright,” Chris nods to himself, interrupting the wave before they could get started with any mischief. He really does know them too well.

“And finally,” he starts, an indecipherable expression crossing his face, “show of hands, who’s alright with the poly thing if it comes to it?”

This subject is more divisive, Han, Hyujin, and Felix’s hands going up, but Minho and Changbin stay quiet with worried faces. Seungmin holds his arm out in front of him with his thumb held out sideways. When questioned, he just says he’s not sure how he feels about it yet.

“We’ll circle back on that later, then.” Chris decides, “I think that’s one of those things we need to be unanimous on.”

Agreements sound out, and the atmosphere relaxes. The evening quickly devolves into an impromptu game night, the group quickly descending upon Felix’s console games like a pack of hyenas.

Felix gets up to switch the TV over to his switch, intentions of strong-arming everyone into playing Mario Party in mind. Chris grabs him by the elbow as he walks by, nodding over to the kitchen. Felix follows him over, already unbearably fond. 

“You sure you're good?” Chris asks lowly, “You've been her friend the longest, and we quite literally thought you were dating her already for a while there. They'll back off if you ask, you know.” 

Felix nods, smiling softly at their leader’s care. “I'm good I promise.” he swears, “I meant it when I said I liked it when my favorite people get along.”

He turns to look through the doorway back at the living room. Despite the strange and personal nature of their conversation, jokes and laughter flow easily now. As if there was never any tension at all. 

Felix can feel himself practically melt as he looks at them, a sentiment he knows their leader shares.

“It would hurt,” Felix admits, “If she chose someone else. But there’s no one I’d trust to hurt me more, y’know?”

Chris doesn’t answer, but he doesn’t really need to. He squeezes Felix’s elbow gently as the younger dives back into the chaos, and Felix knows he’s been understood.

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[tomiyeee]

donnie had. SO. much concept art lol. i really enjoyed the whole design process though. his base design is very difficult to work with because of the battleshell, but it gave me a lot of chances to get creative and i'm happy with the results :)

(also as a disclaimer so i don't get asked about this: i don't have motivation to finish raph or the wish art for donnie, so i'm just posting what i've got)

i didn't annotate these as much since there'd be a lot to write, but i'll write out some of my thought processes and go into some detail about his final design below the cut if you're interested! (it's long. i'm talkative 😔)

1st row - first iteration; much more literal 1:1 translation of his design into a fantasy setting. very steampunk-y. ended up completely scrapping it because, simply put, he looked more like an npc than a playable character. obviously, several features did still carry over throughout the design process :3 also wanted to imagine his attack pattern cuz i thought it'd be fun to incorporate his spider arms.

this was actually the first design of any of them i'd come up with! i've definitely learned a lot about genshin's character design style since then and i think it shows 😂

2nd row - playing around with the idea of a floating battleshell (rather than a backpack-like one in the the show & first version), inspired by nahida's cape. also hard light constructs/attachments. was leaning too into the sci-fi and rectangular motifs with the design, but i liked the idea.

3rd/4rth rows - concepts for his final outfit and shell designs (the colored/more-detailed pics are the more finalized ones). took a lot of inspiration from sumeru this time around. it's a lot sharper, shinier, and less rectangular than his og aesthetic, but i think it's more in-line with genshin's design philosophies.

5th row - not entirely sure why i went through all the trouble of making a 3d model for this. i mostly just thought it'd be fun and good for reference. i was right, but i don't know what to do with it now lol. can't be bothered to be a perfectionist about it though, so don't look too closely at it 😭

6th row - incomplete thumbnails of his burst/wish art. not super sold on that "wing" design in particular, but i do like the idea of his shell splitting and deploying hard light weapons/rocket launchers/etc sort of like in canon.

battleshell/misc notes - i'm thinking his battleshell is controlled using the pink sensor on the back of his coat, possibly in combination with his headset. it floats behind him by default and is sturdy enough to protect his back, but he can also freely fly it around like a drone if he wants. the holes on the side are mainly for the spider arms and the banners(?) and handles(?) with the blue/pink gradient are made of hard light and only appear when the shell is in use.

i imagine like in the series, his tech here isn't necessarily very reliant on his vision/powers; much of it he likely made himself long before he received a vision and he just uses his vision to enhance it.

his burst is a barrage of missiles from his shell that lock onto an enemy and deal a large burst of electro damage in an AOE. not sure if i want his skill to be a deployable or some sort of electro-infusion/boost 🤔 maybe something that involves deploying his shell to boost his damage while leaving him vulnerable, like a glass canon? though i'm not sure he'd be that sort of risk-taker... 😅 dunno! his signature weapon would totally be his tech bo though.

that's about all i can think of. thanks for reading!

[sardonic-the-writer]

𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐧𝐠 𝐘𝐨𝐮𝐫 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 𝐖𝐢𝐭𝐡 𝐓𝐡𝐞 𝐒𝐮𝐩𝐞𝐫𝐧𝐚𝐭𝐮𝐫𝐚𝐥 𝐁𝐨𝐲𝐬 𝐖𝐨𝐮𝐥𝐝 𝐈𝐧𝐜𝐥𝐮𝐝𝐞

↳ notes: happy birthday to me! when this posts i'll officially be older, and celebrating by being cringe (writing this). i also love that picture of misha. it's him at my birthday party for real. he told me himself (lying)

↳ warnings: none!

↳ song: rock your body—justin timberlake

masterlist | commissions | carrd

• Special occasions like this are few and far between

• The Winchester family hadn't had a proper birthday in decades. While Dean clung to memories of gas station twinkies in replacement of a birthday cake, Sam remembered most of his birthdays with a sort of sad animosity. Up until walking out on his dad for Stanford and spending his birthday that year with Jessica, he hadn't had a single enjoyable birthday party. Maybe that was part of the reason he refused to let you feel the same way about your own birthday—even if none of you were kids anymore

• Worst case scenario, the world is ending again and you all have little time for delicacies. If that's the case, you'd get a quick pat on the shoulder from Dean, one excited bear hug from Sam, and very confused Cas wishing you the best of births before being told to continue packing the shotguns with salt rounds

• "With age comes responsibility, so keep loading those guns. Spider-Man said that."

• "For someone that watches so much trash tv, you know so little about media, Dean." You snorted at your friend, fingers nimmbly crushing salt into a line of rigid red shells before moving onto the next group

• "Shut up before I decide to give you your birthday noogies." He pointed a finger at you from across the room with a single raised eyebrow. Off to the side you saw Cas ask Dean what birthday noogies were not-so-quietly, and you struggled to hold back a laugh

• Even in the worst situations, they could always manage to make you smile

• Best case scenario, however, it's a free day. Nothing to do, no devils to fight, no ghouls to stop—nothing. Just you, the guys, and time on your hands that you all normally never have. So what better way to utilize it than with a little surprise party?

• Sam would be the most into the whole birthday party shtick. He'd insist that it was the least they could do for you after all the years on the hunt together, and even got Dean to budge after a few minutes of petty debating

• "It's stupid and cheesy, Sammy. We're grown adults. We've fought the devil beforr for christ's sake." Dean gave his brother the stink eye from his spot in the drivers seat. Groceries stores and Mom & Pop stores passed them by as they ventured into the nearest town, but neither of them paid attention to their blurred surroundings

• "Come on Dean." Sam twisted his torso and turned to face him fully. "Don't tell me you don't remember the look on their face last month when we brought them back a souvenir from our hunting trip in Alabama. You would have thought we brought them a new car. Besides, this is the one chance we've had in a while to actually celebrate something." Sam's eyebrows tilted up as he recalled the memory, shooting a knowing look at Dean's side-profile

• "So what? I say we just tell them happy birthday like a regular person and call it a day." Dean grumbled

• "Is that why you're driving in the nearest direction of the bakery here?"

• Dean didn't respond

• "That's what I thought."

• "Shut your pie-hole or I'm kicking you to the curb."

• Once the boys get back to whatever new place you all are holed up for that week, a couple of crinkled bags in hand, they call on Cas to help out with setting up whatever decorations Sam had forced Dean to throw in the cart

• Cas didn't take nearly as much convincing to partake in the setting up of festivities, but he certainly did need a lot of it explained

• "I thought angels were familiar with the concept of birthdays?" Dean asked at one point while watching Sam pull part of a cake out of the oven. His hand was slapped away when he went to grab at it, and he glared at his younger brother momentarily

• "We are." Castiel's gruff answer came shortly. "But we stopped keeping count after the first couple thousand years. And it was never done like—" He flicked the party hat atop his head curiously, "—this."

• "What did you guys do to celebrate?" Sam asked while popping the lid to a can of store bough frosting open

• "Pray."

• "Naturally." Dean rolled his eyes sarcastically. A blanket of silence fell over the room after that as Sam set out to frost the first part of the cake. Then—

• "Hey. How come none of you are wearing paper hats?"

• "Oh, trust me Cas. It'll mean a lot more to them if you were the one wearing it." Dean's grin was borderline evil as he looked at the angel

• It's safe to say that you laughed the hardest you had in a while once seeing Cas looking so hesitant in a mini cone hat

• Overall, it's the best birthday— the best day —that you've had in a long time

• You didn't need much, and as a hunter you'd come to expect almost nothing. But knowing that your friends— the short tempered, college dropout, otherworldly friends that they were —took it upon themselves to set all this up for you was the emotional equivalent to a punch in the gut. A lovely emotional punch in the gut

• "If you start crying, I'll leave." Dean snapped at you when you eventuallyvoiced how much this meant to you. But the threat was empty, and you all knew it

• Sometime during the party, you had managed to wrestle a paper hat of his own onto his head, and how it sat on the side of his head like a crooked unicorn horn. Occasionally he'd reach for it as if to take it off, then lower his hand with a small smile

• "Shut the fuck up and give me a group hug, Dean." You grinned with teeth, gesturing at him to stand up

• "Wait, no, I take it back that's worse."

• "I will kill you, Winchester. I swear I'll do it."

• You ended up getting your group hug that day, even if it took Castiel trapping Dean between you and him to get him to stand still

• "I hate it here." He griped with a groan. Sam could only laugh as be watched his brother struggle in Cas's iron grip, and said angel was smiling a bit to himself. You felt your heart swell; even if the look on Dean's face was downright murderous

• "Smile or I'm egging Baby on my birthday night." You said before setting the camera's timer and holding it up above you all

• "You wouldn't—"

• "Watch me."

• All four of you have your own copy of the photo from that night, kept in your seperate pockets and bedside table drawers. To this day you find yourself smiling when you look at it, and even if you'd never know it, so do they

[kouyou-arc-when]

ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.

Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.

A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.

What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.

Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act.  Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.

I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.

Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?

We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).

The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.

Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.

1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.

Oda in Dark Era:

He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:

Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:

One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it.  The age at which he was this cold about would be of diagnostic significance.

2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.

Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.

More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.  

from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:

No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.

3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”.   There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply

5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).

Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.

When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.

Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.

Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.

Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with

6. Being irritable and aggressive:

Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.

Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.

Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.

Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.

He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.

“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”

Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.

He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”

There is also this with Jouno:

Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.

That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.

Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that). 

More on Dazai’s unpredictable and violent nature:

Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.

7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.

This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.

I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.

If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.

Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.

Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it.  To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.

8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).

While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.

Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.  

“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.

There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.

Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"

More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.

Dazai also tends to have interesting thoughts about personalities as a concept.

You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.

Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence

He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.

There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)

The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation.  Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.

Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.

People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.

Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.

People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.

You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.

“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.

One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".

There is another situation with Kunikida  during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.

To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.

Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.

Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)

. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).

Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.

Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..).  An example with Mori where he talks about wishing to die (from 15):

Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.

How Dazai seems to see himself and morals in general

Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:

Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do

He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.

This tells me:

a)Dazai sees himself as “evil”

b)He is constantly assuming the worst in others or is prepared for the worst

Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral.  Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.

He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:

"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.

Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.

Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind.  In my opinion, to see who Dazai is, you need to follow exactly which words got to him.

In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.

Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.

On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.

"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"

Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.

"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".

Negative emotions and Akutagawa

My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.

I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:

“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.

Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)

Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.

Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.

In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why

I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).

He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.

"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”

See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”

“Why, you—”

But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”

I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.

Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).

It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.

I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".

However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).

Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.

This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.

Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:

“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”

Dazai’s expression becomes distorted.

He opens his mouth, and closes it again, as if he can no longer breathe.

If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.

“Odasa…”

Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."

and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:

 An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:

It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.

Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.

To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.

Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.

Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.

“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”

is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.

Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.

In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.

To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.

Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.

It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.

"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.

Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.

A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.

It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.

It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".

That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.

Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[bapple117]

Figured there was no harm in double checking lol. So… do you think bill is even capable of desiring or wanting sex? Would he just…….. be doing things to people lmao, can anything of his be touched sexually? Also maybe a weird question, but has Doc even felt anything physically like that, being that they have a human body, or no?

Okay I'm gonna be answering this after the jump - fair warning! My answer is 18+, minors DNI, and anyone who feels weird about thinking about the characters in this context just SCROLL AWAY! I'm serious! I'm answering this in a mature way, taking it seriously as an interesting question. I don't want any judgy looks, so I'm giving you ample time to walk away right now... Okay! With that disclaimer said...

So in regards to what I think about canon!Bill - I think he'd have fairly little to no interest in sexual gratification for the most part, given the fact he doesn't have a corporeal form / genitals (that we know of LOL) in his triangle state.

I think he would probably enjoy the psychological aspects of controlling / influencing someone ELSE'S physical experience, though - in a consensual scenario, I imagine he would be the one exclusively doing things to the other person, getting more of a mental satisfaction from it rather than physical. Like, "Huh! Poking you there makes that kinda reaction, does it? Well, this just got interesting!" sort of deal.

I also think gratification via proxy is an interesting concept too, ie, Bill possessing a human and experiencing what they feel through them. I've read fics exploring this idea - both the human being consciously aware of what's going on, with Bill inside their mind feeling the same sensations and controlling them - I think that's as close as canon!Bill would get to experiencing real sexual feeling / gratification.

Obviously there's scope there for a more non-consensual reading of those situations, but I'm not really one for non-con so I won't comment on that.

In regards to fanon!Bill, I think there's more of a spectrum available for exploration, depending on what that version of Bill looks like. I've seen lots of takes on human!Bill (both art and written) that explore him coming to terms with having human sensations / desires in a really interesting and nuanced way, and I think that's a really cool approach. A non-human entity suddenly becoming human and being like "Ew, gross! This body is weird. But... food tastes nice and being touched is fun..." is a trope I greatly enjoy, personally. In regards to MY Bill, as in, the one I am writing in The Theraprist... Hrm. The one I'm writing is going through a lot of character development that isn't present in canon so it's hard to compare, but I think it would involve a mixture of the above with some slight differences. My headcanon is that he has erogenous zones even as a triangle, so any kind of intimacy with him wouldn't look like typical intercourse, but would be possible in a manner of speaking. Maybe his edges are sensitive to being licked, etc etc.

I won't be writing anything sexually explicit IN The Theraprist, but if I were to explore that in a seperate work (maybe a one-shot or something) I would definitely go for that angle (pun intended.) Obviously, if it was happening in the Mindscape... Well. That opens a lot more opportunities. Anything is possible in there... In regards to Bill's past on Earth, times he possessed humans... Well. That's actually something I'm going to allude to in the fic itself, so I'll keep my thoughts on that up my sleeve for now. As for Doc, I think I'll mostly leave that up to reader interpretation, as I wouldn't want to project my own headcanons on to a character who's meant to be a faceless blorbo anyone can insert themselves in as. BuuuuUUUuut if I AM coming at it more from a "this is my original character" point of view, then I'd say that... Yeah I think they've been around. They've been alive for thousands of years and can turn into anything they want - I'm sure they've fooled around with something at SOME point. Not as a human, though - them turning into a human to be Bill's therapist was the first time they had shifted into one, ever. I touched briefly on the whole "getting used to human biology" theme with them here and there, hinting at the potential for more...

Maybe I will explore it more explicitly eventually! Hope that answers your question :)

[yuri-is-online]

Hello a TDB fan here

I have been playing the game for a week and Rui is soo fine. If it's fine with you can you write something about MC and him kissing through sheer cloth. I had seen this scene in one of the chapters of freaking romance (webtoon) and that's all I can think about after knowing Rui's curse.

notes: they/them used for MC, extremely angsty and pining, heavily inspired by his Ephemeral Bouquet card (because you can't give a man who can't touch a skill called Envisioned Future and not expect me to play with it) More Tokyo Debunker content can be found on my masterlist here (x)

I altered the request slightly? As I was thinking about the specifics of Rui's curse and his bride card a bit too much and the concept of him longing to get married sort of took over, apologies (シ_ _)シ

There are small porous holes in tulle. It's meant to make the fabric breathable. See through. Ideal for a bridal veil, which is not what you are wearing but the thought has wormed it's way into his brain now. Rui can't unsee it.

The low light shines in the sages ring, a blonde hair falls out of place and your hand moves towards your own temple. You smile; he remembers what it feels like to touch someone. He thinks there was a weight to it, a shift. Was there warmth? There wasn't a taste, or has it been so long that he's forgotten?

"You may now seal this union with a kiss." His bare skin moves through the tulle, eyes closed as his smile grows with eagerness to feel- nothing. There was a person in his arms, but his eyes open to shimmering dust. All that is left of you in his grasp is sand, but the damned veil remains. He knows what he did to deserve this, but still-

"Rui?" The glass Rui's holding slips from his fingers as he laughs, sheepishly he tells himself. Just a little of his boyish whimsy and not aching relief at seeing you still alive. "Are you sure you don't need any help?" You don't move too close, just to the opposite side of the bar. Your costume has gloves too, white would be such a nice color on you but Romi put you in grey. The same color as his hair.

"Whoops, sorry 'bout that (name)!" He snatches up the broom before you can go for it and sweeps up the shards of glass. "I didn't scare you or anything did I?"

"No I'm ok." You draw yourself up a little taller. The veil makes it a bit hard to see him, but you think there's something just a bit off with Rui. More so than usual. "Are you sure there isn't anything I can do to help? Professor Moby-"

"Nope~ I've got this on lock promise!" He sure does, the task is practically already complete but it's not really what you were asking about. "Sides you can't just let that guy push off all his work onto you! You're still a student just like everyone else there's got to be something you want to do at the fair." Rui's back to smiles and laughter. If you hadn't been paying attention you never would have noticed there was a slight dip in his mood.

Hook. "Maybe." You noticed though. Line. "I haven't gotten much of a chance to look around it just yet."

Sinker. "Well that just won't do!" Rui always seems so... happy at the thought of spending time with you. It makes your heart ache. "Just give me a second to lock up the bar and I'll take you around! We can make it a date!"

~~~~

"Wow what a unique choice for prizes!" Rui says cheerfully as you politely examine the masks this Hotarubi student has displayed at her booth. He had been talking himself up just a second ago about how he could win you a nice stuffed animal but finding a booth with only a few people around it had proved difficult. "Did you make these yourself?"

"Thank you." The girl bows respectfully and gestures towards the targets behind her with a set of darts. "Care to test your skill?" Rui winks at you.

"Can we have two sets?" Might as well have some fun and help the poor girl's numbers out.

"Of course." She sets the darts down on the counter and settles back into her chair.

"Aww don't you have faith in me?" Rui smoulders just the bit, but you think he's having fun. "I'll have you know I'm pretty good at this."

"You'd better be Mr. Bar Tender." You wink and his facade breaks just the bit. "But I'm not that bad myself."

Rui barely hears the rest of what you say, something about a bet. Something about how if you win then he has to do anything you say. He probably shouldn't agree so quickly, but he wants to be normal. Wants to pretend that this is a normal date, that you would have noticed him if he had flirted with you. That he still would have had enough confidence not to wiff every shot. Not that he feels shame for losing to you, the sting comes from not being able to-

"Do you see a mask you like?" Your smug voice is so cute, he wishes the prizes were too.

"Ahaha not really?" Now that he's staring them down, it feels like he's being mocked. Doesnt he wear enough of these already? "You're the winner here! Shouldn't you pick out which one you think suits me best?"

"Then I wouldn't pick any of them." You snort, but pick one anyway. You twirl it around in your hands and hold it up against your face. "How about this one? Sort of looks like me don't you think?" He doesn't. The mask has none of your features, it is lifeless and hollow. You lift the mask up to his face and gently tap his lips. He closes his eyes to play into it because that's what this is right? A joke?

So why is there a face behind the mask?

Nakedness would be less intimate than this, there would be room for him to lie and bluster if he didn't have his clothes. You taste like clay, he can feel the push and pull of your lips against the barrier. Rui gasps against it, opens his mouth and presses himself closer. His hands grip the lapels of his jacket, you are so so warm and alive. Your gasp for air is muffled and Rui pauses out of instinct against the mask.

"Please." He doesn't know what he's asking for. He doesn't want you to stay, this was such a risky move he's almost angry at you for it. He wishes, he wants for something he cannot have. You feel Rui smile, his kiss is gentle against the mask and finally you think you get him to say something just closing in on being real. "I hope you live forever."

The polite cough of the girl running the stand interrupts whatever you had wanted to say in response.

[moonstruckme]

hiya! huge congratulations of 6k that's amazing!! and 100% deserved

i was hoping to get a mae rambles ; send me a character + a concept and I'll write some headcanons please

i was thinking maybe remus x reader who's kinda quiet and intimidating but quite bubbly once you get to know her?

i hope that makes sense haha

Thank you so much!!

Thank you lovely <3

okay so first of all, he totally gets it. Remus isn't a bubbly person, but he fully knows what it's like to come across as intimidating and maybe even a bit broody, and to have people be shocked when you're actually quite nice once you get comfortable

when you first start getting to know each other, you're more or less on the same level. he's not intimidated by you and can tell you're hiding somewhat behind your quiet demeanor, but he doesn't know what it is you're hiding yet

when you do get comfortable enough to come out of your shell, he is over the moon. he has to force himself to be cool and not smile too much for fear of scaring you back in

looooooooves to hear you chatter about just whatever. i feel like it's almost universally agreed that Remus is the world's best listener

is quite protective of you around his friends, always holding your hand and making sure they don't tease you too much so that hopefully (eventually) they can get to see the side of you he knows

a few times while you're first getting comfortable around each other, you sort of slip in and out of being your bubbly self around him. unbeknownst to you, he has a mental list of things he can do that work to make you more comfortable

basically at all times and in all environments his goal is to make you comfortable enough to be yourself, and when you are, he's pleased as punch

when you do occaisionally go back to your quieter self, though, it only reminds him of when you first started dating, which is a bit endearing in its own way

[waterfallofspace]

Allergic To Concepts

Is anyone else still into the M/agnus Archives? Maybe, maybe not, but I have had this fic sitting in my google docs for months, and I just finally managed to get myself to finish up the last bit, so here is part one of a possible two part fic, if I can ever manage to get myself to write the next part!

So, if anyone wants, please enjoy a little Allergic to concepts Jon. aka, Jon is so allergic to dogs that just the idea of them gets him a bit worked up~

I'll never be over this podcast, and I might start sharing small (tiny) drabbles of these guys if anyone would be interested <3 or even just to start coaxing myself back into writing~

Characters: Jon, Martin, Tim, and Sasha Word Count: 2.7k

“-so to conclude, we absolutely, most certainly, cannot do that,” Martin finishes, hands woven into his hair. Seems to happen more often nowadays; getting a job you’re not exactly qualified for tends to bring on a touch of added stress. What brings even more stress, however, are the faces staring back at him, twin smiles painted across worryingly calm canvases. Seems once a poet, always a poet, even in your own thoughts. 

Tim chuckles, mischief running through his eyes. “How do you even know that? You been stalking our new boss?” 

“W-well no, it’s just that…” Martin starts, beginning to study the floor as his rambling starts to take over. “Well there may have been an… incident, of- of sorts, with a uh… well it was, I was trying to open this door, but see I was holding files, and there was this dog, and they kinda just- well I was trying to stop it but it got in and- so I went to Jon’s office and he was just kinda… and then I-” 

“So what?” Tim interrupts, mercifully saving Martin from his own tongue. “Why should his issues stop us from havin’ a good time?” With a snap of his fingers, Tim casts Sasha a devious wink. The colour seems to drain from Martin’s face as he holds up a shaking finger, aiming somewhere behind Tim’s shoulders. 

“Ah, speak of the devil,” Sasha mutters, her smile never wavering. 

Spinning on his heel, Tim turns to greet the newest arrival to the hallway. “Fancy seeing you here, boss! Burning the midday oil?” 

Jon pauses, papers nearly spilling from his crowded arms as he fumbles with some keys. “That’s not an expression. And what are you all doing cramped in the hall? Don’t any of you have work to do?” 

Martin nearly keels over as Jon’s glare settles against him, seemingly deeming him responsible for this lapse in progress. As if! In fact, he’d been the one begging them to get back to work. Honestly, Jon should appreciate the fact that he talked them out of-

“Actually, we’re thinking of heading off for the day,” Tim cuts in, leaving Martin’s mouth nearly hanging open. Had they not just gone over why this was a horrible idea? As if to answer his unspoken question, Sasha joins in with support for Tim’s cause. Martin’s pretty sure there’s actually a gap between his lips. 

Jon, having opened the office by this point, merely stops and stares. Seconds pass, though it feels more like minutes. There appears to be some sort of staring match between the three of them. 

Finally Jon breaks the silence with a short… well, it’s hard to call it a laugh, more like a huff. His posture tightens as he attempts to pull himself to his full height, casting Tim a wary glance. “You can’t be serious.” 

“Quite serious in fact! See, me and Sasha have been thinking,” Tim pauses, gesturing to the aforementioned with a sickly sweet smile. Merely performance charm, which given the eye-roll she shoots back, Sasha’s well aware of. “All of us here need a chance to bond.” 

“Bond, you say,” Jon’s monotone voice offers no insight to how he’s taking this suggestion. As Martin’s mouth begins to dry, his hands start working their way back into his hair. 

“Indeed!” Tim continues, seemingly oblivious to Martin’s rapidly increasing heart rate. “We’ve all been stuck here together, figured we should become more of a team, you know? A team-building exercise you could call it. Something to get us more on the same page.” 

“And what is this ‘team-building exercise’ you have in mind?” 

Well, his heart may have been racing before, but it’s not anymore. In fact, he’s almost entirely convinced it’s just stopped completely. Jon’s eyes meet his own, and Martin drops his gaze fast enough to leave him dizzy. 

This time Sasha speaks up, her coy tone doing nothing to alleviate the heart attack symptoms Martin’s now convinced he’s feeling. “An animal rescue cafe. They rescue dogs and cats, the ones that need rehoming, and bring them there so you can get to know them before you adopt. One opened just down the street from here, and me and Tim have been looking into going. We figured, might as well drag you and Martin along with us.” 

Jon’s glare narrows further, a single hand coming up to rest between his eyes. The movement is completed by pushing up his glasses with a sigh. “And how exactly does drinking tea in a room full of animals qualify as team building?” 

“You can tell a lot about a person from the way they treat animals,” Tim offers. “Not to mention the fact that there’s a whole study about how psychopaths are more likely to hate cats, which is mostly due to the fact cats have willful behaviour.” 

Martin can almost taste his heartbeat at this point, a fact he’s finding quite alarming. Still rummaging through papers, Jon steps into his office. Much to Martin’s chagrin, they all seem to be following him. 

“Are you suggesting someone working in this office is a psychopath, Tim?” Jon continues, huffing out another sigh as he notices the entourage entering his office. Jon’s glare lands on Martin once more, something he’s almost gotten used to at this point. 

Laughter begins to flow from Tim, Sasha joining in with a mild chuckle. “Of course not, but hey, this job’s all about researching things that probably aren’t true. Better safe than sorry, right?” 

Seemingly the only one noticing Jon’s growing apprehension, or maybe just the only one that cares, Martin can’t peel his eyes off their boss. Unaware of the scrutiny, though perhaps expecting it nonetheless, Jon pushes up his glasses again. Martin doesn’t miss the way he lets a single finger brush against his nose during this action. Nor do his eyes skip over the light scrunch forming at the bridge of said nose. 

Oblivious as always, Tim’s still going on about the cafe. Something about which animals are available, what tea they serve, scones, and more useless information. Sasha’s typing something in her phone, apparently fact checking his current ramblings. Still, all of that fades into the background as Martin’s attention is drawn to Jon once more. 

At first, he can’t figure out why he’s watching. Jon didn’t speak, and from his posture he hasn’t made any significant gestures. There doesn’t seem to be anything specifically that should have caught his eye, and yet-  

And then it happens again. Jon’s brows tighten, his eyes begin to flutter shut, and his lips part just enough for his tongue to peek out between them. There’s a beat of silence, then a single breathy inhale, barely noticeable above Tim’s monologuing. 

“ihh-” 

Just as quickly as it began, Jon crushes it back once more, a hand roughing swiping against his nose. There’s a quiet feeling of– perverse excitement as Martin watches him. Why? No earthly idea. It’s not as if there’s anything specifically… exciting about the action. There’s no physical stimulation beginning, to phrase it politely. 

Still, there’s something… almost electrifying, about bearing witness to a moment so personal and private. As if the only person in the room is Jon, and he’s opened the door for Martin to join him in his world. Which, as you think about it, just becomes more and more– creepy as hell! Damn it! 

Pulling himself from his thoughts, Martin manages to peel his gaze away from Jon. Zoning back into Tim’s rambling, he just barely catches the tail end of a rant about different toppings on cinnamon buns. His silence was entirely unnoticed. Understandably, given only Tim had said anything in minutes. 

“Personally, I’m a fan of the regular cream cheese icing,” Martin offers, forcing himself to keep his eyes on Tim as another soft sniffle sounds behind him. The others don’t notice it, Sasha rolling her eyes as a light begins to dawn in Tim’s. 

“Well, interesting you say that Martin, they actually have those at the cafe down the street! Isn’t that such a wonderful coincidence?” Tim swirls his body towards Martin, casting a playful glance back at Jon as he continues. “Wouldn’t you like to stop by and get yourself one of those delicious buns?” 

Martin feels his face begin to pale again, and barely manages a meek, “W-well… I don’t need to… get one right now… but if you want-” 

Thankfully he’s saved from himself as a gasp sounds out from the desk. Everyone in the room turns, Martin included, just in time to see Jon duck into his wrist with a tight, “ih’nGXt–uih!” 

“Bless you!” Sasha calls, Tim and Martin echoing the sentiment. A flush begins to spread over Jon’s cheeks, but it’s brushed off as he waves a hand, continuing to scribble on some papers. Casting a glance over to Tim, Martin sighs as the mischief floods the other man's face. He’s very clearly not letting this go. 

“Was that actually a sneeze?” Tim laughs, mimicking the sound as Sasha suppresses a giggle. 

Jon keeps his head down, pen still moving across the paper in disjointed movements. “It was in fact a sneeze, yes. Happens to everyone from time to time, no need to make a big deal out of it. Now, I believe you were going to a cat and do- hiHh! rescue cafe?” 

The hitch manages to escape from Jon’s tight grip, his posture shuddering slightly with the force of continuing the sentence. It doesn’t go unnoticed by Martin that just the word dog seems to leave him breathless. 

“A dog cafe, yeah! You’re coming too, right boss? Come see all the adorable little puppies?” Tim offers, gesturing towards the door. Apparently it didn’t go unnoticed by him either. 

An audible gasp sounds out, and all eyes turn back to the rapidly hitching boss. Jon manages to stifle the first one almost silently, only a rush of breath escaping at the end. 

“Bless you, boss.” 

Jon waves a hand, wiping away the water beginning to flood his eyes. “Was just sihh… sighing, Tim.” He finishes the statement with another stifle, this time his whole body jerks along with the rough exhale.  

“Really? Because that sounded like another sneeze,” Tim taunts, poking a finger towards Jon’s face. “And given the way your nose is twitching, you seem far from done.” 

Jon seems to consider debating, but another frantic hitch decides it for him. Giving up the ruse, he ducks into his shoulder with another, “eh’tNGxt–uh! ih’NTchhuh!”  

“Bless yo-” 

“eH’DGZSHhh –uu!”  The volume makes everyone jump, seeming to surprise even Jon. 

“Oh- mby apologies, I seeb to be… hiehh–” Jon trails off, one hand frantically searching for a tissue, nose visibly trembling behind the other. In a move of uncharacteristic pity, Tim pushes the box within reach. Jon mumbles out a thank you, before swinging his chair around for a touch of privacy. 

The silence is almost deafening, cut up only by the rustling of fabric as Jon attempts to subdue the onslaught. “eh’nGNt –oo!” And fails miserably. 

“Do- maybe do you want… well possibly we should, actually I think you might- I mean he might want–” Desperately trying to find a way to fill the space, Martin rambles on, gaze bouncing between all three of his coworkers.

“Martin,” Jon cuts him off, “just say it.” 

The annoyance Martin’s come to expect seems unaffected by the breathy quality of Jon’s words. Unless you notice the flushed nature of his ears, which… is kinda hard to miss when his nose is starting to match. 

“S-sorry! I just figured you may want a touch of uh… privacy..? You seem… itchy,” Martin offers, already beginning to back out of the room. 

Jon glares, lining up a retort before pausing as the first syllable comes out muffled with congestion. A sharp sniff and quick rub later, he continues in an easier tone. “I’m quite alright. No need for such concerns.” 

“I mean- If… if you’re sure…” 

Tim interrupts this time, draping an arm across Martin’s back. “You heard the boss, he’s fine. Now, onto that cafe?” 

Before Martin can get a word out, Jon stands from his chair, dropping the tissues in the wastebasket next to his desk. Sasha chuckles out her approval, sticking her phone into a pocket and beginning to exit the office. Tim follows suit, leaving Martin standing alone with Jon. 

There’s a beat of silence, Martin watching, horrified, as his body refuses to move an inch, silently waiting for Jon’s approval. 

“Well?” 

It’s not exactly an invitation, but it’s more than enough to send Martin scrambling for the door, muttering more sheepish apologies under his breath. If Jon heard them, he gave no indication, busy rustling through a desk drawer. A few more muffled stifles make their way through the noise, no indication given they were heard either. 

As Martin makes it into the hallway, he catches Tim waving from the door. He’s propping it open with one foot as Sasha waits outside, once again on her phone. Martin waves back his acknowledgement, before gesturing towards the kitchen. Tim simply shrugs, calling something about ‘not waiting around’, before joining Sasha in the crisp autumn air. 

Making his way back to the kitchen, Martin pauses at Jon’s door. He’s not eavesdropping, just… listening in, to see if Jon’s alright. It’s his boss after all, and he’s an assistant! He’s supposed to… assist! Perfectly natural thing to do, isn’t it? 

A harsh double pulls him from his spiralling, Jon’s voice coming through audibly in the groan that follows. Alright, enough listening in, this is starting to feel more creepy than curious. 

With what little confidence he can muster, Martin works his way through his plan. The mugs are where they always are, but the water in the kettle was a bit more cold than a proper cup of tea would allow. Flipping the switch, Martin began heating it, and hurried out of the kitchen to his desk. He picks out a fairly bland tea, Jon seems the bland type… right? 

Another few sneezes sound out from the boss’s office, and Martin almost starts to feel guilty for still being in the office. It’s obvious Jon assumes he’s alone, if not from the sneezes themselves, from the groans that come after them. Ever the stickler for a Professional Appearance, he’d never allow himself to be seen or heard in such a state willingly. 

The kettle sounding pulls Martin from his thoughts once more, and he pours the water over the tea bag. Moving carefully, as not to spill, he makes his way back to Jon’s office, knocking softly on the door. 

“Yes?” The reply is sharp, a frantic sounding shuffling occurring as Martin begins to slide open the door. 

“Hey, yeah sorry I just- you sounded like… I just thought that maybe you’d want… you might need some…” 

“Spit it out, Martin,” Jon sighs, giving his nose a subtle swipe. Unfortunately for him, this seems to have been the wrong choice. His nose twitches, eyes beginning to unfocus, and Martin finds himself pausing for the interruption. At least, until Jon gestures at him to continue. 

“Well, I just ma-” 

“ih’tNGT–uu!” 

“Bless you. I just made you some tea, it seemed you cou-” 

“hHUh’dNT–uh!” There’s a pause, Jon’s breath catching dramatically, before he swivels around in the chair and aims a harsh, “eH’dZSHH– eih’DSCHhhh–oo!” at the fistful of tissues he managed to grab. 

It wasn’t exactly quiet, and Martin finds himself flinching against the noise, but holds it together as he places the mug on Jon’s desk, hurrying through the rest of his sentence. 

“Seemed you could use some tea, bless you again by the way, anyways I’m gonna head off with Sasha and Tim, I’ll see you there I guess! Or, well- not just me, we’ll all see you there, as a group, if you choose to come that is! Which of course you don’t have to, though we’d lik-” 

“Martdin,” Jon, mercifully, cuts him off, congestion seeping through his words. With a deep sigh, he finishes his sentence. “Thagnk you. You mbay go ndow.” 

Taking the out, Martin gives one last nervous smile, sliding out into the hallway. Another desperate sneeze leaves him wincing, Jon’s vocal groan sounding out yet again. The poor guy sounds miserable, and Martin almost considers going back in and telling him not to come. If he’s this bad from just the thought… well… 

But he’s embarrassed himself enough for the day, and, albeit hesitantly, Martin heads off to meet Tim and Sasha at the cafe.

[yanderes-galore]

Hiii! Absolutely in love with your writing! Never thought you'd ever write for Helluva Boss or Hazbin Hotel. Out of your top fandoms, may I propose that the reader is immune to Vox's hypnosis? Having this rare ability, they try escaping the V tower but it ends up being the biggest mistake. This TV seems to be possessive and canonically a control freak like a lot of TV based characters (looking at you Mr. Puzzles) lol! I know you're a busy person with their own life in the end of the day so I won't be mad if you refuse to write this. I love the content you provide us with already <3

Sure! I wasn't sure if you wanted a concept or a one shot, so I just focused on rambling out my thoughts on it. It could work either way though so maybe I'll follow this up sometime.

Yandere! Vox with Darling immune to hypnosis

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Violence, Anger issues, Kidnapping/Post-Kidnapping, Stalking, Possessive behavior, Mentions of Val's smoke/Drugging, Forced relationship.

It's hard to say who, at this time, has immunity to Vox's hypnotism.

It's currently only known to grab the attention of people who are... paying attention.

So, maybe you're oblivious or just never paying attention to his hypnotism.

Which in itself is incredibly frustrating to Vox.

However, another method is natural immunity.

I'm thinking maybe you're also an Overlord that has to, unfortunately, have meetings with The Vees due to a partnership.

Vox probably still outranks you, yet you're strong enough to resist his powers.

Another option is simply having a specific type of gear or tech you created that blocks his hypnotism.

Regardless... One way or another Vox can't use one of his most powerful tools on you...

Which naturally makes him pissy.

He can't do his usual subtle charms against you, carefully manipulating you into listening and being his.

Even when he captures you, you never seem to listen.

Normally it's easy for Vox to make other demons listen to him.

Unless they're Valentino or Alastor.

But now he has yet another demon who can just... ignore it.

He has so many fits when he tries to trick you into something, only for you to shut him down.

It's humbling and he hates it.

So, if Vox wants to keep you in the V Tower, he has to expect more resistance.

In fact, normally escape attempts would be amusing as he can just charm you again.

But now he can't do that.

I feel your immunity would stress Vox out at times.

Even if he manages to manipulate you into V Tower, keeping you there is difficult.

Vox is naturally charming, so you may agree with what he says at first.

Hell, maybe you two were dating before things went wrong or at the very least on friendly terms.

Then he goes crazy and locks you in your own personal room with high security and everything.

Vox was once drawn to (and frustrated with) you due to your immunity.

That was what got him obsessed in the first place before he started having all these... feelings.

Sinful feelings.

You're distracting, even more so when he can't charm you to give him attention.

So what better way to force your attention than manipulate you into the tower.

Maybe you were meant to be another V, but once you had enough of Vox and his obsessive behavior, you tried to leave.

Only for Vox to lock you away.

As he can't charm his way into making you listen, now he has to keep you by other means.

Such as cameras, screens, electronic locks, all sorts of security.

Fine... You may be able to bypass his hypnosis...

But he has other means to keep you his.

The issue he ends up finding though is a lack of affection.

He can't charm you into giving it to him.

You ignore him and no matter how hard he tries... You never pay attention.

Considering how Vox thrives on attention...

This is devastating and leaves him screaming in frustration.

One way I can see him forcing you to be more... attentive is using Val.

Vox would probably somehow get Val to give him some of his smoke/spit.

Disgusting and disturbing? Yes... but that's the point.

Vox seems like the type of person to control you in other ways, since he loves control.

If you tried to escape your high security prison, or withheld affection from Vox, you're essentially getting gassed/drugged.

He most likely would test it with just a bit.

Then afterwards, depending on his mood, would up the dosage.

(This makes my skin crawl-)

Of course, escape was never going to end well for you.

Vox will find some way to break you.

Be that showing you his security, using Val, or isolating you...

Vox is going to force your attention to make you rely on him.

There's no genuine love with him.

Only ownership.

Escaping is near impossible with his coworkers, employees, and security.

At some point, you'll break and only have him to greet you...

Leaving Vox to embrace you with eager arms, his claws digging into your skin once you're finally his.