#maybe i should have a writing tag

[th3-bl00d-on-yr-hands-rom3o]

next chapter of kill all your friends is live btw

[nova-skittle]

would you look at that? you finally did it. you fell in love. only took you this long, only took you hundreds of circles in wedding catologues and one new years eve. it only took you this long to realize it, and you've fallen in love with so so much. it's nothing like you thought. nothing. but it's everything like what they say. it's waking up each morning and knowing they're there, it's spending each day waiting to talk to them. it's every breath being for them, it's every moment waiting. so, hey. you did it. you fell in love like nobody ever has before. you're getting what you dreamed of and you're making new dreams. would you look at that.

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[cosmicredcadet]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[local-diavolo-anon]

i'm back!

ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast

so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)

starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile

which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer

however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!

as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:

The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.

There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.

After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.

(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)

Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)

Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.

And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.

Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.

And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.

of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!

Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[emmg]

It is no hardship, Emmrich tells himself, to wear his face. It is his, after all. The one he was born with, the one that grew and shifted under his own patient gaze, seen in puddles, in mirrors, in the glass of a carriage window as he smoothed down his hair with the flat of his palm. A face he had stared at for far too long that first time he shaved, and again a few years later when he invited that very pretty boy out for a promenade and wanted, with all the force of a young man’s vanity, to be just as pretty himself—no hair astray, the kohl at his lower lids an almost imperceptible shadow, the perfume at his neck a whisper of carelessness, though in truth, nothing had ever been more deliberate.

For a decade now, they have called him distinguished. Before that, they called him handsome. He knows his face, likes his face. Its summoning should be no trouble at all; especially now, especially like this, stripped down to something more elemental, all ivory angles and nothing more. But Rook is uneasy. She does not say so—she is all sorry, shit, don’t mind me, fuck, fuck, I’ll get used to it, I’ll get used to it—but she is not made for the sight of bone in the dark when she wakes abruptly. He has had years to come to terms with the unmaking of his flesh. She has not.

So he does not miss his face, not really. But Rook does. And for Rook, he will pretend. 

No, he tells himself again, he does not mind. He does not. 

Lichdom, as he had once explained to her, sanded down most of his senses. Blunted them, rubbed them smooth. But in their place, others have surfaced. Senses without names, without proper edges, ones that slip through language like smoke through a cracked door. He cannot smell the perfume she wears, though he knows it is dreadful, some sticky, saccharine thing she bought in Treviso with Lucanis and spilled all over her shirt. But he can see her pleasure when she presses a little figurine into his palm, triumphant and insistent. This one, she affirms, is so much prettier than the first, and most importantly, not haunted. 

He watches her giddiness churn inside her, thick and writhing. It is purple, inexplicably. It loops and knots, wriggling sideways, swelling through her veins, a restless thing. It coils, slippery, around her heart before pouring from her mouth when she speaks. When she presses her lips to what passes for his cheek, he thinks he can taste it. Or something like tasting. As if she had chewed it to a pulp, crushed it between her molars, worked it down to something fibrous and wet and pressed it into him, like carrion slipped between teeth, offered as a gift. 

He swallows it, slow. 

Perhaps this is what purple has always tasted like. 

There are other things. Other feelings. They arrive misshapen, crawling over the edges of his thoughts, curious, pestering, impossible to ignore. They perplex him. They amuse him. And sometimes—sometimes—he wishes he felt nothing at all.

Like when she cuts herself, and he watches the blood spill, a slow, indifferent line along the curve of her arm. But it is not blood, not in the dull, medical sense. Not something as pedestrian as iron and salt. It is a ribbon, impossibly red, and he can see the rest of it coiled inside her, packed neatly away, waiting to be tugged. How much could he pull free before she wavers, before her lips lose their color, before the bright, stubborn thing inside her gutters out? 

He heals her arm. Does not look at her when he does it. Says nothing of consequence. 

But he wants to take that ribbon and wind it around her wrist, knot it, twist it, pull it so tight that it ceases to be a ribbon at all. Flesh yielding to pressure, pressure forcing permanence. A bracelet of skin. A smooth, bloodless seam. A correction. 

Rook thanks him. A glance, a nod—already half-gone as she turns toward Rivain. There are things to be done there for her, and he cannot stray from the Necropolis for long. What things, exactly, she does not say, but he knows their shape well enough: dragons, impulse, the peculiar magnetism of disaster. She has always been like this, drawn to the spectacularly unwise with the certainty of a moth misjudging distance. 

He can no longer follow. 

She will return. He knows this. And yet, if his hands still possessed the capacity for tremor, he suspects they would betray him now. 

"I love you, I love you, I love you," she sings, a careless, looping refrain, a child’s chant repurposed for a woman who has never quite learned to tread lightly. She chatters as she moves; this and that, something or other, a bad decision or three. She shows him rings, delicate and stolen, lifted from a dragon’s hoard, then tells him of a strange mug found in the same place and promptly lost to someone forgettable in a game of cards. 

"Look, look," she says, because excitement makes her redundant. "I kept these for you." 

The rings slide onto his fingers—bandaged, skeletal, indifferent to the distinction. He flexes them. Smiles, because each one carries an emerald, and green has always pleased him. 

"I was meaning to ask you," Rook says. She is still holding his hand, turning it gently in her own, left, right, right, left, as though testing whether it is truly there. "You are smiling now." 

"I am." 

"Don’t interrupt me." 

"My deepest apologies." 

"It was a joke," she says, but absently, without weight. Then, again, softer: "You are smiling now. But is it real? Or do I see a smile only because I expect to? Because I believe it should be there?" 

"It is quite real," he reassures her, lifting his free hand, brushing two fingers against her cheek. "The glamour does not fabricate emotions. It is a projection, not an invention. A polished pane of glass through which I am seen, rather than a mask obscuring what lies beneath. It filters nothing. It simply allows you to perceive what is still there, as it was." 

She exhales. He watches it unfurl from her mouth, a slip of breath that curls, dissipates, wrapped in green. Relief, perhaps. 

"Good," she murmurs. "That is good." 

There are things he misses more than others. Some he had not expected to mourn, believing that lichdom would cauterize the want before it could take shape. And perhaps it would have, if not for Rook. But she exists, unavoidably, and so the loss takes shape, outlines itself, defines itself against the hollow places she touches. 

The intimacy of the body: its mechanics, its heat, its crude and glorious simplicity. He misses the way skin clings, damp and sticky, the tack of sweat drying between them. The way lips grow chapped from too much kissing, saliva sapped away until the skin cracks, until the next kiss stings. He misses the raw and graceless rhythm of it, the press of her thighs around him, the slow loss of self in the churn of it all. He misses the way he could press his palm to her stomach, still sheathed within her, and feel himself there, caged by her. 

And afterward, in the languid sprawl of spent nerves and loose limbs, the way his mind would wander, taking him by the hand, showing him its little fantasies, its secreted-away indulgences—let us get married, Rook, I will buy you so much gold, let’s get married, yes, and then let’s have a child, but not immediately, not at once, let’s linger here a while, let’s lose ourselves in this, let’s glut ourselves on one another until we are utterly ruined by it, and then, yes, then, we will have that little thing.

Now, he feels her differently. Not through skin but through something more fundamental, a closeness that eclipses anything flesh ever allowed. It is fuller, sharper, deeper than anything he could have imagined. 

But it is not the same. 

And he does not yet know if he prefers it. 

Time, as always, will decide. 

Pleasure has not abandoned him. It has only changed its nature, its source, its means of arrival. Now, it exists solely through her. He sees, now, how men dissolve into drink, into smoke, into whatever tincture delivers them to sensation. The body remembers its peaks; the body conspires to reach them again. 

"Will you come for me, darling girl?" he murmurs against her ear, his fingers curling inside her as they have done so many times before—when his hands were warm, when they ceased to be. 

And she does what she always does: she writhes, she gasps, she laughs, she moves against him with the helpless, thoughtless grace of something yielding to gravity. Her hips chase the friction, her mouth parts, her breath hitches, her lashes lower, heavy with pleasure. And he—he is there inside her, feeling it as she feels it, tasting it in a way that has nothing to do with taste, swallowing it down, letting it course through him. It is vast. It is staggering. Pleasure enough for two, for more than two, enough to fill the space where he no longer exists. 

Afterward, she is breathless, boneless, staring up at the ceiling and laughing that strange, impossible laugh. He no longer tries to make sense of it. Some things cannot be translated. She has a laugh for anger, a laugh for excitement, a laugh for surprise. He thinks he knows this one well enough by now, the one that trickles out of her in the aftermath. 

A trick, an echo, the imitation of a thing once real. He kisses her where he would have kissed her once—her mouth, the sharp ridge of her collarbone, the small curve of her breast, except now there is no heat, no wet drag of a tongue, no parted lips. Only the careful architecture of a spell, a memory sculpted into sensation, something just close enough to pass for real. He trails lower, following the old pathways, the ones his hands remember even if they are no longer the same. 

She sighs. Again. Again. Another time. 

He lingers where she yields the most, where she is all pulse and warmth, where her thighs, slick and trembling, part for him before he even touches her. Where breath quickens and thought slips away. And through it, he drinks. Draws from her as he always does, as he must, in ways he does not fully understand, or perhaps does, but has decided against understanding. He takes until she is weightless, drifting, until her voice emerges in that low, drowsy enough, enough, until she exhales, unconscious of herself, shifting, turning into him, her cheek settling against his shoulder, her body already gone to sleep.

And he wonders—if he did not stop, could he empty her? 

What is it that they share, exactly? What does she give? What does he take? Is it taking at all? Perhaps she is feeding from him just as he feeds from her.

He could ask. He could go looking for the answer. It is what he has done his entire life. 

But he does not. Because the answer, whatever it may be, does not matter. Because, at his core, he knows this much to be true: 

He is an empty thing now. 

And all empty things must be filled. 

It is a dreadful experience, watching her get hurt. Dreadful in its predictability, in the casual inevitability of it. Rook, as he has come to understand, is the sort of person who leaps from a cliff first and wonders, mid-air, whether there was perhaps a gentler way down.  

He saw it in Hossberg—how she, in some fit of blind fury over a slight he can no longer remember, kicked a blight boil with all the grace of a petulant child, only for the thing to rupture, spraying its filth over her boots, her legs, her hands, her face. Later, when he spat out his anger—you could have infected yourself, and then what? Where would the Veilguard be without their leader?—she had, without hesitation, lifted her middle finger and held it aloft, like a banner, like a flag planted firmly into the dirt, a gesture so profoundly Rook that it settled the argument before it could begin.

She returns from Rivain with a sprained wrist and, predictably, does not acknowledge it until he gestures toward it, a quiet inquiry rather than an accusation. 

So he buys her things. Things with weight, with shimmer, with the ability to distract. A bottle of wine she favors, a dress the precise shade of blue that once made her pause in front of a shop window, jewelry that catches light and throws it back in a thousand fractured directions. Loud things, bright things, expensive things. The kind of things a magpie would die over. Because Rook—misnamed, mislabeled—is no rook at all, no solemn, shrewd thing perching in the rafters. She is a magpie, ever in pursuit of the next gleaming fragment, the brightest piece of a broken world. That is why she is away, isn’t it? Always away. Always chasing.

But Nevarra has more gold than the Rivaini coast. 

He wants to say—won’t you stay? Won’t you, at last, stay longer? But there is something perilous in the asking. The wrong phrasing, the wrong weight to his voice, and she will fold up like a map, unreadable, distant, already turning toward the door.

She lifts a necklace, lets it spill through her fingers, a thin chain pooling in her palm. "Ooooh," she hums. "What’s the occasion?" 

"I have missed you terribly," he says. "You were away too long." 

"I missed you too." 

"Then stay. My townhouse is yours, of course. It is in the heart of the city—" 

"But you won’t be there," she interrupts, without sharpness, without accusation. A simple statement of fact. "You’ll be in the Necropolis."

"Then stay with me in the Necropolis," he says, more softly. 

She looks at him. Long enough for him to grow aware of the silence. Long enough for him to think he ought to say something more, to fill the space with some innocuous remark, something to break the weight of it—a comment on the weather, the slow drip of rain against the windowpanes, the scent of damp stone, the candlelight shifting across her cheek, the peeling corner of the wallpaper he has been meaning to mend but never does. 

Then, at last, in a whisper, as if she is considering each word before releasing it: 

"I'm trying." 

A breath. 

"I'm really, really trying. I love you so much. This frightens me, but I love you, and I'll stay longer, I promise, and you needn’t hide your face, no, no, you can stop hiding it now, but it is so terribly cold here, and I can smell the bones, Emmrich, did you know one can smell bones?" 

Senseless, rambling little words, leaving her mouth with no regard for order, no real expectation of being understood. He listens anyway. He nods as if these words, specifically, are the ones he has been waiting to hear. He holds her hands, pressing his fingers lightly over hers, as though reacquainting himself with the shape of them, the bones beneath the skin. And this time—this time—she stays.

He does not move. Does not speak. Instead, he lets the moment settle around him, lets it press in from all sides, cautious and weightless, as if sudden motion might send it scattering. A trick of the mind, surely, nothing more than habit, the vestigial longing of a body that no longer exists. And yet—something, something faint and absurd and wholly impossible—something like warmth uncoils in the vacant spaces of him, and for the first time in too long, he allows himself to believe in the illusion. 

And he is happy, so terribly, foolishly happy, until she steps where a step should have been, onto stone that no longer exists, because the Necropolis, fickle and treacherous as ever, decides to shift beneath her. One moment she is there, cursing the cold, flicking dust from her sleeve, and the next she is gone, swallowed into the dark, falling before he can reach for her. Then—impact, the sound of something snapping, something that should not snap. 

"Oh, for fuck’s sake," she spits, voice sharp with pain, her frustration seething through clenched teeth. "I hate this fucking place. This miserable, shifting, plague-ridden, necrophiliac fucking mausoleum. This—" she swallows, gasps, rage momentarily overtaken by the white-hot shock of agony, then forces the words out, savage and breathless—"this godsdamned, dusty, corpse-stinking labyrinth of a tomb. Fuck this place. Fuck you for living in it. Fuck this floor for moving. Fuck my fucking leg." 

She hisses even as she cries, squeezing her eyes shut as if trying to will the hurt out of her body. He sees, at last, what has happened. A break, and not a clean one: bone slick and white against torn skin, jutting through muscle, her blood already thickening where it pools on the stone. 

And then—something strange. A pull, an unraveling, something unwinding before him, leading away. The ribbon again, unspooling, slipping from her, stretching outward, as though guiding him somewhere he does not wish to go. His vision narrows. He follows it. He follows it because he cannot help but follow it. 

"Emmrich?" Her voice has changed. The heat is gone, as is the anger. She sounds uncertain now. She sounds concerned. "Emmrich, are you—?" 

But he is looking at the ribbon. Watching where it leads. Watching where it ends. 

And he would weep if he could. 

He has spent his life in a state of want, always reaching, always grasping, always aching to be something necessary to someone. And now—now, at last—he has what he has longed for. Rook, quick and wild and untouchable. Rook, who was born lovely and careless and beautiful, who could have wrapped herself around anyone she pleased but chose, instead, him—old and grey, and then, simply, bone. Rook, with her hands always outstretched, her eyes always searching, who once told him, so offhandedly he almost believed she didn’t mean it, that she would have given him a child.

Now—now, she sits before him, cursing under her breath, her leg twisted, her blood sliding across the stone, and he understands, too suddenly, too clearly, that he cannot keep her. 

One day, that ribbon will slip from her entirely. 

And he will be wanting again, except this time, there will be no remedy, no second chance, no indulgence to dull the ache. 

Because she—she—the only thing that has ever fit the hollow inside him, will be gone.

A year. Ten. Twenty. Perhaps less. Perhaps more. 

She will be gone. 

Gone, gone, gone. 

"It will not break again," he tells her.

"Really?" she asks, pale from hurt.

"Truly."

He stands, glances over the chamber, and selects a sconce, its veilfire guttering weakly within its iron frame. He snuffs it out with a flick of his wrist, wrenches the metal free from the wall, and lets it sag into liquid in his palm. The Necropolis will not miss it. It devours offerings every day; what is one more? The molten iron shifts, pulses, rolls like living mercury as he shapes it between his fingers. She watches, suspicious, wary, but when he takes the pain from her, she sighs, slackens, her body a thing that yields, a thing that trusts. 

Bone is simple. A structure, a framework. Break it, mend it, break it again. He has done this before, he will do it again, and the body always obeys in the end. With a slow push, he sets her leg back into place. Crack, crack, crack—shattered edges realign, splinters withdraw, raw ends fuse like wax pressed to wax. He sees the place where the bone has chewed its way free, white and wet against the torn meat of her calf. 

He presses his fingers into the wound, past the sealing skin. The iron above them stirs at his will, stretching like a cat in the air before obeying, flowing down, clinging to the surface of the bone. Not inside it, no. That would be crude, inelegant. Instead, it forms a layer, thin but solid, a second skeleton over the first. It cools as it settles, solidifies, binds itself to her as if it had always belonged there. He guides it lower, shaping it over her tibia, letting it follow the curve of her ankle, turning his wrist slightly to direct it sideways, until the fibula is covered as well, safe beneath its new armor. There.

The final shreds of her wound pull themselves shut, sealing over his work, concealing what has been done. 

She shifts her foot, tilting her head, considering. "Oh," she says. "I suppose I'll be heavier now." 

He kisses her cheek and feels the faint shift of muscle beneath his lips, the small, secret curve of her smile. This time, for once, her happiness has no color. Not gold, not red, not that strange, shimmering violet he sometimes sees curling from her ribs. Just happiness, unembellished, undisturbed. And because she feels it, he believes it, and because he believes it, he takes it for himself, drawing her close.

"I am so, so happy that you are safe," he hears himself say, a confession with no real shape, a drunken speech without the mercy of intoxication. "I worry when you are gone, and I worry when you are here. It seems that no matter what I do, something always finds you first." 

She hums, arms looping around him, her fingers idly mapping the planes of his back, tracing aimless patterns into the fabric of his robes. "I don’t know what to say to that," she admits, her voice softened by exhaustion, by the slow retreat of pain. "But I am so, so happy with you too. And it’s all right, it’s all right. Every time I break, you can repair me." She pauses, then adds, utterly deadpan, "Guess that makes you my skele-tonic."

It is an objectively terrible pun. 

"Until you stop breaking altogether," he murmurs. 

Another hum, vague, thoughtless. 

He draws from her as he always does: pleasure, warmth, something deeper, something without a name, though it must have one, must have been cataloged somewhere, written down by some scholar who spent his life studying things that could not be grasped. He has never fully understood what it is he takes, only that it belongs to her, and that, by some quiet, unspoken permission, it is his as well. He wants to love her forever. But more than that, he wants to ensure that forever remains within reach, that it does not remain, as so many things have, just outside his grasp, dissolving the moment he closes his fist. 

He has spent too long watching what he yearned for unravel before he could fasten it down. This, he will not allow. It will take gold, it will take iron, it will take something far stronger, something absolute. Until she ceases to break. Until breaking is no longer a possibility, a concept, a word that has anything to do with her. 

He does not yet know how. But he has time—too much of it. More than she does. And he has always been a man of precision, of hypothesis and proof, of elegant solutions to insufferable problems. He will find a way. Through metal or magic, through that ribbon of red that keeps slipping from her, unspooling itself in slow increments, always trying to get away. He will take it, force it back into place, stitch it to the marrow, fix it with something incorruptible, something permanent, something that cannot be unwound without unmaking her in the process. 

He presses a kiss to her temple, then to her forehead, and speaks of flowers. The new blooms in the Memorial Gardens. Hideous, by all accounts. She will adore them. She appreciates beauty, certainly, but she loves foolishness even more. He kisses her cheek, the tip of her nose, her small, stubborn chin, and feels it again—that bright, quiet thing. Happiness. 

And, miraculously, when he takes a piece for himself, it does not feel stolen. 

"Enough, enough," she murmurs at last, the same word twice, as she always does when she needs a break from him, when she has given too much, when she feels him pulling, drinking, taking in excess without meaning to. Laughter ghosts beneath the words, thin but present, a reminder that she is still here, still whole. She taps his wrist with two fingers, light, quick, final—a gesture that, for all its carelessness, feels uncannily like closing a book. 

[roses-and-revolutions]

The people of Gotham both fear and revere The Signal. As they do the rest of the Batfam but for Signal it's a bit different.

For starters, he's the only daytime hero. The other Bats usually only come out at night when the city is quieter. And while it's far from asleep, they prioritize stopping the numerous crimes that occur in the shadows. Civilian interactions far and few. Most pictures of them online seemed more like cryptid sightings than heroes soaring through Gotham skies.

The Signal on the other hand was the people's Bat. They got to see him soar through the sky, or ride his bike in all his golden glory. He gave autographs, took photos, and joined them on their daily commutes. He was a regular at mom-and-pop shops, made sure the troubled kids made it to school, and checked in on the sick and elderly. And while he did work with them when necessary, he mostly liked to fuck with the police, like a true Gothamite would.

All in all, he was the sweet sunshine that Gotham needed. He was far more human than the others. Not that he was human, oh heck no! NONE of the bats were human! But it felt that way. Until you were reminded that he was INDEED a Bat.

The way he merged and appeared out of the shadows despite his bright yellow suit, and moved without a sound. He knew about people and things before they happened. And had an intelligence that was absolutely terrifying when thought about. And the way he took care of crimes?

The Signal is cold, borderline brutal, and efficient (with commentary that leaves you agape and a chill down your spine) when dealing with criminals. It was always jarring to witness the sudden change from Gotham's sunshine boy to stone-cold Bat, and back again. It almost gave you whiplash to realize that this was the vigilante that you were talking to about your puppies a few moments ago. And it really instilled the Fear™ that that bats were known for.

The other Bats were terrifying, shadowy demons that moved through the night. Stopping crime in the darkness. Gotham knew and appreciated this. But the Signal? He was the bright light at the end of the tunnel and the warmth of the brilliant sun. But he was also...

'Gotham's Darkest Angel'

[elizzsush]

The Mask | Jason Todd X Reader

Red Hood X Villain Reader

— in which you, a shy nerdy vigilante/Wayne family obsessed barista- is actually a villain that torments the Red Hood at night.

AU: Soulmate (bc I can)

Rating: Sfw

Note: Y/N is based off of Furina from Genshin bc I thought this would be fun and I saw a prompt somewhere, I think? It’s just my interpretation of it as to not step on anyone's toes!

Also, this isn't really a imagine. It's more of an Idea I was thinking of and needed to get out of my head! So that's why it's kind of not finished? Most of my stuff is WIPs anyway so this isn't really new.

_________________________________

You were a popular villain.

People loved you. Maybe not the theft and distraction you caused but hey- we all have flaws? “I will teach this city the true meaning of Justice!” You’d boldly claim standing on the stage that was Gotham city’s tallest building- scarily close to the edge. “Join me- and together we’ll cleanse this city of its evil and corrupt ways!” You’d state so boldly.

You loved for the attention, the lights- cameras and reporters. That’s why the red hood could only shake his head. Another psychopath spewing their ideology like it should be praised- like it was the absolute truth.

Spoiler alert, it wasn’t.

The world wasn’t black and white enough for an ideology to trump all the others and ‘cleanse this city’. Fuck, not this city- not even close. Gotham was just in too deep. Too much crime, too much of a drug problem or a poverty problem- too much of everything. The joker was a prime example of that. The evil of this city boiled up into one twisted person… Anyway, you were an attention seeker, classic villain profile. Does it for attention- maybe mommy or daddy didn’t give you enough love? It didn’t matter. What happened was you were breaking the law and Jason was still on Bruce’s keep an eye on list. So, he’d keep his hands off the bigger more horrible criminals.

Still sometimes, only sometimes, he'd find himself listening a little too closely to your ideals- Like you believed in the death penalty for Gotham hardest to kill roach: The joker.

So, while Red Hood was chasing you... Well, it'd started off small, you’d steal from the rich of Gotham- sometimes even Bruce Wayne himself. -Those days Jason found himself chasing after you slower, not that he’d admit that. It was a classic Robin Hood situation and Jason… didn’t know how to feel about it. On one hand you were breaking the law, in the other, power to the people. Eat the rich.

Jason knew how it felt to grow up struggling so too see you helping people? It was almost nice.

What annoyed him though was your loud, for the people persona. “I will judge all of Gotham! Batman himself can’t escape my judgment!” Okay, slow down… you were fast and agile, but Batman would be able to catch you. And if Jason really put his back into it, he could too. Still, that never stopped you from making bold claims. It garnered attention, it was bold and daring and just what the people wanted. Your ideal matched up with what so many people were fed up with the batman for.

Eventually your behavior began to escalate. He didn’t know how much longer he could keep the Bats eyes from you. “This is a cult...” He muttered while he hides away on the roof of an abandoned building you holed your followers up in for a speech.

“My loyal follower!” You’d greet them with a smile and a bow. You’d put in stage performances. Sometimes with Jason, except he never knew, and the performance was just you and him fighting on the stage. Most days, some days it seemed it was just you acting and being alive on that large stage. Others you were preaching your words to the cult your loyal followers. You were building an empire and catching the attention of other criminals.

An empire that while he agreed with, went against the bats no kill rule. The longer you stood on that stage the less safe from the bat you were.

And no matter how much he wanted to agree with you, a small part of him still wanted... something from batman. You would be an issue.

“How much longer do I have to do this…?”

Red hood was no detective, but he was raised by the greatest one. So, while he was lacking in that department compared to the rest of his family (Even if it was just by a smidge.) He still noticed how after a speech or a fight- your smile, no, your persona dropped.

It was a persona you probably garnered for attention.

but still...

So how…

…That just didn’t make sense.

“Can I have your autograph…? Please?” A civilian would ask shyly, hiding behind a Batman themed phone case with a Robin themed charm hanging from that same phone.

The worst part of it all? You didn’t ask for the Red Hoods autograph. You asked for Jason Todd’s autograph, you were a fan of the Wayne’s. Gotham's golden family. No actually, it was the way you jumped up and down eagerly when you thought he was far enough way and did a dumb victory dance.

He sighed and leaned against the alleys stone wall as he watched you leave. A sense of worry invaded his mind as he watched you in your nerdy and totally lame Superman shirt walking away. All while staring at your phone.

He was surprised you recognized him. He was never in the public spotlight- maybe here and there when he was younger. Not now, not anymore. His death and how vague it was left question. Ones people didn’t ask when he wasn’t there, dangling in front of them like bait to a fish, they’d ask why and how and while they had a cover up: One the bat, the world's greatest detective made up. It still was messy. You must be a real fan.

He wasn’t even sure if that was really you…

It had to be though, there was no mistaking it. So, with your civilian name in his head, he walked back home.

“…so… lonely…” `

[breadmecoshy]

Experimenting with style on these two

I feel a little empty, since I finally finished the oumota comic. I can start drawing another one while I have the strength....

I have comic ideas that are tearing my soul apart. Or I can just draw something romantic ∠( ᐛ 」∠)＿

[datesinredink]

could you possibly write headcanons you have of how the rise yanderes would like psychologically manipulate/punish their darling? i’m all for physical violence but what do they do to mess their darling up in the head?

ty very much for reading this if you do :)

THANK YOU SO MUCH RAGHHHHHH!!!!! Since this is such a fun question to answer im gonna order these from most to least awful. The ranking is just my opinion and i would LOVE to see what other people think jhwhnwiurfj i decided to chug a soda to write this and i think that was a great decision because i immediately came up with smth for donnie because of it.

I decided to search up some ACTUAL psychological torture methods that have been/are used in real life and let normal manipulation take more of a backseat so that this didn’t end up too repetitive- honestly would recommend researching it, it’s a fun topic.

Trigger warnings: Very unfun use of technology in your arm, Drugging, More drugging, Even more drugging, Withholding of food/water (+ a more mild example of doing so but it still happens), Mild descriptions of gore, Mentions of blood, general yandere stuff like kidnapping, and likely others- please ask me to tag anything else triggering, because unfortunately I am not perfect.

1- Donnie.

This might be surprising to some of you. Yes, Leo is the manipulator- he’s the face man, the people guy, but I think that in terms of sheer awfulness- Donnie is going to win here simply because of the potential with his tech.

He’s a genius with access to mystic powers who has incredible skill with both designing and creating various machines and gadgets. I think that he’d be very creative, just considering how much he thought to fit into just his bō staff.

My first thought was that he could come up with a small device (which might be able to double as a tracker) to embed under your skin that could move around. It would skitter up and down your arm like a beetle (likely your dominant arm, just to be worse) and be a nice cherry on top of anything else he could come up with.

To pair with that, he could force some type of hallucinogenic drug down your throat- after some googling, LSD would be a likely candidate. While apparently it usually only causes “pseudo-hallucinations” (where you know that they aren’t real, whereas true hallucinations would be where you think they are), true hallucinations can happen, and the pseudo-hallucinations combined with the environment alone would be enough to cause a panic attack. Not even to mention the kind of drugs that the mystic city might have. (edit: i just found out about datura??? GODDAMN THAT’S A STRONG DRUG.)

Also, I think that Donnie would actually take decent care of you prior to any sort of escape attempt or broken rule. He’d hate for you to waste away in a dark room for the rest of your now shared life, so he would take you outside to some private space for a set amount of time everyday while you’re chained to him and probably gagged so you don’t call for help- you need time in the sun and exercise, after all. That’s why I think he’d also stop doing that if you broke a rule. You don’t want to be anywhere near him, and he supposes that he’s fine with that- but if you really don’t want anything to do with Donnie anymore, then you’ll just have to deal with losing all the luxuries that came with him being so caring.

He’ll lower the temperature in your room and take the hoodie that he so graciously gave you and waltz on out. He still brings you food and water, but now it’s less frequent and more random since now he’s prioritizing his brilliant inventions. Sorry dear, but weren’t you the one who begged him to leave you alone? Now he is. What’s the problem?

2- Leo.

Even if you haven’t done anything wrong (yet), being kept in his room would probably be a nightmare. I feel in my adhd soul that he would NOT be good at keeping it clean. It’d be living in a constant mess, and as someone who has lived in a perpetually messy house, it will definitely take a toll on your mental health. Not to mention the additional noise from whatever he and his brothers are doing. You wouldn’t be allowed outside of it either, not for a while at least, so you’d never know what day or time it is.

Other than the already constant sensory of his room, I think that Leo would mainly use threats- of which he goes through with. Not against you, though, but against your family, (what’s left of) your friends, and any other loved ones you might have. He’ll drag their unconscious body into whatever room he’s keeping you in, and wait with you for them to wake up.

While you two are waiting, he’ll lay out everything he’s planning to do to them in awful detail- and lucky you, he even left out some things as a nice surprise!

You’ll be tied to a chair and forced to watch as their guts fall to the ground from the clean slice in their now empty abdomen while Leo picks up and talks about their functions one by one. You silently wish that you never told him that you admired his skills as the team medic.

When he’s finally done rambling about the various viscera laying on the cold floor, he’ll force you to help him clean up- “so that Raph doesn’t get mad about the mess”, as he says. He’ll hold you in his arms when the two of you are done, whispering in your ear about how sorry he is that he had to do that, but you really did force his hand, and you know that, right? If only you had listened…

When the list of people you can bring yourself to care about finally has 0 names, Leo starts to instead take things away from you. He starts small, gradually taking and taking like the parasite you’ve learned he is until all you have left are the clothes you wear and him. He’ll even deprive you of food and water for periods of time, and you can no longer tell if you wish he would shut up for once or if you’re grateful for at least anything to distract you from the constant pain in your empty stomach.

Mikey and Raph landed themselves towards the bottom because I think that they’re both more lenient with punishments (Raph would be afraid of hurting you beyond repair physically OR mentally and Mikey has generally been shown to be very patient and forgiving with people he cares about), but I also think that they might be more exhausting to be stuck with GENERALLY, wearing you down slowly in day-to-day life rather than harsh punishments for breaking whatever rules might be in place for you.

3- Raph.

Raph would try to instill learned helplessness into his darling, to make them understand why he always has to be so careful!

It’ll happen the next morning after a particularly bad argument between you two, and when he’s suddenly letting you handle sharp objects again- but oh no! For some reason you feel so sluggish and dizzy today that you messed up and sliced open your arm. It’s ok- Raph’s here for you! He’ll either patch up your arm himself or take you to Leo, and after it’s taken care of he’ll scold you and say that it’s fine, maybe he’ll give you another chance next week. And he keeps his word- once again, you’re allowed to try your hand at chopping some veggies with him or Mikey- and again, you feel dizzy and accidentally cut yourself.

This will happen many more times- or not, if you give in easily enough- at least until Raph finally decides that he just can’t keep doing this. He brought you to the lair to keep you away from harm, and despite it being to teach you a lesson, he just can’t bear to watch blood drip down your pretty skin.

So instead, he further seals you away- locking you in his room and wrapping one of his hoodies around your head. He’ll keep you like this until you finally learn.

He won’t starve you, at least. He’d hate to watch you waste away after everything, so you’ll be fine physically, but it’ll be hell to not be able to see or properly hear anything. It’ll also be more difficult to breathe properly through the fabric, so I wish you luck with that.

He’s infuriatingly nice throughout the whole thing. Of course he’s angry when you argue with him- when you hurl insults and and completely unfounded whining (yeah right) at him. Sometimes he hurriedly leaves the room so he doesn’t do anything he regrets- but when he comes back- despite your wishes that he wouldn’t- he just wraps that damned hoodie around your skull and chides you for your hostility, leaving you to wonder if this could really be better than death.

You feel insane rambling to his plushies, of which you now know the individual names of, but it’s an admittedly nice bit of company to have when your only other option is Raph. Honestly, you’d rather deal with Ms Cuddles by this point, and she even managed to wring a scream out of Donnie.

At least it’s something you can actually have even an ounce of fun doing that he won’t take away for being “too dangerous”. As long as you can tolerate his absolutely smitten behavior when he finds you talking to them.

Be careful about how loudly you complain, though- it might just land you being completely swaddled in blankets and left to go insane on his bed.

4-  Mikey.

I think that if you were to try and escape from Mikey, he’d conclude that his love simply needs to spend more time with him! Maybe if he shows them how wonderful life is with him, they’ll stop trying to run away!

Unfortunately, I doubt his sleep schedule is very consistent. He keeps you up late at night to try out new spraypaints, recipes, games, anything he can find to do with you will be done. You hardly get the chance to sleep well, and the peace you get in dreams is frequently interrupted.

When he does take a break, he insists on sleeping in the same bed, and it’s much harder to fall asleep with him staring holes into you, as though he were trying to memorize every single detail.

It takes a damn long time to get Mikey to knock it off, too. You have to guess that stubbornness runs in the family, if his brothers are anything to go by. Unfortunately, said brothers’ coddling of their youngest has resulted in quite the persistent guy, and you’re quickly losing the energy to refute him. You wonder how long you’ll need to sleep for the giant spider in the corner of your vision to go away.

When the box turtle finally does realize how much of a toll his shenanigans have taken on poor you, he decides that as the person responsible for you, it’s his job to make sure that you get plenty of rest- and if you refuse, Dr Delicate Touch and Dr Feelings are always here to make sure you’re convinced!

He does a sort of 180- where he once forced you to do everything, he now forces you to do nothing at all, even when your mind screams at you to get up and move. He’ll slip something he stole from the pharmacy into your food and carry your sleeping figure back to his room for your seemingly infinite nap.

In between consciousness, you’ve learned to just stay in bed, maybe draw or write something related to all the adventures you go on in dreamworld.

Fun fact, over sleeping has a couple negative side effects- it increases the risk of diabetes, obesity, headaches, back pain, depression (like you don’t have that already, being kidnapped and all), and heart disease! I wish you the best of luck.

When he finally believes your rest to be sufficient, everything will go back to normal. Except, of course, the lingering paranoia of when it’ll happen all over again will continue to haunt you.

Who knows, maybe he’ll continue drugging you just to keep you a little more complacent. Can’t have you running away all the time, right?

[casino-lights]

so illario was in the final battle

and this was supposed to be a drabble, but I cannot be trusted to write Illario and Lidia succinctly. TW for a semi graphic description of wounds - I can't tell if it's not really that bad or if I just think the human body is neat so I'm marking that down anyway. no death or descriptions of the wounds being inflicted, though; this is fully set post-battle. the endgame spoilers are fairly mild though - just the location of the final fight.

if you saw my WIP Wednesday, this is what that snippet was from! I hope you enjoy it as much as these two enjoy arguing with each other. thank you for reading!

The dried blood matting half of Lidia’s bangs down against her split scalp didn’t bother her nearly as much as it bothered Teia. She fussed over her gently, blotting a damp rag against Lidia’s head and tutting like a disappointed mother.

“This is what happens,” she scolded between soft pats. “You always run ahead, and you always draw attention, and you always get yourself hurt.”

Absentmindedly, Lidia replied, “I usually work alone.”

“Yes, and this is why.”

“Mm.” The only sign she felt pain was a series of rapid blinks when Teia pressed against a particularly painful cut.

“If you would stop looking around, I’d be done faster.”

Lidia turned her head back toward Teia. “Is it still bleeding?”

“Not that I can see.”

She rose to her feet and brushed the dust of fallen Minrathous buildings off her thighs. “Then I’ll live.”

Teia gave up quickly. She was no one’s parent, no matter how much she cared. “Suit yourself. But Lidia?”

“Hm?”

“You’ve done immensely well. Not just here - since Lucanis’ return as well. House Dellamorte is lucky to have you.”

She smiled thinly. “We’re all just Crows today, Teia.”

“Yes, we are.”

“Speaking of Lucanis…”

Teia nodded her head in the direction of the raucous cheering and the gathered crowd surrounding a few figures climbing down from the rooftop where the final confrontation had taken place. They both saw the flash of a purple jacket at the same time, and a wave of relief washed over them as they shared a look.

“Vi is back a ways, checking the fallen for ours so we can arrange the funerals,” Teia continued softly. “Since you’re upright, could you see to them as well?”

“Of course. Tell Lucanis not to worry about us and just take care of himself if you get a chance to talk to him.”

Teia nodded, and Lidia turned away. She hugged her cape around herself like a blanket as she snaked her way through what was left of the Minrathous streets, hopping over and ducking under various bits of debris that cluttered the city. She caught a few of her fellow Crows out of the corners of her eyes as she passed - most bloodied, bruised, and limping, but alive - and they all shared reassuring smiles with her once they noticed her. We lived, said their grins. We won, and we lived.

She saw Viago leaning against a mostly-intact building, heaving a deep sigh, and she called out to him. He lifted his eyes to her as she approached, but his lips were pulled down into a scowl.

Quietly, Lidia asked, “Is it that bad?”

“We lost just over twenty,” he answered, voice low and solemn. “Not as many as I expected, but… less than ideal. Most were fledgelings, but there’s a small handful of master assassins.”

She felt a selfish desire to ask anyone I know? but stifled it. “Do you need anything? A hand with the bodies? A cart?”

“A cart,” he agreed with a nod. “Though I don’t know if we could get one to the eluvian with the state of Minrathous. We might have to carry them through on stretchers.” He pinched the bridge of his nose and sighed again. “Which means we’d need able-bodied volunteers, a relatively clear path back to the mirror, enough stretchers to make for less back-and-forth, a cart waiting in the Crossroads…”

“Maybe we can ask Lucanis if he knows a clearer route?” Lidia suggested softly.

He blinked, then sighed with relief. “You saw him?”

“Teia and I. He looks alright. Reasonably unharmed.”

He nodded again, more slowly this time. “It's nice to have some good news, at least.”

Lidia looked past Viago, into the building, and saw rows and rows of white linens draped over bodies. A cold, sick feeling gawed at her stomach as she counted them, and she wondered how many more would succumb to their injuries or simply hadn’t yet been found.

Another fear gripped her, too. She scanned the bodies again, making note of the taller ones. From the shoes she could see, none looked more distinctive than the regular steel-tipped Crow boots. Though some were burned beyond recognition. She felt guilty, searching for just one body among the two dozen lying before her, and guiltier still that she was looking for him at all. 

But she hadn’t seen him with the other Crows. He should have been with Teia, or Lucanis, or even here pestering Viago endlessly. She shouldn’t care. He didn’t deserve it. But she asked anyway.

“Viago–”

“I don’t know.”

“I didn’t even ask yet.”

“No, but you have that look on your face.” Viago sighed and shook his head. “I don’t know where Illario is. Teia saw him last.”

Lidia frowned. “She didn’t mention anything to me, and I was just with her.”

He pulled a hand down his face before pausing to smooth down his beard. “I did not see him among the dead, if that’s what you’re asking, but I have no idea where else he would be right now.”

“Well, he isn’t with Teia, and he isn’t with Lucanis, where he was supposed to be.” 

She glanced over her shoulder just in time to see a pair of Crows carrying the mangled corpse of one of their fellows into the building. Viago sighed again and raked his fingers back through his hair. 

“Dammit. One of Teia’s fledgelings.”

Lidia looked back at him, horrified. “I thought you told them not to come!”

“We did,” he answered, voice pained and eyes closed. “But you of all people should know that doesn’t stop them from wanting to prove themselves.”

He closed his eyes for a moment and took a deep breath, steeling himself to write another name on his list. After a moment of silence and a nod at the two Crows as they left the building, he sighed again and said, “Go home, Lidia. We’ve been sending the ones who can walk back to the Diamond for now to care for the ones who can’t.”

“Teia told me to help you.”

“And you can help me by going home,” Viago snapped. “And tell them to put a cart in the Crossroads. And station some people with it in case we need them to carry stretchers through the streets.”

She frowned, but gave a single nod of understanding before turning away. They were all Crows today. And she knew better than to question an order from a Talon.

She was welcomed by the warmth of Trevisan air once the cool, watery feeling of the eluvian faded. For just a moment, she closed her eyes and inhaled deeply, drinking in the flurry of scents that always filled the Cantori Diamond. The smells of spices, wine, and smoke wafted up from the casino floor, but the familiar chatter and laughter was replaced by eerie quiet, broken up only by the occasional groan or cry of pain.

Lidia’s eyes darted toward a flash of purple and she called out, stopping Chance in his tracks. He leaned back, peering at her curiously from around the corner, but smiled warmly as she approached. 

“Lidia! You made it back.” He touched her shoulder gently before bowing with a flourish. “Welcome home, my lady.”

She returned the expression as best she could despite her headache and festering worry. “Thank you. The Fifth Talon would like a cart prepared in the Crossroads outside the Minrathous eluvian along with some strong, uninjured Crows who can carry bodies back on stretchers if need be.” 

“It will be done. Any other requests?”

She glanced around, but saw no one else nearby. “I heard some of our wounded came through. Where are they now?”

“Using the card tables as extra beds,” he answered before frowning as he smoothed his moustache. “We’ve already lost three, and one more seems to be on his way out. The healers who stayed are all busy, and everyone else went to Minrathous. It’s… going to get better soon. I’m certain. Your arrival can only herald better tidings.”

Again, Lidia bit her tongue to keep herself from asking if the dead were known to her. Instead, she simply nodded to signal her understanding and left. 

As she descended the many flights of stairs separating the rafters from the casino floor, her brow furrowed as her concern compounded on itself. Every step felt heavier as she ran over the names and faces of her favorite Crows in her mind. Lucanis, Teia, Viago, and Chance were safe. Jacobus stayed behind in Treviso after Lidia begged him to - their argument consisted of shouting and frustrated tears, but ended with several forehead kisses and a warm, loving hug once he finally agreed to stay. But the others? Heir, Dolores, Cazi, Valerian? 

Illario?

She hated herself for worrying about him the most. He had not earned back that space in her head, and yet he’d stolen it again. He occupied her thoughts in various stages of injury, and images of him maimed or charred or exsanguinated flashed through her mind. With everything he put her through, everything he lied about, she knew she should be savoring the idea of him dead somewhere in Minrathous. But it haunted her, the thought of never seeing him again. It ached like a stone with sharp edges lodged in her chest.

I should’ve left Treviso entirely, she thought bitterly as she rounded the corner of the final stairwell.

The floor of the Diamond opened up before her, and she sighed at the state of it. About half of the card tables had wounded Crows perched on them - several with especially nasty-looking injuries - and a corner of the room was sectioned off with makeshift dividers. A few trails of blood - droplets, drag marks, or both - meandered off toward different tables. It would take days to get this place functional again. 

Overlapping voices from various healers and patients filled the room. Most were voices she recognized, and she felt a wave of relief as they registered one by one. And as one of them filtered in, her head turned immediately toward the sound.

“I know, quite heroic,” said Illario with a soft groan. “Maybe someday the heroism will outweigh the stupidity.”

Lidia spotted him on a table, shirtless and wrapped in bandages, with his hair swept over one shoulder and a healer tending to his right side. He moved sluggishly and only when told, but his posture was still straight and his voice was still clear. He looked… decent.

She chided herself again for being so worried. Of course Illario was fine. Of course he made it with only minor injuries. Why wouldn’t he? He always had demonic luck. Why worry about him, Illario the traitor, Illario the liar, Illario the cheater, heartbreaker, manipulator–

“Lidia?”

She looked back at him at the sound of his voice, realizing her fingernails were starting to dig into her palms. She grabbed a stray coin off an empty card table and turned it over a few times in her hand as she made her way toward Illario.

He smiled at her approach, winced as he turned too far, and gave a slightly smaller and surprisingly sheepish grin when she reached his side. “Stay right there,” he said, holding out his unbandaged arm. “That’s always been my good side.”

Lidia rolled her eyes. “You couldn’t possibly say hello, or ask me how I am, or ask after Lucanis, could you? Do you even care?”

“I–” He hissed sharply and cursed as the healer pried something off his skin with a sticky sound. He leaned forward at the same time Lidia did, blocking her view of whatever was removed from him, and flashed another forced half-smile. “Of course I care, but I trust your delightful bluntness. I’m certain you would have told me the second you saw me if he was dead. I’m also certain you would look like you’ve been crying.”

She scowled and crossed her arms, angrily spinning the coin between her thumb and forefinger. “You’re a bastard.”

“I’m not, strictly speaking, but I never did get to know my father as well as I would have liked, so I’ll give you–” He cut himself off with another wince as the healer removed another piece from him. Once more, Lidia leaned forward to look, and once more, Illario intercepted her, this time by reaching for her arm.

“Don’t touch me,” she snapped, pulling away from him.

He let his hand fall back to the table. “If there’s one thing I can say about you, it’s that you never gave me mixed signals. I always know exactly where I stand. I love this about you - have I mentioned that?”

“You have. A pity I can’t say the same about you.”

Before he could respond, his head surged backwards and he let out a pained cry as the healer unwound one of the bandages on his arm.

“Apologies,” the healer muttered, “but now that the debriding is done, I need to replace these compresses and apply the rest.”

“Sure,” Illario groaned through his teeth. “You’re the expert.”

Lidia took her opportunity and shifted her stance to see the extent of his injuries. She couldn’t stifle a small gasp, which seemed to hurt him more than anything else.

A splotchy pink burn blossomed across most of his right forearm and about half his bicep, and it continued across the corresponding side of his torso. For the briefest of seconds, he turned his head to look at her fully, eyes wide and pleading, as he inadvertently revealed the connecting burn across the right side of his jawline and down his neck. The moment passed, and he lowered his face and sighed quietly.

Raw, red, sticky-looking flesh was visible in a few places, and as the healer set a small bowl on the table to free his hands, Lidia finally saw its contents: a small pile of dead, mottled tissue. How long had Illario been here, having his skin peeled off piece by blistered piece? Most of the burns looked deep enough to go past the pain, but in some places they were angry and crimson, shining as if wet. 

The healer covered them one by one with bandages soaked in a healing solution as Illario tried to be still. “I told you that was my good side,” he muttered, his lips pressed into a thin line.

Lidia tucked the coin into her pocket and hoisted herself up onto the table beside him, legs kicking off the edge. “So… what happened?”

His eyes fell to the uninjured hand he had resting in his lap. “Magefire.” His voice sounded low, unenthusiastic - a far cry from the initial charm he laid on so thickly. “But this lovely gentleman here–” he motioned lightly toward the healer– “has assured me the wounds are not fatal. Just scarring. You’re crushed, I’m sure.”

Her headache throbbed dully, reminding her not to take his bait tonight. Instead, she said, “I’m just surprised you got hit at all. You’ve always been the luckiest bastard in Antiva.”

“Well, this time, I left Antiva.”

“Which you have done before, and you know what I meant anyway, idiot.”

He shrugged with his good arm, still refusing to meet her eyes. “Lucanis and I were cornered, and I stood in front of him. Foolish thing to do, I know. But I suppose I was trying to make up for something he would probably tell me not to worry about anyway. He was fine last time I saw him, if you’re concerned.”

“I’m not. Unless he tripped over something during his victory march, he’s alive and well…” She trailed off as she looked him over again. His right arm injured, mostly on the outside; his right side burnt while the left half of his body remained untouched; only the lower right corner of his jaw and cheek scorched… he shoved Lucanis behind him with his left arm and shielded his eyes with his right.

“Then I’m sure he’ll give me a stern talking-to for trying to protect him in the first place,” Illario said wearily, finally glancing up to her. “Who knows, maybe all I really achieved was making the First Talon look weak in front of the others.”

“Or making yourself look even more pathetic.”

“Which would just be impressive at this rate, no?” He breathed a soft, humorless laugh. “Illario Dellamorte, the Crow who lost all his dignity in record time. They’ll sing about my failures someday.”

As the healer left to attend to another patient, Lidia touched Illario’s leg, the weight of her hand pleasant and warm on his shin. “If nothing else, it was brave.”

He gave an indecisive tilt of his head. “It was also stupid.”

“More than one thing can be true.”

He gave a wan smile. “Lucanis probably would have been fine if he hadn’t been babysitting me in the first place.”

“Knowing him, he fought harder with you next to him.”

He studied her face, his eyes searching hers for a moment. “You’ve blood on you,” he said, nodding toward her hairline. “Your own?”

“I’m alright.”

“That’s not the answer to my question.”

She rolled her eyes. “It is mine, but I’m still alright.”

“Are you going to tell me what happened?”

“Venatori.”

When she did not continue, he deadpanned, “The picture you’ve painted so far is vivid.”

“Don’t vex me, Illario.”

“Am I not allowed to ask for details? To be concerned for you?”

She glared at him. “Now you’re concerned about me?”

“One concussion makes another more likely,” he reminded her in that insufferably knowing tone of his. “And I would hate for my hard work in facilitating your recovery from that first one to go to waste.”

“Yes, but whose fault was my first concussion?”

Indignantly, he flattened his hand against his chest. “I accept no responsibility for the actions of previous targets.”

“But said previous target would have been asleep if it wasn’t for you playing hero.”

“Must we always revisit that night?”

“You brought it up!” Her head ached as she raised her voice, and she massaged her tender scalp gently as she closed her eyes.

His teasing smirk faded to a soft frown, but he replaced it with a subtle smile before joking, “And here I had hoped you would be kinder to me now that you’ve seen the extent of my injuries.”

“Not a chance. My skin is still crawling from being this close to you,” she answered while making no attempt to move farther away.

He arched a brow smugly. “Well, I suppose, as you said, more than one thing can be true.”

“I am… glad… you made it,” she managed reluctantly. “I was looking for you among our dead.”

“Hoping to see me with my skull split, were you?”

Her hand slid up and his uninjured one met her halfway. They locked gently at his side. “You would deserve it, but… no. I was hoping I wouldn’t see your boots.”

“Oh? And I would have thought you’d only know me by my gloves.”

I would know any part of you, her mind brought forth. She blanketed the thought and tucked it away to be scolded later.

“I suppose I’ll be escorted back to the villa and left there to recover,” Illario mused aloud when she didn’t answer his quip. “I wonder if it’ll be too much to ask for Caterina to let me stay in my own room again. And I’m sure Viago will be just as thrilled as you are that I survived.”

“He’s busy. I’ll take you.”

He sighed fondly - if a touch sadly - and stroked her knuckles with the pad of his thumb. “Do you remember the last time you took my care upon yourself? I don’t suppose you’ll be making me pastina this time.”

Lucanis’ wake. She made a hot meal every day and shared it with Illario in silence as they sat in his bed and he stared into the fireplace. At the time, she had no way of knowing that his grief was doubled by guilt and only compounded by her kindness. She did not regret it, not even now, and that frustrated her more than anything else.

She hopped off the table and pulled lightly on his arm. “On your feet, Dellamorte. Come on.”

He swung his legs over the side of the table and winced. “Where are we going?”

“Home. I’m not letting you take up space in the Diamond when others may need it more.”

“I won’t argue with the promise of a more comfortable seat,” he responded with a grimace as he rose to his feet. Looking down at their hands, still entwined between them, he added, “Though we could stop for coffee on the way…”

“The owners of Café Pietra could be lying under rubble in Minrathous right now.”

“...So, no?”

“No.”

She pulled him out the Diamond’s front door and they started the long walk back to Villa Dellamorte. Out of habit, Illario walked at her side so she was safely between him and the buildings. She pretended not to notice, but heat rose in her cheeks all the same.

At a side street, she directed him to turn, and when he gave her that quizzical where are you taking me look, she explained, “We have to stop at the market.” 

“For what?”

“Pastina, idiot,” she said pointedly, as if it should have been obvious.

He smiled and leaned against her, further entangling their arms. “I don’t deserve you, cara mia.”

She glared at him sideways. “No, you don’t. And don’t call me that. Lucanis would be cross with me if I let his brother starve, that’s all this is.”

Neither of them knew if that really was the extent of it. But for once, he neither questioned nor corrected her. 

She held his hand the whole way home, and they sat in silence as they shared a bowl of pastina on his bed. For a night, that could be enough.

[midnightwind]

you guys like me going off on random DA tangents and musings, right?? because I've been awake too long so you're getting another one

I have been sat here trying to figure out Why Lucanis' prison looks like a bunch of ice and why it was so far away from the "lab" settings for a while now. (arguably two rooms fit this description, the one where Lucanis tells you about Zara and the one right outside his phylactery room) Like, even without that bridge being broken, it's in such a bizarre corner of the Ossuary. And I mean, it wouldn't really matter with a normal prisoner, but Lucanis was a notorious Crow and mage killer on top of that, plus he was Zara's special little guy to fuck with. You would not want to take him for a long walk to experience the worst shit on earth every few days. Maybe it's close enough to the little room where he mentions Zara and maybe she wanted him close to the door so she didn't have to go far to torture him, but again, leaving such a challenging subject close to the exit seems like a bad choice. You want him to have to get through so many guys and doors before escaping so you have time to take him down.

This also ignores the magic required to leave, but they're not clear on what that is and not all the Venatori are mages so there's gotta be a mundane way out he could snatch off a guard. I digress, the whole ice cage and far off room doesn't make sense. But we know they were shipping demons to Zara. (I'm pretty sure the few demons you confront in Minrathous were Zara's little pets set loose so we can assume she wanted them in the capital for the eventual Venatori coup on the crown) If Zara was about to be stuck in Minrathous for the foreseeable future, setting things into motion for Elgar'nan, I could see her wanting her pet Crow at her side. Especially if you consider the initial idea for Lucanis: he was going to be a mind controlled murder puppet before you break him out.

Sure, Spite didn't crack open his ribcage and crawl out like some new horror, but having a demon in Lucanis lets her control him via the phylactery if not just outright with her blood magic. Maybe his will was too strong for mundane control, but the phylactery works. We know it works based off of Lucanis' dialogue about it. So we know she had a surefire way to keep him under control. (There's a whole other post exploring the amount of dead Venatori and the fact that Lucanis still has his leathers and weapons [which would make sense if he was Zara's murder puppet, but alas] and whether Lucanis recently made a break for it or if the loose demons/spirits/undead killed them all) Maybe he kept his leathers because Zara wanted him presentable upon delivery, I don't know.

But I do think he was being prepped to move. The Ossuary is falling apart, Zara is pulling all the best results, they're losing personnel and servants without being given more; Zara was clearly moving on from that location. But she wanted her little Antivan prize. He's too dangerous to move normally, a Crow is likely to escape if given an inch especially a skilled one like Lucanis, so they need to lock him down somehow. Ropes and chains aren't reliable, not with a Crow, but he's not a mage. You can use magic. You can literally put him on ice. I think they were packaging him up in an ice cube and doing it next(ish) to the door so they could more easily move him. I think Zara was going to take him and his phylactery to Minrathous and use him to cause some absolutely ruthless mayhem in the city before her cult took it over.

I think Rook showing up weakened the spell being cast just enough for Lucanis and Spite to break out, and I think it saved a whole lot of lives.

[nabaath-areng]

I have way too many alts that I keep to myself (which is why I generally refrain from posting them), but I'm going to ignore that habit for a moment just because I'm feeling particularly insane about this guy.

[star-the-car]

STUDENT A WHEN I CATCH YOU STUDENT A

IT IS ON SIGHT YOU ACTUAL MOTHERFUCKER

[mbirnsings-71]

Struggled with today's art but I have to draw Scar Daily or I implode basically- also Ren for @pup-pee because I have to practice drawing him and Martyn after all-

Also I think Non-dog hybrid Ren is cursed but like it's what we're working with here we're balling-