#maybe he loves her or something

[devastatinglygreen]

Why would Colin forgive Penelope though?

...

...

[potassiumprincess]

i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[abyssal-ilk]

thinking so so hard about vivienne's defensive reactions to dorian and cassandra trying (and failing) to comfort her over bastien's passing. chewing on it. thinking about her inability to talk about bastien, even to an inquisitor when the player tries to talk to her about him.

and then her banter with blackwall, who is one of the companions she has a mostly negative dynamic with, yet it is him and not dorian or cassandra that she responds kindly to.

blackwall doesn't dance around it or try to lessen the blow of bringing it up like dorian and cassandra do, and i think she appreciates that directness. she still doesn't open herself up to him, though. she is so,,, agh

[signorcerullo]

Dear Bonnie, I’m a coward. I should be saying this to your face, not writing this letter, but I know if I do you’ll talk me out of running away from all my problems. You’re gonna make me face a future without Elena and you’re gonna help make me the best man I could possibly be, the same way she did. And I’m absolutely terrified of failing you both. So, I’m leaving. Because I’d rather let you down once, than let you down for the rest of your life. And I hope it’s the happiest life. Because you, Bonnie Bennett, are an amazing woman, a mediocre crossword puzzle player and my best friend. 

With great love and respect, Damon.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[backpackingspace]

Okay so with the line "the olive tree where we first met" we have two equal hilarious options.

When penelope was sassily like oh I'll marry you if you make a living bed out of this tree right here! Cue penelope stumbling over odysseus very very carefully digging up the tree "because how else is he going to get it to itacha we can't have a wedding bed out in the open in sparta duh"

Or

2. Penelope, knowing that Helen's suitors would soon be arriving to take over her home for a while. Snuck out and went on her own wacky shenanigan filled journey where she scoped out all the major players. Odysseus caught her spying in an olive tree. And when she got back she told Helen she had dibs on the cutie from itacha.

[caramellody]

Yall i dont think im gonna be able to stop thinking about usha and g13, actually.

Ushas an old old woman, clueless with tech. Lived long enough to develop various bonds with a LOT of people and relies on them a lot for help. In turn, shes VERY loyal to her close conpanions (a great example would be how she tends to back paula up a LOT, the way she sets up russel and paula to 'fake date' wink and all). She's very warm and very emotionally intelligent even if she's a bit clueless sometimes. Her logic is borderline incomprehensible, but it has heart.

G13 on the other hand, is a hacking prodigy. Hes young, hes sought after for his skills for better and for worse. But in turn, he's essentially lost himself in the process. He may be able to scrape nuke codes, but he'll never make a friend. He lacks any loyalty for anyone and anything except for himself and his interests, and if they dont satisfy those two points, then its worth nothing to him. His logic may be sound, but its cold.

[sourtomatola]

I loved drawing all of this, Kerian beloved toxic bird.

[mobbu-min]

hmmmm… i want to watch nosferatu and have malleus on the brain…

(tw possible yan mal? blood and death, not reader tho)

Vampire Malleus that sees you trembling through the ruins outside his territory. A shaky hand holding onto a heavy flashlight and the other wrapped tightly around your midriff. A pathetic form of protection, he muses.

Mortals tend to steer clear from his area. He wasn’t even sure when was the last time he saw one. Surely by your indecent way of dress, it's been quite a long time. Ah, how time flies when you're a creature of the night.

Vampire Malleus that follows you throughout the night. Always stepping out of sight everytime you squeak and flash your light in his direction. He could see the tiny tears pricking at your glossy eyes. Throughout his years, he’s seen fear plastered across the face of many and yet, something about yours has his dead heart thrumming in his cold chest. Maybe it’s your eyes, big and shaky, or your trembling lips that squeaks like a little mouse. Or perhaps, it's because you're just so pathetically human that it lights up his curiosity.

Faintly he could hear the sounds of other humans approaching the area. And suddenly, your fear has disappeared into relief. And Malleus’ serene smile twitches. His fun is over and soon you’ll disappear beyond his reach. It can’t be helped, Malleus sighs. For as fleeting as you were, you sure were entertaining.

And yet as your voice met your friends and you turned to face them, your foot slipped and you came tumbling down. Yelping as jagged rock embedded itself into your palms and exposed knees. You hissed in pain as you examined the blood that began to leak out your poor cuts, dripping and collecting into a puddle down below.

And just like that the smell of your blood has awoken the beast.

The moment your friends made it up the hill they fell down wordlessly. It didn’t even click in your brain what had happened. Eyes couldn’t even follow the large black blurr that seemingly flew down from the sky and picked off your friends one by one. Leaving them not a second for them to scream, not a second for them to feel an ounce of fear.

Shakely you called out for them. No response came, just the sway of the wind. Fear mounted you to your spot. You couldn’t see anything, couldn’t hear anything and the smell of blood, thick and metallic clung to your nose.

And that smell only became more apparent as a pair of sharp slender pale hands reached for you from the darkness. Twisting your head from the lifeless bodies of your friends to the glowing red eyes of a beast. Domineering, lustful. The beast gazed down at you with such ferocity, you were sure you were about to pass. Those hands, stained with the blood of your friends, trailed down to your bloodied hand and lifted it up to its mouth.

A forked tongue slithered from its mouth and slid across your open wound. And just like that, its eyes rolled back and closed, and it visibly shivered. Disgust thick with fear coated your throat at its reaction and your body fought to move. And yet, it’s hold on your wrist turned harsh, knife-like nails digging into the delicate skin of your wrist and you stilled.

Its eyes opened into narrowed slits. Lips parting into a pleased smirk, allowing you to see its long, sharp teeth. And with a voice, deep and smooth and seemingly human, it purred.

“What an interesting find…”

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[inumbrapugnabimus-maybe]

But not green.

You know the song Mr. Jones? Yeah.

[frostedpuffs]

i need adrienette to be closer than ever actually. they're both traumatized af i want them attached at the hip and a little obsessed w each other. i want them slightly unhealthy and codependent. they've been through so much shit together and now that they have each other i want them to sink their claws in and never let go

[cto10121]

Book Fiyero: *immediately recognizes Elphaba and stations himself at the backdoor to prevent her from evading him, stalks her halfway across town to her aerie (even though at that point in time she was only a college friend he hadn’t seen in five years), insists on seeing her again, instinctively goes to comfort her when she first cries, gets sucked into increasingly deep and fraught conversations with her about collateral damage and freedom fighter terrorism, calls her the “most individual, the most separate, the most real” DURING AN ARGUMENT, says he adores Elphaba’s looks IN THAT SAME ARGUMENT, doesn’t understand Elphaba’s “being born with a talent or an inclination for goodness is the aberration” comment because (implied) he sincerely believes Elphaba isn’t evil, changes his mind about the plight of the Animals all by himself but doesn’t mention it to Elphaba because he is afraid she would distance himself from him, buys scarves for both his wife and Elphaba even though only Elphaba likes scarves, is so concerned for Elphaba and her dangerous Lurlinemas Eve mission that he stalks her instead of staying at his club or just leaving town altogether, and is so worried about her that he returns to the aerie just to see her*

Also Book Fiyero: Am I in love with Elphaba?

[lurkinginnernarrator]

Need more fics where sj!SQQ and a martial sibling gets stuck in a situation, and instead of them having a bonding moment or something stupid and emotionally healing, sj just pulls out a knife.

[bluerosefox]

Same As The Day I Lost You

I...

This came to me as I'm making dinner so I'll be quick.

What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.

Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.

Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)

The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.

His twin/older brother.

Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...

Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)

So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.