#maybe he loves her or something

[devastatinglygreen]

Why would Colin forgive Penelope though?

...

...

[potassiumprincess]

i think marinette is worse at resting when she's sick but adrien is worse at sitting things out if he's injured. i have no explanation, these are just the vibes

[bluerosefox]

Her Astrophel and Sterling

hmmm

Hmmmmmmmm

You know what.

You know those AU's where the Batfam finds or learns about either hidden or thought to be dead Al Ghul Danny! with a deaged/daughter Dani (Ellie) (I should know, I created a few of those storylines) but what if, now hear me out, what if instead of them finding Danny first its Talia.

Do I want Talia discovering her thought to be dead son to be alive? Yes. Do I want her to find him while investigating Amity Park when the League gets reports of 'Lazarus creatures/water'? Yes.

DO I WANT HER TO KNOCK ON THE FENTON'S DOOR, fully ready to pretend/honey talk her way into the house to uncover what the Fenton's know, ONLY TO MEET A LITTLE ELLIE?!

YES.

Ellie whose eyes and hair look like a copy of her Beloved but she can see bits and pieces of herself as well. Talia knows the child in front of her was not fully her's though but everything makes sense when she hears a voice, a voice she hasn't heard in ages but as a mother just knows, speak out.

"Ellie! I thought I said do not answer the door my Sterling."

"But Daddy, yous was busy fighting the hotdoggys!"

Talia's eyes widen when she finally catches sight of familiar black hair and blue eyes.

and she could only lightly whisper a old nickname she hasn't dared uttered in ages, a name she secretly gave her son due to his love of the stars "Astrophel..."

[abyssal-ilk]

thinking so so hard about vivienne's defensive reactions to dorian and cassandra trying (and failing) to comfort her over bastien's passing. chewing on it. thinking about her inability to talk about bastien, even to an inquisitor when the player tries to talk to her about him.

and then her banter with blackwall, who is one of the companions she has a mostly negative dynamic with, yet it is him and not dorian or cassandra that she responds kindly to.

blackwall doesn't dance around it or try to lessen the blow of bringing it up like dorian and cassandra do, and i think she appreciates that directness. she still doesn't open herself up to him, though. she is so,,, agh

[jessmalia]

Dear Bonnie, I’m a coward. I should be saying this to your face, not writing this letter, but I know if I do you’ll talk me out of running away from all my problems. You’re gonna make me face a future without Elena and you’re gonna help make me the best man I could possibly be, the same way she did. And I’m absolutely terrified of failing you both. So, I’m leaving. Because I’d rather let you down once, than let you down for the rest of your life. And I hope it’s the happiest life. Because you, Bonnie Bennett, are an amazing woman, a mediocre crossword puzzle player and my best friend. 

With great love and respect, Damon.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[caramellody]

Yall i dont think im gonna be able to stop thinking about usha and g13, actually.

Ushas an old old woman, clueless with tech. Lived long enough to develop various bonds with a LOT of people and relies on them a lot for help. In turn, shes VERY loyal to her close conpanions (a great example would be how she tends to back paula up a LOT, the way she sets up russel and paula to 'fake date' wink and all). She's very warm and very emotionally intelligent even if she's a bit clueless sometimes. Her logic is borderline incomprehensible, but it has heart.

G13 on the other hand, is a hacking prodigy. Hes young, hes sought after for his skills for better and for worse. But in turn, he's essentially lost himself in the process. He may be able to scrape nuke codes, but he'll never make a friend. He lacks any loyalty for anyone and anything except for himself and his interests, and if they dont satisfy those two points, then its worth nothing to him. His logic may be sound, but its cold.

[inumbrapugnabimus-maybe]

But not green.

You know the song Mr. Jones? Yeah.

[frostedpuffs]

i need adrienette to be closer than ever actually. they're both traumatized af i want them attached at the hip and a little obsessed w each other. i want them slightly unhealthy and codependent. they've been through so much shit together and now that they have each other i want them to sink their claws in and never let go

[lurkinginnernarrator]

Need more fics where sj!SQQ and a martial sibling gets stuck in a situation, and instead of them having a bonding moment or something stupid and emotionally healing, sj just pulls out a knife.

[szynkaaa]

This is my first time asking but I'm going to ask anyway (and English is not my native language) I'm curious to know how your OC and the destined one met (I mean how was their first interaction)

hi hi! thank you so much for your ask, this is the first time I have received one about my OC <3

probably something like this (read right-to-left)

Gonna use this chance to talk a bit more about my AU lol

Wrote in a separate post here that Oz has met Sun Wukong before when she was a child and he was buried under the mountain.

So when she got whisked back into fantasy ancient China, she landed where Yuan Shoucheng aka Gourd Grandpa (the old man carrying a big gourd on his back) was already waiting there for her. He foresaw her arriva. The vague gist of my AU is that the the reason why this Destined One succeeds in retrieving all artifacts and becomes SWK is because he is also sort of the manifestation of that childish promise 5-years-old Oz made that she will save SWK one day (from under the mountain but clearly that didn't happen lol). But also since her ancestor is from this world, her descendants were fated to return back here one day.

Gourd grandpa updates her on her ancestors and their roles in the Celestial Court and the shitstorm that happened that ultimately let to the clan being massacred and one person escaping to "our" world, where magic doesn't exist and all those people are just characters from myths and stories. But also her ancestor isn't the only person that traversed through the two worlds - over the centuries more have come and gone. This is also why people in her world have those myths and deities. In my AU Wu Cheng'en also escaped from fantasy ancient China into her world and then wrote Journey to the West. He took artistic liberty to change some things for his novel, hence some things in BMW are different than in JTTW (like the ZBJ and violet spider love story or how SWK had a romance with White Bone Demon).

Anywayyy, Oz task on the adventure is to document their journey together, and she is responsible for using the magical gourd to suck in the will of the defeated bosses in.

And 2-3 days later the Destined One shows up. I don't think Oz was very happy about leaving gourd grandpa and join the Destined One on his travel, but if he is her best chance to find a way back home to see Taylor Swift live, then she will do it.

The Destined One is indifferent to mildly annoyed about this, but doesn't protest too much, as long as she doesn't slow him down yadda yadda. I do think that DO did feel some sort of special connection to her, because he is sort of a manifestation of that promise. it doesn't really take long for him to get used to her and also to care for her. One of Sun Wukong's massive core trait is that he cares so much for his loved ones and does not hesitate to do the impossible for them, and I like to imagine that even though SWK senses have been split into 6 different parts, the caring part stayed with each Destined One reincarnation.

[introspectivememories]

sorry but do you ever think about the fact that the bernard we have today is a direct amalgamation of everything that happened in his past and i know that sound like such an obvious statement to say but it actually kills me to know that you can draw a direct line from who he is today all the way back to that sixteen year old boy who watched his best friend bleed out. like it is the defining moment in his life. it fundamentally shaped who he is and the person he's become. he is the bernard we know and love not despite the grieves shooting but because of it. because the gangs all got together and shot up his school. because tim walked out of that room with nothing but a baseball bat. because his darla got shot. because he watched her gasp and cry as she died. because he watched the blood coagulate around the wound. because he sat there and held her hand as her life drained out of her. because he walked into school that day with a joke he knew would make her laugh and her nose would scrunch up and she'd snort a little and tim would roll his eyes at him and call him ridiculous and instead he walked out with a bloody white shirt, blood under his fingernails, and two friends less. because, even now, almost half a decade out from the shooting, he thinks that if he closes his eyes, he will always be that stupid, scared little sixteen year old, holding the cooling body of dead best friend.

[bluerosefox]

Same As The Day I Lost You

I...

This came to me as I'm making dinner so I'll be quick.

What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.

Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.

Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)

The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.

His twin/older brother.

Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...

Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)

So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.

[confused-stars]

Wriothesley as an extension of the Fortress itself

a living, breathing part of its organism, his heart beating in tandem with its machinery. that deep hum that's always present in his mind and lulls him to sleep at night is Meropide's ancient power coursing through his veins and he doesn't even know it, let alone understand it

he was a blank slate when he arrived, a non-person by his own choice, and so the Fortress claimed him as her own

sometimes he seems to know exactly what is happening five floors below, and inmates joke that it's some sort of magic, but they know that the Duke is simply well-informed and uses the in-built security system to keep on top of things... surely that's all there is to it

a young Wriothesley was once pursued by a handful of other inmates who wanted to kill him for a perceived slight. he ducked into the shadowed hallways of the lower levels, took turn after turn, and eventually made his way to a safe room where he could hide for the night. the next day, he learned that the other inmates never made it to their morning shifts

his footing is always sure on the walkways, he never loses his way, and he can always tell when there's something up with the machinery at first glance

sometimes he wakes up in the middle of the night with the taste of copper in his mouth, and he mistakes it for a memory of blood... but every time, he gets up and he finds that something has happened that requires his attention - usually the violent kind

he doesn't think there's anything special to it all, but Sigewinne sees. Sigewinne knows. she'll cross that bridge in a few decades, when Wriothesley realizes that he's stopped aging

[wassupmygays]

i love you tiny costume details. i love tiny pieces of jewelry or patches that add so much to a character. i love you costume designers that allow for personalization. i love you i love you i love you

[echofades]

HARLAN COBEN'S SHELTER 1.07 | Sweet Dreams are Made of This