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lilacxquartz · 3 months ago

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love you, love you, love you;

mr. crawling x reader

plot: some things are best expressed without the need of words — themes: spooning/cuddling, smut, maybe yan vibes — w.c: 1.1k

a/n: my first homicipher related fic. i want to try one for mr. silvair & mr. gap next, bc they were also my favs. this game has been taking over my life so much lately. like it’s been in my dreams, haaah.

masterlist • ao3

Mr. Crawling was always loud when he was excited within your company; his laughter filled out the vast empty spaces that were otherwise unadorned with familiarity. Whatever you once sought from those winding corridors was ever-fleeting, temporary, leaving you stuck within the confines of his company.

Yet, when he felt what you could only interpret as affection—that’s when Mr. Crawling then became different—quiet, soothing, kind but also… curious.

And when you would usually sleep, he would stand watch, knelt over the floor as per his usual stance but sometimes crouched near you, sometimes leaning back against the wall with his legs pressed up against his chest. He would watch you as his life depended on it, unwavering in focus and with eerie intensity. He would watch as your chest rose and fell, leaning close on occasion to catch the sweep of your breath and sometimes, he would trace the pad of his milky fingertips in long, languid strokes against your face. Always so delicate, so tender, but for the most part, quiet and even shy.

Having once caught a glimpse of Mr. Gap in your blanket space, however, set something territorial off for Mr. Crawling and he was never able to recover from such an invasion. The very idea that someone else was able to infiltrate what he deemed to be your space—especially someone who he disapproved of—wasn’t something he could stand for. Especially with the sort of trickster Mr. Gap was, he couldn’t bear to see you get hurt. It would kill him on the inside (and on the outside, too).

So, just as you were getting into bed to rest up once more, he too, slipped in under the covers with you. At first, you were startled as usual, turning to face him with confusion evident in your eyes, murmuring out some words in a language that he still could not understand. He repeated something back, the meaning lost and indecipherable upon your ears, though soon surrendering to emphasis using gestures instead. A hug to bring you closer, a reassuring pat on your head and a small, longing kiss over your nose.

You listened to his words again, repeating over and over like a broken record.

Perhaps he meant no harm, after all.

You turned your back to him and settled into his chest, finding that he was surprisingly warm for what he was. His taller frame encased your body, wrapping his ashen arms around your waist—accidentally brushing the fabric that sat over your breast—nicking the cloth ever so slightly. Your breath hitched in surprise and as though in sheepish realisation, he withdrew right away, terrified that you were upset with him.

You drew out a long breath, reminding yourself again, that after everything that has happened thus far…

That, Mr. Crawling does not want to hurt you.

That Mr. Crawling has only ever helped you.

So perhaps, right now, Mr. Crawling only wanted to be closer to you.

You relaxed your breathing, settling into his comforting shadow once more and allowed for his presence to envelop you. He repeated the soothing motions of his grappling arm, although he held onto you softer that time. His hands explored your body with a delicate touch, as though afraid of breaking you—of upsetting you again—his motions growing confident the longer that you didn’t protest. It wasn’t long before he, otherwise not disturbed by your lacking, conscious awareness, decided to explore further with you. Mr. Crawling’s fingers didn’t ask for permission that time, creeping beneath the clinging fabric, feeling your skin against his palms, inviting a pleased, almost delighted smile to curl on his lips.

The silence remained unbroken as Mr. Crawling continued his explorative focus on you; the quickly-building evidence of his need growing harder the longer he pushed himself behind your body, the repeated touches arousing something warmer within him. To both his surprise as well as your own—you were not repulsed, allowing him to creep even lower, below the skirt of the dress and up, brushing his hand up to your exposed skin and, reading into it—you communicated your consent from the moment you parted your legs, allowing him to get even closer.

Confidence surged in Mr. Crawling as he pushed himself into your hilt, allowing his hardened length to slip inside. Betraying the stagnant silence, he shuddered out a ragged gasp before giving into his own rising need; grinding himself into your sopping sex with steadily increasing fervour. His fingers clamped around the curve of your hips as he held you in place, slamming every last inch of himself deep into your core.

Ever touch-starved yet wanting nothing more than to surrender to the sensation of you, Mr. Crawling continued to drive his cock into your needy cunt, soon wrapping his winding arms around your body and holding on tight. He bucked intensely as you soon succumbed to breathless whimpers, incoherently begging for his name. Equally desperate whines rolled off the slip of his tongue as he found his lips pressed into the crook of your neck, dampening your skin with sloppy wet kisses—as many as he could give.

It felt overwhelming for you in a way to be worshipped like this but you did your best to keep up with such intensity, especially as the warm, tingling pleasure built up inside of you, too. You held on just as tight as he did, your hand seeking out his own—fingers weaving into his bony digits—interlocking and squeezing tight the closer you got, your grip and otherwise clenching need tightening simultaneously. To feel him losing himself inside of you was dare you admit, addicting, feeling him completely fill and stretch you out leaving you almost dizzied from the impaling force.

Mr. Crawling, like you, soon surrendered to the rolling bliss from the flick of his hips, feeling a surging warmth mount and rise, encouraging him to lose himself to the searing heat of the moment and you. Encircling your body in a possessive hug, he suddenly began to mutter out a new word in a strained mantra, again and again.

Given how desperate he seemed to be, you understood the meaning as ‘close’, especially as his actions grew more strained and less controlled.

“Close, close, close,” he repeated.

It didn’t take his chased release to catch up as his hips grew to a stutter, rutting out one final pump before melting into you. Mr. Crawling cried into your neck, spilling out the entirety of his overflowing love, feeling the pent-up devotion trickle down your thighs—yet not letting you move away—still retaining his claim on you.

Instead, he kept you even closer than before, not allowing you to part from him ever again (despite understanding your yearning for rest).

Words were never the problem, it seemed.

Mr. Crawling would have always found a way to… connect with you.

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jingyi-ma-boi · 7 months ago

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Meng Yao, the raging feral ball of issues that he is, reacts by panicking a lil bit cause FUCK. What do you mean these two now know he’s pregnant? This is exactly what people have always accused him of being —a whore whose achievements are dependent on opening his legs prettily. But also, he’s pregnant??? With Lan Xichen’s pup??? The man that made him feel like he was living in pure marital bliss in the middle of war???

He’s swooning because he knows that he can’t have that child if he wants his plans to go on, but the thought of erasing the only remaining proof of what he had during those days with that perfect, heavenly alpha that treated him as if Meng Yao was the one carved out from the purest jade makes him want to rip his own scent glands off and die choking on his own blood.

Nie Mingjue is frankly very confused about the look on Meng Yao’s face because he thinks he understands the distress that his deputy is feeling but he also knows that there must be a lot he’s missing on. And the souring of Meng Yao’s scent in that moment doesn’t help his confusion and maybe his hurt too, if you want to make this 3zun with a respectfully pining Nie Mingjue which yes, it definitely is like that, please and thank you. Confusion that stops Nie Mingjue from seeing the initial shock and elation that Lan Xichen seems to be feeling at first, after reuniting with the beautiful, strong, and incredibly smart omega that managed to make the best out of the worst moments of his life. And on top of that, it turns out that this precious man that got Lan Xichen’s heart soaring and singing at his every dimpled smile is bearing his child??? He wants to kiss him and scent him so badly and go run to wherever his uncle may be to tell him that he is marrying this man.

And then, he sees A-Yao’s face. And suddenly, he feels like all of the air has been punched out his lungs and he wants to throw up. What if Meng Yao hadn’t actually wanted to share his rut with him? What if it had all been a delusion concocted by his feverish lovesick head? He smells A-Yao’s distress and feels guilty, dirty and has the sudden urge of ripping his robes off, and letting Meng Yao claw at his chest and rip it open, so that he can yank his heart and guts out of Lan Xichen as punishment for his heinous crimes.

A/b/o au in which Nie Mingjue detects a drastic change in MY's scent during the Sunshot Campaign. Such great changes in the scent of an omega are often indicative of their condition: and Meng Yao is revealed to be pregnant.

Not knowing what to do, Nie Mingjue request Lan Xichen's assistance in broaching the subject to Meng Yao. However he fails to tell Lan Xichen exactly who his omegan deputy is.

So, when Lan Xichen realizes it is Meng Yao - the omega that shared his rut with whilst hiding from the Wen- who is pregnant, the only thing he can say is "A-Yao is carrying my child ⁉️"

#this idea for an AU really got me running #I’m sorry fish if this is way off what you were thinking #I honestly can’t see this going any other way than that of a hurt/little comfor very angsty fic full of misunderstandings #like imagine if NMJ saw and smelt their horror in this scenario? knowing him he would jump to the worst of conclusions #‘did one of them took advantage of the other? MY is terrorized amd I don’t eant to believe that LXC would have done that’#‘but I will rip his throat off if that’s the case cause hOW DID YOU DARE DO THAT? A rut is NO EXCUSE LAN XICHEN!!’#MY would try to make things right but seeing LXC’s pained face would also make him eant to flee cause what if HE took advantage #of LXC’s rut? He doesn’t want to believe that but now he NEEDS to get rid of this thing before long because he doesn’t want NMJ to accuse #him of taking advantage of LXC’s state of mind and position once he learns the truth and NMJ/LXC interpret this as MY being afraid #and vulnerable and in need of a way out of this situation (which would make perfect sense for NMJ wanting to write that referral to JGS #thinking that MY wouldn’t feel comfortable being LXC’s friend’s deputy)#would this scenario make for a reversal of 3zun dynamics where NMJ resents LXC and vows to protect MY from him? Possibly #the other possibility I see depending on NMJ state of mind is him seeing that those two are bright a fucking mess without really knowing #the details? he would assume that the sex was consensual but not the pregnancy and he would feel conflicted about the possibility of it #beign a ploy? but at that point he still believes in his trusted smart and efficient deputy and his distress when learning about the pregna #makes him believe in MY not having ulterior motives. So in short he decides to intercede between these two dumbasses #and maybe he falls even deeper in love in the process though he refrains from acting on it cause he knows he’ll die young #meanwhile LXC and MY would be pining and yearning for each other wangxian style with their canonical soft touches and fleeting looks when i #public. LXC would constantly act like a kicked puppy and MY would feel SO guilty for deciding not to bear that pup #jin guangyao #meng yao #lan xichen #xiyao in hiding #mdzs fic ideas #potential 3zun if you like that though you can totally ignore that part and headcanon NMJ as an aro/ace autistic obsessed with his saber #againg fish sorry for turning your ‘LXC takes MY to Gusu and mates him and they live happily ever after’ into this angsty mess

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i-smoke-chapstick · 3 months ago

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saw that you're in your got era so perhaps jealousy headcanons for the got or hotd characters? 👀 literally anyone from these characters - robb, jaime, margaery, oberyn, theon, cersei or ramsay, I'd love to see your interpretation on any of them ! ( or aemond, alicent, aegon, gwayne, OTTO !!, larys, daemon or mysaria for hotd, again whichever era you feel like it !!) and just for future reference, do you write for asoiaf characters or mainly the shows?

'LOVE CAN KILL, [jealousy! hcs]

-GOT / HOTD CHARACTERS X READER-

⋆ Characters ↬ Robb, Jaime, Margaery, Oberyn, Cersei, Joffrey, Ramsay, Tyrion, The Hound, Aemond, Aegon, Alicent, Gwayne, Daemon

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒 ; jealousy, and how some characters deal with it ;)

⋆ tags/warnings. GOT and HOTD!characters x female reader. SFW! But naturally, some of these characters get a bit suggestive! Possessive behavior, canon typical violence, etc. Please send in more GOT/HOTD requests! Apologies this took so long, this is more characters in a post than I've ever done lol. Unfortunately I'm not super familiar with Otto, Larys, Theon, or Mysaria, so I decided to pick some characters I'm more familiar with! (Joffrey is my #1 favorite of all time, my sincerest apologies.) Whew, 14 characters ! For right now I'm only writing for the TV shows! (i've only read book 1, lol)

𝑅𝛰𝐵𝐵 𝑆𝑇𝐴𝑅𝐾

♫ “I wasn't thinking when I told you to stay.” Love Can Kill by Lennon Stella

With Robb, it's all about the body language. And boy, he's horrible at hiding it.

He can have a hard time placing the feeling as jealousy. He was raised to be honorable. But feelings of...neglect run deep with him. Oldest child syndrome, if you will.

Which is why his jealousy most likely manifests in subdued, quiet behavior. Part of him will recognize he's being ridiculous, while another part of him is silently fuming. Fists clenched, he'll send you an intense stare as he watches you converse with another lord.

His emotions leak through his expressions. When he catches you staring back, his gaze will flit down, and he'll wait patiently for you're time. Or...in most cases...he'll march right up, placing himself between you and the man. Maybe a small, "I'll take it from here." If the lord is offering to help you with something.

A subtle touch on the small of your back. It's a small claim, a subtle "back-off."

A lot of his jealousy also transforms into protectiveness more than anything. He'll offer to accompany reader to places he wouldn't normally be concerned about. He's close by, and he's reminding her wordlessly, he's watching over her and any threat.

Finally, when you two are alone, will he drop down that guard of his. Covering up that burning pit inside him with casual humor, you can sense the underlaying seriousness of his voice in his light teases.

"You’re quite popular these days. Should I be worried that I’m not your only admirer?"

He certainly beds you, having something to prove. And only afterwards when you are in his arms, sweaty and warm from the candlelight, wrapped in furs...will he calm down.

"It’s not that I don’t trust you… It’s them I don’t trust. Some men don’t know how to keep their place." He'll whisper, holding onto you firmly.

𝐽𝐴𝐼𝑀𝐸 𝐿𝐴𝑁𝑁𝐼𝑆𝑇𝐸𝑅

♫ “You don't know that you're in over your head.” Love Can Kill by Lennon Stella

Jaime's jealousy is burning. It's simply the way he was raised. And gods, you are his.

Numerous sarcastic remarks flow between the two of you and the man who he believes has essentially stolen your affections. His taunts are offhand, dry remarks, often directed towards his "opponent" or even you, if he's feeling bitter enough.

"I didn’t realize he was such a comedian. Maybe I should ask him for pointers." He'll say, with that sarcastic drawl. "If I didn’t know better, I’d say you were trying to make me jealous. Not that it would work, of course." He chuckles, but his gaze is sharp.

Depending on the offense, Jaime's reactions differ. If you simply have an admirer, a few...well chosen words are directed towards them. His confidence allows him to not be too bothered. Maybe standing closer, clearly showing off to whatever poor soul thought they had a shot with you.

It's a different story if you are friends with the person involved, or entertain their advances even mildly or jokingly.

That's when the uncharacteristic tension comes out, full of small twitches in his jaw and curt, smug responses. His visible annoyance is uncontrolled.

We saw how he was with Loras when it came to Cersei. If he feels truly threatened, whether it's by another pretty boy, or just someone he feels could...hypothetically...have the upper hand...He'll corner them when you're off somewhere else. And give a small warning, from the Kingslayer himself.

"You seem to have forgotten who you're dealing with, so let me remind you." He leans in just close enough for his words to sink in. "Whatever you think you might be to her… you’re not. Let’s keep it that way, hm? I'd hate to see you make any...lasting mistakes."

𝑀𝐴𝑅𝐺𝐴𝐸𝑅𝑌 𝑇𝑌𝑅𝐸𝐿𝐿

♫ “It was just too hard to push you away.” Love Can Kill by Lennon Stella

Margaery is smart with her feelings. She knows how to play the game, and play it well. Instead of showing her jealousy openly, she's a touch more composed than most characters on this list.

She recognizes just how precious you are, and admires that. She doesn't necessarily blame others when they become...attached to you.

When jealousy arises, she views it more as a small problem in need of being handled. And she knows how to handle things.

She embraces the graceful competition, subtly outshining anyone who seems to get in the way of her goals. Her goal being you're affection, of course. You're already hers, and she sees no problem in working to keep it that way.

This appears in gestures of strategic sweetness to keep you close, perhaps wearing your favorite gowns on her, and offering that charming smirk. She doesn't shy away from manipulating you, just a teeny bit.

"They’re certainly captivated by you. I suppose I’ll have to work harder to keep your attention." She teases, "Besides, who could ever compare to us?"

Her words carry a playful undertone, but she makes her point clear. Laughing charmingly, threading her arm through yours.

Very rarely does she think she's in any serious danger. She prides herself on being yours and knowing how to keep you on a tight leash. Though...if she feels genuinely worried, she expresses her feelings quite clearly but still gently. She reminds her lover of their shared goals, and all that they've built together.

"My, you do attract admirers easily, don’t you? I’ll have to start guarding you more closely." She gives you a playful look, though her touch on your arm will linger just a bit longer than usual.

𝛰𝐵𝐸𝑅𝑌𝑁 𝑀𝐴𝑅𝑇𝐸𝐿𝐿

♫ “Let me go, but you won't let me go.” Love Can Kill by Lennon Stella

Oberyn doesn't feel insecure. How could he? He knows, deep down, that you're his. Jealousy isn't something he confines himself too, he views it as an ugly emotion, capable of getting rid of the true wonders love has to offer.

That being said...he is only a man. And he is fiercely protective. If anyone were to flirt with you and you were clearly uninterested, it would be a swift death, or at the very least, he'd make his point clear with a blow or two and a cutting edge remark. Especially if they are a Lannister. He enjoys you being admired, but only to a certain extent.

"Your efforts are wasted, they’re far too captivating for someone like you. I’d suggest you find someone more... suited to your charms." He begins, hand itching for his spear, "Consider this your first and last warning."

Yeah, he means business.

Most of the time, he spins the situation to show-off. Showcase his own passion and devotion to you. If it's simply a friend of yours, he may even offer them to join in. If not, he'll spend the entire night practically worshipping you, promising that he's the only one who could ever make you feel like this.

Similarly to Margaery, he teases you lightly.

"You have a lovely laugh. But I must admit, it’s much better when it’s for me alone."

Oberyn doesn't shy away from PDA either. It's that assertive reclaiming he seems to favor, pulling you close, whispering something that affirms your affections for each other. He'll revel when he watches the other mans face fall in dismay.

He might get cocky, and push it a bit far. By the time he's done, the 'competition' will be utterly humiliated and embarrassed. He'll be smirking at his own quips.

"I assure you, my friend, my lover favors...more substantial things." He motions to the poor mans crotch.

You're gonna have to give him a slap on the arm.

𝐶𝐸𝑅𝑆𝐸𝐼 𝐿𝐴𝑁𝑁𝐼𝑆𝑇𝐸𝑅

♫ “Consequence of loving me can be cruel.” Love Can Kill by Lennon Stella

Cersei's jealousy is intense and multifaceted, to say the least. It manifests in a mix of cold fury and harsh threats, channeling that anger into much more controlling behavior.

Deep down, she is terribly insecure. Once another man or woman as your attention, and she catches on, she's coolly lashing out. And she catches on quickly.

At first she may appear indifferent, but if you look close enough, you can see the subtly giveaways. The way her lip curls, her nostrils flare, and her knuckles go white gripping her wine chalice.

If you're the first one to confront her, and attempt to reassure her, you'll save yourself some trouble down the line. Guaranteed, she'll deny it, but still make a passive-aggressive remark here and there. But eventually she'll calm down, edges softening.

That rare moment of vulnerability that you're not sure is manipulation or not. She'll look towards the ground, running her thumb over you're hand on her cheek. She'll sit on the edge of her bed, jaw clenched.

Now, it's a whole different story if you don't catch on to the early signs. If you don't manage to reassure or call her out in time, that jealousy implodes.

She may confront you first, anger bleeding through her. She runs on it. She may even threaten you, oblivious to the potential consequences her words might have.

“You think you can charm your way into my affections by paying attention to that little fool?" She's standing up, loathing distorting her features. Her voice raises. "Perhaps I should throw a feast in her honor. Let’s see how charming she is when surrounded by my people."

It's threats and threats and more and more threats...which can be especially worrying if the person she's jealous of is a friend of yours.

Almost every scenario ends with you having to comfort her, treading carefully with the words you say.

Now, when it comes to confronting the competition, she makes it very clear. Though, these threats are often much more impulsive. A swig of wine, and she gracefully moves towards them when you're out of sight.

A faux compliment or two, before she whispers, close.

“You’ll find that my guards are quite loyal to me. A simple command, and they’ll ensure you never breathe the same air as her again.”

It only makes her feel a bit better. But, regardless, she's smiling smugly, feeling proud of herself when the offenders face turns white.

𝐽𝛰𝐹𝐹𝑅𝐸𝑌 𝐵𝐴𝑅𝐴𝑇𝐻𝐸𝛰𝑁

♫ “Too much love can kill.” Love Can Kill by Lennon Stella

Oh, Joffrey. I'm obsessed with him.

Yeah. He has the worst jealousy issues out of everyone on this list. It's baaaaad. It's a cocktail of insecurity, possessiveness, and entitlement. As someone who has been raised to believe he is above others, and has been coddled his entire life...it infuriates him.

It's the same feeling you get as a child, when someone steals one of your toys. You belong to him. He never grew out of that mentality, or that feeling.

Be prepared for plentiful outbursts of anger. He's a tantrum personified, especially if he feels disrespected. Insecurity grips him tight and refuses to let up until he's either been heavily reassured...or the other person is... taken care of.

And even then, after reassuring him for hours, it may not be enough. You know how he hired a knight to take out Tyrion in the Battle of Blackwater? Yeah. That person will be paid a little 'visit.'

When reassuring him, similar to Cersei, you really have to be careful what you say, or it might make the situation even worse. At that point, he's seeing red.

"I’m the king! You should be grateful for my attention, not chasing after scraps!" He's huffing, pointing to himself as his breathing increases. He'll look at you with an ice cold glare, nose wrinkled in distaste.

He might even force his hand around your face, harshly grabbing you. He looks dead into your eyes, voice clear and low. "You're mine. You belong to me." He's seething.

If he notices you simply looking at anyone else too long, he'll feel beyond threatened in both his masculinity and position as king. Especially if you laugh at another mans jokes, or simply attempt to be friendly with a commoner or lord.

"What’s so amusing? You’d think you’d find better entertainment than that fool." He mutters under his breath harshly, bad habit of picking at his fingers. He'll shuffle uncomfortably. He'll look to you expecting agreeance. It's 100% that mentality of 'Friends? You don't need friends. You have me.'

Yeah, he keeps the very blunt insults coming. Petulant name calling is not above him. Includes, but is not limited too, "Degenerates, Idiots, Commoners, Peasants, or Cretins" which he may describe as being "Stupid, Disgusting, Repellent, Sickening, or Revolting." He's got a LOT of those angry remarks in the bank.

While he may not directly confront the offender, (he doesn't have time for idle threats.) He has his own ways of dealing with them. And that is a public humiliation ritual, making a mockery of any rival. And if they disobey ANY whim of his, they're gone. That one scene with Tyrion at his wedding? That "Kneel!"? He's commanding the same of any man unlucky enough to have threatened his claim on you. Oh, and they're going to be his cupbearer.

Even if they do as he asks, by now his anger will have transformed into that renewed sense of cruelty. "You're fingers or your tongue?...Or I could just cut your throat."

𝑅𝐴𝑀𝑆𝐴𝑌 𝐵𝛰𝐿𝑇𝛰𝑁

♫ “You're gonna suffer now, whatever you do.” Love Can Kill by Lennon Stella

His jealousy may not be as overtly intense as Joffrey's, but it certainly is the scariest.

In his own words, he prefers being an only child. That same kind of mentality certainly carries over to his relationship with you. He prefers to be the only one you see that way.

He loves a good game, and that's what this is. If anything, it's quite exhilarating for him. Though, he is a huge hypocrite. For a man who thinks jealousy is boring coming from you, he feels it quite freely.

Sees it as a means of asserting dominance, whether that be through intimidation or overt manipulation. He doesn't deny it like most characters on this list. When he's feeling jealous, he says it. It's a small warning for you not to go any farther, lest worse things occur for you or the perceived threat.

He'll go up to whoever you are talking too, saccharine and honorable smile on his face. He'll casually interrupt, introducing himself as Lord Bolton's successor. Despite his calm demeanor, there is a tightness in his face, and a wicked look in his eyes, that only you can recognize. It will make you shiver.

If the rival persists, he'll find it all too amusing.

"You're bold, I'll give you that." He says with a boisterous laugh, and you already know the mans fate is sealed.

Looks like his hounds will be having another meal tonight. He'll have his men go out looking for the man, and he'll question him more...privately, when you aren't there to witness his tortuous taunts.

But for now, his focus is on you, and your loyalty to him. When he excuses the both of you, his hand is gripping yours painfully tight.

By the time you're in his chamber, he's on you, ripping your clothes off with a harsh intensity and pushing you to the wall. His nose is twitching in barely kept anger, forcing you to look at him.

We all saw that scene between him and Myranda when she threatens to marry someone else, and it was not pretty. His eyes are borderline bloodshot, and he can't keep his hands off you or your throat.

"You're mine." He leans forward, through gritted teeth. It's better you don't put up a fight, because he'll be having you and your attention one way or another.

Que the numerous kisses and bite marks soon to follow. And he is not gentle when he's inside you.

You'll never hear from the flirtatious lord again...and if you do, it's only in the prayers of his grieving family.

𝑇𝑌𝑅𝐼𝛰𝑁 𝐿𝐴𝑁𝑁𝐼𝑆𝑇𝐸𝑅

♫ “My love, you are not safe with me.” Love Can Kill by Lennon Stella

Now, Tyrion's jealousy is more subdued and introspective versus some characters on this list. He has a good sense of self-awareness, and he's intelligent to figure out what he's feeling quite quickly.

At first he'll dismiss it as nothing more than an annoying feeling of insecurity he attempts to cover up. But...it doesn't last long. Especially when someone else makes you laugh. Or when Bronn makes a taunt with a half smirk, that some other fancy lord has taken a keen interest in his lady. (Bronn, you instigator!)

As such, Tyrion resorts to his usual humor to deflect any unpleasant feelings he may have when he's jealous. Similar to his brother, these witty remarks are are subtle intimidation technique, meant to dryly convey his displeasure.

"Ah, the sound of laughter. How quaint. I suppose I’ll have to work harder to earn your amusement." He forces a smile, masking his discomfort. "I didn’t realize I was competing for the title of Court Jester."

These feelings of inadequacy manifest in more self-deprecating ways for Tyrion, given his anger is more controlled. He might opt to drown his sorrows, so don't be surprised if you catch him drunkenly waving his chalice around, doing poor impressions of the so-called-lord that had your attention.

This doesn't mean he won't confront the rival, though. Quite the opposite. While he won't seek the man out, (For his sake, he isn't privy to seeing the tall handsome lord in person. He's not a masochist.) If he happens to come across him flirting with you first hand, or sees him during a feast, he'll make sure to throw one or two gibes out there.

"Desperation looks unflattering on you, my friend. Perhaps you should tone it down a notch." He speaks carefully, nodding to Bronn as a subtle warning. "Or at least the best you can manage..?"

If the rival flirts with you blatantly and in front of him, I can 100% imagine him putting them down. After a flirtatious remark directed towards you, he'll make a dry comment, "Flattery is wasted on me, but do go on; I’m always entertained by those who think they can win my affection." As if it was directed towards him. Probably shuts the man up for a moment.

When the two of you are alone, he'd be very grateful if you could just hold him. Give him that reassurance he craves when his carefree facade breaks. That moment of vulnerability means the world to him.

𝑆𝐴𝑁𝐷𝛰𝑅 "𝑇𝐻𝐸 𝐻𝛰𝑈𝑁𝐷" 𝐶𝐿𝐸𝐺𝐴𝑁𝐸

♫ “I need you to go, don't fight me.” Love Can Kill by Lennon Stella

Listen up, Sandor doesn't take shit.

Jealousy isn't an emotion Sandor is particularly used too. In fact, he didn't think he'd find anyone to love in his lifetime, so the feeling is foreign and unpleasant. And, like a mean dog, Sandor's first reaction is to growl.

He doesn't like it. Says it's constricting, and it pisses him off. Not just the pretty boy lord flirting with you, but the whole situation in general. Makes him feel vulnerable, and weak.

Naturally, his first reaction is to distance himself. He may avoid you, grumbling, spitting out vile and vulgar comments to get you to run with your tail between your legs. It's better for the both of you that way.

"You think they’re worth your time? Just a pretty smile to distract you?" He scoffs, shaking his head. "You could do better. But then again, you always choose to suffer." He motions at himself, and it's a glimpse of that self-depreciation he buries.

But you love him for a reason, and you know that won't end well. Best way to handle him when he's jealous is to be gentle, and to listen.

He doesn't want empty reassurances. He's complicated that way, even if they are genuine. He isn't one for flowery words or overt displays of emotion, so the best way to comfort him would be to give him some space, but continue to take care of him.

It will still frustrate him, but eventually he'll cave. He'll rejoin you, silently, eventually. Won't offer any apologies, but maybe a gruff nod, and you two will commence whatever it is you two have.

In future instances, he becomes much more brutally honest with how he feels. Doesn't sugarcoat it. If he doesn't like someone, even if they are a friend, he expects them gone- or he'll take care of them regardless. That kind of possessive behavior is just something you'll have to work through.

I can imagine him silently brooding if he witnesses someone flirting with you first hand. Typically his size and reputation is enough to scare whoever away. He's looming over them, eyes dark, and ready to defend what's his.

When you take your leave, he'll confront the person with a very explicit threat or two.

"If you don’t back off, I’ll find a nice dark corner to stuff you in- preferably with a pile of shit." Or, "Get any closer, and I’ll rip your tongue out and shove it down your throat."

𝐴𝐸𝑀𝛰𝑁𝐷 𝑇𝐴𝑅𝐺𝐴𝑅𝑌𝐸𝑁

♫ “Get swallowed by the weight.” Love Can Kill by Lennon Stella

Aemond has the most...complex jealousy out of everyone on this list. It's layered, and the outcome may be unpredictable. It's an emotional and volatile nature that's been building up for years since he was a child.

He often had feelings of jealousy for his brother, his nephews, etc. That trauma is deeply rooted in him, and it's hard to let go of old habits, given it's been present all his life.

You'll watch his head bow in distaste when you make small conversation with other lords. How his eye will gaze at you, almost warningly. His jaw will be clenched tight, and he'll avoid eye contact, looking off to the side in anger. He doesn't want to watch.

If it's a friend of yours, he can be a bit mean, questioning your loyalty a bit harshly.

"Friendship? Is that what you call it?" He speaks, angrily. A thinly veiled threat is directed to you, "It seems more like a prelude to betrayal."

He'll brood in the corner, silently waiting. That is, unless, he deems the man goes too far.

In the scene where he gets his eye put out by Lucerys, the conversation that starts before it happens pretty much sums his jealousy up. He's firm with his claim to Vaghar, and the same goes for you.

When Rhaena states that Vaghar was hers to claim, Aemond responds in kind, "Then you should've claimed her." And puts up a hell of a fight to prove his point. That same possessiveness carries over to his relationship with you. He doesn't back down. You're his.

He has no problems getting in between you and the man he feels threatened of. He offers a blunt threat.

"I could have you torn apart, limb by limb, and I’d sleep soundly at night. Be certain of that."

Guaranteed, mixed feelings of insecurity will rise to the surface. When you two are alone, he'll continue to brood silently, leaning against the wall, arms crossed, and body language tight.

Please do reassure him. He needs it. His eye will soften, and he'll place his hand over yours, leaning into your touch. With a soft huff of an air, a final warning slips past his lips.

"Don’t make me remind you why I’m the only one worthy of you."

𝐴𝐸𝐺𝛰𝑁 𝑇𝐴𝑅𝐺𝐴𝑅𝑌𝐸𝑁

♫ “I wanna hold on tightly.” Love Can Kill by Lennon Stella

Aegon handles jealousy poorly, much like he seems to handle everything else.

It's like throwing gasoline on a fire. Once that feeling in his chest flares up, it's shown through erratic behavior, sarcasm, and attempts to assert his claim in juvenile, insecure ways. Unlike his brother, he lacks the restraint to simply brood.

No, be prepared for plenty of mocking comments directed towards the man he's threatened of, and showy displays to prove he's the better choice.

Everyone knows he is unpredictable and reckless, and possessiveness drives him to act out. He certainly overindulges to cope with his insecurity, (getting shitfaced) and will gladly push your boundaries to get your attention back on him.

Not to mention the belittling comments he'll make.

"Oh, is that who you’ve chosen to entertain now? I didn’t realize your taste had grown so dull."

Prone to acting overtly clingy, almost like a restless cat. He will attempt to slide over into the conversation, resting an arm around you, or even pulling you away. He doesn't care if it's 'improper.' He probably brings up his status, his bloodline, acting over-the-top.

He's also no stranger to outbursts. His temper may make him lash out impulsively, whether that be towards you or the man whose got your attention. If he's in a particular mood, be ready to deal with a screaming Aegon, threatening to slaughter and burn said rival. His fist will come down hard on the council table.

He also doesn't care if he's making a show of it in front of the council members. Que Alicent or Otto attempting to placate him. He needs to have a cooler head if he's going to be ruling the Seven Kingdoms, and this type of behavior isn't very becoming.

He definitely thinks he's owed some make-up sex, if only to quell the insecure storm raging inside him.

"You think they could satisfy you? Truly?" He says, firmly, as he steps closer. Anger is burning in his words, volume raising. "They wouldn’t even know where to begin."

And he plans to show you that he's right.

𝐴𝐿𝐼𝐶𝐸𝑁𝑇 𝐻𝐼𝐺𝐻𝑇𝛰𝑊𝐸𝑅

♫ “I'm afraid I'll pull you over the edge.” Love Can Kill by Lennon Stella

Alicent experiences jealousy complexly, just like Aemond. It gnaws on her until she's at her breaking point. Rather than overt displays or confrontations, she attempts to employ more strategic distance...but it always ends up resorting in icy politeness.

She's making her displeasure known through restrained, pointed remarks. Out of duty and pride, she'll attempt to avoid direct confrontation, but she wears her jealousy on her sleeve.

I imagine her withdrawing from the situation at first, if not for anything but her own sake. Her gut reaction, out of insecurity, is to escape the situation. It honestly makes her feel sick.

Unless she's forced to stay...then she'll begrudgingly offer a tight smile. Her responses are carefully measured, and she slips into that role of "queen" rather than a lover.

A part of it stems from passive aggressiveness, and another part of it is purely subconscious.

Speaking of passive aggressiveness, she'll make some pretty cutting remarks, either questioning your loyalty or purposely feigning ignorance to the situation.

"Perhaps I’m mistaken. But I know loyalty when I see it. Or when I don’t."

It's an all bark, no bite threat towards you. But it serves as an aggressive reminder of your connection with her, and that you are now apart of her duties.

If she does interfere beforehand, she'll make indirect remarks about the person causing her jealousy, but will most likely frame it as merely her own curiosity.

Maybe just a touch of self-depreciation, unintentional manipulation. Years of Otto's techniques have rubbed off on her.

"It’s of little consequence, truly. I simply thought I was the one you preferred to spend your time with. I may have misjudged."

𝐺𝑊𝐴𝑌𝑁𝐸 𝐻𝐼𝐺𝐻𝑇𝛰𝑊𝐸𝑅

♫ “Hurts to say it over, over again.” Love Can Kill by Lennon Stella

In contrast to Alicent, Gwayne has no problem when he feels threatened to step in. He's a member of a powerful house, and a knight no less. Those two things have taught him to be prideful and honorable.

He will defend your honor whenever he deems in necessary, and there are no exceptions. He certainly has a flash of a temper, but he believes he's much more restrained than others, given his training.

If he thinks someone is crossing a line, he'll interfere. He'll position himself quite closely to you, making his presence known.

He offers the man a silent warning, offering a cool, assessing look. It would be enough to communicate his disapproval.

And if the man persists...well...they'll end up with the end of a sword pointed at them.

Similar to Robb, Gwayne's jealousy appears more in his heightened protectiveness. He insists on staying close for your safety.

"Do they need to be reminded that you’re already spoken for?"

Obviously, his noble pride carries on. If he gets pushed, his jealousy will show more openly, taking the man aside, and telling them that he is more worthy of her time and attention. Might throw in a comment about his noble standing.

He'll take you aside when everything is said and done, reminding her his intentions are honorable. Everyone else is just...unworthy.

"You may not see it, but I know men like him. If he truly respected you, he wouldn’t need to linger around someone else’s beloved."

𝐷𝐴𝐸𝑀𝛰𝑁 𝑇𝐴𝑅𝐺𝐴𝑅𝑌𝐸𝑁

♫ "No matter how you feel." Love Can Kill by Lennon Stella

Oh boy, you'll have to keep this man on a tight leash when his jealousy flares up. It's as intense as he is, and he shows it openly.

He'll deny it, or embrace it, depending on the severity of the perceived offense. It's closely tied to that desire for power within him he can't seem to shake. Any affront to your loyalty is an affront to his own standing.

He switches from possessive protectiveness to outright hostility. There's really no in between. It's a raw and unfiltered fury that makes his hand shake and his eye twitch.

He doesn't tolerate rivals, and he's very upfront that he's the only one fit to be by your side. This comes through when he has you all to himself on his bed...

He'll confront the person whether you want him to or not.

"If they value their limbs, they’d remember you’re mine." He mutters casually, pacing around the room.

He carries that hard glint in his eyes. He may even mildly appreciate the sheer balls of the man stupid enough to attempt to flirt with you, but he'll shut it down quicker than anyone on this list.

"You’ve got a bold tongue. I wonder if I should cut it out..?" He'll look to you for permission. It's up to you if you wanna let the dragon loose!

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leashybebes · 2 months ago

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Hi! Love your work so much! I have a very vague prompt and it’s just Tommy being emotionally vulnerable with Buck. Idc what about I just need this man in tears please and thanks.

well this got longer than intended! i've skimmed over it but basically banged it out in fifteen minutes bc turns out i also need this man in tears

When the bubble pops six weeks after Tommy walked out of the loft, it's not at all what Buck was expecting. He'd hoped for an 'I'm sorry', an 'I was wrong', an 'I want you back'. In bitter moments, he'd even hoped for Tommy to say something really dickish so Buck could just hate him and get on with his life. Hell, even a random string of letters that Buck could interpret as an accident or an attempt to open the lines of communication depending on his mood.

What he gets is:

I've been going to therapy

Finally, right?

I hate it

And then radio silence for the better part of an hour. Buck is about to tear his hair out. He drafts and doesn't send half a dozen responses. The loft smells of chocolate cake by the time the next message comes through.

Sorry, call.

Tell me to get lost, it's fine. But I was wondering if we could talk. I owe you an explanation.

Buck reads it twice, takes the cake out of the oven to cool. Scrolls back up to read the messages from the start. Later, once the cake is filled with sharp redcurrant jelly and covered in a perhaps overly generous layer of toffee buttercream, he picks up his phone again.

I owe you an explanation is glaring at him.

Yeah you do, he sends back. Come over when your shift is done.

The reply is almost instant:

Thank you. 2 hrs.

Two hours suddenly feels like both not enough time to prepare, and far too much time to tie himself up in knots. He deep cleans the kitchen, makes a shopping list, checks in with Maddie. He doesn't mention that he's going to see Tommy.

Somehow, two hours pass in the blink of an eye and Buck realizes - he has no idea what he's going to say. He's spent the last month and a half trying with everything in him not to call Tommy, and he's just now realizing he has no idea what he would have said if he'd given into the urge. Maybe he just wanted to hear the guy's voice, and now he's about to, and he has no idea what to do with himself.

The knock at the door makes him jolt, and that's it, there's no more time to think. His first thought when he opens the door is that it's not fair that Tommy looks so good. He has no business looking so good. His hair is freshly trimmed, those greys at his temple that admittedly send Buck a little feral sparkling in the low light of the hall, his favorite blue Henley soft and stretched across the bulk of his chest, his eyes - Buck's whole train of thought derails because he looks again and Tommy looks - scared. Sad. Like he's holding back from flinching by the skin of his teeth.

"Hey, Tommy."

"Hi, Evan."

Evan, he notes. Steps back. Waves Tommy inside. Tries not to notice the way Tommy's face crumples a little as he steps over the threshold.

"Never thought I'd be here again," he says.

"Me either," Buck admits. "Well, after the first couple weeks when I - " When I sat around and waited for you to come back and tell me you made a mistake. He bites his tongue. Much as he wants to be real bitchy about this, Tommy looks like he is on the edge, and nothing in Buck wants to make that worse.

"You want a coffee?"

"Uh. Sure," Tommy says, and it gives Buck the opportunity to turn his back, to breathe. He's achingly aware of Tommy behind him, of the gravity of his presence, the sound of his breathing (a little shaky), the slight creak as he takes a seat. Buck still has the stupid almond milk and the stupid syrup Tommy likes in his stupid candy flavored coffee, has been buying the former on reflex and can't bring himself to use the latter and taste Tommy's kisses without the man himself. He makes the coffee, even cuts Tommy a slice of cake, and dumps them both in front of him.

Tommy blinks down at the cake, up at Buck. "You made that?"

"Yeah," Buck says. "Been getting real into baking since - well, since."

"Oh." Tommy chews on his lip, looks away again.

"Every time I wanna call you, I bake," Buck admits, the words falling into the silence between them with more weight than they deserve given how ridiculous they are, really.

Tommy glances up at him. "Yeah?"

Buck swivels, pulls open the door to his fridge which is still groaning under the weight of saran wrapped loaves and cakes and tupperwares full of cookies.

"That's - that's a lot."

Buck shrugs. "Yeah, well."

The silence is painful. Awkward in a way they've never really been with each other. Buck throws himself down onto the stool opposite Tommy, tries not to think about how this is exactly where they were sitting when - when. From the look on his face, the way Tommy can't meet his eyes, he's thinking the exact same thing. This is - it's the worst, Buck thinks miserably.

"So, therapy, huh?" he blurts out.

Tommy nods, takes a deep breath. "After I left that night, I - I drove to the movie theater."

Buck blinks. That is…not what he was expecting. "Uh…"

"Bought a ticket and everything. Realized on my way in that that's - that's not normal. Nothing I did that night was normal. You - you made me so happy, and I blew that up the second it sounded like maybe you wanted something long-term. That - that's not normal. The way I think about - about relationships, about love, about myself. It's not normal."

Buck feels like he's holding his breath.

"So I went home. Drank a couple of beers. Psyched myself up. Booked an appointment for the next day."

"That's…" Buck doesn't know what to say. "That's quick."

"Yeah. I don't - " Tommy looks away. Buck can't see it, but he can tell that he's bouncing his leg anxiously. "I wanna stop being a fucking - a wrecking ball. I wanna stop hurting people, stop hurting myself, but it feels like it's all I do."

Buck can't bite his tongue quick enough. "You make choices, Tommy."

Tommy nods and shrinks in on himself. "I know that. I do. It doesn't feel like it, but I do. I get scared and I make the worse choice every time because it's easier than being brave, and I tell myself it's the only choice but - it's not. I know that. I do know that. I'm - I'm so fucked up, Evan."

His eyes are swimming with tears and Buck knows he's no better. Everything in him is screaming at him to reach out, but he clenches his hands together under the table to stop himself. This is - this is maybe the most real Tommy's ever been with him, maybe the most real he's seen Tommy be with himself, and Buck doesn't want to interrupt it, even as every part of him wants to gather Tommy up to him and soothe him and promise him everything's okay. Everything's so far from okay. He watches Tommy take a few deep breaths, recognises the pattern and the count from his own therapy sessions.

"My - my dad - you know, he's an asshole. But he wasn't always. He and my mom - they were so in love. I mean, stars in their eyes, to the exclusion of everything and everyone else, they adored each other. Even before she died, I didn't - there wasn't space for me in there. And after - I guess I remind him of what he lost. They loved each other, and it hurt me. Abby loved me, and I hurt her. I loved N - Nick, and he h - hurt me. I - "

Tommy clears his throat wetly and looks away while Buck thinks who the fuck is Nick and how do I break his kneecaps?

"You what, Tommy?" he asks instead, and it comes out gently.

"I love you," Tommy says, and Buck pretends he isn't paying attention to the tense, pretends his heart isn't rabbiting inside his chest. "I love you, and I hurt us both and I'm - I'm poison, Evan, I'm nothing but sharp edges but I swear I'm trying not to be and I know it's too late but I'm so - I'm so sorry, I'm so - "

He's fully crying now, trying to hide his face in his hands and Buck can't hold back anymore, closes the space between them and gets his arms around the bulk of Tommy's shoulders where they're shaking.

"Don't," Tommy begs, his whole body tightening, so tense Buck's worried something is going to snap. "Don't - d - don't - I don't deserve - "

"Shh," Buck says, pressing his face into Tommy's hair and stopping himself from making it a kiss at the last second. "I don't care what you think you deserve, just let me hold you, okay? Just let me."

Tommy cries harder, soaking Buck's shirt, and Buck doesn't know how long it goes on for but suddenly Tommy's holding him too, clinging in a way he never has before, in a way that feels desperate and fierce and heartbroken.

"It's okay," Buck promises in spite of himself. He strokes his fingers over the short cropped hairs on the nape of Tommy's neck. "I've got you, it's okay. Just try to breathe, baby, you're gonna make yourself sick."

Baby slips out without any intention on his part, but Tommy doesn't seem to notice, just heaves in a hitching, gulping breath, then another, and another. He shifts in Buck's arms, pulling away and Buck lets him. He doesn't retreat to his own seat though, doesn't feel right to put any distance between them while Tommy presses the heels of his hands into his eyes like he can force the tears back inside.

"I'm sorry," he says, when he's a little calmer. "I've got no right - "

"Stop, okay. Just - stop being so horrible to yourself."

Tommy nods. "Yeah. Working on that. I know - I know it's too late, and I swear I didn't come here with the intention of - of crying all over you and making you feel bad for me. I just - I wanted you to know that I'm sorry, and I know that I fucked up real bad. I know - like I said, I know it's too little, too late, but I want you to know I'm working on - on being better."

Buck chews on the inside of his lip clearly for a second too long because Tommy gives a sharp little nod.

"That's all I wanted to say," he says, pushing back from the table and starting to stand. "I'll get out of your - "

"Sit your ass down," Buck says, a little rougher than he intended. Tommy does as he's told, blinking rapidly and Buck pushes away from the table, paces across the kitchen and back again.

"Evan…"

"Shut up. If you keep making decisions for me, I'm gonna - I'm gonna start throwing loaves at your head."

Tommy makes a noise that's half laugh, half sob, and Buck fights back the tiny grin that's tugging at his mouth.

"You - you really think you're this irredeemable asshole that doesn't deserve to be happy, don't you?"

Tommy shrugs, looks away. "If the shoe fits…"

Buck whirls around, yanks open the fridge, grabs the first loaf he sees. "This is coffee and walnut. It's dense. Last warning, jackass."

Tommy's laugh is more distinct this time. "Evan. Okay. Yes, I think that. But I'm - I'm working on not."

"Okay. Okay. So - so work on it." He puts the loaf down. "Work on it, and take me on a date."

Tommy looks like he's being rebooted without warning. "You can't be serious."

"Why not?"

"I - "

"Tell me why I can't be serious."

"Because! Because I'm - I'm a mess. I hurt you. I left."

"You came back," Buck counters. "Even if it was only to apologize."

"You deserve better."

"I want you."

"I don't - I don't know when I'll be - better than I am."

"You're better today than the day you left. You're here."

"Evan…"

"Yes or no, Tommy. Take me on a date."

"I - "

"Yes or no."

"Yes. Please, yes."

Buck exhales for what feels like the first time in weeks. "Okay. Okay. That's a start."

He puts the loaf back in the fridge, takes Tommy's coffee away to reheat it, and the whole time he can feel Tommy's eyes on him, watching him like he's something precious.

#bucktommy #my writing #prompt fill

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ro-bee · 1 month ago

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I hate (love) how the kindest and most likely to forgive his siblings out of the two Narinder, is the that doesn't get the chance to do so, like... damn poor puppy /silly

Even worse (or better depending on your interpretation, but details) now that we know that his versions of the Bishops wouldn't even be willing to reconcile in the first place, at least he gets his children back and probably ends in a mostly-healthy relationship with Goat after some time passes

if goat ever brings back his siblings they would need to put them in the get along shirt. everybody hates it expect kiran

maybe time can change their relationship but who knows

#my art #cotl #cult of the lamb #wolf narinder #kirander #i think goat would find their situation really funny

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alexanderwales · 5 months ago

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The high-level prophecy interpreters all worked for the government or major corporations. They were the ones with the money, and the ones most likely to be the subject of a prophecy. Sometimes you'd have a multi-billionaire hire on a prophecy interpreter, but usually they just had one on retainer. The same went for celebrities who were famous enough to attract significant prophecies.

But at the lower level, there were prophecy interpreters who opened up their own firms, usually just one or two if they weren't in a major city. That was me: I had gotten in prophecy interpretation in college and ended up majoring in it after the Kepler Incident. I had my name on bus stops and billboards, and a single secretary in my employ who thankfully handled most of the phone calls.

In the field we sometimes divide the business up into three sectors based on timing. There's "prophecy impact", which is when we do a consultation right after the prophecy has been made, or at least sometime before it rears its head. Some prophecies are decades in the making, but people want to be told what to do about them. I hate that part of the job, personally, because there's not a whole lot to do, depending on the language. Plus the conversations are pretty repetitive: a guy hears a pretty clear-cut prophecy that he's going to die falling out of a plane, and he's begging for some way out, as though there's something I can do about it, as though I can tell him that prophecies are lairs sometimes. Prophecies are liars, but they're clever liars, hiding meanings inside words, only clear after they've passed. You can't escape prophecy, and at least half of "prophecy impact" clients explaining that fact to them.

The second sector is "prophetic immanence", when the client has a prophecy that they think is coming true. Sometimes this can be because there's a trigger phrase in the prophecy, a conditional that appears to have been met. One of the dirty secrets of the industry is that nine times out of the ten, people are mistaken: the nature of prophecy is such that you can't often pinpoint when the prophecy is nigh. In my opinion, you can judge a prophecy interpreter by how upfront they are about this. The weasels will milk their clients dry by pretending that every moment is a crisis moment.

It's the last sector that I find the most satisfaction from, which is why it's a disappointment that it's the least in demand. This is post facto prophecy interpretation. You're not trying to prevent anything, you're not formulating a reaction, you're just trying to figure out what happened and how it all fit together. These are clients that are in the aftermath of prophecy, or what they're pretty sure is the aftermath, and a lot of the time, they just want someone to talk to more than they want my specific expertise.

My client that day was an artist, a rising star who had a few very successful gallery showings. It had been prophesied that her older brother would accidentally kill her father, but it had been her instead. This wasn't a recent trauma, but the wound was clearly still there, so I tried to navigate it as carefully as I could.

"One of the things that makes prophecy tricky is ambiguity," I said gently. "There are some, outliers, that depend on pretty tortured readings. But in this case, I think it's just an alternate meaning. From what you gave me, the prophecy was specifically 'the child who first draws breath', and that's in reference to your career as an artist."

"That's stupid," she said. "He's two years older than me, would he really never have doodled a person drawing? Just a few lines indicating that something is coming out of their mouth?" Her hands were folded in her lap. They were curiously still, for someone who used her hands for a living, but maybe artists were like that, preserving the tools of their trade.

"It's stupid," I agreed. "But I do think it's entirely possible that his drawings didn't include anyone breathing, and that yours did."

"How can we know for sure?" she asked.

"We can't," I replied. "Though if we take for granted that the prophecy was fulfilled, and that you were the one to fulfill it, then we have to search for answers within the realm of what we know. And if you're not satisfied with that answer, then I need to spend some time searching for alternate meanings, to find some interpretation that lands better."

"I could understand it if I had some obsession with drawing breath," she said. "If I had done a series of paintings of visible breath escaping from a person's body, then that would make sense. But it's not that, it's the first to draw breath, and that's just ... I mean, doodles we did when we were children. It means nothing. We have no way to mark that. It wasn't pivotal."

I shrugged. "It is what it is." I use that phrase a lot. "There's a selection effect with prophecies. The ones we hear about are hugely ironic, they show the hand of fate, they warp and twist people. But many of them are just," I shrugged again. "Things that happened."

"My brother moved away," she said. "My father had kind of accepted it, probably from the moment we were born, or before that. He'd made peace with it, hadn't tried to fight it. But it was a hard thing to learn for my brother, and he'd just left to go to school a thousand miles away, and coming home was always stressful for him, because maybe this was when it was going to happen."

I nodded. "I can see where that would be difficult. How did he handle it?"

"Poorly," she sighed. "Dad was a good guy. My brother lost all that time, and it had always been a source of tension between them, not the death, but their perspective, you know? Dad preached acceptance, my brother wanted to avoid it, and so when my brother went out west, dad was disappointed. He said it was like losing his son, and that he'd have rather died than have that happen. So not only did my brother not have a close relationship with my dad because of the prophecy, it turns out that dad was right all along. It would have been better for everyone not to fight it."

"Maybe," I said. "In the business we don't counsel people not to fight prophecies. Sometimes it's the right thing to do."

"Well, sorry for wasting your time," she said. "Though I guess I'm paying by the hour, and I'm not going to apologize for something I paid for. So I'd like my apology back, please."

I smiled at her. "Certainly."

She stood up to go, and I marked the time so I could bill her later, but she paused for a moment. I put in the time all the same; so far as I was concerned, we were off the clock.

"Do you have any unresolved prophecies that you know of?" she asked.

"That's sort of a personal question," I said. "But I get it a lot, and if it might help you, I can share: I'm going to be eaten by an alligator."

"You're ... what?" she asked.

"An alligator?" I asked. "They live in swamps."

"And how are you going to be eaten by one?" she asked.

"Well, I don't know," I replied. "There's a chance I've dodged it already, or ... dodged it in the way that you can sometimes dodge an obvious reading." I held up my hand and showed her my pinky, or rather, my lack of pinky. "I went down to Florida, had my finger amputated, then fed it to three baby alligators under the supervision of a zoo keeper."

She stared at me. "And that works?" she finally asked.

"We'll see," I replied. "In general, yes, it's an approach with relatively good outcomes. A self-fulfilling prophecy. It's a peace of mind thing."

"But ... your finger?" she asked. She was looking at it. I sometimes thought that going with a toe would be better, or a chunk of flesh from somewhere else, but I had heard that losing a toe could interfere with balance. I had never regretted that it was a pinky finger.

"If I didn't avert the prophecy, I want to be the kind of guy who says 'oh, well that's funny'," I replied. "I think ... whatever helps you, you know? And now I don't need to stay up at night wondering how the hell it's going to happen. See, your father had it right, I think. You have to find a way to make peace with it. And this was what it took for me to make peace with mine. Though I have to admit that I'm not a fan of zoos, and I don't take vacations south of the Mason Dixon, so maybe I'm not as much at peace as I would like myself to believe."

"Huh," she said. She looked away from the missing finger and to my eyes. "Thank you for sharing that."

"It's okay if you think it's kooky," I replied.

"No," she said. "I was just ... thinking that if my brother had something like that, he might have had more time with dad before he passed."

I nodded. "You can share that story, if you think it will help. Sometimes it does."

When she left I went back to my computer, cruising the local news sites to see whether there had been any updates. I hadn't given her the best advice. My mind had been elsewhere.

A local guy had been busted for breeding reptiles without a license. I was sure it was nothing, but they hadn't said what specific reptiles it had been. It was probably nothing. I mean, a full-grown alligator escaping from custody, finding me, and managing to eat me was a little too much for me to believe.

But fate is a funny thing sometimes, and I was going to keep my eyes open.

#microfiction

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mantisgodsdomain · 4 months ago

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(via @zombiebugbites)

Ah, but you see, he doesn't smell like Dead Ant. He doesn't smell like anything, at all. Like a statue in the shape of an ant, except it is moving and breathing and Biting You. He can't actually produce more of a pheromone on command, just shut off production of that pheromone, which means that oleic acid smell is off limits to him unless he either Is Dying or Is Feeling Bad Enough To Convince His Body He Is Dying. Which he does not want to do particularly, actually.

Fun fact: ants will also produce Dead Ant Smell if they are infected with cordyceps! Scarlet can Do This To Himself if he drains any bug who is currently infected with cordyceps, even if the cordyceps itself isn't actually capable of reproducing, because his life drain effect is less of a literal drain and more of a metaphorical drain of pieces of a bug's state of being.

Things like cordyceps, which are technically an extra living being in his body, are very annoyingly prone to persisting even past when the effects otherwise should have dispersed, which is... not great for him. He can also temporarily contract genetic diseases and syndromes that are not normally transmissible. He doesn't enjoy this very much and tries to avoid it when possible. Ideally life force donors will have zero things that will threaten his life and also zero things that will persist past when he has used that life force for being alive. In theory he has gotten better at this in practice there's a bit too much range between types of awakened bug in kingdoms for him to reliably identify anything and his current "accidentally giving himself a parasite of some variety" count is at like 37.

Every living bug has a personal scent - a blend of pheromones that generally acts as a personal "name", or "voice", in pheromonal communication. In social bugs, this tends to be stronger. As communication via pheromone is extremely species-specific, learning to manipulate them in more detail than some basic altering your expression of any given emotion tends to be something of a niche skill set, particularly among solitary bugs. It's most commonly learned for in-species communication, or by the bugs responsible for putting up pheromone signage in social-bug-heavy areas, but also has some fairly wide utility in less legal manners.

As pheromones are highly specific by bug, a bug of one species may have significant difficulty parsing the pheromones of a bug of another species. While social bugs in hives and colonies generally have something of an instinctive grasp of what various pheromones mean, and will often pick them up as part of communication among themselves, solitary bugs tend to be significantly less sensitive to them, and may struggle to distinguish between similar pheromone signals even if they know what both mean.

As a consequence of this, the vast majority of signage within a hive or colony can be wholly illegible to a solitary bug, even if it is perfectly clear to the hive's inhabitants. Bugs with reduced sensitivity to key pheromones used in social signalling can also suffer from this, particularly in places where pheromone signage can be important to operation. While these can be learned over time, unfortunately, it isn't always enough to make up for the social impacts.

Though it is possible to learn to suppress your personal scent, it isn't a widely distributed skill, and it's associated with criminals more than anything else - on a similar level to learning to lockpick, it's a cool trick to show off that also has a solid chance of getting your coworkers to ask you if you've stolen anything recently. Though suppression can make your scent more subtle, it can't eliminate it entirely, and most bugs who are seriously concerned about hiding their identities will wear some sort of masker to confuse their scent.

Monsieur Scarlet, due to a side effect of his personal flavor of mage, is capable of cutting off his own pheromone production entirely, or selectively shutting off specific pheromones. To other bugs, this will smell uncannily "blank". Since pheromones are still the main means through which bugs will communicate emotions, even beyond being a personal identifier, it's sort of like someone's face... slipped off, and there was just a void where it used to be.

Along with his short-range teleportation tricks, this makes him very good at slipping a tail, but also works against him in being an extremely distinctive trait that's very prone to freaking people out. Generally, you don't stop producing your personal pheromones until you die- but he's not producing a dead-ant smell, and he's very clearly up and moving, just lacking any personal scent. It's prone to tripping a sense that something is horribly, unnaturally wrong. Also, it's not very good for his body to stop making a bunch of major compounds. Generally, he'll opt more for things like cutting out stress pheromones than taking out everything.

#he has infested himself with issues and diseases that should be entirely incompatible with his body plan multiple times #he can also give himself radiation poisoning like this #scarlets life force draining and healing methods in general are straight up Weird when we're working with him #and we think it's very fun to utilize this to fuck him up slightly more. he does not enjoy this.#we give the bugs sound because we like fucking with the. myriad variety of potential modes of communication #which may have varying levels of utility to you depending on things like species area and specific needs #also we like to tinker with like. how its probably really hard to interpret the social cues of someone who is a whole different species #if you weren't specifically raised around them. and it might even be hard to interpret your own species if they don't click right with you #we are both sitting in different flavors of Personal Preference #though admittedly how we handle awakening is also Very Weird compared to other interpretations we've seen so #maybe we will make a post on that eventually. maybe we will forget again. who knows at this point #vi is dog shit at communicating with other bees because she has less sensitivity to a lot of the pheromones they use to communicate #and thus sort of falls behind in social signalling and struggles to connect to and communicate with other bees #she's better with solitary bugs because she's close to or slightly above average for the general pheromone sensitivity of a lot of them #and also because she has the grace of a mixed-species group meaning they're just as lost with her as she is with them #awakening has homogenized bugs in some ways but in many other ways it has made them More Varied and More Fucked Up #bug fables #headcanons #writing #we speak

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dontbesoweirdkira · 3 months ago

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Hi! I love your interpretation of the yan batfam so much bdnfbfkjfnd I was wonderong how you think Dick and/or Jason would react to a rather compassionate batsis?

She's definitely not on board with their obsession but she can understand where their coming from and gives them like ACTUAL compassion.

Ik you said Dick enjoys having a positive image in front of others most of all his younger sister, so how would he react to her seeing his flaws but still, being kind? Jason strives to be "normal", so much so he spirals sometimes, but like what would knowing/experiencing genuine closeness (not pity or false pretenses) change?

Idk if either of them would redeem their bad habits, but am curious to know what being truly seen and accepted would do to them, especially by someone they care about so much. The bats can have their walls pretty high up after all

A/N: sorry about the late responses. I've been out of it the past few days.

context dick context jay

Okay so when you are dealing with yanderes... you are dealing with extremely unstable people. There are so many ways thus could go but here's just one

Dick

Maybe your compassion makes Dick chill out a bit with his unhealthy tendencies. I think initially he'd still be uncomfortable and bothered that you can see right through him. You can see all his flaws and you don't revere him like the others which is bad. It will still anger him and he'll try manipulating you into loving him like everyone does at first.

A heart to heart with him could work. You acknowledge you know he's crumbling and has really horrible coping mechanisms but that doesn't mean that you don't love him. That you respect him even more because you see just how much passion he puts into everything that he does. It isn't his fault he craves so much validation when he had the upbringing he had but he doesn't have to pretend to be someone he's not to please you. That even if he doesn't smile as much or be selfish sometimes that you won't love him any less. You give him a space to be authentic with you with no judgment.

"erm,,,okay. I'll keep that in mind."

He's a bit taken back by it and doesn't know how to exactly process what you just said. I've mentioned before that he doesn't exactly know how to just be himself because for most of his life he was always being someone that others needed.

He's still on guard for a while. He will dip his toes in the waters by maybe not smiling as much with you or rescheduling your hang out session to go out on a date just to see your reaction. Did you truly mean it when you said he was allowed to be selfish? He was fully expecting you to hate him but seeing just how unbothered you were made him go...oh!

I think this shifts his obsession with you. He's still very much yandere but i think he's much more child-like ? I mean Dick still is obsessed with you and all that jazz but before, he wanted to be the best older brother/father figure. His happiness was dependent on how much you needed and revered him. But now you're becoming his safety blanket for when he's stressed, tired or upset. WIth you he can just lay on your shoulders without speaking and you won't even mind. He can be kind of assholey or dark and you will understand he's just in a mood and what he says never leaves the two of you. You won't take away your compassion or love based on how he acts...the first non-transactional relationship he's ever truly and it's pretty great. He finally feels like a brother and not like he's playing house anymore.

Don't get me wrong, he's still your older brother who gets on your nerves but there's just this mutual appreciation there that lacks with the others.It's clear to the others that he loves you just a bit more than the rest. When it's movie/game nights, he will allow you to sit it out or not tag along to restaurants. He's very protective and defensive over you. He doesn't feel as much of a need to do all that stupid crap with you because if he wanted your time, he could have a peaceful moment on the rooftops with you instead.

Jason

Hmm..i think Jason will just always feel a bit outcasted. There are plenty of people who do care about Jason in the comics but it's hard to relate to someone who's been through what he's been. It's just so unique to him. He knows you don't truly understand what it's like to have spirits of the Lazarus haunting you in your sleep. He knows that you cannot feel the pain of being replaced by someone you're now forced to see as a brother.

When i wrote my last piece a few people took it as me saying the reader found Jason to be odd. Really what it was is that Jason put those thoughts into his own head because he internalized the joke because of his own insecurities. The reader was perfectly fine with Jason being a little off...it made sense as he would've just come back from being dead and is trying to find a bit of normalcy.

It's funny though because while he's trying to be "independent" it's painfully clear he's still very much attached to you and is still unknowingly mimicking you.

I think though if reader sat down with Jason and explained he doesn't need to change or be "normal" because you love him the way he is, maybe he will relax a bit. But i think there would always be voices in Jason's ears telling him he needs to be perfect. My version of jason is around 20-ish year old who is a bit emotionally stunted and disoriented because he's just coming out of the pit. After a few years of being integrated back into the family he'll understand that you actually do love him as a brother and he serves a great purpose even if that purpose doesn't look the same as Dick's.

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notherpuppet · 8 months ago

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hazbin race talk (kinda uncomfy but said w/ love!)

When it comes to human iterations of the hazbin characters, my decision making when it comes to race is usually dependent on canon/semi-canon info and voice actors.

Many of the demons in the show can have pretty "race-blind" casting because their characters don't necessarily have racial ties to their background. There are some characters who do have clear ties to an ethnicity and/or viv has overtly stated so, such as Vaggie (Latina), Angel Dust (Italian), and Alastor (Creole). Some of these may no longer even be canon since the show started. As for their race, their skin tone is still pretty open interpretation for artists because canon reference just does not exist (yet? maybe ever?).

As for other characters, such as Husk, Niffty, Charlie, Sir Pentious, etc. I feel that those characters have a pretty ambiguous background, open to interpretation by artists who are depicting their human forms. I depict Husk as Black because I watch the American version where his voice actor is Black. I depict Niffty as Japanese (when I do draw her human form) because Niffty's voice actress is Japanese. The Hazbin pilot did not have the same voice actors as the ones for the show, and internationally, that's not the case either. And the voice actors are usually just one direction I might take, I don't hold myself to that option as a rule.

Like, idek if I would depict Sir Pentious as White because his voice actor is a White American, I may consider his British background and honestly the fact that he is dark demon into play. I think that's where "casting" the human forms can be very open to interpretation for certain characters.

I think something that is really cool about the show is that there are opportunities to cast a character as whomever. (I think of Little Mermaid 2023). There are times where a character's race is integral to their background, and other times where it is not so explicit. When it is not explicit, I think it's okay for an artist to interpret a different design. I don't think it should be assumed that it is erasure or tokenism (though I do empathize with that reaction as someone who craves certain representation).

I personally love seeing a diverse cast, so I like incorporating that in my design choices! But I don't think someone is 'wrong' for having a different interpretation of a character. It's okay to not like a direction someone may take, but I don't think that means they're wrong and if you don't like it, idk, you can always just close your eyes or scroll lol.

My two cents.

¯\_(ツ)_/¯

#tldr; not everything is black and white lol #nuance y'alllll <3

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quarterlifekitty · 2 months ago

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okay can I ask for needy Simon who just got back from deployment × his (whatever the reason S/O) who just does not want to have sex.

like maybe they're tired or sore. eithor way I want you see how you'd interpret Simon's reaction to that.

i almost would expect him to deal with himself and then try to get to the root of what's bothering reader, but idk. maybe he's stressed and irritable after deployment.

id love your idea!

I mean, it depends on the kind of relationship/characterization we’re going for, obviously. And I think it also depends a lot on why you’re saying no!

To be honest, I don’t see Simon as being horny post deployment. I think he’s usually disgusted with himself at that point (I’m a believer of Simon hating himself lol), for dragging a killer home to your door and expecting you to keep loving him.

Then again, maybe he wants to fuck you to ground himself. To come back to reality, to come home, to be Simon again and shed the Ghost persona for a while.

If it’s something where you feel physically not up to it, like you’re sore or tired, his first offer is going to be that you can pillow princess tonight, lol. He’ll do all the work. You can fall asleep if you’ve gotta, you don’t need to do anything, just let him go to work. He can even just eat you out— he doesn’t have to fuck you with his cock, he just wants to be close. He wants to make you cum so he can prove to himself that there’s a way in which he’s good to you.

If you’re emotionally not up to it, his focus is going to shift to figuring that out. If it’s something he can quell quickly, like you not feeling very sexy, then he will. If it’s something that’s not gonna be settled by just him, and he can’t fix it tonight, then yeah. He’s probably gonna go jerk off somewhere while holding your panties from the hamper to his nose so he can pretend to be next to you. It’s not gonna hit the spot, but just let him cuddle you afterwards and he’ll be fine.

If you’re just “not in the mood”, he’s not gonna outwardly tell you he doesn’t care, but he in a way… he doesn’t believe you. Well, he does, but he thinks your mood is subject to influence. So he’ll strike a deal with you— give him five minutes to get you in the mood, and if it doesn’t work he’ll leave you be. He doesn’t even have to touch you. Just let him tell you all the things he dreamed of doing to you, of doing for you, while he was gone.

That last one has never failed him. Not once.

#writing #cod fanfic #cod #simon ghost riley #simon riley x you #simon riley x reader #simon ghost riley x reader #ghost x reader

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abyssalzones · 5 months ago

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can you tell us about your interpretation of the better world universe!!!! especially curious how stan/mystery trio works into it

hell yesssss I definitely can. ABW is maybe my favorite niche gf thing and probably the only "AU" I care about but that may be due to the fact that it's an AU that exists in the canon and we know so little about it. so it has an established foundation that you're left to fill in the details with yourself... it's like a poke bowl to me. you can put anything in there

and since I felt like it here's a bonus pic of them living their best lives pestering ford

[explanation-y stuff under ze cut because I got very longwinded]

as for specifics of how I see everything working out, there's a few key points that establish why things happened differently from canon, the most important being:

Stan agrees to hide journal #3 somewhere

Ford reunites with fiddleford and they begin working together again

both of these are already confirmed in canon, the first being the most obvious "schism" between timelines. literally everything in ABW is the way it is because stan made a different decision. kind of crazy in terms of its implications: I feel like that moment in the basement is a really good example of how stan gets so few opportunities to shape her own life (while ford is in the picture...) because of her role as the 'black sheep' twin. it's not exactly a premeditated decision to push ford into the portal, it's her acting on feelings that have been bubbling unaddressed under the surface for 10-something years at that point, and only then does she have any sort of power over the "narrative" of both her life and the story itself, something that from her pov has been ford's story. and in the canon timeline, she says no.

so like, what the hell made her say yes in ABW's timeline? this question kind of haunts me because I feel like it has to be entirely dependent on what the inside of stan's head looked like at the time. it's possible something influenced her, but overall I think it's more interesting if ford did and said all the exact same things up until this point and it really was entirely dependent on stan's decision internally.

so stan says yes, goes on a big trip to the other side of the world somehow, and buries journal 3 somewhere probably never to be found again. yay! but, uh, going on a trip like ford was suggesting would... take weeks. that would leave ford alone again. and not to have my established thoughts informed by new material or anything but bill did give him 72 hours.

so, next order of business: how in the fuck would ford convince fiddleford to rejoin him??? I'm unsure between journal 3 and tbob's information how ford may have tried to reach out to him but it seems like fiddleford was pretty adamant about staying away from that guy, out of guilt or fear of bill/the portal or both. I don't think logically it would just be a matter of ford calling him enough times or finding out where he lives- and I think that's kind of getting away from the point of why ABW is the way it is too. if stan is suddenly making decisions that are influencing ford's life, I think it would be similarly interesting if fiddleford also possessed some unique autonomy in this scenario.

aka I think ford got fucked up badly (possibly involving losing an eye) and fiddleford found him half-dead while trying to burn his house down. [mabel voice] romance!

to clarify: I don't think fiddleford is obligated to take care of ford. a major part of him leaving the project was finally making the decision to leave a situation that was hurting him, that he'd been staying in entirely because he still cared about ford and felt on some level he could still help him (which gets broken with "I don't need you!") and I think that's a very reasonable decision on his part. but I also do have to think about all the times ford has been "the hero" in situations where fiddleford ends up hurt and helpless because of something traumatizing. I think it'd be fascinating to see that reversed and have fiddleford actively making the difficult, messy decision to take care of that guy even when they're on miserable terms. and so begins like a solid week of these two desperately trying to look out for eachother in a nightmare scenario where one of them probably needs to go to a hospital + keeps getting possessed off and on and the other is going through the worst addiction/withdrawal cycle of his life irt the memory gun. yay! (part of the reason this even works To Me also is heavily informed by the lack of secrets: if fiddleford is actively dressing that guy's wounds he can't really keep it all to himself anymore. crushingly intimate perhaps...)

stan gets back eventually. such is the context of this pic

from there it's a nebulous grab-bag of things I think could happen up to the foundation of the institute.

how do all three of these incredibly fucked up individuals get along? well they don't but then they do.

how do they get bill out of ford's head without performing amateur brain surgery? idk. my best guess is a fiddleford and stan bonding trip into ford's mindscape that potentially helps answer the first question. possibly utilizing the memory gun. shrugs.

what's up with that one picture you drew of parallel fidds holding the memory gun up to ford's head? well. okay that one might or might not be something that actually happened but the idea was just that ford is coping badly with a few specific things and I liked the idea of fiddleford "holding onto" something for him to remember and work through later when he's ready to deal with it, it's an interesting reversal of how he's normally more of a memory sink.

from the point in canon about them stabilizing the portal so that bill can't use it to get into their dimension anymore onward, I think it just becomes a matter of them living the lives they could've always had in canon without realizing it. hence "a better world." some cool tidbits I like to think about:

stan gets to transition much earlier (late 1990's perhaps?) and probably starts going by "lee" instead

she's also the institute's CMO and is mostly in it for going on business trips abroad with ford. and the money. obviously.

the institute probably also legitimately changes the world on a sociopolitical scale outside of just interdimensional travel since their research renders them uniquely untouchable and all three of them are trans (I'm cartoon logic-ing a little bit here just let me have this one)

ford is the eccentric bill nye esque face of the company, fiddleford is the backbone. that isn't to say ford doesn't do anything as I think he'd always moreso be in it for the science than the fame (though it is nice to be more than comfortable financially) but it's an open secret fiddleford keeps tabs on literally everything, he's still very security-oriented.

the northwest family now has a more prominent ongoing rivalry with the pines family that could be very funny to think about. they've taken all the LOGGING JOBS with their damn SCIENCE

part of the reason I thought ford should lose an eye is because I think having him wear an eyepatch would be a neat way to parallel stan's "role" as mr. mystery visually! stan wears an eyepatch for no legitimate reason to keep up appearances as a schlocky tourist trap host, but it also alludes to her being more than she seems under the surface. ford's eyepatch does sort of have a legitimate reason to exist, but he also could just wear his glass eye and it would probably be less "conspicuous." he chooses the eyepatch instead because it's part of his image as Stanford Pines, Founder of Oddology, and because it keeps him safe. there's also a little residual scarring there from damage to his eyelid/tarsal plate which could easily represent him hiding the more "damaged" aspects of himself under his successes. ouch.

I'm unsure if ford and stan would ever feel comfortable getting back in touch with their parents. I know a lot of people go that route with fan material but I don't think they should have to. I think they're much happier now having healed the rift between them on their own and getting to live successful lives for themselves, rather than to prove something to their father.

that being said I do think fiddleford gets in touch with emma-may and his son again and they end up on better terms with time and a Lot of effort. tate's family is now composed of his father, mother, "uncle" ford (in the ye olde gay closeted sense of referring to your dad's partner as an uncle), and auntie lee, and I like to think they go out on trips to the lake together often :]

also ford and fiddleford tie the knot unofficially (in the eyes of the government anyway) in 1990. owed to stan somehow getting "ordained" as a rabbi. don't ask me how.

the pines twins start visiting the institute from a younger age than they do irt visiting stan in the show-- but they're only permitted to come along on heavily-supervised interdimensional excursions once they turn 12. cue antics!

anyway, hopefully this extremely longwinded and loosely structured mess helped answer your question. I like ABW sooo so so much you guys

#sorry this took a while I wanted to draw something extra for it ^_^ and I've been busyyy #lab notes #askbox #lab discussion #lab creations #gravity falls

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