#maybe I need to try this?

[motorharp]

The back of the Delineator magazine from November 1918 published by Butterick. Instructions for knitting two socks at the same time on the same needles.

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[jakeperalta]

I'm curious. what job would you do if money was no object (you just automatically had an income you could live comfortably on)? including work like volunteering, studying etc. please share in the tags :)

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[benevolenterrancy]

poor Liu Qingge is really going through it in the succubus extra, he just had to go and get a crush on the most oblivious man alive

"Younger than me... we had a rocky start... completely devoted.... often together.... saved each other..... peerless beauty..... outstanding talent.... noble blood.... totally in love with me...... Wow what a weird love fortune! Definitely doesn't match anyone in my life!" says Shen Qingqiu while actively sitting next to one of the two men it perfectly describes

[dandeleon]

stan teaches stan jr. a very important life lesson

[ganondoodle]

then perish.

[idolomantises]

Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[beebfreeb]

To all my long-term followers: You have to look through all of my art and deduct exactly what's wrong with me. I know you can do it by now.

[ionomycin]

Swim free

[wardingshout]

Zelda goes mushroom girl

[justaz]

merlin who uses his magic everyday in ways that he doesn’t realize isn’t normal. magic helping him see in the dark so he can find his way in the woods or dark rooms with no problem. connecting with the woods around him so he always knows where he is and whats in the general vicinity which allows him to sense bandits just before they attack. using magic to keep warm in the cold or to cool down in the heat. confident and willing to go toe to toe with anyone bc he knows that regardless of what they throw at him, he could always win bc he could just use magic.

then somehow someway (post magic reveal) a sorcerer takes away merlin’s magic. or well just locks it away ig. but anyways merlin doesn’t have this part of him anymore and is left feeling empty, exposed, and vulnerable. arthur, the knights, and merlin going on a quest for answers to their problem and a way to get merlins magic back. but. but. but merlin is all jumpy and he’s rambling more than ever and is often reaching out to grab onto someone (usually arthur) and everyone’s confused and then they get ambushed and merlin freezes in the middle of the path like a deer. he’s watching everything go down around him with wide eyes until he’s targeted and one of the knights have to rush in to save him. afterward merlin is constantly holding someone and his grip is rather tight. he keeps looking around, his eyes scanning the trees around them over and over. when they try and settle down for the night, merlin wont leave the camp without an escort or two and when they’re trying to go to sleep, merlin is flinching at every noise in the woods around them and ends up shuffling over toward the person closest to him and laying pressed up against them.

arthur opening his mouth to tease and call him a coward when the word registers in his mind and he realizes that that’s what he’s actually seeing, merlin scared and defenseless. he ofc doesn’t realize the true depth of it all, i mean he knows merlin is missing his magic but he doesn't know that magic has always been a part of merlin, it makes him him. he’s had magic since he was born, he’s never known life without it. as he is now, he feels bare and exposed and blind and deaf and terrified. the knights are his defense rn and for the past few years, merlins been their protector so its a complete reversal of everything he’s ever known. he’s scared. arthur bites his tongue and lets merlin hold onto his arm and snuggle up close at night for some form of comfort and security. he doesn’t tease or mock and responds to his ramblings of fear with a level of gentleness the knights weren’t aware he even possessed. merlin slowly relaxing as arthur subtly comforts him without addressing it

[arinmoss]

Mr. Elliott Stardew Valley once again U_U

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

[First] Prev <–-> Next

[iwritenarrativesandstuff]

I always have a soft spot for characters who have a protective streak for another out of gratitude for their kindness towards them, but Charles’ protectiveness towards Edwin really hits a particular way because it’s so so apparent that it’s specifically about wanting Edwin to feel as safe and as comfortable around him as Edwin made Charles feel in his dying moments. I’m going to shatter like glass.