#may have a follow up
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vhstown · 1 year ago
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please stop scrolling and take the time to read this.
i don't think people understand the extent of the horror happening in palestine right now. "death" means nothing to people because of desensitisation so let me just tell you what white phosphorus is. it's being used in israeli munitions and has been and will continue to be fired across gaza and the palestinian borders.
white phosphorus burns when it comes into contact with oxygen (at nearly 800°C or 1500°F. the human body can withstand ~50°C for reference.) the air you breathe in ignites and it is near impossible extinguish. it sticks to clothing and skin and is very difficult to remove because it will continue to ignite in air. it burns flesh up to the bone and even past the bone because it penetrates tissue and is absorbed VERY easily. if you inhale it it'll destroy your respiratory tract and lungs. it can cause failure in multiple organs including the liver, kidneys and heart. it is being released in one of the most densely populated places on earth.
the only way to treat someone exposed to white phosphorus is to submerge them in saline or water and to pick out the substance with forceps, and when you undress a wound the substance can re-ignite. this is just ONE weapon that is being used to kill palestinian people right now. palestine does not have access to medical care, humanitarian aid, power, or internet. their hospitals are being bombed. gaza is one of the most densely populated places in the world with over 50% of the population being children. many children are the sole survivors of their families. there are videos of children experiencing panic attacks and symptoms of ptsd. the fact that israel has committed war crimes in plain sight means that we can only imagine what will happen to the palestinians in complete darkness.
israel has and will continue to deny this. your interests and fandom will still be here, you will wake up tomorrow morning and see your friends and family, but an entire nation of people are being wiped off the map. being silent is being complacent. reblog, spread information, tell people in real life, attend protests, sign petitions, call your government offices, at the very least be angry and upset and horrified because once you become numb and indifferent and hopeless the oppressors will have already won.
what's happening right now is more than a genocide and once it becomes a part of history we'll wonder how the world let this happen. genocides have been part of all nations. just because it is far away does not mean you don't have to be concerned. the fact that YOUR governments and YOUR idols and the people around YOU are supporting the mass eradication of an entire group of people should scare you. it shouldn't make you feel anything less than sick and angry and disgusted. DO something about it, no matter how small you feel your voice is, because palestinians no longer have one.
[edit] links to some helpful reblogs: one & two
post on how you can help palestine
learn about palestine with this masterlist of info
+ a further reblog of mine
[edit 2] about palestinians "not having a voice" at the time i wrote this post internet connection was cut off entirely and even journalists weren't able to report for a period of time — that is all i meant by that. they of course have a voice and i never meant to undermine how people are risking their lives in gaza to get information out there and i apologise if thats what people took from it, it was not my intention but it is entirely my bad. please continue to spread information and updates from gaza as they come.
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moriaarts · 1 month ago
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Cody gets sit reps from all his former units. He will not admit it but Boil and Waxers are his favourite.
This took me so long but i loved making it so much. Are they in their 30s or their 50s that is up to you but i needed them old and in love and living their best life with Numa and with a cameo from Wooley.
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clown-creep · 7 months ago
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Collab with @cinnabon0 (check them out!) 😄✨
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buggbuzz · 1 year ago
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THERE IS NO WAY WE GOT INEFFABLE BUREAUCRACY THAT EASY AND THEN—AND THEN THEY JUST
OH MY GOD OH MY GOD IM NEVER GOING TO FUCKING RECOVER
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the-bi-space-ace · 2 months ago
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My partner had the cutest idea and I just have to share it with you.
Rex was so strict as a cadet. He tried hard to prove himself, stuck to the rules, made sure everything he did was in line with regulation.
However, a few command track clones took Rex under their wing: Cody, Wolffe, Fox, Bly, and Ponds. They knew Rex needed to relax a bit. He needed to have a bit of fun, not just stick to the regulations, so they kept trying to get Rex to play with them. Games like cards or more physical games like tag instead of having to run laps every time they did cardio.
Little baby cadet Rex was not having it. He was too nervous to step outside of the lines so they came up with an ingenious plan.
“It’s training, Rex!” Cody would say and he’d tilt his head to the side in suspicion.
“It looks like a card game.” Rex would throw back. Which is when one of the others would step in to say that it ‘tests your reaction time’ or ‘helps you strategize.’ He gave in, of course, and let them pull him away from responsibilities too many times to count.
He loosened up as he got older, realized that part of life is goofing off and having some fun. He didn’t have to be ‘perfect’ for them to still love him.
And imagine, down the line when Rex meets a trooper a lot like himself when he was younger. Someone who knows the regs front to back, can recite them without a second thought, and is tied at the hip with someone that would follow his lead anywhere. Someone who is still trying to prove himself and now wants to work extra hard in the 501st to be the best he can be.
Imagine the first time Rex strolls into the training gym and stops them in the middle of a spar and doesn’t like the way Echo’s back straightens like he’s about to get in trouble. Think about how he sighs and says:
“Boys, I think it’s time you got some more specialized training.” And Fives and Echo look at each other, confused but intrigued by what in the galaxy ‘specialized training’ even means. The only warning he gives is the same one he got from Cody as a cadet. “Don’t let me catch you.” before he takes off after them.
It’s tag. They’re playing tag. And it’s silly and a little stupid but by the time they’re done everyone is out of breath and they’re all half dead because their lungs are screaming at them but everyone is smiling and that’s really good enough for Rex.
He thinks of all the times a simple, silly game was called ‘training’ and he had to be tricked into it by people who love him and he knows he’ll do the same to make these two primarily Echo loosen up and get comfortable with their place in the 501st.
They have a lot to learn, but Rex knows they’ll make him proud. Whether or not they can win a game of tag- oh, wait, I’m sorry - whether or not they can win a ‘training exercise’ or a ‘spar’. They’ll get comfortable. And he’s sure there will be times they’ll make his life hell just like he did to everyone who helped him find his place.
It’s part of growing up and finding your people and figuring out who you are, your place in it all. Rex is more than happy to help.
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poorly-drawn-mdzs · 8 months ago
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Game night ruined.
[First] Prev <–-> Next
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vioyume · 11 months ago
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(Edit: Thanks to the people who informed me on what Leif's species is!)
Sat down and got to finally properly render these fuckers while also settling on how I should draw them. I actually did a tiny bit of research on their respective species, took a few elements here and there but nothing to drastically change them.
So as far as I'm aware, Leif is not a specific moth but plenty of blue and red moths will usually have the eye patterns on their wings and as well as have fluff on their bodies. Had fun with the posing and if you can guess where I referenced it then you get a cookie. Thought it was neat that the original concept was that he was suppose to dance.
Vi is obviously a honey bee, they're very well known to be fuzzy. I don't have much to say besides from that but if anyone doesn't know, only females have stingers.
Now Kabbu was really testing my patience, according to the wiki it states that is he is a rainbow scarab beetle. If that is wrong then too bad, those guys are gorgeous and it took me too long to figure how to balance the colors without burning my eyes. Its faint but noticeable, just so I can still be true to the game model, also I know it's not as visible here but I realize beetle wings are very pretty.
So what's the conclusion here? There needs to be a website dedicated to bug references so I can sit there and admire them all day.
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sforzesco · 6 months ago
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frequently what happens is I'll be drawing a comic and think, huh. I wonder what shoes a 14th/15th century cardinal would wear. I bet they had fancy rules about it, and the answer will be in a 500 page book about the early modern cardinal. I'll think, 'WELLLLLL since I'm already here, I'll check out this other chapter that sounds interesting,' and then I'll find out that the vatican is literally hazardous to your health, but from that point on I'll be locked in for the entire book. I'll start reading through all the citations while checking to see what else some of the contributors have written. the comic has been forgotten entirely because I need to know more about the hats.
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dragon-spaghetti · 3 months ago
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I do plan to render this but I actually love how the sketch turned out as well so here yous go 💖
Edit: rendered version 😌
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blueskittlesart · 2 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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ellie-ramune · 11 months ago
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What makes me so mad about the whole James Somerton situation is that he was constantly throwing a pity party for himself because he wasn’t making enough money from videos and struggling financially as a result. While I couldn’t donate I always felt super sorry for him because he said his content was being suppressed by youtube because it was about queerness and made by an openly gay man. When he was finally getting sponsorships and made his film studio, I was so happy for him. A gay content creator being successful is so cool to see. The fact that he was making tens of thousands of dollars while spewing that sob story to us is so fuckin infuriating. I should’ve listened to my guts when he made that shitty video on fandom and gay shipping, WHY DONT I TRUST MY INSTINCTS WHY???
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heyitslucky · 1 year ago
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This is a message to all the transgirls bullying me into following them because of this post
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please keep bullying me👉👈
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moongothic · 1 month ago
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So I rewatched the entirety of the Baroque Works saga for the first time in quite a few years, and before that I did also finaly watch MelonTeee's video essay about the East Blue Saga. And naturally I am now plagued with some Thoughts™
So in her essay (which you should go and watch if you haven't already, let's be real) MelonTeee discussed how one of East Blue's key themes was people's treasures, be it items, dreams and most importantly other people, and the way people are willing to sacrifice their lives or their own dreams to protect those who are dear to them. Rewatching Baroque Works Saga, the key, long running themes I picked up on were that of
Trust and betrayal (Laboon at the time being under the impression that his friends had betrayed him and left him to rot at Reverse Mountain; Whiskey Peak is all about backstabbing people; Little Garden was about Dorry and Broggy's friendship being too strong for either party to believe the other had betrayed them; Croc's trust issues in Alabasta being his ultimate downfall)
Friendship and unbreakable bonds (Laboon's new bonds with Luffy and co; Dorry and Broggy again; the comparison between Chopper trying to say goodbye to Luffy and co only to be denied vs Vivi's farewell)
What makes a country, a good ruler and if/when is overthrowing a ruler justified (Drum and Alabasta explore these together)
And perhaps most importantly, protecting that what is important to you. And that one in particular I feel like is the Alabasta arc's main theme on its own, as it comes up over and over again.
The Rebel Army wants to protect their country from their "corrupt king" by overthrowing him; the King wants to protect his people from needless bloodshed and tries to avoid combat; Vivi wants to protect her people but also her friends and can't find the strenght to beg them for help lest they get hurt on her behalf; Luffy wants to protect his friends and Vivi so they don't get killed by the likes of Crocodile. Protecting those you love is an important theme in this arc, it is the arc's very heart as the conflict is was born out of that love. And that's why it's so interesting to me how Crocodile's motif seems to be being a protector, a guardian. And I'm not just talking about the "Croc is based on Sobek the Egyptian crocodile headed protector god" and "Guardian of Alabasta"- if that was all then I'm not sure I'd even go as far as to call it a "motif" for him, but it comes back to haunt us again in Marineford with the ever legendary
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And that is just... curious. Because Crocodile as we know him is just Some Asshole with no weaknesses and nothing he cares about except for his own ambition. So being a protector being his motif, of all fucking people, is really interesting. Like, One Piece doesn't really do shallow villians, there's always a reason to why a character has become the way they have and why they're doing what they're doing.
Kaidou was raised in an environment where one justified the reason for their existence through strenght and combat alone.
Doflamingo hates the world and wants it to just fucking burn because he never let go of the entitlement of being a World Noble.
Lucci was brainwashed into becoming a warrior for absolute justice since he was a small child.
Arlong watched his people suffer from the oppression of humans first hand and that hatred consumed his heart.
Wapol was a spoiled nepobaby manchild who thought he should be allowed to do whatever the fuck he wanted because he's King.
Why the fuck is Crocodile the way he is. Why does he want to create a utopia, a military nation powerful enough to rival the WG itself. What has driven him to to strive for that goal. Why is being a protector his motif.
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East Blue explored the things you are willing to do and the lenghts you're willing to go for your "treasure", the ones you love and care about. And Alabasta is about protecting them; even if not called that explicitly, Alabasta is about protecting your treasure. On one hand, having the man with no treasure, nothing and no one he wants to protect, as the primary antagonist of the arc that about protecting your loved ones is a great juxtaposition. Like there is an argument to be made that the reason Crocodile lost is because he had nothing to lose, while everyone else in the arc had everything to lose in this conflict and thus couldn't afford it, as they'd be left with nothing. And, looking at Alabasta on its own, as a standalone arc, that does work. But when you look at One Piece as a whole, when you look at everything that came before and after, I can't help but to feel that can't be the case, can it? Surely Crocodile has something he did want to protect after all?
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sanchoyoscribbles · 3 months ago
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a few days late to zexal month, but I had to do a lil sketch for astral. I love his design, still one of the BEST ygo character designs. and hes just a very endearing character, his and yuma's relationship is one of my favs and his character growth is So Good. love u astral <3
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shortkinglogan · 21 days ago
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As fitting as Logan in a pickup sounds, I feel like he hates trucks.
The only road vehicles I remember seeing him drive, are bikes and jeeps (and the honda of course) and I feel like he hates most of the people that drive trucks. Those mfs who think they own the road and think traffic laws don't apply to them, blinding people with unnecessary brights on well lit roads.
Anyway if he DID own a truck, it'd be one of those old AF reliable ones (most likely a japanese brand) and NOT Ford, he's been around long enough to never get a vehicle from them, he doesn't trust them.
I may have read a fic where he bought a Ford pickup a while ago and the idea still bothers me.
Now if you excuse me I'm gonna go sketch Wade and Logan on a bike together because now I can't get it out of my head.
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sasaranurude · 7 months ago
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Okay. I've been playing Tokyo Debunker today, since the release happened to catch me on a day when all I'd planned to do was write fanfiction. I just finished reading the game story prologue (it was longer than expected!), so here's a review type post. If you're reading this post not having seen a single thing about this game: it's a story-based joseimuke gacha mobile game that just released globally today. It's about a girl who suddenly finds herself attending a magic school and mingling with elite, superhuman students known as ghouls. If you look in the tumblr tag for the game you'll see what appears to be a completely different game from 2019 or so: they retooled it completely midway through development, changing just about everything about it due to "escalating competition within the gaming industry."
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I'll talk about how this looks like a blatant twst clone at the end.
Starting with the positive: The story is charming. I enjoyed it thoroughly the entire time and am excited to read more. The mix between visual novel segments and motion comics was really nice--it broke things up and added a lot of oomph to the action or atmospheric scenes that visual novels generally lack. I like the art in the comic parts a lot. the live2d in the visual novel parts is... passable. Tone-wise, I think the story was a little bit all over the place and would like to see more of the horror that it opened on, but I didn't mind the comedic direction it went in either. The translation is completely seamless. The characters so far all have unique voices and are just super fun and cute. Of the ones who've had larger roles in the story so far, there's not a single one I dislike. It's all fully voiced in Japanese and the acting is solid. (I don't recognize any voices, and can't seem to find any seiyuu credits, so it seems they're not big names, but they deliver nonetheless.) Kaito in particular I found I was laughing at his lines a ton, both the voicing and the writing.
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He's looking for a girlfriend btw. Spreading the word.
The problem is like. The gameplay is the worst dark-pattern microtransaction-riddled bullshit I've ever seen. Hundred passive timers going at all times. Fifty different item-currencies. Trying to get you to spend absurd amounts of real world money at every turn. There's like five different indicators that take you to various real-money shop items that I don't know how to dismiss the indicator, I guess you just have to spend money, wtaf. Bajillion different interlocking systems mean you have zero sense of relative value of all the different item-currencies. I did over the course of the day get enough diamonds for one ten-pull, which I haven't used yet. Buying enough diamonds for a ten-pull costs a bit under $60 (presumably USD, but there's a chance the interface is automatically making that CAD for me--not gonna spend the money to check lmfao), with an SSR rate of 1%. BULLSHIIIIIT.
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There's like a goddamn thousand-word essay explaining the dozen different types of character upgrades and equippables and equippables for the equippables!! Bad! Bad game design! That's just overcomplicating bullshit to trick people into thinking they're doing something other than clicking button to make number go up! That is not gameplay!
In terms of the actual gameplay, there is none. The battle system is full auto. There might be teambuilding, but from what I've seen so far, most of that consists of hoping you pull good cards from gacha and then clicking button to make number go up. There's occasional rhythm segments but there's no original music, it's just remixes of public domain classical music lmao. I'd describe the rhythm gameplay as "at least more engaging than twisted wonderland's," which is not a high bar
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At least there's a cat in the rhythm bit.
And like, ok, I gotta remark on how derivative it is. Like I mentioned in my post earlier, this game is unabashedly aping twisted wonderland's setting and aesthetic. (That said, most of the stuff it steals from twst is magic school stuff that twst also basically stole from Harry Potter, so...?) However, it isn't exactly like twst: in this one, the characters say fuck a lot and bleed all over the place and do violence. Basically, the tone is a fair bit more adult than twst's kid-friendly vibe. (Not, like, adult adult, and I probably wouldn't even call it dark--it's still rated Teen lol. Just more adult than twst.)
Rather than just being students at magic school, the ghouls also go out into the mundane world to go on missions where they fight and investigate monsters and cryptids. Honestly, the magic school setting feels pretty tacked-on. The things that are enjoyable about this would've been just as enjoyable in about any other setting--you can tell this whole aspect was a late trend-chasing addition, lmao. So, yeah, it's blatantly copying twst to try to steal some players, but... Eh, I found myself not caring that much. Someone more (or less) into twst than me may find it grating.
Character-wise, eh, sure, yeah, they're a bit derivative in that aspect too, but it's a joseimuke game, the characters are always derivative. Thus far the writing & execution has been solid enough that I didn't care if they were tropey. If I were to compare it to something else, I'd say the relationship between the protagonist and the ghouls feels more like that of the sage and wizards in mahoyaku than anything from twst. There's some mystery in exactly what "ghouls" are and their place in this world that has me intrigued and wanting to know more about this setting and how each of the characters feels about it. I have a bad habit of getting my hopes up for stories that put big ideas on the table and then being disappointed when they don't follow through in a way that lives up to my expectations, though.
So, my final verdict: I kind of just hope someone uploads all the story segments right onto youtube so nobody has to deal with the dogshit predatory game to get the genuinely decent story lol. Give it a play just for the story if you have faith in your ability to resist dark patterns. Avoid at all costs if you know you're vulnerable to gacha, microtransactions, or timesinks.
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