#mascot’s

[kaban-bang]

[coffinwoodx]

ok so for those of you who don’t know, there’s this twitter account of a japanese local hero mascot named dentman who went viral recently due to this tweet

but yeah he saw the tweet. and his response went viral as well (which is how i found his account)

and he just has like. hourly posts reminding you to brush your teeth

oh and his rival? his name is mr. mutans. whenever dentman posts he makes a post of his own, ofc

but THAT’S NOT ALL. literally while making this post i found a THIRD ACCOUNT that’s all about taking your meds

safe to say i’m losing my mind

anyway the point of all this was that people are ALREADY beginning to draw them ship art 😭

and the reactions are everything

I CANT ADD ANY MORE IMAGES BUT TRUST ME THIS IS SO FUNNY

toxic one-sided dentman yaoi wasn’t on my 2024 bingo card but it DEFINITELY IS NOW!

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[hell0mega]

people are drawing Steamboat Willie Mickey doing all this crazy shit and whatnot, but you could always do that. you can do that now, with current Mickey, just fine. it's fanart and it's legally protected. hell you could take Disney-drawn Mickey and put a caption about unions or whatever on it and it would still be protected under free speech and sometimes even parody law.

what is special about public domain is that you can SELL him. you could take a screenshot and sell it on a tshirt. you can use him to advertise your plumbing business. people have already uploaded and monetized the original film.

you could always have Mickey say what you want, but now you can profit off it.

[timmurleyart]

Funny face flavors. 🍇🍋🍓🥝🫐🍊

[uwudonoodle]

Storytime: My brother Dave used to manage a Little Ceasars, and he hated it. So when my mom asked him what he wanted on his birthday cake, he jokingly said the Little Ceasars guy being stabbed with his own spear. My mom, who doesn't always get sarcasm, didn't even question it. She lovingly made him exactly what he asked for. It's my favorite cake ever.

Happy Ides of March to Ceasar getting stabbed!

[ltwilliammowett]

Ship's Cat Chiclet - the Mascot of the Mary A. Whalen (1938) a retired oil tanker, Brooklyn, New York

[callisteios]

Would you like to find out what you would be the god of? Take my new uqiz to find out

[sleepy-bebby]

[rueghost]

🎯

original design by @/jayrnski on twitter

[kosmical]

tears in my eyes kodaka wants to make danganronpa 4 so badly

[savagegood]

literally who is doing it like gritty, icône de l'extrême gauche américaine?

[evercelle]

recently watched link click s2... damb

[weirdly-specific-but-ok]

Uhm hello Mr. Mascot... I would just like to know the details of your kidnapping by the Good Omens fandom? And also was there ever a ransom?

OHOHO HELLO MAGGOT. THERE WAS NO RANSOM. I WAS ALONE AND NEW TO THE HELLSITE, AND HAD NO ONE WHO WOULD PAY THE RANSOM.

THE GOOD OMENS FANDOM KIDNAPPED ME AND THEN THEY BECAME MY NEW FAMILY. I LOVE THOSE CRAZY FUCKERS AND I WOULD KILL FOR THEM.

AS FOR THE DETAILS WELL... SOME OF IT IS ON MY PINNED POST? BUT ALSO IT WAS A HECK OF A LONG SAGA MAYBE I SHOULD MAKE A POST DESCRIBING IT FOR EVERYONE WHO WASN'T WITNESSING IT LIVE.

[shiftythrifting]

MORRIS