#map fantasy

[literary-illuminati]

2024 Book Review #2 – He Who Drowned the World by Shelley Parker-Chan

I’ve had this sitting on my bookshelf since it came out but, as so often happens, having it just laying around meant it faded to the background whenever I was deciding what to read next. Not the worst case of that (there’s a lovely of Cyteen that’s been sitting on my dresser and shaming me for at least a year now), but certainly long enough for me to regret it.

The story is a direct sequel to She Who Became The Sun, a low fantasy retelling of the fall of the Yuan Dynasty and the ascension of Zhu Yuanzhang to the imperial throne – though in this universe the ‘real’ Zhu Yuanzhang died a starving peasant child, and his sister assumed his identity and his destiny of greatness, willing to do anything and everything it takes to force the world into alignment with it. The book starts with her having lost her right hand, and only gets more emphatic about making her prove it from there.

Aside from Zhu, the narration’s split between several different points of view that fill out the struggle for the future of China. The book honestly does a better job with multiple POVs than the vast majority of epic fantasy I’ve read – every one is a thematic mirror of Zhu on one level or another, and every one has an arc dedicated to the book’s twin fascinations of what it means to be willing to do anything to achieve what you want on one hand, and gender nonconformity and queerness in an intensely patriarchal traditional society on the other.

The actual plot of the story is almost episodic – Zhu encounters some new obstacle on her way to victoriously marching to the Mongol capital at Dadu that can’t be defeated with the blunt force she has available, and she and some collection of the supporting cast goes on an insane adventure to snatch victory regardless. Then every so often there’s a cutaway to Wang Baoxiang (who, among all the other POVs, is easily the one that comes closest to deuteragonist status) scheming his way through imperial court politics in Dadu in his incredibly operatic and self-degrading scheme for revenge on his dead brother. The plots start affecting each other quite early, but I’m pretty sure it’s only in the last twenty pages or so that the two of them actually meet face to face (it is in fact a minor plot point that Wang can’t recognize Zhu when he sees her). It all manages to feel like it’s capturing a whole swathe of political intrigue beyond any one person’s understanding and feel fairly well plotted and cohesive as it comes together. Not that there aren’t plenty of points where you have to just run with it and not push back at what the book’s telling you but nowhere where it’s serious or blatant enough to actually be an issue.

I’m not sure it’s a complaint per se, but one thing that did take some adjusting to is just how, melodramatic I suppose? All the POVs in the book feel very profoundly and effusively, and also have absolutely zero awareness or understanding of their own emotions. This is particularly acute with Wang and Madame Zhang, but in every case there’s just a lot of characters being driven by emotions too large to be contained within them. It kind of feels like a musical, in that respect (but absolutely no other, to be clear).

Anyways, this is a book with absolutely massive amounts of Gender in it. With like, literally one exception, every POV is to some great extent defined by struggling against their position in the gender system of medieval China, and all the issues doing so their entire lives has left them with (Zhu is far and away the most healthy and well-adjusted about this.) Importantly, being oppressed and marginalized for being a woman/effeminate man/eunuch is in no way edifying or ennobling – it’s mostly left everyone involved deeply damaged and full of coping mechanisms that serve them poorly and everyone around them far worse. There’s basically no mention of even the idea of solidarity among the oppressed here – Madame Zhang tortures, mutilates and kills her own maids and her husbands’ consorts whenever necessary, Wang operatic revenge plot involves befriending and seducing a queer prince knowing it will get him killed in the end, Ouyang hates how effeminate his body is and deals with this by becoming a pathological misogynist – even Zhu doesn’t spare much to think about the cause of woman’s liberation beyond herself and her wife.Given the state of a lot of modern genre lit I honestly found this rather refreshing.

As both cause and consequence of the choice of POVs, the book has a rather interesting relationship with normative masculinity. There’s, as far as I can tell, exactly two examples of successful heroic/virtuous normative masculinity in the book – General Zhang and the Grand Councillor of the Yuan – and despite both being really incredibly competent and fearsome on the battlefield and legitimately selfless and honorable, both end up condemned as traitors to their respective lieges (both indolent, vicious, and generally contemptible men without anything in the way of redeeming features, themselves) and dying unpleasantly after being outmanoeuvred in court intrigue. Victory in the end goes not to those who are cherished by their society but the ones who are overlooked and brutalized by it but are willing and able to do whatever it takes and use anything and everything they can to claw their way to the top despite it.

Speaking of – the overriding throughline of the story is what it means to be willing to do anything to achieve your life’s ambition. Being willing to endure pain and suffering goes without saying, and while the book does put its leads through the physical ringer, that’s not really what it’s interested in. Are you willing to spend the lives of those who trust and rely upon you? Sacrifice those you love, or ask them to die for you? Betray those who have only ever shown you kindness? Are you willing to degrade and humiliate yourself, or lie and betray your own hard-won and precarious identity? And once you’ve done all that, and finally achieved your heart’s desire – well, are you really sure it was all worth it? Three cases out of four in the book, at least, ended up regretting it in the end.

This is a book that’s very concerned with sex and sexuality but, like, very nearly exclusively in offputting or unpleasant ways. There’s something like a dozen sex scenes (okay, ‘scenes with sex in them’ is probably the less misleading description. If you come looking for porn you’ll be disappointed) in the book and of them I believe exactly one that you could characterize as enthusiastically consensual and mutually enjoyable. Maybe three, if you count the incredibly toxic relationship which boils down to asking for help dong self-harm and it turns into a sadomasochist thing. Which never becomes/is never understood as sexual by the people engaging in it but describing it is definitely the closest the book gets to erotica. In any event, just somewhat surprising to see so much sex paired with so little romance, relative to most modern stuff I’ve read. Ties into how alienated literally everyone is from their bodies, I suppose.

Also I really don’t know enough about the historical memory of the early Ming dynasty to know whether all the stuff about how Zhu knows what it’s like to be nothing and how she’ll reorder the world to care for everyone is supposed to read as really darkly ironic or not.

[bloodlegacies]

Map!

Map of El-Lar, I intended to post it earlier, but Tumblr had a glitch and I couldn't do it. Here it is now. There are some islands further away that I will talk about or add later, and if you want, I can explain more about the locations and regions of houses and kingdoms. If you have any questions or doubts, feel free to send them to me.

[luxcarto]

Ancient realms of R'kassia, the lost continent!

[bloodraven55]

i’ve seen too many people arguing that marcille was already a full grown adult when she went to school at 35 despite literally all of the canon evidence indicating otherwise

[constantlyfalling]

Wait, which way do we go now?

[justgottafinishthischapter]

This came across my Facebook feed, felt I’d share it.

[yourfatherjustinmcelroy]

Rewatching the first few episodes of fhjy because i guess i have nothing better to do and the way you can see how kibblespilly was supposed to be a counter to riz is so fucking funny. Its all there from the very beginning- the attitude, the tactics, the way she interacts with the party and everything- this is supposed to be riz's counterpart to run against him for student body president and have a terrible battle of wits and barbs

But in a twist that is perhaps THE most befitting to her ideal story of running against the boy she chose to be her antagonist, the intrepid heroes just straight up not taking the bait resulting in her instead having to go toe to toe against her idealized perfect rival's aggressive near-flunkie unsubtle chaotic friend is SO FUNNY.

Like I know some people are disappointed we dont get the riz vs kipperlily presidential whatever, I know it doesnt make tons of sense in that specific narrative way. But the fucking hilarious meta that even this didnt go her way is so funny. Because instead of rogue sneaking and behind the shadows plays and spy vs spy shit, we have just outward schoolyard taunts and shit like kristen exploding and jumping over the school and the exact kind of play that baits kipperlily into rage every single time and its so fucking funny. Kristen runs naked through the school and does party stunts and is STILL BEATING HER. She even clearly constructed her party to mirror the bad kids perfectly and craft each of them their own nemesis/counterpart and for the most part it like kind of worked EXCEPT FOR HER.

It must drive her fucking crazy that her cute little plot of rogue vs rogue didnt pan out at fucking all despite ALL the signs pointing to that making the most sense. This was something she just couldnt predict, couldnt mastermind. She got up onto that metaphorical stage for a debate and instead was met with a clowning act. Its so funny. I love fantasy high. Nothing you could have done would have changed this, fourdogs. You never had any power at all.

[occidentalavian]

Full map of Exandria, 2024 update!

Map images and Wonderdraft file download [HERE]

Hi everyone! It's been about 4 years since my last map. In that time more of Exandria has revealed itself to us, and while it is still not a complete picture, we now have enough that I felt it was time to make an update.

The biggest change from my previous map is that I am no longer using the Elven Tower Cartography assets. This is because previously I installed them incorrectly, in a way that meant that people who downloaded the map file were unable to see the assets unless they installed it in the same weird way that I did. Rather than fixing this, I instead opted to use the default Wonderdraft assets, that way it can be viewed out of the box without having to download something else first!

As before, Tal'Dorei and Wildemount are the most accurate to official maps, and we also have an official map of at least one arrangement of the Shattered Teeth, which is re-created here. We have a portion of Marquet via the Oderan Wilds and Hellcatch Valley maps, but the rest, including all of Issylra is still mostly made up, based loosely on a very old and tiny map briefly shown on screen by Sam in episode 103 of Campaign 1! Naturally when any new maps come out, this map will (eventually) be updated to reflect them.

There are some locations that are new to this map as well, such as the Demithore Valley in Issylra from Campaign 3 and all the towns visited in The Re-Slayer's Take up to episode 10, these being Himblewood, Josgren's Hollow, Shoresight Isle, and the Hug Hive. Ta'Dorei has a few new towns, Mooren and Heldenfaire, which were mentioned in Tal'Dorei Campaign Setting Reborn, as well as a few unnamed village clusters, the Foramere and Vues'dal villages. For these and the Mornset Countryside I included some non-canonical paths connecting them to the main roadways. Also included in Mornset is Roch Mar, the village that Vox Moronica visited all the way back in Episode 12 of Campaign 1, before Critical Role even did separate numbering for one-shots and thus included this unrelated episode in the campaign. This town isn't officially confirmed to actually exist in Exandria, so consider it my headcanon and a paper town. Moving on to Wildemount, Vo Village got upgraded to proper town status, and I've also included Yardel from The Nine Eyes of Lucien, Ghostwall from The Tales of Exandria: The Bright Queen, and Galgarad from the Dark Star adventure on DnDBeyond!

I want to give a special thanks to Don Farland for his original fan map of Exandria, created all the way before the release of Explorer's Guide to Wildemount, upon which I originally based my map of the Shattered Teeth. Incidentally, I believe that this depiction of those islands was the basis upon which the official map by Andy Law is based upon. I would also like to thank Niko Vanhala for his fan-made maps of Marquet and Issylra, upon which I have loosely based my maps of those continents. And of course thank you to Andy Law and Deven Rue for the official cartography of Exandria!

[dunmeshistash]

Dungeon Meshi World Map

REGIONS (Descriptions taken from the Adventurer's Bible)

WESTERN CONTINENT

Description: Bears the most scars from the ancient war. It has many monsters and ruined dungeons, and although it's vast, there are surprisingly few habitable areas. Most of the inhabitants are sturdy, short-lived races and demihumans. Elven culture has had a strong influence here. Characters: Kabru and Kuro Places of Note: Utaya Dungeons of Note: The Utaya Dungeon, The Dragon's Lair

NORTHERN CENTRAL CONTINENT

Description: The continent that is home to the largest nation, ruled by the queen of the elves. The term "Western Elves" mostly indicates elves from this region. It's the safest area and life is easy here, but its shrinking population has dangerously weakened it. Characters: Mithrun (and the Canaries) Places of Note: Western Elves's Royal District, Canarie's Headquarters. Dungeons of Note: Central Watchtower

SOUTHERN CENTRAL CONTINENT

Description: The area with the second-largest elf nation. It has more inbound immigration than the Northern Central Continent and a rather disorganized atmosphere. While it's in an alliance with the Northern Central Continent, they really aren't on good terms. Characters: - Places of Note: - Dungeons of Note: -

EASTERN CONTINENT

Description: Home to the largest gnome nation. Once dwarfs and gnomes made up the majority of the inhabitants, but in recent years there has been an influx of short-lived races from the Northern Continent and Eastern Archipelago, and the population is growing rapidly. It's a melting pot where various cultures are jumbled together. Characters: Chilchuck Tims (Kahka Brud), Senshi (Izganda) Places of Note: Magic School, The Island/Melini, Kahka Brud, Izganda, Dozahk, Bonnario, Sadena Dungeons of Note: Island, Brud Dungeon Cluster, Budou Pit, Tower of Night Cries

NORTHERN CONTINENT

Description: A severely cold continent where over half of the land is covered in perpetual snow. The majority of the inhabitants are short-lived races, particularly tall-men, but the population isn't large to begin with. It has been strongly influenced by dwarf culture. Characters: Laios & Falin, Marcille Places of Note: - Dungeons of Note: -

EASTERN ARCHIPELAGO

Description: An area where short-lived races live. As a result of a pact, there has been no interference by long-lived races for a very long time. The effects of the ancient war are slight, and they have almost no trouble with monsters or dungeons, but there's constant strife among humans. Characters: (all from different Islands) Izutsumi, Shuro and his Retainers, Rinsha Fana (Not shown) Places of Note: Island of Wa Dungeons of Note: -

SOUTHERN CONTINENT

Description: Home to the largest dwarf city. Gnome and dwarf nations often build down rather than out, and the innermost layers are extraordinarily deep. War still erupts frequently, and there are never-ending disputes near the borders. Characters: - Places of Note: - Dungeons of Note: -

If you're interested I've found a post on pixiv with the map outlines and some more info (in japanese) (edit: translated here)

I'll make a post about the dungeon descriptions later (here) but here they are, there's a little more info about Kahka Brud dungeons on my last map post

1 The Island, 2 Budou Pit, 3 The Brud Dungeon Cluster, 4 The tower of Night Cries 5 The Utaya Dungeon 6 The Dragon's Lair 7 The Central Watchtower

Map Outline

[deathberi]

FINAL FANTASY VII REBIRTH (2024) ↳ Cloud + baby chocobos ⋋(•⌔•)⋌

[skyshroom]

Brennan Lee Mulligan knew from the moment he said that the vulture made eye contact with Kristen that there would be no force on earth strong enough to stop Ally Beardsley from heckling the vulture… Hell of an episode

[literary-illuminati]

Book Review 46 – The Spear Cuts Through Water by Simon Jimenez

Okay the month of August was essentially a write-off for...a lot of things, but non-web serial reading among them! Now trying to claw my way out of the pit and back on the horse. So, some high concept genre fic full of queer people and war crimes, just what the doctor ordered.

The Spear Cuts Through Water is the fantasy epic and love story of a pair of warriors – one a generally despised one-armed checkpoint guard, the other a positively reviled princeling – as they escort the moon goddess in her attempt to escape the prison her sons had trapped her within as they tyranize and empire that spans a continent. As told through a dream/vision of the Inverted Theater, where shades throughout time are called while they sleep to witness a performance put on by the favoured child of moon and sea. Intercut with the same tale as told through out POV’s grandmother, along with vignettes of his life as the son of a failing cloth merchant centuries in the future as the world goes through its equivalent of WW1. All this metaness and layering is either the book’s strongest point or it will make your eyes roll back into your skull so, you know, make an informed choice here.

Being entirely honest I don’t remember exactly how this book ended up on my radar – I believe I was first pointed towards after I expressed some dissatisfaction with this year’s Hugo nominees as something that would have been a more deserving inclusion on the short list. Certainly I’d never heard Jimenez’s name before picking it up. Entirely happy I did, anyway – whoever first rec’d it yes, this does deserve a Hugo nod way more than some of the other nominations.

The plot itself is quite well done, but absent any of the stylistic flourish wouldn’t really have been anything that memorable. The layered framing devices – and the way that they intrude on the narrative in a hundred different ways, switching from depicting the action to saying how it was staged and presented or how the narrator heard the tale told – are really just fantastically well done, enough that even when it got all meta and self-referential I was still enjoying it more than enough to just go with it.

Not that our heroes aren’t fun in their own right. They’re both at times profoundly unlikable, and other times utter idiots, and always totally and completely incapable of intelligibly expressing their feelings. It’s great, love them. Even if on occasion I also wanted to throw rocks at them. The main supporting cast – or at least Defect the tortoise and the moon/empress herself – are even better, really.

Though as far as characterization goes its the extras where the book really shines. It has a trick I really, really like where little snippets of the internal monologue or history of some fellow traveller on the road or sentry being gutter from behind are interspersed into the action in italics like this. Diegetically this would be the chorus in the theatrical performance, but regardless it does a shocking amount to make the world feel like it’s full of actual people and not just mannequins forming a backdrop for the characters who matter.

The book fits into the honourable tradition of modern SFF with cool-eyed and unsentimental portrayals of feudalism/imperialism, war crimes and general oppression (including in this case very plot-relevant and character-informing ableism) but only a vague and attenuated sort of 21st century homophobia, if that. Like all modern queer genrefic it’s also at least kind of in conversation with the looming shadow of Burying Your Gays, with a bait and switch tragic heroic sacrifice that seemed very conscious and pointed.

The framing devices lend themselves well to the book being written in a kind of mythic register, which I very much enjoyed. The epilogue felt like an intrusion of history on mythology, and I do mean that as a compliment, full of messiness and ambiguity and short on heroes and golden ages or utopias. Overall very much enjoyed the book, perfect reading for being stuck in a waiting room for a passport renewal.

[floweroflaurelin]

Behold, my hand-drawn map of Empires Season 2!! This was my first time trying to make something like this and I’m so happy with how it turned out!!! I spent dozens of hours hand drawing every part of it and it was so worth the effort 😁 All the empires’ names are lettered by hand and each Empire has both a stained-glass token of an iconic build and a Spawn-inspired tower to represent it 🤩✨👑

It’s also HUGE! I had to start exporting parts individually and reassembling the map on my computer because it got too big for my iPad 😆 I wanted to it to be big enough to get a high quality print for my wall — I can’t wait for it to arrive! If you’re interested in getting one it’s up on my print shop here with 15% off and a variety of sizes to choose from!

I’m gonna reblog it soon with a whole bunch of closeups because I packed so much detail and love into this one <333 Let me know what you think!!

[luxcarto]

Journey to our Sunny Peninsula! 🌞🌿

[thecrazyworldbuilder]

A tutorial on a (bit cheating) way of creating fictional maps.

Open your editing software (RECOMMENDING Krita, since it's free and it's very good).

Step 1: Google "X country silhouette" and copy it.

Paste it onto the canvas.

Step 2: Separate the silhouette from the background you copied with it! You can do that by using magic wand selection tool or by making a gradient map with black on 49,9% and transparent on 50% on the slider.

Step 3: Repeat several times with numerous countries and/or islands, cities, municipalities, communes, continents et cetera.

Step 4: Combine, mesh, stretch, rotate, mirror - go ham, make it work.

Step 5: Erase and add.

Step 6: Have your map outline ready, copy/paste it several times in the same doc on different layers and edit in different ways like biomes, kingdoms, mountains and other.

Step Mountains+: To figure out mountains, make another layer on the doc and do something like this:

-and then in every polygon you add an arrow.

Where arrows meet or transfer onto continents, add mountains.

Color the sea with a couple layers of depth and you're done :D

[mapsontheweb]

The Alps, hand-drawn by myself in Tolkien's style.

by NACHODYNAMYTE