#manga spoilers sorry lol

[st4rm41d]

[enderscribbles]

Dunmeshi request, Chilchuck and Marcille interacting? 🥺 Or standing next to each other that works too. Could be hugging, or sharing a meal/food, or…

Got a bit out of hand with the prompt XD I ended up doing a scene inspired by this fic! Based on that time Marcille Izutsumi and Chilchuck were sharing a bed in chapter 47. It felt very memorable so I tried to recreate it but I kind of went offscript because I was basing it on my recollection of the fic lmao

^Obsessed with this guy and how he lets Izutsumi use him like a hot water bottle bc it's comfier.

I think he'd hardly ever act this soft + tolerant of physical affection unless it's situations like this: When the others are too sleepy to remember it LOL

[vero-niche]

who lives who dies who tells your story

[tiiramisu-cake]

probably the first time we see megumi laugh like this in a long long while —so freely, without a worry, just a joyous boom of mirth— after literally going through hell and back... and of course it's gojo who makes him laugh.

[superanimepirate]

Wait ok. So. In episode 3 of the live action, Nami and Luffy had their rich people discussion, right? But Luffy said he felt bad for Kaya, and wondered if she was lonely.

Do y'all think he was thinking of Sabo? His brother who was a rich noble who ran away from his abusive family and was lonely?

Because I was thinking of Sabo.

[cascadena]

The ending of TotK was soooo good… I had to draw my own zelink version…

[oh-katsuki]

cw:  jjk manga spoilers, fluff

satoru bounces a baby on his knee. his baby. he holds her under the arms, smiling down at the precious girl as she giggles incoherently each time his heel finds contact with the floor again. you can see where his hands meet your child’s under arms, holding her steady as he takes her from knee to knee. 

you don’t think satoru knows you’re watching. it’s not because of anything in particular that he’s doing, but you don’t think he’s realized yet that you’re looking. satoru’s smiling like there’s no one else in the world. his grin shakes slightly with his nerves, like he’ll never quite get used to being a father. his eyebrows, knit together in the center with his adoration and his worries, betray an unfamiliar sense of parental nerves, like satoru can’t quite comprehend how he could love something so little as much as he does. 

you can hear him talk in a low voice to his daughter as she steadily grows sleepier. she’s tuckered out, tired from giggling so much and the cry she had earlier about something that startled her. satoru though, continues to mumble in a quite voice as he leans her forward and places her head on his chest. 

he sits back in the chair so that she’ll be more comfortable, mumbling while the precious little thing dozes off against him. you can’t make out what he’s saying, but you can briefly see the way his lips form around the word for love and then, the way they form repeatedly around the name of your daughter. it looks like he’s repeating it, just saying it softly to her as she’s lulled into a sleepy babble by the rise and fall of his chest. 

it’s interesting to see satoru like this, so gentle with affection. satoru, as a person, is deceptively confident but there’s an incredible and unavoidable vulnerability in venturing into parenthood for the first time together. despite that, despite the vulnerability that you know he struggles with, he’s been so good about it. satoru takes the initiative when you seem too exhausted to get up from bed in the dead of night, lulling your child to sleep with hushed whispers or little hums. he steels his nerves when you feel your yours might crush you. still, this vulnerability is both foreign and special. 

“hey,” you walk up to him, “she get sleepy?” 

satoru nods a little, briefly glancing up at you and then back down to the face of his daughter, whose little mouth has fallen open. 

“look,” he whispers, pulling you by the wrist around to the other side of the chair and having your crouch in front of your daughter’s face. “she’s drooling.” 

he says it with so much awe that you’d think he said she was glowing. 

you tilt your head and see that he’s right. at the corner of your child’s mouth, a small sheen of spit begins to seep into satoru’s t-shirt. you find yourself laughing, looking fondly at the little mess she’s creating. 

she looks like her dad. it’s undeniable. though she has your hair and eye color, your daughter’s features are so like her father’s. her eyes are the same shape and her nose, though slightly upturned with how little she is, is his. you can see him in her. even in sleep, her expression is much like satoru’s. even her personality, which has begun to shine through the senseless baby babbling, reminds you of satoru and you can only imagine the trouble they’ll get into when she’s old enough to walk and talk. in your head, you apologize to nanami for duplicating satoru into female form. though you’re sure that wherever he’s watching from, he’s forgiven you both. 

“haha, gross,” satoru adds, his chest jostling the baby who is now dead to the world. 

“satoru,” you chide, furrowing your brows at him. 

he only turns to you and shrugs a little bit, his cheeks pink with a flush like he’s just realized again that he’s a dad and that this child is half of him. you smile at him a little, reaching up to touch the soft hair at your daughter’s temple. she’s so little. she is so small that you find yourself aching and it seems that satoru feels it too, taking a shaky breath in and then exhaling. 

--- 

the windows in the car are down. suguru is driving, shoko is in the front seat. the music from the front comes blaring through the speakers, making its way in steady pulses to the back of the car where you and satoru sit. you can’t hear what shoko and suguru are saying and they can’t hear what you and satoru or saying. 

you can feel the steady whip of the wind on your face as suguru speeds down the near empty highway and into a tunnel lit with glowing yellow-orange lights. the sound of it changes when you go in, air taking on a hollow tone that feels thick against the inside of your ears. it thunders, threatening to drown out the music in a sound you attribute solely to nights like these. 

you don’t particularly know where suguru is driving to. he’s just driving and the three of you are happy to tag along. 

you stick your head out of the car window, feeling the way your hair shifts across your forehead and smiling into the push of air against your cheeks. in the sideview mirror, you can see suguru, whose face lights up with a content smile as he spots you in it. 

satoru is beside you, his black sunglasses hanging low on the bridge of his nose and his arm positioned out of the car window beside him. his hand rests evenly across your thigh, possessive and present. 

this memory is a precious one. before suguru defected, before satoru met toji fushiguro. you and satoru were both more finicky back then, afraid of the commitment that comes with being in love but too prideful to give up entirely on the feelings you had for each other. 

satoru leans over toward the middle seat and the motion beckons you closer. you pull your head from the window, leaning in as well to hear what he’s saying over the sound of the air rushing past the car windows and the music. 

“do you-” a rush of air steals the middle of the sound. “-ids?” 

“huh?” you call, leaning in closer and scrunching your face up. 

“i asked if you think you’ll ever have kids,” satoru clarifies, calling a little louder so that you can hear. 

you jerk your head to look at him, furrowing your eyebrows. he looks oddly inquisitive, like the energy of the night as brought out some hidden vulnerability in him.

“the hell are you asking me that right now for?” you laugh a little. 

satoru shrugs, leaning close by your ear. 

“i’m just wondering,” he smiles a little, lopsided and dangerously confident in the way satoru was then, like he’s wearing a mask. 

you think on it for a moment before shaking your head. “i don’t know! probably not! depends if i live that long, i guess.” 

you laugh off the bleakness of the statement and satoru nods, rolling his eyes. you see the flash of blue as he does over the rim of his glasses and jostle him a little with your arm in response. 

he starts to lean back towards the window, but you catch him before he can. 

“what about you?”

satoru looks at you for a moment, his face unreadable. you can see his eyes over the rim of his glasses, turning over the possibility and responsibility of children. he thinks on it, before his lips quirk up into a little smile. whatever expression of thought he wore before fades away as it shifts into one of smooth confidence. 

“nah,” he breathes, sinking deeper into the seat and tilting his head up, “never.” 

then, he reaches over and takes your hand in his, turning his head to look back of the window again. satoru’s fingers interlace with yours and he offers them one little squeeze without turning to look at you. briefly, you wonder about what he’s thinking in the seat beside you. you wonder if he’s thinking about the future, about one with you, despite his reluctance to admit real feelings for you at this point. 

you turn away, still gripping his hand, back toward the air whipping past the car window. you feel it on your forehead and on your arms, raising goosebumps. the music, blares from the speakers, flooding the back from the front seat of the car where shoko and suguru sit oblivious. the world in the front of the car is separate from the one in the back. for now, you and satoru exist in a bubble. maybe you always have. 

--- 

“she’s so beautiful,” he mutter, running his finger down the bridge of her little nose. 

“she looks like you,” you say softly, crouching beside him. 

satoru turns to you, eyebrows raised like he’s shocked to hear it. 

“you think?” 

“mhm,” you hum, nodding your head a little. 

satoru’s face flushes and you see the way his chest catches a little as he looks back down at the baby perched on his chest. then, she rouses, woken up but the disruption in satoru’s breathing. 

she blinks sleep away, bleary and tired, and satoru immediately croons at her. he tilts his head gently as she rolls hers over his chest to look at him, leaving behind the little wet spot where she’d previously been drooling. 

she hasn’t been asleep long, only a few minutes, and you suspect from her face that she’ll go back to sleep soon, maybe in 20 minutes and probably in the same position she was in before. 

satoru reaches up to touch the wisps of hair by her ear. 

“hey,” he says lightly, “you drool when you sleep, did you know?” 

your daughter just blinks at him, listening to his voice but not registering what he’s said. she babbles sleepily and turns to look at you, peering at you with satoru’s eyes had he not been born with the six eyes. 

“do you want to go to bed?” he asks her, shifting his arm under her to stand up from the loveseat he’s in, “i bet you do, let’s go to bed.” 

you watch as he gathers her into his arms and lets her little head rest on his collarbone. satoru mumbles to her the entire walk to her room, saying little things without much meaning as the child begins to doze off again on his shoulder. 

you watch him walk away, smiling when he tosses you an elated but slightly nervous expression that he’s been wearing often lately. 

his soft voice recedes and you think briefly about his answer in the car that night when the music was playing loud and the air against the car windows thundered as you sped through the tunnel. it’s hard to believe that you are the same people you were then. it’s hard to have thought to guess where you’d end up or who you would both become. the things about you that never changed and the things that could have never stayed the same. still, you think about his answer then—a lie now—and thank the universe for the afterglow.

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane

[beaulesbian]

One Piece ep. 985 + 986 || Luffy & Zoro + creating a havoc on Onigashima

[niinnyu]

Here's why I think jjk 261 is bad writing and wasted potential.

I've tried to separate more objective stuff and my opinions so I've made them into separate sections.

1. Jjk 260: I've already stated my issues with how jjk 260 ended and this applies tenfold now with this chapter. Buildup to sidestep to something completely different nullifies your buildup and is jarring to read. You also cannot blame villains in the story for undermining a character if you, as the author, keep doing it.

2. Okkotsu Yuuta's character: Yuuta's plan and willingness to use Gojo's body if he dies feels incredibly ooc and very uncompelling.

Yuuta is one of the few characters who's been able to see glimpses of the slightly more human side of Gojo "The Strongest" Satoru (he was my one and only/love is the most twisted curse of all). He has *just* seen the catastrophic consequences of a body used by someone else as a weapon. He was willing to go against a villain purely so that Gojo wouldn't have to.

You're telling me the same Yuuta was that ready to use his sensei's body and brought to anger when someone questioned the ethics of it?

Yuuta saying 'if no one else has the guts to then I will' means nothing becauseif his idea of becoming a monster includes using Gojo's body then he is the only one who can do it. All while implying cowardice of the others for "not having the guts to do so" (while being in Maki's presence and with Yuuji's absence, both of whom have been not self described as monsters).

Yes this is him stepping up to the task of being the strongest. But it doesn't feel like the big sacrifice of his humanity he says he doesn't care it being, if he's okay with it the moment the possibility of having to do so comes into light.

It just comes off as cocky and inhumane. And if that *is* Yuuta's character now, show me reason to believe this shift in personality in him specifically.

Also if Yuuta gets so mad at Gojo for being the "monster alone", why is his solution to do exactly that.

The easiest way to have the same events play out, but keep characters intact and have it be much more compelling would be:

Yuuta is presented with the plan of using Gojo's body. Have Meimei or Kusakabe, who've never really interacted with Gojo in any meaningful way to see him as more than his power, bring it up. Or maybe while brainstorming with everyone he comes to theconclusion himself with a lot of dread.

Yuuta immediately rejects the plan because he wouldn't do that to his sensei. Him having to throw his humanity away isn't his issue. He won't allow something like this happen again. And especially not to Gojo whom this was used against firsthand. He plans to kill Kenjaku himself.

Yuuta is reminded that if push comes to shove they still might have to if Sukuna continues to pose a large threat, but since he's the only one who can, it'll finally be only his decision. A panel of internal dialogue shows that Yuuta knows this is true.

Yuuta gets the formality "permission" from Gojo. Gojo says "who cares what happens to my body once I'm dead" and Yuuta *then* gets angry because Gojo of all people knows that he should care. Yuuta notices how Gojo also sees himself only as a weapon for others and calls him out on taking the burden all by himself (being a monster alone).

Fast forward to when Yuuta is dying and being kept alive by Shoko, Nitta, and Amai, Yuuta knows that Sukuna is still going strong and he has no choice but to use Kenjaku's CT against all his hopes because he knows he needs to.

Not only does this align with Yuuta's character a bit more, as someone who cares a lot for the people in his life including Gojo, and abides by his concern people at large, it also gives us a moment to see how heavy an ask it is of Yuuta, and forces the reader to be much more sympathetic of the choice he's had to make. How he'd rather not have done this and only went through because he's desperate.

3. Gojo's influence: This chapter essentially disregards any influence Gojo has had thoughout the story outside of having physical.

The main reason he'd not killed the higher ups waaay before now was because he knew the people who'd take their place would continue to pull the same shit.

Gojo ideology and the reason he went into teaching was to bring about a new generation of sorcerors who would know better. To dismantle the system that doesn't see sorcerors as more than dispensable tools for their power balance purposes, from the inside out.

I've seen people talk about how this ending for Gojo is significant because he isn't an exception to the cruel jujutsu system. Yes! True! He's been facing that his whole life! And that is exactly what he'd hoped to change through his students!

Yuuta using Gojo's body for his power feels like something the higher ups would not think twice about ordering. This was the perfect opportunity to show that the kids Gojo brought up *despite* this system are better than what the higher ups were.

And although throughout his life he too was not exempt as a jujutsu sorceror of being seen as solely his power (he'd also never allow anyone to see him otherwise). He sees, right at the end, these kids that he's helped train, and grow, and keep alive, know just a little better. Know *of* the human behind the power even if they don't *know* him.

OR! If you wanna stay grim about it, show that Gojo failed in this endevour. That the system still continues. Yuuta has made himself a weapon that is used because of his CT and Rika. That Yuuji has only ever been seen as a vessel, he'l he was created solely as one. That Yuuta goes to great lengths to keep his friends safe and Yuuji does so because he's already (kinda) lost them. Show that *they* still hold onto the parts that make them more than tools even if the system still doesn't.

And acknowledge the failure that it is on his part.

Because with this chapter Gojo, even just narratively, continues to be just a weapon.

Below the cut are my pretty coloured opinions about the chapter.

1. Payoff followed by setup and why Shibuya is still some of Gege's best writing: (ended up being long and not specific to this chapter so I'll make it it's own post lol)

2. Okkotsu Yuuta: I am frankly tired by the amount of importance Yuuta has been getting since the culling games ended. The only real narrative significance he has is being a student of and related to Gojo and the previous protagonist. He has no arc, no narrative weight, no personal stakes that other don't have.

He was an interesting character back when he was first reintroduced into the main story. As an unbiased executioner who would be there to kill Yuuji if Sukuna took over, both a threat but also an ally until then. The framing also made him more of a threat against Yuuji than a threat against Sukuna. Interesting!

He also has no personal conflict with the villains. The closest he got was wanting to kill Kenjaku because 'he won't let his sensei kill his Best Friend again', which is personal once removed since it's more for Gojo. Which was also a nullified sentiment because Gojo died before facing Kenjaku anyway.

He is just an overpowered character with no developmental backing. I still won't believe that Yuuta using Gojo's body is stronger than Gojo, because it is still Gojo who had had to condition and train his body to be able to handle the power he wielded. Yuuta has had a lot of groundwork already done for him in Gojo's body so even if he's able to do more damage than Gojo, it's still only because he's standing on Gojo's shoulders. People talking about "are you Gojo Satoru because you're the strongest or you the the strongest because you're Gojo Satoru" will be answered here need to remember this.

And since when has either of them cared about the Gojo clan looking bad to mention this lmaao what?

3. Kenjaku's relevance: Yuuta copying Kenjaku's CT being such a flippant discussion made me so mad lol. Your telling me they were seeing killing Kenjaku as a minor stepping stone to a bigger plan. When Kenjaku has been alive for yeaaarrrs on end pulling who knows what all shit that got all these balls rolling in the first place?

I know it easy to do in retrospect with Kenjaku already dead in current time and Sukuna being the current threat. But that's just undermining the threat Kenjaku posed and the "victory" that killing them was (even as anticlimactic as it was).

Seems like Gege had to do his best to brush off Kenjaku since they was proving to be a much more interesting villain than the Big Bad Sukuna, but man way to make your own rather well written character feel lame.

4. Gojo killing the higher ups: While the panels of Gojo wanting to shield his students from the bloodshed he was about to cause was sweet, I still wish the second years had siccesfully forced themselves in and joined him. It's another place where they could've shown Gojo fostering a generation that follows through with his ideology and plans because they get how messed up the system is.

When the higher ups were initially shown to be killed before Gojo vs Sukuna, the chapter had Inumaki and Yuuta talking in the hallways of the higher ups' hq. The implication that they'd also done it in the month of preparation made it feel like everyone was joining in and getting shit done. Yes it's satisfying knowing that Gojo got to go through with something he's wanted to do for a long time, but almost everyone has the same beef with the higher ups. Give everyone or a representation of everyone a slice of the action.

5: Shoko hate: Completely unfounded. People expecting her to suddenly have so much more agency than Gege has ever given her just because they're sad about their fav is stupid. And if you need to be angry direct it at Gege's writing that chose to use her opinion for comedic purposes.

Also question why you care about her ability to do something only when it comes to your fav male characters are facing difficult situations. Remind yourself she's the only overworked bloody doctor/ healer assisted by only a 15/16 yo underskilled underprepared child (Nitta) in a society that is still facing the effects of Shibuya. Also go away stop pretending you care.

I have more issues but whatever. Jjk fans who's favs are dead and never mentioned again be glad!! They're safe!!

[mettywiththenotes]

I like to think his fanbase is half men who admire him and want to be like him in a good way and half toxic masculinity dudebros

The latter are gonna shit themselves when they learn that Kirishima couldn't help anyone back then and that Mina was the one who saved people even though she was scared. Imagine he gives a big shoutout to Mina and finishes with a big "Women can be manly too! Any gender can!" (similar to Crimson Riot's video)

[ddenji]

okay i think this is about to be an unpopular opinion but…. these two are like 2 sides of the same coin to me. beyond the shared public safety allegiance, they both violate denji's autonomy (yoshida stripping him to his underwear, tying him up, and threating his family in chapter 132 vs fumiko assaulting him in the movie theater in chapter 136) and work against his own best interest for the sake of the government. however, while they both take action in trying to force denji to do what they want, fumiko takes a more directly active role in the space of the fanatic who can't see/ doesnt care about the human behind her idol, whereas yoshida takes the more passive role of the government drone who wont act to protect the human if it means going against orders. in previous chapters, fumiko actively runs away from denji, leaving him to fight for himself, while yoshida passively tells denji that he isnt allowed to protect himself, putting him in harms way in his own right (and there is still the underlying threat of violence there if he tries to protect himself). even in the panels from this chapter, we see fumiko being active about her disregard for denji's well being by asking for little pieces of him, where yoshida is more passive in his disregard of the plan to dismember denji with a simple "yeah" answer. i know that they also have their differences, but i just think that they share intentional similarities (that other characters, particularly in the chainsaw man church, also share!!) that overall lead to denji getting hurt.

[shibaraki]

what was the thought process behind electing the 23 year old as new head of the HSPC I have to know. did every other competent person in japan simply vanish into thin air? hawks should be at the club !!!!!

[athina-blaine]

man the griffin soup chapter and the changeling chapter really just happened to fall into the same episode bracket huh ...

[raamitsu]

re-reading one piece 1117 and the way Oda sensei was still trying to leave out vagueness is insane to me like WHAT THE HECK WERE THE OTHER ALPHABETS AFTER "MO" !!???

according to the additional note below the iron giant robot, the word "mo" could be implied as "also" in the context above.

interestingly, l tried to look up at the particle for other definitions so I would like to think that Vegapunk was about to quote a "subject" (could be a person or something else) as an additional information that might had possibly be an extra valuable piece of history to the bearers of D before his words cut off.

if we follow through, it will sound like this: "I have one last message I wish to impart. It is for those of you who are scattered all across the world... those of you who carry the letter "D" in your name. Among you there is... also- [buzzzzzz]"

now I wonder what else he wanted to unveil like- what is it about the people who carry the will of "D" and what else about them that took the Five Elders such a struggling length to put an end to his message that could possibly shook the world. in the next chapter, we wait.

[ywpd-translations]

Ride 742: Sudden death match!!

Pag 1

1: Woah, Danchiku, oh-

And Sugimoto-san too!?

2: They passed us so quickly!! Such high pace!!

Huh!?

They're doing some sort of serious race!?

3: I get it

4: I can feel it

5: This guy....!!

Pag 2

1: He's not giving up at all!!

Pag 3

3: Earlier, at the line, I thought I had won this race

I thought he was far behind me and would cross the line with his head hanging down

4: And yet....

Pag 4

1: He caught up to me....!!

2: The preliminary of this race was already done on the “second day”!!

3: That time, the result

5: was a draw!!

6: So it would be better to have a more precise result, wouldn't it

We'll decide it with this lap!! The rules are simple: the starting point line is 4km from here, the one who crosses it first wins!!

7: And then the loser shouldn't “surpass” the winner anymore!! Sugimoto-san!!

Pag 5

1: Imaizumi-san too!!

2: …. yeah

It's better to make it clear with a proper race like this

3: So you have no regrets....!!

4: Let's go!!

5: Crush him, Danchiku!!

Pag 6

2: At the same time....!!

Ah.... “at the same time” again!?

3: Seriously!?

Are you being for real, Sadatoki!?

Pag 7

1: You're just seeing things as you wish they were,since he's your brother!!

Oon!! No that's not it, on!!

It's true, Kaburagi, I saw it too

2: They arrived at the same time, Sugimoto stretched at the last moment

3: Kawada!!

It's “san”!!

4: Are you an accomplice too!!

What are you talkin abut

5: A- amazing, Sugimoto-kun

6: Amazing!!

Pag 8

1: “Amazing”, huh, Onoda

2: Imaizumi-kun....

Pfui

3: You thought Sugimoto would win? ….This race

Huh

4: You didn't think he would, that's why when we heard the results you could say “amazing”

Ah!!

5: I'm- I'm sorry Sugimoto-kun!! I didn't believe in you, even though you worked so hard....!!

Who are you yelling at

6: Me too

Pag 9

2: During these past four days.... Sugimoto worked hard, but, after their race on the second day and after seeing how remarkably stronger Danchiku has gotten

3: When they decided to do another race, I thought Sugimoto would definitely lose

4: Then, when the time came

5: If you lose, you feel better if you gave it your all, so

6: “So you have no regrets”

7: I said that

But

8: He turned it around

Sugimoto really is amazing

Pag 10

1: Even with no one believing in him, with only his own strength, he snatched a “draw” against Danchiku!!

Pag 11

1: Keep going!! Let's keep going with the race, Danchiku!!

2: Even though he's having such an hard time, he's still following me!!

3: Since earlier I've increased the pace many times

4: Garuaaa

Even if I tear him off

Pag 12

1: Every time

2: While saying

3: “Kuaa kuaa”

“Kuaa kuaa”

5: Kuaaa-

6: Kuaaaaaaa

He catches up to me

Pag 13

2: You keep following me....

3: No....

4: You're the one who said “please follow me”, Danchiku

Pag 14

1: Garuaaa!!

2: Ahhhh

Don't make fun of me, there's no way!!

3: Aaaaaaaa

4: Hiigaruaaaa!!

There's no way I'll lose!!

Pag 15

1: To Sugimoto-san!!

4: I was careless – I was careless and that's why he caught up to me!! The second time too!!

I won't be careless this time!!

Pag 16

1: Ill take a plunge firmly, throw my handles, and cross the line

2: At full throttle!!

The last curve!!

3: He's not following me anymore!! He's....

Pag 17

1: He's here!!

Cough cough

2: Kuaaaa

We're entering the final sprint!!

3: Dammit, this guy is gonna stretch from here!!

4: Hiigaruaaaaa!!

Take a plunge!!

5: Take a plunge!!

Pag 18

1: Throw your handles!!

Pag 19

1: Wooooah!!

No... wait, even now....

2: It's a draw!!

Ya!!

On!!

Woah

3: Dammit, what happened, Danchiku what are you doin!!

You should be much stronger..... should....

Pag 20

1: Don't tell me.... that Sugimoto-san.... is strong too!?

2: You.... you mean it's a draw for the third time!!

How long will they keep going, at this pace it won't ever end!!

3: …. no

5: It's a shame, but there's no time left...

6: This lap is the last