#making parallels actually parallel for once

[thechthonicherbalist]

Lestat really deserved this after all the hurt Louis inflicted on him. Even if it was because Louis was lied to and manipulated by Armand. Of course the hurt between those two became monstrous. Of course they wronged each other. But why? Because Louis thought it was so bad of Lestat to try and protect him of Armand... All of these characters are very complex, with great depths and dark and light sides to themselves in their very unique ways. I have loved these books for over 15 years and I slowly come to love the series, in a very specific and kind of critical way. Both independent and intertwined with the books, now that I have started to re-read them from the beginning with my friend and the parallels become clearer again, I am mind-blown actually.

My babies will always be Lestat and Nicki, who have suffered such a tremendous loss, that is most relatable to me and many more things. I have another favourite I will not mention out of respect for someone's feelings. There is so much I have to say on these two. How I relate to Nicki's mental health and passion. How I relate to their childhood trauma. How I was created to be like Nicki and all my life worked to be like Lestat, how Lestat is indeed my light, the one that made me hold on in darkest times and reminded me... infused that taste of immortality into my existence... abandons my senses when I fall apart and get licked by the flames and torn apart and into madness by... ah well. And such mixed feelings on Louis... I love him, understand him and grieve him and resent him through the lense of Lestat. He's both relatable and makes me want to say "No, how could you?? Are you blind?? He loves you. He fought for you and you fought him with your anger, your vengefulness. You suffered and so you wanted to make him suffer with you... he deserves better than that, but please just be gentle and nice now, Louis. Lestat has set his heart on you, you're his everything. So just let yourself be loved and love him. You've both been through so much and he is so much more fragile and such a sensitive soul than he let's on, than you accept him for..." So very human, I could never hate him for it. But yes. The gift he wore like a curse. Hah. They could have had it all and yet it got consumed by the flames. I am glad Louis learned this very hard lesson and only made that mistake once in the books. And Armand... complex, difficult Armand, who is a very interesting character in a beautiful body and with a beautiful and charming personality on the surface and oh-such-deceptive depths to it. A master at luring people in, making them love him. Not neccessarily a favourite of mine. But certainly a character I look at with fearful respect. As a writer, I cannot even pick up his character to write from his perspective, I cannot comprehend it. So I have utter respect for the abilities of Anne Rice, the AMC series team and Assad Zaman for the amount of skill it takes to make such a character come to life in all his horrifying and compassion rousing details like that.

"I didn't know it was a gift... I wore it like a curse... I was selfish… I tried to make nights awful for you… I wanted you to suffer... Because I was… suffering."

Interview with the Vampire Season 2 | Episode 8 "And That's the End of It. There's Nothing Else"

[thewertsearch]

pipefan413: The girl that day swore she would bring down the baroness and her evil empire. She would use the many secrets she'd learned over the years against her, and began carefully plotting her downfall.

Tell us more, Nanna! I need to know what you had planned!

The prank of the century, perhaps? Something that could rob Crocker of her money, power and reputation, all at once?

pipefan413: Years went by. The girl was nearly ready to put her plan into action. But then, just like that, the baroness disappeared. She was never seen or heard from again.

God damn it, we were robbed of a final sinister 'hoo hoo hoo'!

Perhaps Grandpa had pulled off his own plot, in the meantime. He knew Crocker was a piece of shit too, after all, and might have been just as vengeful as Nanna.

pipefan413: The girl was finally free, by a strange turn of events. But not without a final jab from the witch. It turned out that in her will she had left the entire company to the boy!

Well, that really does make it sound like Grandpa orchestrated this.

If he was running a parallel scheme to Nanna’s, then they missed an excellent opportunity here to reconnect, and team up against the Batterwitch. If they’d only communicated, Crocker could have been taken down that much sooner.

pipefan413: The boy, now a grown man, was already very wealthy in his own right. He had no particular need for the baking empire, but assumed control nonetheless, and integrated the company into his extensive collection of enterprises.

We can assume, of course, that this was all in service to Skaianet. Somehow, Grandpa became aware of his origins – the how is still a mystery, unless Crocker told him in private – and he was making his own moves in the background, making sure that Sburb arrived on schedule.

...actually, I do have one new theory about how he knew so much about Sburb. If my memory-bleed theory is true, then he could have learned about the game from his other incarnation, the rebooted version of Grandpa. That guy could know anything.

Anyway, Grandpa’s moves would have been a lot more effective if he'd had any contact whatsoever with Nanna. I know this was long before group chats, but damn. Get a mailing list, or something. Communicate!

pipefan413: She considered a reunion with her estranged brother, and once destined husband to be. But the days of longing for a future with him seemed to be from another lifetime. The chance had come and gone. She was content to let him live his increasingly elaborate life, while she sought a simpler one. pipefan413: Besides, now was not the time to revisit a destiny with an old star-crossed lover. She had recently become betrothed to a fine, upstanding gentleman. Soon, she would start a family. No, not one meant for heroism as foretold, but one that would make her happy nonetheless.

You have to wonder if Dad’s father is a character we already know, or maybe another celebrity cameo. I don’t really have any theories here, but given that Betty Crocker is now critical to the plot, Dad's father could be anyone.

[hungriestheidi]

pullpin masculinization

(love this prompt, xoxo)

“Are you going to get me pregnant?” 

The voice is rough, the wording haste, impolite, bordering on a command rather than a question. Doriane’s brow is furrowed, her quivering pink lips dripping on Abbi’s fake plastic cock. Yet Doriane is telling her if she’s going to get her pregnant. How could she even…? 

“Come on,” she says, bucking her hips, a hand under her shirt tugging at her nipple. “You can come inside, I’m on the pill.”

It feels all too serious to be a joke, the lilting of her accent slipping dangerously to the girl she sees talking to the press rather than the one riding her thigh with her clothes on, five minutes after opening her door. And Doriane is gazing at her, imperatively so, a demand. Be a man, she said once when Abbi was eating her out in the backseat of a parked car, fuck me properly, fill me up. 

“Do you want that?” Abbi asks in return, slowly thrusting in and out of Doriane’s cunt like she could actually feel the warmth of her around her cock. Oh she’d have such a pretty cock if she were a man. Not too long, thick like a coke can, pink tip, leaking at the sight of Doriane’s nipples peeking through the tightness of her nomex fireproofs. She’s learn how to make a girl cum with just her cock and then have her lick at the spent flesh of her member. It’s… extravagantly horrifying and beautiful at once. 

“Please, please,” Doriane replies, arching her back, eyes closed, the blonde of her hair splayed over the beige duvet Abbi didn’t throw aside before throwing her to the bed. 

“I’ll fill you up,” she tells her, running a hand up and down the side of her body, thumb hitting the jut of her hip and skipping back up, barely brushing the underside of her tit. “I’ll fill you up with cum, you’ll look so pretty pregnant with my babies.”

Abbi's voice has always been rough, they made fun of her for that when she was younger. But the feeling of being a man, the man, is intoxicating. A fucked up reflexion of a parallel universe, a world where she is the one in the Alpine next to Doohan and Doriane is her pretty wife, hanging from Abbi's arm, dripping in wealth and belly big and round.

Abbi rolls her hips, the strap going in just that tiny inch deeper. Doriane moans so loud Abbi can hear it resonating in her head even hours later.

[godsfavoritetrespasser]

Time does not exist to the nigger, there is only the present, the now. A cop yells, "do not run I will [in the future] shoot!" This phrase is meaningless to the nigger. In the nigger's mind he has two choices: be detained by the cops, or run and be free. That the cop will start shooting 5 seconds into the future is incomprehensible to the nigger. Niggers are living in a science fiction parallel universe where there is no continuity with themselves 15-seconds into the future. As a White man you think you are still you 15-seconds in the future, not so to the nigger. The nigger sees no relation to himself 15-seconds in the future, it is a completely different person. Their interests are unrelated if not opposed.

Once you understand that a nigger cares as much about himself 15-seconds into the future as you do about some random nigger, all of a sudden all a nigger's decisions makes sense. Why go into obscene amounts of debt for some chrome rims? Some other random nigger will have to pay it back instead of you. Why rape some random White girl? Some other random nigger will go to jail not you. Etc. Niggers are literally free of all consequences for their actions as they've broken the cause effect chain through nigger magic.

Now you can also appreciate the injustice of niggers being shot or put in jail. If a nigger shot at a cop 15-seconds ago, that was a completely different random nigger to the nigger. The nigger getting shot was just living his life (in an alternate universe where you forever live in one moment) and is now being shot for literally no reason.

Black mamas have been trying to explain this to thick White people for years with the shorthand 'He dindu nuffin'. These obese negresses are trying to explain that, while to you it appears that her nigger son committed some horrific act of violence, in fact that was actually a completely different nigger in a parallel universe. Niggers only exist in the moment, and in the moment the negress is speaking (the only moment she has ever known), her nigger son literally has not done anything wrong.

Being a nigger is like reliving Groundhog Day over forever, but in 15-second clips. The next time you interact with a nigger or goldfish remember that.

i’ just think sexual harassment wouldn’t happen as much if women all had guns

[cinnamon-stixs]

Sinsmas came out, and I bawled. here's me yapping about it.

-Blitz put horses EVERYWHERE to try and make Stolas happy

-Stolas was asking for his antidepressants. keep in mind he goes this whole episode, which takes place over the course of a month, completely unmedicated.

-Blitz asking what he eats :(. Then Stolas's rich ass.

-Stella fucking GRAB'S VIAS PHONE. GOD I WANT TO KILL THAT BITCH. THEY SIT THEIR AND LAUGH ABOUT HIM WANTING TO TALK TO HIS DAUGHTER IT MAKES ME SO. FUCKING. ANGRY.

-Imps still hate Stolas. Also bro has NO life skills whatsoever

-She straight up spits in his coffee, no remorse. Queen honestly.

-New fit!! this is so much better than that dumbass romper

-Blitz catching rats for him :((

-"No, this is how I act when I don't have money! :D"

-I absolutely adore the concept of sinsmas btw. Also, notice how both Moxxie and Blitz act on wrath, rather than greed (where they were both raised). Interesting lil detail

-Of course Blitz would set the apartment on fire

-Loona acting like me fr

-Millie and Moxxie fighting heheheee

-He's so concerned lmaooo??

-Whiteboard! My fave is the 'days since moxie sang' counter.

-Loona's opened up so much I love her QmQ

-"I'm poor now!" I love you Stolas but holy shit you privileged ass baby.. At least yall can afford to feed everyone in your house

-God Blitz is so in love

-Stolas is GOING THROUGH IT with these parallels

-Blitz trying to defend cheating 💀💀

-Homophobic cunt

-Mammon tree topper

-They're STILL laughing about Stolas trying to call Via. Have they kept her phone from her this whole time?

-She didn't hear them say he'd been trying to call. She took her earbuds out AFTERWARDS. As far as Via knows, he only called once.

-Stolas was the one who got her the guitar

-Via's song goes so hard, but what happened to her accent??

-The parallels in Via's song and the one Stolas sang to her in ep 2 make me wanna cry

-Btw Via is COMPLETELY justified in how she feels, and her decision to not forgive Stolas.

-"I'll just get older and you'll only know my name" Holy fuck that line goes hard

-I THOUGHT SHE WAS GONNA ATTEMPT.

-"Well here's an idea, You could shut the fuck up!"

-Me I fear

-She sits down with stolas's diary I can't

-I thought the bit of her throwing up as weird as hell. But, foreshadowinggg

-What if this was my 13th reason.

-"Didn't make me wet AT ALL"

-The scream as she flies out the window is delightful

-Blitz immediately knows stolas went to look for Via

-GET HIS ASS

-"Get your icy hands off my bottom, bitch!"

-Dude what the hell did he say?!

-GET. HIS. ASS!!

-"fuck yes! :D"

-Loona and Moxxie working together :(((

-This action scene is so fucking cool

-"High five!!" DUMBASS?!

-Im gonna kms they're so cute

-VIA!

-She doesn't hug her father back.

-She thought him needing the antidepressants was her fault I'm actually gonna do it this time.

-Although Via won't talk to Stolas, she still saved him. She loves her dad, but she's rightfully angry. It'll take time to rebuild that trust.

-FUCK.

-Blitz relaxes. Stolas doesn't.

-God what a cutie

-MOXXIES FACE HSDHSJHDJSIJ

-I knew immediately in the bathroom scene what was up with Millie

-Im really excited to see the pregnant millie plotline actually. Judging by her reaction, she's not sure if she wants to keep it.

-STOLAS'S SOFT LITTLE LAUGH AUGH IM CRYING

-He doesn't hug Blitz back.

-Xmas song at the end goes hard.

Overall, this episode was AMAZING. The writing was great, the emotional moments hit hard, the animation was great as usual, and the pacing was good, if not a bit clunky. What a great end to the season.

I think i'll go call my dad.

[spicyvampire]

Yak and Dee being there for each other

WANDEE GOODDAY (2024) EP. 9

[hinamie]

domain expansion

[rambles-on-dragon-age]

Tell me you only played the game once and didn't bother to engage with anything going on without telling me. 🙄

I'll respond to that nonsensical drivel in that screen shot under the cut BUT the reason they came onto your post to spew their brainless takes is because hating this game is performative at this point.

There's no reason to just drop it and move on because they crave the attention of hating something popular, of regurgitating the same brainless and nonsensical takes everywhere they can. They were too lazy to engage with what the game offered and just outed themself as such.

I'm also an ADHD'er and was all over the place while playing. I've only played once and look at everything I gleaned from it; imagine what's going to happen when I'm not buzzing on nervous energy and actually get to go through it taking my time and snooping for the small details. This game was genuinely engaging and was like a repeated dopamine hit. Every single detail was built with love and this game screams of lore and worldbuilding in every little piece.

As for that nonsensical drivel in the response screenshotted;;

"The side quests are just going from place to place looking for a note, having a boss fight, rinse and repeat."

You mean like literally every single J/RPG game in existence??? You mean the industry standard?? The thing that has been a staple of RPGs for decades now?? How many of those did we have in Inquisition? I can promise it's at least double what Veilguard gave us. How many in DA2? DAO?

"Every companion quest ends with you having to kill their Generic Big Bad and then make a binary choice for the companion."

Every companion quest mirrors and/or parallels the main story line and themes of the game. The complaint should be that the game is repeatedly beating us over the head with the main themes, but then again it did that and you still missed it apparently.

Every companion quest you've been there with them, as their new employer and then friend, every step of the way. You've seen the build up, the backstory, the stakes, all of it. They TELL YOU that they're too close to the issue and need someone outside of it, ROOK, to help them decide. Do you not have friends? Is that the problem? You don't have friends that help you and then talk you through a decision??' They TELL YOU that they're too close to the issue and need someone outside of it, ROOK, to help them decide. Do you not have friends? Is that the problem? You don't have friends that help you and then talk you through a decision??

"Most of the romances are lacking."

IT'S NOT A GAME ABOUT ROMANCE, IT'S A GAME ABOUT SAVING THE WORLD. The romance is meant to be a little flavor sprinkled on the side!! Play an otome game if you're only here for romance !!!!!

"There's very little conflict between the companions and when they're is they kiss and make up."

This is the first game where you hand select a group of professionals and essentially hire them. This is not a slapdash gang slapped together of whomever was willing to deal with world saving fuckery. Each of the people involved has been with their organization for years or decades and fulfill jobs in a professional capacity. I'm also confused on how repeated death threats counts as "very little conflict". But whatever; you made it clear you didn't really do much in the game so you probably missed the majority of the interpersonal conflicts they had. And yeah. As professionals living in close quarters at the end of the world, I would hope they'd be capable of being adults about it and talk through their problems and learn to live with their differences. Like adults should be able to do.

"Every time a companion is having a problem they get this generic 'I'm here for you' 'thanks rook i feel better now' cutscene."

Do you not... have friends? Do they not have things going on in their lives? In the face of something grave happening, words don't always help. Words won't stop their world from falling apart. Know what does? Knowing someone witnessed their worst and is still willing to stand by them. That if they need a shoulder, that shoulder is there for them. In real life, I've been on both sides of that generic conversation. It makes a difference.

"Every faction is generically good and interchangeable."

Factually incorrect. We even had a whole huge chunk of Davrin's quest to show us the Grey Wardens are actually hiding some really big, really grave secrets. Those are supposed to be some of the premier heroes of the realm. Everything with the Cauldron? Did you skip Davrin's quest? Banter shows that the Crows still torture recruits; they have in-fighting and assassinate their numbers. Lords of Fortune straight up have a murder pit where they throw the bodies of those "willing" combatants. Just because they're trying to show Rook their best face doesn't mean they're all good. You have to pay attention to the stuff in the game, not play with your eyes and ears closed.

"Lucanis is straight up lacking content somehow and got shoved in the pantry when everyone else gets a cool room that changes over time."

You have, again, completely missed the content that was blatantly in the game. Upon asking Lucanis why he's in the pantry and not, you know, in a room in the infinitely generating Lighthouse, he says he feels safe there. There's one entrance/exit so he can't be snuck up on. He can see the food and would know if someone was poisoning him. He's constantly brewing and drinking coffee to stay awake so Spite can't take his body for a walk; he's right there at the source and not walking back and forth to do so. He's also, you know, trying to stay awake so Spite can't take his body for a walk and his comfort level is one that helps him do that. Lucanis has the same amount of content that the other companions have. If you would have paid attention to his characterization as well as what he literally tells you to your face that wouldn't have even been part of the subject.

So I have ADHD right? And my first run of Veilguard took me 83 hours and I know I missed a ton of stuff even though I really tried to slow down and pay attention and read as many codex entries as I could. I’m still finding new stuff on my third run.

So when I see takes that are like “Veilguard is weirdly sexless compared to previous games” then in the same post you say you played 60 hours….like ya, you missed a ton of stuff. Which is fine? But you can’t get mad at the game or the writers for it that’s a you problem.

Or “You can’t talk to the npc’s so I can’t feel empathy for them” when like a) you can b) do you actually care about the people of Thedas like at all? I didn’t need the game to hit me with the empathy stick to care about a world I’ve loved for years. Again, this is a you problem not a writing problem.

Or “They sanitized/Disneyfied the lore.” Ugh.

Not saying you need to play the game again because I don’t care and honestly you don’t deserve it anyways but like if you’re going to say stupid shit at least be able to back it up.

[kingslionheart]

A good King relies upon good advice, Uhtred. I speak only as a man who has made mistakes before.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[hoofpeet]

I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough

[sasunarulesbian]

you guys are literally some of the most braindead people ive ever seen what the fuck are you even talking about... MALE GAZE IS A TERM USED FOR PIECES OF MEDIA AND ART NOT PEOPLE !!!!! PEOPLE CANNOT CATER TO ANYTHING THEY ARE JUST PEOPLE OH MY GOD !!!!!!

chappell roan has the freedom to dress however she wants you're literally side-stepping slut-shaming and blaming outfits on how people react to her. the only reason you're saying this in a pseudo-feminist manner is to find a way to degrade a woman you dont like in a way that serves you. you are not feminists. you're moral grandstanding fools with too much time on your hands to find something wrong with anything. how about you let artists be whoever they want to be if it doesnt harm others?

a lesbian has a platform for once and she's only wanting to spread joy and love. all artists have personas because they make art, but drag is a perfect parallel to this. chappell roan herself pays homage to drag all the time and has been nothing but championing drag queens bc she's a genuine fan !!! maybe you don't know anything about drag but it's over the top and campy and it's supposed to push the limits of fashion. ANYONE can do drag.

oh, and that backless dress you're referring to where her whole ass is out? that shit is a DRAG REFERENCE to a dress worn by rupaul drag race alum (and she recently came out as a trans woman) DETOX. (but this was only for the gays who actually interact with a community so idk how y'all fit into all of that)

and if you didnt want this kind of a response dont tag the person you're talking about !!

There was this viral post I can’t find, but basically it said “i hate that Chappell Roan caters to the male gaze” and it included a picture of her wearing a dress that exposed her entire butt crack. The response to this was overwhelmingly “she’s a lesbian so she can’t cater to the male gaze”. Do you have any thoughts on this? (I personally did not find it attractive as a lesbian, the dress seemed humiliating)

I think that she’s not dressing that way specifically to attract men, but because we live in a patriarchy that expects a certain type of presentation, she may be catering to the patriarchy.

I don’t blame her though. I don’t think she could have gotten as popular as she is if she didn’t adhere to patriarchal norms. She herself calls her on-stage presentation “drag” and has talked about it being a “character” for her.

My question is, how would she dress if she were encouraged to just be comfortable? How would she dress if she were performing at a women’s festival, where no one had those expectations of her?

I’m not a prude, but I’m also pretty sure that most women don’t want to wear demeaning clothing when they could be comfortable instead.

[alxastrx]

When you're one of the most selfish mc who only saves people because it's part of a job you never wanted and did not get to chose or you would've died, who took your co-workers' morals and ideals because you didn't have any and desperately wanted to fit in somewhere, be it with the heroes or the villains, who's activelly haunted by one the most tragic past to have been created and suffer from a psychosis so bad (dare I say schizophrenia) that even your enemies acknowledged that you are mentally ill and objectively flawed in your judgement, never hesitated to try to kill anyone and has the most egoistic reason to be a good person but the fandom still thinks you're just a kind crybaby "I don't know what a gun is" homosexual twink.

[governmentmandatedryujinstan420]

releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh

[jonsnowunemploymentera]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.

[etrosgate]

i finally went through ds re:coded (i didn't actually play it bc platforming brings me to tears, i just watched a playthrough) and this game really doesn't deserve the terrible reputation it has...

it's especially a shame that ppl only have the cutscene movie cause it's actually really mechanically wacky and creative. like it's an action platformer. then suddenly it's a turnbased rpg? in the final hour it's a adv visual novel?? it's constantly throwing something new at you.

and like, yeah it doesn't have much in the way of major plot progression or lore, but i still find its story fairly interesting and charming. in some ways it feels most like a glimpse at the post-kh3 trajectory of the narrative?

anyways, it's actually something of a sora character study, through the lens of a sora that never went through the interpersonal betrayals the real sora has (primarily kh1). we see a sora that's never been told to repress his sadness, a sora that's never had donald and goofy leave him behind cause he lost the keyblade, a sora that's never had riku become so cruel to him.

and because data-sora didn't experience these things+had good support network throughout the narrative, he's like. a lot psychologically healthier. most noticeable in contrast to the real sora.

and in the final act of the game, data-sora learns how to do something the real sora still hasn't: face his own pain, and accept it.

i would not be surprised if in the future sora's arc involves actually learning how to deal with the shit he's been through and talk to his friends about it

additionally...

kingdom hearts has always had a strong throughline of how people/things being "fake" does not mean they don't matter. from replicas to nobodies and sora's memories of namine.

like data-sora isn't real, he's just a piece of programming. but he develops a real heart, and a real keyblade, through the emotional connections formed between him and data riku and the real mickey donald and goofy.

in this way, i find coded in particular to really feel metatextual, and reminiscent of the relationship you have with a narrative (though specifically video games here). like sora from kingdom hearts isn't real, but does he not inspire real emotion from us? do we not find ourselves invested in his story, even though it's fake?

i really think it's likely that the quadratum unreality stuff will continue to follow that line of thought.

kingdom hearts is just video games, but it's also real. because we love it ❤️

wtf i intended to just write a little bit but i rambled a lot... oh well, anywayyys if you haven't played ds coded, i recommend it 👍