#making her her own tag on here

[ihauntyoursocks]

Friends OC time!!! This is Violet, she belongs to @acingthistest (hiiii friend) and drawing these were hard

[starry-bi-sky]

finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0

i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.

'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?

Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33

So kill three birds with one stone! Make a post about it.

Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.

Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.

For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!

She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.

Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.

She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.

She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.

Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.

(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)

(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)

On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."

Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.

He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.

"Lord Clockwork." Danyal says all too calmly.

"Yes, Danyal?"

"What is this?"

"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.

The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.

“Clockwork.”

“Ah, I see you’ve dropped formalities.”

She ignores that.

“Why have you given me an adolescent leviathan?”

She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."

Oh.

"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"

Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"

And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.

Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.

It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.

Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.

Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.

Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.

A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.

A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.

She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.

She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.

He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.

And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.

She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.

And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.

It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.

She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.

"Is that her?"

"Her highness' friend? Yes--"

"--that's the one--"

"--Mother of monsters--"

Danny's not sure how to feel about that.

Although, she can't say she's opposed.

Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.

[u3pxx]

can i show you guys an old oc of mine her name is reina (she/he) and he is a retired villain and also he loves her superhero wife a lot

[prettybbychim]

[this became much longer than i intended whoops]

u know i think it would’ve been much better if the ode of resurrection was not shown to us immediately, and wasn’t a main part of their culture. have people die throughout the archon quest, make us believe that there’s no saving them. kill off kachina at the start and convince us that she’s the first playable character in genshin thats not alive.

build up these bonds, forge these friendships, make us care.

just to take it all away

that’s war.

but there’s a tiny flame, that glimmer of hope. maybe it’s something the pyro archons have been working on, passing it down to their successors. something mavuika has been working on. yeah u heard that right she’s actually doing something wow get citlali in there to help out. get the whole goddamn tribe involved idc

there’s a scramble to find the last of the heroes. they don’t want to force it or fuck something up but they’re running out of time. the abyss is coming. it will consume the nation. they need to fucking buckle up and get down to it.

they could probably still go into the night kingdom to search for kachina, so that mualani can get her ancient name. or it can occur under entirely different circumstances. haven’t given that much thought yet. do they find her?

do they find her and can’t actually bring her back to the surface?

for the next part, we’re gonna have to shake things up because we need the captain on our team sooner rather than later. how that happens is up in the air but regardless, we put aside our differences to save natlan.

so, we help the captain find old dragon tech. maybe we enlist the help of kinich and ajaw, maybe we go into ochkanatlan, tie some of that shit in. we can take iansan along too, who is super duper strong and can carry all our fancy dragon tech or smth idk the three of them need more involvement !!! ajaw would drive me up the wall but it’s a necessary evil

in ochkanatlan, we see how the abyss can mimic lifeforms. the twin is in irminsul right? maybe it’s steals the twin’s image, but the traveler knows it’s not them because their twin would never say things like this. we learn that they abyss manifestations are (always?) twisted and mutilated.

we see the dragon. we don’t defeat it, that’s for the world quest lol but we get the image of the dragon in our minds so that when it shows up later down the line, we know what the fuck is happening lol

on our trip, we learn bits and pieces about the captain. it’s all disconnected, nothing makes sense. and since we’re nosey little fuckers, we find correspondence with the tsaritsa in his belongings.

capitano is gentle with his body. maybe a little too gentle. it catches the traveler’s eye but they don’t know what it means, they have no grounds for suspicion. it’s blown off as recovering from his duel with mavuika. (little do we know that he was hit directly in the heart and he’s worried, goddamnit)

ororon lets it slip that something feels off with the captain’s soul. (could the captain be using ororon’s sensitivities to monitor the souls housed inside him? would he eventually tell ororon what’s going on? or would that be too risky?)

ororon receives ancient name same as before, nothing really needs to change there i suppose. more suspicion is thrown on the captain because of the identity of the soul trying to possess ororon. maybe the captain didn’t share his plan in its entirety, he has a lot riding on this, he can’t afford to fuck it up, and keeps his cards close to his chest. he and mavuika can still argue in front of ororon like mom and dad lol

chuychu dies. she doesn’t get to give a long goodbye. she bleeds out in her sister’s arms. (they actually try to stop the bleeding and give her medical care) chasca goes berserk hell yeah, there’s a struggle. she manages to rein herself in, the love between sisters reigns supreme. chasca gets her ancient name

boom u got all ur heroes. they supercharge mavuika to beat back the abyss core thing. what was its name? gilgamesh? i don’t fucking know

the losses are extreme

fast forward a bit bc i’m losing steam and attention span here

we dive back into the night kingdom to track down the “brain” of the abyss corruption. the people we’ve met and lost in natlan help us out. kachina can be added to the mix. the gay lovers, chuychu and her pokémon team, boba and coconut — the whole gang’s here yooo i actually loved this part. favorite section by far

and after our trip in ochkanatlan, we know that the dragon we’re fighting is an abyssal manifestation. the voices of the previous pyro archons are their own but the words are all wrong, designed to discourage and distress us.

we defeat it using the power of friendship (i’m gonna kms)

also mavuika’s kit is completely different. i’m giving her a redesign fuck it. but that’s a post for another time.

traveler seems pretty good ngl i just wish the cons aren’t limited to fighting the dragon. i really liked what i was seeing and then they pooped all over my party (what’s the point!!!)

instead of a big parade, we gather around together at the stadium to finally try the thing all the pyro archons have been cooking. the heroes are a necessary component.

the incandescent ode of resurrection

among the many, kachina comes out of the flames. mualani sobs her heart out and vows to never let her out of her sight ever again

chuychu perhaps? 👀 pls pls she’s the only one besides cap and ororon that i give a shit about pllssssss playable chuychu when? her design is fantastic as is u dont need to touch it PLEASE—

now we can have a party!! after everything is all said and done, we can have One party instead of the five or so we’ve had since we came to natlan. (nation of war? more like nation of fiestas)

ororon, though, feels uneasy, and not because of the atmosphere. he says he’s going to find the captain, but he can’t explain why. concerned, the traveler and paimon try to follow him but are intercepted by citlali, who is for once not freaking out about ororon’s whereabouts, instead…

oh but wait. where’s mavuika gone? oh nooo

plays out relatively the same i suppose. could use some tweaking but not anything significant enough to mention right now.

except now we have somewhat of an understanding of the captain already, all the little bits and pieces we noticed, and the clues we (so rudely) discovered, it’s all starting to make sense now. we’ve also spent more time w him, the emotional attachment runs deeper, and it’s much more painful to experience.

bittersweet

mavuika is confused, especially in the days coming after. she had planned to die then. she said her goodbyes in a roundabout way. she finished the painting of her family, so they’ll never be forgotten. she saved her nation from the oppression of the abyss, resurrected so, so many. there was only one thing left to do… she was supposed to be the one to do it.

what does she do now?

what does she do with herself now, when she hadn’t planned for her own future? it was supposed to end, she was supposed to die. could she have reunited with her family? could she have seen them once again? she’s sad over what could have been, she’s confused because how did it end up like this, she’s mad because the captain stole it from her, she’s guilty because he was ultimately the better choice

what do you do when you’ve spent hundreds of years waiting for your destined day? when you’re only ambition has been this.

it’s time to learn how to live.

the end~

[recent-rose]

yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.

then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.

[raayllum]

I thought maybe there was something we needed to know. But it doesn't matter. I told you not to come on the boat! You were crying, I thought something was wrong. Nothing was wrong. Either way, the sun's set and it's crazy cold out there.

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[wisteriasymphony]

YAAAAAYYYY!!!!! drinking buddies!!!!!!!!!!! (doodles under the cut)

[possessable]

additional headcanon for the memories in her soulscape being blacked out because I Like Her

[vivitalks]

Last night I saw the Great Gatsby musical. Before I went, I reread the Great Gatsby book (for the first time since 11th grade!) to get a refresher on the source material and the original story. Having the book so fresh in my mind made seeing the musical really interesting, and now I am going to do something I never thought I'd do, which is post some lengthy meta about The Great Gatsby. If you haven't seen the musical, this post may still be interesting to read, but it does contain some mild spoilers, so I leave that up to you. If you also haven't read the book, godspeed lol.

There's a lot I could talk about here when it comes to the way the book was adapted for the stage. But there's one particular thing I want to zero in on in this post, and that's the "unreliable narrator" of it all.

In the book, Nick Carraway is our narrator. He's an unreliable narrator practically by default - the idea is that he's retelling events that occurred two years prior, from memory. But even knowing that Nick is probably not reporting all events and characters with complete accuracy, it's hard to know which parts exactly are wrong, or what might have happened in reality, because even though he's an unreliable narrator, he's still the only narrator and this is the only version of events we know. We're forced to take Nick as our surrogate and take him at his word. Until the musical.

(I wondered how the show was going to deal with the fact that the story of Great Gatsby is not only told by an unreliable narrator but also by an outside perspective - generally speaking the events of the Great Gatsby aren't happening to Nick, they're just kind of happening around him. Yet he's the voice of the story, so in that way he's central to it, and I was curious how they were going to balance that fact with the fact that Gatsby is functionally the main character.

I think they struck a really good balance in the end. Nick's beginning and ending lines, lifted verbatim from his book narration, frame him clearly as the anchor of the story - I think that's the best word for it; the audience jumps from scene to scene, many but not all of which contain Nick, but we know that Nick is always going to be where the action is, or that he will at least know about it. He may not be the main character, but he's an essential character. But I digress a little bit.)

The difference between the way the story is imparted to the audience in the book versus in the musical boils down to this: in the book, Nick "plays" every character, so all their dialogue and actions, their mannerisms and the way they're described and reported, it's all informed by the beliefs Nick holds about them. Whether he means to or not, his biases paint certain characters in certain lights, and because he is our eyes and ears to the story, we have no choice but to absorb those biases.

But in the musical, every character is literally played by a different actor. Nick can only speak for himself. Nick can only tell his own parts as they happened. He may be "telling" the story, but we're watching the story. We have the benefit of an unblemished perspective on things - we can watch the events the way they actually unfold, regardless of how Nick believes or remembers they went down.

This difference - between Nick as the narrator and Nick as merely his own voice - is crucial in how the musical develops each character, some of them fairly different from how Nick described them in the book. And there's one book-to-stage change - a fairly small one, all things considered - that, to me, illustrated this difference perfectly.

There's a line towards the end of the Gatsby book. Something Nick says in narration, after his final conversation with Tom Buchanan, talking about how Tom gave away Gatsby's name and location to George Wilson (which ultimately led to Gatsby's death). Nick writes:

"I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…"

When I read this line in the book, I couldn't help vehemently agreeing. Screw those rich assholes! Money does corrupt! Tom and Daisy ARE careless wealthy people! It was easy to side with Nick, not only because he was the only perspective on the situation that I had, but also because he said this in internal response to a conversation with Tom, who, I think we can all agree, is a major jackass and a deeply unsympathetic character.

But in the musical, this line is spoken aloud by Nick. And he says it to Daisy, in her house, as she's packing up to skip town after Gatsby's death. In fact, he doesn't just say it; he shouts it, visibly and audibly outraged at her audacity to lead Gatsby on, ghost him, skip his funeral, and then move away to avoid the fallout. Nick is angry and highly critical of Daisy. But because we're no longer confined to his shoes, we also get to see Daisy's reaction - not as Nick remembers it, but as Daisy actually reacts. And because of that, we're able to really see, and confirm, that "Daisy is rich and careless" is not the full story.

I have to credit Eva Noblezada for a phenomenal performance (duh). Daisy in this scene is emotional, grieving, and it's clear she has been trying to contain these feelings for the sake of her husband and her own sanity. She's remorseful, not that Gatsby is gone necessarily, but that she allowed herself to entertain the fantasy of running away with him, only for it to be torn from her. She is trying to make the best of her unavoidable reality. And then Nick tears her a new one, calling her careless, accusing her of destroying things and being too rich to care.

And as I watched that scene, I was no longer wholly on Nick's side. I understood that this situation was so much more complex than Nick's chastisement acknowledged. Sure, Daisy wasn't innocent, but she also wasn't the callous rich girl Nick made her out to be. She did love Gatsby. And she also had a whole life with Tom. She had a daughter. She was a woman in the 1920s! That's a kind of life sentence even wealth can't erase.

The way Daisy responded may not quite have landed with Nick (if we consider the kind of fun possibility that the musical is the events as they happened and the book is Nick retelling those events as he remembers them two years later, then clearly Nick's disdain for Daisy's actions overtook whatever sympathy he felt for her), but the musical gave Daisy the opportunity to appeal to us. The audience. Having this omniscient perspective of things allowed us to draw our own conclusions, and I found myself a lot more sympathetic towards Daisy when I could both see and hear how she responded to Nick's verbal castigation.

In the book, Nick is the narrator. In the musical, Nick is a narrator. But he's no longer the sole arbiter of the story. The audience got to make our own judgements on the events as we witnessed them. Every one of us was a Nick - beholden to our own biases, maybe, but at least not beholden to his.

[godlygivenanxiety]

look, not to be a hater but the whole ekko/jinx alternate universe situation only proves that jinx was only ever loved entirely and completely by silco, that's kinda the point of how tragic jinx really is as a character,

vi either only sees her little sister out of guilt/sense of duty mixed with a desperate need to come back to something or as consequences to her own actions(taking away agency from jinx in the process);

ekko sees her through the eyes of an idealist which is exactly what he is and that's not bad by itself, but it makes her either A Problem or Someone That Needs Saving, that's what's going on in his head after that AU he transported to. he's comparing jinx to powder and he likes powder much better, so he wants jinx to be powder or to reignite the powder in her - basically, he thinks how vi used to think;

isha is a complicated matter because she did show kindness and affection towards jinx that wasn't equal to anyone else's, it was pure and idolizing, she loved what she knew of jinx.

the people of zaun don't love her, not by a long shot. she became a symbol to some(as we can notice in the reunion by vander's statue) and overall the assumption that she would get involved more after her attack and silco's death is a fair one; that doesn't mean they like her,

sevika maintains a connection to jinx through grief and a sense of helplessness along with familiarity, silco's death affected jinx's psyche but it also affected sevika's dream of zaun, they feel left behind by him;

vander... well, he only got to see powder and warwick quite literally just had the memories,

the ONLY character we see that meets her as powder and stays with her as jinx is silco; yes, he isn't a good guy and he does cause the whole separation, he sharpened her edges to make her into a weapon, he lied to her and manipulated her at times, none of these things exclude the fact he does love her so strongly, with zero conditions.

she fucks up in missions, she does as she pleases around zaun, she kills their people, she stabs him in the eye, has psychotic episodes and breakdowns, she kidnaps him, ties him down, SHOOTS HIM, she doubts him and his love, keeps running after the past when he's done everything to strengthen her and she was, at a point, the only thing keeping him from his dream of an independent zaun - none of these perceived sins and flaws made him wish for anyone other than her, as she is.

all silco wanted was to keep her, while everyone else either wants another version of her or none at all. that's the tragic part, even if she suddenly decided to be good, she would feel like a burden for not being entirely like people want her to be.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[starry-bi-sky]

how do you clone a fey? that's trick question; and fey love those!

@the-navistar-carol (<333) brought up a good point while I was talking about my changeling danny au with her -- Dani! How would she exist in this au? Danny's a changeling - a fae. How would Dani, a clone of him, be created? How do you make a fey? Not through any means that Vlad is doing; you can't make a fey through unnatural means, considering the Fair Folk are nature. And Vlad's not a fey himself -- he's a halfa, even if he could make a fey, it's not in his best interest too. He's a powerful ghost, but even the weakest fae can overpower the strongest ghost. He won't want a clone of Daniel to be more powerful than him.

(In a three tier hierarchy it goes Ancients -> Fae/Mythos -> Ghosts. They all live in the Infinite Realms, but on different Planes. The fae live above the Ghost Zone in the Fey Wild, while the Mythos live beside the Wilds or down in the ghost zone depending on where they are. Places like the Frozone, the Athens Acropolis, and other such large islands climb throughout all three Planes.)

(While Ghosts can travel into the Fey Wild, its generally advised against as the ectoplasm tends to manifest differently there due to close contact magic. It can make it rather disorientating for a ghost, and as human spirits, the Fae living there would jump them faster than they could blink. So unless you're willing to play mind games with 'steal thy name eat thy face' fae, most ghosts keep out of the way of the Wilds. Fey can travel down into the Ghost Zone, they just don't bother.)

That's of course, not taking into account if Vlad even knows Danny's a fae himself. Vlad doesn't ring me as someone who really cares much about ghost culture or the going ons of the GZ. He might be aware that fae exist, but the moment he realizes he can't use them for personal gain he just doesn't bother with them. The risk is greater than the reward, and he'd rather not get eaten. But lets assume he's aware by now that Danny is fey, and has to take that into account while cloning him.

So, how does Dani exist? Good question! Honestly; i'm not sure. She might not exist at all, or if she does, she's more halfa than fey. Vlad would need a lot of human dna and ectoplasm to balance out all that fae magic. He manages to steal DNA from Jack and Maddie to do it, and since Jack's fey ancestry is very dormant its much easier to use alongside Danny's DNA.

In turn, it results in a little girl whose more human-ghost hybrid than clone. With that little extra boost in fey magic making her not a fey, but still relatively powerful. Dani is less of a clone and more of a lab-grown little sister. It's a rather tedious, complex process that has Vlad tearing his hair out trying to figure out. But he does eventually figure it out.

[maxwell-grant]

im researching Scarecrow hench-people and the DC wiki is really unhelpful, can you give me a list of a few notable ones. Also who's this Autumn from the Audio Adventures people keep mentioning. Is she a canon character or is she an OC

thank you! also loved the list you did of your favorite hench people

Thank you! Now that you mention it, it does seem like Scarecrow's kinda lacking in terms of notable henchmen, even purely in terms of visually distinct one-offs. It might have something to do with how little he's been traditionally focused on crime and coalition building, per se, and more so on lone terrorist campaigns and experimentation. Besides Scream Queen, who I already went into in the other post, these are the ones that I can think of:

Autumn / Miss Autumn is canon to TBAA, she just never showed up in the show. We hear about her in S1 via two scenes where Miss Tuesday talks about her friend in Scarecrow's gang, another villain assistant named Autumn that she always texts with and coordinates with, and then later she'd appear in issue #6 of the Audio Adventures comic, kidnapping Dick while he's disguised as a Burma Shave Boy and bringing him over to the Scarecrow as part of his plan. She claims to be a scullery maid in charge of the "kitchen" and is instructed by Crane to prepare a new batch, and Dick finds an Arkham Asylum physician's clearence and security badge that might belong to her, given Miss Tuesday in the show claims to have grown up in Arkham and the two seeming to be fairly close friends.

The Audio Adventures Special prequel comic released along with S2 also showed that, along with his biker gang to peddle in the street, he employs dealers hidden in plain sight such as the elderly librarian Mrs.Elliot, who we don't get to know much more about other than her being known by Dick and his friends, and a willing enthusiastic participant in the Scarecrow's plans to sell drugs to kids, as well as kidnap and experiment on them.

In terms of notable henchmen I think the first one he ever got were the Strawmen from Batman #296: said to be named Otto and Raymond, former students of his who've joined him and became students of the Scarecrow, serving as the muscle to his operation.

There's Linda Frittawa / Fright, introduced in a Judd Winick arc by the name of "As the Crow Flies", who became his assistant and confidant, while secretly manipulating him under a deal she made with the Penguin. She's the one who turned Scarecrow into the Scarebeast, and eventually showed up later working for Jeremiah Arkham Black Mask.

Not quite a henchwoman per se but there is a character named Haunter who showed up in the 2017 Batman (vol.3) annual, who's able to kill people with her DNA and who coordinates a small-scale fear gas with Jonathan to make her escape from Arkham, and it's said the two had a "twisted mutual admiration thing" before Batman put her away. She's only made two appearences in total, in two anthology shorts penned by her creator Scott Bryan Wilson, and I'm including her because given her name and gimmick and lack of prominence, she might as well be a Scarecrow henchwoman or partner or extension of his deal.

There's a fairly long pattern of Scarecrow being responsible for the creation of new villains with his experiments even if they don't necessarily go on to become henchmen - Madame Crow from Tynion's run was a former student who was tortured with fear toxin for months and took over a year to recover, before embarking on her own fear toxin campaigns. Colin Wilkes from Streets of Gotham was an abused orphan kidnapped by Scarecrow and given Venom injections before being ordered to attack Batman, and who was freed and became a hero. The Gotham Knight movie states that this version of Killer Croc was experimented on by Jonathan Crane, who caused his condition to worsen and seems to have kept him around a sewer hideout as an attack dog. The Titans show had him behind the resurrection of Jason Todd and his transformation into Red Hood, and Gotham had him create the show's version of Joker Toxin that kicks off Jeremiah Valeska's transformation.

And finally, we'd be remiss not to mention that a couple of times in his older appearences he's had a pet raven named Nightmare, a concept that's come up again in more recent kid-friendly books where it's named Croward instead, who assisted him in his criminal endeavors. I suppose that raven evidently doesn't make too much sense given Crane's backstory revolving around the crow trauma inflicted on him by his grandmother, or that trained birds are still very much Penguin territory in spite of him never using them anymore, or it clashing too much with the darker tone and vibe he's supposed to have, but there's a self-evident charm to the scarecrow-themed villain having a pet raven circling him.

[alternatesilco]

OKAY GUYS! Sooo I made a Caitlyn edit.. please forgive me, I love her but when I heard this audio, the idea punched me in the noggin and when i came to the edit was already done! 😖 Happy late birthday, Cait. 🥳

{CW: Flashes}

[Video length: 17 seconds]

[sysig]

Maybe requestober prompt of soft?

Day 5 - Pile o' plushies