#makes me want to write a fic

[remember-the-fanfics]

An asked 'I feel like if Adam met the gen Z overlord before he came to the hotel they talk circles around him.'

But it came out as their first interaction, they still roasting Adam when they can.

Set in the first episode

-

"Ah yes, the first man. The reason I had to live my life and have responsibilities. So wonderful." Said (Y/n), after Adam revealed who he actually was..

"Who the fuck do you think you're talking too? I'm the dickmaster!" Adam said finally noticing (Y/n)'s presence in the room.

"Well being the first man, you really had nothing else to compare it to." They told him with a smile.

"This is (Y/n), they came with me because-."

"I don't trust any of you so I'm making sure Charlie stays safe." (Y/n) finished the sentence not wanting Charlie to soften any words with the Angels.

"No sinner should be here, I should end you for even setting a foot in here." Said Lute, glaring and getting close to (Y/n), who just glared back while getting up from their chair.

"Test me, bit-." Getting interrupted by Charlie pulling them back into their chair. (Y/n) looked at Charlie with a upset glare but settled back down while Lute returned back to Adam's side.

"I want to discuss biggest problem." Said Charlie, trying to get back on track on why she was here.

"Oh herpes. Yeah, that's a bitch." Adam replied.

"Seems to be a you problem." Said (Y/n), seeming already done with Adam.

"No! Our... other biggest problem."

"Ugly people? Math? Global Warming? No wait, that's earth problem." Said Adam, earning a deadpan look from Charlie, who (Y/n) patted on the back.

"You can't change stupid, Charlie. No matter how you try." They whispered to Charlie. "But hey maybe he isn't a complete moron."

Which (Y/n) completely took back after tuning in to Adam being on a different topic now. Being sexist and boasting his own masculinity.

"Do you cope by being a complete ass?" They said, Adam completely ignoring (Y/n) went on.

"-expects you to pay the check but you're like 'Hey, I thought you wanted equality."

"I'm gonna kill him." Said (Y/n), looking at Charlie.

"No! Our shared problem of overpopulation in Hell!" Charlie finally said before (Y/n) could try and kill him.

"Ohh, well that's not a problem! We got that covered." Adam said before turning to Lute. "Lute, how many demons did you kill this year?"

"A good 275 this year, sir."

"275? Woah, badass! Awesome job, danger tits! Pound it." Adam said putting his hand up for a fist bump which Lute did.

"That's not good! They aren't your people to kill!" Said (Y/n), upset with how casual the two seem to be about it. "They are Charlie's people, me including."

"Well that must suck for you." Said Adam before laughing, making (Y/n) pissed. But Charlie jumped in before they could get any more heated about it.

"But these are souls...Humans souls just the same as the ones you have up in heaven." Said Charlie, getting (Y/n) to sit back down.

"They're not the same. They had their chance and they earned damnation." Lute coldly said before looking at (Y/n). "Like you."

"Oooo, so scary." Said (Y/n), flipping Lute off.

"You're wrong. Sinners made mistakes, sure, but everyone makes mistakes." Said Charlie.

"Angels don't make mistakes."

"You really believe that?" Said Charlie and (Y/n).

"I know that."

"Yeah, I've never made a mistake in my fucking life." Said Adam.

"Didn't you get kicked out of the Garden?" (Y/n) asked him.

"That was one tim-."

"And apparently had your first wife leave you."

"Low blow, tiny." Adam said before Lute walk around the table to where Charlie and (Y/n) was seated.

"The only reason you're still here is because daddy gave you and your hellborn kind a pardon from an exorcist blade. How does that feel, to know how little you matter?" Lute said, taunting Charlie.

"Bitch, he probably did that because he cares about her." Said (Y/n), glaring at Lute. "So go fuck yourself with a chainsaw."

"Nothing is stopping me from killing you now, sinner." Lute said, getting close to (Y/n)'s face for to long before moving on.

"Opps, almost out of time. Guess we should get into it." Said Adam.

"Oh fuck!" Said Charlie, getting her presentation ready. "Okay I've got a lot to get through and not a lot of time and I feel like you weren't hearing me before so here it goes."

-I ain't typing a whole ass song-

"-Ugh, Shit!" Said Charlie, after (Y/n) and her got pushed out of the room.

"Mother- trucker!" Yelled (Y/n), not wanting motherfucker and Adam in the same sentence or thought. "Dude that hurt like a buttcheck on a stick." They said getting off the floor and helping Charlie up.

"Are you okay? You weren't treated kindly in there." Asked Charlie.

"It's fine, I knew what I was walking into when I came with you." Said (Y/n), shrugging.

"I'm sorry you got dragged here for nothing." Charlie said before getting a side hug from (Y/n).

"You got nothing to apologize for. I knew from the dipshit's face from the start it would be a long shot if he is in charge."

"Thank you, (Y/n)."

"Soo.. 6 months, huh? I have to go back to my territory to get ahead start with that but I'll meet you at the hotel afterwards, okay?"

"Alright, see you then!"

"Byyyyeee~" With that (Y/n) took off to their territory.

-

"(Y/n)... where have I heard that name before?"

[barefeet-only]

Danny and Damian are related, with a twist.

Danny is the son of Talia Al Ghul, however he is NOT the son of Bruce Wayne. Ra’s has had his eyes on various people across the world that have either impressed him or show a unique skill set that he’d like to have. One such person was under the both categories and he got Talia to collect a DNA sample and as a result Danny was born.

This was before Bruce’s time with the League by a few years, but very quickly Danny was not meeting expectations. And by the time Bruce did show up Ra’s had lost all interest in Danny, moving on to better things.

Talia always hated Danny because she was forced to have him with a man who she never liked in the first place. Furthermore, because his skillset was lacking she found that even more reason for her distain. In her eyes, he wasn’t worth even considering her blood.

Danny, knowing that he was doomed if he didn’t make an escape, left the league sometime around when Bruce was moving up the ranks and was making waves within the organization. Perfect timing honestly, any attention he might have had was quickly gone when this prodigy showed up.

Danny escaped the League and went into hiding quickly after, settling on a rural area of the United States after bouncing around countries for a few months. This was mainly because Jasmine Fenton saw a young boy pick pocketing strangers while her family was visiting Chicago and scolded him. Her mother and father saw the boy and also lectured him to which Danny responded it was his only option (he was trying to get this loud family off his back so he could sneak away). Eventually the Fentons decide that if he has nowhere to go he might as well go with us, and Danny decides blending in with a Nuclear Family is the best way to ensure that his peaceful life away from the League stays that way. Oh how little did he know.

Flash forward a few years, Talia, who was visiting Gotham to check on Damian, sees a glimpse of a boy (now man) she thought she had forgotten. Her blood runs cold, if this abomination is in Gotham then her son is likely in danger and she would never let anything happen to Damian.

[pixiemage]

Please, for the love of god, please don’t be this person. No matter how long it’s been since an update, no matter how many unfinished stories are sitting on their account, no matter what - do not be this person.

Not only is it insanely rude, but you also do more damage than you think be being such a self-entitled ass about something someone created for free and for fun. “This author” can see what you say.

RIP decency indeed.

[littlelightfish]

This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.

Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.

Idk, I love this man so much...

[callmeizukunotdeku]

one of my favorite brands of Jason and Tim angst is when Jason realizes that Bruce had been treating Tim like his replacement, not as Robin, but as Jason

Robin's a mantel, a mask that gets passed down from one brother to the next

Jason is a person. full stop.

just,,, something about making Jason's thinking shift from "Bruce replaced me by getting another son" to "Bruce found a kid that looks like me and he acts like the kid is me"

and Jason trying to bring this up with Tim, who knows better and expects worse just replying "at least, now that you're back, he's stopped calling me by your name"

and Jason is like "no, no, you should be asking so much more from him; this is Batman for god's sake"

"yeah" Tim agrees "I asked him to keep me around even though he doesn't need me any more. he seemed to be fine with the idea"

"need you? tim that's a fully grown adult he doesn't need you to do anything for him"

and Tim just gives him a you haven't seen the half of it look and Jason remembers that technically he's right

tim didn't need to do anything, he needed to be someone. and now that Jason is back, he doesn't need to be anyone anymore

but how much of himself did he lose trying to become someone else?

[demaparbat-hp]

Zuko's eyes watered against his will when the ghost of a woman he did not know smiled at him like he was her child.

Zuko decided right there and then that maybe, just maybe, this too was something he came to find.

Ghost-Mother takes a look into Zuko's soul in For the Spirits Chapter IX: A Rider Alone.

More than a stranded soul, Kya holds all the love of the Old Tribe and the means to calm a coming tempest. Zuko won't ever forget her.

(He won't be allowed to.)

[runraerun]

Steddie Amnesia Ficlet: 2/3

-> Part 1 | Part 3 | AO3

cw: more head trauma/concussed!Steve discussions.

Steve hears Eddie call after him, but he doesn’t stop—he can’t face it. Not right now, anyway. Not when his eyes are stinging and his heart is pounding in his ears, each pulse more painful than the last. His legs take him to the building he’s supposed to go into, fueled purely by muscle memory. Not brain memory, of course, because nothing up there works properly anymore, apparently.

The Brain Injury Recovery Center.

It’s where Eddie expects him to go. He’ll catch Steve if he goes in, or he’ll wait for Steve by the doors until he comes back out—both options involve facing Eddie after Steve had made a total idiot of himself. Both feel utterly mortifying.

So he ducks into the alleyway beside the familiar brick building instead, just to catch his breath. It takes Steve longer than the average bear to sort out his feelings now, after all. Jesus, who’s he kidding? Everything seems to take him longer.

Steve feels hot tears streak down his cheeks before he angrily scrubs a sleeve over them. Of course Eddie isn’t his boyfriend. Eddie’s funny and cool and he’s in a band and he lights up every damn room he walks into—and Steve… well, maybe Steve was something a few years ago when he was in high school, and maybe he was even something before his accident, but now…

There’s a sharp clapping noise that sounds like thunder. A door slamming, Steve’s brain sluggishly supplies. It’s followed by shouting.

“Steve? Steve!” Eddie calls from somewhere on the street.

Steve’s heart feels like it’s going to fall out of his ass. His face is probably still blotchy and wet, his breathing hasn’t evened out yet and his eyes are still leaking like a goddamn faucet. He’s pathetic.

Can’t let Eddie see him like this…

He ducks behind a metal garbage bin, careful not to let anything but the bottom of his sneakers touch the sticky looking surfaces around him. It stinks, like rot.

“Steve?” Eddie’s voice echoes off of the alleyway walls. Steve claps a hand around his mouth to muffle out any of the pathetic sounds that seem determined to escape from him. So much of his body just does whatever the hell it feels like now. Out of Steve’s control, like everything else.

For a few, tense seconds, there’s silence. Eddie’s listening for him, maybe. Steve shuts his eyes and waits him out.

It feels like an eternity before he hears Eddie’s hurried, retreating footsteps, continuing his shouting for Steve. He sounds almost as panicked as Steve feels. Almost.

Steve gives a noisy, wet sniff and does one final scrub of his face before getting to his feet. He starts walking.

As he goes deeper into the alleyway, he thinks back on all the things he’s been wrong about. The fact that Eddie had some of his band t-shirts mixed in with Steve’s clothes… well, that was because they were both guys who wore about the same size, and Eddie left his shit everywhere. It’s no wonder some of his stuff got mixed into their laundry. And the times Eddie’s driven him places? That’s just… what friends do, Steve supposes. And all those times Eddie made Steve laugh? Made him feel like the center of the universe? Well, that’s just… Eddie. He must make everyone feel that way. It’s like his super power. But it isn’t romantic… It doesn’t mean anything more than Eddie being a magnetic person.

Steve is just so stupid. Painfully so.

He blinks as the sun hits him. He must’ve reached the other side of the alleyway.

Steve cups a hand over his eyes and grimaces. His migraine wasn’t backing down. He sighs. Time to head back.

Steve turns back into the alleyway he’d emerged from, only he’s about halfway through when he realizes the color of the buildings on either side of him are wrong. They’re brown on one side, painted green on the other. That isn’t right…

His heart jackrabbits in his chest, but he keeps walking forward. Maybe he’ll recognize the street once he’s back on the other side.

But when he gets there, it’s as unfamiliar to him as the alleyway. Steve turns, looking up and down the road to see if he could spot Eddie, or his van, or the Center. But there’s nothing.

And when someone shoulder checks him, Steve supposes he was sort of asking for it, standing in the middle of the sidewalk like that. He apologizes, but it’s too late. The person’s already out of range to hear him.

It’s as if everyone else is on fast forward while Steve’s stuck on pause. The world keeps moving along while all he seems to be able to do is watch it go by.

Why would he ever think someone as dynamic and spirited as Eddie would hitch his horse onto Steve’s busted up, barely mobile cart?

Stupid, stupid, stupid…

He presses the heels of his hands to his eyes and wills himself not to start blubbering again like a goddamn baby. His life is already one big, painful lesson in humility as it is, he doesn’t need to wallow in it.

Steve keeps walking. Figures he’ll spot something, or someone familiar to him eventually. The pounding in his head’s eased off to a dull ache, at least. Maybe there was something to this exercise and fresh air thing the doctors were always going on about, after all…

The thing is though, Steve doesn’t spot anything familiar. Not even vaguely so, and it’s not until the streetlights turn on that he realizes he’d spent the majority of the day wandering around the streets like some lost dog that managed to slip his leash.

It’s cold too, and all he’s got on is jeans and a polo. It’s October, isn’t it? No wonder he’s got goosebumps all up and down his arms.

Then, he finally spots something familiar; a phone booth. Steve breathes a sigh of relief. He’d just call his parents. They’d come pick him up.

He gets the booth and lifts the receiver before he blanks. A quarter. He’d need that. Duh, Harrington. So he hangs up the phone and pats his pockets until he finds a wallet, but all that’s inside of it are a couple of crisp bills. He’d need to break one.

Steve turns, scans the street until he spots a well lit, invitingly warm looking diner. The joint looks so damn cozy that he forgets to make sure the street is clear before he steps out into the middle of it.

Tires screech, harmonizing with the horn that’s blasting at him—Steve flinches, reaching up to cover his head and braces for impact.

To his great relief, the hit never comes. Which, thank fuck. He can’t afford anymore accidents. As it is Robin’s threatened to make him wear a helmet full-time.

Steve doesn’t listen to whatever the person yells at him, he just hurries to get the hell out of his way of the other moving vehicles.

“Smooth, Harrington. Real smooth.” He mutters to himself as he catches his breath.

He pushes the door to the diner open with shaking hands, but it’s blissfully peaceful inside, and he can actually feel his insides unclench as he stands inside of it.

“Sit anywhere, hun, I’ll be right with you.” A woman’s voice tells him. Steve nods and slips into the nearest booth overlooking the street. Watches the cars go by. There’s even a couple of cop cars, sirens blaring, lights flashing. Steve wonders briefly what sort of emergency they’re rushing off to when the waitress comes to his table.

“What can I get you, handsome?” She asks, cheery and warm like the rest of the diner.

“Uh…” Steve frowns, taking a few seconds to process the question, “nothing. I’m just waiting for my parents to come pick me up.”

The waitress taps the side of the notepad. “Well you gotta order something, hun, or you can’t stay here.”

Steve wants to stay here. It’s warm and smells fucking amazing, like “pancakes?”

She waitress smirks. “Yeah, we got those. You want a stack?”

“Yeah, please.” Steve smiles back, laughing along with the waitress like he’s in whatever joke that’s currently so amusing to her. “I’m starving.”

“You want some coffee too, to help you sober up, maybe?”

“Oh, I’m not drunk.” He huffs out a little self deprecating laugh, “I wish. No, I—uh, my meds, they’re the kind that you can’t mix with alcohol. Coffee too. Bummer, right? Yeah… But, uh, it is what it is, I guess—so…”

He can feel it. The way his mind so often wanders. He’s lost his train. His track. He frowns, eyes drifting towards the street again, watching the headlights zip by.

“…so just the pancakes then?” The waitress asks, jolting his train back onto its rails. His attention snaps back onto her.

“Yeah, pancakes. Sure.” Steve flashes her what he hopes is a charming smile.

She returns his smile and leaves him be, and he lets himself relax. Props his head up on a fist and watches life go on for everyone else but him.

He gets his pancakes, and some juice too that he doesn’t remember ordering, but hey, that’s nothing new. And damn, the pancakes taste even better than they smell. He needs to remember the name of this place so he can come back with everyone. What did the doctors say? Repeat something in your head over and over until it sticks. Repetition. Repetition, repetition, repetition…

It’s around the time his fork hits an empty plate that one of the police cars stops in front of the diner window, lights on, but the sirens are off now.

Hopper steps out.

Huh. That’s weird. Steve wonders what sort of emergency he’s here for.

When Hopper enters through the glass doors, the bell hung over the entry way rings out pleasantly. An angel getting their wings.

His eyes land on Steve and the older man sighs, shoulders falling. Relief, Steve recognizes. Hopper pulls the radio from his belt and says something into it before stomping over.

Then it clicks.

Oh. Steve’s the emergency.

He feels his face heat up. The handful of other patrons scattered across the diner are all looking at him.

“There you are.” Hopper sighs, gruff and exasperated.

Steve sinks into his seat, just a little. “Shit. I fucked up, didn’t I?”

“Just a little.” Hopper chuckles dryly. He takes off his hat and slips into the booth across from Steve, apparently not in any sort of hurry now that he’s found the runaway dog.

Steve runs a hand through his hair, a nervous tic he’s developed. “Sorry.”

“Nah, don’t be sorry. Just strangle Munson for me when you see him next, will ya?” Hopper drops his hat onto the table and waves the waitress down. He orders a coke.

Munson. Eddie.

The memory of how he made a total and utter fool of himself comes rushing back, slamming down onto him like one of those cartoon anvils. Jesus, how did he forget that..?

Suddenly the pancakes aren’t sitting so good in his gut. Feels like he’s gonna ralph.

“Was he freaked out? Eddie, I mean.” Steve asks, cautiously approaching the question. Did Eddie say anything about why…?

“Yeah, him and Robin both. Then the kids found out too—don’t ask me how. I suspect the curly-haired one has an illegal transmitter.” Hopper leans back in the booth as the waitress drops off his coke. He takes the straw out and drinks it right from the glass. Steve waits for him to finish, doesn’t say a word.

When Hopper puts the glass down, Steve just sits and watches the way the drops of condensation run down the cup, distorting around the fingerprints Hopper’s left. “Anyway, they’re all out on their bikes looking for you too.”

Hopper smiles fondly, like it’s something charming and not… pathetic. “You got a lot of people that care about you, kid.

Steve swallows around the lump in his throat, and nods. Tries for a grin, but it’s weak. Probably wouldn’t fool anyone, much less a cop. “Yeah, I’m a real lucky guy.”

Hopper looks like he wants to say something else, but he just takes a breath and nods. Steve’s grateful he doesn’t argue. Doesn’t think he has the energy in him right now to fend off the ‘but look how far you’ve come!’ ‘Your speaking’s gotten so much better!’ ‘It could be a whole heck of a lot worse!’ comments.

“What do you say we get you home? Unless you want dessert? My treat.” Hopper offers with a grin.

“No, I just want to go to sleep,” he says, before remembering his manners, “thanks, though.”

“Alright then.” Hopper glances down at the cleared plate of pancakes and the half finished coke before sliding out of the booth, followed by Steve. He takes out wallet, but Steve beats him to it. He tosses down a few bills, hoping it’s enough. Hopper doesn’t comment, so it must be.

The drive back to his and Robin’s apartment is a solemn one, but it’s strangely peaceful. Hopper’s got the heat on full blast due to Steve’s lack of coat, and the motion of the vehicle along with the darkened sky leaves Steve feeling wrung out in a way he hasn’t felt in a long time.

In fact, when they finally arrive, Hopper’s gotta shake his shoulder to wake him up.

“We’re here.” He rumbles out in his gruff baritone.

Steve lifts his head from his folded arm and looks up at the modest building. He wonders how far they live from the pancake diner. If they could walk there, sometime, him and Robin and Eddie.

But then Steve realizes he never got the name of it. He feels his insides sink. Another thing lost to him.

“Thanks, Hop,” Steve gives Hopper a nod and what he’s sure is a tired smile. “I’ll, uh—I’ll try not to run off again.”

“Ah, don’t worry about it.” Hopper says, diplomatically. “Let me walk you in.”

Steve cringes at the idea. He’s grateful for Hop and all he’s done—especially the part about not making him feel like a complete dummy—but he just wants this all to be over and for things to revert back to how they were. And at this point he’s so close he can taste it.

Steve busies his hands by undoing his seat belt. “No, it’s okay, really—“

Hopper looks like he’s about to argue but Robin damn near crashes out through the building’s illuminated front doors. She makes a b-line for Steve, who’s just barely gotten out of the cruiser.

She wraps her arms around him and doesn’t let go. “Steve! Holy shit, you scared me so bad. I’ve been out of my mind!”

Steve’s arms are trapped at an awkward angle, but he reaches around her as best he can, arms like flippers. “I’m okay. Seriously. Look, not even a scratch.”

She doesn’t laugh. Just squeezes him harder. Truthfully, Steve doesn’t know if he’s okay, but it’s what everyone always seems to want to hear from him, so he says it often.

“I’ve already killed Eddie like three times.” Robin murmurs into Steve’s chest, before finally pulling away. Her eyes are bloodshot, her nose stuffy, like she’s been crying.

“It’s not his fault, Rob.” Steve’s brows pinch together as he frowns, “is he…”

But when Steve looks up towards their building, he can see Eddie standing in the doorframe, his dark silhouette illuminated by the entry way lights. He’s still as a statue, holding open the door for them, arm extended out into the cold autumn night. Steve’s insides squirm.

“You got him from here, Buckley?” Hopper calls from his cruiser and Robin ducks to meet his eye before giving him a thumbs up. She loops her arm around his waist and they start towards their place—towards Eddie.

Before they reach him, Steve keeps his voice down as he asks, “Can I just go to bed? I don’t—I can’t talk about it right now.”

“Okay.” She nods, “I get it.”

But she doesn’t, not really.

Steve avoids eye contact with Eddie when they finally reach the building, and before he can say anything, Robin interrupts. “He’s going straight to bed. I’ll call you tomorrow, okay?”

“Yeah, okay.” Eddie says in a small voice. He doesn’t argue. Doesn’t even follow them back up to their apartment. Maybe Eddie’s even relieved he doesn’t need to confront it tonight. Maybe they won’t ever confront it… maybe he’s hoping Steve’s brain will take care of everything and make him forget. Make it like it never happened. Part of Steve wishes—

No. He doesn’t wish that. His brain’s already functioning at half capacity, he doesn’t want to thank it for fucking up, even if it might make Steve’s life easier.

Whatever Eddie’s expression is, Steve doesn’t look back to find out. He keeps his eyes on his feet, focusing on putting one step ahead of the other.

When they finally arrive at Steve’s matchbox sized bedroom, he doesn’t even bother changing into pajamas, or even out of his jeans for that matter. He just falls into his bed, pulls a pillow over his head and wills himself to let go of the day and surrender to the sweet pull of blissful unconsciousness.

🫣 Oops, I made it worse. But I promise the Eddie and Steve confrontation is in the next part! 🙏 This is tagged angst with a happy ending for a reason.

Tag List: (message me to add or remove yourself.)

@morallyundefined @estrellami-1 @ollieolive @mugloversonly @wheneverfeasible @steddiefication @what-if-a-dragon @wrenisfangirling @yesdangerpls @flustratedcas @scarletyeager @snowstar2368 @starxlark @sofadofax @lawrencebshoggoth @stevesworldxx @jizzing-bastard-600and69 @bambibiest @queenie-ofthe-void @lilpomelito @bananahoneycomb @kaspurrcat @deadwhiterosesstuff @dame-zoom-a-lot @3vilpurpl3d0t @loudmariachibands @steddieislife

[frownyalfred]

Okay, another little lesson for fic writers since I see it come up sometimes in fics: wine in restaurants.

When you buy a bottle of wine in a (nicer) restaurant, generally (please note my emphasis there, this is a generalization for most restaurants, but not all restaurants, especially non-US ones) you may see a waiter do a few things when they bring you the bottle.

The waiter presents the bottle to the person who ordered it

The waiter uncorks the bottle in order to serve it

The waiter hands the cork to the person who ordered the bottle

The waiter pours a small portion of the wine (barely a splash) and waits for the person who ordered it to taste it

The waiter then pours glasses for everyone else at the table, and then returns to fill up the initial taster's glass

Now, you might be thinking -- that's all pretty obvious, right? They're bringing you what you ordered, making sure you liked it, and then pouring it for the group. Wrong. It's actually a little bit more complicated than that.

The waiter presents the bottle to the person who ordered it so that they can inspect the label and vintage and make sure it's the bottle they actually ordered off the menu

The waiter uncorks the bottle so that the table can see it was unopened before this moment (i.e., not another wine they poured into an empty bottle) and well-sealed

The waiter hands the cork to the person who ordered the bottle so that they can inspect the label on the cork and determine if it matches up; they can also smell/feel the cork to see if there is any dergradation or mold that might impact the wine itself

The waiter pours a small portion for the person who ordered to taste NOT to see if they liked it -- that's a common misconception. Yes, sometimes when house wine is served by the glass, waiters will pour a portion for people to taste and agree to. But when you order a bottle, the taste isn't for approval -- you've already bought the bottle at this point! You don't get to refuse it if you don't like it. Rather, the tasting is to determine if the wine is "corked", a term that refers to when a wine is contaminated by TCA, a chemical compound that causes a specific taste/flavor. TCA can be caused by mold in corks, and is one of the only reasons you can (generally) refuse a bottle of wine you have already purchased. Most people can taste or smell TCA if they are trained for it; other people might drink the wine for a few minutes before noticing a damp, basement-like smell on the aftertaste. Once you've tasted it, you'll remember it. That first sip is your opportunity to take one for the table and save them from a possibly corked bottle of wine, which is absolutely no fun.

If you've sipped the wine (I generally smell it, I've found it's easier to smell than taste) and determined that it is safe, you then nod to your waiter. The waiter will then pour glasses for everyone else at the table. If the wine is corked, you would refuse the bottle and ask the waiter for a new bottle. If there is no new bottle, you'll either get a refund or they'll ask you to choose another option on their wine list. A good restaurant will understand that corked bottles happen randomly, and will leap at the opportunity to replace it; a bad restaurant or a restaurant with poor training will sometimes try to argue with you about whether or not it's corked. Again, it can be a subtle, subjective taste, so proceed carefully.

In restaurants, this process can happen very quickly! It's elegant and practiced. The waiter will generally uncork the bottle without setting the bottle down or bracing it against themselves. They will remove the cork without breaking it, and they will pour the wine without dripping it down the label or on the table.

[seokminfilm]

printer problems — vernon chwe

🤍 pairing, vernon chwe x reader

🤍 warnings, non-idol au, fluff, loosely (and i mean LOOSELY) based on the tv show abbott elementary, first-grade teacher!vernon, kindergarten teacher!reader, vernon is whipped, coworkers to ???, lowkey flirting, svt members mentioned as teachers, cursing (vernon says like 4 curse words), awkward vernon ftw

🤍 summary, the seemingly untouchable first-grade teacher vernon chwe has a little (read: huge) crush, and it's on none other than the sweet kindergarten teacher (aka you)

🤍 author's note, i was scrolling on my 'for you' page on tumblr today and saw a post by @miniskirtmods talking about an abbott elementary au with vernon and i was instantly enamored with the idea 😭 yes i know nothing about this show BUT this was just too cute of an idea to exist SO here we are!

(psa: if you don't know about this show, no worries!! there are no references to the show in this because i know nothing about it and don't want to look stupid trying to know 😭 so just enjoy it as a teacher!vernon fic)

🤍 now playing, mutt (leon thomas)

🤍 word count, 924 | for @kstrucknet, @maestro-net

vernon felt like a second-grader, taking his measly lunch of a turkey sandwich and ranch-flavored veggie straws to the teacher's table as he spied out the land.

("spying out the land" meaning trying to find a place to sit among the many teachers that made this underfunded school what it is.)

he could sit with fifth-grade teacher soonyoung who had a worrying obsession with tiger-print clothes, second-grade teacher joshua who all the staff thought was secretly gay, or maybe even third-grade teacher seokmin who also doubled as the school's event planner, music teacher and librarian.

(yes, they were that understaffed.)

all of those options paled in comparison to you, though—the new kindergarten teacher who everyone loved. you had gotten on everyone's good side in just a short time, and all of your students loved you, singing your praises as they went through the halls.

and vernon's in love with you—how? he doesn't truly know? why? well, he can list a hundred things, but over half of that list would make him sound desperate for your company.

(which wasn't all a lie, either.)

so, vernon, like the second-grade loser he feels like, awkwardly makes his way over to the end of the table where you sit, munching on carrots after dealing with a small disagreement between kids arguing about which sour patch kids flavor was better.

"hi, chwe." you smile, eyes meeting his for the ninth time today—not that vernon was counting or anything. that would be crazy.

...that would be crazy.

"hey," vernon tries his best to be nonchalant, throwing his boxed lunch on the plastic, slightly rickety table as he falls into his seat. his wire-framed glasses slide awkwardly down his nose as he looks down at the box, and he feels his cheeks heat up as you chuckle at him.

"your day been uneventful so far?" you ask sweetly, taking a bite of your salad as you watch vernon slowly. he unpacks his lunch, neatly arranging it before discarding his lanyard with his teacher id enclosed and wetting his lips.

"yeah, thankfully. i mean a kid did almost shit in his chair in my classroom, but that's nothing too new." vernon looks up at you through his eyelashes, admiring the sound of your pretty giggles. god, even your giggles were pretty.

"what about you? how's your day going?" vernon asks, finally taking a bite of his food as he watches you scroll on your phone. your hair falls in your face perfectly, obscuring most of your face except your pretty eyes as you return your gaze back to vernon. and that's the tenth time you've looked him in his eyes.

"it's going pretty good! we played with toys most of the day since the printer stopped working, and we—for some odd reason—we went and got the gym teacher to fix it." you say with a confused tone of voice, and vernon laughs to himself, trying to hide it.

that was very true—the school, being critically understaffed and underfunded (double wham), had a small circle of people who were assigned to do different things. mingyu, the gym teacher, was also the last-minute technician at the school.

"mingyu can't fix anything most of the time, let alone a fucking printer. i don't know why we still let him try to repair things." vernon laughs, and you shake your head, shrugging.

"i don't know, i think it's chivalrous for him to try to fix something, even if he doesn't know how to do it. it's cute, seeing him struggle sometimes." you smile down at your food, and vernon's smile fades just slightly, your words cutting like silly scissors.

vernon wasn't one for fixing things—he'd try to, sure, but as soon as he knew there was no use trying, vernon would stop.

mingyu, on the other hand, wasn't a quitter. he'd do what he did without fail, and whether it worked or not, he'd give it his best. and mingyu was cute while struggling to try to fix things? vernon might as well die, then.

who knew that vernon would ever want to switch places with mingyu? he'd do anything to have you talk about him like that.

"hey, i can fix your printer." before vernon is thinking, vernon is speaking, and he and all of his coworkers know how that ends.

you're staring at him with surprise in your soft, doe-like eyes, and god, vernon feels like he's melting on the spot. you're leaning in just slightly, fork in mid-stab as you eye vernon down. "you can?"

vernon knows he can't fix anything, let alone a whole printer, but with you staring at him like that, how can he say no?

"of course i can." vernon runs with the lie, shrugging nonchalantly and glancing down at his watch to quickly regain his composure.

"let me work on it after school. i'll stay late if you stay late." vernon feels a surge of confidence rush through him, and you smile, raising a playful eyebrow as you smirk at him.

"are you asking me on a date, chwe?" you say teasingly, and vernon's lithe lips part to reveal the prettiest smile you think you've ever seen.

"if you want to call fixing the school's rickety-ass printer after school hours a date, then yeah," vernon says with another shrug, and you nod, smiling as the bell rings, signifying the end of lunch. the two of you stand up, sounds of children filling the room loudly as you mouth: "it's a date."

[lexosaurus]

If you're only commenting on a fic to ask for an update or worse, to be passive-aggressive about wanting an update, then please do both yourself and the writer a favor and don't comment at all.

Saying things like "Can't wait for the next update!" as part of a comment about how you enjoyed the chapter is one thing, but just going into the comments and being like "Where's the update?" or "You haven't finished writing the next chapter yet?" or something similar is not only rude, but also I ASSURE you it only serves to make the writer anxious about writing at all.

Fic writers are not content creators. We're not robots. We're real people with careers, families, and other irl responsibilities. Writing is something I do in my thirty minutes before I go to bed to wind down from the day. Whatever I want to write that evening is what ends up getting written.

So by making me anxious and putting pressure on me to update a fic, especially in that passive-aggressive way that so many people do, all you've ensured is that when I open up my folder that evening to see what I feel like writing, my eyes will completely skip over that WIP that I got the rude comment on that day because I Feel Bad about it and now I don't want to even look at it.

So please, just follow the golden rule of "if you don't have anything nice to say, don't say anything at all."

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[starry-bi-sky]

im dedicating this to @detectivedarling. i felt inspired after seeing their little ficlet yesterday sadhjfl 🫶

-

Danny's grip on his cane tightens.

"What—"

His voice cracks. He stops, clears it, then tries again in spite of the nausea twisting in his gut. "What are — you, uh, watching, Bruce?" He sounds horribly far away.

Bruce doesn't look at him, his attention laser-focused on the screen. Which is— fine. It's usually not a problem, Bruce gets like that when he hyper-focuses on a case, and unless it's urgent — or he's been at it for hours — Danny sees no need to pull him away from it. He likes the quiet camaraderie they have, it's companionable and unique to the two of them.

He wishes he was right now though. Looking at him, that is.

That way he wasn't watching what was clearly one of Danny's ghost fights. One of the nastier ones, if the collateral damage and rubble on the street is of any indication.

Danny tries to remember which one that is. He shuffles a little closer to the desk, ignoring the rock in his stomach or the ugly weightlessness in his arms. It's not the blood blossoms, that much he knows. He just recently had an injection so it shouldn't be bothering him this soon—

So it's just nerves. Perfect.

Most footage of his fights are— messy, at best. Unusable at worst. Amity Park was obsessed with appearing 'normal' when they first started happening, and typical news stations censor the worst of the fights anyways for publishing, since they can get pretty gory at times. And ghosts move too fast to be caught on regular standard cameras, not including distance and light and—

That is to say— finding usable ghost fight videos is hard.

Danny wonders how Bruce got his hands on this one, and then stops wondering.

The audio is muted, which is - good. Good, because the fight is ugly and chaotic and clearly this was taken on someone's phone. Fuck, he can't remember if he ever saw that before — clearly not. They're hiding behind an overturned car, and Danny grits his teeth so he doesn't tell that idiot to run.

The camera turns up, and focuses on two figures in the air. It takes a few seconds, but when it does, Danny gets hit with a wave of vertigo. His grip tightens and he leans heavily on his cane, he waits for the black dots to disappear.

He- uh, he remembers this fight now. Uh, sort of.

He remembers being twelve at the time, and he remembers some of the injuries he got out of it. His eyelid spasms abruptly. This ghost wasn't one of his regulars, so he doesn't remember whatever name they had, barely remembered what they looked like up until- uh. Now.

Was he always that small? Well— Phantom's never been particularly big, perks of being a dead kid, but— it's - different. Seeing it from an outsider perspective. Was he that small? Or is it just because he's wearing a jumpsuit clearly too big for him that casts the illusion of being small?

Doesn't really - matter. Now. He can't access his ghost form, and he already knows the answers to his appearance.

Phantom is clearly bleeding, viscous and violently green like the bubbles of a lava lamp, clutching onto a limp shoulder that's missing an arm from the elbow down. Half his face is drenched in similar blood, the eye on the drenched side is closed — not because he can't see through the ectoplasm.

Danny's memories of that fight slowly come in a bit clearer. Right. He took a pole to the eye in that one. That had - hurt. A lot. Getting an eye gouged out usually does. It and the missing arm took hours to grow back.

He rubs his eye with his palm for no other reason than it itches.

The other ghost isn't untouched of any injury either, but he's not in a state of dismemberment like Phantom is.

Danny drops his gaze down at Bruce, whose sitting in his chair with his hands threaded together, looking so tense that Danny half expects to meet solid steel if he were to touch his back. His face is - blank. Terribly blank, with an intensity in his eyes that Danny doesn't see often.

He looks terribly distressed.

He opens his mouth, and finds that nothing comes out. His throat is thick with an ugly, tar-like feeling that makes his eyes sting. Kinda reminds him of when someone wraps their hands around your throat and presses. He closes his mouth, then tries again.

"B—" hhhhhh, "Buzz."

Finally Bruce looks at him, one hand slaps the space button on the keyboard, and the video pauses. His expression doesn't shift, but there's a weight in the lines of his face that reminds Danny of a set of weights sagging.

He looks quite like he's grieving something.

Bruce opens his mouth, his voice comes out terribly soft and heartbroken: "He looks like you."

Which is— a terrifying sentence in and of itself. One that makes Danny's legs shake and ignite his ragged, poison-chewed nerves alight with the need to run. An instinctive urge to deny, deny, deny.

How could he? He could say, that's a ghost, Bruce. I'm not a ghost. He could crack a joke, and ask, 'do I look dead to you?' or say something about how he knows that his parents studied ghosts, but that didn't make him one.

He could say that, and he could say it knowing full well that Bruce would see right through it. He'd probably let Danny too.

Danny closes his eyes. They sting, you see? So does his nose, right in the back like someone popped him in the face. And his throat is thick and gross and like someone stuck a spider, the big fat tarantula kind, right down into his esophagus.

He breathes in — through his mouth, because his nose stings and so it'd be best not to irritate it further with air — and it's terribly shaky and uneven. But it clears a pathway to his lungs big enough for him to say — whisper, really:

"You know, I think you're the first person to notice that."

[lovealwayssay]

I would pay an ungodly amount of money for a Supernatural finale where Dean rescues Cas from the Empty and tells him he loves him too, Eileen comes back to be with Sam, and Jack chooses to live with the four of them in the bunker as a happy family.

[stealingyourbones]

I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.

[oh-no-its-bird]

Kiba meets the ghosts of the Hatake clan and they tell him to go maul Danzo for him. They wanted Kakashi but he's not dog boy coded enough to see their ghosts (bc of lost clan culture Sakumo never taught him or whatever) so they get Kiba bc he is dog boy coded enough to see them

Does this make sense?? Actually I dont care if it does, I just want to see it

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.