#makes everyone work better together <3< /div> Explore tagged Tumblr posts

[bleh1bleh2]

Just a little Post-Training Bonding

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[countlessofvoids]

I'm not a fan of the characterization where Hiccup is the ultimate all loving peacekeeper, but I also don't like when people make him out to be some unforgiving, kills-the-villain-before-they-even-do-anything menace.

Hiccup sees dragons as equals, which means he understands that there are kind and good dragons, just as there are asshole and evil dragons. So he should also understand humans work the same. To me it feels much more mature continuing to try getting the enemy on his side before ultimately deciding to get rid of them, rather than killing them immediately.

Hiccup (and Toothless) should be the bridge to peace between the two sides, not someone who thinks all dragons are pure, innocent creatures while every human is evil and vile. If anything, that wouldn't be Hiccup, but Valka.

[crescentfool]

i just want good things for them 🥺💗

[deus-ex-mona]

when the slowburn makes the ship extra cute~~~

[carnivalcarriondiscarded]

do you ever just sit there thinking about your favorite ocs while violently shaking. god. clenches fist. They're So.

[todayisafridaynight]

[sysig]

Old habits die hard all the way around (Patreon)

[gizdathemxel]

my hot take on purity culture is that nobody knows how to be normal about sex :3

(tw for sex, puritanism, pedophila (?) [not explicit tbh], and shitty discourse)

call me a puriteen n all but like has it not bothered you to ever think of why so many young people are sex negative (definitely not a culture and internet that puts us in sexual situations when we are far too young and far too uncomfortable) ? has it ever bothered u to ask why so many young people are not performing critical media analysis (definitely not a lackluster education and culture that dissuades us from thinking deeper about the media we read) ? when I was a minor I could not tell you how many people i knew (me included) struggled with porn addiction bc we were exposed to pornography when we were FAR too young. young people are taught to be ashamed of and fearful of sex while simultaneously having their sex lives being put on blast 24/7 for others to jack off to, and you expect us to NOT act out about it?

like yes, you are absolutely right that sex (esp queer sex) is a totally normal thing and that you should be allowed to write wtv you want to write and share it among other like-minded people! yes you’re absolutely right that sex is a huge part of queer history that has been historically wiped away and that needs to be preserved !! i will not argue that puritans won’t jump at any chance to censor and shame and discriminate against anyone they deem a deviant!!! that is true!!

but you cannot expect a bunch of young people, still educating themselves, still figuring out their sexual identity in a world that shames and sexualizes them, still figuring out how to truly interact w media to have already know that. you don’t have to educate them but like there’s no need to be like “erm…minors amirite 😒” when a block will suffice

it’s so ridiculously revisionist to act like the internet is ‘sanitized’ or is perfectly filtered out so that minors stay in minor spaces and adults stay in adult spaces. there are people posting porn on tiktok, on twitter, on tumblr, on every fucking platform one can think of (including youtube). it is truly not that hard to encounter adult material even when you’re a minor. people will gladly send you porn or similarly graphic stuff even if ur a minor. you literally couldn’t have looked up mlp on GOOGLE back in the late 2000s/2010s and not be shown mlp porn. there’s an infamous porn video of mlaatr where the main (16yo) character gets raped by rock creatures, and it looks JUST like the show’s art style. so it’s very likely that there’s a generation of people whose very 1st sexual exposure was watching their fave characters be placed in inappropriate sexual content when they were children. so yay learning about sex thru bastardization!!

and combine that with young people who have never actually been taught how to explore their sexuality and instead learned “if ur even horny for a minute you will go to hell and die” ur going to get ill-adjusted young people who do not know wtf theyre doing. u are going to get people who are going to bump their heads a fucking lot.

ill be honest and admit that when I was a kid I was definitely within the puriteen camp bc gw!! I was a queer kid who just started grasping their sexuality in the middle of the pandemic and all I had was unrestricted access to the internet, that gave everything to me at 110%

I am not asking that every space be wiped squeaky clean just in case that a minor might be present, but I am asking to extend a little grace. Drop educational sources a so called puriteen should refer to!! Show how that kind of puritanical thinking can do actual harm to marginalized people!! Don’t get in internet spays w kids!! Just block and move on!!

(also i will forever be giggling at that one comic abt a minor entering an “adult” space and then getting mad at the adults there and calling them pedos just for the ‘adult’ space the op was talking about to be sophia the 1st nsfw fanfic. i literally cant)

[slippery-minghus]

hmm. had an actual conversation with nightmare coworker today that seemed mutually productive. she apologized for saying some bullshit that hurt my feelings and i clarified that my intentions are to help not to undermine her, and we both agreed that there's no competition against each other and that it's the lack of growth in our role that's the problem. it was...productive.

and further cementing for me that it is time to begin making my Exit. i will be sending out my resume to a few places this weekend.

i'm still processing the conversation, and am struggling to place myself in where i am responsible to better my behavior. because i genuinely don't want to be an ass, even though i really don't like this lady and will jump for joy the day i never have to see her again. she stated that she knows my intentions aren't to hurt her, and that she thinks i'm very kind. i apologized for if my behavior came off as undermining her, and said that my intentions are only to better my own growth—and that i know she's trying to succeed too. i validated her feelings, and complemented the effort she is putting in.

where i'm struggling with is: am i in the wrong/causing harm and needing to change if the issue is that her feelings are incongruent with what she knows of my intentions? her feelings are her responsibility (WOW i almost typed "her feelings are my responsibility". i feel like that's a freudian slip) and she states that she knows i don't mean to hurt her. i'm going to try to be more clear in wording my intentions with her (she feels like me trying to take work off her plate is to undermine her. when really, i'm caught up and see her getting overwhelmed, and i want to help and also have something to do since i'm bored).

but i'm really struggling to look at my role in this and pass judgement on myself. i can and want to do better, and i don't think i did anything wrong, but i'm always so hesitant to say it's not my fault or i didn't do something bad. like i can't trust my judgement on that. my intentions were good, her bad feelings are ones caused by her insecurities, which she more or less has expressed to be aware that they are not true—the hurtful thing she said to me, she acknowledged was said out of hurt and not what she actually thinks. so, is it fair to say i'm not the bad guy? i'm not in the wrong? i know good intentions that still result in harm don't absolve anyone, but when the things that are clashing are insufficient communication and reactive insecurities... i'm not a monster, am i?

[phagodyke]

istg one of these days.......

[girlivealwaysbean]

sometimes i miss talking to that one person who didn't NEVER turned it into a competition about who has it worse and never told me well atleast you have [x]

[friendshiptothemax]

I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.

The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.

[ghost-with-a-teacup]

𝐖𝐡𝐚𝐭'𝐬 𝐈𝐧 𝐁𝐞𝐭𝐰𝐞𝐞𝐧

Pairing: Miguel O'Hara x F!Reader

Summary: Everyone at HQ was convinced there was something going on between you and Miguel. Just...no one knew what. But one group of spiders were determined to figure it out.

Warnings: None! Just a lot of goofiness and a whole lot of fluff :3

When you have a superhuman with superior senses, they’re bound to be perceptive to their surroundings. Now when you have an entire lobby the size of multiple football fields filled with superhumans with superior senses, very few things will go unnoticed.

It’s why people very quickly realize that you and Miguel have…something between the two of you. It’s just that no one is quite sure what.

Camaraderie? Maybe, you were one of the first spiders to join the society.

Friendship? Perhaps, but it was known that Miguel wasn’t one to do friends. Not with the amount of loss he has gone through.

A relationship? This one seemed the most unplausible. Miguel was, well, Miguel. Stoick, cold and calculating. Meanwhile, you were you.

You had a light that drew people in, kindness that knew no bounds and warmth like a fire on a cold winter’s day.

Everyone knew the saying ‘opposites attract’, but it was like comparing night and day with the two of you. Regardless, a small little group within the society were set on trying to figure the two of you out.

~

“Ain’t no way the two are together, she’s too good for him!” Hobie argues, his legs kicked up on the table in front of him.

“I don’t know, maybe that’s why they work together. Because she makes him better?” Miles says, but his tone of voice failed to hide his skepticism.

“I think you should just leave the two of them be. Besides, what happens if you figure it out or not anyway?” Peter says, feeding Mayday as he does. Immediately a chorus of arguments breaks out from the group.

“OKAY! Okay, forget I asked,” he says with a shake of his head, while Mayday just laughs at the commotion.

They spot the two of you walking into the cafeteria making conversation none of them could make out.

“Look at them,” Gwen says, “have you ever seen the guy happier than he is with her?” she asks, and Hobie snorts.

“C’mon mate, you call that happy? Mans got that frown tattooed on his face, can he even be happy?” he says, but they all continue watching intently.

You glance over to the table they were surrounding, and they all brush off your gaze pretending as though they weren’t just studying the two of you like specimens under a microscope.

You wave your hand, a bright smile on your face while Miguel only glances over for a moment before continuing to walk. You jog to catch up to him, grabbing a tray and picking up things you wanted for lunch.

They watch as they see Miguel pick up the empanada, the last one left. He pauses for a split second, holding it before turning to place it on your tray. Almost as though they were straight out of a cartoon, they freeze at the interaction.

You seem to be slightly surprised as you, saying something to him but he only brushes you off before continuing on.

“Did…that just happen?” Pavitr asks. Everyone at HQ was aware of Miguel’s fondness for the food (even if he did hurl one right at Miles when they first met), there was no way he would give one away so easily for just anyone, right?

“Somebody pinch me,” Gwen says, and Hobie jumps at the request.

“OW!”

~

Miguel never lets anyone help him out when he’s injured. That was just a known fact. He could walk into HQ battered and bruised and wouldn’t even look in the infirmary’s direction once. After depending on himself for so long, he wasn’t going to stop now. Besides, what were First Aid kits for after all?

The only way he was going to the infirmary was if someone dragged his unconscious body there themselves.

Well, unless you were there.

“Miguel O’Hara I swear to god, you better get your ass to the infirmary or so help me I will tie you up and drag you through the halls myself,” you say sternly as you both reemerge in the Lobby. The rest of the Spiders there continued with what they were doing, but their attention was zeroed in on you both.

“I’m fine,” he says, glaring at you as if trying to say ‘Just try’. Had you been anyone else, you would have backed down by now but you didn’t.

“You wanna test me right now? That was a nasty hit, I will not be letting it get infected under my watch,” you retort, and he puffs.

“This is nothing, I’ve dealt with worse,” he scoffs, and in an instant your finger shoots out, making contact with the side that got hit with the anomaly’s flames. Miguel can’t help the sharp intake of breath as the pain from the impact hits him.

Your eyebrow raises, an expression of disbelief on your face before it softens. Murmuring softly, you say something that only he can hear.

For a moment he studies your face before sighing, finally relenting. With a triumphant smile, you place a hand on the man’s broad back, leading him towards the infirmary with a gentle but firm hand.

There, Pavitr is laying in bed recovering from an awry mission of his own. The doctors had ordered bedrest for the next 2 hours at least. Superior healing or not, they were not going to risk it. So there he lay, slinging his golden bangles up and down bored before he hears the two of you come in.

“Mr. O’Hara-" a doctor’s voice can be heard, but he is quickly interrupted.

“She’s got it from here,” he says, Miguel’s tone final. A small “yes, sir” can be heard before footsteps fade away, the doctor’s office door closing once more.

“You know, you should really let the professionals help you,” your voice can be heard.

“You dragged me here, you can deal with the consequences,” he says, and you just laugh fondly before your voices quieten, murmuring too quietly for Pavitr to hear.

Curiosity builds as he recalls the conversation he and his friends had, and before he can stop himself he shifts silently to the side, just enough to be able to catch a glimpse of you both from the small gap between the hospital curtain and the wall.

There, Miguel sat on the bed, a disgruntled expression on his face but his eyes were soft as he watched you fuss over his side.

He only watches for a few seconds before pulling away, this being a clear invasion of privacy, and his boss’ privacy no less.

It wasn’t going to stop him from telling everyone else though.

~

“This is a bad idea. This is a really, really bad idea,” Miles says, grasping onto the ceiling like his life depended on it.

“It’s only a bad idea if we get caught, so Shut. Up,” Gwen says sharply, hanging from her place on the ceiling as they watched the fight from above.

Gwen had come up with the mighty fine idea of sneaking into a mission between the two of you. It wasn’t often that it happened, Miguel more often than not only went on missions with only Lyla by his side. But when he needed a partner, it was always you.

“Why did you have to bring me with you,” he whispers, “Miguel already doesn’t like me. He doesn’t need more of a reason to.”

“Because I needed backup and you can turn invisible. And let’s be real, Hobie would be laughing his ass off getting us caught, Peter would bring Mayday which would get us caught, and Pavitr is already on a mission, now shhh,” she whispers, turning back to watching the scene below.

You swung from pillar to pillar in the abandoned factory with practiced ease, a carefree laugh escaping your lips as Miguel stands on the ground fiddling with his watch.

“The anomaly’s last known location was here,” Lyla’s voice echoes out, and you let out a sigh.

“Why can’t villains have easy powers. Maybe a giant blob that is easy to take down? Why do they have to be so complicated? What’s this one again, a freaky shadow monster?” you think out loud.

“Where’s the fun in that?” Miguel retorts, glancing up toward you for a moment before turning back to Lyla. “Do a scan of the place, will you?”

“What do we say~” Lyla responds, and you giggle softly while Miguel huffs.

“Please,” he mutters.

“What was that?”

“Please, Lyla,” he says a little louder now, irritation growing in his voice.

“Already done,” the AI snickers, and he groans out loud as your laughter bounces off of the walls, a fist held out for Lyla to bump.

“The two of you will be the death of me,” he says lowly.

“Oh, don’t be like that, grumps. You’d be too stubborn to die,” you retort before tensing up, the hairs on the back of your neck rising with the familiar feeling of your heightened senses at work. The moment you sling yourself up is the moment a loud thud sounds out from where you once stood.

“Oh, I forgot to mention that the anomaly was in the far right corner,” Lyla says before disappearing.

“I really need to do a rewrite of her code,” Miguel mutters to himself.

In your previous spot emerges a dark figure, plumes of smoke emerging and dissipating from its form and allowing it to disappear into the shadows with ease.

With a simple nod, you get to work. Like a well-oiled machine, you work in practiced synchrony, bounding across the walls and slinging webs.

And just like that the anomaly is captured, the force field around it effectively trapping it for the ride back to HQ so it can be sent back to its own universe.

“That was…kinda lame,” you snicker, pulling off your mask

“Told you so,” Miguel says as he opens up a portal for you both, dragging the anomaly behind him.

“Don’t say that to me,” you pout.

“What, can’t handle the truth?” he retorts, a smirk playing across his lips as your bickering voices fade through the portal.

“…was that a smile,” Gwen asks as she watches the spot where they both had stood.

“Was that what it was?” Miles asks, a shudder racking through his body.

~

It was late at night at the HQ, and at this time everyone else had already gone back to their own universes. The few that lingered were the ones finishing up after a late-night mission.

Or, you were Peter B. Parker frantically searching through the kitchen for a bottle of milk for Mayday after a playdate with a select few spiders that went on for way longer than expected.

Mayday was an easy baby. Always happy and smiling, but that all disappears when she was hungry and you did not want a spider baby on a rampage.

“Alright, alright, give Daddy a few seconds to warm up your milk please?” Peter pleads as Mayday continues to babble angrily, crawling all over him.

She pauses for a moment, attention drawn elsewhere as she hangs off of her father’s back before leaping.

“Hey, lil spider!” You say with a laugh, catching her in your arms. “What are you doing here so late?” you ask.

“Playdate with Miles, Gwen and Hobie. Time really flew and she refused to leave until now,” Peter sighs tiredly, and you pat him on the back before putting her up onto your shoulders. “What are you doing here so late?”

You shrug, grabbing two mugs from the cupboard.

“Working late. Like you said, time really flew,” you say, but Peter knew that wasn’t the full truth.

“Working so hard that you need two cups of coffee?” he asks, holding out the bottle for Mayday to take, which is what she does happily as she snuggles up in her father’s arms.

“What can I say, caffeine doesn’t really work on me,” you grin, pouring the coffee from the machine. “Goodnight, Peter, Mayday,” you say, ruffling her red hair fondly.

And as quickly as you appeared, you disappear.

~

People didn’t often disturb the big boss man Miguel when he was working. Not if you wanted to stay on his good side.

It was even less often that someone barges into his room full of screens as he monitors the Archno-Humanoid Polymultiverse, let alone a group of them.

“We heard you talking to someone! And laughing,” Gwen says hesitantly as if she couldn’t even believe it herself. But she was invested in figuring out what the deal was between the two of you now.

“Well, do you see anyone around?” Miguel deadpans, his arms wide and gesturing around broadly. You could barely stifle the giggle as you sat on a beam high up on the ceiling, going unnoticed.

“W-well, no…But!” she says, and Miguel raises an eyebrow which makes Gwen shrink in her spot slightly before recovering. “But we heard you. There was someone here, wasn’t there?”

Hobie, ever the perceptive one tracks his eyes along the ceiling before spotting you swinging your legs with an amused look on your face. It seemed as though no one else had noticed though.

Miguel watches Hobie spot you and his eyes narrow in his direction, as if saying ‘I dare you to say anything’ to which the spider only raises his hands in mock surrender.

“No. There wasn't." He says, his tone final. "If that’s all you’re here for, I have important work to get to. So why don’t you go bother someone else, yeah?”

~

“I give up,” Gwen says, slumping in her chair. “We’re never going to figure it out.”

“Figure what out?” Jess asks, walking up to the group.

“Whether or not there is something going on between those two,” Miles says, nodding towards you and Miguel talking over in the corner of the room.

Jessica only hums, a knowing look in her eyes but she doesn’t say anything. Only asks a simple question.

“What makes you think so?”

“Everyone here knows that there’s something there, even if they want to admit it or not. She’s one of the few people he tolerates, they’re together almost all the time and he actually seems happy around her,” Gwen reasons.

“You could have just asked, you know,” you say, coming up on their conversation with an amused look on your face.

Their expressions range from flustered to simply amused and you can’t help the laughter that bubbles up as you make eye contact with Jess.

“And to answer the question,” you reach down your suit, pulling out a simple chain with a ring dangling off of the end.

“We’re actually married.”

The group goes silent for a moment, eyes wide as they stare at the necklace in your hands, trying to process your words.

Then, all hell breaks loose.

A/N: Hehe, I'm quite happy with this one :3 This is my first attempt at writing Miguel, sorry if I butchered him but I am absolutely hyperfixating on him after seeing ATSV in theatres yesterday.

Based on the prompt by @imslightlycreative though slightly changed :)) I hope you all enjoyed <3

Part two out now!! Read it here.

[sant-riley]

[Touchy feely] [tf141 headcanons]

(Romantic impied Task force 141 boys x gender neutral!reader headcanons :))

Summary: Being the sweetheart of the task force means the boys are not shy about the fact that they're all simps and always want some sort of contact with you at all times.

Consists of romantic/suggestive headcanons for each of the guys and little things they do with you <3

Words: about 1.5k (this was supposed to be short, whoops)

Warnings/Info: Can be read separately but it is intended that they all harbor feelings for you at the same time, possibly out of character for everyone, some swearing, the guys manhandle you, as always, let me know if I miss something!

Thinking about how each of the boys is so touchy with you, it doesn't matter where you are or who you're with, they're shameless.

Other units and teams who will sometimes share the base with 141 know better than to ask questions or directly say anything to one of the guys or you for that matter. Not that they could anyway, seeing as you always have at least one of them attached to your hip.

Price:

Anyone who walks into Price's office late at night to turn something in is used to seeing you next to the Captain on the little dingy loveseat he has in there.

John is usually smoking a cigar, taking care to not blow smoke your way while your head is resting on his shoulder. Your eyes closed as you hum at his words. It's terribly domestic for a military base.

John likes to gently play with your hair while he speaks about missions he's been on, always somehow trying to braid despite not knowing how to for jack shit, whether it because it's you or just the mindless motion, he's not willing to say.

John will usually walk you back to your room after dinner or time in his office unless he's swamped with work.

A small hand on the small of your back while he leads you. It's always a respectable touch, though he tucks you into his side, nodding at everyone you may pass.

If you're comfortable with it, he likes to press a kiss to your head, smiling that goofy ass smile, and tells you to get a good night's rest.

He lets you help him trim up his beard, he won't let you do all of it but he likes the closeness of it, him sitting down while you gently shape it up, tilting his head up and he tries his best to not stare directly at your chest.

The fact that he's letting you this close to his neck with a razor is a sign of trust, maybe small for others but for a man that doesn't drop his guard and doesn't truly trust others, it speaks volumes.

The first time he let you, you were barely putting any pressure and he grabbed your hand in his and showed you. "You're not gonna hurt me, put more force into it, yeah?"

Don't get me started on going out on walks in London with Price, he wraps you up in his beanie and some big leather jacket he has that dwarves you, helping you move through crowds by once again holding the small of your back, or taking your smaller hand in his. (He doesn't correct anyone if they mistake you as married)

He likes to kiss the back of your hand and laughs when it makes you blush and sputter out that his beard is scratchy.

Ghost:

Ghost is a subtle one, he won't actively reach for you or your hand but he does have some part of him against you most times.

Whether it be his leg, arm, or thigh, anything works. A normal place yall will be seen together is in the dining hall, you've both learned to ignore the stares from everyone else.

Simon never eats there, just sits with you until you're finished and then you both move on to either his quarters or somewhere else so he can peel his mask up to eat a bit.

However, while you're eating and telling him about anything under the sun, he'll lean over and wipe some crumbs off of your mouth with his thumb softly, which again, you're used to so okay whatever but Recruits always are taken aback in their seats.

Ghost's reflexes kick into overdrive with you. His hand going to cover a corner of a table 9/10 times before you completely wreck your shit, but when he does miss (sometimes on purpose).

He'll bring a hand up to rub at your head for you, chuckling under his breath before cooing down at you "That hurt pretty? Sure look like it did."

Whenever you two specifically are paired onto a mission, doesn't matter if any of the guys complain, he will share a cot/tent with you. He claims he runs the hottest (he doesn't, it's Johnny but he will not lose on this) and can keep your body the warmest.

He pretty much lugs you on top of him and wraps his arms around your waist, he'll press a hand against your head if you keep fidgeting, rasping at you to go to sleep. He takes great pride in the fact that you're usually out like a light very shortly.

I've said it once and I'll say it again, Ghost likes to hook a finger into your body straps and pull it really hard and let it smack you to get your attention if you're not actively paying attention to him, he'll soothe the area but he's smirking behind that fucking mask.

On that note, he definitely does the "You got something right here." And points at your chest and immediately pull up to flick your nose hard as fuck, he KNOWS his own strength but sometimes your eyes water and he immediately feels bad.

Ghost rests his head on your chest a lot, he finds your heartbeat to be soothing and reassuring, also grunts if you don't wrap your arms around him in return, bro literally shoves his head into you and groans

This is a grown man but it's cute so you let it slide bc he'll never ask for it outright, he just assumes you'll cradle his head.

Soap:

Johnny is the most shameless motherfucker here, I'm talking about draping himself over you, grabbing at your cheeks, ruffling your hair, kissing you dangerously close to your lips (it drives the others mad), he's the most unapologetic about it and will gloat to the others.

Manhandler #1, isn't above grabbing you by your hips and picking you up to move you somewhere, he's literally gone and grabbed you from some rookies side to come stand next to him with a smile and you're just so used to it that you just shrug and go along with it. (He gets slightly jealous, why would you stand next to some random ass dude and not him??)

Throws you over his shoulder, or likes you to cling to his front or his back and just carries you, he says it's a comfortable weight. If you ever dare say you're too heavy, he's gonna go to the gym and work out even more to PROVE to you that he simply doesn't care, he will carry you.

Extremely bad habit of sneaking into your room to fall asleep with you, Price has come into your room many times to see Soap sprawled on top of you, he's drooling and snoring and you're knocked the fuck out (he's like a glorified weighted blanket).

I've touched on this before but he only wants you to cut his hair for him, yeah he can go to the barber on base but he much prefers you and loves it when you scratch at his scalp. He also likes to just have his head in between your thighs but that's something else for another time-

Soap specifically slings you over his shoulder a lot, especially off base where he truly doesn't have any fucks to give.

You're not going to bed because you have other work?? Too bad, shoulder time you go. You're not willing to get up and make yourself food? Good thing he's here, either pick what you want from the kitchen or throw some clothes on bc he IS dragging you out of the house.

Johnny likes to draw on you a lot, it ranges from scribbles, to sometimes his name if he's feeling cheeky (he's drawn it on your thigh before and you didn't notice until Gaz shot you a look), to intricate drawings of whatever he can think whether it be a landscape or an animal.

He always holds you steady and it isn't uncommon for your limbs to fall asleep but it's worth it, if only to see him smile.

Gaz:

Gaz is probably the most secretly clingy person out of the four, he CAN function without your touch but does he PREFER to? No.

His first instinct in any situation is to grab you and shield you, he's the fastest of the four so his body moves without thinking and it's saved you more times than any of you would like to count.

The one mission where you both fell out of a moving truck, he tucked your body into his despite it costing him his shoulder popping out of the socket, you couldn't help but freak out while Ghost moved to pop it back into place.

"Why the fuck would you do that? Look at your arm!" "It's nothing." "Garrick what the fuck-"

When you're out anywhere off base, he's holding your hand, good luck trying to pull away bc he is not letting go. Too bad so sad, resign to your fate.

I think Gaz is definitely good at dancing, at least with you and when the right music is on, you cannot tell me this man wouldn't twirl you around and shit-fight me on it. He'll even lift you off your feet, laughing when you scramble to grab at his shoulders.

He goes stark still if you rest your head on his shoulder, not because he's nervous but because he's worried about waking you up when he knows you deserve a rest.

He'll usually wrap his arm around your shoulder to hold you in place so the heli ride doesn't jostle you so much, gentleness rubbing his knuckles along your arm to soothe you.

Gaz is the one who holds you when you have nightmares, on rare occasions when Soap isn't in your room and you just need to be held with no talking, you always without thinking find yourself in Kyle's room, his arms wrapped around your waist as he tucks your head under his chin, no questions asked.

He'll maybe hum a tune to help you relax but other than that, he lets you lead the way.

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]