#make the headcanon go away

[starcurtain]

Everyone on Twitter playfully dragging Aventurine for his crop top and track pants fit, and while I agree that this is hilarious and should be meme'd into oblivion, I also can't help but think that the Aventurine fandom as a whole should definitely embrace turning "He's kind of tacky, wouldn't know a subtle outfit unless it was picked by Jade, and wears bizarrely out-of-touch fits on his days off just because he personally thinks they look cool" into an endearing fanon character trait.

Because like, canonically? It makes perfect sense.

As a child, his family didn't have the luxury of giving him a wide variety of clothes in different styles or fabrics. He wore what he could get. Then, we're only ever shown adult Kakavasha wearing rags until joining the IPC.

We know from his character stories that he was kept extremely out of the loop on world news and mainstream media as a slave and literally wouldn't know anything about clothing other than seeing it on other people.

From the time he was a child, wearing whatever his family could pull together, to the time he became an adult prisoner wearing literal scraps, there was never a need or even reasonable opportunity for him to learn about fashion or the social pressures of "dressing to fit in."

The first thing he's told to do as a member of the Stonehearts is "Go pick out new clothes," and the next time we see him, he's wearing the most peacock-esque outfit possible. When Jade told him to pick out his clothes, he literally went in completely blind with no lessons on how to appropriately dress for any adult occasion at all.

While I do think that one of the first things Aventurine would have done as a new Stoneheart is research how to establish a certain "character" for himself and how to dress to give a specific impression, I also think that Aventurine would delight in finally, finally having the power to present himself exactly as he chooses--and that would likely be very strongly informed by an entire child- and young-adulthood growing up without a single social pressure to "dress normal."

Given that he never had someone to teach him how to dress in any modern intergalactic style in his formative years, I think that it makes perfect sense for his "fashion" sense to be extremely unique to him, with little outside influence except for being strongly based on what he knows best: the luxuries the Avgin people could gather from the deserts of Sigonia-IV.

Ratio accuses him of being "flashy," but Aventurine likely loads up all his personally-picked outfits with turquoise jewels, fur trim, and gold metal accents because that's what he grew up perceiving as status symbols and signs of prosperity. Of course he's flashy! Why would he not want to wear furs and jewels now that he has them?! What do you mean wearing six gold bangles is overkill with a t-shirt? No such thing as overkill, come on!

Topaz dropping the Star Rail equivalent of "You look like what would happen if Fashion Week was themed on the yakuza and the Roaring 20s at the exact same time" every other month.

"Well, I think it looks great!"

tl;dr: Aventurine can definitely do his research and blend his outfits into any scenario if needed, but when left to his own devices, he absolutely wears the most over-the-top and/or bizarrely unmodern and "I couldn't care less what is currently trending" fits because no one ever taught him fashion sense when he was growing up, he's finally got the autonomy to dress himself in whatever he thinks looks best, and he's still a little bit drunk on the opportunity to bath in the natural luxuries he longed for but could never have as a child.

Just sayin'.

[medicalunprofessional]

never change, man !

[sysig]

Strictly professional showering (Patreon)

[anlian-aishang]

Levi with an (Episodically) Depressed S/O

Tags: levi x reader, angst, hurt-comfort, gn!reader Word count: 900

Levi invites you to shower with him, making the obstacle less daunting and much more attractive. In his black robe, leaning on your bedroom door, two towels slung over his arm indicate the knowledge that you will say yes and accompany him. The way that he looks, the low plea in his voice, how could you say no? 

It would be more accurate to say that he was bathing you, but he does not phrase it that way. Instead, he is humble, letting his actions speak louder than words. He does not tell you that he will shampoo your matted hair, does not flaunt how deliberately he exfoliates your limbs, he just does them for you. Some days, even just tipping the bottle or pumping some soap into your hand can seem mountainous. On those days, he sees those activities not as tasks, but as privileges. It is his honor to be the one looking after you in your most dire time. He would always prefer someone to take care of rather than someone to miss. 

Showering together not only ensures that you stay clean, but his company prevents you from those timeless sessions sat on the tile floor. At the moment you look refreshed but before you become sleepy, he jerks the handle to the left and halts the devastatingly relaxing rain. 

Always, your clean clothes are already folded atop the bathroom counter, waiting for you. Some times, you fail to remember that you did not put them there. Other times, you notice the sign of his relentless consideration, but are artificially silenced from expressing your gratitude. No matter in his mind. You are clean, clothed, and out of bed, and that’s already better than you were before. 

Without one complaint, Levi scoops your dampened towel and old clothes from the wet bathroom floor and drops them in the hamper for you. He has seen the piles that can amass, and if it were anyone else in any other circumstance, the clean freak would be quick to chastise, but any sight or thought of you disintegrates any instinct to discipline. You are sat in the living room, admiring the ivy that swirls around the balcony’s posts, thumbing the petals of the bouquet vased on the coffee table. White-gold rays move just a tad west to cast your figure in therapeutic light. You’re too tired to move away from the sun, and for once, Levi finds your fatigue favorable. As the morning temperature rises, he can see that your resting smile does as well. 

While you are entranced with the scenes of summer, Levi swiftly searches for and alleviates the areas you have left neglected. He dumps your sock drawer upside down and mends the pairs that you have discarded as singles. In your closet, he finds the clean pile and dirty pile and either folds it or washes it accordingly. Under your bed, on your nightstand, in your bedside drawer, he discovers the dirty dishes that have been missing the sink and returns them to their proper place. 

Between those tasks, he rolls his shoulders back or rubs the side of his neck and allows himself to sigh. It is difficult - not to bandage these tiny wounds - but to see the harsh bruises left by the illness. Sure, you were forgetful, and not quite as tidy as he was, but still - the mounds of laundry, hidden dirty dishes - this wasn’t like you. Levi lives for your joy - not the superficial smile, your peace - not the misleading silence. He lives for you - in sickness and in health. The times you forget your worth, that is when he whispers it in your ear. When the world is overwhelming you, he lets his touch communicate it. 

Once your space is in order, he can start to work on getting you to leave it. Rather than annoying reminders or obligations, he mindfully manipulates the steps of treatment into desirable invitations. Rather than Do you want to… or Would you like to…, his proposals are statements, taking the responsibility out of your hands. Concerts in the park this afternoon. Let’s go to the farmers market. Apple orchard just opened.

Or even less far away. 

Plants look thirsty, water them with me? Rain just cleared, read on the porch with me? Full moon tonight, stargaze with me?

To you, with me frames the activities, frames your presence as favors for him, and even in your lowest state, you are always keen to help him with anything. To Levi, it is no framing, your relationship is the greatest gift that fate has bestowed on him, and he treats you as such. It is in his selfless actions and his careful words, but it is more than that, traits you can’t quite categorize. The near flat, subtle smile you wake up to in the morning. The tight yet painless combs through your hair that leave you feeling divine. The low, calming timbre of his voice, decorated with a tender tone that he reserves for you. 

Even before the haze you’re in now, you’ve never been able to label those qualities of his, and instead settled: it’s just who he is. 

Like the sentiment that motivates his care: it’s what you deserve. 

// masterlist //

[meamiki]

Happy Anniversary In Stars and Time!! Have some Friend Quest based drawings :D

(These have specific quote picks related to them! And there's also a long ramble on why I like those specific quotes below if interested)

(And by long, I mean roughly 2k+ words of proper ramble total, so be warned before clicking keep reading this link right here to the rb!!)

[turtleblogatlast]

The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.

I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.

It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[dykedvonte]

Honestly I see Jimmy's refusal to put Curly out of his misery less about his weird feelings of envy or his delusions but the fact Curly is all but stated to be a shield to Jimmy from his actions and people seeing the worst in him.

The only characters that Jimmy really interacts with one on one before the crash are Curly and Anya, two individuals he has wildly different relationships with. It's likely that Curly really did most of the talking between them as the pilots and the rest of the crew as staff. They didn't know of Jimmy's more reprehensible behaviors cause they never really had the chance to and Jimmy is subconsciously aware. If they had disliked him more than Anya would have told Swansea earlier or even Daisuke when things got really bad.

It's why he takes the immediate opportunity to blame Curly; He's the shield. He's saved Jimmy's ass more times than he can count and more times than Jimmy would ever admit. Even when he can't really do it anymore, he mentally shields himself from his own faults by putting Curly between them. Letting Curly die puts too much on him because he doesn't know how to function without a safety net.

In the end Curly only lives because Jimmy needs the idea that Curly will inevitably make things better to stay alive, meaning Curly has to live, no matter how much it pains him to do so.

[non-un-topo]

Thinking about the sniper duo

[thatcatangelwriter]

annabeth doesn't talk about what luke said when he came to her house asking her to run away with him and no matter how hard the others try she won't say anything.

[okaybutmakeitgayer]

Frost usually wakes up in the morning early. It gives him time to meditate, to think in the quiet. He has a routine set and everything. Yet sometimes that routine is interrupted when he wakes to his pain acting up. Sometimes it’s cramps. Sometimes it’s that pain in his legs. Sometimes he just feels like crap. Instead of getting up, Frost will stay there in his bed. Gricko will come find him after a certain point if they aren’t already in the same space. They barely talk, few words exchanged between the two, as Gricko moves to be beside Frost, offering a healing spell for some relief. And they’ll just stay there for a while.

[sukibenders]

"Rhaenyra isn't the stepmother, she's the mother who stepped up!"

The HOTD writers themselves are hardly doing anything to support that narrative, so I take this rhetoric with a grain of salt. While I think, in some way, Rhaenyra does care for Baela and Rhaena....if I had to point out a motherly figure for them that could pose as someone stepping in Laena's place, Rhaenyra would not be it.

[thefriendoforatioisdead]

I think in terms of timeline, it would not be impossible to believe that Kris and Karn are at the hotel at the same time as Wan and Pleng

Which means this hotel is witnessing a very high level of sapphic activity

[melonthesprigatito]

Honestly, I think it's hilarious that the Detective Pikachu movie managed to slip in a blatant reference to Dynamaxing with that entire Torterra garden scene and absolutely NOBODY noticed because the movie came out before Sword and Shield did.

First time I watched the movie, I was like "Oh, I wonder what kind of fucked up unethical experiments that lab did on those poor Torterra to make them grow so big. :(" but when I rewatched it during quarantine after I played Sword, it dawned on me that they must have pumped the Torterra full of Dynamax particles.

Like, this movie and SwSh were probably in development around the same time so I bet some writer on the Detective Pikachu team was just sitting there like "Wouldn't it be funny if we had this entire scene with a game mechanic nobody knows about yet, so when people rewatch the movie later, they'll be like "OH YOU MOTHER FUCK-"

[blooky8]

i highly doubt we have a single allo person on the team

[turtleblogatlast]

I like to think alternate Leo was about 17 when he got ricocheted into the universe. I also like to think he turned 18 at some point as he was still away, becoming an adult and meeting that milestone in his life all alone.