#made this so all you can get to the good stuff easier

[yogsandchaos]

Been a bit and definitely nothing has happened so I'm gonna...

7. Mental health should be taken seriously, but be wary of when it's used to distract from real issues. The fact someone did a bad thing should not be forgotten even if the results have hurt them. Instead facts like "no one deserves an internet witch hunt and death threats" along with "even still you did a really bad thing" can and should both be taken equally. At the same time though, give people at least some grace when it's brought up and don't immediately assume it's a distraction. It very likely feels important to the person bringing it up and like it's worth mentioning especially when in those headspaces. TLDR Don't be guilted, don't let guilting go unchecked, but don't inherently assume guilting was intentional and not just a poor decision made earnestly

8. People are inherently biased towards their own favor and view of events. If someone genuinely believes themselves to not have done something wrong, insisting on that is not gaslighting or anything, it's simply a different perception. Someone can be wrong without doing it on purpose, in fact this can be rather common. Don't take defensiveness and reframing as a sign of guilt, that's just how humans work.

9. Everyone involved has more information then you, random person on tumblr, it's good to get both sides, but do not presume you know everything, no one is ever 100% completely right about everything on a developing situation. You do not know these people's, you do not know the full extent of whats going on, they are not your friends. I understand the defensiveness, but you gotta remember this isn't your beef. Form your own opinion yes, but be aware that facts can change and that the truth is usually a bit more complicated then you might hope.

10. Cancel Culture is much more complex then just "100% good" or "100% bad" it's a hard to control tool that can have severe consequences, but like all tools it depends on the use and applications. Be careful on how you use it, and be understanding when people speak out about how dangerous and potentially life threatening it can be. Don't feed flames that don't need to be fed and especially don't misuse it as an excuse to be vicious towards whoever is on the weekly chopping block.

11. People can be wrong and support someone they shouldn't, this isn't a reason to immediately condemn them and cut them away as helpless, but a reason to learn more about why and their own opinions. It's an invitation for discussion, not an immediately burned bridge. Nuance good! Especially don't expect people to immediately cut off people they were close friends with for long periods of time, even if it turns out they were wrong about them, people wanna defend their friends and family, especially with how violent cancel culture can get.

12. The best thing you can do about an unfolding situation like this is to let the actual people involved settle things and do the arguing and fighting and stuff, and to simply stay somewhat informed and double checking that the information is correct. Like, make memes and jokes, but don't take it upon yourself to try and get actually involved, you'll just make things messier and more confusing with how fast disinformation can spread. Screenshots can be faked, deepfaking is a lot easier these days, I'm not saying to not believe everything ever, just, remember to further check things.

13. SENDING DEATH THREATS IS ILLEGAL, DO NOT SEND THREATS, YOU'RE GOING TO GET IN TROUBLE IF YOU SEND ANYONE DEATH THREATS OR JUST THREATS, ESPECIALLY IF THEY ALREADY HAVE LAWYERS INVOLVED IM CHOOSING TO BELIEVE MOST PEOPLE WOULD NOT DO THIS, BUT FOR THAT LIKE 2% THINKING ABOUT HOW FUNNY IT WOULD BE, YOU CAN GET IN A LOT OF TROUBLE DO N O T .

14. Don't call people narcissists or psycho, or anything, I know that's asking a lot, but at least try not to be ableist about this. The word you want is not narcissist, it's "manipulator." It's scummy to immediately assume anyone who does anything bad has to have "bad person disorder" something that does not, and never has existed.

15. Remember people who hurt others or do bad things are very rarely giant supervillains pulling the strings with dozens of scripts and plans to manipulate and twist everything. They're just a person, a person likely with some sense of entitlement. That's it. You don't gotta be a smart Machiavellian master villain to hurt someone or do something scummy. You just have to feel like you're owed something, you have been wronged somehow, or that you are an exception to something. Anyone can do that. It's basically never a big grand chessmaster plan, it's just a person who likely genuinely does not believe they did do anything wrong, or that whatever wrong they did wasn't actually what people are taking it as.

16. Continue to be nice and patient! Just, be nice, I cannot stress enough how much being nice and patient can make things easier to deal with when it comes to discourse. Like, do it for your own sanity at least, don't get in fights, or yell at people, or stay up to 3 am putting up a red string board. Be nice and patient.

17. Almost forgot, but just because one person is worse doesn't mean you shouldn't call out when the other is going too far. You're allowed to go "this person is bad, but i find this reaction or statement about it to be uneasy or uncomfortable" that's allowed, nuance nuance nuance. Someone can do something wrong about or to someone who has done harm, and the fact that they have done harm does not inherently mean you have to turn a blind eye to it.

The hermit community is pretty old so I probably don’t have to say this, but I know a lot of people in the fandom are young; but here’s a few tips from an old school yog fan

1. just because someone has left or did a bad thing, doesn’t mean you’re a bad person for enjoying the content, along with still wanting to watch that old content they did or were a part of

2. Just because someone has left or did a bad thing does not mean you cannot continue to make fan content. While it’s understandable if you don’t make more or remove art you have made, you are also not bad if you don’t. YouTube is all about collaboration and transformation. Fanart? Fanfic? Cosplay? That’s all transformative, you don’t have to stop making a new thing from the old thing. It’s fully in your right to do so, but it’s not required.

3. Do not harass people about whether they do or don’t make art or delete art, it’s transformative works and personal choice, the most you should do is ask for it to be tagged so it can be filtered.

4. Don’t harass the creators either, it’s clearly been handled and handled well. If this was a case of it being ignored for years by the company or group (COUGH SJIN YOGSCAST COUGH) then it would be more complicated, but it’s a solved issue. Don’t harass iskall or stress either

5. You are allowed to hold off on making a value judgment until you have more information. We don’t have a lot of information and things around kids media tend to be a lot more stricter then adults for what’s appropriate. so it could be a lot of different things of highly varying morality ranging from assault to a bad case of public intoxication that didn’t fit the child friendly brand of the Hermits. We don’t know. Especially about Stress her resignation and how it relates is a near total mystery right now.

6. Be kind to each other, and remember the people you watch are people, and people do dumb or fucked shit sometimes, it sucks, but these are just people, hopefully it’s something to be grown from by Iskall and not something life ruining, but let this remind everyone to not put people on pedestals as unproblematic. Every hermit has probably held an opinion or been a part of something you’d find distasteful, that’s just what it means to be human. It’s up to you to decide where your personal line is and your comfort levels on that stuff, and no one can make that choice for you.

[strzxrin]

Okay so since you were making me WHORE on main let me just - let me come in here with a - AHEEEM !!

Karanveer with a fem!reader who's a bit inexperienced but not overly! She's really willing to try new things out with him and like, she's got a bit of cockiness on her in the sense of —

"ooohh, you're always so gentle" and "I can handle it baby, come on, let loose won't you?" bc karanveer has been like, relatively gentle and easier on her because this man KNOWS his stamina

And then one day he gets fed up of her constant teases and attempts at riling him up that he just lets her have it. Showing her just how much stamina he has and like. . . Fucking her out completely. Overstimmed and DROOLING I tell you. Nddd likkeee *twirls hair* he's all mocking and stuff with it : "l thought you could take it" and "this good enough for you?" AND AND AND ANDXJXJXKKXD

I'm so sorry you induced this now he prepared 😔

. . . she just went to heaven and back !

in which . . . you pushed him far too much that he snaps and gave you exactly what you wanted.

cw. fem!reader, dumbification, size difference, impact play, overstimulation, degradation, edging, cockwarming, rough play

pairing . karanveer singh x fem!reader

half orc x reader , jock x reader , dominant!character x reader

notes . slut (affectionate)(derogatory) — kiddings. but i’m glad i made you turn this way with karanveer. he’s just a silly guy (who’s wrecking your pussy) trust!

masterlist . character wiki

he always tries to be gentle with you. he’s a massive guy, and he can’t help it — he doesn’t want to accidentally break you when you’re already so small to him. he has the patience of a saint, but you somehow manage to make him lose his cool whenever you keep pushing it.

so here you are, being manhandled by him. he’s fucking you in full nelson, your back against his chest, his arm wrapped around your thigh while the other is on your abdomen, pushing against the bulge that was peeking.

your cheeks were stained with mascara tears as you babble incoherently. “i thought you could take it, meri jaan. where was the confidence, hm?” he was bullying your poor cunny with every thrust and you can’t help but moan even more from the position. your boyfriend who would whisper praises into your ears whenever you guys fucked, is now making your mind melt with overstimulation.

you feel the hand that was on your abdomen reached lower before he slapped your clit, making you squirm in his arms, almost trying to run away but you couldn’t due to both his strength and the position. “where are your words, pretty girl? or did it run away just like how you’re doing right now?” he was being so mean, his cock pounding straight to your womb with every thrust and it hurts so good. but you swore you couldn’t cum anymore.

“ka-karannn! can’t.. m’can’t cum anymoree” your words were slurred together as you hear a hum through his grunts “yeah?” he places you down on the bed, and you thought you would get a break but he just positioned you with you on your knees and your ass up. he pushes your head into the sheets as he continued to thrust into you.

he has enough stamina to break your mind over and over again, and he would always hold back, but because of the little stunt you pulled, he’s not holding back anymore. you were about to cum again before he pulled his cock out at the last minute, making you whine aloud. “hm? what was that? i thought you can’t cum anymore” you shuddered at his words, your orgasm being taken away before he pushed his cock into your gaping pussy.

you moaned into the sheets, trembling before he leaned down and his lips near your ears as he whispered “since you wanted to be such a brat today, then it’s only right if i treat you like one, slut.” and he continued to put you through the cycle of pleasure and just when you were about to cum, he’d pull out at the last second. 

he wasn’t going to hold himself back anymore — and it seemed like you even like that thought too.

[cloverapple]

hiii! i came across your blog yesterday, and i love your advice. that's why i feel like you would be the best person to ask these questions that I've been having for the longest time (sorry, long read ahead).

I've studied LOA for the past 2 years or so, and even though i have a good understanding of it, there are some things that always trip me up when it comes to shifting.

how do i deal with waking up to the 3d? yes, by assuming that you are in your dr and that you shifted last night. that's the most logical answer. but even though i know that, sometimes it is a lot easier said than done. for example, a few days ago i wanted to manifest shifting by simply deciding i could shift on command and that i am there. i could be 100% sure the day before that it would happen. the whole day, and even a few days after that I'd stay in that state of being a master shifter, and i would feel amazing because of it. but it's like there always comes a point where i wake up to the 3d and i get discouraged (yes, i acknowledge that i am manifesting that reality by saying this, but i finally have to get this off my chest). my thoughts get all messed up and i start spiraling, returning to my previous state. i start questioning myself a bit and feel down. the main reason for that being time.

it took me so so long to figure out this issue about myself. I'd be like: how long is it gonna take? when will it happen? i know i have it in the 4d but when will it appear in the 3d? having it in the 4d isn't enough, i need to have it in the 3d right now. stuff like that. i find it very difficult to formulate my thoughts, but basically I'm in a spiral of:

watching a video/reading a post about LOA/shifting that reminds me of how easy it is -> applying LOA to shifting/any desire in a way that feels good for a few days at most -> starting to question myself after a few days because it hasn't shown up yet in the 3d (which is caused by me forgetting the role the 3d plays and how LOA works) even though i did everything "right" (e.g. letting go of control or the outcome, deciding, not wavering, etc.) -> falling back into a state where i question how i can shift, what i am doing wrong, etc. -> repeat

how can i break out of this cycle?

i think the main problem here is time and in general the 3d.

i know that the 3d is not a measure of my success, only made up of my current assumptions etc. i know that. but it's like i forget it once i step into the state i wanna be in and stay there for an extended period of time.

i always hear people say that "time isn't real" but i still don't really know what that means, how to apply it or how to internalize it. i really need that mental "click" to finally understand it and use that concept in my favor. because my problem is that with manifesting/shifting, after a while i start asking questions about why it's taking so long the 3d. for example, most nights i fall asleep with the assumption that I'll wake up in my dr (while letting go of control and not wavering) the next morning. but when it doesn't happen eventually, i start to question why, because since time comes from consciousness aka me, it should work in my favor.

I'm honestly so lost right now and i would really appreciate some help because I'm spiraling again. I've known about shifting since 2020 but only realized how ridiculously easy it is after joining tumblr this year and yup, i acknowledge that i am desperate to shift, preferably right now. it's not something i admit to anyone or myself because that's basically continuing to tell a story i don't want to experience (a surefire way to fail), but it is unfortunately the truth as of right now.

thank you for reading, i know this was a lot to get through!! (*^^*)

So pause for a second, because I’m going to tell you something I hope to ingrain in the mind of everyone who sends me an ask—and that you need to remember before reading everything I’m about to say:

YOU ALREADY KNOW HOW TO SHIFT. The ability is inside you right now. The moment you read this, your mind already knows how to shift. Everyone does.

The moment you accept this, you solve half of your problems.

And then you tell me, "But if I know how to shift, why isn’t the 3D reflecting that?"

Well, yeah. You painted the house, and now you’re sitting there watching the paint dry.

Look, watching the 3D closely and looking for results isn’t a problem for some people. Some can assume, “I’m already in my DR,” open their eyes, and BAM—they’re in their DR.

Some people assume, “I will shift tonight,” and just like that, they shift that night.

Some people let go of their DRs, stop putting them on a pedestal, and they shift.

Some people clutch their DRs close to their heart until their knuckles turn white—and they shift.

It sounds a lot like you’re forcing yourself into a method of applying the Law of Assumption that doesn’t serve you. Why?? If you recognize that your issue is focusing on time and constantly checking the 3D, work around it. Remove time from your shifting journey.

I don’t like assuming I already have something, then checking the 3D and not seeing it there. Hell, I can shift on command, and yet, if I were to lay in bed right now and tell myself, “I’m in my DR,” I guarantee you I wouldn’t shift. Why? Because that doesn’t work for me.

My dude, change the way you affirm. If affirming in the present (“I already shifted”) doesn’t work for you, change it! Say, “I’m going to shift.” If even that hasn’t been working, let go of implementing time into your affirmations.

Change “I’m going to wake up in my DR in the morning” to “I’m going to wake up in my DR at some point because I KNOW I can shift.”

Change “I’m in my DR right now” to “I can’t wait to be in my DR.”

Remove time from your affirmations and assumptions, because that’s clearly the problem here. Instead of trusting that you’ll shift tonight, trust yourself because you already know how to shift. Or trust your mind because it knows how to shift. Trust your awareness because it knows how to shift.

“I fall asleep with the assumption that I'll wake up in my DR (while letting go of control and not wavering) the next morning.”

If this were completely true, you wouldn’t be sending me this ask. You wouldn’t be doubting yourself as much as you just did in everything you typed. Truly letting go means releasing the need to see results in the 3D.

So, take time out of your assumptions. From now on, say “I will shift.” Or say, “I already know how to shift.”

Your brain then goes: “……???….uh….” looking at the 3D all confused “When? We haven't shifted!”

And you tell it, “It doesn’t fucking matter because I’m going to shift eventually.”

Now, let’s say hypothetically, one week passes and you haven’t shifted. One month passes, and you haven’t shifted. Two months pass, and you haven’t shifted.

And then you come back and say, “Clover, why the heck haven’t I shifted yet? It’s been (insert amount of time). You told me to remove time as an expectation, so why haven’t I shifted yet??”

And I’ll smile at you and ask, “So you’ve been counting the days?”

Let me tell you something about letting go—and hypothetically, ignoring the 3D.

Treat your ability to shift like your fortune. You have a fortune sitting in your bank account right now, and you’re rich. Do you think a rich person checks their bank account every hour to confirm they’re still rich?

"Well yeah, Clover, because a rich person’s reality already reflects that, they’re sitting in a mansion with all their riches."

Your fortune, what makes you rich, is your ability to shift. You already know how to shift. Shifting isn’t something you learn how to do, just like breathing isn’t something you learn how to do. Just like chewing isn’t something you learn how to do. It is an integral part of every human being. If you have awareness, then the ability to shift exists within you.

You don’t learn shifting—you learn yourself.

You learn what makes you shift. What makes you manifest easily. What makes you assume easily. What kind of affirmations your subconscious doesn’t argue against. What makes your self-concept skyrocket.

Because everyone is different, everyone shifts differently. What works for Person A might not work for Person B. What works for Person B might not work for Person C, and so on.

Even my reply to you, it might not resonate with you. But that’s not my fault, and it’s not yours. If that's the case, your job is to look elsewhere—and, in the best-case scenario, look internally because that’s where the answers always are.

Let’s go over your fix options because I just yapped a lot:

YOU ALREADY KNOW HOW TO SHIFT.

Remove time from your affirmations and assumptions. Removing time from your shifting process makes it so you have nowhere in the 3D to look.

Stop paying attention to the 3D and pay attention to yourself because what’s going to shift is your awareness, not the damn 3D. Every time you catch yourself thinking, “Oh, but it’s not showing up in the 3D,” remind yourself:

A) You already know how to shift.

B) Shifting is something you can do.

C) It could happen at any moment, so why should anything else matter?

If you were promised a million bucks from a 100% trustworthy source, would you spiral?

One more thing before I wrap this up:

It could be that actively using the Law of Assumption isn’t what works best for you. Maybe you work better with visualizing. Maybe you induce the feeling of being in your DR or being a "master shifter." Maybe subliminals work better for you. There is a world of options out there, and it is completely useless to force yourself to do something that's only bringing frustration in the end. Because there is no singular way to shift. There is no singular way to manifest. And sometimes—for some people—while the Law of Assumption is always true, focusing on it directly isn’t what serves you.

[yamisnuffles]

DATV negative under the cut. Shouldn't need to be said but all very much my opinion and tastes, etc etc etc

At the end of the day, my biggest problem with Veilguard is that it lacks real replayability for me. But Claire, you might say, you've played four Rooks. And, fair, but that has been putting it on the easiest difficulty (which is turn off your brain easy) and skipping at least 75% of the dialogue each replay.

But that actually brings me back to my main complaint. I might have made four Rooks but it feels, at best, like two and only with very heavy headcanon at that. I made the opposite choices my second playthrough for everything, big and small. On paper, those two characters should have felt significantly different. One was a snarky human mage from Tevinter and the other was a straight forward, serious elven warrior. But, aside from different faction flavor dialogue and other minor changes (a bit of mage stuff for one and elven for the other), they fundamentally felt like the same person. There are a few reasons for that.

Each prior game gave ways to make the protagonist feel like an individual each time. The origins in Origin have a strong staying place to conceptualize who your Warden would be. Although the game was, imo, not terribly reactive to that after, you at least had lots of personal dialogue choices and you could make very different choices through the story. Then, in DA2, you were always Hawke but who Hawke was could feel substantially different. The game had a still unmatched personality system that would even change your ambient dialogue based on that personality. As such, a red Hawke spoke and reacted very differently from a purple Hawke and you even had different opportunities to get through some quests depending on that. Then in DAI, your background opened up different dialogue choices and the world would react to you in different ways. A non mage human noble would have a much easier time in the Winter Palace than, say, a mage qunari.

The second point, which is true for every prior game, is that your relationships with your companions could be very different. On DAO you could kill your companions or they could try to kill you if they disagreed strongly enough. I personally don't like the option to kill companions for various reasons but my point is that your relationship could range from besties/lovers to outright murderous contempt. DA2 has the friendship/rivalry system which, while it had its flaws, resulted in very different paths with companions. The companions also started to ask after you more and you might even be integrated into some banter. DAI was less extreme than the prior two but you could still get different paths with companions based on how much they liked you. Cassandra might get drunk after you're named Inquisitor, you could punch Solas and Dorian, and so on. The companions also reacted a lot to things you went through in the story and even to your specialization.

Finally, every class feels kind of the same. They're all relatively enjoyable but it doesn't really feel substantially different to play a mage, rogue, or warrior. Each class has very limited amount of abilities and they've all been made to feel a bit magical. This isn't quite as big from an RP standpoint (though it is still a thing for me) but it does hurt replay since a fair part of the game is fighting.

How much any of these things worked for players sort of boiled down to personal preferences but they were at least there. Romances wouldn't trigger or might even be broken under certain circumstances in other games, while the only thing that matters in DATV is that you flirt with them. Approval is meaningless. The only major difference in how you interact with them is pretty much just whether or not you talk to them at all/do their side quests. Otherwise you're always on good terms with them and they with you. Also, aside from the choice between Minrathous and Treviso, there simply aren't big choices that can be played differently and the small choices don't much matter. Most of the companion choices have superficial changes at best for them, with the exception of Emmrich.

What was the only thing that made the game feel different? Very, very thorough headcanon. Playing as Kieran felt different not because of anything the game did but because of work I put into it. Which, if that's all you ever want, that's fine. For me, the only thing that kept me making other Rooks was a desire to see certain romances. When I replayed the other games, I never skipped dialogue but this time it all feels so samey that it feels like there's no point in playing through it.

At the end of the day, I feel like Veilguard works best if you're a one PC kind of person. I've liked all my Rooks but that's bc I like the general person Rook is. I like the character creator, which is also enough to get me making new characters. I still don't think it's a bad game but it found new ways to disappoint me in ways I didn't expect for a BW game. I very much understand there are reasons it is the way it is but it's still a bummer when it's very, very likely there will never be another DA game.

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[spaciebabie]

see i absolutely despise jimmy (and curly) as a character(s) but as a literary freak i can appreciate the way hes used as a story device with his relationship to curly. i could type this more eloquently but currently ive had a glass of champagne and i havent drank in like 6 months so my tolerance is low so forgive my writing but. jimmy cannibalizing curly. yeah.

theres multiple messages here, theres the message that jimmy is doing what curly (assumedly) did to get into his position and, employing another metaphor, taking the "dog eat dog world" saying to heart. and literally. devouring his competition. or maybe curly didnt do that. and thats what jimmy thinks curly did and so he aims to do the same. choose whichever one you like more they're both interesting storywise.

theres the message where jimmy "consumes" curly in some twisted expression of love. devouring curly so that he remains a part of him, an expression that he is the gold star captain and something to aspire to. admiration for something he'll never be and so he chooses to consume him in order to potentially absorb some of his skill or become more like him.

and then there is curly sitting there helplessly being devoured. its something he has no say in, not something that he chose to happen to him, its something hes become swept up in. he becomes devoured by jimmy in the literal sense of cannibalism, but also in the sense that he became so absorbed in his friendship w/jimmy he ignored his wrongdoings and ultimately led to anya's assault as well as the death of the whole crew.

curly and jimmy intertwined so that one is always consumed by the other. curly in a literal sense, jimmy in a more psychological one. i mean like its really quite crazy they did the "im consumed with thoughts about this guy and want to be him so i must literally consume him" thing quite well. when examining mouthwashing's narrative you find new things to admire every time. each little story element has a place in creating a wonderfully complex and heartbreaking story. its very well done and honestly something to aspire to from the perspective of someone who enjoys studying/writing literature.

all of this is to say i think that there should be more art of jimmy covered in blood and engaging in this cannibalism like the stupid little leech he is

[aerophone-amphibians]

Goddamn, MTMTE goes hard on the third readthrough

[bmpmp3]

holy FUCK IA's voisona 2.0 is OUT

[semothekat]

head in hands heand in hands

[itsalwaysdark]

ome day i will be so normal

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[captainfantasticalright]

Since it is world book day, I thought I would share once again one of my most heavily annotated, scrapbooked, lived in books- Good Omens.

I usually scrapbook inside my books, but this one is the only one that has things in almost every single page. These are just the pages with double spreads.

To the book that saved me and to Terry Pratchett and @neil-gaiman , thank you 🥂.

I did add some image descriptions. So you get some clues about all the things I put in each spread.

(Because someone asked in the tags: “how can you read it? Reread it??”

Well simple answer: this edition,like many others, happen to have black pages with just the days of the week printed on them, which I left visible, and plenty of empty spaces where I glue/draw everything else, so nothing is covered at all. Plus having so much stuff inside has actually made it easier to open. )

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[wetpapert0wel]

hey......what if. instead of tumblr making their own gaiaonline avi things......what if we just went to gaia online.......

[dollyhao]

older woman! abby x young woman! reader

summary: abby is not sure getting close to her young secretary is a good idea or not but you know for sure it is.

cw: pining, fluff, smut, love <3, all types of cute shit

word count: 2.5k

working for abby has been one of the best experiences you've ever had. you started working as a receptionist/secretary at abby's auto body shop five months ago and she is the greatest boss you've ever had.

she is so kind and patient especially when you make mistakes. she respects her employees and treats them more like colleagues than subordinates. not to mention she is beautiful, like really beautiful. for a woman in her late thirties she was very fit, it was very clear she worked out and you mostly see her bring salmon and rice into work for lunch.

she had skin that looked soft to the touch and a couple of scars running up her forearms, most from her job as a mechanic. she had luscious, thick dirty blonde hair that she keeps in a braid or sometimes a bun.

you may have developed a crush on the older woman, blushing at every word she says to you in that soft tone. or when she stands close to you; looking over your shoulder to look at the computer that's in front of you. and you've tried to make it obvious that you were interested by lingering looks, compliments about her work, and questions trying to get to know her better, but she has never made a move.

but lord did abby wish the feelings weren't mutual.

abby hired you because of your business degree and your experience but you ended up being the best part of her day. you were beautiful and funny and you made her job as the owner so much easier. she's able to focus on her passion as a mechanic and she couldn't thank you enough. but she tries to keep away because it wouldn't be right to start a relationship with you, your in your early twenties and abby's in her late thirties, you were probably looking for different things right now.

abby wants to settle down, get married and maybe start a family but you were young and probably had so much stuff you wanted to do. she didn't wanna start anything just for it to be temporary especially not with a girl as sweet as you. but now abby is sweating at the thought of having to ask you to stay afterwards to help her with some documents that she was slacking on.

your amazing because you agree immediately even though you question why she didn't bring these documents to your attention sooner. abby is embarrassed and insists on staying behind and helping you.

being in a room with abby at night is like a wet dream. you sit with her in her office at 8 at night as you look over important documents and inventory. you sit side by side when you glance over at her, you didn't even notice that she took her hair out her bun, rubbing her fingers through her scalp. you stare at the side of her face while she reads something on her computer and you can't help yourself when you reach your hand out and tuck a piece of hair that was obstructing your view of her face.

she looks over at you and sees the soft expression you have as your eyes move around her face. "you're beautiful," you mumble, trailing your thumb over her face gently. "thank you," she mumbles back. you continue to stare at each other before one of your phones ding, snatching abby's attention from your face.

"um, i can finish up here," she looks at the time and look back over at you, "there's not much left to do here." she stands up grabbing your coat for you. you stand after her, terrified that you have ruined something that you weren't even sure was there. that was until abby gave you a genuine smile and helped you put your jacket on. you try not to sigh in relief when she askes to walk you to the car.

she walks you to your car and opens the door for you and closing it when your in. you roll your window down and start the car looking over at the abby who had her hand on the roof of your car. she bends down and rests her arms on your window, "thank you for helping me tonight. drive safe, ok?"

goodness, she's using that soft tone with you again so you just nod and smile. she smiles back and walks back into the building. you drive away smiling at the memory of abby's face illuminated by the lamp in the office and her soft hair flowing down her back.

.ೃ࿐

"are you coming?" manny is leaning over the counter that your working at staring down at you expectedly. "what?" you were working which you assumed manny was supposed to be doing as well. "are you coming to the out with us tonight?" he repeats his question and you glance over at abby who is wiping oil off her hands.

"who's going?" you continue to work, feigning disinterest. "all of us, boss, owen, nora and me of course."

"um yea, ill go." you give him a quick smile before getting back to what you were doing. manny hits the counter backing away, "great!"

your not sure what you expected from tonight, you like your coworkers but this is your first time hanging out outside of work. everyone is sitting in the booth telling silly stories in the loud bar. your quietly listening nursing your drink glancing up at abby occasionally who is sitting across from you.

she has a beer in her hand giggling at her friends drunk antics adding to the conversation every once in the while. she glances at you and catches you eye, "are you ok?" she mouths to you. you nod and give a tense smile, its way too loud and hot and you want to get away. you guess abby can sense that because she motions over the bar and you nod.

"we'll be back. getting more drinks." she gestures to both of your empty cups. she stands and waits for you to do the same and when you do she places her hand on your lower back steering you towards the bar. abby orders your drinks and nods over to a small empty table in the corner of the building. you nod and grabing her wrist, feeling bold and pull her over to the table.

"this isnt really your scene, huh?" abby starts as you settle into your seats. "no not really. way too loud." she nods sipping on her drink. you both sit quietly for a second before your gaze trail to her scarred forearms. your fingers trace her scars gently, "these are strangely beautiful." you glance up at her face seeing her eyes already on your face.

abby's fingers twitch as your soft hand wrap around her arm pulling it closer to yourself. your fingers trail softly up her arm until you get to her fingers you play with them for a second before intertwining your fingers together. you both tighten your grips on each others hand then you bring her hand to your face. you rub your cheek against her knuckles looking her in the eye.

abby's mind won't stop racing, she should pull away; she shouldn't be letting you do this but the look on your face and the way your looking at her she can't bring herself to do it. but then you pull her back to reality when you place soft, lingering kiss on her knuckles.

"shit," she mutters before pulling her hand out of your grip. normally you would've dropped it, but you've been drinking and you know that abby wants you and you want her. you get out of your seat taking the seat next to her. you turn your body towards her, "why won't you kiss me?" you ask staring at her lips.

abby's lips part as she watches the pout that forms on your lips. "i..i want to," she whispers leaning closer so you can hear her, "but i can't... i shouldn't."

"why not?" you whisper back. "i want you to."

"i want to. but im afraid ill want more than just a kiss if i do."

"then you can have more than just a kiss," you scoot closer to her leaning closer to her face. "i want more with you and im not talking about just sex, i want you." you look into her eyes hoping that she can see how sincere you are. she shakes her head, "your young, you don't need to be tied down by someone my age."

"that's not your choice to make alone. im telling you i want to be with you, tie me down. i want to see you look at me like this everyday and not just a work, i wanna hear that beautiful voice in the morning and run my fingers through your hair." you grab abby's face with both hands making her look at you.

she stares at you with a look of desperation and adoration. she grabs your hand that pressed against her face kissing the inside of your palm and you pull her into a kiss.

abby kisses you with so much passion like shes been dreaming of this moment. she places her hands on your waist, just wanting to touch you, "can i take you to my place?" she whispers against your lips. you nod enthusiastically already standing with your jacket, taking abby's hand and leading her to the door.

arriving at abby's house was a surreal experience. walking through her kitchen and living room felt like you were getting a peak into her world. her home is kind of bare of any decoration but its just so her. book shelves in the living room and books on the coffee table, a cd collection someone would probably kill for, dishes in the sink; the kind of neglect someone who lives alone commits.

but it smells like her, like a fall candle and a long day of work. "im sorry for the mess." she says moving things around with an embarrassed chuckle. "its alright." you smile at her placing your hand on her shoulder. "can i kiss you now?" you ask abby when she sits down on her couch. she nods and you kiss her for the second time that night.

you straddle her thigh, placing your hand on the side of her neck with your other on her arm squeezing the muscle that's there. abby's hand creeps over your back and under your shirt. you arch your back into her when her big cold hands slide up your spine. you whimper in her mouth, when her other hand grabs your waist.

you pull away first, panting hard, looking at abby with swollen lips when you hurriedly take your shirt off before diving back into your passionate kiss. she pulls back from the kiss wanting to be able to take you in for a second. her eyes look over your figure with so much desire and longing. "shit." she mumbles, her hands settle on your naked waist before they run over your stomach and up to your bra covered breast.

your hands under her shirt. "off, please." you whisper lifting the shirt over her head and she lets you pull it off and starts unbuttoning your pants. "take these off baby. i wanna taste you." she says looking you in your eyes, pulling your pants down as you stand over her. your hands clutch her shoulders as she stands up with you in her arms walking to her bedroom.

you place feverish kisses on her neck as she makes her way. you are dropped on your back on the the soft surface of her bed. she flips you on your stomach pulls you to the end of the bed before propping your hips up so your ass is in the air. she kisses down your lower back to your thighs. "this ok?" she askes you. you look back at her with your face pressed into the bed and nod with a hum, as she pulls your under wear off and uses her thumbs to spread you open.

you moan as abby licks your clit before sticking her tongue in you. you try to fuck yourself on her tongue before she pulls away, placing a kiss on your clit before rolling it around with her tongue, she pushes two fingers into you. you tremble and reach behind you to grab her hand that's gripping your ass. "baby, omg dont stop!" abby's not even sure if you meant to call her that but it sounds so good coming from you.

"say it again, princess," she stands up pressing her front against her back. she doesn't stop fucking you with her fingers and she rubs her thumb over your clit, "you like it?" you hump at her hand, "yes yes, i love it, baby." you lift your head peering at her face with your mouth hanging open, lewd sounds coming out.

abby presses kisses to the back of your neck as you cum on her fingers. she watches as your body shutters when you peer into each others eyes. she feels a burst of pride in being able to get you to come undone like that. hearing the way you talked to her was enough for her as she settles on her back trying to pull you to snuggle with her.

"what are you doing?" you ask her sitting on your knees. "oh im sorry. i shouldn't have assumed you would want to stay-" you cut abby off, "no no, its your turn." you say resting your hands on her pants buckle. "you don't have to."

"why wouldn't i?" you look at her confused. abby wasn't expecting to get anything back from you, most of the time women just took from abby, never wanting to give back but she should've known that wasn't you. your everything she has ever wanted. so she nods as she leans against her pillow and you pull her pants down.

you place your hands on her thighs obviously enjoying the thick, hard muscles under your hands. you kiss the inside of her thighs, biting them slightly; abby groans at the sight. you wrap your arms around her thighs before looking up at her and resting your head against her thigh. "you're beautiful."

abby cant help but blush at the compliment when you begin to slide her underwear off. you kiss around where she wants you before you suck on her clit, rolling it around with your tongue. abby whines and places her hand against the back of your head. "your such a good girl," she gasp out as her hips buck up into your face, "your always such a good girl."

your tongue slips into her hole and your nose bumps her clit just right so she rides and humps your face trying desperately to get off. she repeats your name over and over peering down at those beautiful round eyes. her hips start to jerk and you run your hands over her thighs as she rides out her high on your tongue.

"your so perfect." she whispers in astonishment. "im gonna tie you down, mama."