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#machine creates
sufficientlylargen · 1 year
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ionomycin · 9 months
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Forest Guardians
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honeymilkbubbletea · 3 months
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✨️WONDERFUL! BECAUSE YOU LOOK BONITA! ✨️
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yourlocalabomination · 10 months
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This is Hatchetfield, People go missing everyday!
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truly-sincerely · 7 months
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Obsessively reading everything in game by and about Gortash and the dude is
On a philosophical trajectory that ends in immortality thru technology / the machine
Doesn't have an original bone in his body, but he can backwards engineer anything
Halfway to being a decent scientist but doesn't have the education and is deeply impatient
Overconfident in the veracity of his own results and conclusions
Accurately predicted that the brain would metamorphose and become more difficult to control and then did nothing about it
Outsources his propaganda / arts and humanities
Charming, but he got there in a Pavlovian way (learned from trial and error and probably doesn't consciously know how he does it)
Vindictive af (learned / reinforced)
Darwinian (in the worst way)
Sociopathic, obviously, but extremely Rationalist about it
Never asks questions he doesn't know the answer to and probably thinks this makes him sound more authoritative
Completely incompetent as a strategist (but doesn't know it)
Not nearly as narcissistic / full of himself as he pretends to be
Thinks what he wants is praise but it's never enough because it's not actually what he wants (he wants to be wanted)
Bane makes him feel wanted (conditionally)
Durge made him feel wanted (unconditionally)
Understands intellectually that Durge got ambushed, but he feels abandoned
See also: thematic parallels between Gortash and
Silouv Yali (the Adamantine Forge & the construct Grym)
Oliver (in the shadow-cursed lands)
Astarion and Gale, obviously
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soybean-official · 9 months
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The parts of you that support me
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soupdweller · 11 months
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i read GITM by @venomous-qwille and this is my opinion on bitches who have Sol as their favourite character. (its me. im bitches...)
ALSO GO READ GITM, ITS AMAZING!!!!
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cobaltcreations · 5 months
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Me and my partner @the-good-ol-art-corner collaborated on this AWESOME poster for one of our favorite Bendy Aus @toontiedterror by @dictatortirah !! I am in LOVE with how it came out and I am so excited to see how this story and world develops!!
I put so many details into this, it is absolutely silly, but I had a swell time doing them. Those headshots on the missing posters belong to the staff from our own Bendy project @howdy-folks-its-showtime and we didn't even intend to make two versions. But I put so much into the background... I just had to make a version without the foreground to show it off <3
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stinkythehutt · 9 months
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also. something about palpatine being so adept at seeing into the future that all of his successes feel completely joyless by the time he achieves them because he’s just going through the motions… how fucked up and nihilistic and brutal that would make you…
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multi-lefaiye · 7 months
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not sure who might need to hear this or if it's just me that needs to, but i've had this thought for a bit and i wanna write it out
you are not a machine that exists to make art. you are a human being, and human beings need rest and breaks.
creative block happens. it's natural, and embracing it as part of the process is far better in the long run than stressing out over it.
we live in a world that emphasizes productivity above all else and needing to Make Something, but truly it is not the end of the world if you're not productive 24/7.
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Illustration of Daffodils from The Plant and its Ornamental Applications – Eugène Grasset and Emma Hervegh // Daffodil – Florence + the Machine
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uncanny-tranny · 10 months
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The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.
I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.
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crustacean-menace · 4 months
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Hello BIONICLE fandom. Allow me to bother you over something very silly i made to pass time.
Feel free to argue.
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moonlightperseus · 7 months
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the vulture dimension almost makes you forget about the sex toy lawnmower
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ultrakill lore enthusiasts (me) when the small machine destroys the very big machine
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teaboot · 9 months
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Your post about art vs content got me thinking about the differences between the two. To me there is no difference besides the mindsets. One is of creator and the enjoyer, the other is content and consumer it removes the personhood, the joy/emotion, from the equation. Like a writer or video creator may not see their work as art so content creator maybe a way to refer to themselves comfortably but it sounds so machine, emotionless and lifeless, like a cookie cutter recipe mass producing something verses people lovingly crafting something...then again Disney uses a cookie cutter recipe for the most part and it brings out bangers cause people lovingly make it their own so maybe I'm thinking too hard on this
Does my long-winded rant make sense?
see, I get what you mean, but I still feel like the willingness to entertain calling art of any kind "content" reduces it to the facet of consumption where in reality, the experience of consuming art is not the sole defining trait of it.
Reducing arts like music, writing, painting, dance, voice acting, theater, etc. to the role of "content"- a thing created to be consumed, measured and valued by how pleasant or easy it is to digest- I feel that it was our biggest red flag to herald the incoming tide of AI "art".
Because if art is "content", if arts are nothing but consumable matter, then obviously the key to success is to produce as much soft, tasty, edible paste as we possibly can at the lowest possible expense.
It's the same issue I have with "meal replacements", diet culture, nutrient slurries, twenty-step skincare routines, 24/7 body padding and shapewear and laxative teas and "grind culture". It's not a cause, but a symptom, of the disease that is late-stage capitalism.
Things must be produced at low cost and remain in high demand forever. Things must be perfect and palatable and the new hit trend forever. People must pay hand over fist to consume without asking anything in return, and if they start dropping like flies at the unending unrewarded thankless demand of it all, then that must be treated as a weakness. We should all take pride in how much we can spend, pay, give, produce, and think as little as possible about what we ask for ourselves.
So, who cares if, of two identical paintings, one was made by a person and one was made by a computer program? It's the same work, so what does it matter? What does it matter?
I am an artist. I make art. I ask a question, make a statement, declare something horrific or challenging or upsetting or wrong or grotesque, and when you respond, we are together experiencing a conversation. We are existing, two people living one life and reaching out and touching across time and space. No matter the work, you're at the barest minimum saying, "I'm alive, and you're alive, and at one time or another we shared this same world, and at the end of the day we aren't too terribly different. My heart is worth sharing, and your heart is worth the struggle of understanding."
An AI-generated piece, a computer-generated voice, a CGI puppet of someone long since dead and gone, they cannot speak. They have no voice. Ay best, they are the most chewable, consumable, landlord-beige common denominator possible that you can sit and listen to like the lone survivor of a shipwreck listening to the same three songs on a broken record, and at worst, they're the uncaring vomit of an empty, unloving, value-addled hack wearing the skin of someone I know over their own.
When you abandon art to say that you make content, that should not be a point of pride. That's an embarrassment. That's not sitting down for an intelligent discussion with an equal, that's kneeling at the feet of the crowd and saying, "what do you want to see me do? I can be anyone you've ever loved. I can be them, I can be anyone, as long as you love me."
I can make content. I can be consumed. What do you want to consume? I'll make myself consumable. I'll make myself just like anything you like. And I'll make so much of it that you'll never have to go anywhere else, because it'll all be right here, and under all the cut-and-paste schlock you've seen before I will sit alone in the dark and the silence and I will know that I am safe, because I am valued, because I am desired, and I need to be desired or else I am worthless like a factory that no longer churns out steel or a hen that no longer lays eggs or a cow that is too old to make milk.
Content, the most literal meaning, is something which is contained inside a container. What it is doesn't really matter, and the best it can hope to be is something worthy of being scooped out and used.
Art is an experience that transcends value. Art is something you can eat without paying for. You can make it out of anything and anyone can do it. It can be crude and vulgar and bad, and that's a strength because it means something. It always, always means something, and it doesn't matter if you like it or not. It's not content because it doesn't fill anything. It's a living, breathing thing, and whether you want to birth it or eat it, then you're going to have to be willing to put the fucking work in
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