#love wins etc <3

[momspren]

I'm sorry, the lesbians on C3 of Critical Role kissed a whole two weeks ago and NONE OF Y'ALL TOLD ME? No art? No screaming? are you guys OKAY???

[amalgamezz]

ALT

[suntails]

🐉⚔️

this is a piece from my silver artbook, currently accepting preorders!! u can get a copy here!!!

non-UK: suntails.bigcartel.com

UK: etsy.com/shop/SuntailsArt

[carnivalcarriondiscarded]

Laughingstock at 3am

"Would you still love me if I was a worm?"

"You are a worm go to bed"

ehehehehehhhhh yeah....

bonus <3

[ywpd-translations]

Ride 787: The back that was pushed!!

Pag 1

1: Packed with the passion of everyone in Sohoku... a full throttle injection of will-power!!

Pag 2

1: Iitsuka-san!!

Goo Fukuoka!!

Oh, Tomaribata!!

Fukuoka, take the mountain!!

2: What about Hakogaku's Manami!?

3: Don't worry about him. He did catch up to me but then suddenly stopped

When I shouted at him, he closed his eyes and fell silent!!

4: Is it because he found out that Iitsuka-san is Fukuoka Josei's “mountain shogun”?

Yeah, probably!!

Amazing!!

5: Let's take the lead now!!

Ahead there's also Fujiwara-san from the Kyuushu team Kumadai!!

6: But anyway for a moment I was so scared....

Pag 3

1: When Hakogaku sent ahead their ace Manami!!

2: I can hear it

4: The first day's mountain prize!! Let's take it, at our hometown's Inter High!!

5: Wait....!!

6: “The sound of wheels”? “He's catching up”?

Could it be that Manami is waiting for someone?

Pag 4

1: And that's why he slowed down....!?

2: Raise your pace, Tomaribata!!

4: We're still at the start of the mountain, if we use up our legs here....

It's fine, we'll establish a good distance now

Huh!? But

Think, idiot!! If you think about it, you'll get it!! The person Manami slowed his legs down to wait for....

Pag 5

1: It's Sohoku's “Mountain King”!!

Pag 8

1: Mountain King!!

2: Fo-fo-for the first day's mountain!?

Why even the Mountain King, even the Mountain King!!

I don't know!! I don't know but that doesn't change the reality!!

3: Last year so many times we couldn't race each other

So I thought that maybe this year too...

4: What do I do if he doesn't come, I thought....

5: I was scared

6: For a while I couldn't even open my eyes

Pag 9

2: I caught up

4: Thank god it's real!!

Pag 10

1: You came, Sakamichi-kun

Yeah!! Manami-kun!!

Pag 11

1: Can we race?

2: Yes!!

Pag 12

3: Everyone in the team pushed my back!!

Pag 13

1: Onoda-kun!!

2: He should have caught up with Manami around now!!

3: Onoda-san!!

4: Hahaha!!

5: Back-gate slope-senpai!!

6: At full throttle!!

At full throttle!!

Run!!

Please run!!

Pag 14

1: Nghh...!!

2: “Nghhh” it's right!!

3: Ahaha

Hahaha

They're suddenly laughing, let's raise our pace!!

Yes!!

4: It was during your training camp on our first year

5: When we raced for the first time

6: I remember I was so excited when I heard that our names were “Sakamichi” and “Sangaku”

It's the perfect combo!!

Pag 15

1: I was surprised you didn't even have your feet fastening on

We stopped at the summer house and talked

2: We were so free back then!!

We didn't have any responsibility, not teams nor jerseys!!

3: Ahaha

4: When you're in second and third year the things you have to do increases so much....

5: I'd throw this “captain” title away anytime!!

Hahaha I get it, it's difficult for me too

Pag 16

1: If someone on my team heard that they would get angry

Doubashi-kun especially would get angry!!

Sounds scary...

4: You're wearing the number “3”

Ah, yeah, uhm, we talked with everyone on the team

Huh.... on official races the winner of the previous year should wear the number “1”

5: I see, leave it to me then

I'll push through, hahaha!!

Thank you!!

Is.. is that alright?

Waa, Pierre-sensei is so reliable!!

6: Your teacher....!!

Then...

7: Yeah, “3” like Makishima-san's “173”

Pag 17

1: I'm also wearing Toudou-san's number “13”

2: “Sleeping beauty”!!

Kuah!! Toudou!!

Pag 18

1: That day, the first day of the Inter High two years ago

2: While we were pulling the team, I imagined those two fighting for the mountain prize....

3: I'm sure they must be having fun

Fighting until you're empty

It can't not be fun!!

4: We can't go right now, but let's do it

A fight until the last drop, until our limits!!

Yeah!!

5: We promised to race

Today may be the day to truly make that wish....

Pag 19

1: come true!!

Pag 20

1: Our third year, the last Inter High

2: The first day.... a fight to compete only for the colored bib

3: The purity of this race is infinitely high!!

4: Yeah!!

Pag 21

5: Let's do it, Manami-kun!!

Pag 22

2: I've been waiting to hear those words!!

[kaicko]

Happy Anniversary to the couple ever!!!!!!!! 🎉💖❄️🐰🕶️🐍🐒

[shesmore-shoebill]

Rewatching the Revenge Let's Do This episode, and had to clip the culmination of Angela's prank on Arasha. Bc yes, the mom-calls are great, but I love this bit of the video SO much. Even with the secondhand embarassment.

I think partly because Arasha is so good at deadpan and playing into bits and recovering effectively. And you can tell she's like, GENUINELY flustered for parts of this and I kind of love it. And like, Arasha honestly was a really good friend to both Rowan and Angela! That's an awkward position to be in and she navigated it really well and with a lot of tact. And the sincere care and affection Arasha has for her friends is SO evident and Arasha is also SO flustered and caught off guard throughout in a way I dont think we tend to see in videos asofjsjfj.

There are so many iconic lines in this that make my little Arangela heart happy too bc the exchanges are SO aggressive and hilarious and embarassed and somehow still affectionate. "I WAS SO WORRIED ABOUT YOU." "I BARELY TOUCHED YOUR LIFE." "YOU TOUCHED MY LIFE IN SO MANY OTHER WAYS." "Now we are friends and I love Rowan and we're all gonna hang out." "NO I HATE BOTH OF YOU." "D:< no don't do this >:("

"If anything this made you look amazing." "I dont need that >:(" "I love you." *fart noise*

and of course Amanda's scandalized "SHE CALLED YOU CRAZY." "No but that's- no, I find that sweet."

"You don't respect the hustle?" "I do."

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[halorocks1214]

BIGFOOT STILL HOLDS THE TITLE FOR LEAST VOTED-FOR SPLATFEST TEAM EVER

[rolandkaros]

forever hilarious to me that tennis is promoted as this prestigious highbrow big-brain sport when most tennis fans these days are like. yeah this is my favorite player. yeah i don't know why they're like that. yes they are stupid. no i will not choose somebody else.

[fjordfolk]

100% don't punish the growl and listen to your dog and your puppy is not an evil mastermind AND ALSO seeing how Melis behaved today and latey, feeling very validated in our approach to her outbursts of screaming thrashing gnashing teeth being less "sorry sorry never mind" and more "ok buddy are u sure though"

time will tell if she has another ride on the melty brain hormone train coming (Sparta didn't - but she might) but at this moment in time, Melis is a pretty tolerant, people-oriented, socially intelligent little dog who's displaying some very pleasant traits. and who has not growled or snarled or gotten near threshold in many months. at this rate our worst puppy might end up our best dog

[josephtrohman]

finally investing in a real setup for vinyl records like a real vinyl owner. we are so back...but also it's so OVER bc i fear im slipping into real Insane collector brain it's all i think about right now

[hella1975]

nothing funnier than when a piece of media is full of supernatural powers/weapons and there's just one character with a fucking gun

[mgeekingout]

from what i've gather from season 2, next season will have a scene in which crowley and aziraphale do their apology dance together in the rain, they get back together again, then, using their combined power, they grant a miracle that's oh so powerful they save the whole world again

[distraughtlesbian]

i (DESERVEDLY‼️) heckle pb for a lot of their narrative choices but even all these years later this plot twist………masters in cuntology double major in slaysian studies and slutistical analysis minor in motherlogical studies graduated with honours from the university of servington. sorry. they chewed. i love the way it feels to be a hater but they can have their flowers just this 1 time

[asharaks]

when u and ur gf.when u. wwhen