#love vs possession

[doreymifasolo]

Just mulling over the parallels between Dementus and Praetorian Jack, and their roles as Furiosa's mentors. "Make yourself valuable to Dementus, and he'll take care of you," is one of the first things Furiosa learns. So Furiosa adopts her role as Dementus' daughter figure. But as soon as "Little D" makes the choice to leave him, he disowns her. She then goes on to earn her place on Jack's crew as the driver of the rig. But once she becomes the most valuable person to Jack, he tells her that he will give her everything she needs to return home, knowing that she will never come back.

Dementus wanted to make Furiosa an appendage to him, but Jack made damn sure to teach her road war so that one day, she would not need him anymore.

[greenlaut]

bitter tea & oranges

sequel -> tea & dates

[dreamaruu]

Hello RvBGTBQ+ community

[feketeribizli]

first post of 2024 is cars posting 🫡

[notsofrozt]

Save me God Shang Qinghua. Oh, save me System!SQH...

TY @anachronismstellar for the idea

[willow-jellysoup]

I love how the entire tomarry fandom and our fanfics are just:

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[cheriboms]

spirit boys 🤝 hats

[jedi-enthusiasm-blog]

The Heart of a Jedi

It is a common belief in the galaxy that the Jedi are not permitted to love. Silently, some people mourn the children given to the Jedi, believing they will be brainwashed to hide their emotions and be unable to love. Disdainfully, some parents who don't wish to give their children to the Order claim that their children will never know love if they are taken in by the Order.

But love is a word with many connotations. How can a Jedi affirm or deny such accusations when they may be working with widely different definitions of the same word? When beings can mean any number of disparate emotions, many compatible with their way or life and many others contradictions of their code, values and vows?

The Jedi do not claim love is forbidden to them. How could they, with what love means to them? Saying love is allowed is misleading, and saying it's encouraged severely understates how important love is to them.

Love is essential, central to a Jedi's life. One cannot be a Jedi if they are devoid of love.

The Jedi do not claim that love is forbidden to them, as they share an ideal of kindness and compassion for all forms of life.

How could they strive towards this without love, as they understand it? Not affection, necessarily, for a Jedi must be compassionate even towards those they dislike. Rather, a deep respect for life, an attempt to understand it and its connections, and an endless drive to reduce suffering where they can.

That, to a Jedi, is love.

A Jedi must love everybody. They love the starving, the abused and the slaves of the galaxy, because they need their help. They love pirates, slavers, and corrupt politicians, when they dislike and want to stop them.

They even love the Sith.

But for many beings in the galaxy, that is not enough. For many beings in the galaxy, that is not love. And as long as the Jedi reject the cruel thing the galaxy calls love, that grasps and steals and demands to own, long as the Jedi accept the inevitability of death, the futility of holding on to what is not meant to be held, there will be those that call the Jedi loveless.

How sad, a Jedi would say, to be unable to conceive love without cruelty.

[harbingersecho]

let me go, please -- i don't wanna do this!

[poltergrease]

Guess who's now Very interested in whatever tf these two have going on

[moss-abyss]

26. minecraft

[tapeworrmart]

Bad to be good 💫

[everybodyloveshippos]

mine all mine

Malice and Azzudonna

(petition for malice to get brought back so azzudonna can kick her ass)

[melit0n]

Hands down, Give is one of Sleep Token's yearn-iest songs. Ever. It's not on par with TLYW, Jaws etc. (because that's a whole different layer of Sleep Token's yearning onion), but it's got a kick to it.

When I say that song is the epitome of desperate, I mean it.

Without thinking about it too much, the first time I listened to it my first thoughts were 'ah, okay, wanting to give all for your lover and be able to trust them, got it', but then I thought about it a bit more.

Like with all Sleep Token songs, it has a bit of an eerie undertone, which borders on slightly obsessive, depending on who you're talking to, with the lyrics. We have "I picture you when you are all alone", "I am the shadow, you're a passenger", "I'll be the limit of your light again" and, of course, "give me all that you can give" with "and if you want to give me anything, then give (give in again)".

Vessel is describing himself as literal darkness; he's a shadow in the gloom and whoever this is is a star glowing in the darkness. A light he aims to dampen because he wants a taste of that light. A taste of them.

However, it's this desperation for attention that gets me. "Give me all that you can give" is an easy example; he's desperately giving all he can possibly give in hopes of getting the same, or more, back. It's repeated over and over, half begging half demanding with soft dulcet tones and promises that he'll be watching for their enemies, to let them know that they contend with him etc.

Give becomes this two-faced thing of someone giving with all their might to someone who is afraid to trust, bringing up empathy from us, and someone who will not accept anything except everything. It's this sexually charged fight between who is a victim (or if there really is one here) and who is the abuser.

Further, to "give in" is to 'cease fighting or arguing; admitting defeat.' It's something primal and angry hidden under, or rather, mixed with passion, and it's incredibly well hidden.

[henrysglock]

you guys wanna praise me for how normal i'm being rn