#love these two as a couple and individual characters

[deliciousangelfestival]

Change of Heart - 3 | Bucky

Character: Bucky x Female! Reader

Theme: Angst, tragedy, romance.

Summary: The interviewer asked her a provocative question:

“If you were offered a million dollars, would you leave your partner?”

Without hesitation, she replied with a smirk, “Give me one dollar, and I’ll leave him this second.”

True to her word, she walked away, leaving the man stunned and searching for answers. Now, he’s desperately trying to find her, grappling with the haunting question—why would she leave him so easily?

And is there more to her departure than a single dollar could ever explain?

Part 1 , Part 2 , Part 3 , -

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

By the way, I publish my book Arrogant Ex-Husband and Dad, I Can't Let You Go by Alina C. Bing on Kindle.

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

"Where is she?" he asked.

"Australia, sir."

Bucky froze in place when he heard that. Australia? It was so unlike you. In all the time you spent together, you always talked about visiting Europe. That was your dream—to save enough money to open a café there, buy a boat, and travel around the continent.

He shook his head, dismissing the thought. It didn’t matter now. At least he finally knew where you were.

"Prepare the jet," he commanded.

After his security team gave him the location, Bucky immediately called his pilot to prepare the plane. Within minutes, he was on his private jet, accompanied by his assistant, who sat nervously across from him.

The assistant hesitated before asking, “Sir, when do you want to reschedule the meeting?”

Bucky didn’t look up from his phone. “If I’m not in the company, there’s a vice president. Let him attend the meeting instead. The company pays him a high salary for a reason. If he makes the wrong agreement at the meeting, I’ll fire him.”

The assistant swallowed hard, his hands fidgeting with the pen in his lap. “Y-Yes, sir.”

Bucky leaned back in his seat, resting his head against the cushion as silence settled between them. The hum of the jet’s engines filled the cabin. His gaze drifted to the window, the clouds blurring past.

The matter of this marriage was far more complicated than any company matter.

He broke the silence. “Do you ever have marriage trouble?”

The assistant’s eyes widened slightly at the unexpected question. “Uh… yes, sir.”

Bucky turned his head slightly toward him. “Have you ever argued to the point where your wife left the house?”

The assistant hesitated, his hands stilling. “That’s… no, sir. We argue sometimes, but not to that extent.”

Bucky exhaled, running a hand through his hair. “I see.”

His situation wasn’t like those couples who separated after endless fights. This marriage was different—it was based on a contract. There was no need for messy legal proceedings or divorce lawyers. No drawn-out drama. It was supposed to be simple, painless.

But it wasn’t.

He rested his elbow on the armrest, his fingers pressing against his temple as memories of his parents’ divorce flashed through his mind. He’d witnessed it all—the yelling, the accusations, the blame. He could still remember the cold, suffocating atmosphere in the negotiation room as both sides tore each other apart. And they’d forced him, a child, to sit there and watch.

They called it love once, but what he saw was anything but. His parents acted like children while he was expected to be the adult.

Marriage was supposed to be a union between two mature individuals who respected its meaning. His parents may have loved each other once, but they destroyed that love with betrayal and adultery.

It was full of lies and deception. For young Bucky, hearing the arguments was painful. Even now, he still feels a lingering resentment toward his parents.

Bucky shook his head, clearing the bitter thoughts. He’d never wanted a traditional marriage because of them. When his grandfather, Paul, had told him he needed to marry to inherit the company, Bucky had been clueless about what to do.

That’s when he remembered a friend mentioning a matchmaking agency. “It’s expensive, but it’s worth it,” his friend had said.

And it was expensive—but it was worth it. With you, he’d fulfilled his grandfather’s condition and taken over the company. You were his perfect partner.

At least, that’s what he thought.

He rubbed his chin as he rewound every moment he’d spent with you, searching for something he might have missed. He couldn’t think of a single instance where he had disrespected you. Both of you respected each other’s personal space and schedules. He knew you had a close relationship with Grace, your best friend.

Friends.

Friends?

His brows furrowed. Now that he thought about it, Grace was the only friend of yours he really knew. While you had met most of his circle, he knew almost nothing about yours.

Bucky leaned forward, clasping his hands together tightly. After giving it more thought, he realized the imbalance in your marriage. He was the dominant one, the one whose needs and routines shaped the relationship.

And he had barely noticed.

His jaw tightened, the weight of his ignorance sinking in. For the first time, he wondered if that was why you left.

🌸🌸🌸🌸

After a long flight, Bucky’s plane finally touched down at the destination. He had managed to close his eyes during the journey, but rest was impossible—his thoughts were consumed by you. Memories, questions, and unspoken words replayed endlessly in his mind.

As he stepped off the plane, the crisp air hit his face, bringing a brief sense of clarity. The head of his security team approached him immediately.

"Sir, we’ve found her location," the man reported.

"Where is she?" Bucky asked, his voice sharp with urgency.

The security detail led Bucky toward the docks, their hurried footsteps crunching against the gravel. His heart was pounding, each step feeling heavier as the weight of anticipation bore down on him. He scanned the area, his sharp eyes searching frantically for any sign of you.

And then, he saw you.

There you were, standing near the edge of the dock, the soft breeze tugging at your hair as you stared out at the endless horizon. The setting sun cast a golden glow around you, making you look almost ethereal, like a mirage he’d conjured in his desperation.

His breath hitched. Relief washed over him first, flooding his chest so quickly that it nearly brought him to his knees. After days of relentless searching, and agonizing over where you could be, there you were—within reach.

But then came the ache. A sharp, searing pain in his chest that he hadn’t expected. Seeing you standing so calmly as if the world hadn’t turned upside down for him, struck a chord deep within. You looked so at peace, so distant, and he couldn’t understand it.

His legs moved before his mind could catch up. He closed the distance between you in long, determined strides, his emotions spiraling into a chaotic storm. Relief, anger, confusion, longing—it all melded together as his voice broke through the silence.

He called your name, loud and raw, the sound carrying across the water.

You turned, startled, your wide eyes locking with his. For a moment, time seemed to freeze. He saw the flicker of surprise on your face, the way your lips parted slightly as if you were about to say something. But what shook him most was what he didn’t see.

There was no regret in your eyes.

Bucky’s chest tightened, his fists clenching instinctively at his sides. How could you look at him like that—so calm, so unaffected—when he’d been unraveling without you? He reached you in a few quick strides, his hand shooting out to grab yours before you could move another step.

Bucky’s heart pounded as he called out your name, his voice cutting through the sound of the waves. You turned, visibly startled but composed, no trace of regret on your face.

He didn’t stop running until he reached you, grabbing your hand before you could step onto the yacht. "Why did you leave?" he demanded, his tone raw with frustration. "Didn’t I say we’d talk this through?"

You look at him, your eyes steady but filled with quiet resolve. “I don’t want to continue the marriage contract."

“I know.” He fell silent, his gaze locking onto yours. “It’s because of me, isn’t it?”

"No," you replied, shaking your head with a soft smile. "Didn’t you get the letter I left for you?"

Bucky frowned, the words unsettling him. The letter? What could it possibly say that justified this?

"It’s not you," you said, your tone steady. "It’s me."

"Lies," he shot back, his voice clipped with disbelief.

"It’s not," you insisted firmly.

"Explain it to me like I’m five years old," he demanded, his frustration and confusion bubbling to the surface.

You sighed, gathering your thoughts. "In the contract, we promised no lies, no deception. We even agreed that if one of us developed feelings, the marriage would end before things got messy."

Your gaze softened as you added, "Bucky, I love you."

The confession hit him like a tidal wave, leaving him stunned and speechless. He had braced himself for accusations, for anger, but not this.

You took advantage of his silence, gently pulling your hand free from his grasp. You turned to the captain of the yacht and gave a subtle nod, signaling him to start the engine.

As the boat began to drift away from the dock, Bucky’s senses returned. "Where are you going?" he called out, his voice tinged with desperation.

"Anywhere," you replied, your words floating back to him.

Standing at the edge of the dock, he could only watch as the boat carried you farther away.

From your place on the yacht, you glanced back at him. “What a fool,” you murmured, shaking your head. “I told everyone not to let you find me.”

The captain, standing at the helm, turned to you and asked, “How far do you want to go?”

"Keep sailing until I say stop," you said, your tone resolute.

"Alright," the captain replied, steering the yacht into the open sea.

🌸🌸🌸🌸

The yacht moved steadily through the endless expanse of blue, its wake cutting a gentle path through the water. You stood at the edge of the deck, the wind brushing against your face, carrying with it the salty tang of the sea. The horizon stretched infinitely, meeting the sky in a blur of hazy gold and blue. You closed your eyes for a moment, letting the breeze tangle your hair and the sun warm your skin.

“It’s beautiful,” you thought. The kind of beauty that felt untouched, unclaimed—exactly what you were searching for.

“This is it,” you murmured, barely audible to yourself.

With steady steps, you approached the captain’s cabin. He glanced at you briefly, his expression questioning.

“Stop here,” you said.

“Are you sure?” His voice carried the weight of uncertainty.

“Yes.” Your answer was firm, final.

He nodded and went to work, releasing the anchor with a heavy clunk as it descended into the ocean’s depths. The yacht slowed to a gentle halt, rocking slightly with the rhythm of the waves.

Without hesitation, you peeled off your clothes, revealing the simple swimsuit underneath. The air felt cool against your skin, but it didn’t matter. You stepped to the edge of the deck, your toes curling over the rim. For a brief second, you inhaled deeply, and then you leaped.

The water embraced you like an old friend. It was cold but refreshing, its weight washing over you, pulling you into its quiet, endless depths. You swam, letting your body move freely, unbound by the constraints of gravity or obligation.

You dove deeper, the light above you diffusing into shimmering rays that danced like silver ribbons. Down here, there were no walls to confine you, no contracts to dictate your actions. It was just you and the ocean—an infinite space where you could finally breathe.

For the first time in years, you felt free.

You floated on your back, staring up at the vast sky. The sun cast a golden glow across the water’s surface, making it sparkle like liquid diamonds. You let out a long breath, your body rising and falling with the gentle waves. This was what you had been looking for—a release from the weight of expectations and the burden of feeling tethered to things you didn’t truly want.

You didn’t understand why, but in this moment of letting go—of money, of love, of the life you’d meticulously built—you felt alive.

All your life, it had been about money. Growing up with a father whose high income only highlighted what was still lacking, you learned early that nothing was ever enough. There was always another competition to win, another prize to chase. Independence wasn’t just encouraged; it was demanded.

Money became your anchor, the thing that kept you afloat. You thrived on it, obsessed over it. You checked your bank accounts daily, reveling in the sight of green numbers climbing higher and higher. It was intoxicating, the sense of control and success that came with it.

Each time you earned more money, it was a step closer to impressing your parents. Impressing them became a lifelong goal—one that would finally make them say, “We’re proud of you.” But no matter how much you earned, it was never enough.

And then there was love—a concept you understood in theory but never cared to possess. Money filled the void better than any romantic notion ever could. Love was messy, complicated, and it demanded sacrifices you weren’t willing to make. Money didn’t ask for your vulnerability; it only required your focus, your ambition, your endless thirst for more.

The two were the same, you realized. Money and love—they both left you parched, chasing something that always seemed just out of reach.

Then what were the other things that made you confront money and love at the same time?

When you joined the matchmaking agency to find a wealthy partner, you hadn’t really thought it through. There wasn’t a grand plan, just the vague hope of finding someone who could meet your terms. Honestly, you expected the candidates to be older men—someone seeking a companion to attend events with, nothing more. You had even specified one unique condition in your profile: no intimacy.

So, it came as a shock when the person who agreed to your circumstances turned out to be Bucky Barnes—a man only two years older than you. Not only that, but he was willing to pay an impressive amount to seal the deal.

When it was Bucky’s turn to lay out his requirements, everything seemed to align perfectly. He needed a partner who could convincingly play the role of a devoted spouse, just long enough for him to inherit his family’s company. You knew you could handle that. Pretending to be his loving wife? It felt like an easy role to play.

His parents were simple to fool, far less intimidating than your own strict, demanding family. The real challenge, however, was his grandfather, Paul. With his sharp eyes and no-nonsense demeanor, Paul had a knack for spotting liars. Yet, even he couldn’t see through you. You gave him exactly what he longed for—a granddaughter-in-law who treated him with genuine care. That part was easy because you understood what it felt like to crave love and approval.

The first year flew by without a hitch. You and Bucky played your roles to perfection. The arrangement opened doors for both of you—financially and socially. When the time came to discuss extending the contract for another year, you agreed without hesitation. The benefits far outweighed any drawbacks.

But then, somewhere in the second year, things began to shift. You started to feel something for Bucky—something dangerous. It wasn’t part of the deal, and you hated yourself for it. From the start, Bucky had been upfront about his feelings—or lack thereof. For him, love was a waste of time. He had no use for romance, and you had respected that. Until now.

You couldn’t stop it, though. No matter how hard you tried to suppress your emotions, they crept in, uninvited. It was written clearly in your agreement: no feelings, no complications. If either party broke that rule, the contract would be terminated immediately.

So, you buried your feelings as best you could. Love was messy, unpredictable, and it made you want things you couldn’t have. It filled your mind with fantasies, leaving you restless and craving more. And you despised it.

You just needed to hold on a little longer.

But then, everything changed.

Two days before the marriage contract was set to end, something happened—something you hadn’t anticipated.

And in that moment, you realized nothing would ever be the same again.

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[screaming-universe]

Bashing Fics in the 9-1-1 Fandom

Inspired by @beforeastorm‘s very neat look at 9-1-1 bashing fics in August and in September 2024, I took another look at the numbers yesterday (23rd January 2025) and… it’s been interesting.

Methods and materials:

For that I selected the 9-1-1 (TV) tag on ao3 while logged into my account and thereby ensuring I would see both public and locked fics; beforeastorm only considered public fics so by god I hope that some of the increases can be explained by that. Then I used the Include filter function to search for [Character Name] Bashing. Where this returned nothing I employed the Search within result function to search for “[character name] bashing”, trying out variations (last or first or nickname). To double-check I also did this search for characters with established bashing tags, using the Exclude filter to ensure that I would not count any fic twice.

Some characters have a bashing tag for themselves and a couple bashing tag. For example: if you search for Margaret Buckley Bashing, you will be offered two tag: Margaret Buckley Bashing and Margaret Buckley and Phillip Buckley Bashing. As far as I could tell, searching for the individual bashing tag also always counts the couple bashing tag, so the couple bashing tags could be disregarded. A list of the characters I looked at is under the cut.

The numbers were collected in an excel file and assigned the characters categories: main (meaning main adult character), family, love interest and other. I also took note of the gender. I did some analysis in excel before having the smart idea that I might as well use this as a training exercise for R (and I am very bad at R).

Disclaimer: this will not include all bashing fics because sadly some people are not familiar with tagging or love letting people run into a fic they will not enjoy. Also while I much prefer it when people tag bashing, some are overly careful and may use bashing tags when not really needed. Still, I much prefer that to people not tagging.

Results:

Disappointing but hardly surprising at this point: the extremely dubious honour of being the most bashed character goes to Tommy Kinard with 660 bashing fics to his name. That obviously makes him the most bashed character of the love interest category, followed by Ana Flores (241) and then Taylor Kelly (118 ^^). The most bashed characters of the family category are the Buckley parents (347 and 325) followed by the Diaz parents (238 and 176), with the mothers being given more bashing fics than the fathers. In the other category, Vincent Gerrard leads with the 66 times his bashing tag was used. Chase Mackey is in third place with 26 fics, and in second place is the Firehouse 118 Crew (45) which probably could be rather counted to the main character category.

Which brings us to that category. Chimney has been bashed in 317 fics, making him the most bashed main character. Followed by Maddie with 223 fics and Bobby with 163. Out of all the main adult characters, Buck is the only one without an established bashing tag. There are 7 fics out there that you can find if you employ a variation of queries with his name + bashing; that is if I have made no mistake. Because honestly? Finding Buck bashing fics is hard. Athena and Buck are the only main characters with less than 10 bashing fics to their name.

Fig. 1: This fucking barplot was a pain to make but here we are! Characters on the y-axis and number of fics that use respective bashing tag on the x-axis. The total number of respective fics are shown next to the bars; colour indicates the category the characters have been placed in. Top: continuous x-axis to allow for an easier overview of the proportions of the bars, bottom: x-axis with a break to allow a closer look.

Dishonourable mention: why the fuck would anybody write a fic with Christopher bashing?

Honourable mentions: Boeing and dolphin bashing. It did make the otherwise pretty depression task of data collection much better.

Gender-wise there are more bashing fics about men (54.3%) than there about women (44.3%) (of course I did not look at every character so I will have missed a few bashing fics). If nobody was writing Tommy bashing fics, that would be flipped (male: 43.0%, female: 55.3%).

Fig. 2: A lovely pie-chart showing the bashing fics per gender, with male subdivided into Tommy, and the other male characters.

Which brings us to the tragedy that is the hate this fandom has for Tommy Kinard. If you add up all the bashing tags I found (which does not equal fics, some people are happily bashing away in their fics), then his account for about 20%. Which is insane, wtf.

Discussion:

This was really depressing tbh. I showed the bar plot to my sister and she asked me what bashing is. She’s been in fandom for years; she was in the supernatural fandom and has read fics and somehow I still had to explain bashing to her. So really: yay for us, this fandom really is something.

 If you look at beforeastorm’s tally from August, you’ll see that Tommy bashing fics began popping up in April 2024 and since then he has become the most bashed character (out of those I looked at, I’m pretty sure that this holds true).

Now you may be wondering why these characters are being bashed. Warning: the following part is based on my opinions. I did not read the fics of all 3291 bashing tag instances that I found.

In some cases it seems pretty straight forward: Vincent Gerrard, Chase Mackey, Doug Kendall and Olivia Ortiz need no further explanation. Other “villains” such as Jeffrey Hudson and Jonah Greenway have no bashing fics that I could find though.

The Buckley and Diaz parents getting bashed is also not surprising. Can’t say that I’m wild about it since my experience with reading fics that tag bashing was usually “here’s a random evil person I made up and then gave the name of an existing character”, but I understand where people are coming from.

Now the main characters… I’m just gonna say it: it’s people who have wronged Buck – according to some of the fandom at least. Chimney’s crime: the punch (no, I’m not defending it, but some people really have run with this). Maddie’s crime: not telling Buck about Daniel and then wanting to talk to him about it when he didn’t want to. Bobby’s crime: not allowing Buck back to work. Hen’s crime: idk, being Chimney’s bestie?

As for Eddie: I guess he’s a misogynist now, if you ask some people? Idk, it’s not like I read the summaries of all the fics because there are too many and also just no.

The love interests – which yes, in this case all happen to be Buck and Eddie’s love interests, imagine my surprise – happen to be “in the way” of shipping I guess. I did look at other love interest or ex-relationships and could find nothing.

Tommy’s crime: loving Evan.

Conclusion:

If you write bashing please keep tagging it.

Appendix:

All the characters I looked at: characters with no bashing fics I could find, characters with an established bashing tag, characters with no established bashing tag but bashing fics can be found

Main adult characters:

Athena Grant, Bobby Nash, Hen Wilson, Chimney Han, Evan Buckley, Eddie Diaz, Maddie Buckley.

Recurring characters, family:

Michael Grant, David Hale, May Grant, Harry Grant, Beatrice and Samuel Carter, Emmett Washington;

Marcy Nash, Tim Nash;

Karen Wilson, Denny Wilson, Antonia Wilson, Nia and Mara;

Albert Han, Chimney’s father/Sang Han, The Lees, Jee-Yun Buckley-Han;

Margaret Buckley, Phillip Buckley, Daniel Buckley, Doug Kendall;

Christopher Diaz, Isabel Diaz, Helena Diaz, Ramon Diaz.

Recurring characters, love interests:

Tommy Kinard, Natalia Dollenmeyer, Taylor Kelly, Lucy Donato, Ali Martin, Abby Clark;

Kim, Marisol, Ana Flores, Shannon Diaz;

Eva Mathis;

Tatiana.

Recurring characters, others:

Firehouse 118 Crew Bashing;

Chase Mackey, Vincent Gerrard, Jonah Greenway, Jeffrey Hudson, Councilwoman Olivia Ortiz;

Josh Russo, Lena Bosko, Ravi Panikkar, Claudette Collins, Brad Torrance;

Boeing, Dolphin.

[noihavenosanitythanksforasking]

thinking about how milevens tend to assume that bylers want mileven to break up just because we want byler to happen.

no love

wanting byler to be canon and wanting mileven to break up are two separate wants.

Mike and El have their own story outside of will. Even if Mike wasn't queer and Will wasnt around this story would still be their story. Will may be a character in their story but the story is still about mike and el. Mike and Els story line is the marriage of the two of their two individual character arcs.

El's story arc is based around the fact that she was abused as a child and was dehumanized to an extreme level that no child should ever experience. She does not have an identity of her own. She wasn't raised to even expect to have one in the first place. Her story is learning to be able to her own person. To just be herself and learning who that person is.

When she met mike she created an identity around him. and identity of being the super powered mage who saved the day. that was El. then she became mikes gf and suddenly she was now "mikes gf". It wasnt until she met max that someone actually tells her that she is allowed to be her own person. "theres more to life than stupid boys" "what feels right" before Max she was just existing trying to play a role of what she was supposed to be rather than figuring out who she was or who she wanted to be. What she wanted. El is not raised to have wants. El was raised to be a weapon, a lab rat, a tool that does what they are told.

When this story intersects with a story arc like Mike has you get the disaster that is Mileven.

Mikes story arc is actually very similar. Mike is a very codependent person. He wants to feel needed. he wants to feel useful. If he doesnt have a use to someone he thinks he must be a waste of space. Mike doesnt know who he is outside of other people. He has never explored what he wants for himself. He is for other people. As a codependent person myself i can relate to this a lot. It can be hard to know what YOU want for yourself, outside of people you care about. Mike puts his loved ones before himself so much to the fact that it tends to get him into trouble more often than not. The issue with being codependent is that you become almost blind to who YOU are and what YOU need. you suppress your emotions for other people and these emotions only tend to surface when you realize that holy shit. i cant do anything here. This is the situation mike is finding himself in during season 4 and continuing into season 5. there is nothing he can do anymore. it is clear that him putting el above his own feelings and giving her what she wants in his attempt to help is not working. In fact its HURTING his relationship with el. Now mike doesnt know what to do. so he's drifting. El was his trauma partner. when things get too hard and too confusing he retreats into "el mode" where his only thought is what El needs. This is not a healthy mindset AT ALL. no matter how much the media romanticizes that sort of thing. IT IS NOT HEALTHY. you cant live like that. but now El has communicated "i dont want that. stop lying and get your shit together".

so mike is stuck. and el is stuck.

because theirs is a coming of age story. however not all coming of age stories are romantic. Mike and El cannot communicate with each other. they are both selfishly selfless in the way they treat each other.

I am going to be who you want me to be because i think thats what you want and it makes me feel secure.

this is not something you want in a relationship. a relationship is based on trust and vulnerability. being able to be youre rawest and truest form of yourself for another person. and feeling seen and loved despite it.

this is not present AT ALL in mileven as a couple. they are both discovering who they are still and are not space to be doing that in a relationship where they feel the need to hide themselves from each other. you cant find yourself that way.

wow look how much nuance i pulled from mike and el without mentioning will once. wow its almost like will is not the reason their relationship is failing

[moonshine-nightlight]

So i just read Nothing's Wrong With Dale for the 4th time, and I just wanted to say thank you. I fucking love that story so much it's insane!!

I have a few questions that I keep thinking about of their life after the story ends. (Some of them are silly, sorry!)

1. Would you ever consider doing a sequel?

2. I feel like personally Dale would be an amazing father, but do you think they would ever have children in the future? If so, would they be half demon?

3. How would Dale react if another woman hit on him? I have a feeling he would be so oblivious at first.

4. What would Dale do if 'reader' is jealous of said woman?

5. What do you think would happen if someone in the 'readers' family accidentally found out?

Sorry if this is a lot, I'm just love this story so much! You are such a wonderful author 💜

Damn! I'm so glad you're enjoying the story enough re-read multiple times! That's so sweet!

i love questions about my stories, especially Dale! Since some answers will be spoiler-y and speculation, please see below :)

(Mild disclaimer: all of this is just speculation and half-baked ideas, nothing is canon because nothing is written etc even if i am the author. if anyone personally disagrees with any of this for their version of the reader and Dale--I fully support you)

I have considered it and while i do have ideas for some little spin off/side short stories, currently i don't plan for a full sequel. I just don't have a compelling idea for the overall plot/character ? Some of my bonus ideas are: POV story from Miss Adir&Mr Murray called "Peculiar Creatures" about reader and Dale; Dale hunting down Two; dale confronting the patrons of the assassination; a Midwife POV story; and a mini-romance story with Breighton and Teresa. I also do want to write more stories about different romances set in the Dale universe, with potential cameos by Dale and reader (each with at least 1 human and 1 demonic person).

Dale will certainly put his all into being a father. Not set in stone, but I think they'll have three kids and they are all part demon. If i ever was to write a full sequel it would probably combine some of the above short stories into one longer story covering readers pregnancy with their first born and the ramifications of a partially demon pregnancy lol while learning to take over Northridge. Dale felt very alone when he was young and so he'd put a lot of effort into making sure his child wouldn't feel that way--especially since the kid will be singular (no swarm) which Dale would see as very lonely. Both want multiple kids so that gets alleviated in time. They do have to be careful about letting Dale's grandparents around their children until they can control themselves lol

You're right, he likely wouldn't pick up on the nuance between "general manners" "sucking up to powerful people" "general flirt" and "flirting with him specifically". If he did notice, he'd be relatively polite but also ignore it or, if persistent, just leave to find the reader lol. If reader was there, he'd just be like "my lovely spouse" in greater and greater frequency/emphasis--like the other person is oblivious to the fact that he already has the best spouse.

I don't think reader would be jealous, they're married and stupid in love, but Dale'd probably just be confused if they were. Like, jealous of what? lol (I mostly find jealously fun to write/play with either before the couple is together or if its about non-romance things)

Reader's family finding out is a very interesting idea. It would definitely depend on who and when they find out. Callalily is the most protective so she'd be worried about the danger to the reader and generally everyone, not just violence but also manipulation. Douglas would be suspicious and wary and would need to interrogate Dale directly--fearing the reader being controlled in some way. He's seen the damage demons can do and takes it super seriously, but knows individual demons vary wildly. Marigold and Asher are both the most likely to hear the reader out and not jump to conclusions, for different reasons. They have more open minds and trust the reader to know themself/trust their judgement the most. All are more likely not to run screaming the longer they've known him/any children the couple has. The reader's parents would immediately tell everyone, they would have to be actively kept from spreading the word.

thanks for sending this ask and these questions in! It was a lot of fun to think about and share, especially since i hav basically no time for anything but work (which i should be doing now lol)

I'm always happy to talk about Dale ^^

[hazurasinner]

My brain tried too hard to come up with a three in one idea for the lack of recent activity... I think I succeeded in only one. XD The plan was to do a pic for #mermay, plus a celebration for the new Little Mermaid movie (the classic is my fav Disney movie ever) and the Barbie mugshot meme... But there are no mermaid tails here and these are the classic characters soooo I just succeeded in the meme format I guess haha Please do not repost, edit or use this artwork in any way.

[forcebookish]

cher going from barely able to answer "do you like me"

to projectile crying about how much he cares for and wants to be with gun

to scolding himself for being so in love

that boy is never finding his way back

[paceypeternathanslawyer]

One Tree Hill Meme {1/187} Season 1 Episode 1: Pilot Nathan & Haley In Every Episode

[teafiend]

[rigginsstreet]

It’s a rare occasion when I consider a throuple situation for characters but even then I still find myself focusing more on couples within that dynamic like a throuple situation is cute for singular moments but when it comes to a full rounded relationship I always go back to couples cuz three people is just too many I’m not tryna deal with all that

[omgthatdress]

The Importance of Studying Queerness in Context.

When studying queer history, one always has to keep in mind two seemingly contradictory things: firstly, that queerness and queer people have always existed, but at the same time, that queerness and queer identities have not always existed the way they exist today.

Modern queer terms and identities did not exist to queer people in the past. They would not have thought of themselves as "gay" or "trans" or even "queer." While these modern terms may seem to fit certain historic individuals, these individuals would not have thought of themselves as such, and it would not be a part of their lived experience. To apply the modern identities of queerness to history is to erase the lives and experiences of queer people in history, and care must always be taken to understand queer history within the context of its time.

When looking at queer history online, there is a *lot* of misinformation and misidentification out there simply because people are eager to apply modern queerness to history, often in places where it doesn't belong.

A lot of old photos get misidentified as gay because they show two people of the same sex showing some level of physical affection towards each other. Okay, I'll admit that the open-mouth kissing photobooth pictures are probably actually gay, but an old picture of two men or two women holding hands or with their arms around each other, or even kissing on the cheek, were common shows of platonic affection.

I hate to break everyone's gay little hearts, but without explicit documentation saying so, assuming that these couples are all gay is putting modern queer identity in places where it simply didn't exist. The women in the final picture are sisters. The "not married" boys are bachelors interested in marrying women.

In the silent film Wings, the emotional climax of the film comes in the form of a kiss exchanged between the characters played by Jack Powell and David Armstrong. It often gets attributed as the first gay kiss in cinema history, even on the fucking YouTube clip I found:

Except it isn't gay. The two men spend the whole film fighting over who gets to be Clara Bow's boyfriend. When Richard Arlen's character is fatally wounded, his dear friend rushes to his side and kisses him goodbye, because in the 1920s, that was considered the ultimate show of friendship. The movie ends with Jack Powell falling in love with Clara Bow.

Similarly, a kiss shared between Lillian and Dorothy Gish in the 1921 movie Orphans of the Storm often gets attributed as being queer, but it wasn't.

They were sisters playing sisters. None of this was considered unusual.

Pooh-poohing on all of these images that so many people on the internet breathlessly and joyously laud as proud gay history isn't fun. It makes me feel like I'm fucking Ben Shapiro. But if misinformation is allowed to flourish, it allows people like Ben Shapiro to come in and make the argument that queerness is a modern invention and queer people didn't exist in the past.

Everyone loves to see queerness represented in history, but the fact is that none of the stuff in this post would have been seen as explicitly gay and thus shouldn't be called gay today. If we are to understand queer history in its fullness and richness, it is absolutely crucial that we get it right. We owe it to our queer ancestors to recognize, honor, and not embellish the actual lives they lived.

[yukioos]

ESPRESSO (BED CHEM PT2)

SUMMARY: viktor x reader // you awake from loud bangs at the end of the hallway. spooked, you cautiously walk down just to see it was jayce and viktor with their working hextech, and a not so happy professor heimdinger.

AUTHORS NOTE: hi guysss!! requests for jayce, mel, and viktor are now open! i might start writing for other arcane character soon. sorry this took so long to post 💗 also tysm for 300 followers! i never knew bed chem would blow up so much :) i appreciate all the love and support! kinda feel like i should make a part 3 but im not sure yet🤭🤭 this is 1.4k words

WARNINGS: cussing, not proofread

TAGS: @th3stup1dcat @aise-30 @22carolina08 @sarahskywalker-amidala @novausstuff @sseleniaa @blueesmiski @coffeemin @na0mii03

loud bangs awake you from your sleep. you jump up, feeling startled by the intense noise. you grumble from your comfortable bed and give in, throwing your luxury covers off your body.

cool air quickly envelopes your frame, and you swing your legs over the side of your bed, laying your feet on the cold floor. you shiver at the feeling, then slip on your fuzzy slippers, meant for walking during cold mornings.

enforcers must be at the place of disturbance. you wouldn’t know what to do if they aren’t already dealing with the problem. after picking up a coat from a hanger, you quickly walk to the noise.

unpredictably, the enforcers were the individuals causing the disruption. professor heimerdinger stands in the middle of the two men dressed in dark blue. you stand at a safe distance, watching the enforcers pound on the door, observing the moment.

loud buzzing and crackling is heard from inside the lab, and blue light shines through the cracks of the door. you remember what you said to the two men just a couple of hours ago. hopefully, jayce and viktor haven’t done anything too dangerous.

the double door suddenly blasts open, and pieces of wood fly in various directions. a bright, blue ray of light explodes in the professor and enforcers’ way. you hide behind a nearby wall and cover your head, expecting the worst. but when hardly any destruction occurs, you peek around the wall.

the yordle warns, “excuse me, underfoot,” causing the enforcers to unshield their faces and stare in awe at the sight in front of them.

viewing their stances, you walk behind them and take a peek into the laboratory. viktor and jayce float around a blue ball of energy. jayce chuckles and taps a gadget into the ball of energy, and it goes right through. viktor catches it from the other side and begins giggling like a child as he makes swimming motions.

the professor stares up at the sight. his ears droop and he undoubtedly states, “you’ve actually done it.” his ears flop up, and he fidgets with his hands, “but just because it can be done, doesn’t mean…” he looks up, “will you please stop hovering?”

the cute brunette continues to move in the air, he jokes, “i’m not sure how to do that, sir.”

you giggle, placing a hand over your mouth, and the enforcers cautiously turn around. you place your finger to your mouth, silently commanding them to say nothing about your appearance.

the professor nervously adds, “this is not what piltover’s future looks like, my dear boys.” he looks behind him, a worried expression on his face, as if he’s about to break down in tears. his eyes meet yours, and he jumps, “ah! councilor l/n, what are you doing here… at this time? it’s late, you should be sleeping!”

you quickly come up with an excuse, “i apologize, professor. i couldn’t rest, so i was planning to take a trip to the garden. i thought, perhaps it would calm my nerves.”

you smile at the enforcers, and they clear their way to make a path for you. you peer into the inside of the room, eyes widening in shock. you mumble, “woah,” the sight is one of the most beautiful you’ve ever seen.

nothing could compare to this moment. this moment will be remembered in history. the blue light shines all across the room, and people float for the first time with nothing to stand on! best of all, viktor and jayce will get accreditation for this work and dedication to their hextech project.

you lock eyes with viktor just to realize his eyes were on you the whole time. warmth somehow reaches your body in the cold academy, and you still manage to ask, “how did you do this so quickly?”

“we…” viktor starts answering, not knowing how to continue without sounding stupid in front of a well-known figure and beautiful woman, “we cranked it,” he chuckles along with jayce.

you have no idea what the hell he’s talking about, but damn, does he look attractive. his eye bags are dark under his eyes. you suppose he spends most of his night working on scientific research, and his messy hair flows in the air, most likely ruining his hair from the explosion.

his white vest has stains on it, maybe from drinking tea to keep himself awake. but viktor appears as if he’s close to passing out, so you ask, “are you aware of how to get down, gentlemen?”

jayce looks at his partner, probably trying to check in with him, “maybe turn the dial to the left?”

viktor shrugs and states, “worth a shot.”

you walk to the dial and ask the two men if you’re near the correct one. you slowly turn it left, anxiously waiting for something terrible to happen, or for one of them to command you to halt your movement.

the two brunettes suddenly drop at a quick speed, yelling at the unexpected scene. you move at lightning speed, running to the closest man, as the two enforcers run to the other. you half-catch the taller, lean man, his feet on the ground as you hold his waist for security.

he stares at you for a few moments as his face flushes, he mumbles, “thank you, councilor l/n.” and smiles at you, eyes darting from you to his cane, lying on the ground.

his arm lays around your shoulder, and you bring him close to a desk he can lean on. without a word, you step over to his handmade cane and pick up the delicate material, placing it in his hand. he thanks you once again.

you come up with an idea and grin to yourself. you politely ask, “are you two free tomorrow? i would like to talk about the future of piltover and what you have planned for what you will do with the hextech next.”

jayce brushes off his pants and places his hand on his chin before smirking, “actually! i have to uhh—“ he stutters, attempting to come up with an excuse, “i’m hanging out with caitlyn. i’m afraid i can’t make it, councilor l/n.”

you drown and politely reword your sentence, “perhaps we can reschedule a time so you can come—“

“oh, no! that isn’t necessary, please do not worry about it. i’m sure viktor can tell me everything you’ll talk about with him.” jayce winks at the shorter brunette. he gives him a sharp glare back.

“i am free of events tomorrow. where should we meet? and at what time, councilor?” viktor asks, trying to appear formal and proper in front of you.

“how about we discuss it at celine’s around twelve? it’s just six blocks past the academy.”

he smiles and looks down at you, “that would be perfect,” his freckles stand out to you so much.

you take a moment to remember his face before sighing, “it’s late. we should all be going to bed.”

many agrees and chuckles at shears from around you, and you smile and wave at the three scientists and two enforcers. as you step through the hallway, you jump and cheer, pumping your fist in the air. you practically get to go on a date with viktor tomorrow!

once he and jayce are the only individuals in the room, viktor leans on the desk and places his head in his hands, groaning. he isn’t ready to talk to you one-on-one yet.

jayce rolls his eyes, “what’s wrong? i just gave you a pass to be alone with her— for hours. that’s the perfect time to get to know her.”

“what am i supposed to talk about, jayce? you know i’m not the best at conversations or communicating, what makes you think i can talk to a person i’m interested in?” he complains, gently hitting his head with his wrist.

“it’ll come to you when you’re ready.”

“that isn’t helpful at all,” viktor side eyes the taller man, who just shrugs and tells him goodnight.

as viktor walks back to his room, even as he brushes his teeth, puts on his sleep clothes, all he can think about is impressing you tomorrow. maybe jayce is right, maybe he just doesn’t know how he’d talk to you now.

[rabbiitte]

Queer Coding in Media: Jayce and Viktor's Case.

Let's address what Christian Linke recently said about Jayce and Viktor's relationship because this is making some noise in the community:

According to the co-creator, Jayce and Viktor love each other like “brothers”.

Christian states that he doesn't understand why people see their relationship as a romantic one.

Linke also added, after the end of the series, that Viktor is canonically asexual and dismissed a possible romantic relationship with Jayce due to that reason.

We'll expand on these points next. But first, some context.

| About queer coding...

If Jayce and Viktor's relationship is seen as beyond brotherly, it's because it was portrayed that way. Their relationship is very queer coded.

Queer coding refers to the practice of subtly implying that a character in a piece of media is part of the LGBTQ+ community without explicitly stating or confirming it. This is often achieved through subtext, symbolism or specific character traits associated with queerness. This often arises due to societal restrictions, censorship or creators intentionally embedding queer elements into their work.

Queer coding for a couple in media involves using subtle visual, narrative or dialogue-based cues to suggest a romantic or deeply intimate connection between two characters without explicitly confirming their relationship as romantic or LGBTQ+. This type of queer coding focuses on the dynamic between the two characters rather than just one individual's traits.

When discussing queer coding in media, the examples can include both the content of the relationship itself (dialogues, interactions and dynamics) and visual and non-visual narrative (cinematographic techniques, narrative techniques and the use of music). Both aspects—content and narrative—are essential to queer coding because: a) Content provides the material that audiences can latch onto (dialogues, dynamics or gestures) and b) the narrative guides how the audience perceives this material (through visuals or music, for example).

Below are examples and methods used to queer code couples:

Relationship's Content (character dynamics and dialogues):

These are the in-universe moments or dialogues that give romantic or emotionally intense undertones to the relationship. For Jayce and Viktor, this includes:

1. Use of subtext in dialogue or relationships:

Ambiguous or "more-than-friendship" dynamics: Characters have intense emotional bonds or interactions that go beyond typical friendships but stop short of being explicitly romantic. Jayce and Viktor’s connection, for example, is filled with vulnerability, admiration and devotion beyond brotherhood. Their willingness to risk everything to save each other in each timeline adds a tragic, almost romantic layer to their bond. Jayce’s comment calling Viktor “beautiful despite his imperfections” and their mutual sacrifices suggest a deep connection that goes beyond friendship or platonic relationships. Their bond, tied to time loops and destiny, feels more like a soul bond with a cosmic significance that transcends a typical brotherly dynamic. In other cases, this would be a romance.

Loaded Dialogue: Lines of dialogue may carry double meanings or suggest emotional or physical intimacy without being overt (e.g., characters use ambiguous terms like partner, special or soulmate, which can suggest deeper feelings without explicitly labeling the relationship). For example, if one says, "I’d sacrifice everything for you," it resonates beyond platonic territory. Dialogue between Viktor and Jayce is filled with layered meanings that suggest a connection deeper than traditional friendship. Here are some examples:

When Viktor’s former mentor warns him about sacrificing love and legacy, Viktor instinctively replies "Jayce will understand," directly associating Jayce with love and signaling how central Jayce is to his emotional world. Similarly, Jayce’s decision to abandon politics to return to the lab is encapsulated in the line "my place was always here in the lab with you," which emphasizes that his devotion isn't just to their work but specifically to Viktor. The repeated use of "partner" by Jayce further blurs the lines between professional collaboration and emotional intimacy, as the word carries dual meanings, suggesting equality and closeness. The term is somewhere between friends, brothers and more than that. Hence, the term can be freely interpreted. Viktor later reflects on their bond by stating, "it was affection that held us together," acknowledging that their relationship transcended shared goals and was rooted in genuine emotional warmth. Finally, Jayce telling Viktor, "there is beauty in imperfections," as he admires Viktor’s struggles and physical challenges, conveys profound validation and care, elevating their bond to one of deep emotional resonance. These lines collectively demonstrate how their dialogue is charged with a sense of intimacy and mutual admiration, allowing the relationship to be interpreted as more than platonic, hinting at queer coding through its emotional depth and layered expressions.

2. Body language and interactions:

Lingering gazes or physical proximity: Close, lingering touches, extended eye contact or standing too close for “just friends” —common romantic cues—are often used. For example, long hugs, holding hands or standing closely during emotional moments are subtle ways of suggesting attraction or intimacy. In Jayce and Viktor's case, Jayce is almost always the one who initiates the physical contact. Jayce's non-verbal language with Viktor is marked by gestures of reassurence with a hand on his shoulder, hugs without centimeters of distance and fast moves to help Viktor in the face of his weakening due to his illness. An important detail to take into account is Jayce's reaction to Viktor and Mel's return. When Viktor returns from the dead, Jayce surprises his friend with a hug that knocks him off balance by his strength. When Mel returns after no one knew of her whereabouts, Jayce doesn't even hug her, but instead complains about why she didn't save Viktor.

Protective gestures: Scenes of one character sacrificing for, protecting or expressing deep vulnerability to another can suggest more intimate feelings. Jayce and Viktor's relationship also has the presence of hundreds of moments in which they both profess for the safety and well-being of the other. In season one, after having sex with Mel, she wakes up in an empty bed. It turns out that Jayce was with Viktor, waiting on the side of the bed for him to wake up. This detail alone shows where Jayce's loyalty lies. But, overall, Jayce is very delicate and helpful towards Viktor. In turn, the only moment in which Viktor initiates physical contact is to reassure Jayce so that he doesn't feel pain on the astral plane. Both join their foreheads in a significant gesture of appreciation and affection and console each other at the end of their existences.

3. Avoidance of heteronormativity:

Lack of romantic interest in the opposite sex: A queer-coded character may show no explicit attraction to the opposite sex while forming deep emotional bonds with same-sex characters. This is especially true for Victor, who has had no interest in any character of the opposite gender during the two seasons. The guilt Viktor felt over Sky's death shouldn't be confused with sexual, romantic or aesthetic attraction. Viktor practically didn't even know Sky's name during the first season and, despite knowing each other since childhood, Viktor continues to call her "Miss Young" during the second season. As you may already know, Sky's presence in the second part of Arcane represents what Viktor has left of humanity. Jayce is a separate case, since he did have a sexual-affective relationship with Mel, despite not being officially a couple. However, he always put Viktor's well-being above his relationship with Mel.

Unconventional partnerships: Instead of marrying, having children, or living “normal” lives, queer-coded characters often follow nontraditional paths. The unconventional partnership between Jayce and Viktor lies in their shared path of devoting their lives to science and progress instead of following more traditional societal expectations. Their bond, rooted in their shared ambition and mutual understanding, creates a life partnership that revolves around innovation, discovery and reshaping the world. Together, they prioritize their intellectual and creative pursuits over conventional relationships, with their lab becoming the core of their connection and purpose. This can be seen, for example, in the moment when Jayce decides to resign from politics because he realizes that his place is next to Viktor in the lab. This partnership not only defines their lives but also strengthens their relationship, making it deeply meaningful and unique in its intimacy and shared vision.

Visual and non-visual narrative (cinematographic techniques, narrative techniques and music):

These are the deliberate storytelling choices that imply deeper subtext or allow the audience to interpret a couple's bond as queer. Examples include:

1. Visual narrative:

Symbolism (in scenes): are visual and narrative moments intentionally designed to evoke ambiguity, emotional depth or hidden meanings in a relationship. These scenes often rely on subtext, metaphor or visual framing to suggest intimacy or connection between two characters, leaving their nature open to interpretation. For example, Jayce's campfire scene. Fire might symbolize Jayce's internal turmoil. Mel appearing first may reflect her role as a significant figure in Jayce's life, while Viktor appearing next could symbolize a deeper, enduring connection. The fire "burning away" Mel and transitioning to Viktor might suggest that, in this moment, Jayce's thoughts are consumed by Viktor, representing a priority or emotional focus shifting toward Viktor. So, Viktor isn't simply a colleague or friend but someone whose presence looms large in Jayce's thoughts, surpassing Mel's. While the scene might not explicitly state anything romantic, the visual choices align with tropes often used to convey profound emotional connections, making it easy to interpret the subtext as romantic or deeply personal.

The decision to interweave Viktor’s scene with Jayce and Mel's scene while having sex is highly unusual too. If Jayce and Viktor are purely platonic friends, such a juxtaposition does feel strange. I understand, both Jayce and Viktor are "merging" with something beyond themselves, but can you imagine a similar scene with Jinx and Vi? If Jayce and Viktor's relationship were purely professional, friendly or brotherly, such imagery wouldn't normally feel warranted in storytelling.

Parallelism: In storytelling, parallelism refers to the use of comparable or mirrored elements—such as characters, themes or visuals—to draw connections or contrasts. It often involves showing two or more situations, characters or relationships side-by-side to highlight their similarities, differences or shared significance within the narrative. In Arcane, the creators align Viktor with Mel through parallels. Through this technique, creators seem to suggest that Viktor holds a similar or even equivalent place in Jayce’s life. Since Mel’s relationship with Jayce is explicitly romantic, this framing subtly implies that Viktor could also occupy a romantic or emotionally intimate role.

2. Non-visual narrative:

Music and Lyrics: are powerful tools to subtly hint at romantic or emotional dynamics between characters without explicitly stating them. By selecting specific songs or using lyrics that carry layered meanings, creators can invoke emotions or associations that resonate with queer themes, intimacy or romantic undertones. Songs that have lyrics with open-ended or ambiguous lines, when placed over scenes with queer-coded characters, allow for multiple interpretations. This creates a sense of queerness without labeling it outright, allowing the audience to interpret the relationship as they see fit. As is the case of the song The Line by Twenty One Pilots. Through the line "pull the blanket tight now" you can interpret the song from Viktor's point of view and dedicated to Jayce (since Jayce was the one who gave the blanket to Viktor).

Comparisons and mirroring: narrative parallels with romantic couples, either in character arcs, sacrifices or framing. For example, Jayce and Viktor share a significant bond across multiple timelines. Jinx and Ekko, meanwhile, also share a significant bond in another timeline. This could be interpreted as both couples choosing each other, even, in alternate universes. This is an idea that is commonly related to romantic relationships. Love across different universes is seen as something beyond fraternal and worthy of epic romantic love. In the same episode that Ekko meets Jinx in another timeline, Jayce meets Viktor in another timeline too. The same thing happens in episode three of season two. In the same episode where Vi and Caitlyn fight and part ways, Jayce and Viktor also fight and part ways. In this way, Jayce and Viktor follow a similar pattern and theme (albeit on a larger scale) to that of the other canonically romantic couples in the series.

Subtext in dialogue: refers to lines with double meanings that subtly suggest emotional or romantic undertones. The choice by the creators of lines that are commonly associated with romantic relationships such as "beautiful despite the imperfections", "in all timelines, in all possibilities, only you can show me this", "my place is in the laboratory, with you" or "it was affection that held us" convey an ambiguous message that leaves the possibility of multiple interpretations open. The use of the term "partner" was not accidental either. This word is commonly used by queer individuals to signify a romantic relationship while avoiding gendered language. Jayce and Viktor not calling each other “brothers” is significant because it leaves room for ambiguity, suggesting that the creators might not have wanted to firmly define the relationship. Jayce only called Viktor "brother" once and then insisted on the term "partners" until the end of the series.

As you noted, these aren’t accidental choices—they are purposeful creative decisions made by team members who do support the romantic interpretation of Jayce and Viktor's relationship. Animators, voice actors and designers contributed to shaping this relationship through subtle creative choices. For example, animators might have chosen specific expressions or gestures to convey deeper intimacy, even if this wasn’t explicitly stated in the script. Leaving their relationship ambiguous might have been seen as a “safe” route in the face of disagreements.

In collaborative works like Arcane, no single individual (not even Christian Linke) dictates the entirety of what's canon or not. Creative contributions from diverse team members with their own agenda and interpretations also shape meaning.

If the intention was to show a “brotherly” relationship but the execution led to widespread interpretation of a romantic one, it's failure in storytelling. If the intention was to show a "queer coded" relationship and the execution led to widespread interpretation of a romantic one, then it's success in storytelling.

Death of the author: Viewers also have their own interpretations and that's valid. Varied interpretations shouldn't be dismissed. Here the death of the author applies. This term refers to the fact that, after an author publishes a piece of work, that piece ceases to belong exclusively to the author. Once a work is released, it belongs to the audience as much as the creators. If significant parts of the fanbase interpret Viktor and Jayce as more than friends, that interpretation becomes part of the narrative’s cultural impact, regardless of authorial intent.

The interpretation in media of queer codes is deeply influenced by cultural cues. Although this changes from society to society, social cues are the same for everyone. If Viktor and Jayce’s interactions evoke a sense of romance, it’s because the storytelling taps into those cues, whether intentionally or not. The relationship between them two integrates cultural and social codes typical of queer relationships.

Cultural codes: are tied to traditions, beliefs and shared understandings within a specific culture or subculture. They include symbols (objects, gestures, or imagery that carry specific meanings within a culture —e.g., a wedding ring symbolizing commitment—), narrative patterns (storytelling conventions that audiences recognize, such as the "star-crossed lovers" trope or visual parallels that suggest a connection between characters), expressions and language (words, phrases, or metaphors that carry connotations shaped by cultural usage —e.g., the word "partner" often implying romance in contemporary Western culture—.

Social codes: are the behaviors and norms that define interactions and relationships between individuals or groups. These codes are often context-dependent and include: body language (physical gestures or proximity that suggest intimacy, power, or affection —e.g., lingering touches or intense eye contact indicating closeness—), relationship norms (expectations about how certain types of relationships—platonic, familial, romantic—are expressed in actions and language) and contextual cues (the way relationships are framed by their environment, such as a candlelit dinner indicating romance or playful banter suggesting friendship).

The way Viktor and Jayce interact is coded in a way that aligns more with romantic love than familial or platonic love. So, asking to associate Jayce and Viktor's relationship with a “brothers” type of relationship would mean having to disregard cultural and social codes.

| Romantic Undertones as "Canon Adjacent”.

As I previously said, the romantic undertone of Jayce and Viktor's relationship would result in a canonically established couple in any other series. So, what I see here is a double standard in romantic representation in the series. For example, many think that Ekko and Jinx are canon after (a conversation that wasn't added to the series and after...) Ekko gave his jacket to Jinx. Jayce and Viktor’s dynamic features more romantic subtext than that but they still are dismissed as "brothers". Is this homophobia? No, of course not. How could it be homophobia if Arcane shows an established lesbian couple? Well, let me tell you, lesbian representation is more socially accepted in male-dominated spaces due to fetishization, whereas romantic relationships between men are less embraced. The idea of two men in love can lead many people to question the masculinity of these men and the masculinity associated with characters like Jayce or Viktor is vital to League of Legends. Making a canonically gay male character is riskier for the franchise because, in lol, masculinity is an element that, many times, determines the election of one character over the other.

Unlike Vi and Cait, among whom (I understand) there was the belief of a romantic relationship, Jayce and Viktor were never associated in that way. So, I can see the risk.

If Linke intended to focus on male friendship, that’s fine, but dismissing other interpretations, especially in a story as emotionally charged as Jayce and Viktor’s, can come across as limiting or dismissive of queer readings, whether intentional or not. It would have been better for Christian Linke to shut up and let everyone have their own interpretation about Jayce and Viktor's bond. Instead of insisting on interpreting Jayce and Viktor’s bond as “brotherly”, it would be more inclusive and respectful to let viewers interpret their relationship freely. By insisting on framing Viktor and Jayce as just “brothers” or “friends,” the show risks falling into the “no-homo” trope, where creators deliberately steer clear of portraying characters as gay despite clear romantic subtext.

| Linke's arguments.

Arguments like "media lacks non-romantic platonic relationships" feel insincere because these type of relationships aren't underrepresented in media. That crisis never existed. Many popular shows and movies focus on deep, platonic male bonds (e.g., Sherlock Holmes, The Lord of the Rings, Supernatural). While it’s admirable to showcase strong male friendships, it’s not a groundbreaking theme. In such a case, there is a lack of representation of non-romantic platonic relationships between men and women. These type of relationships are equally rare and more deserving of advocacy, but we still have timebomb (Jinx and Ekko). In conclusion, media has no shortage of non-romantic male-male bonds, but LGBTQ+ male romantic relationships remain underrepresented. So, Christian Linke's dismissal about JayVik was even more noticeable after that argument.

Also, I would like to add that referring to a relationship as a "romantic" one doesn't diminish the importance or depth of a bond. Friendship isn’t erased by romance. In fact, many memorable romantic relationships in media are related to friendship (e.g., Anne and Gilbert from Anne with an E). But, to call it a brothers-like relationship would diminish the profound, cosmic depth of their connection because their bond is about recognition, unconditional support and shared purpose, even at the cost of the world. It’s poetic and tragic, resonating with themes of love, identity, and the human condition. The time loops, their repeated choice to find each other and their interconnected destinies make their relationship feel larger-than-life. For many viewers, this mythic quality resembles soulmate narratives rather than simple friendship or brotherhood.

Another argument that reveals Christian Linke's rejection of Jayce and Viktor as a possible romantic relationship, is the statement about Viktor being asexual. I would like to ask what is the point of revealing this information after the show ended? Representation works best when it's woven into the narrative, not dropped as an afterthought. Beyond that, I think Mr. Linke should educate himself. Experiencing little or no sexual attraction doesn't mean that romantic attraction cannot be experienced. Being asexual doesn't mean that a person can't be gay.

Asexuality: is a sexual orientation characterized by the lack of sexual attraction to others. This means that an asexual person typically doesn't experience the desire to engage in sexual activities with anyone, regardless of gender. However, asexuality exists on a spectrum. Asexuality as a spectrum refers to the understanding that asexuality encompasses a wide range of experiences and expressions of little to no sexual attraction. Rather than being a single, fixed identity, the asexual spectrum includes various orientations and preferences regarding sexual and romantic attraction.

Many asexual people form deep, meaningful romantic bonds and there's no inherent contradiction between being asexual and experiencing romantic feelings. To use Viktor’s supposed asexuality as a reason to dismiss any potential romantic undertones between him and Jayce feels reductive and dismissive—not just of their dynamic, but also of the diverse experiences of asexual individuals.

Let's end this post on a more positive note with Arcane team members who do support Jayvik.

Posts from animators + Jayce's voice actor with a JayVik fanart.

Viktor's character designer + posts from animator.

Moose is the creative director + AgentR is an animator + Mel's voice actress.

[croc-odette]

also i think this has been figured out at this point but the whole "i miss queerbaiting" convo is like... the part of queerbaiting that ruled was because the show was usually putting forward two dudes, those two dudes got to have character arcs and motivations and writing behind both of them. they could both be interesting individually. because neither of them were shunted into 'disposable romantic interest' for each other.

but if a gay couple on tv is now supposed to be there, writers can fall for the m/f trap of 'only one of these characters needs to be fleshed out, the other is just here to explicitly be the love interest and maybe die later' except now they can both be dudes. it's not that queerbaiting was inherently better it's that unfortunately people have always been bad at understanding what makes fictional romance compelling, which is 'who the fuck are these people in the first place and why should i care'

[jinjeriffic]

DPxDC and OOC

I've had a couple of posts cross my dash recently where people lament that a lot of the dpxdc fandom writes characters very OOC and how we're proliferating these characterizations among each other. I figured I'd add my own two cents.

I think the fundamental discrepancy comes from trying to reconcile two canons with vastly different tones.

Danny Phantom is a comedy superhero show operating on cartoon logic. Why do ghost experts Jack and Maddie never realize their own kid is a ghost? Why is the status quo restored at the end of every episode? Why does Danny shoot an ectoblast out of his butt that one time? Because it's funny. It's cartoony action fun where the plot is resolved in 22 minutes, there's never any lasting consequences and it's aimed at kids.

DC meanwhile wants to be taken Seriously. Heroes get beaten within an inch of their life, traumatized, killed and even the good guys do messed up things (often to each other). Yes there's action and puns, but also horrific violence, actions have consequences and it's (mostly) aimed at adults. When a main character dies the comics show their family and friends mourning and things are very dramatic. Even though at this point we, the audience can pretty much expect every death to be undone within 2-5 years of publishing, but I digress.

So how do we, the fanfic/fanart creators reconcile these differences when we make our crossovers? We either make DP more serious and somber, or we make DC more comedic.

Suddenly we have a DP verse where the Fentons' bumbling obliviousness is elevated to serious neglect or outright abuse. The GiW are no longer a minor annoyance, they are a serious threat with genocidal plans and a desire to vivisect the protagonist. When actions have consequences, we imagine Danny as dealing with serious PTSD from having to be a solo superhero and witnessing his family's death that one time (and maybe also getting vivisected). Danny is not just a teen superhero, he's now the Ghost King with serious responsibility on his shoulders.

On the flipside, if we make DC more comedic we tend to exaggerate character traits for comedic effect, focus more on the interpersonal dynamics (especially the Batfam) and have the characters act more casual and silly. Suddenly the Batfam goes from a group of seriously messed up individuals who have trouble communicating with each other and fight all the time to Batdad "Kids if you don't stop killing criminals you won't get dessert ffs" Bruce. Violence is played for laughs instead of taken seriously. Yeah they fight, but they still Love Each Other.

And THIS IS PERFECTLY FINE. It's transformative work! And trying to reconcile these disparate fandoms is hard! Fandom is a labor of love. We do it for free. We do it for our own entertainment. And no one is forcing you to read fics you don't like. DLDR and all that.

[idkdudethisisntpermanent]

Blurred Lines

jenna ortega x female reader

summary: You and Jenna, best friends and actresses, are cast as lovers for the first time, tasked with bringing a romantic chemistry to the screen. But as scenes unfold, the lines between acting and reality begin to blur.

word count: 2.1k

a/n: This was actually the first Jenna story I wrote!

————

What are you thinking so hard about? Jenna asks plopping down in the director's chair next to you.

After being best friends for years, you and Jenna have finally gotten the opportunity to work alongside each other on your latest film Lovestruck, a romance film where you two are playing the lead couple.

You. You wanted to say, but you were 8 years too deep in the friendzone to truly say what was on your mind. "Just the next scene," you smile at her tiredly.

Her eyes light up, "I've been looking forward to this scene for so long!  God just look at that view Y/n!  I'm so jealous of Lalya," she sighs, referencing the character she's playing in the film. "Just who wouldn't love to be confessed to here," your co-star finishes looking over at you with sparkles in her eyes.

When your manager gave you the script for this project, you could only laugh at how much the story paralleled your situation with Jenna.  You were playing Quinn, a girl who has been in love with her friend for years, but couldn't do anything about it.  Eventually the mixed signals and watching the one she loves be with others got too much, and Quinn angrily confesses by the lakefront during a sunset; the view Jenna was fawning over just a minute ago.

You could only wish that the aftermath of any potential confession of yours could resemble the one in this film. Layla ends up reciprocating Quinn's feelings and it's a happy ending.

Unfortunately the universe isn't as perfect as an angsty teen romance, and is rather a sick minded individual who gets a kick out of meddling with people's lives. For years you and Jenna have auditioned for the same projects to play friends, enemies, even sister's but why is it that the one project both of you manage to land is this one?

"Y/n/n!"

Startled, you look over at the girl who's been trying to get your attention for all this time while you zoned out. "Y-yeah sorry. You're right. It would be a dream to be confessed to here."

She hums and stands up before placing a hand on your shoulder looking intently into your eyes, "I'll see you on set after the break, hope you bring your A game Y/l/n," she winks with a smile before walking off.

Jenna walks over to Andrew another actor working the film and immediately starts laughing and touching his arm in conversation.  You couldn't help but roll your eyes, but you also couldn't tear your eyes away from the scene that always happened to unfold in front of you.

It hurts you beyond belief watching your best friend interact flirtatiously with other people. Having to hear about rumoured boyfriends and especially having her not deny them. The mixed signals you got from the girl wasn't any help either, like what was that hand on the shoulder just now? The wink?!

You walk away trying your very best to calm yourself down before your big scene. Jenna frowned as she watched you walk away and towards your personal trailer.

————

The director calls everyone to set and has prepared to shoot the big confession scene. The crew helps you and Jenna find your places and fixes up any imperfections in your clothing. As you stand before your co-star you're hit with a strong wave of emotions. The 20 minutes you spent in the trailer wasn't much help, and now as you watch Jenna who is looking at you curiously, you make a realization.

You may never confess to Jenna. How could you? This friendship was the greatest you've ever had and you were aware of the fact that friendships like this one, don't come easy. It would be insanely stupid of you to confess your love and single-handedly lose a gem like Jenna completely. The more you thought about it, the interactions between Andrew, the rumours with Percy, and countless other boys, the more helpless you felt. There was no way she could feel the same.

"You okay?" the gentle voice you've come to love speaks.

You're silent.  She looks at you with her big doe eyes that you've come to love, but at this very moment you hate so much.  The concern in her eyes is pushing you off the edge.  You hated it.  You hated how her caring nature has only gotten you falling tenfolds harder. Why does she have to be good to me, why does she torture me like this you ask yourself.

"Y/n/n."

You look away, refusing to look into her eyes, scared of the emotions you'll find in them, scared of finding out how much more you could fall in love with her in this moment, so you settle on the view of the sunset.

The director begins a 10 second countdown to cue in the start of the scene and you're still looking at the sunset pondering. This may be the only time that you'll ever speak the words of a confession to Jenna. Yes, to her it'll be you performing the script, Quinn speaking these words, but she doesn't have to know that you will mean all the words you speak with every fibre of your being.

A light smile plays on your lips as you think about the performance you're about to give and how it should get you nominated for all the acting awards in existence. The lines of Quinn and Y/n have blurred, and you are playing no character other then yourself.

You won't be acting.

"Action!"

The scene begins and you start marching away from Jenna like the script told you to.

"Wait- Stop!" Jenna says frantically grabbing on to your arm.You roll your eyes, shrugging her off and continue walking.

"Why do you insist on hurting me?" She shouts, following the script.  You stop walking and pause.One beat. Two beat. Just like the script instructed. You turn around, glaring at her with more intensity than the script demands, "Me? Hurt you? That's rich coming from you."

Jenna hesitates, caught off guard by the seriousness in your voice, but quickly recovers, staying in character.

"Yes you asshole! I invite you to the lake house, and all you do is ignore me!"  Groaning into your hands, you speak your next line.  "Layla. You're joking right?"

"No Q, I'm not.  Do you even care about me?  It's my fucking birthday, and you're acting like I'm not even here, sulking in one of your moods and embarrassing me in front of my friends!"

"Then what am I?"

"What?"

You laugh, running your hands through your hair, struggling to keep your emotions in check.

"If those are your little fucking friends, then what am I to you?"

Jenna acted taken aback like she was supposed to, "My friend? My best friend? I don't know that's not the point! Wh-"

You cut her off, "But it is the point!"

You break the script.

You blink hard, letting the tears that were building up before the scene fall down your face.

Jenna had a look in her eyes that you've never seen before it was confusion and something else you couldn't pinpoint. Being the amazing actress that she is, she improvs her next line, so the scene can get back on track.

"Here you go again not wanting to address the real issue," she rolls her eyes.

You decide to stick to the script with tears streaming down your face. "I can't keep doing this anymore Layla," the words carrying the weight of years of hidden feelings. "Watching you with them, pretending I'm fine when I'm not. I can't just be your friend anymore."

Jenna's eyes widen, her character momentarily forgotten as she registers the raw emotion in your voice. "Quinn... what are you saying?"

You take a deep breath, letting it all out, the pain, the frustration, the love. You're about to do it and you hope that just for a second your performance will blur the lines for Jenna. "I'm saying that I'm in love with you, and I have been for a long time. And it kills me every time I see you with someone else, knowing I can't be the one to make you smile like that."

The silence that follows is deafening. You can feel your heart pounding in your chest, waiting for her response, both in character and out of it. The director's voice seems far away as he doesn't call cut, letting the scene play out naturally. For a moment you start to think that Jenna has forgotten her line, she's supposed to say, "For how long?"

But she goes off script.

She takes a step forward so she's only a foot away from you and takes your trembling hands (that you didn't even realize were shaking) in her own, an attempt to calm you down.

Jenna, as Layla, steps closer, her own tears glistening in the fading light. "Why didn't you tell me sooner, Quinn? Why did you let me go on thinking we were just friends?"

Your voice cracks as you respond, "Because I was scared. Scared of losing you, scared of ruining what we have. But I can't keep pretending anymore."

Jenna reaches up, gently cupping your face with her hands, her touch warm and soft. "You idiot," she whispers, her voice trembling. "How could you not know? How could you think for even a second that I didn't feel the same way?"

Her words hit you like a ton of bricks, and for a moment you forget that you're on set, that this is all supposed to be a performance. It feels too real, too raw.

"T-then what about everything I see? All those guys?" You say staying true to the script, but you couldn't hold your tongue and add, "The rumours? The interactions I always see?"

Jenna clearly seems taken aback by your addition to the script, and opens her mouth and closes it, at a loss for words.

You can't help yourself and continue, "Do you have any idea what it's like to watch you with other guys? To see you flirt with everyone else and feel like I'm just...invisible?"

Jenna's heart races as she realizes the depth of your feelings, the lines between the script and reality blurring completely.

Jenna continues, the rest of the scene now being pure improv. With tears in her eyes, "I wasn't trying to hurt you...Q. I wanted you to notice me. To see me the way I see you.

You freeze, your heart pounding in your chest. Jenna's voice is trembling, her gaze locked on yours, and for the first time you realize she's not just playing a role. She's confessing, right here, in front of everyone.

"I've been in love with you for so long," you get out through tears, "But all I've ever seen is you with them... like I don't even exist."

The shorter girl steps closer, dropping the last remnants of her character. Her hands reach up to cup your face, her touch gentle and filled with unspoken emotion.

"I didn't know how to tell you, Quinn. I was scared, so I tried to make you jealous, provoke you into action, hoping you'd finally do something. I-I was hoping you'd see how much I care. How much I...love you.

Your breath catches, your heart pounds in your ears, and you break character completely not caring anymore, in a trembling voice you ask, "You really feel the same way?"

Jenna nods, tears spilling over as she smiles, a mixture of relief and vulnerability in her expression.

"Yes, Q. I've always felt this way. I was just too scared to admit it... but not anymore."

You blink, struggling to process what's happening. This wasn't in the script—none of this was. But it's real, and it's happening now.

You smile through the tears, "Then let's stop pretending, Jenna. No more games... I'm yours if you'll have me.

Jenna lets out a small, tearful laugh, pulling you into a tight embrace. The cameras are still rolling despite your name drop, but none of that matters anymore. She pulls back just enough to look at you, her eyes shining with a love that's no longer hidden.

"I've always been yours. Always."

In that moment, you lean in, pressing your lips to hers in a kiss that's filled with all the years of longing and love you've both kept hidden. When you finally pull away, you're both breathless, tears of happiness mingling with the raw emotion of the scene.

The director calls "Cut," but neither of you moves, still lost in each other's eyes. For a moment, the set is silent, the crew unsure if they've just witnessed the best acting of your careers or something far more real. But you both know the truth—and it's better than any script that could have been written.

[unluckiestmember]

Hello ♥️ I hope I am not bothering you but can I Please please have a imagine for steb from arcane like a steb was completely caught off gaurd by the reader who is from the undercity and a tall intimidating individual. Reader who just walk up to him while steb was undercover in a bar and reader bluntly flirted at him and ended up dating him in only 5 weeks. I don't know I just found it a little bit funny.... This fish guy had me on a freaking choke hold!!!! Aaaaaaaaaa!!!!! His only their for a few minutes on screen and I am in love with him!

P. S not my first language and I hope it isn't too confusing.

Thank you! And have a wonderful day! ✨

Coming right up!

Steb x Zaunite! Reader

Characters: Steb, Maddie Nolen and Violet "Vi"

Warning: One cuss word, but outside of that SFW.

A/N: I'm surprised by how many people really love Steb! I was not expecting that, but I'm loving every second of it!

When Steb was sent on a mission to the undercity undercover to bring down an illegal business, he expected to get his job done.

And he did! But he didn’t expect to get a lover in the midst of it all.

When you first met him, outside of catching your gaze on a handsome fishman, you quickly realized he was a man of little words.

But what he lacked in dialogue he made up for in body language.

Especially when he blushed at your advances.

He could try his damnest to play coy with you, but there was no point.

The more you pointed out how beautiful his scales were and how his eyes held the ocean within them, the more he fell for you.

The attraction at first was mainly fueled out a lust, your time together only being colored by rendezvouses and sneaky links.

But before you both knew it,  lust turned into a genuine bond.

And the genuine bond turned into love.

In the beginning of your relationship, Steb tried to keep you at arms length from his duties in Piltover.

It wasn’t that he was ashamed of you- Not by a long shot!

He was just scared that if his friends and close acquaintances in the enforcer unit found out you were a Zaunite they could hurt you.

So the both of you kept your love under wraps, embarking on dates in secret.

It was fine at first, but after a while, Steb could tell it was killing you to watch other couples show their lovers off with pride while he had to walk on eggshells.

Luckily a pep talk from Maddie and the other enforcers in addition to yourself gave him the courage to declare without fear that you were his beloved.

Hell, even Vi is a huge fan of you two! She never would've pegged Steb to be with a Zaunite, but she loves the sight regardless!

Now the both of you hang around Zaun and Piltover, hand in hand, being the cutest couple in the twin cities.

Also the sexiest, but that’s a story for another time.

If you got any requests for Arcane, send them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3