#love me some trans Neil

[chaoticas-hell]

Spoiler alert: you can't cause I'm right

[aziraphales-lawyer]

Literally no other way I could describe it right now.

[rockandrolldisgrace]

a little vent

[yourgamemasterthewhiterabbit]

What the fuck it cut off my tags, whatever

I do deserve a treat :( Thank you <3

sorry for ranting, also sorry half the rant was cut off

this is the single worst way i've ever read to describe an erection, frank herbert

[pearwaldorf]

People in fandoms* associated with Neil Gaiman are not showing each other the grace they should be in a stressful time, and I would like to remind people of some things:

Not everybody knows about the allegations because it is not being reported widely in mainstream media. Gaiman has engaged a PR/crisis management firm that has done work with Marilyn Manson, Russell Brand, and Danny Masterson to actively squash coverage.

The story broke on a site unfamiliar to a lot of non-UK people. There was confusion as well as outright misinformation about whether the site was a TERF outlet (it is not). While Rachel Johnson, the lead reporter on the story, is a TERF who has publicly clashed with Gaiman about trans rights, she has behaved responsibly and ethically as a journalist regarding this. I wrote more in depth about these things here.

Everybody deals differently with finding out creators are problematic. The method you prefer is not the only correct way of coping. Some people are able to divorce art from the creator and some people are not. This is an attitude that can change over time. And if you feel like you need to express frustration that somebody else's method isn't the same as yours? I would recommend shutting your fucking trap.

If people know about the allegations, it's shitty to assume they're ignoring them or think they're false until somebody explicitly says so. There are many things people don't say online, and you are not owed disclaimers or explanations.

Fandom is more than the work itself. Some people find strength in the community that has formed around it, and rely on each other to help cope with and grieve this loss. The love you have for the work and your fellow fans is not something that belongs to the creator. It never has and that can't be taken away.

Your personal relationship with a creator's work will change over time. That's inevitable regardless of whether they turn out to be problematic or not. And when those works are deeply significant and formative, like many of Gaiman's works are to me** and countless others? That's fucking tough. Be kind to yourself and others when working through this. I love you all.

--

* I have seen this in Good Omens most prominently, although I am sure there are other places where it is happening as well.

** I have been a fan of Gaiman's work longer than some of you have been alive. It has not been a great month or so.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [��Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[neil-gaiman]

hey neil, im a young trans person, and i just wanted to let you know how much i appreciate you outwardly showing your support for us.

its scary to be trans right now, and for me being young, i feel like im watching my future slip away. its terrifying to not know whats going to happen in the years to come.

cis people often dont realize how important it is that they really *show* their support. we need cis voices because people wont listen to trans ones anymore.

i go through life now expecting the cis people around me to be some level of transphobic. when i see someone like you, whos using his platform to speak out openly against trans hate, its so fucking refreshing. its like, “god, finally someone who actually sees us as people”.

i love being trans, but its become increasingly more scary this last year. so, thanks. thanks for sticking by us when we need people like you the most.

I'm scared for my trans friends in the UK and the US. I'm scared for the young trans people I've not yet met. So you are more than welcome.

[lucidloving]

Sing Shong, Omniscient Reader's Viewpoint // Black Box // R.M. Rilke, "The Guardian Angel" // George Seferis, "The Return of the Exile" (trans. Edmund Keeley) // Studio Dragon, Because This Is My First Life // John Banville, The Sea // Aeschylus, Agamemnon (trans. Herbert W. Smyth) // Anne Carson, "The Anthropology of Water" // Anne Lamott, Bird by Bird: Some Instructions on Writing and Life // @toupou39 on tw // Jennifer S. Cheng, "So We Must Meet Apart" // Madeline Miller, Circe // @chuunicalesimp // Richard Siken // Neil Gaiman // Richard Siken, "The Torn-Up Road" // Jamie Varon, "Does The Universe Fight For Souls To Be Together?" // Jennifer S. Cheng, "So We Must Meet Apart" // Sing Shong, UMI & Sleepy-C, Omniscient Reader (Webtoon) // Frank Bidart, "Guilty of Dust" // Lasah – Taixu // Ocean Vuong, Night Sky With Exit Wounds // see 1 // André De Shields & Hadestown Original Broadway Company – Road To Hell (Reprise) // @toiriot on tw // Unlike Pluto – We're Screwed // @moonbends // m.h // Euripides, Herakles (trans. Anne Carson) // Unlike Pluto – We're Screwed // Google search results // @toiriot on tw // see 1 // Chxrlotte – Come With Me // @roach-works // Lasah – Taixu // Sing Shong, UMI & Sleepy-C, Omniscient Reader (Webtoon) // Chxrlotte – Come With Me // Frank Bidart, "Guilty of Dust" // @dsssctd_ion on tw // Hans Christian Andersen, "The Snail and the Rosebush" // Will Stetson – Writing on the Wall // Michael Kinnucan, "The Gods Show Up" // Richard Siken, "Planet of Love" // Sufjan Stevens – Futile Devices // Warren Zevon – Keep Me in Your Heart // Katie Maria // @SION_428 on tw // see 1 // Pablo Neruda, 20 Love Sonnets and a Song of Despair // Mitski – My Love Mine All Mine // Vladimir Nabokov, Letters to Vera // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 // Sing Shong, UMI & Sleepy-C, Omniscient Reader (Webtoon) // Tim O'Brien, The Things They Carried (via @jomeimei421) // see 1 // @soracities // Black Box // see 1

[contact-guy]

“#I read so many gay Victorian love letters and books to get the tone right lol #Plato‘s symposium reference was THE way to signal you liked men in the late 19th century“ would you mind sharing some of your sources? 👀 I also want to write gay Victorian fanfiction am just naturally curious about the victorians

Omg 1000%, let me cite my sources:

Strangers: Homosexual Love in the Nineteeth Century by Graham Robb - this book is a treasure trove of well researched information. A lot of queer history focuses on men and I really appreciate all the stories about women in this one. It’s 20 years old and by (as far as I can tell) a straight author, so there’s some limitations - a total lack of awareness of bisexuality and trans identity - but I really enjoyed it regardless. There’s also like four pages where he discusses Sherlock Holmes as an iconic gay protagonist that changed my brain.

Fanny and Stella by Neil McKenna - a heavily researched story of two trans femmes in Victorian England, the crossdressing trial that scandalized London, their sisterhood and surrounding community, and the love triangle they were involved in. It’s written in a VERY fun and gossipy way, with a ton of primary sources, and is such a compelling story! This author also wrote a book about Wilde I haven’t read yet.

Gay History and Literature by Ricor Norton - it’s a website, not a book (I can’t find his books except at really high prices!) but it’s an obsessively compiled list of…basically…what it says on the tin. There’s a collection of gay love letters and newspaper clippings that are fascinating to read!

The Portrait of Mr. W. H. by Oscar Wilde, heard of him? This is my favorite Wilde story! It’s about the theory that Shakespeare’s sonnets were written to a young man, and how the desire for proof drives a man to death, and the frustrations and joys of looking for yourself in long-dead writing.

Before Queer Theory: Victorian Aestheticism and the Self by Dustin Friedman - reading this book felt like making my brain lift weights, but it was really interesting - it’s about the Aesthetic movement and how modern queer identity began in the nineteeth century.

Maurice by E. M. Forster (not technically Victorian but close) is a story written in 1913 about gay love (published in 1971 and dedicated to “a happier time” 🥲). It gave me some ideas about how a confession could play out. Plato’s Symposium is used as a pickup line, of course.

[beyond-the-raining-field]

I have some things to say.

to begin: Neil Gaiman sucks. I loved and looked up to the man because of his work, because I thought his writing was amazing and Good Omens helped me through the toughest time in my life. the recent news however, does change my opinion - as at should for EVERYBODY. I feel disappointed by the Good Omens fandom. I do not think making yourself the victim publicly is at all okay. The women are the victims. If it does turn out to be fake: that’s good. But it does not change the fact that the power imbalance was there and would have affected how the relationship worked from the beginning. No matter if it is fake, right now saying “but how will I enjoy ___” is not okay . I understand, I do. I love Good Omens and I will continue to love Good Omens because it is a piece of media that matters so much to me.

I admit I have gotten of point. To get back on track let me make it simple and clear: You can not say “believe the victim” then go on to say “but Neil Gaiman is a good person…”. He is not. Yes it is wonderful that he has supported queer and trans people but you, I have to say, are not a good person for saying it if it depends on who assaulted - ASSAULTED - someone. No, PEOPLE. Two GIRLS.

Neil Gaiman is not a good person.

You can separate the author and the work, I am doing that with Good Omens as I have done it in the past but you canNOT support and endorse HIM.

And to end it off, if it turns out to be false: good. But he met one of the girls when she was 18, and waited for her to be of age. That is not something good men do.

Believe the victims, it doesn’t matter that you looked up to him. He did something bad, horrible, tragic and disgusting, admit that and talk about it to bring awareness.

And I would like to add: It is hard - and nearly impossible - for me to let go of Good Omens and The Graveyard Book. The Graveyard Book is the only book my father read to me as a child that stuck with me and led to an obsession. The obsessions have died down. If you own his books and enjoy them you are not a bad person, his writing is good. If a book means a lot to you, you are not a bad person. You are only a bad person if you make excuses for him. His is a shitty human who is a good author. Fuck him, but you owning his books doesn’t make you a bad person. Just refrain from buying NEW work.

And if it does turn out to be false, yes it eases the entire fandom. He is still sketchy in my books because as far as I know he cannot prove he has not done anything and got with two very young woman as a much older man.

An updated opinion: Neil Gaiman most likely did it. The amount of tales from people who - as young women - met him and had horrible interactions or stories of friends of his employees. He, most likely, has always been a bad person who simply uses the themes he does to make himself seem like a good person. This is not ours to mourn, it’s ours to take action and keep characters you happen to love alive in yourself instead of something HE did. Or, get rid of your stock. Up to you. It’s 1 am and I am distraught by the news but I’m not denying anything because given every piece of proof to show that he most likely did it, denying it is a bad thing to do and is a horrible name for the fandom.

[babygirldilf]

When I discovered my queerness, I looked for queer content anywhere I could find it. While there may have been some side characters in media, I always found myself searching for small clips and scenes of representation. It was always shoved aside and unknown, always very tiny and accompanied by some sort of way of minimizing the characters to their queer identities and experiences, and not in a welcoming way. I barely saw love, barely witnessed acceptance, and there I still was, coming back to these scenes from tv shows and films I barely even remember, only to look for myself in them. To seek out comfort when there was none. When I barely understood it myself.

Here I am now, out and proud as a pan/queer woman of color, getting content left and right like Good Omens, Heartstopper, and Red White & Royal Blue. There are queer, trans and non binary people of color being represented on our screens with love, care, and affection. It's in books. It's in tv shows and movies. It's in music. It's with happiness and happy endings. We are not baited, but are the target audience. It's for us.

Neil Gaiman, Alice Osmeman, Casey Mcquiston- I love you all so much. Thank you for making me feel so safe and loved in your art. For inspiring so many of us. Thank you for everything.

Just finished rwrb, so I'm very emotional right now :')

[heresmyhyperfixations]

Let me be so for real for a minute. I grew up in a homophobic and transphobic household. Now, there’s a lot I could speak on in relation to this time of my life and how even now it’s affects me. But instead I want to share something pertaining to the fandom I have found myself in recently.

Good Omens was on my list of shows to watch since it came out all those years ago. Honestly, I was a Supernatural fan, I yearned for nothing more then a good on screen queer angle lol. Of course I couldn’t not at home. I couldn’t risk it. It was funny, some family members were Michael Sheen fans. That meant watching a lot of things he was in and every time I would be thinking about Good Omens and how much I wanted to be able to see it. But after a while I did kind of forget that it exists. Then I stumbled back onto this lovely little chaotic app. Following a lot of writing based accounts and tags it didn’t take long to come across Neil Gaiman’s account, even though he doesn’t use social media. Seeing him answer asks about GO made me go “Oh! Finally!” And start streaming it immediately.

Of course I fell in love. Growing up being shamed by my family for simply being a little “strange”, plot twist I am just neurodivergent, hurt a little less watching Aziraphale constantly being ridiculed by the other angles for his human tastes. Cause if he is still a good character/person/angel, even if a little “weird”, that means I can be good too. Watching Crowley get cast away for asking questions was relatable as well. But guess what? If he can go off and make a life for himself with his love and independence then so can I. Does this mean Aziraphale and Crowley don’t have a ton of healing and growth still to do? Absolutely not. But I am sure they will get through it, and so will I.

Now here’s where it gets a little tricky, figuring out how to express how much the fandom means to me. Hearing other stories, headcannons, and character analysis makes me feel less alone for starters. But even on a less dramatic note, it just so nice to be able to revel in our mural love for this show! After all these years of wanting to watch I finally get to join in on the fun! And I am so so so grateful for that. I love it here.

P.s. as someone still coming to terms with my gender identity, seeing David be so vocal about his support of trans rights and wearing his little non-binary pride pin has made me feel so much better.

[boatshoesdude]

A collection of the sunshine court quotes I highlighted for some reason or another

Jean is going to be a sassy fucker for sure

I don’t know why out of all things but this hurt. This really really hurt

A common Neil occurrence

THE SWITCH OVER TO NEIL FROM NATHANIEL HES MAKING PROGRESS

Oh babe…

This man is trying so desperately to find comfort in anything. I’m rooting for him.

AARON MENTION LETS GO

The family which the foxes have built :,) I’m so proud of them

DO UOU HEAR THAT???? ANDREW AND NEIL ARE CAUGHT IN EACH OTHER’S GRAVITY

ALABAUISBSAHAK WYMACK HAS HAS ENOYGH OF NEIL FOR A LIFETIME AND THEN SOME

Jeremy. I can tell he going to take good d care of this boy. I like him.

This entre page made me just viscerally angry. Oh boy this wasn’t even the beginning of it.

He is looking out for him 07 good man

This is another page that hurt. He’s trying. He’s trying so hard and he’s so tired.

PROGRESS!!!!

Jean Moreau. You deserve the world but the world does not deserve you.

He… he had a sister. He had a sister and he took good care of her. I’m okay. I’m so okay.

JEAN BABE THOSE ARE HIS TOP SURGERY SCARS YOU CANT JUST SAY TAHT TO PEOPLE.

also it’s the the scars themselves that are the problem, Jean, it’s how you got them, Jean. TRANS REP LETS GOOOOOOOO

Yes babes let’s go

I love that feeling

OH THEY WERE KEVINS

Kevin once again being jeans lifeline is something that can be very personal actually

HES ADDING MORE THINGS!!!!!

Canonically a drown rat 😭😭😭

Mother Hen TM Jeremy is a favourite of mine

This describes everything you need to know about our boy Neil Josten

DOES ANDREW KNOW YOURE DOING THIS??? IS HE PROUD???

He knows how to sew. He sewed up her dress. I’m going to cry, he’s so caring and loving and sweet and the world had been nothing but cruel to him

HA

I’ll take care of you; it’s rotten work; not to me, not if it’s you

overall 8/10 book I love Jean and Jeremy and Cat and Laila and can’t wait to see them in the next book as Jean continues to heal but I hope to cry less next time

[aunt-booty]

The more I read about this whole situation, I become more and more sick.

First of all, making a true crime podcast about it was disgusting. Who in their right mind came up with this idea? The whole setting gives the vibe of a YouTube drama, especially the podcast thumbnails, it's awful.

Secondly, why the fuck did it suddenly become political? This has nothing to do with the left or right, for fuck's sake, it's about two assaulted women. Whether he defended or didn't defend trans rights has nothing to do with it.

No, neither Michael nor David should face consequences for Gaiman's actions. They are not him, they are not in his head. If you think otherwise, you are stupid.

This article is so badly written that we should wait for some decent press to cover it before we burn Neil at the stake.

Just because Neil turned out to be such a person doesn't make jkr a good writer, so her dear interfering fans, shut up.

It's understandable that someone may be worried about the fate of their favorite shows. I'm sorry, but people may be more concerned about that than about the tragedy of random people that cannot be undone. Stop whining about it.

Yes, people can be disappointed and sad. They can be pissed that their favorite author turned out to be shit. Don't take that away from them just because he's a RiCh WhiTe MaN

If we have to talk about this lady so much in a situation completely unrelated to her, fuck terfs, I'd love to grab rowling's legs and hit gaiman with her.

I don't think the people defending him mean anything bad, to me it looks like they're in denial. I understand that, give them time.

I appeal to us to remain calm and wait for further developments.

Personally, I am waiting for more information, his statement and for it to be checked by the authorities and relevant specialists. I don't think my opinion would make sense because I don't know any of the people involved personally, I can only comment on what we got and I think this podcast stinks.

And don't burn his books, it's bad for the environment.

[themostradicalconceptussy]

Quick reminder in light of the recenent situation with Neil Gaiman

You can (and should) condemn Mr Gaiman without condoning TERFs. At the end of the day, regardless of if the report is biased by the nature of the political leanings of its reporters, we as leftist feminists (or what I see most of us self describing as anyway) preach about believing victims first and yet some of you refuse to because you disagree politically with victims. We have no evidence that this is a smear campaign, and you are all for believing victims until its a guy you have a parasocial Tumblr relationship with. Neil Gaiman is not your friend. He's not your buddy Neil, he's a random man in his 60s you've (most likely at least) never met in your fucking life. You do not know him, so don't delude yourself to think you do.

If you love or hate trans people, SA is SA, abuse is abuse. Whether he was, at best, an irresponsible BDSM partner who misused his status as a writer, or, at worst, an outright abuser, or something in between, he is not defensible here. It is of course a complex situation, and not clean cut, but we need to practice what we fuckin preach.

If we don't believe or value the experiences of victims of abuse, or other forms of crime, based on their political beliefs, that is discrimination, and contradicts everything that the community he had cultivated on Tumblr claimed to stand for. If a conservative woman was beating abused, she's still a victim and we, even as staunchly leftist progressives should listen to her, no? You don't have to agree with everyone's opinions to acknowledge their plight.

At the end of the day, what has happened is wrong, and his response was half arsed bullshit that reflected the reality presented in the allegations, and did nothing but serve to make him look worse, much like the earlier situation this year with Wilbur Soot that you may have seen me reblogging about. Bad people are bad people, and the proof is in the pudding, in this case the half arsed responses that serve only as unintentional admissions of guilt.

As for the nature of the publication, I imagine as a heavily radfem anti-trans page, it was more than happy to be the first to break the news of the bad character of a prominent trans activist in television/literature, as it fits their "TRANS = ABUSER" narrative. I do not deny that. However, the victims themselves, as far as I can tell, are evidently former fans, who present actual evidence as confirmed by Mr Gaiman's statements, and thus we know this wasn't, at least on their end, done as a TERFism motivated career assassination. If the publication took this under the guise of causing ill repute for TIRFs and progressive politics, we cannot prove that, and it does not negate the nature of what has occurred.

I'm not here to argue with TERFs, or anyone else, about the nature of gender. That's not what I want to incite, I simply want to acknowledge the glaring hypocrisy from certain people in this online space. A victim of abuse that is a radfem is still a victim, whether you want to acknowledge that or not. I can acknowledge that, because guess what? Me disagreeing with someone doesn't make them subhuman dirt that doesn't have rights. What I'm really saying in this part is, don't bring gender politics into the reblogs, I do NOT want that and I will simply block anyone trying to incite needless arguments with me or anyone else.

TLDR; BELIEVE VICTIMS AND DONT BE SELFISH DICKHEADS WHO PRIORITISE THEIR OWN ENJOYMENT OF MEDIA OVER REPERCUSSIONS FOR ARSEHOLES AND CRIMINALS BECAUSE YOU THINK THAT THE WANKER IS YOUR BESTIE AFTER HE REBLOGGED YOU ONCE. WHERE THOSE INVOLVED STAND ON GENDER POLITICS DOESNT CHANGE THE NATURE OF UNRELATED IMMORAL/CRIMINAL BEHAVIOUR THEY INSTIGATED/WERE VICTIM TO.

[queer-reader-07]

a love letter to trans romance

because i can't be normal about media and i'm making it y'all's problems

hi hello and welcome to my mildly unhinged ramblings about love and gender. this post comes to you in three sections, enjoy <3

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t4t romance novels made me believe in love again

the first romance book i ever read was The Feeling of Falling in Love by Mason Deaver. TFOFIL is a t4t (trans for trans) romance that follows a teenage trans boy, Neil Kearney, and a figuring-out-their-gender teen, Wyatt Fowler, as they get themselves wrapped up in peak YA romcom shenaniganary and eventually fall in love. cute, right? just a fun little romcom, not much more to it?

yeah well that's what i thought going in, but coming out of that book i was in tears. tears because i'd never read a story about trans love before. tears because at that point in my life i'd never allowed myself to fully claim the word "trans." tears because Wyatt made me feel so seen and so real.

there's this one scene where Wyatt is talking to Neil and they describe themself as being the kind of person who sometimes wants to wear makeup and dresses, but other times they like their body hair and scruffy beard. and i just remember nodding along and then absolutely melting because Neil takes it in stride, he comforts Wyatt and let's them know that they don't need to have it figured out just yet. Neil makes it clear that he's there, and that Wyatt doesn't need to come out to anyone unless they're ready.

Mason Deaver has another t4t romance, Okay, Cupid. and that similarly had me in my feels because there is something so special about finding people who embrace you for all that you are.

every t4t romance I've read has one thing in common, the fact that the love interests do not love each despite the other's transness. their transness is not an obstacle to love or to attraction or to adoration, it is an object of it. their transness is something to be admired and to be loved and to be cared for. it is not something the other has to "get over."

reading The Feeling of Falling in Love was the first time i ever thought to myself "maybe, just maybe, i can call myself trans and still be loved." because up until that point i hadn't let myself accept that i was some flavor of trans. up until that point i'd said "not cis" without ever saying trans because i was so scared my being trans would make me unlovable. t4t romance books showed me how wrong i was. they showed me that my ability to be loved was not dependent on my girlhood.

ha you thought i could write something this long on tumblr and NOT mention good omens? think again bestie

i have held a trans reading of crowley since i read the book and the show only solidified it for me. crowley canonically plays with gender.

he's dressed femme during the crucifixion scene, his modern look is a mix of men's and women's pieces, his hair is a Whole Thing in and of itself. i could go on but i digress.

but it's not just the way he plays with gender that informs my trans reading of him. it's also how his character arc can very easily be read as an allegory for transness.

an angel who falls (a girl who isn't a girl anymore)

a fallen angel turned demon (a girl who is a boy now)

a demon who isn't really a demon anymore (a used to be girl, a thought to be boy, is now nonbinary)

girl = angel and boy = demon is entirely arbitrary in this please don't read into it

now, you may be thinking "A how in god's name does this apply to trans romance?" to which i say, aziraphale falls in love with every version of crowley. aziraphale beams heart eyes at angel!crowley before the beginning and loves crowley as a demon for millennia and is so deeply and unabashedly in love with crowley in his not-quite-demon form of s2.

aziraphale loves all the versions of crowley because crowley's angel or demon-ness (gender) is not the reason aziraphale loves crowley. aziraphale doesn't love crowley because he's a demon or because he used to be an angel, aziraphale loves crowley because it's crowley. crowley in whatever clothes he chooses to where, crowley with whatever hairstyle he's fancying at the moment, crowley as he inhabits the shades of grey just a little more.

to me, that is so easy to read as a trans love story. you could argue it's t4t depending on how you read aziraphale, but to me, it's at the very least a love story between a mostly-demon who gets down to some gender fuckery and an angel who loves him very much.

fuck it let's talk about fanfiction

i don't think i could make this post without mentioning @ineffabildaddy's fic I'm Beginning to See the Light.

i have a complicated relationship with my body. i don't plan to ever medically transition because i don't want to make any permanent changes to my body. but there are days where all i want is to have a flat chest and hips that are flush with the rest of my body but instead i'm stuck with tits and an hourglass figure cis people always seem to focus on.

i don't hate my body, but the idea that anyone could look at it and not just see A Woman is beyond me. i walk through life being perceived as a very feminine woman even on the days that i feel the most androgynous. the idea that a lover could look at my body and still see me for who i am feels like a dream that could never happen.

and IBTSTL slapped me (lovingly) across the face with the message that, actually, i can be loved as my whole self and that there are people out there who don't look at me and see A Woman and those people don't love me any less. IBTSTL made me feel safe in my trans body because it said "you are worthy of love and adoration because your transness is not something to get past it is something to admire. it is something to love."

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i think the point i'm trying to make here is this: trans love stories are so special to me. they've been so vital in my own journey to love and accept myself. they're the reason i can imagine myself maybe having romantic love in the future.

representation matters, it can quite literally change your life.