#love how much more active the community has become now everyone is at home lol

[literallyjusttoa]

how did the other siblings of apollo react to apollo going no contact (second song au)?

Ok txny I have to thank you because this question made me go big-brained mode last night and now I got paragraphs for you. I hope you like them lol

Ok, first of all, let me actually let y’all know what the incident that made Apollo leave was. So basically, for years Apollo had been held to an unrealistic standard that he could never achieve. Any failures led to harsh punishments, which worsened Apollo’s quality of life, which worsened his performance in all of the stuff Zeus cared about, and the cycle continues. This all came to a head when it came time to apply for college. Zeus wanted Apollo to follow in his footsteps and study law at his alma mater. Apollo really wanted to make music, but he knew that would never go over well. Instead, he applied to a med school, hoping that the job would be prestigious enough that it would impress his father, even if it wasn’t law. 

Sadly Apollo was mistaken, and Zeus became furious. He began constantly berating Apollo, basically telling him that he was basically going to disown him once he turned 18. Eventually Apollo snapped, and the two of them got into a huge fight one night in front of the whole family. Keep in mind that none of the other siblings knew the true extent of how Zeus treated Apollo. Things got physical, with Zeus pushing Apollo down a flight of stairs, giving him a nasty cut, a serious concussion, and getting him hospitalized. This is the last time anyone in the family saw Apollo. Once he woke up, Apollo refused any visitors, and basically went from home straight to college, refusing to talk with any of his family again. 

As for how everyone felt about it?

Ares: 29 years old, currently an active military member stationed in Texas (for reference, the rest of the family is in California). Ares had already left the state when Apollo went no-contact, and the two of them weren’t particularly close. Ares basically didn’t really care, as he’s already pretty distant from the rest of the family as it is. He visits during holidays and makes nice with his younger siblings, but to Ares it’s all just doing what’s expected of him. If Apollo wanted to leave that behind, more power to him.

Hephaestus: 26 years old, currently works as a mechanic in northern California. Hephaestus is the only other family member that has little to no contact with the rest of the family. It’s just that unlike Apollo, there was no fanfare when Hephaestus left. Living with a physical disability in a house where your mother despises you and the man who was meant to be your father was horrifically neglectful kind of sucks, actually. Hephaestus left the family behind at 18, and has been doing pretty well for himself since. Because of this, he actually doesn’t know that Apollo followed in his footsteps two years later. Who knows, maybe the two of them will run into each other in the future. 

Athena: 30 years old, currently working as a historian in her hometown. Athena is actually older than Ares, as Zeus was with Metis before Hera, and just didn’t tell Hera about it. She lived with her mother for 4 years until her untimely death. After that, she had to move in with Zeus and Hera, which was the first time Hera ever heard of her existence. This is also when Hera was pregnant with Hephaestus. Whoops. After all this, Athena has become a bit of a father’s girl, mainly because Zeus would defend her against her stepmother’s hatred. She doesn’t know all of the details of Apollo’s relationship with Zeus, but her love of her father blinds her to any fault he may have had. The two of them don’t talk anymore for a reason. 

Hermes: 22 years old, currently going through undergrad for a degree in communications. Hermes was really hurt by Apollo’s departure, almost as much as Artemis was. He looked up to Apollo a lot, and kind of thought he was infallible. To Hermes, the whole incident came completely out of nowhere, and he still doesn’t know who to stand with. Torn between his brother and his father, he hasn’t tried to contact Apollo since it all happened. 

Dionysus: 20 years old, currently going through undergrad for a degree in theatre. Dionysus is the opposite of Hermes, and desperately wants to get back into contact with Apollo, mainly to soothe his own curiosity. Dionysus was born after the majority of the family drama, and was only 14 when Apollo left. He’s kind of dropped out of the family emotionally, but he still wants to know how everything went down. Sadly, Apollo did change all of his contact information after leaving the house, so Dionysus is left with a bit of a wild goose chase to do on top of all his college work. 

Thalia: 18 years old, currently a senior in high school, looking to pursue professional archery. Thalia and Jason didn’t move into Zeus’ home until they were pretty old, Thalia being 11 and Jason being 9. This means that Thalia only spent a year in the house with Apollo before he left, and didn’t really know him that well. She mostly just feels bad for Artemis.

Jason: 16 years old, currently a sophomore in high school. Apollo left when Jason was only 10, so he really doesn’t remember that much about him. All he remembers is that Apollo used to drive him to school when Hera was too busy (or just wouldn’t bother) and watch over him while Zeus was at work. If you were to ask Jason what he thought of Apollo before they reunited, he would have said that his brother seemed like a kind person.

[afteas2003]

next for oc questions! what type of discipline was your character subjected to at home/growing up? strict? lenient? were they overprotected as a child? sheltered? how has this effected them as they've gotten older or gone out on their own?

Another fabulous question!

This got, waaaay longer than I anticipated so read at your own risk lol. Really good question that brings up a lot of their lore. Thank you for the ask! I love talking about them :}

For Fern, he was subject to a rather abusive home in his early childhood till he ran away at 12. A lot of emotional, mental, and religious manipulation was used, and they were expected to be perfect. After he ran away, he was found by Peter and brought to Neverland, an Island built by Peter in another plane where thoughts and imaginings can become concrete and Peter is particularly adept at this. Neverland has become a haven for traumatized children who never had much of a home or support or family in their lives before. They have created a community where each person's needs are heard and validated. People don't age in Neverland so Fern is still 12, and time passes differently there so it's hard to say how long he's been there. His upbringing obviously gave him some serious trust issues and trauma, low self esteem, etc. He feels much safer and has warmed up quite a bit to Neverland, but can still get triggered and deals with CPTSD. He often goes non-verbal and prefers to communicate using the sign language dialect that has developed on the island. He hasn't gotten older though.

Peter understands that Neverland is a sort of stasis in some ways and since they cannot grow there, they cannot fully heal. For now though he is there to help them feel safe and loved and give them a family and childhood they deserve.

Okay I know that's a lot but BAM here's even more for Enriel, sorry.

So with Enriel, he belongs to a different plane where where spirits of different concepts are formed as humanity gets more complicated and those concepts become a significant part of their lives. The spirits embody that concept and often make others around them feel that way. The health of the spirit is partially tied to the existence of that concept, but the existence of that concept is not tied back to the health of the spirit if that makes sense. And the spirits are capable of change and growth, their nature is just very tied to what they embody.

All that to say, Enriel and all the spirits do age but hey never exactly went through a childhood as the form fully formed. Enriel would have been part of the third wave of spirits and most spirits tend to avoid him. It can be annoying and irritating to be around someone who cares about almost nothing. He doesn't much care, due to his nature, but though he ignores it, as the centuries press on, there are some muted feelings of depression and loneliness that he shrugs off and pretend don't exist.

He gets along well with Bartimeas, spirit of Fear. Bartimeas is quiet and shy, and people also avoid him because anyone around him gets their greatest fears brought up in ways that make them terrified in their minds. Bartimeas cannot control that. But Enriel doesn't fear much and doesn't care much when he is afraid and never presses Bartimeas to speak, so they spend some time together, often in companionable silence that Enriel won't admit he enjoys slightly.

He also gets along with Morbius, spirit of death. Morbius is rather kind, but inevitable, all things die eventually, including the spirits. That makes most people uncomfortable. Enriel couldn't care less and at his more depressed sometimes wouldn't mind if it came sooner rather than later. Most of the spirits ignore and avoid him, so he ignores most spirits. The only one he actively avoids though is Bliss, spirit of joy. Everyone around her feels incredibly happy, even Enriel. After he leaves her presence though he feels rather uncomfortable with that strength of emotion and sees it as invasive and unpleasant.

I know that was long, does that answer the question for him?

[alltimefail-sims]

"📩 Simblr question of the day: according to you, what are the most underutilized gameplay features in the sims games you played, dlc included?"

Sharing the SQOTD from @simblr-question-of-the-day. I really liked this question because I'm excited to get more gameplay ideas.

Also, you talked about being busy recently so good luck with everything you are working on!

Yes I have been bit busier lately than I've been in a tick, but that's because I'm trying to be better about working on the book I'm writing!! But please continue to send asks and such, I'm still here and active just posting my own content a bit slower - but I'm still active and lurking about!

As for underutilized gameplay features...

I think the Club feature from Get Together is a really underutilized feature in the Sims. @sojutrait actually has a great guide up on their page that explains how clubs can be used for a more custom, immersive, hands-on gameplay experience.

I also think people don't realize how much fun the sales tables can be: I love doing "yard sales" to get rid of stuff in my sims home (for realistic gameplay), I love creating community lots filled with those sales tables to create a farmer's market/small community festival feel, and I love using them for my free-spirited, rancher, farmer, and homesteader sims specifically so they can sell their goods and rely on that income solely! Also you can create better custom food booths now with Home Chef Hustle and you can build a "food truck" OR like a pop-up ice cream stand at the park, for example. Idk it's just a fun feature to me, and exciting for those who don't think any of the rabbit-hole jobs suit their sim (or for those who want more flexibility in their sims' income without having to buy a whole ass additional community lot business).

The handiness skill as a whole is a gamechanger because of the "upgrade object" feature. The upgrades are actually super helpful and many of them will improve the functionality of the given object, will give custom moodlets, and will even help avoid disaster (fireproofing your dryer in the sims is a must... that shit catches fire if you look at it the wrong way lmaoooo).

The robotics skill is really cool and I love making the servos!! Cute little robot friend/family member and they can help around the house (crucial when you have big families, fun if you're going for a futuristic vibe or eccentric household).

Occults, in my opinion, are an underrated feature of the Sims. I think everyone should add some kind of weird, campy, supernatural shenanigans to their gameplay. Have your sim fall in love with a ghost; have your sim accidentally get bitten by a werewolf or vampire; befriend a mermaid; build a rocket in your backyard and go to space; get abducted and raise an alien; the possibilities are endless! Occults can shake shit up, especially if you're tired of vanilla, realistic gameplay.

FAMILY VACATIONS!!! HONEYMOONS!! FRIEND TRIPS!!! I love taking my sims on vacation and taking photos, making memories, etc. This feature is great too because you can get extended family members to go on vacation with your household and then it'll be a little family reunion (and you'll get moodlets for this as well that are like "The whole family is together" or something like that, it's really cute!). I think because you can literally travel to anywhere at any time without using the vacation feature this becomes really under-utilized, but it's a fun little thing to do!

Custom summer vacation holiday with seasons: depending on your lifespan/how you have your calendar days set up you can make it lasts a few days, a whole week, or even two weeks (so the kids can be off school during that time - I do one week in my saves). I just make the "mandatory events" swimming, grilling, spending time with family, stuff like that! Some days I literally have no mandatory events lol, just a day off school!

Honestly that's all I've got off the top of my head: I use a lot of mods and always have, so it can be hard for me to isolate what is a modded feature and what is just a part of the game itself! I hope one or more of these can help you spice your gameplay up a bit! Thank you for this question as always!!! <3

[anakeions]

Alright, ur turn nerd

6, 7, 30, 38. Have fun!

it's CASTOR TIME

6. (Do they consider laws flexible, or immovable?) castor is one of the greatest law-flexers of all time. he has it down to an art. and let me clarify: he does not count as a law BREAKER. he thinks he pretty much might as well be following the law he's just doing it in a way that benefits him! of course. this is mostly due to the fact that he's already an intergalactic fugitive with a massive bounty on him and a looming execution LOL he doesn't want to get caught up in any charges that would just make his life worse/tarnish his reputation even further. everything he does is essentially for survival considering he's a space rebel and is just only exacerbated by his criminal situation. if he weren't living under those circumstances he'd definitely break the law more blatantly for the sake of his survival but he makes sure to do things in a specific way where he can argue "well technically i wasnt doing anything wrong" largely for his own peace of mind--he likes to pretend he does everything fairly and right because he's terrified of being a terrible person. lol.

7. (What triggers nostalgia for them, most often? Do they enjoy that feeling?) SNOW. having grown up in what is essentially the arctic snow and general winter activities bring him so much nostalgia and he looooooves it. while he did ... not have the best upbringing by any means it reminds him of home and Simpler Times. any time he finds himself in a cold and winter-y environment he loses all maturity and starts throwing snowballs at everyone who crosses his path and recklessly ice skating and inevitably falling into a freezing cold lake

30. (Who do they most regret meeting?) SMILES. brief exposition dump! castor's family descends from members of a very large group of people called the golden council that existed to properly maintain magic :] the leader was a very powerful entity named marra who LIVED for the council and what it stood for and her entire identity revolved around it. she would do whatever it took to make sure the council went on and she clung to her duty like a lifebuoy. fast forward and that shit fucking collapses and she gets trapped in the void, conscious but unable to do anything for years! until she finds an opportunity to get through to a descendant of someone she once loved and worked with! who was about to be executed for a crime he didn't commit who shared a similar passion as her! HAHA!

communicating with him through dreams, she lead him to her final resting place where he was able to finally wake her up once again, and they began to rebuild the council and its host planet. but castor had different ideas as to how things should be managed and marra didn't like that one bit and their relationship started to crumble and they began to resent each other and now his mentor has turned against him and is trying to take him down by any means possible in order to rebuild the council in her image. queue castor and his crew of rebels being psychologically tormented and being trapped in several time loops until he snapped and killed her. he will never ever forgive himself for trusting her <3 its fine though he got a boyfriend out of it

38. (What memory do they revisit the most often?) castor loves to revisit memories with his late twin brother. though theyre kind of clouded by the Agonies his brother was someone he looked up to a lot and even though their relationship was wildly fucked up by their circumstances his brother was someone he trusted more than anyone in the galaxy and he always considered him a best friend. most of his memories of them together are really positive and while bittersweet he always feel calmed when he looks back on them. i'd say a specific one he revisits most often is when they fled from home for a while and spent their time playing with each other in that harsh ass arctic weather and dreaming of running away and becoming great heroes together when they were older

[captainofstudies]

20 Questions Tag

I was tagged by @notes-of-a-ghost , @classicalinfluence and @kahvi-studies (thank you guys!)

Rules: answer 20 questions, then tag 20 bloggers you want to get to know better!

Name: Isabela

Nickname: Izzy

Zodiac sign: Leo

Height: 5′6

Languages spoken: English, Portuguese and a little Spanish

Nationality: Scottish

Favorite season: Autumn

Favorite flower: Sunflowers

Favorite scent: a thunderstorm at night when the air is clear and the rain is heavy

Favorite color: Blue

Favorite animal: Platypus

Favorite fictional character: It’s a tie between Crowley and Aziraphale (from Good Omens - Neil Gaiman) 

Coffee, tea, or hot chocolate: Coffeeeeee

Average sleep duration: 7 or 8

Dog or cat person: Was just a cat person but my boyfriend is slowly convincing me to like dogs (cause he wants to get one but knows I am very afraid)

Number of blankets you sleep with: I have the same duvet all year round, the only thing that changes is whether i have the window open or not

Dream trip: Svalbard to see the aurora

Blog established: In my 2nd last year of highschool, kinda died for a bit, brought it back every now and then during exam seasons. So like 5 years ago ish.

Followers: about 1400 which is wild since I revived this blog last month and it was at 300

Random fact: I dance competitive ballroom and latin

I’ll just tag some fledgling studyblrs I’ve found and people I’m a fan of in general: @oneveryconfusedstudent, @chaosxstudies, @thduval, @softly-studying, @smileystudies, @killianstudiesart, @erisbloom, @minimalistmedic, @lattesandlearning, @starlightandstudies, @museeofmoon, @springbokkiestudies, @studyingfairy, @the-studious-lupine, @tea-rexandcoffe-cat, @literary-nerd, @thefuturelawyer, @katistudies, @someacademic

[sunnysviolin]

Sometimes, when sunny visits kels house for a sleepover, (or just anyones house except for basils) the host would always wake up to:

A missing sunny (who is most likely in some weird ass place like the roof)

A sunny that it staring at you from the foot of the bed or beside it

A sunny that stares from the doorway (he stares alot)

Or

A sunny that is playing bo en my time at an unreasonable hour but at a reasonable volume (or vise versa)

Alright so a different nonnie also sent me “How many times do you think sunny scares people by staring at them from the foot of the bed / beside them when they wake up?” So I’m....combining these two XD Also if you guys like....resend things can you say they’re a resend LOL bc if I have another Cho double take situation I’m going to backflip into the sun. Also don’t resend more than twice (i’m gonna be putting that in my bio bc....yeah don’t do it makes me anxious D:)

Okay mini housekeeping thing aside! This got long it’s under a read more because it’s long, but it’s full of shenanigans, sleepovers, and our local fave cryptid Sunny

I’m going to focus this in on post-canon, because I think that Sunny’s ultimate cryptid energy flows forth in his teen years. Also I really want to include the hooligans in on this (I’m...love them)

So pre-canon Sunny and Mari’s house was the go to location for their group of six. They were almost always there, but there was some unspoken rules.

You called before you came over (Only Kel didn’t follow this rule, but he always knocked and waited patiently at the door) and you had to be invited to stay for dinner. If not you went home when Sunny’s mom called a fifteen minute warning before dinner. There was also no arguing within the house. If there was an issue that needed to be addressed, Mari and Sunny’s parents would immediately send everyone home.

Post-canon Mari is gone and the house has been sold. Hero and Kel’s house becomes the go to hang out house after that. Their house is nearly night and day to Mari and Sunny’s

Mari and Sunny’s house was always neat and tidy and very quiet. Their parents generally left the TV off and didn’t use the radio, so unless one of the two children were making noise, everything would be silent. Kel and Hero’s house is in constant motion and activity. Sally is usually either babbling or screaming, music is always playing on the radio, and their main form of communication is friendly yelling at one another. Kel and Hero’s house also has an open door policy- anyone can walk in at anytime and they all know where the spare keys are hidden.

Post-canon I see a quick friendship building between Aubrey’s gang and Basil Sunny and Kel. Hero enjoys them all, but it’s not really his scene now that he’s spent a year or so at college. He will get brought along for some adventures, and he’s always up for hanging around the house with them, but when it gets to be a bigger group he prefers to just let them have fun.

When it’s just his four kids, Hero is always a part of the group though.

OKAY ALL OF THAT BUILDUP ASIDE LETS GET TO THE ACTUAL POINT OF THIS ASK

So this is when school is in session and Hero is back at college. Kel tells Aubrey that Sunny is coming up for the long weekend, and they should all do a sleepover at his house like old times. She agrees and they arrange it with Basil. Kim overhears their plans and she has FOMO so she arranges herself to be there when they tell Basil

Normally Kel makes it a point to try and include Aubrey’s friends (who are slowly just becoming friends) but this time he just pretends she isn’t there and tells Basil to come right after school and they can drive together to get Sunny.

Kim weedles it out of Aubrey later that day when they’re alone in gym class. The reason that they didn’t immediately invite her and the others? Sunny is apparently weird at night

Kim fires back that Sunny is always a little weird, but Aubrey is being fully serious. Unfortunately all that does is make Kim more curious. She goes to find Kel afterward and half asks/half demands an invitation to the sleepover. Kel seems a little awkward about her involving herself, but he agrees that she and the others can join in if they like.

Aubrey and the others arrive

Kim soon finds out that Aubrey was 100% right. Sunny is...weird at night.

At around 10:00 pm, Sunny disappears. Basila nd Aubrey went into the kitchen to make popcorn, and Kel was busy fiddling with the TV to get the movie to start. When he turns back to the couch, he asks where Sunny is. They realize Sunny has vanished.

Aubrey and Basil come in with the bowls of snacks, and Kel asks them if they’ve seen Sunny. Basil says to check the roof.

The roof. The hooligans all laugh (Basil is a sweet kid when you get to know him, but his nerves make even his jokes strange) The other three don’t laugh. In fact Kel gets up and goes to the door.

The hooligans follow out bewildered, and Sunny is o n t h e r o o f. CASUALLY. JUST THERE PETTING AN ORANGE CAT WHO IS LOUNGING PURRING NEXT TO HIM. AND KEL AND AUBREY AND BASIL DONT REACT??? Kel just waves?? and Sunny waves back???

“We’re gonna watch Insidious now, I know you haven’t seen that one before. Wanna come in?” “Kay” “Do you want to bring your cat in with you? I’ll put Hector on his leash” “Yes please”

Then the three just walk back and tell the hooligans to follow them in. Sunny got himself up so Sunny can get himself down.

It’s only the beginning of the madness. Sunny walks in holding the still purring orange cat and settles himself down in his specific corner of the couch (They were prewarned not to sit in Sunny’s spot) Aubrey cuts Kim off before she can ask about the roof, and starts the movie. Kim looks over at the cat, and it locks eyes on her, hissing.

The movie begins and Sunny will randomly speak but only to say when a character is going to die/be scared. Right before it happens. Every single time. Didn’t Kel say before that he hadn’t seen this movie?? It doesn’t matter Sunny keeps going

A ghost. A ghost. Lost in an alternate dimension by shamanic journey. It’s bizarre. The cat continues to purr a rusty old engine noise in Sunny’s lap, periodically looking at one of the hooligans and hissing, choosing a different one every time. Who’s cat is that????

They finish the movie and start to play board games. They pick monopoly and decide to divvy up into teams. Kim immediately claims Aubrey, Vance decides to go with Kel and Kel grabs Mikhael to create a trio. Charlie and Sunny silently sit beside each other, and everyone assumes that makes them a team. Angel pulls Basil to his side and they’re prepped to play the game.

Kim likes to consider herself a pretty good monopoly player, and Aubrey is a whiz with money and numbers, so she assumes they have this in the bag.

She did not account for the Sunny factor.

Sunny stares her down through the entire time. Kim is sure he doesn’t blink. She forgets to bid on auctions for properties and gives him extra rent money. They go bankrupt first, and Sunny turns his eye onto Kel who just laughs and gives Sunny finger guns. Sunny finger guns back (his face still a blank slate) and proceeds to also take all of Kel’s money.

They go to bed shortly after, and Kim is relieved. Nothing also weird can happen. Now she just has to sleep.

She wakes up in the middle of the night and adjust her position, turning over to face the other side of teh room. Four shining eyes stare back at her, catching the dim light from the kitchen. Kim shakily grabs her phone and turns on the flashlight, whirling around to see Sunny staring at her, his orange cat on top of his head.

She wakes all the rest of them with her shriek of terror. The group of four quickly settle to sleep once more, even Sunny crashing down next to Aubrey and Basil. hissing cat caught firmly in his arms.

She and the other hooligans stay up for a bit, frantically whispering about the oddness of the situation. They resolve to leave early in the morning, and to distance themselves as much as they can from...whatever Sunny is. They’re certainly glad he doesn’t go to their school anymore.

The next morning, the group of four wake up before the hooligans and cook a big breakfast. They put the phone on speaker and chat with Hero as they do so, catching up on his latest college stories. Bo en is playing from the cd player in the corner of the kitchen, kept low so as not to wake the others.

The hooligans creep downstairs and peer inside. The scene is shockingly...normal.

Sunny is still carrying his cat, but now Kel is feeding it tiny bits of bacon and it is stretching out of Sunny’s arms to reach the next delicious morsel. He’s chatting with Hero over the phone, speaking in full long sentences which is a rarity for Sunny. He even laughs quietly at a joke Hero tells.

Kim tries to translate the horror she felt last night into this morning, but it’s not there. Sunny doesn’t seem like an eldritch horror during the day. Just another teenager happy to be with people he enjoys.

Hero hangs up shortly after, and the group of four settle back into a placid silence. Aubrey breaks it by turning to the others

“I know it was weird, but I’m glad that they came for last night.” the three boys agree, and Sunny leans against the counter near Aubrey so she can scratch one hand under his cat’s neck while still flipping pancakes. When he speaks, his voice is near silent, but they all hear it anyway.

“They’re nice. They didn’t treat me different.”

The hooligans share a look and simultaneously agree to stay for breakfast.

[mamahoggs]

hey, i kinda fell in love with your oc's, can you tell me more about kassandros and pauline??

djkfskjdfjsd im so glad you like them omg.... to be honest there's not much more to say about them other than what was in their intro posts as they're both still kinda new lol and i tend to develop my ocs over long periods of time with a lot of back and forth BUT i will provide thee with some vague musings i've come up with

although he certainly doesn't act like it, kassandros is actually one of the oldest vampires currently active-- he was born in athens during the 5th century bce and while he doesn't know exactly who sired him, it's widely suspected he was made by a woman only known as the original, or the first vampire in ancient history. in his mortal life, he was born a poor weaver's son but became revered for his beauty and made a name for himself as a model and muse, so much so that he'll happily point out at every. fucking. museum which pieces he's technically in.

as a person, he is deeply vain and equally oblivious, he needs to be the center of attention and will cause problems on purpose if he's not. he'll drink your victims, he'll leave bodies on the lawn, and if he gets blood all over your prized persian rug? no he didn't and you can't prove he did. every clan he's stayed with hates him and doesn't want him back, so he's mostly taken to living on his own, but he's convinced himself its a personal choice and not because he's intolerable.

although the age of renaissance painters and poets is mostly gone, he's found a new outlet for feeding off the attention of creatives and creative strangers: becoming an internet micro-celebrity. as far as anyone's concerned, the whole vampire thing is just a silly gimmick.

kassie's wiped out every vampire slayer that's come after him, so much so that the greater slayer community considers him untouchable... a sort of trophy kill no one's been brazen enough to go after. until now.

♡ ♡ ♡ ♡ ♡

pauline really only stumbled on the slayer life by accident. before she was staking the undead, she spent her days taking on way more college classes than a normal person should and being the hot goth cashier at a local supermarket. the burn across her face? cooking oil accident-- she's not the best chef.

having come from a long line of successful accountants and hardware store owners, pauline's more rebellious nature meant she had little interest in the mundane life of someone who tells you which wrench to buy for what, or how to manage your savings-- she wanted meaning, she wanted purpose, and she found that in art. after graduating high school, she went off to art school with the intent to study art history on the side but didn't make it far before her actual destiny found her.

although vampire killing was something she didn't think would become her whole life, after she accidentally killed one when he tried to follow her home (it's not her fault he fell onto a picket fence and turned to dust), they just kept popping up around her. what started as a nuisance quickly became some kind of... calling. she thinks, anyway.

the hunter community is small, and she made her way up the ladder fast, becoming something of a mercenary for those with a genuine bloodsucker problem. now, she's the best of the best, a modern day van helsing.

as a person, pauline is actually deeply introverted and more than a little awkward-- she has a handful of fronts she puts on, little masks she's invented to get through the day (and night). being an infamous slayer helps take the edge off, but when she's not in her safe little cocoon of weirdos, that bravado crumbles. if her social avoidance comes across as mysterious, in her mind, that's better than people knowing its really just because other human beings terrify her. luckily, this works in her favor-- after all, it's hard to make connections when not everyone understands the intricacies of hunting the undead.

pauline started hunting kassandros not because she felt she had anything to prove, but rather it felt like something she was supposed to do, another piece in this weird destiny thing she's gotten herself wrapped up in. that and, if she has to see one more damn fancam of him, she's going to throw up.

if only he wasn't so damn slippery.

[sevendeadlymorons]

Hey I’m that one anon from a while back that sent those long ass paragraphs about Lilith and Simeon, remember me? Anyway I know I’m very late to the party, but some of the boys are either getting to much hate or too much love over here (in my opinion) so I made a pros and cons list for all of them, I’m sorry- (I’m warning you now this will be long but I’ll put it in bullet points so it’s a bit easier to read, just read it whenever your mentally ready lol)

Lucifer (I hate this man.)

Pros

He’d help a lot with getting your life together wether that be finding a job, choosing the right college or other shit like that

He’d make sure your working hard and getting everything done, which is both a blessing and a curse tbh

He would be the one to take the most care of you whenever your ill psychically

Cons

He would probably overwork you

Doesnt have much time to spend on you and doesn’t make a effort to find more time unless your getting really sad about it

Probably wouldn’t be the best of help through issues with mental illness (he just doesn’t strike me as that type, feel free to disagree)

His pride would cause some serious problems in relationships :/

Mammon (I love this man.)

Pros

He’s the “if your sad, I’m sad” kind of guy so he does whatever he can to put a smile on your face

Makes his affection towards you known once he’s comfortable enough, mostly through things like hugs and head pats tho

He shows off anything you make, and I mean anything (you gave him a drawing? After showing it to everyone he puts it on the fridge. You wrote something? He reads it to everyone then puts it in his notebook to reread later, I think you get where I’m going with this)

Cons

There would probably be some communication issues due to his tsundere nature and habit of ignoring you when he’s mad

He’d get super mad at you when your trying to help him financially, maybe it’s a ego thing or maybe he’s just tired of hearing it

While his possessiveness is cute at times he’d definitely get way to overbearing if you don’t force him to cool it

Levi (I kin this man.)

Pros

He’d try to set up designated hangout times (like Friday is movie night, Tuesday is for RPGs etc)

Wanna spend time with him but aren’t very into what he’s into? While it will be harder to bond with him because of this I think if you REALLY wanted to hang with him he’d at least try to meet you in the middle (like if you like sports he’ll offer to play wii sports lol)

Insecurities getting you down again? Well never fear, levi is here! He’d find characters with flaws similar to those you see in yourself to prove that they don’t really matter (and since he struggles with insecurity himself he’d know how you feel and be one of the best at helping you through them)

Cons

Even if he makes an effort to meet you in the middle if you have different interests he’d refuse to get into “normie” stuff

He’ll guilt trip you constantly, even if it’s not on purpose (“Oh your hanging out with Asmo today? I get it, of course you’d wanna hang out with somebody cool and perfect like Asmo and not a gross yucky otaku like me”)

You have to initiate almost everything Hugs? You hug first. Handholding? You reach out to him. Confessions? You seriously thought he’d be the one to confess first??

Satan

Pros

Similar to Lucifer he’d be good at helping you get your life together and putting you on the right track

Unlike Lucifer, he’d actively make time for date nights and/or hangouts multiple times a week wether your going out for dinner or reading in front of the fireplace

While he himself might not be best at helping with comfort in the moment, he’d be great to turn to if you needed a long time treatment (you need a therapist? He’s got the best three in your area that you can afford and he found some helpful things you can do in this book)

Cons

As stated previously, he’s not the best with comfort, which can be an issue if you need a friend/partner who can be your biggest source of comfort (I’m not saying he’ll do nothing, it’ll just be kinda awkward ig)

If you vent to him about something he’ll always offer advice and while that can be good, sometimes all you want is someone to listen to you and getting advice can be annoying in the moment

I feel like hanging out with him you’d rarely ever get to talk about pointless things, everything would be serious you know? And while serious and deep conversations are good for bonding, some people (myself included) need to be able to talk about dumb things without having it turn philosophical

Asmo

Pros

He’s the best at boosting your confidence, there’s no competition

He’s more into spontaneous outings (he suddenly got the urge to go shopping, your coming with right?)

You can talk about just about anything with him, no judgment and he’ll never speak a word of it to anyone else if you don’t want him to (although he may brag to his brothers that you told him your secrets)

High emotional IQ

Cons

He has set things of things he’s interested in and his idea of trying the things your into is doing whatever it is for about 5 seconds then deciding it’s not for him

He cares a lot about looks, I don’t mean he’ll hate you or insult you cause he thinks your ugly, I mean he’ll constantly try to do your makeup, hair, and nails and he’ll always say things like “Your hair is a bit messy today, did you brush it? Yes? Well not good enough, let me do it” and “your wearing that out? There’s nothing wrong with it, I just think you’d look a lot cuter in this” and if your anything like me, that’ll get on your nerves a lot

While he’s great with emotional issues, if it’s a problem with anything like school or your job he’ll have no solution to offer, all you’ll get is a “You can do it!” and a good luck kiss

Narcissistic, need I say more?

Beel

Pros

He’s the best person to vent to, no judgment and tons of hugs and comfort food

He’s a mom friend, no explanation needed

Very supportive and always concerned for your health

Your in trouble? Call beel, he’ll help you and make sure your home safe before questioning you and will only lecture you out of love (unlike a certain older brother that will lecture you because “Your tarnishing Diavlo’s reputation by acting out like this. Your an exchange student, you must abide by the rules and behave yourself.”)

Cons

Food is his answer to everything (Sad?Food. Injured? Food. School’s stressful? Food plus a little help studying) and while food can be good for comfort, sometimes you need him to provide more than a snack

He’s the opposite of Satan in the sense that he’ll almost never offer advice when you rant to him, he just assumes getting it all out is help enough and won’t offer much more then a hug and food

Not getting along with one of his brothers? “They can be a handful, but they’re great people once you learn to handle the chaos” yeah he rarely thinks what his brothers did is a big deal so he gives you advice on how to apologize and get past it and he’ll give you food

Belphie (he really does attract the mentally ill people huh-)

Cons

I feel like he’d be good for certain people with social anxiety and people who have issues with always being scared about being a bad person (“you think your a bad person and are becoming more and more toxic by the day? Well your a better person than Lucifer that’s for sure, wether or not your toxic were going to cuddle now get in bed” or “your worried everyone is constantly staring and judging you for everything you do? Well I don’t really care about what your wearing or the way you walk so I doubt they do either, can we go home now?” ((Side note, I experience both of these issues and his uncaring personality would calm me, which is why I think this one of his pros))

He just wouldn’t care about whatever type of life style you lead and as someone who’s constantly scared of being judged for their lifestyle this would be amazing (“you sleep all the time? Same let’s nap together” “You don’t eat very healthy? Whatever, it’s fine, can we sleep now?” ((although it is a double edged sword))

He gets a burst of energy and just does the most random things (you see that tree? He’s already climbed half way up it. That petting zoo? He’s already feeding the lambs. That store? He’s already spent 30 grim)

Cons

Just like his twin he thinks every problem has one solution, but instead of food he thinks the solution is sleep (your sick? Sleep is the best medicine. A lot of homework? If you sleep you don’t have to think about it.)

At some point he just doesn’t care enough, if you come to him with a serious issue he’ll half listen to you rant then pull you down to sleep

He teases you a lot, which is fine teasing is fun, but he takes it too far. Maybe he touched on something your insecure about or he was too merciless, whatever it was, he won’t apologize for it, he just thinks your being sensitive. If he brought up some bad memories he’ll consider it, but his way of apologizing is cuddling

He doesn’t wanna do something? You guys aren’t gonna do it. You don’t wanna do something? Too bad, he wants to so your gonna.

I’m sorry this is so long- I tried to shorten it I swear- but anyway if you disagree I’m with anything, I wanna hear what you think

And even tho Beel doesn’t get much screen time and more serious moments, I think his character is way more then hunger

Random but I wanna add that other then Levi I kin Tamaki from mha and Ranpo from bsd

Dude do you just like torturing poor college students? This is so much to read, I’m about to cry 😭

I agree with the Lucifer part actually! Tho I do kinda thing he’s be good emotion support in some ways, for me, anyway. I feel like he may lack empathy that is needed in a stable relationship. Yes, he may be able to tell you with shit and honestly, he’d book my doctors appointments when I’m too anxious too so yknow. But yeah

Also agree with mammon. He’s a jackass when he wants to be, and I know he may not mean it, but his words are still hurtful in a lot of ways and he just can’t convey those emotions that’re needed in a loving relationship. But he’s so sweet and will show you off so it’s all good~

As much as I love Levi, I agree. He manipulates and guilt trips you throughout the entire game. It can’t be healthy in relationships but that don’t stop me from loving that sweet otaku boy 😔🖤

I agree with Satan too. I don’t have much to say but he’s avatar of wrath for a reason, for a start, and he honestly looks like he’d prefer talking about books than that funny thing that happened in class that made you laugh earlier

Agreed with Asmo too. Sometimes he may just get overbearing and the narcissism and the constant need to make you look better and improve you may get irritating

I agree with Beel. I don’t think he can comprehend that food isn’t an answer to everything and as a person who doesn’t cope with food and relatively hates it, he won’t be any help to me emotionally. He’s so sweet but he just won’t give you that proper support

I love Belphie so so much but I absolutely agree. He’s one of the most unbothered brothers who won’t care what you look like, yes, but that also means compliments may come rarely and like his twin, “sleep is the answer to everything” I can admit I like to sleep but I have a manic side that comes with insomnia and if he’s dragging me down and not letting me move and I just cannot sleep, I’m gonna get irritated and pissed off.

This got a bit long on my end too. I just really liked how you worded this and it was fun to see pros and cons of the ‘perfect’ brothers

I think Beel is more than food too, but I just don’t particularly like him either way cuz I’m not really a foodie so I can’t relate with him lmao

[itsclydebitches]

RWBY Recaps: Volume 8 “Midnight”

Happy Saturday, everyone! I’d like to extend a formal congratulations to every Cinder fan in the community. Criticisms of the writing aside, you all struck gold with twelve whole minutes devoted to your fave and I’m absolutely thrilled for you.

We again start with a dark screen and some audio, in this case Cinder’s scrubbing. This technique—along with closeups on eyes—is a real favorite of RWBY’s this volume, to the point where I think they’re a little too enamored with it. But at least this is just a preference, not something that actively harms the storytelling in any way, so it’s welcome to stay. This time, unlike our premiere, we stay on Cinder as her life is summed up with three events intercut with one another: scrubbing floors, getting taunted by boys, and the sound of heels making their way towards her. It’s clear that Cinder leads a poor, miserable life, if her dirty clothes and stronger guys throwing her around is any indication, but all that changes when the rich woman says “I’ll take her” and Cinder is transported to a better life in a wealthy hotel.

At least supposedly.

Here’s my problem with the worldbuilding. This moment has Witcher vibes and Witcher, in turn, built itself off of a trope seen a hundred times before: A young woman is treated terribly by her family, is whisked away by a wealthy/powerful caretaker, and though her life has arguably improved, she quickly learns that the new world she’s entered is just as dangerous and harsh as the one she left. In Witcher’s case, Yennefer is a disabled woman abused by her family, bought by Tissaia, and taken to Aretuza where the other girls hate her and the curriculum is potentially deadly. Cinder is a poor woman arguably abused by her family (scrubbing)/the locals (fights), is taken by an unnamed woman, and whisked away to the swanky hotel where the daughters hate her and the work is potentially deadly due to shock collars. The difference between these two setups is that Tissaia bought Yennefer because of her magical potential. Why does our hotel lady take Cinder?

I mean yeah, obviously she wants a slave, but it’s a little weird isn’t it? Usually when a young woman falls headfirst into a new and questionable life, there’s a solid reason for her entry. This woman—whose lack of a name also says something about the worldbuilding—could have hired anyone she pleased to abuse. As we saw in regards to Atlas and Mantle in the past, every city has its poor and downtrodden. So what made her go out to some random farm and snatch Cinder up? It just, as always, feels a little too convenient. Cinder didn’t enter this life because something about her characterization or origin justified it, the plot simply ensured that she, out of everyone possible, and with very little reason, was the one chosen to follow The Plot™ .

It also messes with the Cinderella parallels. Originally (or “originally,” going off of Disney here which is likely what RWBY is using as a template too) it’s her step-family that abuses her and yes, we recreate that via the hiring (“hiring”—I doubt she was paid), but Cinder was already scrubbing floors back home. Her status as the servant already existed. So why change locations? Why not just keep Cinder as an abused farm girl, or have her a part of the hotel family right from the start? Part of the reason why Cinderella resonates is because of the contrast between the happy life with her father and the new, horrific life she falls into once he dies. Which is then further contrasted by the rest of the outside world. Fairy Godmother, Prince, and party-goers alike are all presented as kind, decent people. They represent the “real” world that Cinderella can escape to. By making Cinder’s original life horrible, her new life worse, and everyone connected with that life cruel and/or indifferent (with the exception of this one, special huntsmen)… you paint a very different picture of the world as a whole. Which is something RWBY has been vocal about trying to accomplish—it’s not a fairy tale—the only problem is with how these moments are undermined the second the story wants Ruby to ~Believe in People~. Cinderella is a story about enduring and eventually overcoming temporary hardship. Cinder’s story is about endless hardship that creates villains. A dark and fascinating story… but how does that fit into last week’s episode where Ruby told the whole world about Salem, expecting them to band together in peace and harmony? This is how Remnant’s world treats people when there’s not a global crisis, and Cinder isn’t even a faunus.

Which, I want to make clear going into the rest of this recap, does not excuse Cinder for her actions. At all. I think there are some complicated acknowledgements to be made in terms of her abuse and the Huntsmen’s responsibility in it continuing, but that does not give Cinder a blanket pass for all the horrific shit she has pulled over the years. Cinder didn’t just defend herself from abusers, she became one. More on that in a minute.

First though… is the Huntsmen’s name Rhodes? Did we hear that in the episode? If we did, I totally missed it because I have a note here about the one important character not getting a name. So yeah, idk. If we got this from more supplemental info, bad RWBY. If I missed it, bad Clyde. Either way, I’ll use that name going forward.

Back to the plot at hand. The hotel is, as said, populated by indifferent and shallow people and there’s no desert nearby, so I presume we’re supposed to be in Atlas? (Why did this woman buy a girl from another Kingdom?) There are customers getting drunk, flirting, and generally just enjoying their wealth, which harkens back to Weiss’ comment in Volume 4 about all their problems being superficial. We’re introduced to the owner’s two daughters who are, as expected, quintessential Mean Girls. 

They love ordering Cinder around, not just with hotel chores, but personal ones as well like, “rub my feet”… despite the fact that this place is massive and must have an equally massive staff to stay in business. Why aren’t the girls terrorizing anyone else? Again, it makes sense for Cinder(ella) to be the focus of their abuse when she’s in a single household, but transplanting that to a hotel raises a lot of questions that RWBY hasn’t bothered to examine. You can’t move a story like that and not think about what further changes that would evoke.

See, RWBY could have done something interesting here by considering some of those other changes. Like having one or both step-sisters be the one to help free Cinder from her abuse, playing the villain before becoming the fairy godmother. Up until she turns villain instead of hero, this is just Cinderella’s story copy and pasted into RWBY. It’s moments like this that should make us wary of using fairy tale allusions as evidence for our readings and theories. Whether RWBY is deconstructing or upholding a story varies wildly, and we never know what we’ll get until we actually see it on screen. Even then we can’t count on a choice remaining consistent, as we saw with Ironwood’s deconstruction being tossed out the window in Volume 7.

Cinder is originally just as meek as her fairy tale counterpart too. We don’t hear her speak until the owner is about to leave when she simply goes, “Food?” The sisters laugh at her and a roll is thrown to the floor with the comment that she should get busy because it “looks filthy.” I quite like that moment. Your job is to ensure the floors are clean enough to eat off of—literally.

We see a montage of Cinder doing just that, lots of chores, with a new song listing all the tasks she’s now responsible for. During this, Rhodes is seen in the background and witnesses when Cinder (presumably) first uses her semblance by heating up the brush and chucking it at the sisters, creating a massive cloud of steam.

 It’s that moment which “earns” her a shock session with her necklace and I’m staring at the screen, a little open-mouthed. I mean, that’s the second child torture we’ve seen this volume (with Cinder being ten here). Again, I’m not making a specific accusation, just going, “Really?”

Also, note the anti-faunus sign. Nothing like continually showing us racist establishments rather than actually writing a story that deals with the racism needless put into the story world. I’d like to remind everyone of my previous comments this Volume about how the story works hard to paint Mantle as sympathetic, but refuses to show anything that does the same for Atlas citizens, people who are in just as much danger with Salem as an equalizer. A whole city is not actually made up of shallow racists, the show is just showing us only those people to create a simplistic “They’re all bad” reading that encourages us to reject Atlas and, by extension, Ironwood. Weiss is walking proof that Atlas citizens are both complex individuals and capable of bettering themselves. If we can come to adore the Schnee heiress, we should be questioning why nearly every other citizen is painted as an abuser, too wealthy to care, or has conveniently left the story (Rhodes dead, Klein gone, Whitley rejected, etc.).

As Cinder is being tortured, we see that she’s forced to say, “Without you, I am nothing.” Now see, this is excellent... in theory. This is the kind of line we needed to hear with some consistency over the last seven years (if RWBY still insisted on waiting that long for a backstory), setting up that this line is clearly engrained in Cinder and she repeats it on instinct. Instead—to my recollection, anyway—we only get it this Volume, in two episodes. If it appeared before then it wasn’t notable enough to remember. I commented on this before, but it wasn’t a, “Ah, this line must be important” reaction, it was a “Lol why is RWBY using the same line twice? That’s weird.” By only giving it to us twice before the backstory and in such a short timeframe, the impact of this reveal is lost. We’re only now realizing that the line is important, rather than coming to realize why.

Our writers know just enough to recognize what techniques work, but not enough to have figured out what makes them tick. They get that providing a RWBY-vised version of Cinderella is cool, but not how to adapt that 100% successfully. They know that repeated lines have power, but not how to create good setup for the reveal. They know the camera should use closeups, but not what moments are important enough to warrant that. RWBY, eight years on, still feels like a newbie writer copying what the great stories are doing without yet understanding why those aspects work and, thus, how to recreate them.

I mean, Cinder’s backstory appearing now attests to that most obviously. I waved at the Cinder fans before, but the reality is that most viewers don’t care, either because Cinder herself is so bland, and/or because the story waited too long to make her a little more interesting. This entire flashback was handled badly simply by virtue of it arriving over seven years past the character’s introduction. 

So after this torture session Cinder steals Rhode’s sword. We hear some dialogue in the background of him getting pissed that it’s missing and the sisters promising to find it, implying that Cinder will have this tool at her disposal for a while. Instead, seconds later he’s found her hideout and confronts her. I don’t know if I’m impressed with Rhode’s skills, or rolling my eyes at how contrived this all is. Chuck in the question of whether Cinder was talented enough to steal the sword out from under him, or if Rhodes was stupid enough to leave it lying around, and I’m edging towards the eye rolling.

He dodges Cinder’s attack, rolls her more weapons to prove he’s not here to hurt her, and acknowledges that she’s not getting “the most fair treatment.” Okay, here’s where things start to get complicated. Rhodes tells Cinder she shouldn’t run away because then she’ll be running her whole life (don’t really agree with that). He likewise (rightly imo) tells her not to straight up murder them because look, no matter how much of a shit stain someone is, I can’t condone slamming a sword through their chest on an individual’s say-so (especially when two of those people are also kids growing up under an abuser, like Whitely). So what’s left? Rhodes says Cinder can train to become a huntress. At ten years old, she has seven years to prepare for the exam.

But she has to stay with her abusive family until then.

My problem is far less with the claim that this “has” to happen and far more with the writing’s failure to tell us why. Cinder could have begged to come with Rhodes and he says she can’t because… idk. Make up a reason. He doesn’t make enough to feed the both of them. It would be too dangerous out on missions without training and he doesn’t have a permanent place to stay (hence using the hotel all the time). He could even go the “They’re your legal guardians” route with more explanation because it’s arguable that Rhodes had no idea about the collar. Doesn’t mean Cinder’s treatment isn’t “that bad” in his eyes, just that he might not have known the extent and thus thought it was preferable for Cinder to put up with “just” being insulted and overworked until she’s 17. That this life that he only has a partial picture of is preferable to the life she’d have at his side. Something to explain the stakes here, the risks, and why he took this stance. 

And/or give us a reason why Cinder doesn’t try to run, a suggestion I make very cautiously because it’s not my intention to put the responsibility solely on her. This isn’t meant to be a “Just save yourself! It’s easy!” claim. Rather, it’s an acknowledgement that young, barely trained kids go out into the world all the time in this show—Ruby, Oscar—and it’s an acknowledgement that Cinder tugged off her collar easy-peasy. The point is, practically speaking, Cinder could have left and braved the streets like Emerald did… so give us a reason why she decided to stay. Maybe she’s scared of living on the streets, acknowledging that a little food and a place to sleep is better than nothing. Maybe she’s scared that if she doesn’t have a direct connection to the hotel (convenience), Rhodes won’t train her anymore. Maybe, as an abuse victim, she can’t articulate why she won’t leave, she just can’t. Something to acknowledge these gaps because, right now, we just have the fandom going, “See? This is why the huntsmen are all evil cops. Rhodes took the lawful route and look where it got Cinder! He’s the responsible adult in this situation, so it’s all his fault.” Problem is, this take ignores: 

The fact that our heroes are also huntsmen and were pretending to be huntsmen before they had those lawful licenses. So what does that make them? We can’t continually criticize these professional roles without criticizing our heroes’ use of them as well. Ruby just ensured the world would take her message seriously by introducing herself as a huntress. We can’t condemn these laws and privileges while likewise letting Ruby continue to use them however she please. It’s okay if she’s a part of the system, because Ruby is inherently good! That’s not how this works. I’ve just described every American cop show that tumblr is currently turning against: The system is corrupt and needs to be overhauled, but our protagonists are different. 

The story fails to tell us why Rhodes won’t do more outside of a single line about Cinder being of legal age. That just acknowledges that age has some bearing on his decision, not whether it outweighs other considerations (can Cinder survive if she leaves?), or whether Rhodes even has a full picture of what’s happening to her (the collar). The takeaway is that we don’t know what his though process was because RWBY didn’t show it to us, not that his thought process is automatically awful. 

Rhodes, as a literal stranger entering her life, is not 100% responsible for what happens to Cinder. I know people don’t want to acknowledge that because leaving a child in that situation is absolutely horrific, but if RWBY wants to be ~realistic~ (and it does) then we need to acknowledge that reality too. If you saw a child employee getting yelled at in a hotel and then found her with your sword, would you rip the collar off her neck and be like, “Congratulations, you’re my child now”? Nice as that trope is, probably not! Or hell, maybe a lot of you would upend your life and risk legal action to whisk them away, but a lot of other people wouldn’t... and they're not the devil for doing what they can within the bounds of the law. The idea that because Rhodes unexpectedly had one (1) encounter with Cinder means he’s now responsible for her life and outcome is, well, crazy. “But, Clyde, you can’t just see that kind of horror and not do something about it.” You’re right. You know what you do? Tell the authorities. But does Remnant have the equivalent of social workers? We don’t know! Which means we can’t assume that Rhodes didn’t call them just because he’s a bad person. Or maybe they exist and the fandom considers them too corrupt to be useful, like so many other authorities in this show. So… what else is there for him to do? There doesn’t seem to be anyone above Rhodes that he can turn to, he doesn’t (for whatever reason) want to essentially kidnap Cinder and start a new life with her, so what’s left? Try to give Cinder a healthy relationship and a way to escape in the long run, which is precisely what Rhodes did. 

Honestly, I’m kind of salty that this guy went out of his way to help her, he saw what everyone else saw and was the only one who would help her, but because he didn’t do more—because he didn’t entirely upend his life and/or risk arrest to take her away to this hypothetically better situation—the fandom is acting like it’s his fault Cinder killed her abusers. It’s not. Cinder made that choice.

At the end of the day, blaming Rhodes reveals the expectation that it’s his responsibility to solve this massive problem purely because he had the bad luck to be the one Cinder stole from. That’s like telling a teacher who learns about abuse from a paper that following the lawful channels and going out of his way to assist the child in other ways is responsible when the kid murders their family one day. “Why didn’t you just barge into the house and take the kid?!” Because there are a hundred reasons why that would go incredibly badly? Rhodes can’t help Cinder if he’s in jail. Rhodes can’t help Cinder if she ends up dead on a mission while following him. Rhodes can’t help Cinder if their attempt at escape fails and she bears the punishment. 

The only thing I think Rhodes did absolutely wrong was giving Cinder the sword while she was still under the owner’s thumb. Stupid, but not cruel. And again, stupid does not equal blanket responsibility. I’m likewise seeing, “Rhodes gave her the sword and thus it’s his fault that Cinder got in trouble. It’s his fault they died. What was Cinder supposed to do, not defend herself?” Are people forgetting that Cinder stole the sword herself in the beginning and then readily accepted it again? She had agency in obtaining weaponry and what she wanted it for. Are people forgetting that, in accepting it, she likewise accepted the risk of keeping it hidden in the hotel? Are people forgetting that the time skip shows this happening years later and that Rhodes clearly thought Cinder was past her murderous streak? Are people forgetting that Cinder killed the owner by snapping her neck and resisting the shock collar, no sword required? She could have killed them any time she pleased based on the crime scene, whether Rhodes had given her a weapon or not. The weapon was just the catalyst that, truthfully, could have been caused by anything else. Cinder snaps when they find the sword and she’s tortured. Cinder snaps when she drops another tray and she’s tortured. She had planned to kill her abusers and never completely let go of that. 

Honestly, I’m just annoyed that we have another good hearted, takes action, does his best and makes some mistakes character getting blamed for everything another character chose to do, erasing their agency in the process. Rhodes did not abuse Cinder. Rhodes did not force her to kill her actual abusers. And Rhodes is certainly not responsible for what Cinder later becomes. Could Rhodes have done more? Of course, but every character could always do more. 

The tl;dr is that this complex situation needed far better setup in the show and the fandom needs to stop using that lack of setup as “proof” that characters are horrible people when they fail to magically fix said complicated, badly explained problems. Cinder chose to murder three people. Whether that was justified in the face of her abuse is up to you to decide, but it was still her choice. Please stop blaming the adult male characters for the choices the teenage girls in this show make. RWBY is too convoluted and attempting to tackle too many complex issues to reduce that to, “Every man here is the evil, responsible party and ever girl is a #queen. Even when they go on to murder Pyrrha ^_^” As a woman who would very much like to be rooting for the mostly-woman cast more than I now do, this isn’t the feminist take people want it to be.  

But I’ve jumped waaaay ahead. Let’s backtrack a bit.

That first interaction between Rhodes and Cinder is super weird because the camera keeps covering Rhodes’ face and I don’t know why. 

We segue into that montage of him training her for presumably years (Cinder’s hair changes) until we see him giving her the sword in what’s meant to be a moment of pride and trust. Soon after, Rhodes (randomly) comes back to the hotel when everyone else is asleep and hears noises in the back. Moving to check them out, he discovers that Cinder has murdered the two sisters and is in the process of murdering the owner, throwing back the line, “Without you, I am nothing, but because of you, I am everything.” Again, much more impactful if this had been a line we’ve associated with Cinder for years now, not a couple of episodes.

After she breaks the owner’s neck (damn, strong hand!) she tells Rhodes she doesn’t have to run anymore. Cinder clearly expects him to be happy for her and is shocked when he takes out his weapons.

I’m sorry, this is not a “betrayal.” Could Rhodes have just let Cinder go? Sure. Should he have? Given what she becomes, that’s very debatable! Rhodes clearly thought he’d helped her grow into someone who was not inclined towards murder (giving her the sword) and thus is probably going to be a little rattled when he walks in to find her killing three people. Again, there are obvious differences given the level of abuse Cinder seems to have suffered in comparison, but imagine that Glynda, after teaching Weiss for years, walked in on her killing Jacques and Whitley in revenge. Is she supposed to just ignore that? Shrug her shoulders and wish her well? I know a lot of people consider that the “fair” outcome given the inclusion of abuse, but that’s because we’ve had an omniscient view of Cinder’s history and insight into her emotional state. Rhodes doesn’t have that. All he has is his oath as a huntsmen to prevent things like, you know, murder sprees. I’m not going to delve into the overall ethics of a judicial system, either in RWBY or the real world, and thus I’m not going to make any naive claims about it being fair—it’s fucking not—but I don’t think the answer to these systematic problems is, “Why wouldn’t you just let the teenager murder three bad people and then go on her way? She totally deserved it!” Rhodes is not in a position to decide that, which is the entire point of having a judicial system in the first place. 

So Rhodes wants to bring Cinder in. Kind of like how Clover wanted to bring Qrow in once he had an arrest warrant. I can’t emphasize enough that wanting to start a legal process rather than letting clearly guilty/potentially guilty people go because they WANT to is not a “betrayal.” Regardless of what teen dramas may have taught us, you don’t have to potentially throw your own freedom and your morals away because you found out a friend is wanted by the authorities. Or you walk in on them currently snapping someone’s neck. There are options other than, “Believe your friend is right without question and help them hide the bodies” (looking at you, Maria, Pietro). Whitely is not insane for going, “Hey, can you not make me an accomplice to a crime by forcing your way in here with a bunch of fugitives?” I’m constantly surprised by the number of fans who can, in one breath, condemn characters for not throwing a middle finger up at the law and in the next praise Jacques’ arrest. Do we want to benefit from this system or not? If yes, that means you have to weigh which laws can be broken (such as in a protest), which should be obeyed (bring murderers and wanted men in), all while working to change the laws that are prejudice and aren’t working. 

Anyway, they fight. It’s short and sweet, backdropped by the large clock striking midnight, hence our title. I’m incredibly suspicious of Cinder breaking Rhode’s aura first, given that she’s still the student in training, but here we can more persuasively say he wasn’t fighting seriously, given that he then stupidly rushes towards her without a weapon. Still, that would be the second time now that RWBY has relied on elite fighters “holding back” to explain how the kids in training beat them, the first instance, of course, being with the Ace Ops.

Rhodes does rush Cinder though when she hits the wall and breaks her own aura, clearly concerned. She uses the moment to stab him with both swords. He uses his last breaths to put a hand on her head, conveying that he doesn’t blame her for how this all turned out.

Then Cinder pulls off her collar with a single snap and looks up at the broken moon, crying her single tear.

I’m dragging the flashback for multiple reasons, but I want to emphasize that I think this episode is leagues better from what we got last week. Absolute night and day. It’s just that, as always, improvements are incredibly comparative in RWBY. It’s not really good for numerous reasons… it’s just better than what we’ve gotten before. It’s “great” provided you go in with standards buried in the ground.

We then return to the present as Cinder wakes up in Salem’s whale. This scene gives us a great shot of her grimm arm, so cosplayers take note!

Emerald arrives soon after and immediately rushes to her side, expressing how worried she was. She grabs Cinder’s grimm hand without hesitation. Honestly, I don’t care much about either character… but this single frame activated some sort of ship button in my brain.

Not fully because I’m personally not drawn to toxic relationships in fiction (which, as I’m about to explain, would absolutely be the case here), but just the tinniest bit. Because I’m a sucker for monstrous people being loved despite their monstrous nature, so having Emerald take that hand over the other is like a ship speed run for me.

I’m predictable, folks.

But we need to talk about less happy things for a moment. I mentioned above Cinder becoming an abuser herself. I hope I don’t need to lay out the laundry list of murders, attempted murders, sabotage, and general taking-over-the-world-ness she’s engaged in since Episode One. Don’t let a sad backstory erase all that. Hell, for all we know the hotel owner had a horrific backstory too! Doesn’t justify how she treated Cinder. The point though is beyond her clear status as a villain, we now know that Cinder treats Emerald just like the owner once treated her.

Cinder was “rescued” from her life on the farm by the owner. Emerald is “rescued” from her life on the streets by Cinder.

Both realize over time that the situation they’re now in is actually worse.

Both reiterate that they “owe” the other “everything,” with Cinder having that shocked into her and Emerald seeming to willingly believe it.

The owner treats Cinder as a slave. Cinder treats Emerald as a slave. “Both of you, get out. I’ll let you know when you’re needed.” The only difference is that Cinder’s orders were things like “Scrub floors” and Emerald’s are “Convince an audience this girl attacked our ally.”

Both use threats to keep the other in line: the owner with her shock collar and Cinder with her Maiden powers. Cinder doesn’t need to resort to violence (yet) because Emerald adores her, but the threat is always there. 

There are even visual similarities this episode, such as kneeling and gem necklaces, though I acknowledge fully that those are just interesting details as opposed to anything like persuasive proof. 

The point is that Cinder became exactly what she hated, she just turned the dial up to eleven by going after the whole world instead of a single child. “But Cinder never had a chance to be anything else.” Sure she did. Blake and Weiss are proof of that. Even if we believe that Cinder was doomed to be a villain due to the extent of her abuse, what does that say about the hotel’s owner? We don’t know anything about her history, so what if she was abused too? Does that mean she was always “doomed” to treat Cinder that way? Does that excuse everything she did to her because she supposedly never stood a chance of becoming anything else? Of course not.

Though very iffily done, this is a commentary on the cycle of abuse. Each case is horrific, but it doesn’t excuse what comes later. Every abuser was once an innocent child and every innocent child has the capability of becoming the next abuser. Cinder’s life up until now was beyond awful and yes, she lacked a lot of privileges that others had to help them head down a better path, like Weiss’ wealth. On the other hand, she lacks other difficulties that would make that path harder for others, like Blake’s status as a faunus. Everyone has a choice to make: Will you treat others the way you were treated because that’s “fair,” or will you decide to treat others better than what you were dealt? There are lots of aspects that factor into the likelihood of someone choosing the latter—which is why I really like Rhode’s hand on Cinder’s head, acknowledging his understanding that she’s an abused kid taking the only path she thinks is available to her—but individual agency is by no means removed from the equation. Cinder escaped her situation and decided she’d never be powerless again. What does that mean to her, perhaps becoming a community member who works to prevent abuse like the kind she suffered? No, it means grinding the entire world under her heel until she’s the only one with power left.

This GIF continues to be the only one I need.

(No, the fact that it comes from a cop show and I’m using it for such an anti-law, anti-establishment story/fandom isn’t lost on me.)

(Also, if anyone is curious, this is why I love Ozpin. Out of everyone in this cast, HE has suffered the most, tenfold, and yet he still chooses to be kinder to those than they’ve been to him.) 

Anyway, I should really stick to the plot lol. Cinder realizes that her waking up means that they’ve lost, which I still think is BS. Cinder needed a win to come across as a formidable villain again and the likes of Neo, Emerald, and a Maiden with years of practice under her belt should have wiped the floor with a scientist, retirement grandma, and a girl who got the powers an hour ago. But I again digress.

Mercury reveals that he will no longer be following Cinder’s orders because Salem has a special job for him. They’ve all been told to meet on the bridge.

Then we cut to Ozpin and Oscar.

My poor boy is a mess and Ozpin is in the process of begging Oscar to take a “break.” “I would like to express again that this is my burden to bear, not yours.” Take note, fandom. In a few moments Hazel will accuse Ozpin of being a “coward” because “All this time, it could have been you, but you let him suffer.” I just know a bunch of people will be going, “Yeah! Ozpin just let a kid get tortured instead of him. WTF??” Okay 1. We should always be suspicious of agreeing with the takes villains have and 2. Oscar just refused to let Ozpin do that. It is—again—his choice because he thinks that Hazel is “holding back” with him. Oscar is being a brave and logical dude trying to make the best of this situation for both of them. Don’t take that away from him just to make Ozpin look bad. What would we even want him to do? Take control back? The fandom has been yelling at Ozpin for that since Volume 5.

So they’re going back and forth when Oscar suddenly announces that they “can’t leave yet. This is our chance.”

Ozpin even says he thinks Oscar must have taken one too many hits because… yeah. What? Long story short, Oscar recognizes that they’ll never be this close to Salem’s subordinates again and that they should try to undermine her from the inside out, just like she’s done with the world since she knows she can’t take on everyone at once. I love Oscar taking charge here, I love them speaking in unison, I even love the hope of achieving something epic while in captivity despite my own belief that Oscar should break and reveal the Lamp’s password. What I don’t love is:

Another messy, unexpected belief that Salem made her choices because she “knows” she can’t win any other way. Except that—like Ruby’s line in the recording—Salem’s current attack blows that idea out of the water. She IS taking on the whole world. Granted, Ozpin and Oscar presumably don’t know that the whole world literally knows of her existence now, or that Salem was smiling about it, but they do know that she’s attacking Atlas head on. What else is that except a declaration of war with all of Remnant?

The idea of undermining Salem from the inside via Hazel. For anyone who reads my other metas, I just said that this idea wouldn’t work because Emerald isn’t the one torturing him, the one character who has consistently demonstrated hesitation (or, now, Neo). Hazel despises Ozpin so much that he would never listen to him. He despises him so much he doesn’t even see Oscar as his own person… at least he didn’t before. That’s been retconned now with Hazel going “easy” Oscar and having an actual conversation with Ozpin. Whereas before, he was slamming Oscar into walls and screaming about how he’s going to kill the “murderer” of his sister. They basically softened his character to make this plan possible.

The fact that this scene came about without Oscar and Ozpin ever getting to reconcile their problems. Last we saw them, Oscar was saying how he hated that Ozpin came back and refusing to acknowledge their merge. Now, they’re working together like they’ve always been solid allies. I get that the danger they’re in helps to put it all into perspective, but why can’t we get a few lines of them hashing this out? Or at least putting things aside until they’re out of Salem’s clutches? If you don’t need to re-write Hazel’s character with “he’s going easy on me” lines, you can use that space to deal with the conflict we’ve already established. Especially given the strange choice to have Oscar refuse to give up control and be the one coming up with this plan... but then Ozpin does take control and (maybe, see below) enacts it? I feel like we’ve missed huge chunks of this story. As it is, I wonder if RWBY will bother coming back to this. The questions of if/how Oscar will accept Ozpin and if/how he’ll reveal this secret to the group feels like they’re being swept under the rug and it will likely go unnoticed by a lot of viewers simply due to how intense the kidnapping plot is.

So things are a little messy, but otherwise enjoyable, and they’re about to get downright confusing. For me, anyway. See, Hazel reveals that he follows Salem because she can’t be beaten (cue my continued worry about Ruby telling the whole WORLD). She “can’t be stopped. She’s a force of nature,” and Ozpin is fighting a “cause with no victory, no end.” He yells back that “Someone has to try!”—bless this man—and then looks down at the ground going, “Salem can be fought. Unless… she brings the Relics together, if that happens…” and mentions summoning the Gods.

So here’s my confusion. The scene makes it feel like Ozpin is planting some sort of seed in Hazel’s head. He and Oscar JUST got done agreeing to try and undermine her from the inside out, then we get this line that feels like him “accidentally” dropping a secret that will turn Hazel against her. Except… Ozpin doesn’t lie here? The line isn’t useful to them as far as I can tell. They are screwed if Salem gets the Relics. …Right? Because if not, why the hell have the heroes been working so hard to keep them out of her hands? So I can’t decide if:

A) This scene is just written badly and none of this is part of the plan to undermine Salem.

B) Ozpin is going, “NO. Don’t collect the RELICS. That would be the WORST THING EVER /s” in an attempt to trick Hazel into doing it anyway and this is somehow supposed to hurt Salem, despite being presented since Volume 5 as the worst outcome for our heroes? 

C) Ozpin specifically wants Salem to make the mistake of summoning the Gods because he thinks he’s completed his task? Or something? But what in the world would make him think that—especially without seeing Ruby’s message (not to mention the lack of unity that mess should cause)—or what makes him think the Gods would just destroy Salem regardless of what he’s achieved? If summoning the Gods was ever a defeat Salem option, why hasn’t he done it before?

I’m leaning towards A just because it makes the most sense by far, but that would also mean we had Ozpin and Oscar decide on this plan, have a chance to start this plan… and then didn’t actually do anything. Yelling at Hazel for following Salem isn’t a new strategy, they were doing that before, so what’s new? Or has the new strategy not been revealed yet? Idk, as happy as I am to see them being BAMF together, I’m slightly unsure about how it all hangs together. I’d much rather have an internally consistent and clear outcome that’s predictable (Oscar breaks or just holds out until rescue) rather than what appears like a super cool, badass, unexpected plot on the surface… but crumbles once you poke at the foundation a bit.

So whether Oscar and Ozpin started this plan or not, they’re dragged into the throne room where they’re forced to kneel before Salem. Yikes. She sits on her throne with the Hound, who I’m only now realizing could be read as a messed up Toto

We learn that Tyrian heard from Watts about his incarceration and hacking Penny. What? Okay, I took the time to go back through “Amity” just to find this screenshot.

That’s not a working Scroll! Idk what I thought Watts might do with it at the end of last week, but it wasn’t send a full, uninterrupted message to Salem that updates her on everything that’s gone down in Atlas. This thing is toast! Moments like this make me question how much communication there really is between the writers and the animators, despite last Volume’s disaster with Oscar telegraphing his punch like whoa. Are we still getting that level of miscommunication? 

Salem then punishes Cinder for disobeying her by hurting her grimm arm. See, this here (for me, anyway) is the mark of a newbie writer. When the moment first started I went, “Oh nice. Just like the shock collar!” Then the scene made that abundantly clear by cutting to flashbacks of Cinder in her collar. That’s too heavy-handed. We already got the parallel, but then the show went, “Do you get it??” It shows that the writers are too scared that the viewers won’t get it, that their nuance will be lost, so they scramble to make it as obvious as possible, rather than trusting in their own writing.

And if you’re like, “So you want RWBY to be more clear and also… less clear?” the answer is, sadly, yes lol. The things that are already confusing due to retconning and inconsistent themes need to be made explicit, whereas the details that are already strong don’t need an in-your-face, “Okay, but did you really get the parallel here? We’re just making sure.” It’s like launching into explaining why a joke is funny when it’s already landed vs. telling a nonsensical joke and then waiting for the laugh that will never come. RWBY struggles in both areas.  

Salem delves into this speech about how this is actually all her fault and she should let Cinder spread her wings or something. AKA, go free Watts and track down Penny. Then you can have your precious Maiden powers. 

There’s a massive earthquake across Mantle and we watch a + medical symbol go out. Again, heavy-handed. We don’t need that in order to understand that the whole city shaking while the grimm look happily up to the sky is a bad thing.

We cut to Winter listening to the Ace Ops complain about Penny. She tells them to act like the elite they are, likely because she hates how they refer to Penny as “junk.” Still being set up to betray Ironwood, I bet. During this scene we learn that they have “confirmed visual of her leaving Amity. She appeared to be malfunctioning.” So Penny is alive? Also, they have eyes on Amity Tower and were able to see Penny leaving, but didn’t see any of our trio coming to launch it in the first place? Did Ironwood want it to launch? Did they see Cinder? I just don’t know.

Before they can get there though a message from Jaune comes through. Serious kudos to Team JNY for asking that “anyone” respond/taking the personal risk of calling for help in the first place. They’re finally putting—as Harriet says—they’re own selfishness aside in favor of the greater good. Yang obviously hates that it’s “you guys” they ended up with, but she’s not outright attacking the Ace Ops or anything. I’m like,

Excellent job, Yang. 

Jaune is a little harsh in his panic. He said in his message that a “large mass of grimm” is heading towards Mantle and then when Harriet leads with asking about Penny, wants to know what’s wrong with her. Why are you asking about Penny when lives are in danger and “it’s” (the grimm) are “right there”? Except he, uh… points at nothing. There’s the chasm with (I presume) the weird grimm goo down it? Not sure based on the shot, but the Ace Ops expected a “mass of grimm” and then land to see no grimm anywhere nearby. So yeah, they’re more focused on the missing Maiden than the seemingly imaginary enemy Jaune is freaking out about.

They only get on board when the river launches itself at Atlas.

So the goo is, like, sentient before it becomes individual grimm? Or Salem is controlling it from her whale? Either way it’s BAD.

I want to briefly gripe about how the hell everyone is watching this. What, is there a camera conveniently trained on this one random part of Atlas’ underside and everyone’s scrolls tuned into that the second the attack started? It seems far-fetched, to put it mildly. In RWBY’s favor though, I want to acknowledge that we finally have appropriate expressions for the situation! This is good!!

I’m going to level with you all. My notifications have known no peace since I made the mistake of criticizing the adored trio that is Ruby, Weiss, and Blake. I thought supporting Ironwood would get me heat. Nope. Not supporting the main girls is what did it and honestly? I shouldn’t have been surprised. Last week I pointed out that having them smile and, in Ruby’s case, coo during a moment of horror is not good animation and implies some pretty uncomfortable things about their overall sympathy level. The image in question: 

It doesn’t set a good tone, especially when we add in what we’ve gotten for Ruby’s group across the rest of this volume. The counters of, “They need and deserve a break. Why won’t you let them be happy?” fall flat when we ignore that this group has been animated as consistently goofing off post-premiere. Sneaking into the guarded military base of a former friend? Tube shenanigans! Need to find your way around? Funny Penny moment! Semblance reveal? Cutesy chibi explanation! Need to do more sneaking? Silly coffee plan! Nora gets electrocuted? Joke about how awesome that was! Even Wiess telling Whitley to go to his room reads as funny to the audience.

Ruby in particular has been a problem, given that she’s our main character and the others’ leader. We take our emotional cues primarily from her. Alongside being a part of all these fun and games, her animation during more serious moments has been less than stellar. This is Penny when Nora goes down.

This is Ruby, Weiss, and Blake. No worry, just focused on the fight.

This is Penny when the fight is over.

This is Ruby, Weiss, and Blake. No worry, just chatting about suspicious activity.

This is Penny in the airship, worrying about Nora and the situation they’re in. This is also Ruby in the airship, apparently not worried at all.

This is Ruby when she learns her uncle is in jail. Is there shock? Fear? Horror that he might be in serious trouble? No, she just maintains the same emotion she had before: fury at Harriet.

So when we reach them watching the recording and they look like this:

No, I’m not convinced that this trio is taking the situation seriously, or that they really care about the people involved. I know they’re supposed to care, they all obviously care from a meta perspective, but the “obviousness” of that only exists in our personal understanding of the characters if we don’t see it on screen. I completely believe that Penny is worried about Nora because she’s animated expressing that worry. I completely believe that JRY are in the middle of a warzone because they’re (mostly) animated as fearful and angry. The rest of Ruby’s team has a scared line from Blake and Weiss holding Nora’s hand, whereas the majority of the emotion across this adventure has been indifference or playfulness. That’s a problem given how horrible the events of this Volume have been, most of which the group is aware of. 

All of which is an incredibly long-winded way of saying that this

finally feels appropriate. Well done, RWBY. 

Alright, this recap is already over 7k long so I want to return to our plot with the summarized: IRONWOOD WAS RIGHT. He said they couldn’t withstand a head on attack by Salem and he was right. It literally took seconds for her grimm to burrow into Atlas, knock out a tower, and disable the shield. Everyone still claiming that leaving is useless because it’s oh so obvious Salem’s grimm could fly however high it wants (when did we learn that?) are ignoring that leaving was at least a plan with some kind of hope attached to it. And, given her focus on the Staff, may have saved Mantle by drawing Salem’s attention away from the city. The point is we don’t know. All we do know is that Ironwood tried to do something in the face of hopeless odds, Ruby’s team stopped him, and now look, everything is awful. No one could have possibly seen that coming. 

Salem: “It’s time.”

I’m very pleased that Salem is finally using the tools at her disposal. Upon reflection, I still don’t buy why she had to wait. “Well, she was waiting for the grimm goo.” She couldn’t have used flying grimm to take out the tower? Take a burrowing grimm and give it wings? She couldn’t have used the goo that was apparently inside her whale the whole time?

It’s all very convenient. In the sense that we’re drawing out the volume by having the villain inexplicably hang back, despite not having a good reason to. In the sense that—unless Ruby’s message comes back to bite her—the villain’s passivity also conveniently let the heroes accomplish the one goal they were desperate to achieve. All of that’s still not good, but at least the Volume seems to be moving out of the “not good” category and into the “slightly better” territory. 

Although, as I just acknowledged to a friend, RWBY seems to alternate for me. Every time I have an episode where I think, “Okay, there are still massive problems here, but I can see a glimmer of hope” the next episode is inevitably the pits. 

Still, grabbing onto that hope with both hands: Atlas should be decimated, folks! Grimm are swarming, our idiot heroes herded everyone directly under the city, the world should be panicking, and the cold should still be killing people if the story remembers that it exists. At this point my only question is wtf our heroes are supposed to do next, but regardless of what the plot gives us, it’s going to be wild. You all know what’s coming. Next week is our final episode before a two month hiatus, which means we’re going to witness all kinds of awful and then end on a six week cliffhanger. It’s inevitable, so best to emotionally prep for that now lol.

I don’t believe we have any Bingo updates, with the exception of edging towards a few: “Winter betrays Ironwood,” “Army of grimm conveniently doesn’t kill any civilians,” “Atlas somehow survives,” and “Ironwood dies” being the most notable. We’ll have to see what, if anything, gets checked off next Saturday.

As always, thank you so much for reading (I feel like I don’t say that enough :D) and I’ll see you next week! 💜

[Ko-Fi]

[prinxlyart]

Your Vinira is sSO SWEET MY HEART US MELTING! How Viney not only accept Emira' stutter but straight up loves it?! Oh my poor bleeding heart! Now, my own question: How do the redeemed Blight parents react to their relationship?

Ooohhh see at least in my Willumity headcanons, Alador and Odalia don’t redeem themselves for several years. Like, maybe 8 or 9 years from when our girls first start dating. I imagine Viney and Emira become a thing in roughly the same time frame. So Emira doesn’t even tell her parents about her girlfriend. Viney introduces Emira to her parent(s) (eventually, maybe after like 6 months of dating?? Maybe a year?) and they are super wary at first because a Blight???? Is dating our daughter?????? And Viney reassures them that yes, they’re dating and it’s not some wild ruse. That being said, the heads of the Blight family also don’t know they’re dating so like. They’re trying to keep their relationship on the DL.

But if I’m gonna dip deeper......

( way deeper. This is another one of those Long One’s, lol )

I think....if Alador and Odalia catch wind of their daughters dating people they don’t approve of, there would be hell to pay. Like, all of them being grounded until further notice and that means escorts to and from school, no friends, no extra curricular activities, nothing but school and home. Not even their “approved friends” are able to communicate with them because their scrolls would be confiscated. Tutors (babysitters) while they do homework and further studying on weekends. No contact with the outside world. And if they even try to speak with anyone at school? They’ll all be pulled from Hexside and be homeschooled from then on.

All the while they’ll be using their connections to have Viney, Willow and Luz expelled, permanently. They may not have too much sway over these delinquents’ lives, but they’re going to make sure they’ll never be able to advance in society. And then they find out that this “Luz” is the Human that dared go against Emperor Belos? I can’t even begin to imagine the hell they’d bring down on them all.

So yeah, there’s a lot of disaster scenarios like that that haunt the Blight girls and ensure that they’ll never tell their parents of their relationships and will keep most displays of affection away from the rats that would somehow get the word back to them. At first it might hurt Luz and Viney to not be able to be affectionate, but Willow 100% understands. She already has that history looming over her in her memory. Viney and Luz will often use the Secret Room of Shortcuts in order to just hang out with their respective girls between breaks when they can.

I genuinely don’t know how the timeline of events will play out in the show in regards to Belos and the portal. It could take just days, weeks, months??? Years???? Before he’s taken down accordingly and a new portal is made.

Regardless, I like to think that in that time though, the moment the twins turn 18, they leave and they take Amity with them. They’re not just going to sit idly by anymore. Whether that means revoking their family name by some intensive ritual or just fleeing and using whatever money they took with them to find an apartment somewhere, they need to get out from under their parents’ thumb. As soon as they’ve established new lives for themselves, they are as open with their relationships as they want. They might even be a little over-eager, what with Amity kissing her girlfriends for probably too long at school in front of everyone, or Emira actively distracting Viney from her work while on the clock.

By the time we get to the point where they’re trying to re-enter their children’s lives, it’s stiff and awkward at best and like bulls butting heads at worst. The Blights are using any method they can to bring their children back home, whether it’s promises of extra freedom or putting in a good word to their coven of choice; even sending them extravagant gifts that none of them want. This maybe goes on for about a year before the twins and Amity agree to meet with their former parents. They bring their respective partners with them too; not as back up or anything, but mostly as moral support and as a giant middle finger to their parents.

Alador and Odalia don’t hold back their disdain. For their children’s’ foolishness, for their childish behavior thats ruffled so many feathers within the Emperor’s coven, for the damage they’ve all done to the Blight name; and for their daughters’ choices in partners.

They could take all of the other nonsense their parents were spouting, but being so outwardly hostile to their respective partners??? That causes Emira to nearly turn the entire Blight Manor upside down and Amity to summon an abomination large enough to chuck the manor into the Boiling Sea with her parents inside. Edric manages (somehow) to keep them both sane long enough to continue their conversation, at which point I think the Blights simply write off their girls’ anger as petty childishness.

And that. Is what sets off Luz, Willow and Viney. They absolutely go off on the Blights and just tear them both a new one. I think it’s been a long time since the Blights actually feared anyone besides the Emperor, but in that meeting, they feared these teenagers who seemed to radiate more power than they’d ever been witness to before. I think Emira and Amity are both shocked but Edric just gets comfortable and summons some popcorn to watch the show because finally, someone is telling off these miserable witches they used to call their parents.

They don’t meet with their parents again for a few more years after that encounter. I think Emira and Viney maybe break up once for a week before getting back together due to a misunderstanding, but Amity couldn’t possibly be happier with her life as it goes on, free from her parents and being able to be with her girls as she wants.

Over the course of the following years, they all still receive correspondence from their parents. On every birthday, they send a sum of money and a simple greeting. Every holiday season is the exact same. I think Luz is the only one to actually reach out to Alador and Odalia. I think she sends them a photo of their most recent holiday get together; where everyone is smiling or laughing or making messes or whatever. The exact opposite of every holiday held at the Blight Manor. They see each of their children, smiling and looking truly happy. And on the back, Luz maybe writes something about wanting to speak to them. Alone. Not with Amity or Willow, not with Emira or Viney, not with Edric, no one else. Just Luz and the Blights. They agree.

When Luz meets with them, it’s tense. They’re all quiet and stiff and still have an aura of hatred hanging between them. But Luz clears her throat and informs them that she’s planning on proposing to Amity and Willow. She’s still not sure when, or how, but it’s something she’s planning. She also informs them that if they don’t want to miss another wedding, they’d better clean their acts up and fast. And she just hands them a small scrapbook full of pictures of Emira and Viney’s wedding. They hadn’t even known it had happened. They weren’t informed, let alone invited, and Luz was granting them possibly the only chance they’ll ever have again at being in their children’s lives. Luz lets them know to reach out to her if they decide they want to be in their kids’ lives again and leaves them with the scrapbook.

When they do reach out, Luz shows up at Blight Manor with three others in tow: Eda and Lilith Clawthorne and Camila Noceda. They are three different kinds of pissed and the Blights have the good sense to just be good hosts and invite them in with little fanfare or argument. They all settle in with cups of tea and I think Lilith goes first; she tells them about how she’s had the opportunity to watch Amity grow up, even more so after she abandoned the Emperor’s coven. Over time she still acted as something of a mentor, but also as a parental figure when she or the twins needed her to be. She was honored to officiate Emira and Viney’s wedding. She’s grateful to be part of their lives because she’s been a witness to their incredible achievements. She really digs the knife in deeper when she tells them that Emira and Viney are considering having kids but Emira’s been especially hesitant due to fears that she’ll somehow end up like her parents.

Eda goes next, not even having touched her tea, just sitting with her legs and arms crossed and glaring at them in the most severe way. She tells them about the various sleepovers she’s hosted over the years. How at least half of those sleepovers found Eda talking outside with at least one Blight child if not all of them in the middle of the night.

She tells them she got herself a scroll for the first time ever because she knew those kids needed an adult figure that wouldn’t reprimand them for existing. They needed an adult figure to go to for comfort and guidance, someone that could reassure them that their best is more than enough. They don’t need to work themselves into the ground for a scrap of approval or force themselves into the rigid mold their parents made for them.

She tells them she’s seen more tears from the Blight kids than she’s ever seen from any other kind of creature. Not even Luz cried as often as they did, and she’s a giant softy (Luz lets out an indignant “hey!” At that and pouts). She tells them that she, Edalyn Clawthorne, the Boiling Isles Most Wanted, has provided more warmth and comfort for their kids in the time she’s known them than they [the Blight Parents] had in their lives.

Eda hasn’t had magic for years. But everyone knew how powerful she once was. They had all gone to school together too, of course they remember her and the trouble she caused. She lets them know that if she even had an ounce of the magic she once had, she would use it to decimate the Blight parents in every way possible for causing so much harm to three bright, talented, loving children that have grown into some of the most powerful witches the Boiling Isles has to offer. She also lets them know that before they even consider being part of those kids’ lives again, they have a lot of shit to work on and sort out. Because if they don’t? It doesn’t matter whether or not Eda has magic. She will decimate them.

Finally Camila sets her empty tea cup down and levels them with the most venomous stare she can. She’s the only one of Luz’s guests that’s actually also a biological mother. If she could, she’d probably go Super Saiyan with the sheer power she’s exuding with this stare. The Blights actually flinch which causes Lilith to have to hide a chuckle (she’s been on the receiving end of that rage before and she’s excited to see it unleashed on them).

She just starts tearing into them like her life depends on it. She doesn’t hold back in the slightest. She admonishes them for holding their social status at a higher priority than the safety and happiness of their own children. Her criticisms and curses are all laid out with razor precision. The longer she goes on, the more the Blights shrink in on themselves. Alador definitely starts crying at one point but refuses to wipe his tears away because he knows there’ll just be more anyway. The Clawthornes are shocked at seeing him cry, throughout their time at Hexside and while Lilith worked with the Blights in the Emperor’s coven, they’d never seen Alador express an emotion beyond irritation. Odalia also has tears in her eyes but she refuses to let them fall. Her face is bright red in shame though, it just grows steadily more red as Camila goes on. (Luz idly notes that that must be where Amity and the twins get their blushing genes from. She also notes that Odalia looks remarkably like Amity and wonders if that’s what Amity will look like when they’re that age. Her heart flutters a little at the concept of being with Amity for the rest of their lives, but she tampers down the runaway thoughts to refocus on her mom’s tirade).

By the time Camila’s done with them, Alador and Odalia are hiding their faces in shame. Alador’s trying to stifle his crying to the best of his ability cuz his breaths are turning ragged from how much emotion he’s experiencing. Odalia is desperately trying to wipe her tears away without ruining her makeup, but she’s also quietly sniffling and hiccuping. Camila sits back with a satisfied huff and Luz pats her shoulder (as a thank you? As a good job? As a ‘tag me in it’s my turn’? Who can say).

After letting the Blights collect themselves, Luz clears her throat to get their attention. She struggles for a moment to figure out the best way to say it, but ends up setting her jaw firmly and just blurting it out: she asks for their blessing for her to marry Amity.

After a moment of shocked silence, Luz’s courage starts to crumble a little and she begins to explain herself; she knows that Amity doesn’t value their opinion. She hasn’t for years now. Luz also doesn’t value their opinion. But if she’s going to such lengths to try and give one of the loves of her life her parents back? She may as well start off with a show of respect.

Odalia is the one that gets up from where she’s sitting and quietly approaches Luz. Eda and Lilith are about ready to throw hands if need be and Camilia starts to put her arm in front of Luz, but Luz stands up to meet her. Odalia gently takes Luz’s hands (she also notes that her hands are just as tiny and soft as Amity’s) and brings both of their hands up to about chest level. She has to clear her voice before she speaks; her throat became tight with the tears and hiccuping she was trying to hold back.

Odalia takes one hand to draw a large circle around their joined hands before clasping Luz’s hands again. She tells Luz that she absolutely has their blessing, and vows to do whatever she needs to to atone for the cruelty she put her children through. And so the Everlasting Oath is sealed.

Alador also stands up and does the same in a tear-strained voice. After his oath has been sealed, he places his hands on Luz’s shoulders and thanks her for being so damn stubborn.

They promise that they’ll be in touch with Luz again soon, but they need to talk to one another first and really sort everything out. Luz gives them a small smile and confirms that she’ll be waiting to hear from them as the Clawthornes/Nocedas stand up to leave. Before they leave, Odalia gently places a hand on Camila’s shoulder and asks her quietly if she could maybe come to her for advice on how to approach their children when they’ve figured themselves out. Camila stares at her for a moment before giving her a smile and nodding. She doesn’t have a scroll or anything, so she tells her to just reach out to Luz when they’re ready to talk. Odalia just nods and the Blights watch as their guests leave.

I think it particularly strikes Alador how casually Eda ruffles Luz’s hair and pulls her in for a side hug, loudly telling her how proud she is of her for pulling such a bold move. It dawns on him that he used to do that to Edric when he was still smaller than his own knee. It may have been after the first spell Edric ever successfully cast. Odalia sees Camila scoop Luz into her arms and plant a giant kiss to a her head, probably also praising Luz. They watch as Luz puts her arms around Eda and Camila’s shoulders as they leave the Blight estate and Alador closes the door before he starts crying again.

I think that’s the first time in years the Alador and Odalia really hug each other properly. Not to pose for a picture, not just a quick greeting as they pass each other in the halls of the Emperor’s coven, but like. For comfort. I don’t think they really realized how big and cold and empty their manor is until that moment.

I think it takes several months for them to get their acts together. They seek out a family counselor, they have weekly tea with Camila, they dust off the parenting books that have been untouched on the shelves in their library for decades. They look into Viney’s family and find out that she and Emira have started their own service beast program. The general air of grief and undertone of determination is interrupted by a moment of sheer pride at knowing their eldest daughter not only found someone she loves, but has taken the risk of starting her own business with her wife that’s a genuine service to the Boiling Isles. They make a few duplicates of the newspaper article they found announcing the grand opening of the first Service Beast Training Center and Shelter on the Boiling Isles and have it framed in different places; there’s one on the desk in their study, there’s another on their wall in their bedroom; they each have their own copy at their desks at work.

No joke, it’s taken Luz months to convince Emira and Viney that Em’s parents are trying to change. Emira has absolutely 0 faith in her parents being able to turn over a new leaf. It’s not until they hear Camila say that she’s surprised at the Blight’s improvement after their last tea meeting that they even consider that they actually are trying to change.

Luz coordinates a day and time for them to all meet once Emira and Viney agree to do so. I think they meet at a park somewhere, maybe a particularly nice public garden (maybe it’s Willow’s). Emira’s never seen her parents look so nervous before and that already sparks some hope in her heart that all of Luz’s efforts might not be naught. I think Odalia tries to reach out to hug Emira but like, actually flinches when Emira steps back. So instead they sit at one of the secluded garden tables and just talk.

Alador and Odalia apologize in as much depth as they can. Emira just sits and lets them say everything they want to say. Once they’re done with everything they can think of, they just sit in silence for a minute while Emira processes everything they’ve said. It’s not until Viney squeezes her hand that Emira finally starts crying. She wants to be angry, she is angry, but her entire heart feels like a full-grown griffon just stood up from where it was sitting and flew away. Her heart feels so much lighter. She stands up and moves to her parents and they stand and embrace her tightly for a while. Viney also feels like a huge weight has been lifted just watching the exchange. Maybe she also cries a little bit because she’s so happy to see her wife so happy. (And she maybe ignores the sound of a high five happening in the distance; she’s like, 90% sure Luz is there with someone else spying on them to make sure the meeting goes well).

All the Blights have full-on waterworks going on because they each individually realize this is the first time they’ve expressed their love for each other in probably more than a decade. Long before Emira and Edric took Amity and left. Viney maybe also hears a muffled sniffle and when she turns around to see, yup, there’s Luz, and she’s definitely crying into Willow’s shoulder. Viney rolls her eyes. Luz is such a sap. That’s probably why they all love her so much. She brings out the sap in all of them too.

After the Blights finally calm down, Alador and Odalia have an entire separate list of things to apologize to Viney for, which takes her off guard. She maybe expected an apology for the last time she saw them in person, but they went waaaay deeper than just that. And then they don’t stop at the apologies? They start thanking her for all sorts of stuff. Like loving Emira and being there for her when they weren’t. For helping her grow into the incredible person she’s become. They also congratulate them on their Service Beast Shelter and ask if maybe eventually they’d be allowed to visit and see them in their element. That’s when Viney’s face finally splits into a wide grin and she joins the big family hug they’ve got going on.

Lmao so yeah, long story short, it takes them a long-ass time, but eventually the Blights learn to love Viney 💖💖💖

[cloveroctobers]

• ROHAN WASTI•

IG info/bio: @/niceguyroasti | 175k followers | Just here for a bit of fun 🤹🏽‍♂️! They don’t call me the brown handstand king for nuthin, mate 🎪🤸🏽‍♂️

(23) 25 (26) years old

From Wolverhampton, England

Before you ask...no he’s never met Liam Payne but Rohan’s sure he’s a great lad. (He was asked this question in one of his lives, he secretly thinks it was talia from one of her secret burner stan accounts lol) He’s got a nice tune with a boogie w da hoodie that he likes??

Anyways...he’s of Pakistani heritage

His mother used to work for a printing press company until she along with 15 other employees were laid off back in Sargodha

She was out of work for months becoming a stay at home mom (which his father initially wanted) 

While his father continued in ironwork

They uprooted their family to the uk two years later after Rohan’s father also got laid off

Rohan was about 7 years old when they moved to Wolverhampton

he picked up on the English language faster than his parents

Always a quick learner

He has two younger brothers

Who are really his cousins/friends of the family that his parents brought home from Pakistan after their parents passed in a tragic accident

he was eleven years old when he met them at the airport and was super excited to have sibs! & even encouraged his mom to let him buy them something they would like sort of like a ice breaker which they seemed to appreciate 😭

His parents wanted him to major in software engineering or any form of engineering really but that quickly became a “hell no” vs “hell yeah” after those courses started to rot his brain?

So what does he do? He decides he’s gonna major in psychology instead!

That seems more of his speed? Kinda? As long as he’s not dealing with that hardware shit then that’s cool with him tbh

Psych held more of his interest since he doesn’t have a issue with the whole science aspect tied into it but it’s deff lengthy and can be draining sometimes too

He doesn’t psychoanalyze everything like our girl marisol does

marisol will be like “hmm...you’re distributing narcissistic behavior based on your superego more than your ego ya know?”

but Rohan will either think it or think nothing of it and just continue to go with the flow lol. He’s that kinda guy

Why was he majoring in this in the first place? Just to say he had the degree in something maybe?

He’s 50/50 thinking he’ll just get the degree he’s halfway there but he really wants to be part of the circus

And now has circus themed tatts that he’s proud of thank u

Always had the obsession with all that comes with the circus, he had his paternal grandfather to thank for that

His grandfather used to juggle along with other forms of entertainment but mostly juggling on the street back in Pakistan to earn $ since there were a lack of jobs

The atmosphere there also was what got him into doing handstands cause why tf not

You can absolutely guess that the acrobats, trapeze acts, and tightrope entertainers are his favorites to watch

His parents just assumed it was a hobby of his and never took him serious even tho he openly said growing up that’s something he would like to do in life

He now understands the purpose of “freak shows” even tho he can honestly say those parts of the circus used to terrify him until he learned that not everyone is the same and there should be no shame in that

He will train on the side until he finishes his degree to make his parents happy but he knows he truly belongs in the circus and that’s where he will be someday whether his parents approve or not— after all this is his life

Lives on campus and is currently looking for a flat off campus to share with a roommate or two (he thought about asking jake & Tim but decided against it FOR NOW)

Mostly had temporary and odd jobs to get by each semester, has not had a steady job due to fully being a full-time student

He’s tried to be a full time student and full time employee (working as a package delivery man) just to burn himself out and never attempted to be a part time employee. It was not something he could handle sorry

His mother spoils him...he’s a bit of a mama’s boy

When it comes to relationships, it never seems to be what he thinks it is? One moment things are going great then the next he’s in the friend zone so he’s never quite sure where he stands with his significant others?

Which is why he thinks it’s safe to always start off in the friend zone or unintentionally puts those who have interest in him in the friend zone because that’s what’s comfortable to him

however if he’s really into you & you’re showing that you’re into him but it’s causal dating or whatever u want to call it? & you up and decide to pick the other over him catching him off guard he’s gonna be in his feelings about it 100% ex.) how he picked erikah over mc the 2nd time around and felt some type of way when erikah hopped on reeses dck

he wants communication even if it’s hard

and he wants someone to love unconditionally and for them to love him back

Definitely likes to sweep his loves off their feet

Especially when he’s kissing! The whole dipping you while you kiss, hand on the small of your back, or hands gripping your waist while he’s pressed up against you. Probably likes to bend you over things or have you pressed up against objects as well—Sign me tf up

I feel like he’s always warm and his hands are surprisingly soft with how many handstands he does in a damn day

He purchases hand moisturizing gloves

can always hold his own weight

enjoys core exercises

Will carry you on his back or his shoulders if you need to see better at festivals/concerts

He’s sexually fluid

It’s canon/hinted that something went on between him & jake when mc walked in that we missed by a few seconds or even a minute but I do think he’s attracted/was to jake and it’s canon that jake is bi bby

Plus he got excited when mc suggested that he’d date jake if jake doesn’t find someone in the villa so BOOM 🤗

Always active as a kid trying to do flips and shit likes he’s doing parkour much like Bobby ending up with bruises, scrapes, and surprisingly no broken bones? Well maybe scratch that last bit out...He did crack his head open a little bit once giving his mother a heart attack but his mother doesn’t dare speak of it — haram!

Loves his sleeveless shirts and silver thick chains

Keeps a five o’clock shadow + might grow a little stubble here and there, feels like it’s part of his signature look

Won’t grow a full beard due to the racism/prejudice he witnessed his father, grandfather, uncles, and cousins go thru!

Will spend coin on some aftershave, none of that cheap shit when it comes to that! Sorry he takes pride in his facial area

probably went thru a mild case of cystic acne when puberty hit & had some insecure moments when it comes to his appearance & still has moments where it’ll hit even tho he beat it thanks to some remedies but tries his best not to let it get to him

He knows how to manage his $ but can splurge every now and then but will never showcase what he has — that’s v corny to him to be overly flashy. He’s looking at y’all @/leggy @/jasper/@/miles

Doesn’t take high quality photos of himself, it’s always zoomed in or extra zoomed in photos—yup he’s got that type of feed

Regrets putting mc in the friend zone & wishes he put more effort in making things work with erikah

But slowly learned to be happy that she’s with Reese even if he wasn’t at first. He really thought there could have been something for him & erikah

he secretly thinks their “relationship” is superficial & based off of shallowness and lust. What else do they have? Nothing that he could have given her but what’s the point in being bitter over this?

Reese is a shit stirrer that thinks he can get anything he wants because of the way he looks & if he knows outside info that he can use again you, he WILL

& erikah? He doesn’t know where her head is at majority of the time. She likes to throw rocks then acts like she didn’t mean to do it but why do it in the first place if you didn’t mean to? + she seems to lose interest fast if they don’t fit her standards besides their physical appearance...yeah Rohan caught all of that

So did she even genuinely like him or want to besides what he brought to the table physically? Who knows

He just thinks people deserve their chance at happiness and he possibly could have had it if he wasn’t standing in his own way...and he absolutely won’t stand in anyone else’s way if they don’t see potential happiness with him

He’s cool with cherry but deep down he knew there wouldn’t be anything long term between him & her after some time. She’s a beautiful/hot girl but she wasn’t his type + he didn’t like how she portrayed herself in the villa even tho she claims there was more than what meets the eye when it comes to her

she proved that to him which she didn’t HAVE to!!! outside of the house and they actually remained friends unlike the now growing distance he has with erikah

I cannoned that him and Hannah give it a go. I think they’d be cute together? She told him from the moment they met at a festival that they were now dating after they ended up holding hands but he didn’t take her seriously since she was a little drunk?

She messaged him two days later asking him when they were going on their date and that was enough for him to give it a go

They only lasted for a couple of months since they outgrew each other slowly but surely. ‘Not all things are temporary,’ he had to remind himself

It was no bad blood thankfully and they continued to be friends with him wishing her well on her new relationship with Carl. He was genuinely happy for her as he always was for his friends

Cannot cook for shit but makes the best coffee with cinnamon & cardamom

once tried to make Aloo Chaat but with a twist! With the use of Potato Skins instead! for a family dinner party and his mum almost sent him home due to the insults his father spewed at rohan trying to fool them all that it was his wife who prepared such a thing

It is evident that his father only enjoys his wife’s cooking

he still makes it for himself when he’s starving despite what his father thinks

Is fluent in Urdu, English came second

Never ashamed of his culture although his father thinks he is...

His fav shows are misfits + the IT crowd and he is currently watching & enjoying truth seekers + mr. selfridge since Tim recommended it to him ofc

his fav American show is the challenge

when asked what his fav American movie is, he got dragged since ppl assumed it would be the greatest showman but he can’t take all the singing...musicals aren’t his thing sorry

But he’ll bust out a rap only if Tim & jake are around, he rarely does it alone

Even looked into producing music for fun but never took THAT seriously

closest with jake & Tim, doesn’t have much of a relationship with the other lads 🤷🏽‍♀️ but there’s no real beef with anyone he knows how to let shit go

But you’ll never catch him having a chat with Reese or following him back on ig. What they had to say to each other was already said and done so?

If erikah agrees to get engaged to Reese, he’s happy for her but cordial to him

if she doesn’t end up with Reese, he’ll be her shoulder to lean on if she needs it

his love language is physical touch with a splash of acts of service

Commonly sleeps curled up, his mum says he was like that in the womb as well—(same dude)

He’s probably a good 5’9 - 5’7 on bad days

Is he a Pisces? Idk

His signature cologne is probably Antaeus by Chanel which is described to have notes of: lemon, lime, coriander and sage w. A blend of thyme, basil and rose

Loves black pepper, specifically garlic, onion, black pepper, and sea salt all mixed together

has a vitiligo spot on the right side of his lower spine that is commonly covered with the waistband of whatever bottoms he has on

has a pogo stick

Wants to go skydiving next, has gone bungee jumping—which was such a adrenaline rush!!!

probably knows a few tips on how to survive in the wild or if the apocalypse hits...you can never be too sure

If he ever gets a pet he might get something like: Satanic Leaf tailed Gecko, Kinkajou, or a Pac-Man frog. He likes being different okay

he actually enjoyed season 3 despite the negative remarks made about it. It was “different” basically drama free which was a shocker knowing how production likes to take things take a shot every time ro explains his decisions/opinions as such lol

BUT he won’t go as far to say he liked it better than his season yet he did enjoy keeping up with it. He def has a crush on iona, aj, vieve, Camilo & tai

Yasmin actually joined one of his lives, which he doesn’t do too often but he couldn’t sleep one night and thought he’d give it a go. She’s quite nice & quiet but he ultimately felt calm around her + they bonded over bohemian lifestyle & his love for the circus + a little about their cultures

Long term goals? He doesn’t have a set timeline of when he wants everything to happen because pressure is not fun

but he wants to be in love and loved back, wants to be married, wants to have kids, wants to try out the circus for awhile and if that doesn’t work out he can always fall back on his psych degree—he just wants to be happy and share that with someone, that’s one of the biggest adventures he can possibly have

His anthem = Blxst, “No Love Lost”

[kewltie]

i,,, had a thought what if izuku thought he couldn't give kasumi the best kind of future for her so when she had just turned two, izuku met up Katsuki's parents at their house and asked them to take care of her and quietly disappeared so katsuki ends up being a new up and coming hero with a baby girl on the side.

kasumi is raised in the Bakugou household and is love fiercely and spoiled atrociously her grandparents, daddy, and his friends. she got everything a girl can ask for but in the back of her head there's a fuzzy memory of green eyed man and his gentle low voice when he called out her name.  she loves daddy above all even when he's being very annoying and overbearing because Kasumi is Daddy's precious princess and very very much like him as everyone says but when she looks in the mirror she sees blond hair, a perfect face and smile that resembles daddy but her eyes are the color of someone's else. Someone who is long gone from her memories, but they live in each breath she take. Live in the green hue of her eyes.

she doesnt know this person name but she know who he is. her other parent, the one who had abandoned her. she thinks he's a coward and weak for giving her up. she hates him so she wants to find him one day and yell at him and tell him that he's horrible HOW COULD HE LEAVE HER?? DIDNT HE LOVE HER?!

Izuku had carried kasumi in his body for ten months and he had her in his arms, giggling and crying, for only 2yrs but he loves her with all he has. when he had handed Kasumi to mitsuki it felt like he was giving away a part of himself because she is his, his most precious treasure. he broke down crying afterward, like he had just ripped out his heart and given it away but he knows katsuki and his family would give her a better future and a happier life than he could ever do. this is for her, he told himself, but it doesnt stop the agonizing pain he felt. the pain never truly stopped even though he had moved halfway across the country so he doesnt give in to the urge to race back and beg the Bakugou to give Kasumi back to him. he can only watch her grow up in the public eyes as the little princess of the new no. 1 hero, ground zero, like a bystander in her life.

kasumi grew up as the darling of the hero community because she was an enigma to the world. A BABY SUDDENLY appearing out of nowhere and to the HOTTEST upcoming hero?? and he had her while he was in high school?! and WHERE WAS THE OTHER PARENT?! a hero single parenting at his age is absurd. it got the nation scandalized and fixated on katsuki and his baby since day one so kasumi heavily grew up under the spotlight and in the public eye. it didn't help that she was terrifyingly clever, beautiful, blunt, and a natural hellraiser just by being bakugou katsuki's daughter.

the public adore her and she kinda mostly tolerate them back because it can't be help that she's so cute and smart that ppl want to pay attention to her (that bakugou’ss arrogance and confident coming out) lol. every move she make and say is always on the news, she doesnt mind it. really. sometimes when she lets herself think about it, she wonder if HE is watching her on TV somewhere in the world. does he see how much she had grown up now? does he love the dress she's wearing? is he proud of her? is he regretting HOW HE COULD LEAVE SUCH A PERFECT CHILD BEHIND? maybe all her achievements (the best in her class, athletics awards, ballet dancing and extracurricular activities she'd picked up and bested everyone else at) is her way of drawing attention to herself, maybe if she's SHOW EVERYONE SHE'S TRULY THE BEST,,, he'll come back to see her one day. the thing is kasumi is perfectly happy with her life. daddy is the best thing EVER and she loves him so, so much because that she never feels like she's a burden or lacking of anything but even his love isn't enough to fill that empty void in her, the 2yrs that she’d spent with that person.

all the while izuku tunes to the TV everyday in hope of getting a glimpse of her somehow, cut magazines and news clippings of her, and keeps track of her life through pieces of reporting because even if he isn't in her life, he wants to know what's going on in it and if she's happy at all. he'd built an entire shrine devoted to kasumi in his bedroom. there are pictures and news/magazine clippings of her on his walls. any mentions of her from katsuki or others, he'll watch the vid over and over again till his eyes are tired and he can repeat it word for word.  

for several years he had watch her from afar, but on her seven birthday, five years since he'd let her go, he was so WEAK with longing that he bought a plane ticket just to see her. EVEN IF IT'S ONLY A GLIMPSE OF HER WILL DO, TO BREATH THE SAME AIR AND HE'LL LEAVE AGAIN. that's all he wanted. izuku in disguise had lurked around the bakugou's household with hundreds of fans and reporters because it's the birthday of the ground zero's most precious PRINCESS and everybody wants a piece of her. izuku should have been in there with kasumi and the bakugous celebrating  her birthday instead of lurking outside like a creep but maybe that's true in another world. not now though.

in this world, he's just some weirdo stalker who obsessed with bakugou kasumi and her daddy as he waits outside to maybe see a glimpse of her at all. then he heard it, kasumi's boisterous giggles as she loudly proclaims she will magnanimously grace her fans with her presence.

"daddy, these people are obviously here for me," she scoffs, talking to an annoyed katsuki as they stroll out to the front yard. "I'll just say hi then i'll come back. stop worrying. you'll get even more grey hair and what will i do if you become uglier?" SHE'S SO BLUNT AND MEAN and izuku wanna cry because that's HIS BABY

he actually didn't even get to see her in person AT ALL because he ran the fuck away as soon as her heard her footsteps coming outside the bakugou's enormous home because he couldn't endure it. he knows if his eyes fall upon her person even once HE'LL BREAK DOWN AND never let her go again!

he can tell kasumi is lively, healthy, and clearly HAPPY with her life because katsuki had done right by her. izuku knew it was the right choice to leave kasumi to him and to hear that evidence so CLEARLY it was a relief and heartbreaking because it means that he was also right that he couldn't give her this. izuku quietly disappeared back to his life, never stop watching kasumi closely and once kasumi turned nine he decided it been long enough and she probably forgotten all about him and no longer caring about the disappointing parent who had abandoned her in a moment of weakness.

izuku moves closer to them. they're finally in the same city after seven years apart but it's not like kasumi nor katsuki knows that he is here at all. he tries to keep a low unassuming profile and promised to himself that he’ll never approach kasumi or katsuki at all. he manages to keep that promise for a year. then kasumi turns ten and HIJACKS katsuki's press conference to declares in front of hundred flashing cameras that, "my daddy is getting old and lonely and i cant be with him always so i'll be on the look out for good spouse for him :3c!" as katsuki roars in the background lol.

izuku was heartbroken in a diff kind of way compare to when he had given kasumi away because this is katsuki and kasumi, the two people he loves the most, finally moving on without him. katsuki will have a new mate and kasumi will have another parent that isn't HIM. he's happy but also very, very sad.

this is where like FATE OR SOME BULLSHIT because izuku managed to avoid the two of them for an entire year but ~things~ happens and he accidentally bumps into kasumi and KASUMI IS TOTALLY CHARMED by this strange quirkless nervous man who looks at her like she's his entire world. shes like ahh,,, maybe i should introduce him to daddy as a potential mate? not knowing that the man she feels an inexplicably drawn/attached to is actually her papa. bakudeku MEETING AGAIN AFTER 10 YEARS and yea, SHENANIGANS, MISUNDERSTANDING, SO MUCH DRAMA and also KASUMI lol

[the-lightning-strikes-again]

VLD S8 – The Purpose of Lance’s Altean Markings, Allura’s Canonically Inconsistent “Death,” and Voltron’s Mysterious Interstellar Road Trip in the End: Are Things Really As They Seem?

Hello dear ones, I received asks to follow up on my previous post about Allura’s capability to live a very long life if she hadn’t died in s8. I’d mentioned in this post that Alfor had connected Allura’s life force to the indestructible Voltron, and that this had significant implications for Lance’s strange Altean marks and Allura’s “death” in s8. So this is me, attempting to follow up on those requests! 

Let’s start with those strange marks. It seems like a lot of us who have watched Voltron: Legendary Defender season 8 scratched our heads over Lance receiving Altean marks at all:

This event happens when Allura and the paladins are standing in the “connected consciousness of all existence”—which is this…Mother-Brain realm for every consciousness that ever existed ever. Allura is preparing to sacrifice herself alongside Honerva, because they both have to give of their energy to regenerate the fallen multiverse. Honerva is already accepting of this and already interacting with her dead family whose minds and forms are preserved within the Mother-Brain space. It seems, even so, Honerva is still alive because she hasn’t yet completed the foretold Wild Sacrifice Move of Ultimate Alchemy alongside Allura: 

The Big Boom of Life happens after this point, so there’s something fascinatingly screwy about this realm. The typical separations between the Living and the Death are just…totally meaningless. We’re actively seeing a living Honerva physically interact with the minds and forms of her fallen son and husband. And if this Mother-Brain location truly preserves the consciousness of all existence, then I suppose it actually makes sense to me that Allura and Honerva could still be alive themselves while also being able to interact with the Dead who are preserved within this realm…

But Allura—she turns to the paladins and tells them that they’re all about to experience a massive fragmentation from her. It seems pretty heavily suggested that she’s going to die. In doing so, she kisses Lance and then gives him Altean marks: 

And the first question I have is….whyyyy the marks? What the heck was that for? Because I think it’s really weird that she’d just give Lance the most visually identifying mark for her own species. At least, I think it’s weird on the surface. The more important question may lie within Allura’s motives...and that gets into some much larger implications for ways to view those marks and the show’s ending. Some of the theories I’ve seen about those marks:

Theory 1: Lance as Trans-Species to Preserve Allura’s Species and/or Allura Giving Lance Some Unknown Gift/Power

I want to bring this up because it appears to be a largely accepted theory that I’m now heavily questioning. I’m not sure who first vocalized this understanding of canon, but Neko Chicana offers the theory in their Youtube video “Why did Lance get Altean markings!?” The theory is that in Allura’s last-minute panic about dying, she was trying to ensure The Chosen Altean vibes got passed down. This would mean that Allura infused Lance with deep Altean powers to inherently change him from being human into being a trans-species human/Altean.

But I struggle with this interpretation, because…she already had an entire colony of Alteans, many of whom clearly were presenting with high quintessence sensitivity and would have been even potentially fit for Oriande. And it’s not like Lance was going to know how to apply alchemy without learning it anyway.

In terms of the transformation itself, it’s incredibly superficial. It’s a face-lift and that’s it, as Lance never exhibits any other features of a standard Altean. And not just from a visual perspective, but also from a physiological one. He definitely is not shown suddenly freaking out over having alchemy powers. He isn’t shown connecting with anything on the astral plane. I would even posit that he appears to be aging right alongside his fellow humans, given his more adult/less baby-face facial structure in the epilogue, just like everyone else:

This article here seems to contain a similar level of skepticism about a genuinely trans-species Lance. 

And what would even be the point of converting Lance to have a token visage of Alteans, if Allura knows that his true heart and soul lies with his human family? Just by Allura’s reaction of disgust to his rounded ears in season 1, it seems pretty obvious that other Alteans would see him as “other.” If anything, a trans-species interpretation overly complicates the show here and generally can’t provide a self-contained, meaningful reason for its existence at all. 

Theory Two: The Markings as a Token of a Lost Lover/Remembrances

Another suggestion has been that Allura gives Lance such markings just as…a reminder? Of herself? But I don’t feel this at all makes sense with seven previous seasons of her character behavior.

Allura is shown consistently trying to sacrifice herself and her things at all costs, without anything in return or demanding that people remember her. She did it in season 1 to regenerate a Balmera, knowing full well she could die. But we don’t see her asking Coran to sing a pretty song for her. She sacrifices herself again for Shiro, by tossing him out of the way of Galran soldiers, without even begging that he come back for her. She sacrifices herself in Oriande to the White Lion. She sacrifices her crown in season 7 to stabilize Shiro. She even gives up her dresses and her station as a princess in order to better fit in with the humans in season 7. It’s not inherent in Allura’s character to demand anything in return for her sacrifices, much less that she be remembered for them. As a matter of fact, she’s very particular about ensuring that other people get recognized for their actions, and she’ll often place her own good work as part of a “whole” accomplished by the many. Here’s an example from season 6, episode 1:

So here we see her raising up other people and their contributions rather than demanding some offering or worship for her actions.

Princess Allura doesn’t even hold a grudge for Keith being accepted as Black Paladin or Lance as Red Paladin in s3, despite the fact that she secretly cried over it.

So, Allura wanting anything in return for what she sacrifices, or trying to intentionally drag down someone’s spirit for her own comfort, is not inherent to her character. If anything in s8, Allura consistently seems to want the paladins to move on without her:

In response to the emotional distress of the other paladins, she doesn’t give them an everlasting token to memorialize herself, but instead gives encouragement for the future:

And even Shiro! He warns her that she’s about to become the multiverse’s most anonymous hero:

And Allura’s response to this?

So Princess Allura went into this s8 self-sacrifice, fully expecting that the paladins would keep her actions totally secret. She was completely and utterly prepared to accept the very reality that Lotor had threatened her with in season 6:

So literally the only reason in s8 that anyone remembers Princess Allura…is because the paladins choose to honor her memory despite her stated sentiments against it:

So…all of this is to say, I don’t think it makes sense to assume that suddenly, Allura would want to forever keep Lance from moving on. She’s literally handed them her blessing to move on, and suggested that they even hide what she’s done. It’s the paladins who choose to remember her. So I think there’s a lot of evidence to suggest against an interpretation where Allura was intentionally trying to mark Lance to be her forever-doomed lost love. It’s completely inconsistent with other surrounding details about who Allura is.

I think there’s instead evidence to suggest a new theory about these marks. And if anyone’s suggested this before, please feel free to jump in, lol. I’m like, 1.5 years behind the times here, although I did find this article that also would seem to support the theory: 

Theory Three: Lance’s Altean Marks as a Tactical Homing/Location Beacon, Strengthened by His and Allura’s Shared Bonds With Blue Lion

Before she casually walks off to her alleged death, Allura tells Lance, “I’ll always be with you.” And then she gives him the Altean marks:

While I think this “I’ll always be with you” statement has some classic lessen the hurt of impending death vibes, Allura herself actually states she’ll always be with him. How certain are we that she’s not being actually serious? That this isn’t an intentional decision to ensure some kind of ongoing link?

So backing up here, we know from previous seasons that Altean markings can glow, unlike the rest of their body. They appear to glow in response to external stimuli. For example, in season 5, Allura and Lotor’s markings glow because they are within the vicinity of Oriande and have a deep well of quintessence within them. And this glowy activity is discriminatory, because Coran’s marks don’t glow:

Lance’s own markings initially glow when activated by Allura:

So for Lance’s markings to glow at all, that means something is happening. It means that an all-new, external stimulus is making those markings react, and that the magic of it is active. And that Lance is now housing enough magic to react.

That article I linked to earlier suggests that perhaps Allura intended to use the marks as….a communicative link with Lance. However, in a full year since Allura’s disappearance, we see no evidence that Lance has been talking to a mysterious spirit!Allura. He seems pretty depressed, and everyone seems largely accepting of the concept that Allura is dead and also is incapable of interaction.

In which case, if you did have a link to a supposedly dead person, even if you wanted to keep it secret, wouldn’t you at least look a little more…happy? That they’re not actually gone? So something’s a little screwy there too, that makes me think Lance wasn’t in some kind of interdimensional communication with Allura.

But I do think Lance’s markings, and how they glow in response to external power sources in the final episode, suggest something about Allura’s state of being.

So let’s jump in. We know that Allura’s life force is inherently tied to Voltron:

As I’ve mentioned in a previous post of mine: Right in season 1, episode 1, Coran admits that Alfor has done some pretty wild alchemy. He physically connected Allura’s essence with the essence of Voltron—the single source of self-regenerating, infinite quintessence throughout the whole of the entire universe.

I don’t know if a person’s life force being personally connected to Voltron would confer physical immortality, but I do think there’s a lot of evidence to suggest that as long as Voltron exists, Allura’s essence would be preserved within it. And as we saw in season 6, Shiro was capable of interacting with other paladins despite his physical death, because Black Lion had preserved his essence….

All of this backstory and worldbuilding means at the very least that Allura was also capable of linking some part of her quintessence to Lance as well. And that, even if she hypothetically didn’t have a body on the material plane, that she would be very active on the astral one.

So why specifically Altean marks, then?

This isn’t the first time in the show that strangely powerful bonds have been made by the touching of faces and the transfer of energy around Altean marks. As a matter of fact, we might have even seen Alfor actively bind Allura’s life-force with Voltron, right here:

In which case, Allura was simply mimicking the work of her father as she knew it, but on a much smaller scale. Because she knew from her father that it was possible to bond life-forces, and for some reason, that alchemy trick appears to involve the face or else something to do with Altean markings.

So therefore, the activation of this marking “link” and alchemical bond might help to explain why Lance actually appears to be smiling with tears in his eyes when the Voltron lions fly away:

But why even Lance specifically?? What about all the other paladins she’s made connections? What makes Lance so totally special?

It might not be unintentional that, out of all the lions possible, the one to respond to some unknown activator one year later—with massive amounts of quintessence in the bond—is Blue Lion.

Notice that while the other lions are in flight, none of them are glowing like Blue Lion. There’s something inherently special about Blue Lion right now, especially given that it’s not even the leader of the pack.

In this scene, we see the paladins rushing out per all the ruckus. Lance’s markings start to glow:

And then the lions powerfully surge off on their merry, totally unexplained way:

So…in looking back at this, it’s interesting that Lance’s marks are shown glowing in ONLY two instances: 1) When Allura first activates them, and 2) When the marks themselves mysterious activate again in response to Blue Lion glowing outrageously blue, and the lions soaring off into space as well…

Is it a mistake that Lance just so happens to be the only other living Blue Paladin in the universe?

Allura’s life force might have been connected to the full of Voltron, but season 3 shows that her communicative/mental connection to it is through Blue Lion alone. Because Black Lion certainly had nothing to say to her, at the very least.

So Allura’s life force is connected to Voltron…Blue Lion responds to an unknown source of massive, pure quintessence, and then Voltron follows…Lance’s markings start to glow....

Could it be that in order to even re-locate Voltron and the paladins again in the larger scheme of the multiverse, Allura needed Lance’s connection to Blue Lion as well? To keep Allura in spiritual/mental communion with Voltron and with that universe?

With Allura gone and the Atlas portion of Voltron totally missing from Voltron, there’s the hint that possibly the Lion Musical Chairs event has undone itself and reconfigured once more. Blue Lion has re-accepted Lance, with Keith and Shiro piloting Red and Black. The lineup in the screenshot below would suggest that Shiro’s the one in Red this time, resulting in an interesting addition to the Keith and Shiro relationship arc. It suggests that Shiro is now back on the team as an established paladin, as the right hand of the Black Paladin, and is actively supporting Keith’s ongoing growth as a leader:

But if Blue Lion were Allura’s only true connection to “speak” with and interact with Voltron on a material plane, then it would make sense that she would intentionally connect her own life-force to the last Blue Paladin.

Lance, out of all of the paladins and with respect to this lineup shown here, is the only one who would be even remotely capable of ensuring this link in their universe (notwithstanding as well that canonically, Allura was in a romantic relationship with him, which might have something to do with this too, idk).

So what does this mean for Allura’s state of being? What’s exactly happening in this moment? Why do the lions leave their paladins? Is everything truly so pointless and nihilistic?

So Lance’s markings and the exit of the Voltron lions result in what I feel are two interpretations of the entire end of Voltron. And I think one is potentially more consistent with the overall show than the other:

Theory One: Allura Really Died/Shed Her Physical Body/Was Lost to the Material Plane After a Year of Hard Work

So, we do have evidence that the work to restore the full of the multiverse began pretty quickly, and that there was an explosive event to jumpstart it:

We otherwise have no evidence to support that this image meant the work (to restore every thread and all things within the threads) was DONE. Yet. It may have taken an entire year to regenerate the multiverse, which would explain the Voltron lions suddenly reacting strangely after that span of time. If we assume that Allura really died, then this would suggest that—with the overarching multiverses finally totally restored—her energy is spent up. She’s physically dying. And per the extinguishing of her own life force, Voltron….somehow can’t exist on the material plane without her? Because let’s not forget, the whole mecha is connected to her life force. So this interpretation would suggest that in her dying/being unable to remain on the material plane, Voltron itself has to die as well. This could explain why at the end here, they activate to go be with Allura and team in the shiny afterlife party in the Mother-Brain dimension. Lance may be crying here because he feels or recognizes the last of Allura’s energy slipping away. And it’s possible I was misinterpreting his smile earlier, because it’s, idk, maybe a sob.

And there does seem to be some canon support for a potentially permanent break between Allura and the material plane, as well as for why Voltron would leave:

But I’m really struggling to understand the deathy interpretation of these events at the end of s8, from SEVERAL angles, haha.

Strike One:

This scene would appear to blatantly and outrageously contradict previous show worldbuilding. To accept a “death” interpretation, one must also accept that s8 completely rewrites the inherent properties and behavior of quintessence, as well as show details that Alteans/Altean technologies more consistently function as conduits/capacitors of external energy sources rather than as massive batteries by themselves. The true batteries, even into season 7 with Shiro and Atlas, appear to be becoming from sources external to the power-wielder. This reality largely relieves the personal cost of any alchemical action/draining oneself, just so long as you have a powerful enough battery. In which case, given the resources and deep knowledge available to Allura and Honerva even in this apocalyptic moment, any action resulting in physical death feels...unearned.

If you’re interested in more specifically about this, I have a few other posts looking at these basic worldbuilding details:

Question on Quintessence and General Worldbuilding in     VLD S8

The Search for the “Bluest Quintessence” and S6 - The Most     Unnecessary Conspiracy In VLD?

It’s entirely possible I could be missing some information that would reconcile the s8 worldbuilding contradictions about quintessence and Altean energy back to the previous seven seasons. I suppose it’s possible that this s8 regeneration trick resulted in Allura and Honerva being physically unable to handle the amount of power they were conducting. But just after casually re-watching the show, I heavily question whether this is possible or consistent with everything else, haha.

Strike Two:

The concept of Voltron not being needed in a peaceful universe is nonsensical. So this show is telling me that a gigantic mecha capable of massive construction projects and space anomaly protection services couldn’t reorganize its paladins or get new ones, and transition to a new day job? Because Voltron has to exist in a combat theater only? This is wildly myopic, especially considering that Voltron already has a team of five who could pilot it again via a little game of musical chairs…and even the final lineup shown would suggest that Shiro had already taken over Red. I guess if the Galra aren’t attacking?? This must mean that there won’t be any civilizations in need of help or in need of being protected from imminent natural disasters?? At the very least, a new day job would be an incredibly meaningful way to convert Voltron from a war machine to a champion of the people. And it would still give the paladins a reason to come back together as a team and to exercise the bonds they’ve forged together as defenders of the universe.

Strike Three:

After this s8 scene, and even assuming Allura has physically died, Voltron existed before Allura got linked to it. And it existed as a largely infinite and indestructible source of energy. Even if Allura did die, the loss of her personal quintessence was of no account to its existence. The worldbuilding of Voltron as a mecha suggests it didn’t need her to continue existing on the material plane like it had existed before their alchemical link from Alfor. And even if she’d died, taking Voltron’s life-force with her away from the material plane, then why in the world wouldn’t Voltron just…totally power down? Become completely inert with the lights fading from its eyes? But then, oh wait, according to the last seven seasons, Voltron is supposed to be indestructible and constantly self-regenerating even when temporarily drained, so how could it power down forever? Even the concept that Voltron could physically destroy/remove itself from the material world to fully join Allura on the astral plane is an oxymoron.

And even if Allura’s life force was fading out and the Voltron lions are dying too, how in the world could Lance’s Altean markings suddenly even manage to glow in response to an active and powerful external stimulus? And why would the lions themselves suddenly be lighting up and capable of expending massive amounts of energy on a sudden, random interstellar space trip?

Even if the Lions themselves longed to reunite with its dead creator or its missing piece per their Allurian life-force link (despite them clearly not caring when Alfor died or when Allura got put in stasis 10k years ago), this show would have me believe that Voltron wanted to die or give up? And...for what? To lounge about in an afterlife Cabana for Retired Mechas, sipping quintessence drinks while the universe experiences ongoing natural physical disasters or anomalies that could endanger entire galaxies? What if more trans-reality comets fell from the sky? They appear to not be an isolated incident, and where there’s one, there’s usually more…What if that causes more rifts to open? And let’s just assume for a moment that those two comets are the only two trans-reality comets in the multiverse. I guess we can all sleep tight tonight because Voltron is unconcerned that the universe still has several weak stitches between it and the quintessence field, where dark entities and rift creatures roam? Lol, what?

Lotor even confirms these weaknesses in season 4:

“Zarkon believed Alfor’s plan to blow up Daibazaal and destroy the rift between realities actually worked. No one comprehended that the experiments of my mother, Honerva, could never be undone.”

Lotor’s statement here would suggest that after everything that’s happened, it might be even easier to break open rifts. But okay cool, time for Voltron’s retirement/death, I guess. Just leave a peaceful universe to be one day swallowed up and destroyed by shadow rift creatures, dark entities, apocalyptic comets, and natural disasters…

Everything about the Allura/Voltron death theory doesn’t make sense to me and raises more questions than answers. So let’s look at another way of viewing this ending!

Theory Two: Allura Didn’t Die At All—She Just Finished Working for the Year And Needs a Ride Home

The fact that Voltron survives and is activated into movement by an external source of massive, pure quintessence suggests that Allura is likely NOT dead and is STILL ALIVE. In this case, the astronomical undertaking of regenerating a multiverse still took a full year to complete. We do know there’s no major time slippage between the paladin’s universe and the Universal Consciousness realm, because the paladins were seen right back in the heart of establishing/confirming peace when they returned to their universe. And again, s8 also shows people being able to interact on the border between the Living and the Dead, so Allura simply existing within this realm should not be enough to kill her. Because life and death are largely meaningless concepts in this space where all consciousnesses are preserved.

So, if Allura is alive and just finished her work, then oop, now she’s stuck in the middle of Space Nowhere without a certain ride home. So who ya gonna call? Ghostbusters. Voltron is the only ship that Allura has a deep psychical and life-force link to, so it would be within canonical bounds that if she just helped resurrect the multiverse, then surely one hard-working princess could use Lance’s markings (her own life force) to relocate her own universe, and then use that bond on the material plane to call Voltron from across the universe to come pick her up, lol.

I really like this re-interpretation of canon for several reasons:

One, it feels a lot more consistent with the world-building and the overall tone of the show.

Two, it suggests a much happier ending where canon confirms—sort of like the Iron Giant (1999) ending—that Allura would eventually reunite on the material plane with the paladins.

Three, it suggests that there’s been a full one-year span of time where Allura and Honerva were both working together to restore the universe…while in the presence of and even interacting with Alfor, Zarkon, and Lotor, and probably a billion other dead people they thought were gone forever, but who were preserved in form and mind within the Consciousness of the universe. I feel like there’s just LOADs of possible content someone could get out of this. Did Honerva and Zarkon reunite? Did Alfor get to hug his baby girl again? Did Allura and Lotor have a major heart-to-heart discussion about the Altean colony and his quintessence insanity, and positively reconcile? Which, regardless of however you interpret what Lotor’s accused of, Allura had already…exonerated his motives and turned him into, like, a Joan of Arc figure well before she saw him again. And she even wanted Honerva to honor his memory by doing the right thing:

So there’s some clear signs that Allura and Lotor could have reconciled now that there’s no apparent quintessence insanity or witch shenanigans afoot... And it’s very likely that Allura might have even reconciled with the true, uncorrupted Emperor Zarkon himself:

 And in the meantime, what would the paladins of old be like? Were there other victims of this war who would have found it meaningful to interact in some way to obtain justice for themselves…or to obtain something more??

And this gets into reason four of why I like this re-interpretation of the ending. So canonically, mechas created out of the trans-reality comet are infinitely regenerating and indestructible. So not just Voltron, but also the Honervian/Sincline mecha. This suggests that Allura already had a ride home.

So why would Allura need more ships?

This interpretation has the potential to reverse all the painful deaths that happened throughout the show. The original paladins, the Alteans and Galrans who perished for various reasons...Alfor, Bandor, Lotor, Kova…even deaths we didn’t see.

And in calling Voltron back to her, is Allura maybe…planning to bring some new friends with her too? If she already has the Honervian/Sincline mecha to fly home, why does she need all five lions, anyway? Who would pilot them? Who else is waiting patiently in the celestial mind/heart of the multiverse to return to reality with her?

And reason five, on a simpler and maybe less galaxy-brain note, this interpretation provides a completely different context, however apparently sorrowful, for Allura’s canonical goodbyes:

Allura’s path did end here...at least as a paladin of Voltron. Because that position was temporary anyway. Restoring the multiverse was going to be an ultimate act. And there’s probably nothing after this that Allura could perform to outdo herself in saving things, lol. This is the height of everything she is and has worked for. She intentionally identifies this as her purpose:

“It is my purpose.”

Her action in s8 is the full and total culmination of everything she has learned and grown capable of doing since s1. Everything has been leading up to this. It’s her one chance to undo all the universal pain. And through restoring the multiverse, she’d be restoring balance in her own life too—to reconnect with her fragmented past, to give those from her past a chance to live in the new universe with her….

The other paladins, though—they were still needed in the meantime to confirm peace with the Galran empire, to convert it (however questionably) to a democracy, and to establish relations between Earth and other vast galaxies of people. Allura was not wrong that their paths as paladins had not ended. Because she needed them to ensure their universe would be truly at peace while she was up in the stars, working to restore and reconcile with all that had been lost in painful war.

And all of this would ultimately suggest that she would return to the universe, to the paladins, and probably take back the piece of her life force she’d given Lance that ensured a link with Blue Lion. Because…that homing beacon wouldn’t be needed anymore. Perhaps Allura would even consider decoupling the remainder of her life-force from Voltron, to fully reconcile herself to herself. To finally be whole and just Allura again, idk.

The only major problem with the “Allura is Alive and Bringing Some Friends/Family Home” interpretation is that...lol, the development team for the show doesn’t subscribe to it, at least not in any outward way I’ve heard. Based on their March 28, 2019 interview with Let’s Voltron, the executive producers talk about Allura like she’s dead. They say that they wanted to show sacrifice, the impact of death, and how important it is to honor the memory of the dead:

And we definitely feel it. There is a massive weight of loss and memorial in the finale here. Coran looks just this side of totally broken as he remembers Allura, and he didn’t even get a chance to say goodbye. He reiterates just how much Allura means to the people still alive in this universe:

“For some of us she was a diplomat, a teacher, a leader, and a friend. But to those of us around this table, she will always be family.”

The EPs have suggested that, like other shows, there may be ways to resurrect Allura, and there may have been happier endings possible. But again, please see the Theory 1 statements above regarding the massive worldbuilding contradictions when assuming that Allura had to die in the first place.

In which case, hilariously, the EPs have also expressed their interest in creative works that keep going, with plot tensions that require even supposedly dead heroes to return, as in this article here: 

“You can kill Captain America a million times and he’ll always show back up.”

So creator statements are just all over the place regarding the finality of “death” or even of “separation” in this universe. We definitely don’t get a body to prove that Allura is dead. And we also know that canonically, there is a place where the rift between the Dead and Living breaks down. And oh, by the way, Allura just regenerated entire multiverse strands that had been destroyed. So even if it’s not as simple as…holding someone’s hand as they step out of the consciousness realm, what canonical detail or limitation would keep her from resurrecting them herself? It is well within Allura’s canonical range to bring back all of these people without dying herself. 

Conclusion

Regardless of creator intention, the various contradictions in the worldbuilding itself make the angst of Allura’s death, the memorial statue, the lingering pain of the characters (oof, poor Coran and Lance especially), and all the interviews talking about Allura’s death feel excessively unnecessary. And at the same time, I’ve been very fascinated by what one can do with the details about the Consciousness Realm; the inherent properties of comet-based mechas, quintessence, and alchemy; Lance’s strange marks; and even the odd, last-minute Voltron interstellar space trip surging toward the Allura in the stars, with Blue Lion in the lead:

It appears that Allura could be very much alive in the final screenshot of her in the stars. Through Lance and their shared connection via Blue Lion, she’s maintained a homing beacon for her own reality, activated Voltron to complete a massive interstellar trip to come get her and likely several others—and now, she’s faithfully waiting in the Consciousness Realm with everyone, preparing for a family trip back to their resurrected worlds, in their trusty mechas.

I watched s8 on the day it dropped. I was in a daze about all of its wild and painful messaging. I wrote some unhappy metas about the sheer nihilism of this show. It’s taken me, lol, 1.5 years to actually go back and re-watch several episodes at a time. And I don’t believe this interpretation of the ending would fix every problem in Voltron: Legendary Defender. Sometimes, trying to make sense of this show feels like trying to reconcile quantum theory with classical mechanics, haha. So I’m sure one could poke holes in this post. And to even arrive at these conclusions, I had to throw out or reinterpret some of the worldbuilding and scenes, in direct conflict with the stated perspective of the show’s development team.

But even so...I derived most everything for this interpretation from the show itself. And even if the development team didn’t intend this happy ending of resurrections and reconciliations as I’ve suggested…it seems that this finale—at least while I’m thinking about it right now—is canonically possible and an attempt at consistency with the material provided across multiple seasons. It offers resurrections, redemptions, reconciliations...

Its ultimate message even genuinely coincides with the last episode’s title.

The End Is the Beginning.

And I really like that.

[babbushka]

Mind & Soul (6/10)

The story of how one man fell out of love and into it again

Charlie (Marriage Story) x Reader

6.8k ; Warnings for angst, mentions of stitches (but there’s some sweet family fluff in here too don’t worry lol)

Tumblr masterlist for previous chapters // Available on AO3

                                                 -----------------

Time after time I tell myself that I'm

So lucky to be loving you

So lucky to be

The one you run to see

In the evening when the day is through

 Charlie thinks that if he never steps inside a courtroom ever again, it’ll be too soon.

He’s sitting on his side, and Nicole is sitting on hers, between them are asshole lawyers that Charlie knows he can’t trust. He can’t, and yet he has to, has to trust that this jerk will say the right things, do the right things, to help him win. He doesn’t think he’s winning, but he just has to trust.

He doesn’t trust anyone but you.

Charlie is sitting on his side, and Nicole is sitting on hers, and you’re up at the witness stand. It’s surreal to have you there, he thinks. Surreal to see you dressed so nicely for court.

If he thinks about it, he knows that you go to really important meetings, he knows you need to dress up for pitch presentations, he knows. But he’s only ever seen you casual, only ever seen you undone. There’s something delicious, about seeing someone so casual, be so dressed up. You’re in a very smart suit, you look more put together than Nicole does. Charlie wonders what that says about her, if it says anything at all.

He doesn’t bother to look at her and gauge her reaction to the way you swear to tell nothing but the truth, although he can imagine the sharp betrayal she must be feeling. Good, he thinks, let her be betrayed, let her have a taste of her own medicine.

He doesn’t bother to look at her, not when his eyes are glued to you.

“Please state your name.” Charlie’s new lawyer, Jay approaches the stand, begins his examination of your testimony.

“(Y/F/N), (Y/L/N).” You say easily, meeting his gaze evenly.

“Ms. (L/N), why are you here?” He asks, formalities, protocol.

“I’m here to act as a character witness, on behalf of Mr. Barber.” You reply, and if Charlie listens he can probably hear Nicole’s jaw clenching.

Once upon a time, you and Nicole had been friends. Not nearly as friendly as you had been with him, but still. Friends. And now here you are, siding with him.

“And why should we take your recommendation of Mr. Barber’s character into consideration at all?” Jay shrugs, crosses his arms as if he’s showing the judge that he won’t go easy on you just because you’re on his side.

“The Barbers moved into the house next door to mine, and over the course of the two years they lived there I acted as a baby-sitter for their son, Henry.” You explain.

Somewhere in the background, the stenographer types away, her nails clicking on a keyboard that doesn’t make any sense to Charlie. He’s laser focused on you, tries not to think about those two years, tries even harder not to think about how he spent half that time fucking you.

He knows the judge can’t read minds, but sometimes the way the judge looks at Charlie says otherwise.

“So it could be said that you were privy to observing the Barber’s family life.” Jay asks, and you have a little knowing smile that quirks up the corners of your mouth.

Charlie sweats, watching you up on the stand, tries not to think about just how privy you were, tries not to sweat.

“I wouldn’t say observing in any conscious sense, but yes. When you live next door to someone you become friendly with them. Certainly when you become their babysitter, you become friendly with the child.” You smile coolly, innocently, genuinely.

And that was the big thing, wasn’t it? That you were genuine, always, in all things. That’s what had drawn him to you initially, that sincerity. As a friend, as a babysitter, and as a lover.

“Who asked you to babysit?” Jay asked, because this was really the most credible part about your testimony, the babysitting.

“Mr. Barber, I only ever really spoke to Mrs. Barber in social settings.” You replied honestly.

“Did Mrs. Barber speak of Henry often, in those social settings?” Jay asks, the leading questions already beginning.

“Objection your honor, leading the witness.” Nora, Nicole’s bitch of a lawyer stands up then.

“Sustained, the witness is to provide testimony on Mr. Barber, not Mrs.” The judge nods, making Nora sit down with a smile.

“Alright, then did Mr. Barber speak of Henry, outside of the conversations where he asked you to babysit?” Jay asks, and you nod quickly.

“Yes, very much so. We spoke about a lot of things, you know. But he was always very very proud of Henry. He would pull out his phone and show me pictures, of Henry or drawings that he made, that sort of thing. He was always a very proud father.” You reply.

“How frequently did you babysit for the Barbers?” Jay asks, just trying to form a narrative. Charlie knows this, but if he thinks about it, if he thinks of all the times he’s asked you to watch Henry simply so that he can come over to your house and steal a kiss or two (or twenty) upon picking him up, if he thinks too loudly then the judge will hear.

“About once a week, on nights where rehearsals were running late at the theater company, or they knew they’d be in meetings, that sort of thing. The odd party now and again.” You brush it off as if it were nothing.

But it isn’t nothing, it isn’t.

“Once a week is fairly often, I imagine you grew quite close to Henry.” Jay prompts.

“Oh yes, I like to think he trusts me. He’s so bright, that boy, and he picks up on a lot, you know? Sometimes if Mr. and Mrs. Barber had a fight, he’d find some subtle way to ask why grownups have to be mean to each other. Or when Mr. Barber was told to sleep on the couch a couple months before Nicole left, he would ask why parents don’t always sleep in the same bed.” You say pointedly, trying to make the point that she left. She left.

“Did Mr. and Mrs. Barber have fights often?” Jay asks, as if this is new knowledge to him.

“Through the entire time I knew them, yes. They fought often.” You nod, chewing your lip.

“Did any of these fights turn physical?” Jay asks, but your eyes widen at the thought, at the implication that Charlie would do anything like that.

“No, not to my knowledge. Just, raised voices. I mostly heard Mrs. Barber yelling, when the fights would happen. There was a lot of yelling at Mr. Barber.” You say and you fidget with your hands for a moment, before continuing, “I try not to listen but, the houses are so close and sometimes the fights would be very late, so the sound wasn’t drowned out by the traffic.”

“Ms. (L/N), what can you tell us about Mr. Barber, his character.” Jay says, wanting to get to the point. “It’s clear that you’re someone around him, around his child. It’s clear that you’ve seen the way he interacts with his family. If you were to make a judgement call, how would you describe him?”

“Mr. Barber is a very hardworking man. He’s the type of person who remembers to take care of everyone that depends on him, he remembers things about the people who depend on him, and even about the people who don’t. He is the kind of father you wish every child has – compassionate and playful, but strict in the right ways.” You say, try to keep it as much to the point as possible. 

“He is well respected in the community, is active in both the theater sphere as well as locally. I’ve never seen him lash out or become violent, in all honesty I don’t think I’ve ever heard him yell in an angry way. His son loves him very much.”

You look right at Charlie when you say that last part, and Charlie has to look away, because he can’t help but feel the tight ache in his chest at the mention of Henry’s love, not now. Not when there’s such a possibility of losing him that he can nearly hear the goodbyes.

“No further questions, your honor.”  Jay says, before returning to his seat next to Charlie.

Nora stands up then, and Charlie nearly wants to hold his breath, but you don’t. You look at her evenly, and Charlie thinks you’re so brave for that, that’s not something he’s still managed to do.

“Ms. (L/N) this is all well and good, but I’d like to bring up the fact that a primary reason that you are here, is because on the night of a home-visit by the state-sanctioned case worker to observe Mr. Barber and his son, you were present.” She says, as if this is a bad thing, as if you’re breaking some sort of rule.

“Yes, I was.” You reply, your shoulders square and your chin raised.

Because, yes, you were.

                                                -----------------

The next day felt like a blur, to Charlie. He woke up with you by his side, kissed you for what felt like an eternity before the alarm even had a chance to ring. He held you in his arms, and for the first time in a long time, woke up with a smile on his face.

He asked you to stay in bed while he went down and made breakfast for Henry, got him dressed and ready for school, and when he came back home from dropping him off, you were still there.

He had hoped that you’d let him crawl back into bed, settle himself against your naked body, let him have a drink of the sweet wine that spilled forth from your lips. But you only eyed his arm, the cut which stung, which needed proper stitches.

So to the hospital you had went, and stitches he had gotten, and after a normal amount of painkillers he had fallen back asleep with his head next to yours on the pillow, dreams a swirling mess of colors and sounds.

He doesn’t remember what they are, when he wakes up. It’s late, in the afternoon, he can tell. Can tell by how rich the sunlight is coming through the window. Maybe it’s three o’clock, he doesn’t know, he can’t see the numbers right now, eyes half-closed still.

You come into the room gently, upon hearing him rustling. You’re so beautiful, he thinks, as he carefully opens his arms for you, groggy and yet still so pleased to see you.

“You’re still here.” He says. He’s not so sure that he hadn’t dreamt your being there, the pain medication addling his system just a little.

“Mhm,” You smile, sitting on the edge of the bed and teasing, “Good morning.”

You reach a hand out and softly brush your knuckles against his cheek. Charlie grasps your hand and gives it a little tug, pulls you down down down until your noses are touching, until he’s nearly smiling against your mouth.

“Can I kiss you a little?” He asks, and your smile lights up his entire world, when you flash your pretty teeth at him.

“Yeah, but then you’ve got to go pick up Henry from school. They’ll freak out if you’re late, it won’t look good for you.” You whisper, rubbing your lips over his, the ghost of a kiss, the ghost of a touch.

“I know, will you come with?” He chases you, careful of the stitches in his arm as he maneuvers you onto your side, on top of the covers.

“Nah, I’m going to stay here, I’ve got to get the most kick-ass dinner made for tonight.” You smile again, and Charlie lets his eyes close in gratitude as your mouth opens for him.

Kissing you is almost as intoxicating, as dangerous as the painkillers. They’re out of his system now, he can feel it from the twinge in his arm, the sting of it. But he doesn’t need them, not when your tongue is so hot against his, not when your hands roam over the width of his body. He wants to have sex with you, but there’s no time today, not right now.

That’s alright, he thinks. Soon this will be over, and you two can have all the sex you’d like. He huffs out a little laugh, post-dream-glow starting to fade only to be replaced with the euphoria of kissing you.

“You’re literally a life-saver, you know that?” He grumbles against your lips as he stretches the sleep from his calves. His nap is over, he knows, he’s got to go get Henry, he knows. But he doesn’t want to leave your side, not right now.

He never knows when the next time he might get you will be.

“I do, but tell me anyway.” You smirk just a little, before sitting up once again, detangling yourself from him. You give his cheek a playful little pat and attempt to lure him out of bed with your body and, “Come on, you’ve had your kisses.”

Charlie sits up too, and for the first time really takes in the sight of the bedroom around him. The last time he was here, it hadn’t even had a bed. Now it was fully furnished to his tastes, and he remembers, he knows you’re the one who did that.

“Do you like it?” Charlie thinks aloud, abruptly.

“What honey?” You ask, rifling through the closet, tossing some clothes onto the end of the bed for him.

“The house.” He says nervously, palms gone clammy for a minute. “You know, do you think it’s nice?”

He hopes you do, hopes Henry does.

Hopes the social workers does.

Hopes the judge does.

But most importantly, he hopes you do.

“It’s a gorgeous home, Charlie. I was impressed even when it was empty, but you know that.” You reply.

And of course he knows that, because you were there with him when he bought it, the house. You were the one who helped him look for a month, when Nicole had made her grand return and served him the papers. They had to sell the house, he needed a new one, and you had helped him find this place.

“I bought it for you, for us.” Charlie says, and he doesn’t know if it’s the way he can just be so himself around you, or maybe it’s the fear of rejection that makes him so overly casual about it, he doesn’t know. But he doesn’t look at you when he buttons on a crisp white shirt, “I was hoping, after all of this, you and me and Henry…we could all live here. If it works out that way.”

“Do you really mean that?” You ask quietly, stunned.

“I really do.” Charlie swallows around his nerves, immediately rushing to say, “But I don’t want you to think I’m pushing you to do it or anything – ”

“You’re not being pushy.” You shake your head, sitting down on the edge of the bed, lightly picking at nothing on the comforter before admitting, “I’d really love that. I’ve sort of, well. I’ve selfishly started thinking of this as my house too.”

“What will you do about your house in the old neighborhood?” Charlie tries tries tries not to jump and scream and shout with joy, tries to keep it cool, tries to keep himself rational. “I don’t want you to uproot yourself.”

“I’ve been thinking about selling it for a long time, to be honest.” You smile sadly.

“Really?” He frowns, the very thought of you being too far away making him nervous, worried.

“Yeah, I’ve sort of outgrown it.” You shrug, blinking away tears of relief at Charlie’s want of you, “I wasn’t thinking of moving far away or anything! But just into a bigger space, a blank canvas. Somewhere with an office. I’m so tired of working at the dining room.”

“There’s space here, you could have an office here.” Charlie says, tucking his shirt into freshly ironed pants.

“I could.” You say with a smile, you ironed those pants.

“I love you.” Charlie says, simply because he has to.

“I love you too.” You reply, because you can. And then, when Charlie’s all dressed, you lean in for one more kiss, one that Charlie lets himself get lost in, before you pull away with a devious smile and a, “Go get Henry.”

                                                  -----------------

I only know what I know

The passing years will show

You've kept my love so young, so new

And time after time

You'll hear me say that I'm

So lucky to be loving you

 You’re in a damn good mood, in the kitchen. There’s music playing off the bluetooth speaker, volume turned up high enough that it fills the whole house as you cook up a storm. While Charlie had napped off the pain from his stitches, you’d browsed the internet for the most impressive recipes you could think of.

Nothing too flashy, nothing that says you were trying too hard, but definitely something nicer than a simple box meal, or something. You wanted this social worker to see how well cared for Henry was, home cooked meals and maybe if he’s good, there’s a chocolate cake you need to frost cooling by the oven.

You whistle along to bright jazz, trumpets and saxophones harmonizing with the sizzle snap crackle pop of spices and vegetables in the skillet, fat rendering away into thick sauces for this grand dinner.

You’re wearing a nice outfit, made sure Charlie had been dressed nice too. You knew how important this was for him, you knew how important it was to come across as put together as possible. Henry had a good thing going here, you needed to prove to her. He had a huge house, all his toys. Friends from school could come over and play in the backyard, you and Charlie would be there to make them all food the way that you did when Nicole was gone and away for those six months.  

This wasn’t about you, you shake the thought from your head. No matter how idyllic of a picture it painted, you knew you were here to help make the case for Charlie, for Henry. You loved them both so deeply, cared about them so much, you had to help. You can think about being a family together again after Charlie wins the case, after Charlie is told he can officially keep his son.

Because isn’t that what you had become, a family?

The kitchen smells incredible, and you’re thanking the insanely long recipe for that, thanking the random food blogger you had stumbled upon.

You add a pinch more salt, before wiping your hands down on the kitchen towel that’s slung over your shoulder the way Charlie tends to do. The music is loud and happy, and you’re in a good mood – until you hear the doorbell ring.

Shit! You think to yourself, casting a glance to the clock above the oven. It’s only four o’clock, you hadn’t been expecting anyone until five at the earliest. You scramble to get yourself presentable, calling out, “Just a second!”

You make sure that the stove is set low enough that nothing burns in the few minutes that you need to step away from it, slipping your feet into short heeled house shoes, smoothing down your hair. You make your way through the big gorgeous house and open the door, smiling at a woman in a nice grey pant-suit.

“Hello, my name is Katherine Gonzales, is this the residence of Mr. Charlie Barber?” The social worker checks her clipboard, clearly surprised that you’re there.

“It is! Please forgive me, we weren’t anticipating you until a little later, Charlie’s just picking Henry up from school now.” You offer her a hand to shake and a warm smile, “My name is (Y/F/N) (Y/L/N), please come in, make yourself comfortable.”

You stand to the side and she steps into the house, you close the door behind her. You wince, the music is still so loud, and you quickly pull out your phone to try and lower the volume. You hope you don’t look as frazzled as you feel, as you walk her back to the kitchen.

“Ms. (L/N) – ” Katherine starts, but you laugh good-naturedly.

“Please, call me (Y/N).” You ask, halfway wanting to make that old Ms. L/N was my mother, joke, but thinking better of it.

“Of course, (Y/N).” Katherine corrects herself, standing kind of awkwardly in the kitchen. “Pardon my bluntness, but I wasn’t aware you’d be part of the evening.”

“I’m very sorry, it was a last minute decision. Henry asked that I be here, and well.” You assumed your spot by the stove, giving the stir-fry a nice zhuzh so the vegetables don’t get too charred. “I didn’t think it’d be fair to say no to him, during all this.”

“I understand. And are you and Mr. Barber…?” Katherine prompts, making your heart flutter.

“Oh just friends.” You lie easily. It was an easy lie to make of course, you’d made it a thousand times over the course of a year and a half, “I used to live next door before he moved into this house. Ever since the separation, I’ve been helping out. It takes a village, and all that.”

“That it does.” Katherine concedes, looking around the house.

She’s got a great poker face, if she’s impressed you can’t tell. But how could someone not be? With the open floor plan and high vaulted ceilings, the chandeliers, the tall wide windows that let the light spill in beautifully?

“Can I offer you anything to drink? Really I’m so sorry, they should be here any minute.” You say, checking the clock again.

“If you had any bottled water?” Katherine smiles apologetically but you nod happily, go over to the fridge.

“I’m afraid I’ve only got sparkling, is that alright?” You pull out a bottle of Perrier, and thankfully, she’s the kind of person who drinks that sort of thing.

“Yes of course.” She accepts it with a, “Thank you. Do you cook dinner for Charlie and Henry often?”

You smile about the thought, about cooking for them. The truth of the matter was yes, you did. For six months you all cooked together, ate dinners together nearly every day. In many ways, this felt like falling back into the old routine, the comfort of familiarity making you smile some more.

“Sometimes, yeah. I work from home, this house is only ten minutes away from their old house where I live, so it’s easy for me to help out.” You try to appear as only a good friend, nothing more. You wouldn’t do that to Charlie, you think, you wouldn’t compromise this with your own musings. The timer dings then, and you happily pull out an appetizer from the oven, transferring it to a serving platter on the island. “Here, please have whatever you’d like.”

“I already ate, really I’m fine.” Katherine says out of politeness, but you see right through her.

“Oh but I made it special.” You frown, looking at the beautifully crispy bubbly cheesey dip.

“Well if you insist.” Katherine smiles, and you smile, and you think that maybe she’s only so severe because she has to be, maybe you’ll be okay, maybe you’ll get through this and on the other side there’ll be some positive news.

Katherine has had exactly three tortilla chips when the front door opens and the comforting peace of the kitchen is disrupted by the loud sounds of laughter.

“Ha! I win!” Henry is out of breath from it, bright belly laughs that immediately bring a smile to your face.

“Oh no you don’t -- !” You hear Charlie reply, and then some sort of playful scuffle.

“That must be them, they always race to the front door.” You explain to Katherine who is already writing down stuff on her clipboard, already making notes.

“Hey something smells good.” Henry bounds into the kitchen, throws his arms around your middle for a hug and a, “Hi (Y/N)!”

“Heyheyhey, shoes off.” Charlie calls after him by the front door, his voice stern yet kind. You can imagine him running a hand through his hair, toeing out of his own sneakers.

Henry gives you an exaggerated look that’s got you stifling a laugh as he steps out of his shoes and runs them back to the front door in just his socks, before coming back into the kitchen.

“Hi kiddo, how was school today?” You greet him properly as you let him peer into the skillet for what they’re having.

“It was good – hi, I’m Henry.” He takes notice of the social worker finally, offers her a hand to shake in the way that you know he must’ve learned from Charlie.

“Hi Henry nice to meet you, don’t mind me I’ll just be over here.” Katherine takes his hand and gives it a firm shake.

Kids always had a funny way of showing their manners, you think as Henry does just ignore her and turn back to you immediately upon the permission to do so.

“I was asking dad if I could enter the science fair this year, would you help me?” He asks, eyes wide. His hair is getting long, you think, because he keeps blowing it out from his eyes.

“Science fair huh? What sort of experiment are we thinking?” You ask happily, tending to dinner.

“Something with legos, dad says there’s tons of stuff to do with them.” Henry goes to the fridge and gets water from the filter, chugs it down. You smile and shake your head, they really must have ran ran to the door this time.

“Why don’t you go set the table and we talk about it while we eat.” Charlie hints as he comes into the kitchen, looking handsome as all hell. He too shakes the social worker’s hand, voice warm when he greets her. “Hello, pleasure to meet you.”

“Katherine Gonzales, you must finally be Mr. Barber.” Katherine smiles, and Charlie winces.

“I’m sorry, if I had known you’d be here earlier I’d’ve – ” He starts, but Katherine only waves it away.

“Not to worry. (Y/N) was keeping me company.” She says kindly, before taking her purse and clipboard. “But really, just go about your business as usual. I’ve got to just do a little walk through of the place before dinner, you won’t know I’m here.”

Charlie nods, and when Katherine is out of sight, he sidles up next to you, wraps his arms around you from behind for a moment. He steals the softest kiss against your cheek before stepping away and asking, “How can I help?”

“Nah there’s nothing to do, why don’t you and Henry go wash up?” You ask after him, “How’s your arm feeling?”

“Stings but I’m okay.” He swoops down for one more secret kiss that has you laughing, has you pushing him off of you playfully in case Katherine comes back and sees. He grins, is in a good mood as he claps his hands together and goes into the dining room, “Henry! Great job honey, come on we need to wash our hands otherwise we’ll get sick, let’s go.”

                                                  -----------------

Later, when everyone is washed up and dinner is served, the three of you sit at the dining table. Charlie, being big man of the house and all, sits at the head, with you and Henry on either side. You don’t know where Katherine has gone, but you know she must be close by watching, listening. You and Charlie had both been worried that maybe Henry would act differently, or strangely with her being there, but it seems as though he’s already forgotten about her.

Or at least, for the moment.

“Alright so tell me about this science fair.” You smile as Henry serves himself a big helping of potatoes.

“Um, I know what I want to do but I’m worried about it and messing it up so I was wondering if you and dad would help me.” He says apprehensively, and you frown.

“Why worried, because of the reading?” You ask softly, not wanting to upset him.

“Yeah.” Henry sighs, pushing a fingerling potato around on his plate.

“Has someone been giving you trouble about it?” Charlie frowns now too, concerned, wondering why Henry didn’t say anything earlier.

“There’s this girl, Jenny Henderson. She was making fun of me in the library today during media.” Henry explained, and you and Charlie immediately look at one another.

“Is Jenny in your class?” Charlie asks, jaw clenching, already wanting to get up and call the teacher, wanting to call someone.

“No, she’s in the gifted class.” Henry shakes his head, takes a big sip of water.

“Was she saying anything to you or just…?” You prompt gently.

“She pointed and laughed to her friends.” Henry looks at you, and then at Charlie, and then back down at his plate, voice very small when he says, “And then her friends laughed. She called me dumb.”

Charlie puts down his silverware with enough seriousness that Henry looks up at him with wet eyes.

“You are not dumb. Everyone learns at their own pace, and everything has their own strengths. So what if Jenny Henderson can read more advanced books? That doesn’t make her better than you. And in fact, because she made you feel bad about it, means that she’s definitely not better than you.” Charlie goes to get up, puts his napkin on the table. “I’m going to call up the school and – ”

“No!” Henry says suddenly, “No don’t, that’ll only make things worse.”

You and Charlie look at each other, torn with what to do.

“Honey we aren’t going to sit by and do nothing. She needs to know that there are consequences for her actions. People aren’t allowed to make others feel bad like that.” You say, and remembering how often kids made you feel like garbage at school, knowing Charlie must remember it too. You don’t want that for him, neither of you do.

“But what if she gets mad?” Henry asks sadly.

“Then you tell me, and I’ll handle it, okay?” Charlie says seriously, wanting his son to know that he’ll always be there for him. Charlie sits back down, puts the napkin back on his lap, picks up his silverware again. “How about I wait until Monday, we can call together.”

“Okay.” Henry nods, feeling infinitely better already. You can tell just by the way he’s not hunched in on himself, sitting upright and actually eating happily.

“Since it’s Friday, what do you say we leave homework until tomorrow and do something fun after dinner?” Charlie asks, to get him into a better mood.

“Can we start the project? I can go get my legos!” Henry perks up immediately, looking between the two of you.

“That sounds like a plan to me – but heyheyhey finish your dinner, (Y/N) worked hard on it.” Charlie chuckles as Henry nearly gets up to go bolt.

He sits back down with a sheepish smile, but you only give him a friendly wink to let him know it’s all okay.

No matter what, it’s all okay.

                                                  -----------------

Charlie steels himself for this, for the grilling.

Nora has approached the stand and is walking back and forth in front of it with her hands steepled together like he’s got something up her sleeve. Charlie doesn’t like it, and neither do you.

But you’re strong, so much stronger than Nora expects.

“What were you doing there that evening to begin with, Ms. (L/N)?” She asks you.

“Henry asked me to be there, so I went.” You reply easily.

“If you’re just a babysitter, why did Henry want you there?” She counters.

“If I may speak frankly, I spent a lot of time around Mr. Barber and his son when Mrs. Barber abandoned them.” You try not to feel insulted, Charlie tries not to feel insulted for you, but that barb hits Nora, hits Nicole deep.

“Abandoned is a – ” Nora starts, but you’re not having any of it.

“For six months while she was off galivanting around Los Angeles with not even so much as a phone call, Mr. Barber needed someone to help him get adjusted. We didn’t know if Nico—if Mrs. Barber, would ever come back, and I wasn’t going to stand by and watch them struggle.” You say coldly.

“Struggle how?” Nora turns it on you, twists your words. “Are you saying Mr. Barber was unequipped to raise his son on his own?”

“I’m saying it’s not easy to adapt when you’re blindsided the way he was, equipped or not. Given no warning, no notice, nothing. I heard the argument when she left, in the middle of the night in the pouring rain. He’s my friend, I wasn’t going to make him go through that alone.” Your gaze is hard, and it’s a shame, Charlie thinks. Maybe in another life, you and this lawyer could have been good friends, you both match each other’s wits.

“Did you or Mr. Barber ever think to reach out to Mrs. Barber?” Nora points out.

“I can’t speak on behalf of Mr. Barber, but why would I want anything to do with someone who abandons their family?” You raise an eyebrow.

Nora’s jaw works, and then she turns to Nicole. Charlie does too, tries to read their mental exchange. Nicole gives the slightest hint of a nod, and he wonders if the judge sees it, if the judge sees anything at all.

“In those six months, did you witness anything happen to Henry while he was under Charlie’s care?” Nora asks, but Jay is standing up before you can answer.

“Objection, leading.” Jay calls.

“Overruled, the answer is important.” The judge dismisses it, and dread slips into Charlie’s stomach.

“Not to my knowledge, no.” You reply, trying to keep your tone light.

“Did Mr. Barber do anything reckless in those six months, that could pose as a danger to Henry?” Nora continues.

“No.” You don’t budge.

“What about in the two months that Mrs. Barber has been in communication with Mr. Barber?” She knows, somehow she knows about his arm.

“I don’t – ” You start, but she gets in your face.

“Did Mr. Barber do anything reckless in the two months that Mrs. Barber has been back in communication? It’s a very simple question.” Nora presses.

You and Charlie look at each other, and even though it’s been weeks, even though he’s fully healed up now, you both know you have to mention it, you’re under oath, you have to.

“There was an accident.” You say softly, very softly.

“What sort of accident?” Nora blinks, as if she doesn’t know exactly what she’s doing.

“He cut himself, but it was nothing serious, he only needed a couple stitches – ” You rush to say, and Nora gasps in mock concern.

“Stitches? My god, what did he do to cut himself deep enough to require stitches?” She asks, pushing pushing pushing you.

“I – well Mrs. Barber got him a – ” You start, and even though he’s starting to spiral, he loves you so much, loves you for trying to save him, even now, even here.

He doesn’t know if he deserves to be saved, but here you are, trying trying trying, fighting for him.

“Ms. (L/N). What did Mr. Barber do?” Nora asks, all pretense gone, nothing but a vicious lawyer.

“He used to have a thing, where he’d pretend to cut his arm with a boxcutter, but he’d retract the blade so he wouldn’t be hurt, to make it look like he was invincible.” You say through nearly grit teeth.

“You mean to tell me, Mr. Barber joked about self-harming oneself in front of his young, impressionable son?” Nora scoffs.

Charlie’s blood rushes in his ears, his hands sweat, he’s dizzy. He reaches for a glass of water that’s near the little desk he sits behind, and he’s almost afraid he’s going to drop it, hands too slippery.

“No! it wasn’t – ” You try, only to be interrupted again.

“What if Henry got a box cutter himself and didn’t think to retract the blade, and next time it was him who had to get stitches, or worse?” Nora says, and those are perfectly good arguments, which is why he doesn’t do that anymore, why he got rid of the fucking knife, why he --

“Henry’s not allowed to handle sharp objects – ” You speak, trying to backtrack, trying to fix this mess.

“Maybe so, but children emulate their parents, don’t they? And Henry looks up to Mr. Barber, doesn’t he? Is it not outside the realm of possibility, that he might take Mr. Barber’s boxcutter and do the ‘trick’ on himself?” Nora’s voice remains calm and maybe that’s the most infuriating part, Charlie thinks.

He wants to scream.

It’s tense, in the courtroom, so tense.

You and Nora look at one another, a stare-down that’s going to result in an answer one way or another.

Charlie hates her, hates Nicole.

God he hates her.

Especially when she’s the one who thought the trick was so fucking funny in the first place.

“It’s not outside the realm of possibility, no.” You say softly, not able to lie, not here, not now.

“And that would be considered quite reckless behavior, would it not?” Nora asks.

“Mr. Barber is a good person, and a good father, and that was one accident.” You shake your head.

“All it takes is once, Ms. (L/N), and from the way it sounds, this happened more than once. I wonder how many other funny tricks Mr. Barber showed Henry. No further questions, your honor.” Nora pats the wood of the witness stand before returning to her side of the courtroom, and you are asked to leave.

                                                  -----------------

Charlie floats through the rest of the character witnesses. Nicole has brought someone in, some guy. Charlie doesn’t know who he is, he doesn’t care. He’s too wrapped up in his own head, too stunned that Nicole would have told Nora about that.

He’s got one more day, one more chance in this trial to prove his case, one more. And then that’s it. And then the judge decides.

He’s going to have to play dirtier, going to let Jay dig up as much as he can on this serpent of a woman he shared a decade of  his life with, her and her crocodile tears.

Tears so unlike yours, when later after they’ve been dismissed, your face is streaked with hot salt as Charlie collects you in his arms there in the lobby.                                            

“I’m so—I’m sorry.” You whisper out a little sob, tuck yourself against his neck as he moves you both out of sight. The lawyers are talking about going out for drinks later, and Charlie wants to scream.

How can they be so civil, when they’re tearing his life apart?

“Don’t you dare, don’t you apologize.” Charlie says, soothes you, whispers into your hair, “You did nothing wrong.”

Charlie catches Nicole’s eyes from across the lobby, and she sees the two of you embracing in the comfort of one another, your suits creasing from it.

He stares at her hard, hopes she can feel the venom he has for her. She turns away, hurries down the steps and out the front door of the courthouse, off to who the fuck knows where.

Charlie doesn’t care, not when he’s got you right here, in your pretty court clothes and your heart thudding against his. He doesn’t care, only rubs calming circles on your back, tries to get your tears to subside. You both have to go pick up Henry from school after all this, it won’t do to be salt-stained.

It’s the only reason he’s not a mess right now.

Well, that and you.

“I’m sorry.” You say again, but Charlie shakes his head, and when the two of you step apart enough to look into each other’s eyes, he assures you and reassures you,

“You didn’t do anything wrong.”

You nod, and you walk out of the courthouse, hands brushing but not quite holding onto one another.

He’ll ask you to stay again, he’ll ask, and you will, and it’ll all be okay.

Won’t it?

He passes justice with her scales and her blindfold, and now…now he’s not so sure.

The way you look up at him with sad eyes, he’s not so sure.

 I only know what I know

The passing years will show

You've kept my love so young, so new

And time after time

You'll hear me say that I'm

So lucky to be loving you

                                                -----------------

Tagging folks!    @steeevienicks​ @heldcaptivebychaos​  @solotriplets​ @formerly-anonhamster​ @lookinsidemyhead​ @candycanes19​ @adamsnacc-kler​  @whiskey-bumblebee​ @magikevalynn​ @tinyplanet-explorers​ @chelsjnov​ @romancedeldiablo​ @helloimindelaware​ @elfieboxcat​ @laurenshit​ @autumnlovesadam​ @peterisparker​  @goodboybensolo​  @the-marvelatic​ @miasera​ @emily-strange​ @proxyfoxy​ @disaster-rose​ @hazydespair​ @yosoymuyloca​ @1-800-choke-that-snoke​ @ktellmeastory​ @anongirl007​ @zimmerxman​ @okk--maaan​ @flapjacques​ @aweirdlookingtree​ @callmemania-pls​ @theold-ultraviolence​​ @og-selene​​ @pinkmoontribe-blog​​ @schopenhauerdeathsquad​​ @mochi-jhs​

[anachronisims]

New posts resume tomorrow, so refresh on all your favorite cave-dwellers’ plotlines in the ultimate tldr catch up post!

When the last snows melted and it was safe to travel again, six couples set off in search of a perfect place to found a settlement of their own.  They could not believe their luck when they stepped over a the crest of a hillock and saw before them the lush, rich river valley upon which they would soon bestow the name “Meraki.”

After passing a large meadow with wild berries and evidence of recent animal activity, when the group found six caves at the foot of the next hillock, they knew this was their place.  They spent the next few weeks chopping down trees, settling into their new cave homes, and working together to create some common amenities at the Fishin’ Hole.  Then, their new lives began in earnest...

Tammuz:  “Howdy, neighbor!  How goes it today?”

Kimba:  “Oh, you know, the usual.  Working in the garden, trying to pull forth some food from this sparse and spotty terrain.  We’re going to need to start thinking about storing food away for the winter if we’re all going to stay healthy and strong.”

Tammuz:  “Huh.  Yeah, I guess summer probably is ending any day now…”

Lehabim:  “Yeah, I’ve got this whole five-year plan for expansion.  We fill out the area here around the Fishin’ Hole with some huts, get ourselves out of these caves and everything, then start spreading out towards that meadow we passed when we came in?  There will be plenty of space for the next generation and any newcomers we can attract.  Which we will, because Pallu and Junia are going to spread our reputation as a strong, prosperous place to settle far and wide!  It’s as easy as child’s play, when you think about it!”

Lehabim:  “Hey, so, you’re trying to be like, a shaman now, right? Like, tell us all this mystical shit from up in the stars and whatnot?”

Noel:  “Yeah, I mean, a little bit of what’s in the stars, a little bit of what’s in the trees, like that sacred bloodleaf tree there on the island in the middle of the Fishin’ Hole.  There’s a lot of ideas out there about why this is all happening, where Meraki and the rest of the world came from and who moved mountains and dug rivers and why we walk and talk and do what we do all day long.  I just love talking about this stuff, I could go on and on all day!  ALL DAY!”

Lehabim:  “If you do, you know, get in touch with the spirit world, you think you could ask them if they know how to make this bread stuff? That guy Pallu has been talking about it ever since we got here, it’s like he’s absolutely obsessed with bread. I think half the reason he’s trying to become a trader is so he has an excuse to run away from home and look for this mythical village where they supposedly make it. It’s supposed to be warm and filling and kind of soft but also solid enough to hold other food in it?”

Noel:  “Oh my stars, that’s absolutely THE most ridiculous thing I’ve ever heard!!” Lehabim:  “I know, right?!  But. Seriously, though, if you get in touch with the spirits, ask them for me. I’d love to beat Pallu to it… if, you know, it turns out it’s real.”

Nadii’ya:  “Good morning, Kimba!” Kimba:  “Hallooo, Nadii’ya! Sleep well?” Nadii’ya:  “Honestly? I’ve been better.  Maybe it was something I ate?  I threw up this morning.  Got any ideas?”

Kimba:  “Oh, well, it definitely might have been something you ate, but that’s not the only explanation.  You might have… you might be pregnant, new friend!  The best medical science available today says that it happened because you WooHooed. You did WooHoo, right?”

Nadii’ya:  “Uh, yeah, of course.”

Pallu:  “Did Stachia tell you her idea about giving special medals for acts of val -”

Nadii’ya:  “Let me stop you right there.  The proper reward for someone who, say, slays a boar that has roamed into the village, is to let them keep the carcass.  They risk getting gored to death to protect everyone, and then what? The village splits up the boar and hands the hero a shiny rock for their good deed?  No way.  The one who saves the village should be rewarded with the boar, they and their family should get to feast!  Why is this so difficult to comprehend?”

Pallu:  “Well, but, I mean, that’s what the boar-slayer signed up for. Protecting everyone, not feasting on a boar.  When they do the job, why should not everyone share in the feast?  Isn’t that how a community works?” Nadii’ya:  “But I could have hypothetically died!!!!!”

Kimba:  “I can see it both ways. On the one hand, you, as the warrior, are risking certain death for the benefit of the entire community, and as such, you feel like the reward should be equal to that risk.  On the other hand, Death is all around us, all the time, and we pretty much are all subject to certain death with every step we take.  We made a community to ease the burden of living with this knowledge, to share our many burdens and attempt to ward off Death as best we can.  Life is short, and why should we not all share its bounties as fully and fairly as we share our burdens?”

Nadii’ya:  “…Kimba, you’re not going to die from kissing a boo-boo. Some of us are sharing the burden of death a little more than others.”

Tammuz: “So, you’re a carpenter, eh? That means you work with… wood?”

Gandu: “That’s me, the wood master of Meraki! What can I do you for?” Junia: ::loud eyeroll::

Gandu: “So, you know my partner, Junia -” Junia: “Hi!” Gandu: “-she’s going to work on finding this village that makes this amazing drink out of wheat that makes you feel like the king of the world and makes everybody friendly.  Isn’t she great?”

Rubati:  “The reason we must light fires every single night is to protect us from dangerous animals, and also, from the spirits of dangerous animals, which can cause us even more harm!  There’s a wolf-like beast with extra scary horns that likes to terrorize Sims at night and disturb their sleep, but it’s completely terrified of fire!  Isn’t that great?”

Pallu:  “I cannot wait until I know how to make bread, holy ogres.  Mushrooms are just pretentious dirt.”

Stachia:  “Can I just say, I’m so so so so glad we all found each other and became best friends?  For months, the only Sim I had to talk to was Pallu, and, creator knows I love him, but he can be such a bore sometimes.  Can you imagine?  Endlessly traipsing through snow and forests, crossing rivers and mountains, and just ‘bread bread makeouts bread woohoo bread bread bread,’ constantly.  At least now that we’ve established a home, he can leave and go look for it and I can have some peace and girl talk!”

Saphir:  “Hey, love, guess what!”

Lehabim:  “You want to make out with me?”

Saphir:  “Well, yes, but also, Stachia asked me to be in the hunting party she’s putting together.  We’re going to start making trips to the meadow and bring back loads of food for the whole village to share.  Isn’t that a great idea?”

Lehabim:  “Sure… kinda wish I’d had it, to be honest.”

Tobiah:  “Hey!!!  Hey everybody!!  Look what I caught!!” Nadii’ya:  “I curse this pole to the depths of this Fishin’ Hole for ever and all time, may it never see the light of day or feel the breath of a cool breeze or do anything but rot into nothingness in the mud and the muck amongst the fish it so thoroughly refused to catch.”

Lehabim:  “Do you think I should make a pact with a demon to consolidate power?” Saphir:  ::record scratch::

Tobiah:  “Wait a second.  Special wheat drink.  Beer?  Are you talking about beer?”

Pallu:   “Are… ‘beer’?  Are you saying you know how to make the special wheat drink?”

Tobiah:  “I mean, more or less.  We had wheat fields all around our homeland, and you basically just take some wheat and seal it in a jug with some water and let it sit for a while and then you have beer.  It’s really not that complicated.  Anyone can do it in their own cave.  And the longer you forget about it, the better it ends up being!  It’s kind of perfect for me, lol”

Pallu:  “And this information has just been inside your head this whole time?”

Tobiah:  “I suppose so.”

Pallu:  “Did y’all make bread back there, too?”

Tobiah:  “No, no no no.”  

Tobiah:

Tobiah:  “But we did hear rumors of a village that did.  We were planning a raid on it right before Nadii’ya and I left, actually.”

Pallu:  “Did… did you find out where it was?”

Tobiah:  “Of course.  I was a Raiding Party Commander back home.  It’s actually not too far from here, now that I think about it.  Want me to give you directions?”

Rubati:   “WooHoo is weird, right?  Like, so strange how we get in the bed and you put your censored bits with my censored bits!  Is it weird, or is it just me?”

Noel: “So, like, WooHoo, amirite???”

Tobiah:  “Everybody, look how pretty!”

Gandu:  “Not really the most interesting thing going on at the Fishin’ Hole right now, bud…”

Tobiah:  “I think it’s just a little bit rude of Saphir to proposition Noel right there in front Kimba.  I mean she’s literally right there.”  

Junia:  “Why would that be rude?  Noel and Kimba both know that their partnership isn’t based on exclusively WooHooing each other.”

Tobiah:  “Sure, Nadii’ya and I feel the same way.  But that still doesn’t mean I’d want to SEE it happening, right in front of me!  Saphir’s not being brave, she’s being brazen!”

Junia:  “Hold on, how is it all Saphir’s fault?  It takes two to woo, boo.  If Saphir’s being ‘brazen,’ Noel’s being just as bad.”

Tobiah:  “Everyone expects it of Noel, but Saphir should know better!”

Junia:  “Do you hear yourself?  Of course we expect it of Noel - so does Kimba, you idiot!  She knew he was a major horndog when she decided to partner with him!  This is just the way things are!”

Kimba:  “I heard you were talking about me?  Don’t talk about what you don’t know about, Tobiah.  I don’t need anyone else to defend me, and I DEFINITELY don’t need to be protected from Noel.  So butt out.”

Tobiah:  “All I did was - ”

Kimba:  “Butt.  Out.”

Tobiah:  “Every time I see your face, it makes me angry all over again!  Just stay away from me!”

Kimba:  “Then why did you even come here?!”

Tobiah:  “Because… because… to support… because… birthday… Noel… Gaia… UGHHH just leave me alone!”

Noel:  “Everybody looking??”

Tobiah:  “Stop! Standing! Next! To me!!!”

Tobiah:  “Oh, Chipmunk, Dada’s sorry about tonight.  I’m not proud that you saw me like that.  When you’re older, maybe you’ll understand.  Sometimes sims have so many emotions at the same time that they don’t realize what they’re doing or saying to other sims.  I don’t want you to get the wrong idea.  Ms. Kimba is really a very good sim, but it makes me so confused and frustrated to think… you know what, I’ll tell you when you’re older.  Just be nice to Ms. Kimba whenever you see her, okay?”

Linus: “Okay, Dada.”

Gandu: “Did you know the Creator made me attracted to all brown-haired Sims, and that’s like, half the village?  Turns out I want to make out with just, like, everybody.” Rubati:  “…Interesting�� everybody?  I never thought about kissing… everybody.”

Gandu:  “Sometimes it can be hard to tell another Sim you want to kiss them, especially for a Sim as shy as you.  Maybe it would help if you could feel like you weren’t really being yourself.  Like, you’re from the Green Eyes lands.  From what you’ve told me about it so far, you were raised not to kiss a lot of different Sims.  So just pretend you are a Sim who isn’t from the Green Eyes lands.”

Rubati:  “But… my eyes ARE green, Gandu.”

Tammuz:  “I was having the most interesting dream, I was on a date - with you, of course - and I was - I mean, we were - running after a deer, and it kept darting this way and that, and then it reached a stream and I couldn’t make the jump across it but Ga- you could, and the deer was getting away and you were telling me to come on and jump over but I couldn’t, I just couldn’t make it over.”

Lehabim:  “Saph, I’m really really sorry about before, I didn’t mean to make you think I want to rule this land with an iron fist - or any fist at all.  I want this to be a place where Sims want to come and live their lives and I think I’m the one with the best ideas to make that happen, and I know with you by my side we’ll make it happen together, and I don’t ever want to do anything to hurt you or scare you.”

Kimba:  “Have you tried summoning the dee- spirit with music?  Noel is always talking about how powerful the magic of music is.”

A Voice on the Wind: ♫ Spirits, Spirits, in the trees ♫ please come out and talk to meee ♫ I have needs and you have powers ♫ If you help me I’ll give you flowers ♫ Spirits, Spirits in the trees ♫ let me indebt myself to theeeeee ♫

.

T̲̟͔͍͙̘͖ͣ̽͒h̩̣̱͋ͧ̈ͪͨͨ́̚i̩̜̗͔̖̮͎ͣ̃̂̆͊̀̆ͮ̀s̞̯͕͍̟͎̞̦̓̓͋̀̽̐͑ ̭̳̲̲̿ͧ͊̌ͮͨc̥͈̼̺̎̇͑ͨͬ̑o̗̲͕̘ͥͫu̲̝̩͊͆͊̔ͫ̓̌̀l̦̟̭̍͌͐d̙̑͊ ̮̟̠̼͊̈̊͊ͣ̓ͧ̀b̻̲̺̝͂̂ͥ̚ͅḛ̲̮̗ͦͥ̓̿ ͈̞̯̗̭̠̬ͬͩ̊̈́̍͌̿̄f̼̹͚̲̐ͧ̍̑̽ű̹͔͑ͭ̓n̫̰̣̈ͩ̽̐̾͆

.

Noel:  “Everybody, I have to warn you to be on the lookout for ogres, or demons, or any other evil spirits of the forest… I don’t want to point any fingers - so I won’t tell you which person not sitting at this table tried to summon the supernatural today without help from me or Rubati… and so it probably wasn’t successful, of course.  But.  Just in case.  Be on the lookout, and come get me immediately if you see anything out of the ordinary.”

Dan:  “Lehabim of the Golden Eyes, the sound of my true name cannot be heard nor comprehended on this mortal plane.  Suffice it to say that I am the one who can make all your dreams come true, so long as it pleases me to do so.  Do you want riches?  Unfathomable riches?  I can make you so prosperous your mind would explode.  Power?  Dominion over this forest and all its minor creatures, dominion over your fellow sims, even unto Death itself?  Speak it, and we shall see whether I want to make it so.”

Lehabim:  “I mean, that all sounds really great, and I’d love to talk over my ideas for the village with you, but, seriously, what do I call you?  It feels weird not having a way to address you.”

Dan:  ::huff::  “Fine.  You may call me Dan.”

Lehabim:  “Dan, can I ask you something?  Are there really ogres in the forest?  It would be a huge help if we knew exactly what threats to be on the lookout for.”

Dan:  “Ogres, elves, tomatoes, toh-mah-toes.”

Nadii’ya:  “Do you ever wonder if you’ll be able to remember all the names of the new babies?” Tobiah:  “Probably.  Eventually.  I mean, I really only need to know our kid’s name at first, right?  I’m sure I’ll pick up the rest in time.” Nadii’ya:  “…what if we have twins?” Tobiah:  “Uhhhhhh.  Then, uh oh, I suppose.”

Pallu:  “So, which one is this, again?”

Stachia:  “Darah.  I think Darah.  I think we decided if you always do everything for Darah, and I always do everything for Hasrah, then we’ll never get them confused.”

Pallu:  “Right, right right right.  Okay.  Darah for Daddy and Hasrah for Mommy.  Makes sense.  We’ve got this, Stach.  We each do a diaper, we each do a cuddle, we each put one down for a nap… they’ll be toddlers in no time.”

Tammuz:  “Thanks for being here, Japhia.  I didn’t even know how much I missed you.”

Nadii’ya:  “Look at you!  How did you fit inside me?!  You look like a Linus.  Your father missed the whole birth, so he doesn’t get a say.  And I say, you look like a Linus.  Hello, Linus, who’s the biggest baby to come out of the tiniest mommy?  You are!  Yes, you are!”

Noel:  “Kimba!  You’ve done it!  You’ve birthed the most perfect bundle of perfection I’ve ever seen!  Can I name her?  Please, pretty please?  I promise you’ll like what I pick!”

Kimba:  “Ok, wha-”

Noel:  “GAIA!  The mother of the world!”

Kimba:  “That’s a lot of pressure to put on one little baby, Noel.  You sure?”

Noel:  “Gaia!  I can feel the Creator whispering it in my ear.  Gaia, the first goddess. Gaia, the progenitor of the entire future. Gaia, the mother of all simulated life.“

Kimba;  “Yeah, you’re right, that’s no pressure at all, love.  I’m sure she’ll turn out just fine.  Gaia it is, then.”

Saphir:  “Tziviah, shhhhh shhh shhhh!  Time for sleep, little doe!  I’ll be right here next to you the whole time, and when the sun comes up, we’ll start your first day on this crazy plane of semi-existence!  I have so many things I didn’t even know I wanted to teach you!”

Rubati:  Literally WHAT have I gotten myself into??

[spnfanficpond]

June 2020 Angel Fish Awards

(New Angel Fish design by @slytherkins!!)

Every month all of you fantastic writers work your asses off to post some truly incredible stories. Our Angel Fish Awards are the way for all of us, as a community of writers and readers, to lift each other up and give praise to those who have captured our attention and deserve a few kind words.

The monthly Angel Fish Awards are peer-nominated, meaning ANYONE IN THE POND CAN NOMINATE ANY POND MEMBER’S FIC. While the Pond was founded to support the Guppies, everyone in this community deserves to be showered with love and feedback, and we hope that by opening this up as a Pond wide system, we’ll be able to share the love as far as it can go.

NOTE: WE’VE BEEN HAVING OCCASIONAL PROBLEMS WITH ASKS GOING MISSING. Please use the Submit button when submitting your nominations and make sure you’re signed into Tumblr or your URL won’t show. (If the form asks for your name and email address, then you’re not signed in.) If you like, you can also send a message to Michelle @mrswhozeewhatsis or Mana @manawhaat to check and make sure we got your submission.

Be sure to read through this whole post as people who were nominated more than once only had one tag activated for tumblr tagging purposes!

WITHOUT FURTHER ADO, HERE ARE JUNE’S ANGEL FISH AWARDS!

Nonimated by @thegirlwhorunswithwinchesters

I Thought You Were Going To Die (oneshot) by @fun-and-fandoms

My nominations for the month wouldn’t be complete without a little bit of angst. Though this one isn’t just that. If you’re easily triggered by mentions of depression and its symptoms, this one’s not for you. But it’s an important topic and I will always encourage any creator who uses their art to remind people it’s okay to talk about it. (Note from Kale, this was actually submitted in May but I missed it.) 

More to Me (oneshot) by @becs-bunker

No spoilers, but I’m so glad this ended the way it did. So sweet <3

Help  (oneshot) by @blushingjared

I came across this fic and was immediately intrigued. Then I started reading and I was captivated from the first sentence until the very last. The author did such a good job with setting the scene and painting the right picture.

Talking Bodies (oneshot) by @ne-gans

This AU-Sam is such a huge weakness of mine. That, in combination with this dangerously filthy masterpiece, is nothing short of perfection.

Nominated by @focusonspn

Into The Woods (series) by @amanda-teaches

So well written, interesting plot and great development. The chemistry between Y/N and Dean is also amazing, and I loved how this mini-series could be so easily part of the show. Totally worth reading.

Nominated by @thoughtslikeamindfield 

Stranger Than FanFiction (series) by @cherry3point14

The premise is similar to the film Stranger Than Fiction – a story about a story being written about you – and it’s just as hilarious. Also, Cherry Pie is still one of the funniest writers in this corner of SPN fandom.

“You’re not supposed to move your head if there’s someone trying to murder you, probably…”

No, I wouldn’t think so, but lollllll

“You’re being insane, out loud.”

Omgggg

“It tried, oh, how the door tried to divert her attention from the unknown men who could be terrible, rule-breaking influences on her. However the door was only wood and she was a stubborn woman made of free will and limbs—a woman who refused to be deceived.”

“Your hand is on the doorknob before the mention of your limbs has finished rattling around your head.  Realistically you don’t want to encourage the voice by doing what it says. After all, the voice’s ultimate goal seems to be killing you.”

BAHAHAHAH omfg you guys

I need to stop quoting from this bc I probably seem insane to those of you who haven’t read this, so stop being judgy buttheads and go read!

Nominated by @flamencodiva

The Choice (series) by @superfanficnatural

A couple of things. 1) this is an amazing fic that highlights Dean unwillingness to let himself go until it’s almost too late. and 2) the smut in this is hot hot hot hot! not for anyone under 18 years of age.

Mert has a way with words and can literally pluck you into one and make you see it as it comes to life in your head.

Mine (series) by @holylulusworld

Lulu has an abundance of different stories she tells and this one is my favorite of her ABO’s at the moment. (although I love all of them) I think this one deserved a mention. I am glad she joined to Pond so I could help nominate and spread her amazing work!

One Night at a Time (series) by @crashdevlin

Another great fic by Cassie! This one shot full of Angst, Smut, and if you squint just the right amount of Dean fluff. She has a way of capturing your attention and putting you in the world as you read.

What He Lost (oneshot) by @jensengirl83

This short story by Brandy is sure to rip your heart out. she leaves just a bit of hope where you think there is a chance only to crush it completely with the ending. This one is sure to bring you to tears if you are looking for the most delicious angsty story to read.

Nominated by @risingpheonix761

Down The Rabbit Hole (oneshot) by @dontshootmespence

So, this was hysterical. XD I love crack fics, and bad smut in particular, and this one hits the spot. (I’ve also learned several new horrible euphemisms lol). The ending, though? Golden!

Nominated by @myinconnelly1

The Affair (oneshot) by @holylulusworld

I love how well all the characters are portrayed I truly hate everyone except the reader! Well done!!  

Red Riding Hood - or how you ran into a wolf... (oneshot) by @holylulusworld

I have nothing to say about this. I will simply allow the puddle I have become to speak for me. 

Last Omega On Earth (oneshot) by @holylulusworld 

This was a great entry in the ABO world. and we need more of this and more like !!!!! Great work!

My Beta (oneshot) by @holylulusworld

I am a greedy little bitch with this fic.  I think I've read it 3-4 since i first read it this month!!!!!! READ THIS FIC!  

Third Period (oneshot) by @fictionalabyss

Some truly inspiring smut.  Inspiring to change my panties. 

Gods of Twilight (series) by @thecleverdame​

I think i posted this fic in my rec before, but it is so amazing and intricate that i can't stop gushing about it.  Fucking awesome. 

Apple Pie (oneshot) by @bad268​ 

The amazingness of this is great, check this guppy out!

Deal (oneshot) by @bad268 

Comedy at some of its's finest!!! 

Confession (oneshot) by @idreamofplaid

THE FLUFFFFFFF!!!! I don't read straight fluff.  So get the tissues ready.

Fallen (series) by idreamofplaid

My therapist has told me i'm not longer allowed to talk about this fic during our sessions.  So instead i shall now talk about it here... *pulls out soapbox* ahem... *gets pulled away with hook*

Memory (oneshot) by @idreamofplaid

This fic is older, but i love it so much.  I recently went back and reread it, and the angst and reconciliation in this fic are heartwrenching.

Home (oneshot) by @emilyshurley

My dentist bill the month was higher than normal, due to the new cavities caused by this fic.

Imperfectly Yours (oneshot) by @emilyshurley

Cuteness overload as you get Dean's perspective of Home ^^

Second Hand News (oneshot) by @emilyshurley

Alright listen. I am a glutton for punishment.  And this fic, I asked for.  Also i had it set within one of the universes we now own.  That all being said, reading this was like a dose of my own medicine and it fucking hurt.

Honesty And Lies (oneshot) by @crashdevlin

This was super dirty, and great.  Totally recommend. 

Nominated by @deanwinchesterswitch

The Classifieds (oneshot) by @talesmaniac89

This is rip your heart out and stomp on it angst right here. So well written, but so, so heartbreaking.

So Much More Than Perfect (oneshot) by @imagineteamfreewill

This fic is one of the sweetest things I’ve ever read. It made me tear up a bit, but who doesn’t love Dean being the most protective, most adorable dad ever?!

Nominated by @mariekoukie6661

Dear Dean (series) by @smol-and-grumpy

It’s one of those series that makes you wants more after every chapter. It’s a brilliant story.

Left Behind (series) by @kittenofdoomage

It’s the only John Fic I can read over and over and over again. Its hot, the plot is awesome! And it makes me wants more each and every time I read it.

Not Much Left (oneshot) by @impala-dreamer

I think Beka tries to kill her readers every time she writes smut… or she just tap into our mind what we want or what we fantasize about. Every single time I’m speechless by her talents!

Yes Professor (oneshot) by @impala-dreamer

It’s a Misha fic, there’s no one who write Misha the way Beka does!!!

Owe You One (series) by @supernatural-jackles

It’s such a great series! The friends with Benefit and Mechanic!Dean… I just love this so much and I don’t have words to describe how good this one is!!

Flirty In French (oneshot) by @fictionalabyss

This is brilliant, and I know its an old one, but from someone who finally decided to read more and from someone who is from Quebec, this is absolutely brilliant! The flirty french pick up line are so hilarious!

Nominated by @moosekateer13

Watching for Comets (series) by @holylulusworld

This fic beautifully captures the song that it was inspired by.

It also showcases things that when things are meant to be.

I’ll will all fall into place.

Please Trust Me (oneshot) by @holylulusworld

This fic beautifully emotionally captures what it’s like to have trust issues.

Nominated by @fictionalabyss

Last Call (oneshot) by @impala-dreamer 

It was everything we needed and wanted.

Culinary Exploits (oneshot) by @impala-dreamer  

Too utterly ridiculous not to get a mention.

His Omega (oneshot) by @iflostreturntosteverogers 

A sweet little comfort fic of Dean being utterly perfect caring for his Omega. Carrie also pulled off keeping this gender neutral, which isn’t something I see a lot of, and probably something I’d struggle with, so hats off to you, babe.

Poison (oneshot) by @supernatural-jackles 

YES omg i feel this on such a level. I’ve gone through that shit myself. A friend who lets you down so profoundly but then acts as if you’re the most toxic person in the world.  Nothing feels as good as letting go of that shit and moving on to better things. This was beautiful, and perfect, and TRUTH.

Amara (oneshot) by @impala-dreamer  

This one hurt. It really hurt, but it hurt so good that I’m left wanting more.

Take Me Now (oneshot) by @sorenmarie87  

If Dawn doesn’t continue this, I’ll riot.

Stuck On You (oneshot) by @kittenofdoomage  

I rarely read a fic this long (I just don’t usually have the time) but it looked too interesting for me to scroll past, and it had me completely captivated. I needed to know what would happen as if I needed air, even though I could guess how it ended, I needed to read the words. Phenomenal.

Thank you all for the awesome work and great feedback!

These are not actual awards! This system is set up so everyone in the pond has a chance to share the love and promote a fic/author that has grabbed your attention. The more people that participate, and the more everyone remembers to submit their own fics after posting, the better this will be :D

THANK YOU ALL AGAIN, KEEP UP THE AMAZING WORK, AND AS ALWAYS, HAPPY WRITING!