#lot of blorbo

[nekojetto]

Do you remember this one?

I did an update for the banner and I took TOO much time on it x,)) (I wanted to end it for my birthday the 3th may hahahahahah)

I’ll let you tell me my type of blorbo. My theory is “they’re all loosers”

They’re all redraw from scene I love from them x)

[adriles]

they are Cancelling me for dealing with my grief as best i can . also for the vicious war Crimes

[omentu5]

[inkskinned]

in internet posts it is easy to cut them out of your life. they are hurting you! they aren't listening to you!

they held your hair back. they lent you lipstick. they held your hand at the train station and got you home safe. they rounded on your bully, got loud, said get fucked, spitting-mad in your defense.

they also cut the hair off again. told you that you should really think twice before wearing something like that. took you for granted. took your insecurities and threw them in your face again.

you know logically it should be easy. all the internet advice comments always read it will feel better. like an equation - if a person is rotten, you just remove them. you pull the tooth that's hurting.

but it was never a big flare-up moment. you don't live in a sitcom. they never tried to take your boyfriend or steal from your apartment. they showed up to birthdays and they wrote songs about you and bring you water without you asking. once you found out they carry an emergency inhaler for you, even though you haven't had an asthma attack in years - just in case.

where is the line? people fuck up. sometimes they fuck up badly. sometimes people have raw personalities, like a powerline, and being around them is dangerous. addicting. sometimes they can't help themselves, but you know they're trying. sometimes they are just rough-around-the-edges. sometimes they don't even realize how they sounded when they said that. sometimes it's just - you've both loved each other for so long now, the way this thing hurts goes back to the root.

and that's the fucked up part. you have pushed your fingers against the sweetheart of memory. things these days are electric, tense, harrowing. they didn't used to be. there were a lot of good days in there. sometimes you want to just close your eyes and say can this be over yet? do we still need to be fighting?

doing that would give up any chance you get of getting an apology, but you don't always know that you need an apology, you love them. once they flaked on your birthday party. once they told you to get over it, people are always dying. they also let you crash on their couch for a week after the breakup, handfeeding you when you were so sad you couldn't eat. they are also judgmental about everything, occasionally react to banal statements with an attitude that is weird and fiery. they also love you like a lighthouse sometimes, so strong they cut the storm like lightning.

but the problem is that you might be storm. you might be the thing that needs breaking. what if you are two forces who are desperately, horribly drawn to each other, shaped by the other person's passions, and both good for each other and bad in equal measure.

what if you're both just people, and you're no saint neither.

just cut them off! swallowing the saltwater, you catch yourself in the mirror. you've been shaking more than usual. there's an ache in you that is oblique, loud, impossible to soothe. is this what it looks like? when life is "easier"?

your mouth will always have a hole, is the thing, if you remove the tooth.

[proxycrit]

Yall really like these guys with wings so here’s some more doodles! Im busy with commission work and won’t be active for a good while, but I’ll try to post more doodles ever so often. (Ahh the joy of drawing my favorite guys… it fills me with joy.)

[cornercritter]

a night on the road

[tozakimo]

“are we siblings in every universe?” Sure..

(bad fnaf doodles at 3am)

michael designs inspired by @chloesimaginationthings <3

[hitzvevo]

since i'm a twitter refugee i thought i'd be good to post my old LN2 first anniversary fanart! thing dates back to february 13th 2022

i just changed the watermark to fit my new @ because i don't identify w the old one anymore and i don't want people to get confused lmao

[timethehobo]

When I’m too tired I scribble more casual faves.

[technically-human]

What song are they dancing to?

[autisticrosewilson]

You're all fucking wrong about Catholic Jason he wouldn't feel guilt about Jack shit, ESPECIALLY not killing. He would get the All-Blades and be convinced that this is God's go ahead and divine confirmation that he's right about everything and all of his opinions are valid and everyone who opposes his worldview is a moron blinded by idealism and naivete.

[luckyartdrawer]

Eclipse was a little late, but he finally found a candle to celebrate your birthday with!

(It turned out to be one of those joke candles that never blow out...)

vvvv Yapping and extras below the cut! vvvv

Sketch and Close up

Alternate sketch colors

I don't know why exactly I really like the glowy sketch version, but even if it doesn't even look like the outline stuff the vanny mask adds onto things in the dlc, it reminds me of it lol

I think it's neat!

I recently saw this art post where they drew and mentioned cannon Eclipse barely getting love and I immediately agreed. I just had to contribute ASAP. Gotta give this kind robo man a forehead smooch. v3v

I don't mean for the image to come off as entirely creepy, I just wanted it to feel like you've been staying in the dark plex with your best buddy eclipse! Stuck but at least not alone. :)

Plus I gotta let the creepy robots be creepy sometimes. It makes the sweet personalities feel even sweeter imo :P

[bogkeep]

lonely star

[siffrin is from in stars and time]

[crowfromfoggyforest]

um so instead of going to sleep i kinda made something...

Armand x pinterest quotes

[potato-lord-but-not]

day 40 of me obsessively drawing this man send help

[tritoch]

one thing I find neat about Emet-Selch is that his chauvinism is so intense that it actually prevents him from making the strongest possible case for the unique moral goodness of the ancients, and that this same mental distortion ties into his classic final fantasy need to turn into a Horrible Final Form Monstrosity for your final fight

(for my part I think any minor unique moral goodness the ancients possess they have due to their status as demigods living in eden before the fall. even if they really are morally/intellectually/spiritually/magically/etc. superior to every modern eorzean on a 1:1 level it still doesn't change anything because 1) they are mythical and impossible, that's the whole point and 2) even if they weren't, they still have no particular claim to existence that is superior to anyone else's, no matter how good they are. but the point here is the case Emet-Selch is trying to make, which is that they are more "worthy" of life.)

when he's setting you up for the final amaurot sequence, Emet-Selch hits you with this one:

it's a solid line! stops the party cold for a second.

it's also...not that impressive. do I think if we called a big world meeting that half of everyone would just jump up to be chosen? maybe, maybe not. but, sorry: we're having a big world meeting? are we also demigods with their every material need fulfilled in this version? do we have a one world government that almost everyone seems to fully trust telling us that it knows for real a way to stop the meteor heading towards earth? because honestly i think as soon as we start creating structural similarities like that, it becomes a lot more likely. and every step you take towards making the comparison happen on level ground makes the idea that the ancients were possessed of some unique moral fiber that made them capable of this sacrifice (as opposed to the undeniable abilities in magic and global governance that actually enabled it) seem less and less likely.

and especially if you consider it in the context of what actual people are like. human (and presumably eorzean) history is replete with examples of people sacrificing themselves to save others, even though none of us are immortal wizard philosophers. i don't know how the white-room thought-experiment "will half of you die to save the others???" turns out. but do i think, across a grand rolling catastrophe, that half our population would sacrifice itself to save the other half in a million individual acts of sacrifice to save a parent, a child, a lover, a friend, a stranger? that seems significantly more plausible. altruism and sacrifice for others is even pretty frequent in animals! it's not a very unique moral behavior!

(stanford encyclopedia of philosophy on biological altruism)

but that's not the only sacrifice the ancients made. roll the tape, hythlodaeus!

...Yet oh how the star had suffered. So many species lost. The land was blighted, the waters poisoned, and even the wind had ceased to blow. Once more did our people give of themselves to Zodiark. Another half of our race sacrificed to cleanse the world; to ensure that trees and grasses and myriad tiny lives would sprout and grow and flourish.

(every time I read this speech and hit the ff1/3/5 ref about the land and waters and wind i become mylongestyeahboyever.avi)

this is the step beyond, and it's what separates the ancients from modern humans. they viewed themselves as stewards of the star and really meant it; whatever other criticisms you might level, you can't doubt the depths of their commitment. and this i think really does make them morally distinct from modern people, or at least raises that possibility in a much more compelling way than the first sacrifice. half of the living population sacrificing itself not in a moment of duress and apocalypse but in a moment of calm? when the sacrifice isn't for anything but plants and animals and some tiny proto-eorzeans? that kind of cold, calculated, long-term altruism, aimed at people and living beings that are nothing like you...that does feel like something a little more unique, more worth preserving. even in just the text of the game, we can say with real certainty that the ancients were at least more capable of facing their problems and had greater moral integrity and care for the world than, say, the people who made ra-la.

but emet-selch can't ever say that because rejecting and dishonoring the decision the ancients made as stewards of the star is his primary goal.

like, "my people were uniquely morally good. half the living population sacrificed themselves not for their loved ones or for the survival of their people but simply for the world. for the trees and grasses and the wind and the water. for the humblest insects and for the summer breeze and the tides." that fucks! damn, you got me there! i watch enough people throw aluminum cans in the trash on a weekly basis that i find this sincerely moving and beyond the seeming abilities of my own brethren! oh no, i'm being persuaded by the fascist immortal space wizard!

"and therefore, because they are uniquely morally good, we are going to sacrifice and kill the very things they gave their lives to save, so we can have them back :)" well, shit. i'm experiencing some dissonance here.

but you can't actually lie to yourself as long as emet-selch without distorting your understanding of the truth. you cannot choose to see the world falsely half the time and clearly the other half. in committing to self-deceit and willful ignorance regarding the value of the modern world, emet-selch blinds himself not just to the world as it is but to the ancients as they were. if he could describe accurately the ways in which the ancients were genuinely noble and benevolent, he would also have to able to see clearly how he has entirely deviated from that ideal. and he cannot do that and stay on the path he has chosen, so he simply chooses not to see things accurately.

i cannot help but link this blindness of his to his trial. here, at what seems to emet-selch to be the last stand of the ancients, he says to you "to be clear this fight IS a metaphor, and in that metaphor i stand in for the Entire Unsundered World."

and yet, in standing against you, he betrays both the customs of the ancients and his very title, itself a direct signifier of the mission he was charged with as one of the convocation of fourteen: "to ensure that all is right in creation, that our star may know a brighter future." contra elidibus, for whom remembering his duty to the ancients is one and the same act as remembering his name, emet-selch declares his own to be mere pretense. and that's before we even reach the matter of his transformation.

emet-selch believes the only way he can save the ancients is to betray their principles, forget their greatest triumphs, and abandon their trappings. he renounces almost everything of the ancients, save for his pale and sad and faceless amaurot, in the hopes of bringing them back.

i am reminded a little of borges's three versions of judas, a short story which uses the lens of fictional literary criticism (appropriate for a story as interested in competing narrative interpretations as shadowbringers is) to recast the betrayal of christ by judas not as the greatest of sins but as the greatest of sacrifices.

The ascetic, for the greater glory of God, vilifies and mortifies his flesh; Judas did the same with his spirit. He renounced honor, morality, peace and the kingdom of heaven, just as others, less heroically, renounce pleasure. With terrible lucidity he premeditated his sins.

and, in turn, the sardonic footnote to that very same line, which unsettles that sentiment as soon as it has been presented:

Borelius inquires mockingly: “Why didn’t he renounce his renunciation? Or renounce the idea of renouncing his renunciation?”