#lord of the rings: the return of the king

[mickies-musical-madness]

Okay you just gavr me a new headcanon AND made mr start crying... okay... thank you

Lotr headcanon, having lots of patches on your clothes is fashionable in the Shire. The more patches, the cooler you are. Especially if it's a lot of different fabrics. It's common to trade patches with friends and family, and it's usually treated with high sentimental value. It's like carrying a piece of someone with you.

While the hobbits are on the quest, their clothes get holes and such. This leads Sam and Frodo to nab small things from the other members of the fellowship, like handkerchiefs or anything too worn for use, to use as patches. Merry and Pippin aren't so courteous, and cut pieces from the fellowship's clothes while they sleep.

Of course, the hobbits exchange patches amongst themselves while traveling, and they never go anywhere without a needle and some thread. Sam is the best at sewing. Pippin is not allowed around needles.

Boromir notices this, thinks it's adorable, and leaves things out purposely for the hobbits to use. Eventually, he asks about it, and they convince him to do the patches, too.

Aragorn also notices and thinks it's adorable, but doesn't bring it up to them. He's secretly flattered to find pieces of his rag on Frodo's pants. He asks Boromir about it instead.

Legolas doesn't notice. His clothes are elven-made, and the scissors refuse to cut it.

Gimli notices the random holes in his clothes, and the things going missing, but doesn't realize it's the hobbits. He brings it up to Legolas, who immediately convinces Gimli that he's crazy and it's all in his head.

Gandalf notices, obviously, and he doesn't mind until Pippin tries to cut his cloak while hes asleep. He proceeds to wake up and yell at him until dawn.

After Boromir dies, Aragorn takes his cloak, and sews pieces onto his clothes. These are the only patches he has.

Bilbo has a set of clothes with patches from the dwarves, from his own adventure. He told them about the tradition, and they all gave him pieces of fabric to use. He can still recount which patch belonged to who.

[vargdottern]

did the eagle get ahold of pippin's pipe weed or what

[xueyangsleftpinky]

“Nine Rings For Mortal Men doomed to die…”

One cannot resist the desire to draw sauron after rewatching all the movies and rop.

[greenbellehaven]

casting Orlando Bloom as a white haired elf and expecting me to care about the plot is Devious Work

[mikkeneko]

Return of the King, specifically, among the Lord of the Rings, deserves a place in the pantheon of First World War literature – not only for this scene, of course (Frodo’s efforts to live with trauma after the scourging of the shire rate, to me at least, as one of the greatest and saddest passages in all of English literature) – alongside works like All Quiet and A Farewell to Arms, yet it seems it is rarely appreciated as such. I actually suspect Peter Jackson understood this.... Nevertheless, where Jackson’s Siege of Gondor is about might, Tolkien’s Siege is about courage and despair – the question is not ‘can the men of Gondor resist’ but will they?

J. R. R. Tolkien: no, my books aren't about the war I experienced. It's just a story

J. R. R. Tolkien's works: you cannot go home, war ends entire bloodlines, you are mourning the death of your brother alone, you dug into the earth and permanently scored the land, you cannot explain what you have been through, you cannot go home, "that wound will never fully heal. He will carry it the rest of his life", leaving the women behind does not save them, the young die first, you cannot go home, the parent will bury their child, you have lost the wives and you will never connect with them again, "how shall any tower withstand such numbers and such reckless hate?", you are not the same, you cannot go home, you can never go home, your father will only side with those he sees as worthy bloodlines and you cannot change his mind, it is more meaningful Not to kill, sometimes your sacrifice accomplishes nothing, you cannot go home

[hailturinturambar]

Elrond's trajectory in The Rings of Power

This analysis, unlike the others, does not seek to understand a dynamic between two characters. But rather to understand who Elrond Peredhel is and what made him the character we know over the course of two seasons.

To understand who Elrond is and why he acted as he did, we need to go back in time and analyze this character's life. The answers, in general, always lie in the past.

Elrond was born a half-elven son of Elwing, who is the daughter of Dior, who is the son of Lúthien. He was also the son of Eärendil, who is the son of Tuor, who is the son of Huor.

In some narratives, Elrond was born an only child, in others he had a twin brother, Elros. I will analyze through the narrative with Elros, since Elros was important for great future events in Middle-earth.

Elrond's legacy was born of pain and grief. His father, Eärendil, left with his parents (Tuor and Idril) as a child in search of a safe haven. Tuor and Idril fled with the survivors of the Fall of Gondolin.

It is at this time that Eärendil and Elwing's paths cross, as she is fleeing after the destruction of her father and kin at the hands of the Sons of Fëanor. And Elwing had a one of the Silmarils, won by his grandfather, Beren.

When Fëanor's sons destroyed Elrond's home, and his parents were separated from the twins, Elros and Elrond were left alone in the world. However, after growing tired of all the harm they had caused and the weight of their oath, Maedhros and Maglor took the twins in and cared for them.

When the Valar listened to Eärendil and went to war against Morgoth, the Elves were allowed to return to Valinor. Maglor and Maedhros, succumbing to the weight of their oath, met tragic ends, and Elrond and Elros were left alone once more.

But as a reward for the help of Men, and for the half-elven nature of the boys, they were given a choice. Elros, who went with the Men and was numbered among them, went to Númenor and became the first king. Elrond, chose his Elven half and remained in Middle-earth.

To me, this must have been one of Elrond's greatest sorrows. Because he lost his mother, he lost his father. Then he lost the two elves who had cared for him and his brother. And in the end, all he had left was Elros, and he lost him too. Knowing that he would remain in Arda, while his brother would perish.

Thus ends Elrond's days in the First Age. In the Second Age, which we are introduced to in The Rings of Power, we have Elrond much changed, older and even wiser.

Elrond then lives in Lindon, the kingdom of the High Elves, under the command of Gil-galad. Elrond is the king's herald and responsible for the speech in honor of the great heroes who spent centuries hunting Sauron, and one of these is Galadriel, his closest and oldest friend.

Elrond is descended from kings in both his lines, being related to Thingol on his mother's side and to Turgon on his father's side. But his descent does not seem to matter, which makes sense when Elrond lost all his relatives and was left alone, less than a royal heir, more than an outcast.

Elrond is stripped of titles, which is remarkable when he cannot be present at the council, because it is only for Elven Lords. But Galadriel is there and it does not bother him so much. But, I believe deep down, Galadriel's vision worried him.

Galadriel is his beloved friend and he has not seen her for many centuries, but she is very changed. I believe that Elrond feared deeply for her.

Because he knows the shadow that surrounds her, the shadow of an oath made in love, for someone who has been lost. And how much that oath can cost. How much oaths like that have cost Elrond and his family.

In his attempt to help Galadriel, to ease her burden, he pushes her away, and when Elrond can no longer glimpse Galadriel heading towards Valinor, did he feel he was once again left alone in Middle-earth? Probably. Did he feel that the last person he had left had been separated from him for countless years?

Elrond then turns his attention to Celebrimbor, whom the King of Lindon has asked him to help. Elrond readily accepts, this task is a great honor and he accepts it with pride. Elrond has always admired Celebrimbor and he will prove that he is grateful.

Elrond has always admired Celebrimbor's achievements, but to him it is an honor to be able to work with the greatest of the Elven smiths. And Celebrimbor gently reminds him of his father.

And I believe that in that moment, like Galadriel looking upon Finrod, Elrond took it upon himself to protect Celebrimbor and fulfill his father's promise.

Elrond and Celebrimbor cannot build a new forge alone, not in such a short time. And Elrond remembered his great friend, Prince Durin. However, Elrond as an Elf, did not notice the passing of time as Durin. And Durin is heartbroken by Elrond's absence. As Durin says, he lived a whole life in the time Elrond was away.

I believe this is the first moment Elrond realizes how his elven side blinds him to the brevity of life. Elrond spent his entire life surrounded by Elves, eternal beings who would never die except by enemy spear or grief.

Elrond wants to make up for his mistake and assures Durin that it will be different this time. And he means it. Is this the moment when Elrond realizes he is not alone? Galadriel is gone, but he still has friends. He still has Durin. And he also has Disa and Celebrimbor now.

When Sauron spoke about Mirdania remind him of Galadriel, I remembered Celebrimbor noticing the resemblance between Elrond and his father. It's a powerful scene, very beautiful, in my opinion. But a very painful scene too. Because Elrond carries the grief of the loss of his parents, and it's obvious in his personality.

Does Elrond wear clothes that resemble bird wings, like his mother's wings? Elrond, it is important to remember, has a daughter, Arwen Undómiel, the Evenstar. The traces of his longing are there, present in everything that represents Elrond. Even in loss, he carries them with him.

So, I believe it was not easy for Elrond to accept Celebrimbor's request. To distrust Durin, to spy on Durin? It is a difficult task. Durin is his last friend and Elrond did not know that by helping Gil-galad, he could be compromising their friendship. Although he is Gil-galad's herald and his subject, Elrond promises to keep Durin's secrets.

But Durin III does not care about Elrond's promises, and Elrond fears that father and son will never understand each other. Elrond does not want Durin to feel what he felt when he lost his father.

Elrond's words about his father are painfully beautiful. And it is the moment of greatest clarification of the character's attitudes to the audience. Because Elrond was shaped by the loss of his parents, his adoptive parents, his brother, Galadriel, so many important people.

And he lives with this motto in his heart, to be good, to be pure, to be worthy of the love and respect of those who have passed away and who perhaps watch him from a distance.

Elrond presents Gil-galad's proposal to Durin and the prince accompanies him to Lindon. But it is not easy for Elrond, being forced to be the spokesman between the two sides, feeling that he is betraying his friend, as well as his kind.

It is a great weight placed on Elrond's shoulders by Gil-galad and Celebrimbor. Must Elrond betray who he is to save his people? Elrond understands the weight of the oath, as his protectors have felt for countless centuries. Because it is not always possible to keep an oath.

Fearing the destruction of the Elves not only of Lindon, but of all Middle-earth, Elrond must swallow everything he believes, everything he has promised and agrees to ask for Durin's help. I believe that Durin knew that Elrond never had bad intentions, and understands the dilemma of his Elf friend.

Elrond sets off for Khazad-dûm with Durin. Durin, like Elrond, needs to honor his oath. An oath that is not always easy, that is not always possible. One of the things I like most about Tolkien/TROP is how sacrifice is always a point, it is always something we do for those we love.

One of the obstacles in Elrond's journey is King Durin III. Durin III is cold and harsh at times, but he is a wise king and is trying to protect his people, fearing that the Elves will take advantage of his people and their resources.

As I see it, when Elrond gets down on his knees and announces his mixed race, Elf and Man, he has never been more like his father. Like his father who in Valinor spoke for the Two Kinds, Elrond does so now. For if the Elves depart from Middle-earth, all will be at risk.

Durin IV helps Elrond as much as he can, but his father and king does not allow Elrond to return and banishes him from all the Dwarves Mountains. When Elrond cries, holding the Mithril, we see how love and friendship are present in his heart.

Did Elrond remember of Maedhros and Maglor? That in the end, they fought for him and Elros, as far as they could bear? It's sad. Elrond's journey is marked by so much suffering and abandonment.

He has no choice but to return to Eregion and warn Celebrimbor. There is nothing the Elves can do and it is time to go home, back to the Realm of Light, where pain and suffering do not exist.

Everything changes for Elrond with the arrival of Galadriel. It is like an explosion of emotions. He has just been forbidden to be with Durin, but his friend has returned to him. He is no longer alone. And Elrond feels a lot of guilt for sending Galadriel away, even though he believed that this could have protected his friend.

Galadriel and Elrond try to find solutions with Celebrimbor, but Galadriel is not alone, she has come accompanied by Halbrand. Elrond had no prejudice against Men, he himself was part Man. Something, however, about Halbrand, never felt right to him.

At this point, Elrond's journey comes to a major halt. In his quest to save the Elves of Middle-earth, they have attracted Evil that should never have returned.

It was undoubtedly difficult for Elrond to realize that despite Halbrand's suspicious influence and intentions in the Rings, Galadriel persisted. This breaks something very fragile in Elrond, shakes his already fragile trust in others.

We're getting into dangerous territory now! I know many were angry with Elrond in season two and how he treated Galadriel. Elrond, however, wasn't being punitive, jury and executioner, his actions are completely understandable.

Elrond sets out for Lindon with the Rings in a desperate attempt to get Gil-galad to listen to him, to understand his fears. And he does, for a time. Galadriel and Gil-galad may despise Sauron, but they are both desperate for a solution, for a cure so they won't have to abandon Middle-earth.

Gil-galad desires the Rings and Elrond is once again alone. Like Galadriel in the first season while hunting Sauron. It's not easy being the last soldier standing. The only one fighting a losing battle.

It pains Elrond that Gil-galad would risk, in his desperation, accepting something that may have been influenced by Sauron. And it pains him even more that of all the Elves, Galadriel, who has suffered so much and fought so hard, should fall for Sauron's trick.

Círdan is his last hope. Another fleeting hope. Círdan, at least, understands Elrond's fear and the risk of the Rings. To Elrond, the Rings of Power are no different than the Silmarils. Objects of beauty and power that have cost many lives.

Elrond did not hesitate out of spite for Galadriel. But as someone who has suffered so much under the influence of the Silmarils, he understands the staggering risk they are all taking. Like his mother, Elwing, Elrond’s leap is one of desperation, of sacrifice.

Now the Rings are in Lindon and Elrond tries one last time to protect Galadriel. Yes, the Rings worked and their beauty enchants everyone, even Elrond.

This, however, does not make the Rings any less dangerous. The disappointment on Elrond's face is noticeable when he realizes that Galadriel succumbed so easily to the desire to wear the ring.

It is undoubtedly difficult for Elrond to remain in Lindon. The Elves are happy, the Rings have worked, and they are safe. This is not enough to assuage Elrond's fears. And given all he has been through, it is to be expected that he would feel this way.

Elrond remains firm in his beliefs, even though he is suffering from his separation from Galadriel. But Elrond was so young when he lost his parents because of the Silmarils, why would the Rings be any different?

I believe he did not want what happened to all those who touched the Silmarils to happen to his friends. But Elrond cannot forgive Galadriel, he cannot accept what she is asking. For him, if she accepted the Ring, she is accepting Sauron's influence.

Only Cirdan can convince Elrond and he does. He believes in Elrond and understands his fear, but asks him to understand that the Rings can and should be used for good, and that is why Sauron cannot touch them. Is it Cirdan's words that influence Elrond to leave with the retinue? I believe so.

The best way to define the relationship between Elrond and Galadriel in the next episodes is, as they say in my country, "A tail-puller." (it sounds better in my language) Which talks about two difficult people who are constantly at war, but never move away from each other.

In episode four, they are like two contrasting forces. Elrond has agreed to leave with the retinue only because he wants to protect Celebrimbor and end Sauron's rule. His motives and Galadriel's may be the same, but their motivations are not.

Elrond is firm with Galadriel, not giving in to her tempestuous and proud ways. She has agreed to be there, so she needs to take Elrond's advice. Since Elrond will not follow the Ring's advice.

And is he completely wrong? We, the viewers, understand that the ring is not compromised. That vision does not exist for the characters. And trusting in a Magic Ring is not trustworthy. Let's look at what happened to the Dwarves, to the Men. The fear of Elrond is equal to the fear of Durin.

Evil was in the forest, Elrond was warned. Who has never made a mistake by not listening to advice? Listening to the Ring's advice, for Elrond, would be like listening to the Silmaril's advice. It is a dangerous path that he does not wish to follow.

A choice that caused the loss of an Elf. However, in the fight against Sauron and the forces of Adar, it is as Galadriel said, many difficult losses would occur. It is clear that Elrond wants to listen to Galadriel, that he wants to trust her words.

He feels that she is being influenced by the Ring, and this impairs her judgment, or vice versa. No one can be completely correct in this story. Let us remember that Elrond is deeply hurt.

Did Galadriel sacrifice herself for the ring? For her friends? Both answers are possible, together or separately. They vary depending on how much you like the characters. What matters to me, however, here, is what Elrond felt. And he is so hurt that he prefers to believe that Galadriel sacrificed herself only for the ring and nothing more.

Even the lives of the Elves are about growing, maturing, and learning. Elrond is learning slowly. As Círdan said, they do not yet understand the Rings. It is to be expected that not everyone will agree at once.

But Galadriel's sacrifice, no matter how Elrond interpreted it, changed something in him. Elrond runs to Lindon and warns Gil-galad. Yes, Galadriel was right, and they need to send all their soldiers to Eregion. I think a lot about Elrond's words, when he talks about how the loss of Eregion would affect everyone.

Did he think of Doriath, of Gondolin? That is in his legacy. He cannot bear the loss of yet another great Elven kingdom to one of the Dark Lords.

It is time for Elrond to set out for the Dwarven Kingdom and seek help. Elrond, ever the herald of the Two Kinds, speaking for the Two Kinds.

Elrond once again sets out for Khazad-dûm. He knows that the Elves will be defeated without the help of the Dwarves. Elrond, like his father, has always known that one people alone cannot defeat such a powerful enemy. Only united are they strong enough.

Leaving with Durin's promise, Elrond returns to Lindon to fight on behalf of all Elves. He is determined, he will protect his people. Galadriel is his weak point. His friend is in the hands of Adar and he blames himself for this.

Elrond and Galadriel tend to say goodbye in moments of great intrigue. Seeing Galadriel in the hands of the enemy undoubtedly hurt him, he himself was once in the hands of the enemy, he was on the side of the hostages, he was a hostage.

Adar is as big a threat as Sauron. Sauron may be forging Rings to enslave Middle-earth, but it is Adar who is in Eregion with his Uruks destroying the Elven kingdom.

And Elrond needs to be strong once again. Elrond faces Adar, even though Adar disregards Elrond's ability as a warrior. Yes, Elrond lived behind countless books, but he always knew war, always understood it and faced it.

I'm going to get into another dangerous area and some of you will hate me (well, but analysis is how I interpret the show, so…) I consider Elrond and Galadriel's kiss very important and necessary.

I ship Galadriel and Celeborn, yes, I said that. But Celeborn is not here at the moment, I am talking about Elrond.

The kiss is a subtle and effective strategy that allows Galadriel to escape. However, I also see the kiss as a way for Elrond to show his love and affection for Galadriel, how he is regretting, how he blames himself for her being there, how he wishes things had been different and they could be at peace.

And perhaps it was also a farewell kiss. It is, after all, a war. Is it hard for Elrond to turn his back on Galadriel, to leave her alone in Adar's tent, to run away alone? I bet it is.

Elrond is back on the battlefield. It is a hard, ugly, cruel fight. Many lives are lost, Elrond is forced to watch his friends and companions perish in a cruel way at the hands of the Orcs. At the hands of his enemies. It is painful, it is always painful.

The final stab is Durin's delay. Did Elrond feel abandoned? In all the chaos, he cannot assimilate everything that was happening around him.

All he knows is that Durin is not there and they must fight. And here is Adar, taking Nenya from Elrond. The world is made of hope, but not for Elrond.

Loss is an interesting thing to interpret. Elrond lost many things, many people, during much of his life. It is no different now, with Eregion destroyed, with Celebrimbor dead. But the cruelest loss is memory.

What remains. It is devastating to Elrond that all the documents, the scrolls, all the memories of all those who lived in Eregion, who wrote down its teachings, were lost.

Why not just lose, but also lose memory? It is too much for anyone. All the knowledge of a people lost, forever. Which is a long time for an Elf.

Durin's arrival is a small comfort, until Elrond discovers that it is not Durin. The last of the Elves are being rescued, but to where? Eregion has fallen, there is nothing left for them, not there. Not in many places in Middle-earth.

Elrond is at a crossroads. Galadriel is dying, the darkness is too strong. Is it up to him to trust the Ring, to go against all his principles? In my opinion, this is the key point about Elrond's evolution in the second season.

Elrond was greater than his fear, greater than his fears, because it was better to risk using a Ring controlled by Sauron (whom he feared, obviously) than to lose Galadriel. After so many losses, it is easy to choose his friend over his fear.

The scene in which Elrond contemplates Eregion, once an imposing, majestic kingdom, completely in ruins is very sad. An entire kingdom destroyed by the desires of Sauron and Adar, so many lives, so much knowledge, lost for power.

As when the people of Gondolin fell, and the people of Doriath fell, Elrond had to start over. As when his parents fell, and ruin came to his people, he must start over. Ever forward, in search of better days. When everything is broken, we can only start over and move forward.

It is nice to see Elrond's last scene, where he holds Nenya without fear, without distrust (something that will be beautiful to see in the future, since he will also be a protector of the rings) and trusting Galadriel once again.

They are both at peace now. The surviving people of Eregion are at peace, as much peace as can be. The light is shining and a new day has dawned, for all of them, especially for Elrond, who in the Third Age will be one of the few to represent a light in the darkness of Middle-earth.

I really like the way Elrond is built in the show. It's great to watch and follow the growth of this incredible character, who is by far one of my favorites. I can't wait to see what his journey will be like in the upcoming seasons.

Don't forget that you all voted and the next analyses will also be about trajectories. (First Míriel, then Sauron.)

Tomorrow is my birthday, so I'm posting the analysis today! :)

[suzannahnatters]

I blazed through the first 25% of my FELLOWSHIP OF THE RING audiobook reread in 3 days whoops

nb this is like the 9th or possibly 10th time lets go wheeee

FOREWORD

it's SO iconic of JRRT to come out swinging with "some people are wrong about my book and I have chosen to make it everyone's problem"

PROLOGUE - CONCERNING HOBBITS

"after the book is over Celeborn is going to go and live at Rivendell, and Sam is going to preserve Bilbo's and Frodo's literary legacy, and Merry Brandybuck is going to become a loremaster in herbology and history and linguistics, and Pippin Took - well, Pippin doesn't do diddleysquat"

CH 1 - A LONG EXPECTED PARTY

Gandalf is the personal emissary of the gods wielding a ring of power crafted thousands of years ago by the legendary elven-smith Celebrimbor under the tutelage of Sauron, Dark Enemy of the World. he uses this artefact, among other things, to create fireworks for children.

CH 2 - THE SHADOW OF THE PAST

this is THE chapter to me. I cracked open LOTR for the first time when I was 10 and noped out somewhere around chapter 3 because it was SO SCARY HELP but chapter 2 had got me, I HAD to find out whether Frodo ever found the Cracks of Doom

instead of One Chosen Hero who Saves the World JRRT gives us the One Dreaded Artefact which Must Be Destroyed, doesn't matter by whom though ideally it'll be a complete nobody - nobody is doing it like him. this might possibly explain why I've always wanted to read fantasy books about the one person in the world with NO magical abilities at all

the way that Gollum gets so humanised in this chapter drives home how this book plays with notions of heroism/protagonism. Aragorn is the classic fantasy hero, the promised king whose main function is to run distraction while the hobbits get the job done. Frodo is the protagonist through whose eyes we see the story but in the end he fails his job. Sam is the true protagonist because in the end he is the one with agency. Gollum is the tragic hero whose fall becomes a vehicle of grace in bringing about the Ring's destruction. and right from the start he's honoured that way by the book bringing us into his perspective.

it's always DELIGHTED me that on a re-read you can track more or less when Sam starts listening in by the fact that his shears stop snicking in the background

our boy Frodo is so relatable for how he reacts to the news that the dark lord of Mordor has probably heard his name and knows where he lives, it's like he's become twitter's main character for the day...but I think the main reason this chapter terrified me so much as a child is because of how strongly as a child you identify with Frodo, being so aware that one is only a small hobbit in the grand scheme of things. it's something I think that as a kid you identify with.

huge drama going down in the sitting room as Gandalf recoils halfway to Gondor at the thought of being asked to take care of the Ring himself. smash cut to Sam outside pretending to be bustling around the garden whistling to disguise the fact that he's been eavesdropping on the whole thing.

love the way that Gandalf is coded as wise and prophetic in this chapter. he takes on a sort of old testament prophetic role, not in terms of being able to look into the future but in terms of being able to look at the present with heightened vision to perceive the workings of divine providence

"THEY'RE MIGHT SUS DOWN IN BUCKLAND" says Gaffer Gamgee to a several thousand year old incorporeal nightmare fuel phantom

CH 3 - THREE IS COMPANY

it will never not be utterly delightful to me that given the strength and terror they later achieve the ringwraiths come into the story getting sassed by hobbits and later, falling off things

never not losing it when Frodo, on leaving the shire, suddenly recites the same poem Bilbo spoke when returning to it. cept that when Bilbo spoke of "wandering" feet Frodo speaks of "weary" feet 😭😭😭 MY BOY

"cannot imagine what information could be more terrifying than your hints and warnings" MOOD, I think that Gildor's vague alarms are part of the reason I DNF'd the book age 10, I simply could not handle that

a bit difference between the SILMARILLION versus HOBBIT and LOTR is that in the latter we get a look at the elves from an outsider perspective and it's so fun, the Mirkwood Sindar come across as tricksy folklore elves but Gildor's Noldor are coded quite differently, as fair back-of-the-north-wind elves

CH 4 - A SHORT CUT TO MUSHROOMS

we're getting so much character development for the hobbits already - Frodo already isolated by his burden emotionally in a way that foreshadows the severe physical isolation he'll undergo later; Sam manifesting prophetic wisdom and foresight under the Elves' influence; Pippin just being a happy-go-lucky boyy and we even get a strong sense of Merry as the practical, capable one handling logistics in the background (am I still sore at the movies for making them both comic relief? yea verily)

"short cuts make long delays but inns make longer ones" spoken like a man who tried to go on multiple walking tours with CS Lewis

the vibe of these chapters is impeccable, it's like cosycosycosy SPINE MELTING PSYCHOLOGICAL HORROR cosycosycosy

but it's also actually super reminiscent of Stevenson and Buchan - this whole sense of being hunted relentlessly through an otherwise beautiful peaceful landscape.

[cinematicsource]

THE LORD OF THE RINGS: THE RETURN OF THE KING (2003) dir. Peter Jackson

[ernmark]

Okay, so:

When I was little, my mom would pop me and my brothers into a little wagon and walk us over to the public library, and she'd come back with a bunch of VHS tapes of pretty much anything that looked kid-friendly that didn't make her lose her mind. It kept us occupied, but also helped us to learn English outside of school (for my older brother) and before we started school (for my younger brother and myself).

Two of these tapes were the Rankin Bass Hobbit and Return of the King.

Now keep in mind, I was also watching home-recorded VHS tapes that we brought over from Germany, and I remembered a lot of those more clearly than the American tapes that got cycled out every time my mom took us to the library.

Fast forward a decade or so, 2001, when the Fellowship of the Ring hit theaters. But we didn't have a ton of money, so seeing a film in theaters wasn't a priority. But everybody was talking about it, so I started reading the book. And it seems familiar, but... not. And I can't put my finger on why.

Later that year, my middle school English class read the Hobbit-- and again, weirdly familiar. Like, really weirdly so. And then at the end of the unit, we watched the Rankin/Bass Hobbit film, and I thought oh! That's why! I've seen this film before!

(Except there were songs I kept remembering that obviously weren't in the film, so maybe I saw a different cut? Maybe I dreamed it? And clearly Bilbo had all ten fingers to the end credits, so that was a weird thing to misremember.)

Then the DVD of the Fellowship of the Ring comes out, and one of my friends has me come over to watch it. And same as with the book (I hadn't yet made it past the Two Towers), and still these little details kept popping into my head that were wrong, but in ways I couldn't articulate. Maybe they were details from the book that got cut? Didn't Gollum, like, jump on somebody's shoulders at one point? Weird how he didn't actually confront them. And I kept remembering that Frodo had Nine Fingers, but he clearly didn't, we kept getting very clear shots of Elijah Wood's hands, so that didn't make any sense at all.

But I really enjoyed the movie, and I was really hyped for the next one, and so I started digging deeper into it. And my friend discovered that there WAS, in fact, an old cartoon that dealt with Frodo et al: the 1978 Lord of the Rings (which, weirdly, cut off during the Two Towers), and that was just frustrating-- nothing looked like I remembered, and nobody was singing, and everything was rotoscoped, and Frodo still had all his fingers???

I cannot describe to you the surreality of spending more than a year chasing a half-remembered film that simultaneously is and is not all of these other iterations and being unable to articulate why-- or the giddy vindication I felt when I finally got my hands on another copy of The Return of the King and finally proved that I hadn't hallucinated the entire thing.

All of which is to say:

The poll is missing an option.

[ben-sisko]

The Lord of the Rings: The Return of the King (2003)

Directed by Peter Jackson

[playstationpark]

Hyper #122, Dec 2003 - 'Lord Of The Rings: The Return Of The King' cover.

[costumeloverz71]

Arwen (Liv Tyler) Black dress & red sleeves.. The Lord Of The Rings: The Return Of The King (2003).. Costume by Ngila Dickson &  Richard Taylor.

[savage-kult-of-gorthaur]

"GROND THEY NAMED IT, IN MEMORY OF THE HAMMER OF THE UNDERWORLD OF OLD."

PIC INFO: Spotlight on an illustration depicting Sauron's host during the Siege of Gondor, bringing up the hundred-foot long battering ram, Grond, to smash the Great Gate of Minas Tirith and burn the White City. March 3019 of the Third Age.

"Great engines crawled across the field; and in the midst was a huge ram, great as a forest-tree a hundred feet in length, swinging on mighty chains. Long had it been forging in the dark smithies of Mordor, and its hideous head, founded of black steel, was shaped in the likeness of a ravening wolf; on it spells of ruin lay. Grond they named it, in memory of the Hammer of the Underworld of old. Great beasts drew it, orcs surrounded it, and behind walked mountain-trolls to wield it."

-- "The Siege of Gondor," Book IV of "THE LORD OF THE RINGS: The Return of the King," written by J.R.R. Tolkien.

Source: www.instagram.com/tr.middlee_earth/p/CxtNQ_0Nknh.

[thebestestwinner]

See the pinned post for the full bracket!

[issela-santina]

I like that the two most awarded films ever (as of this posting) are both solidly in the realm of speculative fiction

coming from someone who lives amongst people who just see spec fic as childish, brainless entertainment when in reality, just writing the foundation to this kind of stories takes a lot of brain

it amazes me that in this millennium the world is filled with more people who see so much sense and joy in the fantastic instead of just dismiss it as expensive folly

[ihearttseliot]

I'm watching The Lord of the Rings trilogy, and it still amazes me that I genuinely believed actors were doing their own stunts. As a teenager.