#long analyses

[lightwise]

Masterlist

Hey there, friend 🌻 You can call me Light or Lightwise ✨ This is my little corner of Tumblr mostly dedicated to Star Wars (especially the Bad Batch, clone boys, Ahsoka, and Obi-Wan). I am a photographer and writer in my early thirties who spent her childhood telling stories to herself while riding her bike in circles around her driveway. Little did I know at the time that would be considered fan fiction and that however many years later I would find myself nerding out in the Star Wars fandom and loving every second of it ✨

I write a lot of in-depth analyses and musings, which are tagged with #somelightramblings | #some light ramblings (for a touch of irony, because they are usually anything but light or short :D).

My image edits are tagged with #somelightedits | #some light edits

My fics/writings are tagged with #lightwisewrites | #lightwise writes

My fic recommendations are tagged with #somelightreading

I currently do not take fic requests but you can find my writing (a mix of one-shots and long-form WIPs) on here as well as on AO3.

Reblogs and comments are always appreciated 🤗 and feel free to use my edits for headers or PFPs with credit!

This blog contains both SFW and NSFW content, so minors DNI, 18+ only please and thank you 👀

moon dividers by @djarrex 🩷

Btw, I talk mainly about Star Wars with an emphasis on my favorite Bad Batch Boys, but I love many other fandoms/shows/books as well and welcome any conversations/sliding into my DMs to discuss them or other random (SFW) topics!

Narnia (my first fantasy love) | Mystery of Aaravos (The Dragon Prince) | Gilmore Girls | Marvelous Mrs. Maisel | A Series of Unfortunate Events | Shadow and Bone | LoTR | TrollHunters | Gravity Falls | Studio Ghibli  | Anything Jane Austen or 18th and 19th century literature | Sound of Music | And whatever you want to talk about! My Asks are always open!

Key:  🤔 = long analysis  📷 = image edits (alone or within analysis posts) 🫣 = Potentially disturbing or triggering content (mental health, implied violence or dying, etc.) 🔥 = NSFW/spicy content

My Fics

Plan 99 - Short one-shot fic from Tech's perspective. I wanted to show the thoughts that must have been running through his mind as he fell. The love he has for his family. The peace he has in his decision. (from the season finale of TBB season 2)

Tumblr link | AO3 link

Coming soon: Compass and the North Star (long-form fill in the gaps of TBB season 2, focused on Rex and Echo's efforts to free their clone brothers).

Be There - I had to fill in a couple of moments that we didn’t get in S3 E4 - A Different Approach. Hunter and Crosshair's perspectives on trying to find/escaping with Omega and their impending reunion.

Collaborations:

🔥 Sharp Edges - (with @spicy-clones) (ALL of the spiciness, minors do NOT read!)

Tumblr link | AO3 link

Coming soon: Pabu Wedding (with @drafthorsemath)

Inspired by other fics:

The Adventures of Gonky the Cat - Slight spoiler, Gonky is a cat in the modern AU fic Roasted, Brewed, & Served with Attitude (see description below), and I decided to write his backstory/fill in some of his adventures. This is a WIP, currently there are no spoilers in it, but eventually there will be some chapters that give spoilers for later in the story (and will be noted as such).

Gemini Eyes - This one shot fits in as a chapter in between chapters 85 and 87 of Roasted, Brewed, & Served with Attitude (see description below). DO NOT read it unless you have made it that far in Mel's work, otherwise you will have pretty significant spoilers. I had a lot of fun working with Mel's versions of each character, and it's always a joy to write Tech's thought processes and mannerisms. 

Fic Recs

Roasted, Brewed, & Served with Attitude - by MelMorganne99 over on AO3. It's a clever, emotional, modern AU with Crosshair x OC (and one of the best OC characters I've ever read). This fic helped me understand and appreciate the nuances of Crosshair's personality and emotional journey, and has given me endless writing inspiration. And the author is one of the kindest, most engaging people I've ever met online. Please, please, please do yourself a favor and read it. There are 99 chapters but they're on the short side and full of snarky humor and sometimes surprising cameos. This is a full blown fix it fic too, although not always in the ways you might expect!

The Vacation - by @staycalmandhugaclone is one of the best Crosshair fics (and smut fics in general) I've ever read. The writing style haunts me and both Crosshair and the OC are beautifully characterized.

More will be tagged soon!

Show/Character Analyses & Edits

The Bad Batch

S2

🤔 Know Your Showrunners

🤔 + 📷 Phee and the Bad Batch

🤔 + 📷 Why Mayday is a Mirror of Rex (How Crosshair Predicted His Own Redemption Arc) + an excellent comment addition.

🤔 + 📷 There is Something to be Said for Freedom (Crosshair in The Tipping Point)

🤔 + 📷 Fennec season 3 TBB Predictions

S3

🤔 They Don't Know

🤔 + 📷 Project Necromancer

🤔 + 📷 Tech and Crosshair Parallels

📷 Hunter and Wrecker

📷 Omega Smiling at Crosshair

📷 Separate / Together

🤔 Thoughts on Crosshair's Hand Tremor

🤔 + 📷 Crosshair's Choice

🤔 There is No "We"

🤔 Crosshair Sighs

📷 Recognition

🤔 + 📷 Omega Is Not Okay

📷 Get Up Here

📷 Return to The Outpost - Images Part 1 | Part 2

🤔 + 📷 Full Circle - The Return to The Outpost

📷 Crosshair Portraits

🤔 + 📷 I Am Many Things But I Am Not Your Enemy (Ventress)

🤔 I Never Gave Up On You (Parallels between Luke and Omega)

🤔 + 📷 Hidden Monsters (TBB and the monsters they face)

🤔 + 📷 They Call Themselves The Bad Batch

🤔 + 📷 Remain Calm. Cooperate. And You Might Survive. (Analysis of Emerie Karr) + excellent comment addition

Star Wars (general)

📷 Huyang and Tech

🤔 The Force - Part 1 and Part 2

🤔 + 📷 Project Necromancer

Ahsoka

📷 Life and Death (Ahsoka series ep 5 + Tales of the Jedi ep 1)

📷 They Reflect Each Other (Ahsoka and Anakin as master and padawan, Ahsoka series ep 5)

🫣 + 🤔 Ahsoka’s Choice (Ahsoka series ep 5)

🤔 The Face of War (Ahsoka series ep 5)

📷 Red and Blue (Ahsoka series ep 5)

📷 Anakin’s Clone Wars Robes (Ahsoka series ep 5)

Ahsoka’s Direction (Ahsoka series ep 5)

Mandalorian

The Protector (Satine, Bo, & Din as rulers of Mandalore) + excellent comment additions

Episode Reactions

Ahsoka Series: Episode 1 | Episode 2 | Episode 3 | Episode 4

The Bad Batch (Season 3): Episodes 1-3 | Episode 4 | Episode 6 | Episode 7

Headcanons

Hardcase

Wolffe

Crosshair

Tech

Cody

Jesse and Hunter

Random Musings

Psychometry (Ahsoka)

Hunter and Obi-Wan: Similarities

About Me/Tag Games

15 Questions

TBB Asks Game 1

TBB Asks Game 2

TBB Asks Game 3

TBB Asks Game 4

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[ranseur]

actual scene as it happened in the show

[collecting-dustbunnies]

The longer I play Obey Me, the more I feel like Obey Me is a story about how the MC, in their quest to seek acceptance by the people they care about, ends up destroying themselves in the process and losing the very thing that made them so special and loved in the first place.

In the beginning of OG, they started off as just a normal human who got whisked away to a weird ass world where literally nobody respects them. Despite this, they recognised from the beginning that these demons and angels were not so different from humans. MC's ability to see the demons as actual people and not just beings controlled by their sins was what allowed them to form close bonds with them. They had good intentions to reunite the demon brothers who had undergone centuries of misunderstanding, resentment, and pent up grief. Even though they were excessively nosy, MC's unique position as a complete outsider allowed them to see just how much love the demon brothers had for each other, and how they can become closer if everybody would just better communicate with each other. Serving as the bridge to better improve the brothers' relationships was what convinced the demon brothers to also see MC as a member of their family.

But as the MC became more involved in the Devildom's problems, they started to adopt the same toxic traits that had created wedges between the brothers in the first place. From relying heavily on their pacts to subdue the brothers, to allowing a curse to control Barbatos (even though they had the ability to break it), to going along with the brothers' manipulative scheme to trick Satan into reconciling with Lucifer when Satan ran away to the human world -- it's almost like MC has unconsciously picked up on some of their loved ones' behaviour. Gone are the days where MC brings in a new perspective to problems. Now, they just embrace the chaos and their more darker traits, for that is what is expected of them to survive in the Devildom. And since everyone within their circle puts them on a pedestal, this further affirms to the MC that this is how they should be.

Dealing with the affairs of the Devildom had also caused the MC to grow more apathetic. In the beginning, they had been actively taking steps to form pacts with the brothers and were generally very invested in freeing Belphie from the attic. They remained true to themselves and insisted that they form a pact with Satan based on mutual trust and understanding, and not just as a means to smite Lucifer. Despite being in a helpless situation, MC never refused to give up their agency. But the longer MC gets involved with these shenanigans, the more they grew... numb to everything.

Solomon bringing me back to the Devildom unannounced? Oh, sure. Diavolo and Solomon hiding the reasons for my sudden return? Not my problem.

Simeon facing a problem to the point of having a quarter of the cast acting as his bodyguards? Eh, I'll just ignore it until I can't anymore.

Watching and waiting. That's what they have resorted to doing.

And that mindset of kicking problems down the line until it lands on MC's doorstep and they have no choice but to act -- that's exactly how they have been acting when they were stuck in NB, hasn't it? MC didn't bother forming pacts with the past version of the brothers until they were given an ultimatum, and even then, they simply relied on the convenient timing of each brother struggling with an inner crisis to swoop in, resolve the situation and tick them off their checklist.

MC in NB seems like an unfortunate culmination of everything they faced so far. They're too apathetic to care about getting sent to an unfamiliar place once again, too desensitised to life in the Devildom to reclaim their agency, and too desperate to earn the love of their former family to even think about anything else. They became so co-dependent to the demon brothers that they seem to think they cannot live without them or their affection, even if the ones they are living with in the past are different people from the ones they grew to love in the present.

The phrase "You either die a hero, or live long enough to see yourself become the villain" fits way too perfectly for the Obey Me MC. After all, MC keeps getting rewarded every time they try to get themselves killed (or even when they actually got killed). Maybe that's the only way they know how to resolve problems.

So if they can't die as the hero, they'll just learn to live as the villain.

[atrophiedemotion]

escapism vs reality in alien stage

in this post (elaborated greatly by geo's tags as well) i mentioned a big sua/till parallel i noticed (but didn't go into much detail because i didn't want to derail the post lol), and i wanted to go into more detail on that and the overall reality vs fantasy theme alnst has going.

sua & till both use their love for mizi as a form of escapism. sua's love for mizi and the weight of her knowledge of their universe causes her to create a safe (fake) bubble for her and mizi to exist in & makes it as perfect as it can be before they're out of time. till uses his love & admiration for mizi as a beacon of hope, as motivation to go on despite how horribly he's treated in day to day life. mizi is the brightness in both of their dull lives.

this view of mizi as a hopeful, optimistic sort-of deity sheds light onto an entire theme of alien stage, escapism vs reality. it also shows that mizi & ivan, in this specific instance, are antitheses of each other.

mizi, as a character, symbolizes hope and escapism. she is the only character out of the main four that didn't understand the exact conditions of their world due to how she was raised. she does not fully grasp how horrifying the alnst universe is until she watches sua die, which is the inciting incident for the entire series. escapism isn't possible anymore, but hope is still there when she gets rescued by hyuna and joins the rebellion.

ivan, on the other hand, literally symbolizes truth and the reality of their world. since he was born he understood the cruelty the segyein are capable of and knows exactly where he stands in the world. he is seen to be fatalistic and even nihilistic. his death, which he sees as an inevitability, is the second inciting incident (the one where everything goes to shit chaos afterward). it is a brutal reminder of the truth of alien stage to both the characters and the audience.

sua & till actively seek out mizi as solace in their pain, and they both actively avoid ivan (in their own ways) and the connections he has to reality.

sua avoids ivan because, well, he's mean to her, but mostly because he's not even trying to be mean, he's just objectively right and she doesn't want to hear it. he is a reminder not only of the cruel world they live in but her own 'twistedness'. he reminds her that she is not solely the fantasy she's created with mizi, but someone with unavoidable knowledge of the inevitable (as well as someone who is willfully keeping this information from an unknowing mizi).

till avoids confronting his feelings for ivan and confronting ivan in general because ivan confuses him. his feelings for ivan aren't cut and dry in the way his feelings for mizi are, because ivan is and always will be tied to pain and suffering for till (their first meeting in the auction shop, their miscommunication/strange relationship, the fact that ivan is the only one who sees him at his most vulnerable, etc). ivan's death forces him to confront these feelings (for ivan & about their world in general) but even then he's repressing them until he physically can't anymore.

mizi is escapism & hope, literally realized because she escapes. ivan is reality & a representation of the fate of alnst contestants, literally realized through his death.

it doesn't end there, though. sua & till are escapists running from reality (with diverging paths that are both narratively important in their own ways), while mizi represents escapism & ivan represents reality. along similar lines, but going a step further, hyuna & luka showcase these exact themes.

hyuna is the legitimate showcase of hope, of freedom. she is a free human (as free as you can get in the alnst universe) and the leader of a human rebellion focused on uprising as a race against the segyein.

luka is the perfect example of compliance within reality. he is now a two time alien stage champion and the definition of a pet, no matter how he actually feels.

hyuna & luka are similar to, but a step beyond, mizi & ivan. mizi symbolizes escapism, but she is faced with reality and must grapple it, while hyuna is freedom personified (albeit with demons of her own). ivan symbolizes reality, but he still yearns for something he thinks he'll never have, while luka completely shuts off those emotions because he knows they will only jeopardize his chances of survival.

the characters of alien stage perfectly embody one of the core themes of alien stage, the discrepancy between fantasy and truth, and the way those can coincide in a world.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[flwrkid14]

Buried Beneath The Laughter They Ignored

Tim is totally fine. Ridiculously fine, actually.

It didn’t matter that he woke up feeling this bubbling, manic laughter in his chest, like everything was suddenly so fucking funny. It didn’t matter that he’d woken up from another nightmare last night, crying, calling for his mama—not the mother he lost, but the mother he gained, Harley Quinn. And it didn’t matter that most days, he felt more like Joker Junior than he did Tim Drake.

It didn’t matter that no one else seemed to fucking care.

He shoved down every bit of laughter clawing up his throat, because he knew if he let even one chuckle slip, they’d all give him that look. The one they always did. Disapproval masked as concern. They didn’t like Junior. They didn’t want to believe Junior was still in there, clawing his way up every time Tim breathed.

It didn’t matter that no one ever asked him how he was doing. They didn’t want to talk about it. Because talking about it would make it real, and they preferred pretending it wasn’t. They expected him to be fine, to push it down, to carry on like nothing happened. If he tried to bring it up, they’d say he was being insensitive—insensitive to Jason's trauma. What fucking irony, he thought bitterly. As if it wasn’t insensitive to be stepping all over his by not letting him speak.

It didn’t matter that he caught them glancing at him sometimes, like they were waiting for the other shoe to drop. Waiting for him to snap, waiting for Junior to come out again. But they never asked. No one asked what was going on in his head. No one fucking asked.

It didn’t matter that when he finally snapped, when he finally screamed at them, sick and tired of pretending, they had the nerve to act clueless. As if they didn’t know.

It didn’t matter that Dick, of all people, screamed back. Yelling like he was being unreasonable. Like he was the problem. He screamed at Tim, demanding answers, to ask what the hell he meant by Joker Junior, as if—

As if they didn’t know.

They didn’t fucking know.

This whole time, they hadn’t known.

They didn’t know Tim had been taken. They didn’t know Tim had been missing. They didn’t know Tim had been held prisoner at the hand of the Joker for months, tearing him apart, piece by piece, until Junior was the only thing left of him. They didn’t know he had screamed for them, begged for someone to find him, but no one ever did.

They didn’t know how much he had suffered. Alone. They didn’t know how much he had changed. They didn’t know that every time he woke up now, it felt like he was still Joker Junior, just wearing Tim’s skin.

And they didn’t know how much it hurt—how much it broke him—to realize that they had never known.

Tim wasn’t fucking okay. And it mattered—oh, it mattered—that they didn’t fucking know.

Because if they didn’t know, it meant no one ever bothered to look. It meant no one ever cared enough to notice.

[rustyelias]

NO BODY MOVE IM ABOUT TO LOSE IT

SHAKES MY LOUIS PHOTOGRAPHY POST AROUND OH MY GODDD

oh they are so brassaï like I’m jumping up and down rn

[otaku553]

I have an agenda.

Long hair teenage sabo.

[molinaskies]

Lanolin: Designed to be Dislikable.

Hi friends. I’ve had a number of people in my digital face over the last few months trying to “show me the light of Lanolin,” but I’ve kept these interactions private because there’s no need to put them on blast. Of course, they're mostly respectful and I’m often reminded that I have a right to my opinion, but there is always an undercurrent that I might have just missed this one small tidbit that could blow the case wide open because how could I possibly not like her? How could I not understand her character and be empathetic to her plight?

But I’ve watched the videos. I’ve read the think pieces. I’ve seen it all. But my opinion hasn’t changed and that does not mean I’m wrong… nor does it mean I’m right! We have two different opinions that should be allowed to co-exist.

I’m being a touch cross here, I recognize. Please forgive me for that, this once. But frankly, I am frustrated—not because people like Lanolin, but because many seem incredulous to the fact that I dislike her. And I can only assume that means I simply have not made myself clear.

Consider this my final take on Lanolin the Sheep until there is some significant development for this character.

I am allowed to dislike Lanolin because she is a fictional character whom I’ve done the research on and have come to that conclusion. Done. That’s all she wrote. Go home.

That aside entirely for the sake of argument, I am allowed to dislike Lanolin because she is supposed to be unlikeable as per her role in this story. I dislike Lanolin because I dislike assholes, but I also like Lanolin because she is doing her job very fucking well! lol

Lanolin is not supposed to be in the right. She is a character who is making major mistakes due to her lack of experience combined with her arrogant dismissal of others, and she will eventually be punished by Mimic’s betrayal to teach the audience some sort of lesson. If half of this comic’s runtime has been about punishing Sonic—the titular character—for his mistakes, then Lanolin can get punished once. I would bet real world money that this will happen.

So many characters are sus of Duo by now and have tried to do something about it but Lanolin gets in the way because she can’t listen to reason. The only reason Silver and Whisper “go rogue” is because Lanolin wouldn’t listen to reason—and her response was still disproportionate because when Whisper tried again to explain herself, Lanolin made her hit the deck.

Lanolin is Sonic with some pieces missing. We know this because Lanolin directly cites Sonic as her inspiration for getting involved in the restoration. However, Lanolin looks at Sonic, sees his behaviour, and emulates it without any understanding or regard for how he has earned the right to do what he does. Sonic is insolent, not arrogant, because he only denies authority when it isn’t earned. Sonic is defiant, not self-righteous, because he believes there are multiple ways to solve a problem. Sonic is empathetic, not sympathetic, because he takes the time to learn and experience what it means to live on the other side. Lanolin has modelled herself off of Sonic because Sonic is a hero, but she’s missed the bigger picture of what that actually means.

Lanolin is cold, unkind, and unwilling to be wrong because she thinks she knows everything she needs to be in this game. That is inherently unlikable to some people and therefore justified.

But there’s more to this, isn’t there?

A huge defence of Lanolin as a character is that “she has baggage that makes her rough around the edges,” and you know what? Fair! You would not believe how empathetic I am to that, trust me. Imma get into it. But the reality of the case is that Lanolin is her own keeper, and if Sonic, Tails, Knuckles, Amy, Rouge, the Chaotix, Tangle, Whisper, Silver, Blaze, Jewel, Belle, and many others can carry their baggage around and still treat others with respect and without verbal and physical abuse, then there’s no excuse. Yes, it takes time to get there, and the whole point of Lanolin as a character is that she hasn’t learned the “everyone is useful just the way they are” and “a leader is nothing without her team” lessons, yet.

But allowing Lanolin to lash out at the world only to let her hide behind her trauma is a deeply reductive portrayal of trauma survivors that I find aggressively problematic. Further, it is a failure to Lanolin as a character because, again, that is not the fucking point of her.

This is the one time I will ever ask anyone here to just “take my word” for something. I’m not comfortable airing out too much of my personal issues on the internet. But below is what I can share.

I come from a very, very broken home that instilled a lot of unproductive defence mechanisms within me. In short, I used to be very mean because I was neglected, and acting out against my peers and showing off my skills gave me attention.

The big ticket, though, is I thought I was good. I thought I was Great. Awesome. Outstanding. AMAZING. I was a natural-born leader with a drive for justice who was good at a couple things. I thought I was doing everything right because teachers liked me and I was getting opportunities. What I never saw—never could have possibly seen until it was spit right in my face—was how I was treating everyone around me as beneath me because I thought I had it in the bag.

It wasn’t until I learned about a very public smear campaign against me that I got a wake up call. When I saw what people were saying, it shattered my entire paradigm not because of just how heinous it was, but because of how much of it was true—and that broke my heart. All I have ever wanted to do was help people. Fight for people. Protect people. Elevate people. Support people. For me to learn I was doing the exact opposite of what I set out to do absolutely destroyed me.

After that, I immediately switched up my game. I pulled out all the stops and really focused on being kinder, empathetic, and encouraging. I started to become more self-aware and mindful of how my emotions and behaviour impacted others, but it still took years to even start to comprehend that I was traumatized, let alone the ways my trauma impacted my relationships and behaviour.

I used to be Lanolin. I was a mean girl getting progressively meaner from ages 11-17, and I am still in active recovery. I still make mistakes. I still fall from grace occasionally, but I am working on it. I’m almost 24 now.

Remember when this used to be about a cartoon sheep? Back on track LOL.

I promise you that while Lanolin has some moments of clarity, she is not largely aware of what she’s doing. She’s not evil. She is not unworthy of love. She just needs time for the story to let her learn.

I am not saying Lanolin does not deserve a redemption. What I am saying is that down her current path and with her current behaviour, she has not yet earned one. And here’s the thing: even though what I’m about to say probably will not happen because this is a kids comic directed at 12 year olds, just because Lanolin might eventually get her punishment, see the light, and apologize for her wrongs while acting on solutions, no one she hurt owes her forgiveness. Whisper can still tell her to fuck off. Silver can send her to outer space, Sonic 06-style. Tangle can yeet her back to kingdom-wherever the fuck she-come from (hush, I know it’s Riverside). 

Why? Because the reality is that even if you are a changed person and have learned and grown from your past discretions, you still hurt people. Even if they do forgive you, they may never trust, and they will never forget. That is the reality I and many others like me live in daily, and to be frank: I think it’s entirely fair. I made mistakes, and I gotta pay the consequences. I deserve grace and patience, but that can only go so far. The people around me are human the exact same way I am.

I personally believe that I have never misunderstood Lanolin as a character. She’s snarky and inexperienced and abrasive entirely by design. She is meant to showcase the “wrong” ways to be a hero and will be corrected. But just because she is a rough-and-tumble person who had a bad day at work does not mean she can come home and treat the world as her personal shitter. No one has that right.

And if you disagree with me, good! Welcome to MolinaSkies.

[lethesomething]

A classification of Candela Obscura series

As a liveplay, the different Candela Obscura series are interesting, because the Vibe changes every time with the different group setup. So if you're not sure where to start, here is my totally unscientific classification:

Series one: The Vassal and the Veil

The introductory one. Look at this new type of game we have! It is turn of the century inspired so there's street urchins and madams and prim ladies and weird professors, the kind of characters you find in a Dickens novel. Also it's narrated by Matt so Much Body Horror ensues. It's spooky and sad and American Gothic but weirdly, probably the lightest series of the four out now.

Series two: Needle and Thread

The PTSD edition. Now that you know the setting, let's dump a bunch of trauma in it! What is the value of a life? Of a soul? What is it that makes us human? How do fight you supernatural phenomena while still haunted by the ghosts of your past self? Your past life? This one has some of the better action sequences of all the Candela series. The vibe is Lovecraft meets Rambo and I will not elaborate on this.

Series three: Tide and Bone

In which Aabria turns the dial to eleven. There's body horror, there's monster fucking, there's that thing Sam does where he fucks you up with his character's backstory. The world is an unjust place even without all the supernatural horrors and capitalism is going to get all of us killed. The vibe here is a little bit more Dark Horse comics, because the characters themselves are Weirder and less grounded than in the other series.

Series four: The Crimson Mirror

In which Liam tries to murder the characters. As a dm, he has been given a Large Set of Knives with which to stab his characters but he's still just constantly swinging at them with a giant mallet also. This one is High Drama with lots of flashbacks and grappling with how to reassemble a life that has been torn to shreds. Heavy Edgar Allen Poe vibes. This one has some of my favourit acting in the series.

[hrrystylesbookclub]

here’s the thing:

sejanus thinks he’s in a situationship with coriolanus (he’s not), meanwhile coriolanus IS in a situationship with lucy gray. sejanus knows about the snowbaird situationship but he’s all ‘i know im not your only / but at least im one / i heard a little love is better than none’ except he ISNT ‘one’

[ogsherlockholmes]

Modern version of The Hound of the Baskervilles where Watson is texting Holmes all the details and Holmes gets discovered when he forgets to put his phone on silent.

Watson is walking through the moors with Sir Henry and tells Holmes they’re following the convict, then you hear that loud ticking clock notification followed by Holmes saying shit and scrambling down from the hill.

[lambmotifz]

“he creates the ideal passive younger brother to appeal to dean’s desires”….because submissive baby brother who looks up to him is dean’s most desired, most loved version of sam !!

[stil-lindigo]

floor _

a short comic about struggling to find yourself.

[ellaphnt]

Shuro’s status of nobility has been brought up a few times when discussing his fight with Laios. I’m sure there’s credibility to the argument but the way it’s been used makes me go, “huh??”

I’ve seen his upbringing used in a negative context, usually to flatten his reasons for fighting with Laios. “oh he’s used to people listening to him so he’s never met anyone who doesn’t do exactly what he says” or “he’s never been exposed to anyone new or any new perspectives and that’s why he hated Laios”. I don’t think these opinions are salient in fan spaces but I saw it enough times I wanted to talk about it.

I feel like we just, forgot that Toshiro is a foreigner? The only poc in the party? And never interacted with gnomes, dwarves, and halffoots since they don’t live in the east? (well, the last point depends on how much you’ve seen from the Adventurer’s Bible)

Compared to everyone else, he probably had the MOST exposure to new people and experiences. And yet he was able to, best he can, quickly assimilate and harmonize with everyone in his new party. Regardless of what he thought about them, it seemed everyone else thought he was amicable. As a poc (and East Asian specifically), that’s mission accomplished.

With all that effort into making himself culturally digestible, it’s no wonder he resented/envied Laios. He put in all this effort to learn their status quo, to not offend the new people he’s meeting, only for Laios to not give him the same consideration. Both of them were socially inept in some way, but only one of them felt the need to do something about it. It’s important to note that their fight was a turning point for Laios too - he realize he had to be more aware and present for his team.

So Toshiro didn’t want to say no outright because it might set back the bonds he’s trying to form. Confrontation is hard, confrontation in a new country is harder. He settles for “close enough” because hey, it’s not that big of a deal. Their opinion of me is way more important than obtaining respect for myself. I’m the foreigner. This has the consequence of making him a pushover, but I digress. He seems to identify himself more as a foreigner than nobility.

And that had to do with separating his identity! The identify he has at his house was kept VERY separate from the one he has with Laios and co. He doesn’t want Laios’ party to know that he is nobility. He doesn’t even care that they call him by “first name”, albeit butchered. He never mentioned the retainers to them (since Chilchuck had to ask who they were).

The retainers are people he’d rather keep at a distance due to their connection with his dad. This might be why he joined Laios’ party solo given the opportunity. But as we see in the image below, they followed him into the dungeon ANYWAYS. You can’t convince me he wanted them to do that. They watch from a distance, disregarding Toshiro’s independence. They don’t always listen to him, they do what they think is best for him, which means they actually follow MAIZURU. To her, his status as their young master is very important, and therefore he needs to be waited on hand and foot. It’s not that he’s used to people doing stuff for him, it’s moreso Maizuru does it regardless.

What drives both identities is an inability to assert himself. He don’t think highly of himself (living under his father’s shadow) and it shows in how people treat him. With Laios and others, he had the opportunity to shape a new identity, but because Laios was the one that introduced him, he and everyone else just accepted the misconceptions. I’m sure Toshiro noted his surprisingly strong influence on his team, something he hasn’t achieved.

With his retainers and Maizuru specifically, she doesn’t put faith in his decisions. She tsked at the fact they went to save Falin, but obeyed anyways because he’s never asserted himself before. (Reminder that assertion is him on his knees requesting their help - the hierarchy of his upbringing does not feel ingrained in him. Giving me overly respectful and considerate vibes, the silly guy)

So he CAN do it! He CAN shape how people see him if he is able to open up a bit more. Rather than his nobility, it’s moreso that he’s never trusted anyone to open up to in the first place. He doesn’t fit in back home. He’s distant from Maizuru, he’s distant from Hien. He’s distant from his brothers and parents. He basically never had friends until Laios. This is his first friend too!!!

He finally opened up to him, and that’s going to pave the way for his character development in the future. He now has someone he can trust, someone to put his faith in, and someone to teach him how to communicate better. By airing his resentment, now all that’s left is that envy/admiration. He’s going to learn from that.

Edit: just because I like keeping things together, here’s more discussion about this post :P