#lol i'm not sure what's going on here

[robo-dino-puppy]

hfw: burning shores | aloy 6/?

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[technically-human]

Can you draw something with Doom Patrol!Edwin and Netflix!Edwin?

Maybe something about Dp!Edwin talking about his feelings for Charles with N!Edwin?

It's just something I've been thinking of, make it a little angsty?<3

Glad you asked

ko-fi

[what-am-i-doing-in-this-fandom]

It's not Christmas yet, but yeah, happy holidays, everyone!!!!

(unshaded version under the cut 🙏)

I thought I might have gotten a little carried away with the shading, so here's a more visible version 🤞

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[shimmershy]

Chara Week Day 5: Ghost

Every time I see that machine in the True Lab, I wonder if it could possibly be Chara's soul in there? Probably unlikely, but not impossible... It's interesting to think about what the implications of that would be.

A version with no text and then a version with just the machine, because I think it looks pretty cool and ominous alone as well.....

[midnightwind]

you guys like me going off on random DA tangents and musings, right?? because I've been awake too long so you're getting another one

I have been sat here trying to figure out Why Lucanis' prison looks like a bunch of ice and why it was so far away from the "lab" settings for a while now. (arguably two rooms fit this description, the one where Lucanis tells you about Zara and the one right outside his phylactery room) Like, even without that bridge being broken, it's in such a bizarre corner of the Ossuary. And I mean, it wouldn't really matter with a normal prisoner, but Lucanis was a notorious Crow and mage killer on top of that, plus he was Zara's special little guy to fuck with. You would not want to take him for a long walk to experience the worst shit on earth every few days. Maybe it's close enough to the little room where he mentions Zara and maybe she wanted him close to the door so she didn't have to go far to torture him, but again, leaving such a challenging subject close to the exit seems like a bad choice. You want him to have to get through so many guys and doors before escaping so you have time to take him down.

This also ignores the magic required to leave, but they're not clear on what that is and not all the Venatori are mages so there's gotta be a mundane way out he could snatch off a guard. I digress, the whole ice cage and far off room doesn't make sense. But we know they were shipping demons to Zara. (I'm pretty sure the few demons you confront in Minrathous were Zara's little pets set loose so we can assume she wanted them in the capital for the eventual Venatori coup on the crown) If Zara was about to be stuck in Minrathous for the foreseeable future, setting things into motion for Elgar'nan, I could see her wanting her pet Crow at her side. Especially if you consider the initial idea for Lucanis: he was going to be a mind controlled murder puppet before you break him out.

Sure, Spite didn't crack open his ribcage and crawl out like some new horror, but having a demon in Lucanis lets her control him via the phylactery if not just outright with her blood magic. Maybe his will was too strong for mundane control, but the phylactery works. We know it works based off of Lucanis' dialogue about it. So we know she had a surefire way to keep him under control. (There's a whole other post exploring the amount of dead Venatori and the fact that Lucanis still has his leathers and weapons [which would make sense if he was Zara's murder puppet, but alas] and whether Lucanis recently made a break for it or if the loose demons/spirits/undead killed them all) Maybe he kept his leathers because Zara wanted him presentable upon delivery, I don't know.

But I do think he was being prepped to move. The Ossuary is falling apart, Zara is pulling all the best results, they're losing personnel and servants without being given more; Zara was clearly moving on from that location. But she wanted her little Antivan prize. He's too dangerous to move normally, a Crow is likely to escape if given an inch especially a skilled one like Lucanis, so they need to lock him down somehow. Ropes and chains aren't reliable, not with a Crow, but he's not a mage. You can use magic. You can literally put him on ice. I think they were packaging him up in an ice cube and doing it next(ish) to the door so they could more easily move him. I think Zara was going to take him and his phylactery to Minrathous and use him to cause some absolutely ruthless mayhem in the city before her cult took it over.

I think Rook showing up weakened the spell being cast just enough for Lucanis and Spite to break out, and I think it saved a whole lot of lives.

[hyakunana]

Interrupting all my chores for a very important event

[mlobsters]

severance s1e8 what's for dinner?

man, what is going on at waffle house these days

[randomnameless]

Why do we still have in 2024 stupid takes like Rhea created and enforces the crest system?

Bcs Rhea BaD anon.

More seriously,

FE Fodlan is one of one of the most divorced FE verses from its fantasy elements (see : Nabateans being as important as Ignatz's leather shoes) : Tellius has the Laguz existing, Archanea/Ylisse has manaketes hanging around and being a core point in FE Archanea, Elibe has its entire history involving dragons and the best ending finally be about acceptance between the two races, Magvel has zombies, Valentia has terrors and in SoV we have dragons and magic dragon blood, Fates has dragons (and laguz-like!) and even Jugdral have people with magic dragon blood.

(i ranted and ranted and ranted under the cut, so it's a bit long)

Unlike Fodlan, Jugdral's "people with magic dragon blood" are a key element to the story told at large, and it bleeds through the mechanics used to tell that story. FE4 wise, toddler!Seliph has a S rank in swords when Beowulf, even if he trains his entire life, will never achieve A rank in swords. Base!Julia with her holy weapon can smack Loptyr, when max!invested (at least lore wise) Forseti!Ced will never be able to kill him.

It's unfair for Beo and Ced, but that is how the verse works because, in that verse, some people are mc guffins or "the only ones" who are able to do something, or even, straight out, stronger/have more talent than others.

In traditional fantasy settings we have the "same" sort of rules, you have elves who do X and Y, humans won't can't, dwarves who can't either but they can do W, orc who can do J, etc etc.

Even for all of the "deconstruction of the genre!" gimmick ASOIAF has, according to some people, Dany is fire-proof and Jon most likely survives after being assassinated because he is a Stark and can use his doggo as a back up save, both things Edmure Tully will never be able to achieve.

Tolkien has Numenoreans being straight up blessed by the Valar/stronger/longer lived/etc etc than middle-earth humans, on top of also having elves, dwarves and ents.

Ergo : power inbalance is baked in the fantasy genre.

And yet, the writers often manage to tell some version of "the ones who have less power are no less important", like with Tolkien, it's a bunch of hobbits who manage to take down the greatest "evil" of their era, or some message like "having more power/being more important means you are bound to help the ones who have none" thingie.

In Fodlan, the "beings who have more power" than humans are the Nabateans (+ Sothis herself!). Sothis can create life, her daughter - through unknown means - can create artifical beings, one her children can control weather (the one who was turned in a milkshake for Charon!), one of them has monstruous strength (the one turned in a milkshake for Blaiddyd), one of them could communicate with animals (Timotheos iirc - if we assume he was a Nabatean or got his powers from his crest), her granddaughter can set up an AOE to heal what would otherwise be fatal wounds (it's heavily implied this is what Flayn did when she overused her power and went comatose) etc etc.

This is the original power inbalance in Fodlan.

Then some humans "stole" this power from Nabateans, and got a share of it themselves, which is what is later called "crest" : aka, some humans got a part of the super/magic powers that Nabateans originally had and thus, because, for all intents and purposes, "super-humans".

Now, Fodlan discourse started with FE16 being released in 2019, not that long after GoT's ending - which was trash - and in an era where fandom turned from "harmless fun" to "something that looks like activism and earns you point if you manage to use it to express your real life opinions".

In 2019, after Dumb and Dumber tanked GoT and removed most of ASOIAF fantasy parts to deliver "sex that sells" with a moldy plot, some part of the fandom started to conflate and harass people over what they like, and how it, apparently, reflected on their real life opinions ("if you hate this female character it means you hate women!"/"if you think X becoming king is a good ending, you don't value democracy!").

So, we have this fantasy setting with its inherent power inbalance... that quickly became something that is/was unacceptable, because IRL, power inbalance is based on bullshit and something everyone decries - so if your beloved media reflects on what you like IRL, you can't like a setting with an objective power inbalance, even if is justified by magic which doesn't exist irl like shooting eyebeams or some people being more "special than others" who can live up to 1500 years old.

Fodlan's power inbalance, for some parts of the fandom 2019, cannot be justified by traditional fantasy settings so, those settings/fantasy elements are straight out ignored.

Thus the "crests"' magic effects/powers are ignored, and dumbed down to, roughly, what a middle school student would think "nobility" is/was in the Middle Ages/Renaissance.

Jean-François Marie Pierre de Bourbon isn't inherently better at smashing things with a sword than Bob, or at healing than Roger, any "advantage" Jean-François Marie Pierre de Bourbon has over them is, maybe, that he started training earlier.

In Fodlan?

If Jean-François Marie Pierre de Charon has a major Charon crest, he can dance and clap in his hands to summon rain. Bob and Roger, no matter how hard they train, will never be able to do that. Jean-François Marie Pierre de Charon will thus be seen as having higher "value" or being straight up "better" than Bob or Roger, because as long as he is here, your crops will never suffer from drought.

But... we can't have that, because if you confuse fandom and real life opinions and aspirations, you cannot admit that some people in Fodlan are inherently "better" at something, only because of their blood, otherwise, what would it translate to IRL?

This is why, imo, part of the fandom (and the game sure doesn't help! Fodlan is no Jugdral and its gameplay lacks coherence regarding the in-game lore! Remember how Raphael can use a relic and only loses 10HP, when Miklan, plot wise, was turned in a demonic beast?) that loves this take, arguably, reduces crests to a title and family name.

Why should the Bourbon family rule over us, when they're no better than Roger or Bob? Isn't it unfair the Bourbons are still valued nowadays when the only thing to their fame is their name, and not what they are actually doing?

The game plays coy about crests - we know each of them has a specific power - but it never reveals what are those powers (lore wise!) save for 2 of them. So are crests superpowers, or just a family name with a particle, or both? Is the "system" (a friend made a post debunking any idea of "systemic" application of this notion in the three countries) based on bullshit, or on, objective superpowers?

Dimitri tries to tackle the issue, but only around relic usage : the Gautiers are valued if they have a crest because they can use their superweapon to protect the border. But what about valuing House Charon's ability to bring rain and guarantee good harvests? What is the other superpower tied to the crest of Gautier that isn't "use a femur and wreck havoc with it"?

If Marianne's ability to talk to animals is tied to her crest, why isn't it more developed? Instead of having useless shit like talking and befriending horses like a Disney princess, we could have Maurice-blooded people be masters of counter-intelligence, imagine if they can talk to birds/rodents and ask them to scout various areas or spy/ask them what they saw ! Hell, we could have had a situation where in a fog of war map, where Marianne, if, idk, through Billy fed enough animals in the monastery, would have a better field of vision than anyone else, with some blurb/one-line about her relying on the animals around to know and see what is going on! Alas, it wasn't meant to be.

FE16 eludes the question, because the character who "questions" a world centered around "crests" is the marketable asset of the game, and cannot be challenged in any meaningful capacity v- she feels it's unfair that her crest seemingly dictate her life, and only in the gacha game with ery serious writing like the Heavy Plate Corps or Sniddies, does she get a modicum of self-reflection - or at least someone challenging her - where she is told that she could use the superpowers she has to help people instead of blaming the world for getting one.

In a traditional FE setting, where some Lords question why they were born with power/or are in powerful positions, the answer is always that no matter what they were born with (or without in Leif's case!) what is more important is what they decide to do with that power. Elincia never wanted to become Queen? She will still fight and protect Crimea and its people. Marth is the last hope of Altea, even if it means leaving Elice behind. Seliph doesn't want to fight in Thracia anymore or feels like he's a fraud? He can turn tail and return home, while the world around him falls apart. Leif also feels like a fraud because he doesn't have superpowers like his cousin? Does that mean he should turn his thumbs and watch as his people are being caught/enslaved/sacrificed?

In Fodlan you have no reflection like this : Linhardt is, imo, the best example.

Dude hates blood and has a crest (aka magic powers) geared towards healing, you could make a case that for someone who has hematophobia, being a healer is difficult and this would be the reason why he refuses to heal/use his powers to help people around him... but no. Lin's laziness is played for laughs, and his refusal to do anything not related to his topic of interest is never questioned/analysed under the angle of, say, a head nurse who has no crest and laments that she couldn't save everyone who was hurt during an assault, who snaps at him for having the "gift" he has and not using it for the sake of people around him.

"What Lin decides to do with his power?" : Well, nothing.

Instead we have a reflection on his bright mind going to waste if he lazes all day long, culminating in his Supreme support where an Imperial facility is created specifically to cater to his tastes, that will enable him to research crests as much as he wants...

But still, nothing about his innate "healing" power!

In the end, it's no surprise that part of the fandom latched on that "crest = nobility title" because the Fodlan verse refuses to develop anything about its fantasy elements (hell, iirc Nopes swaps "crests" for "blood" and "titles" in its Supreme route ?).

"Sure, but where does Rhea fit in this nonsense?"

Rhea is, in this vision, the ultimate target !

For all of the "I ignore fantasy elements", Rhea is always (in FE16 at least!) turning into a dragon : no matter how hard you want to ignore fantasy, she's here to remind you tht, in this verse, dragons exist.

But most importantly, as Fodlan must be analysed through an IRL lens otherwise modern fandom cannot engage with it, Rhea, by virtue of being the lady in charge of a religious organisation called "Church", is also seen through a lens : Rhea BaD bcs Religion BaD and Catholic Church BaD.

FWIW, thanks to the five years of discourse we had, I learnt more about cultural values and differences existings between, here and the rest of the world - especially a place that is overepresented on fandom spaces - on organised religions especially the catholic church. Of course this bled on fandom takes and analysis, which projected some users' irl bias against the Catholic Church on the fandom organisation and entity that is the Church of Seiros. Combine this with secularism being now weaponised and used to ridicule people in spaces like r/atheism and you have a perfect recipe for "Religion BaD = Catholic Church BaD = fictional organised religion with a catholic flair BaD".

Granted, given how a certain loLcalisation team also originates from this place, it's no surprise that some "creative liberties" they took tried to hammer even more, let it be in the script or the fucking "what is this game about?" page on their website, how this fictional organisation is basically a squenix trope of "evil cult manipulating everything in the shadows and sekritly controlling the world".

Besides, the main heroine of the game (even if that comes with a twist!) opposes this faction (CoS and especially its leader!) and, by the way those games are built, as seen earlier, they cannot disavow her too much, else the entire gut-punch the devs were gunning for (you are betrayed by your beloved character! But unlike what happens in Baten Kaitos, you only are attached to her because she is your avatar's simp) will fall apart. So she must be, somehow, right and not motivated by more personal and heinous reasons, like not accepting "non-humans" to have powers over humans, or thinking the world is not a place for them (this was carefully scrubbed out in Nopes, btw!).

If Supreme Leader, who we are supposed to root for and whom the game ultimately rewards because "reforms" happen in the endings, says that the CoS is the reason why humans value superpowers, she must be right, or at least, not completely wrong???

Which raises the final point on this topic : FE16 came in 2019, which was election year in the US, and we all know that election time in the US means the rest of the world is also affected, even if the rest of the world, well, isn't the US. As I mentionned, the US is over-represented in fandom spaces, and fandom is far from being a safehaven from all the mayhem and passion that always boil during election time and its immediate following.

Coupled with the "my fandom faves define my real life opinions" thingie I already wrote about, and we had an explosive cocktail for bad takes, needless aggressivity, ridiculing people with dissident opinions because they are seen as "wrong", etc etc. And let it be something trendy or not, especially when (young?) people are arguing about "politics" in online spaces, but it always boils down to gross simplification of various complex issues and/or using catchphrases or "shock-value" words to win over whoever is reading/listening.

(et je ne dis pas ça parce que certains de nos politiques font des "immigrés clandestins ou pas" la source de tous les maux, ou le fait que nos députés font la même chose en ce moment, Jonluk et Marine main dans la main, pour paralyser l'Etat afin de pousser Manu à la démission et éviter la case prison pour Marine)

I always thought the "CEO of racism" was a meme, but through Fodlan discourse, I started to wonder if it was something started seriously by someone who really thought that "racism" is caused by one person.

And we finally get to the point : somehow, somewhat, Rhea is supposed to be responsible for people/humans valuing superpowers.

Forget that the same "quest to obtain those superpowers" led to the extermination of her kin, or how the devs themselves explained that people - at least in their setting - always want more power :

As a result, what would happen to humans who gained power... they would want even more power, and find a dragon much stronger to beat in order to collect materials forcefully, in order to make even more powerful weapons... and so that was the cycle that was born. And that was the birth of Fodlan's Ten Elites

Wait, kill that, those superpowers don't exist since the game and the characters (bar Catherine, but I agree with @9thwither here, Cat is one of the most overlooked characters in this fandom!) never talk about them, so they don't exist...

Rhea is thus the reason why people value bloodlines - especially since those bloodlines don't come out with superpowers.

It sounds better and closer to what you could "hear" irl, from someone who's discoursing on the internet to explain "why" some people are more valued than other, it's because of religion and the Pope! It cannot be because of, well, human greed or just the need to have more power (for good or wrong reasons), no.

"But random, the Church most likely promotes a "divine right to rule" doctrine and let the 10 Elites' families rule over their clans in Faerghus thus gain nobility!"

Sure, but everything is moot if you consider this : to make this take viable, we ignore the game and consider that crests are just bloodlines, and not, objective sources of superpowers.

So why are we, discussing about this hypothesis/theory, even arguing about what the game says and/or does?

Bob Blaiddyd can kill a giant lion/wolf with his fists at base level, is it because of a supposed doctrine that people rally and want to be in Bob's graces, or because Bob has the power to protect them all? Karen Charon can summon rain, are people siding with her because Rhea told them to, or because Karen can make crops grow?

In conclusion : why people are still, in 2024, sprouting those takes?

1- Because they refuse to engage with the game and realise that it is a fantasy game belonging to a very specific genre

2- Because fandom opinions reflect on your real life opinions and likes : so they must find a reason to oppose what their perceive as an unacceptable power inbalance otherwise it means that they support the various inequalities that exist IRL

3- Because Religion BaD and bar the "projected takes from transposing feelings about an IRL church on a fantasy one" more and more people tend to prefer an "easy to proceed" solution than think about multi-causal issues and find solutions that might not.

Of course, I can already guess that some people might argue that they don't "refuse to engage with the game" since this take is more a less a condensed version of the Supreme spiel, and as developed above, the game does - willingly - a shit job at demonstrating that her spiel is nonsense (they had to add the "greed" part in an interview released after the game and its only and final DLC!), just like her sockpuppet who supposedly learns how misguided he was in certain routes... only to end with the same ice cream, albeit with a different topping.

However, Dimitri and Sylvain mention how crestless children are disowned in Faerghus... when Dimitri's own uncle is ruling over a domain himself, Ingrid's brothers exist in the background and Gustave is still Baron Dominic's brother, on top of having been the royal master at arms for at least, depending on the route, 3 generations of Faerghan kings.

In a game where Dorothea can blame the Goddess for fighting in a war her bestie started - without anyone pointing this out - it's obvious this verse has unreliable narrators, but after 5 years and having played all routes in both games + a DLC + a dev interview explaining how and why some humans acquired crests...

Tl;Dr :

Reason 1- is most likely the most prevalent why this take exists anon, "because some people refuse to engage with the game" with the added topping of "save for what Supreme Leader and her sockpuppet say that I can use to demonise the characters I don't like".

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[sysig]

Enecomimi Banzaiiii (Patreon)

[mintjeru]

"thank you for being a victim of my shallow emotions" kvthm x alnst bc i love pain

open for better quality | no reposts

[howtodisappearcompletelyand]

20/10 stars little guy

[casmick-consequences]

gonna call it right now. nandermo is not gonna be canon and all nandermo fans are gonna feel the exact feelings that johnlock fans felt with the sherlock finale. i've been queerbaited one too many times to have any hope for the last episode :D

[libr-0-cubicularist]

A thing I made based on the wonderful fic Corruption Loves Company by @hey-adora (clicheusername5678 on Ao3) ft. Biblically Accurate Vio