#lol I feel vulnerable posting this

[nemocat-el]

I’m not going to paint or clean up this one

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[neiptune]

the pull of you

cw: 1.7k wc, female reader, NSFW, highly suggestive, hinata is your closest friend natsu's younger brother, on a night out you end up learning he grew up to become ever the charismatic flirt who's always kinda had a thing for you :)

The first time you see Hinata Shoyo again, you’re both older but he’s much different.

It’s not that you haven’t thought about him ever after high school. His bright, juvenile presence came to mind whenever you’d text or meet up with your best friend, the memory of the afternoons spent in the room adjacent to his still so dear to your heart. Natsu, ever so proud of her little brother, never missed a chance to update you on his life either. The adventure in Rio and beach volleyball, all the efforts put in understanding an entirely new, different version of the sport he’s always loved. How he accepted a part-time job as a delivery guy, tried his best to learn a difficult foreign language, all while trying to juggle homesickness, inexperience, a distant roommate and a shift in his reality that almost made him drop everything and book a flight back to Japan.

But then Shoyo adapted, just like you and Natsu guessed he would. Because it’s what Shoyo did. And now he shines bright for Tokyo, Japan, the entire world to see.

When your best friend demanded you’d be ready as she was going to bring a surprise, you never would’ve guessed her little brother was going to be it. Last time you saw him, he was a 5’4 teenage boy jumping around with nothing but volleyball on the brain. While apparently his height hasn’t exponentially grown, everything else sure as hell did.

The rounded table is far too little for three people to be sitting around it and while this was supposed to be a regular friday night out with Natsu (drinks on her), it’s turning out to be something completely different.

Hinata is sitting close enough for his knees to be touching yours and at every subtle bump you can’t help but think of how hard and thick the legs wrapped in those dark jeans seemed right before he sat down. Everything else you don’t really have to imagine, it’s pretty much laid out for your eyes to see: his shoulders look scandalously strong in a plain t-shirt, chest oh so wide, swollen biceps and muscles all over that keep bulging and swelling at each subtle movement. And then there’s his smile, a charming grin or one barely outlined crescent, filled with beaming confidence and dangerously flirty.

Because he is flirting.

Eyes shamelessly fixed on you as the conversation between you two just flows. And Natsu doesn’t seem to be the least bit worried about her annoying little brother (who used to also kinda be your annoying little brother) being so interested in asking you questions and ignoring whatever gossip she has about her perfect boyfriend.

“I’m just sayin’” Natsu sways in her seat a little, cheeks pink and a few tangerine strands escaping her bun only to stick to her forehead “the secret to a healthy relationship is communication. And great sex”

“Natsu” you gracefully push a glass of water toward her but it gets brutally ignored as she takes another sip of her drink “may I remind you that your little brother is literally sitting here? He can hear you”

“We talk about everything” he shrugs “I always know every disgusting detail in sickening accuracy”

Your friend giggles. “True. And I do too. You see” she winks at you “he’s not so little anymore, is he? How’s your girlfriend, Sho? The one we could hear”

“Jesus, I’m not drunk enough for this conversation” you bring the beer to your lips and take a generous swig, condensation cool against the pads of your fingers.

“We broke up” for some reason, he’s looking at you as he replies and relaxes back into his chair.

“Aw, what a shame” Natsu’s cheerful tone doesn’t quite match her pout “that makes two of you”

“Thanks a lot” you grimace. So much for the confidentiality of the secret shared a few days back, one not even your own mother is yet aware of. It's your fault for letting her drink, really: the years spent with her in college clearly haven’t been a fruitful lesson.

“Nothing to be ashamed of” she clicks her tongue in disapproval “he was an idiot. Who the fuck refuses to…”

“Don’t”

“… pleasure their girlfriend?”

“Oof” Hinata tries to drown the chuckle into his own bottle “that’s why you broke up with him? Fair game”

“Since apparently we’re sharing everything” you sigh, exasperated “he broke up with me”

“Asshole” Natsu shakes her head in disbelief “you were together for so long, too. High school sweethearts. Remember him, Sho?”

“Ah, yeah” he cocks his head a little “Sasaki, was it? Wouldn’t have guessed it went on, that guy never seemed to be a great match for you”

“Man, you used to hate him” Natsu mischievously hides her chuckle behind her hand when she turns to look at you to whisper “Shoyo had such a devastating crush on you!”

“Natsu!” he groans and this time you’re not the only flustered one at the table, as crimson blossoms on his cheeks you finally get a glimpse of the Hinata you remembered. You offer a lenient smile.

“I knew”

His eyes are on you in a second, lips parted and brows knit in surprise “what? Really?”

“Yes, Shoyo” it feels good to utter his name somehow, it weighs comforting and familiar on your tongue “you weren’t exactly great at hiding whatever was on your mind back then”

“Still bad at that” there’s something in the way he says it, in the way he holds you level in his serious stare that makes you all too aware of his knees still warmly pressing to yours. God, he’s attractive. And the worst part is that he clearly knows.

“I need to go to the bathroom” Natsu interrupts the brief staring contest between you two “please keep an eye on my drink” she rises from her seat, a little unstable. You reach out to support her by the elbow.

“Let’s go together, I can-”

“I need you to keep that safe” she indicates her half empty glass “he’s already thinking of stealing my drink, I can feel it” Natsu narrows her eyes at her brother and he raises his hands in defense, amused. You sigh as you watch her stumble toward the back of the pub, where the bathroom is.

“I never understand if I need more alcohol or less, whenever I go out with her” Hinata’s good natured comment makes you chuckle.

“You could’ve spared yourself the agony, tonight. I’m used to it by now” you absentmindedly drum your fingers on the side of the empty bottle you’re still holding.

“I’m glad I came” he takes a sip from his own beer “I haven’t seen you in so long. You haven’t changed”

You scrunch your nose at that. “Really? I was a teenager the last time you saw me”

“Yeah” Shoyo agrees with a little smile as he quietly takes your features in, gaze lingering on your lips as he replies “you’re still just as beautiful. Always wasting your time on people who should be thanking their lucky star you’ve as little as glanced in their direction”

There’s no reasonable way to explain the shudder that runs down your spine, the tense sensation tugging at your stomach when you lean closer to him over the table.

“And you grew up to be such a charmer” the smile you toss at him is incredulous and maybe a little teasing. As if he was waiting for that, Hinata bites and leans closer in turn.

“What is it that he didn’t want to do?”

You scoff but it’s playful, evokes a smile. “C’mon, you can tell me. It’s just me”

“He never went down on me” your tone is almost challenging, as if you’re daring him to laugh or take the piss.

However, Shoyo remains serious, with only genuine surprise evident in his hazel irises.

“But” he tries to make sense of the absurdity you just shared “he’s the only boyfriend you ever had”

“Correct”

“Does that mean no one has ever…”

“It means exactly that” you shrug, attempting to play off embarrassment as indifference “he thought it was gross. I never asked again”

­In the end, Shoyo does laugh but the sound is unexpected, incredulous more than it is mocking. “Natsu was right. What an absolute loser” he smiles, confident in a way that is ridiculously attractive “some would kill for that opportunity”

You snort out a laugh in an attempt to mask how fast your heart is really beating “I think that’s a little extreme, I don’t know a single man who would kill to-”

“I would” Shoyo tilts his head as he studies your flustered features, imagination already running wild as he asks himself if you’d look the same while straddling his face.

“You don’t mean that”

“Oh, I mean that. I think you know exactly how much I mean that. I’m terrible at hiding what’s on my mind, after all” he gently unclasps your hand from around the beer bottle, places it on the table and turns the palm upwards, thumb tracing lazy figures on your wrist “I’ll tell you, if you want to know”

He’s not hesitating, only granting you a way out of the conversation. But do you want a way out? No one’s ever looked at you like that, with fierce determination burning behind warm, genuine affection. You know Hinata, he’s never been a liar and you doubt he’s grown to be one.

“I want to know” you find yourself murmuring, entranced by a stare that holds you hostage in the best way. He smiles, rough thumb applying the slightest pressure to your skin as it moves in circles.

“I’d first have you on my knees and against the wall. I’d want to see you, find out what makes your legs give out the quickest. I’m afraid that’s all the patience you’d get from me” his other hand sneaks beneath the table and closes around your knee, wide and warm “I’d turn you around, eat you out from behind until you can’t stand anymore, until I’d have to carry you to my bed and have you sit on my face to take what you need from me. I could go all night, have you cream on my tongue, on my face, over and over again. I’d make up for all the years you spent with that jerk, in one single night” and then maybe you’d never want to leave, he mentally adds. “I know you’d want that too” he says instead, mischievous glint in his eyes. Your mouth feels so dry.

“What makes you think that?” surprisingly, you manage to string five words together. Hinata smiles and he looks as beautiful as ever underneath the golden, dim lights of the pub.

“I can feel how hard you’re clenching your legs right now”

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[autisticandroids]

CASTIEL: Stop. What's the point if you don't mean it? You fear me - not love, not respect, just fear.

[youtube with closed captions]

a godstiel pity party. i'd like to thank an anon i got way back in february of 2021.

[redundantz]

hahah *sobs*

[zivazivc]

Sorry if this has already been asked before but why did the band break up? And did they break up on decent terms? Do they still talk to each other sometime?

It has been asked before, I just never answered jshfbdjcbh I'm still piecing everything together and stuff is changing or getting tweaked all the time, so I'm always super hesitant about answering these types of questions, afraid that people will take whatever I say as the final answer. So basically what I'm going to answer now will already contradict what I told some people already. And maybe in the future the story might go a little differently too (although I'm pretty satisfied with the current events)

Uhhh, get ready for a long info dump. I didn't expect I'd write this much...

Floyd basically stayed with the band for 8 years (from 14 till 22) and got pretty messed up in the process. The rest of the guys are all quite older than him so I guess I could say they were more responsible, or at least had a better understanding of their own limits (also they grew up in this kind of environment or grew up aware of it, while Floyd was oblivious and naive about all of it) and while they do get drunk and do drugs often, none of them are really dependent on them. They are also pretty good judges of character and know how to avoid trouble. Floyd on the other hand drove in with no breaks and constantly got himself in trouble that the rest (mostly Les) had to drag him out of. He also developed bipolar during this time (in my story Floyd constantly fluctuates between being saturated and being desaturated because of this) and his manic and depressive episodes started getting out of hand after his teenage years. (None of them are aware it's a mental disorder that's making him act so out of character.)

Floyd was becoming miserable because of this and all of his problems pilling up, and started blaming Les for the way he was. Les never argued this which only fueled Floyd to blame him more. In the end he was getting so frustrated and irritable that Floyd constantly tried starting arguments with him, even putting him down and getting aggressive at times because Les gets very unresponsive and closed off during personal conversations (guy is a giant onion of suppressed trauma that Floyd is hellbent on peeling open).

Eventually there was one fight too many, terrible things were said, some objects flew through the air, and Floyd walked out (or Hed kicked him out, I haven't decided yet) with the promise of going home and never seeing them again.

So, yeah, it was very messy and Floyd was the primary asshole, even though he's not really to blame either...

But Floyd didn't make it home (was too scared to sneak through Bergen Town to get to the tree (i don't think i can judge him for that either)) and he just returned to the reckless lifestyle, this time without anyone being there to keep him safe. So if he was messed up before, this is the time period where he got absolutely fucked up. This is also when he got heavily addicted to sour worms. And when he chronically slept around (half the time just to get offered free worms or have somewhere to sleep, other times because he was having manic episodes and was feeling hypersexual). (This is also potentially the period when he had the two eggs with that techno troll, but I'm still thinking if I want that to be canon to the story or not.) During this time he also grew to become very anxious and his self-confidence went to shit when he was being himself.

Then after about three years of that, he bumped into Les at some party. He wanted to dodge him out of shame but Les grabbed his arm and manhandled him outside to talk. Floyd felt like shit about the way they had split up and tried apologizing for all the stuff he had said and done to Les, but Les wasn't having any of that because he wasn't angry at Floyd, he was just worried about him. Les is also insanely empathetic like Floyd, and he knew that Floyd never really meant any of it, and that he was just looking for an outlet when he was hurting. Also he does think he is to blame for the way Floyd ended up.

Les wanted to know why he didn't go home like he had said (because that was the only reason Les had even let him walk out in the first place). A few exchanged words later and Floyd broke down telling him all the awful things he'd done, and Les promised to help him, feeling insanely guilty. Floyd wondered if he was allowed back in the band but Les made it clear that the band wasn't good for him and that he was never taking him back. Instead Les helped him go though rehab. I don't think trolls have those institutions (or at least not many are aware of them or how they work (I'm sorry but I refuse to believe the Trolls world has internet and cellphones, Mountrageons can keep that for themselves lol)), so it was more or less just Les finding Floyd a job and his own place to stay in the middle of bumfuck nowhere where he had no option but to detox, and constantly checking up on him to make sure he was doing okay. During this time they grew pretty close again. Or maybe the better term would be that Les slowly started putting his walls down again.

Hed needed a while to warm up to Floyd again. He's almost as protective of Les as Les is of him, and he resented Floyd for the way he had treated him.

Flea is pretty phlegmatic when it comes to any sort of arguing or drama. He was casual about seeing Floyd again, they were never super close anyway.

And Liv, she left the band when she and Hed broke up (haven't decided if that happened before or after Floyd left), so Floyd didn't get to see her again after bumping into Les at the party. And I haven't thought yet if they'd ever meet again somewhere later in life. But if they did, I think they'd both be happy to see each other.

Anyway...

Floyd managed to detox and successfully kept the job for about a year, but then he became manic again and messed it all up. After that he returned to his nomadic lifestyle, but he never fell as hard as those three years again. In my story Floyd's life is a constant cycle of getting his life together and fucking it up and booking to the next place. And he and Les are trapped in a never-ending cat and mouse game where they're both trying to fix each other.

So, uh, Les and Floyd are still very close and see each other somewhat often...

(sometimes monthly, sometimes yearly)

Yeah...

I am so fucking obsessed with them I'm gonna hurl. Please take this song before I combust:

[taamlok]

I need to talk about this scene and how much it means to me as an autistic person. The things Taash describes are so, so painfully relatable to me. But really what gets me about this scene is Rook's dialogue. To be able to say me too, that I have to mask and imitating what "normal" people do in order to get by? That this is a practiced skill, and sometimes it's hard to employ? I have never, EVER seen that part of myself represented so authentically. I've had this exact conversation with my therapist during my diagnosis process. I've had this conversation with my parents, my siblings, my friends. I know the sting of when the mask slips and people you care about don't like what's underneath.

To be able to play as a character who experiences that, not as a headcanon but as a real conversation I can have in-game? For Rook to be able to connect with someone not in spite of this feeling but because of it? And for Taash to smile and say "you don't have to do that with me"... that just means everything. I'm so grateful for this character.

[sysig]

Smooth cover (Patreon)

Bonus alt:

[dennistakesamentalhealthday]

dennis is an angry character btw im sorry but he is full of rage but that rage is not exclusive his anger does not negate sadness and fragility and insecurities in fact they work together and dtamhd was one of the first times where his anger was not used as a joke via a surface level rage explosion from him but instead explored the fragility of his anger. the way he keeps reassuring the workers he encounters (and himself) that he's not mad. when he tells daisy he's not mad but he is a little bit upset. dennis is angry and that anger is what makes him so fragile. he was upset and it manifested as rage bc he doesnt know what to do with his own sadness

[bunnykitty13]

ITS HARD FOR ME TO ACCEPT THIS

[chatdae]

love how the older skaters in the senior division give Yurio encouragement and that each time it pisses Yurio off. JJ is intentionally condescending so that makes sense, but with Viktor and Yuuri they're not even being condescending. Yurio's just dialed in on being a hater... and i love that for him <3

[daz4i]

how many times do we gotta go over it man. thought crime isn't real. it's okay to feel whatever you're feeling. don't let anyone make you feel guilty for having some reflex reaction to stimuli in a way that is out of your control. the question isn't what you think or how you feel, but what you do. do you act upon those thoughts? do you harm others bc of your feelings? that's where you draw the line. keep it in your brain. vent it out in some personal way like a journal or a password locked blog. it's okay i promise

[cursezoroark]

edens!

requested from @emissary-of-dog

[sskk-manifesto]

Next time we should just skip over ep 3 and do a chapters 84-87 reread

[somethingmissingthiswaycomes]

I just read a post I would have liked to reblog for some points, but not for others — so I think I'll just muse about it in my own post.

The post was about the dichotomy of TME and TMA — terms I at first accepted without thought and then began to criticize and eventually grew annoyed with, then saw them as a straight up red flag because of how big the center circle of the Venn diagram seems to be between people who use those terms regularly online and people who use them to disparage trans people who were assigned female at birth. The crossover with people who use insults like "theyfab" seemed to be pretty big too. And it's inaccurate of course; you can't say anyone is transmisogyny exempt based on an innate aspect of their identity. And people who use TME as an insult (seemingly anyone who used it at all) seem to all be hateful about transmascs having terms like transandrophobia to describe their experiences.

But the post that made me muse right now started out saying that yes, it's not precise, it's not fully accurate, but there's something experienced in perpetuity by transfemmes, assigned male at birth, that isn't experienced by anyone who can convincingly assert that they're not trans women — and TMA is trying to reach for that, and transmisogynists wouldn't grant us any language to describe our experiences.

I've been wrong a lot about fundamental things, and realizing where I've been wrong tends to start with a feeling that there's something I'm trying to reject, because it's uncomfortable to me or violates my previous worldview. Learning I was trans, learning about plurality, the process of noticing transandrophobia within the trans community... and long before that, when I lost the faith I'd been raised in and came to recognize it as highly damaging. It's deeply unpleasant for these shifts to happen.

I've been getting a feeling like that lately, but I wasn't sure where it was placed exactly. Each time I notice a problem with my worldview, I get more cautious about what possible new problems could crop up. It makes things, well, more uncomfortable.

Anyway, this one post I'm mulling over phrased things in a way that made me start looking more closely at what it is I've been avoiding. Because my mistrust of people who talk about TMAs and TMEs came alongside a rising pride and solidarity in transmasculinity, and a frustration with people who deny the trans community language by calling us "transandrophobia truthers" and other closed-minded, bigoted nonsense. (It's so fucking frustrating.) So... I haven't been looking for discussions about the terms TMA/TME outside of the hateful context it was showing up for me in.

And this post I'm mulling over mentioned requiring language to talk about experiences, and that clicked. It clicked with me that, while there are a whole lot of people playing boys v girls 2.0 in all this, there's an underlying need to be able to discuss the unique experiences that come with every aspect of who and what we are — and we're trying to categorize, categorize, categorize.

Part of what made me decide not to engage with the post that made me start talking about this is that the OP brought up the idea of transfeminine people who were assigned female at birth... and how that's, to them, a ridiculous idea. The thing is, it's not, and accepting that is part of not overcategorizing. It's an unusual thing, but it's real, and it can mean different things. You can't restrict the type of people who can exist.

But it's true that there are experiences specific to one's assigned gender (like AMAB) and to one's physiological reality associated with it that, in an intersection with a specific or adjacent actual gender (like trans woman, transfeminine, or transneutral with perceived femininity), are important to recognize as, for the most part, unique.

My ability to be specific here breaks down, though, because I know from reading the words of certain intersex people that a lot of the intersection of transfeminine and perisex AMAB isn't actually unique unless you ignore intersex people. I don't think I can say more than that. I don't think I can get nuanced enough.

But I can use an "opposite" example to try to draw a parallel. Because there is an AFAB trans experience that isn't shared by perisex trans people who were assigned male at birth: the risk of pregnancy, and specifically restrictions on bodies with uteruses. That's a difference that TERFs like to prey on to drive a wedge in the trans community. They like to convince us that they're the only ones who care about that part of our lived experiences. That is wrong. And we shouldn't let that difference divide us.

In the same vein, we shouldn't let that difference being something that could divide us turn the topic into one that trans people who have uteruses need to sacrifice in order to stand together with trans people who don't. I think that's contributed to transmasculine erasure. The assertion that it must be so would fall under the umbrella of transandrophobia, a much needed term for the sake of discussing that.

Now back to transmisogyny affected/exempt. An argument I've often shared and agreed with and been fervent about is that it's just recreating the AFAB/AMAB binary. And I have seen people argue that no it's not, it's different, but in recognizing how often it's used that way by bad actors, I decided to ignore that argument. I'd say it doesn't matter; it may as well be that.

I think I've been wrong. And I've known I was wrong, in the back of my mind, for a while. My initial acceptance of the TMA/TME dichotomy had me making that same argument, so it felt like something I had moved beyond. Now I'm letting myself look at it more closely, I'm coming to a less accepting-it-on-faith understanding of the argument.

I'm also forming a new way of explaining my own experiences as a genderfluid person. Hopefully doing so will help to articulate what I'm thinking;

I am, currently, TME. Not in the literal sense that I don't experience transmisogyny at all, but in the sense of, "I have a body that allows me to avoid and avert transmisogyny directed explicitly at my person." I'm affected by transmisogyny in a lot of ways I've been working through for some time now, and it's for that reason that I still await better terms for this concept—but using these terms as I believe good faith actors do, while I'm not exempt from transmisogyny in general, I am TME.

But I won't always be.

I am a genderfluid person who was assigned female at birth. I started testosterone a few years back, and then I stopped because I wasn't sure how far I wanted to take it. I've been coming to terms with the fact that I need to go further and I may have to be on HRT indefinably to be able to be my full, real self... but I'm still also a woman. And it will cause me dysphoria if I can't present as a woman at times when my body has been fully affected by testosterone.

I don't know if I'll be able to be stealth in any direction. I will be affected by transmisogyny in a way I'm not right now. The difference between how I'm affected by transmisogyny now and how I will be then can, at the moment, be communicated with "I'm TME now, but I'll be TMA when I transition."

And that terrifies me, honestly. I had recognized that terror as being me internalizing transmisogyny, but not as me being afraid of it. I know I'll be more comfortable with myself, but...

The forms of transmisogyny experienced specifically by people who are perpetually perceived as male (or "supposed to be male") while presenting as female are more scary than what I experience now.

And that is worth being able to talk about.

And that is worth having a term for.

And I suppose "TME" and "TMA" are the terms people are using right now, at least online. Imprecise language is something we have to work around sometimes.

I do hope that the discussion can evolve language that doesn't so easily allow bad actors to use otherwise potentially useful terms as a weapon of lateral bigotry.

And, in general, I hope the discussion can move in a direction that discourages that more by rejecting separation of trans people into boxes based on AGAB without erasing experiences that come with AGAB. Categories are good and useful to a point — but not as boxes so much as colors we're painted with. You can't split people into groups based on any one category they're colored with without forcing some people within those groups to de-prioritize something else they are.

...

This feels like it could be a draft for a real good blog post, but I know I won't post it if I wait and try to rewrite things later, so it'll have to be the finished thing.

It's been a while since I tried to add to the conversation like this. Gonna turn my anons off in case of problems. I am OUT of spoons and won't be able to respond to any opinion about this, but feel free to say things anyway if you're nice.